Music: On/Off

SACRED GEOMETRY
Now that we
have given an overview of the entire aether model in this
series, and covered some of the basics in terms of how life behaves in the
earlier densities, we shall explore some of the physical properties of
these densities, and their esoteric connections. It is important to again
remember that these densities are formed by a fluidlike,
non-physical energy source. The hard proof for the existence
of a fluidlike ‘aether’ is extensive, and will
be covered in greater detail in volumes II and III.

First of all,
from sources including Ra, we know that the Universe is One.
This One is unilaterally referred to as Pure White
Light. It is also referred to as the "seed sound" of the
Universe, or the AUM. We are then told that
things got rather stale as The One, since nothing really ever
changed in this Unity. So, The One decided to create new
life from itself. In order to do this, The One vibrated itself into
the "octave." The Pure White Light became a series of seven
colors - red, orange, yellow, green, blue, indigo, violet. The visible
color spectrum embodies the memory of this. The One Seed
Sound broke up into a series of pure tones - do, re, mi, fa, sol,
la, ti. The immutable structure of the Octave, those notes
which are the purest mathematical ratios and also sound the best to
our ears, holds the memory of this. (They can be seen and heard with the
white keys on the piano.) Another word for vibration is
“harmonics,” and we will frequently use that word to
describe these systems.

We need to remember that this Pure
Light and Pure Sound are simply two different ways
of describing the same vibrations of the fluidlike “intelligent
energy” of the One. There is no real difference between them,
as they are both functions of vibration. Sound is a
vibration of air molecules, and light is ultimately a
vibration of the fluidlike aether. We will see in Volume II
how Dale Pond has demonstrated that if you multiply the pure
sound frequencies many times over, you get the visible color
frequencies, thus showing the equivalence between the two.

[Most scientists agree that light behaves like a
wave, but they also try to assert that there is no medium
that the wave is traveling through – that the wave is simply a
particle-like entity known as a “photon” traveling through
an empty ‘vacuum.’ This is a preposterous notion, as all natural
examples of waves have something that they are ‘waving’ through. The basic
definition of a wave is “an impulse that travels through a medium,” and in
reality light is no different.]

The third key “harmonic” component
that we need to have in place after light and
sound is geometry, which is the visible
result of vibration. The first and most important geometry that we
must start with is the sphere, which the ancient traditions
see as the highest geometry in the Universe, the pure essence of the
One. In our physics model, the Universe is ultimately spherical in
shape, as its energy fields expanded at a uniform rate in all directions
as it was formed. [All of our visible galaxies in the Universe have
coalesced into one single “flat” super-galaxy, however, but the
spherical energy fields are still present around this super-galaxy, just
not as visible. This will be discussed in Volume III.] A
sphere can be compressed into a single point,
which has no space and no time, and thus exist as the simplest object in
the Universe, but the sphere also is the most complex form in the
Universe, containing all other things within itself. Although this might
not seem to make sense at first, it is actually quite simple to explain
when we start out with a “flat” two-dimensional demonstration, as
the ancient students of sacred geometry would learn.

We start by drawing a circle with a compass. Any
spot on a circle could be defined as a point, and you could then take a
straightedge and draw a line to any other possible spot on the circle.
There are literally an infinite number of different lines, angles and
shapes that could be drawn within the circle. Mathematically speaking, no
other geometric shape can form as many different geometries inside
of itself as a circle can, and thus it is the most complex
two-dimensional shape there is. At the same time, its pure, harmonic
structure makes it the simplest possible two-dimensional shape in the
Universe. It is the only shape where there is only one edge,
no straight lines, and a curve that is completely unified for a full 360
degrees around a single center point. It resolves to One, and thus
it is the simplest possible two-dimensional shape.

When we expand
this into three dimensions, we can then see that the similar principle
applies to the sphere. Confusingly, physicist Buckminster
Fuller described a sphere as "a multiplicity of discrete events,
approximately equidistant in all directions from a nuclear center."
Events, you say? To put this in drastically simpler language, in a
sphere you can draw an infinite number of lines that connect to an
infinite number of points (i.e. “events”) on the surface of the
sphere, with all the lines starting from one single center point or
nucleus, and all the lines will come out to be the exact same length. This
makes the sphere the most complex three-dimensional
object that there is; an infinite number of different geometric shapes
can be drawn inside of it, by simply connecting different points on the
surface of the sphere together. Once you stretch or flatten the sphere in
any way, you have less symmetry and thus have less flexibility in what can
be geometrically created inside. (This may seem hard to understand, but it
can be proven mathematically. This also explains why liquid naturally
forms into spheres when it is in free-fall and/or in a soap bubble, as the
air pressure on the liquid is equal on all sides.) The
sphere is also the simplest three-dimensional formation in
the Universe for the same reasons as the circle; namely, there is only one
edge, perfectly symmetrical in its curvature around a center point, and
thus all resolves to One. For comparison, a cube would have six
sides or edges, and this is one of the simplest three-dimensional shapes
that there is. The sphere has only one
‘side’.

Interestingly, the work of Dr. Hans
Jenny (pronounced “Yenny”) has shown that when a spherical area of
fluid is vibrated at pure “Diatonic” sound
frequencies, i.e. the basic vibrations of the Octave, then
geometric forms emerge inside the fluid. Tiny particles that Jenny
put in the fluid known as ‘colloids’ would assemble into
basic geometric forms during the experiment, leaving clear water in
between – where normally the particles would be suspended all throughout
the water equally. If Dr. Jenny turned up the sound frequency
to a higher level, then more complex geometric structures would
appear, and when he turned it back down to the original level, the
exact same geometry that he started with would be seen once again in the
same way. This is quite a dramatic demonstration when seen on Dr.
Jenny’s “Cymatics” video, which is accessible from various
sources – yet such research has been remarkably undervalued and / or
ignored by the scientific community.

Thus, geometry
is a very basic characteristic of vibration – or as
Pythagoras once said, “Geometry is frozen music.” The
five most important three-dimensional geometries are collectively known as
the Platonic solids, since the Greek philosopher
Plato first wrote them about in modern times.

Figure 3.1 – The five Platonic
Solids.

As one note, the label “St.
Tetrahedron” is an abbreviation for “Star
Tetrahedron,” or what is more technically known as an
interlaced tetrahedron. You can also examine the
tetrahedron by itself, which is simply a four-sided pyramid
with equilateral triangles on each face, but in terms of the workings
of energy as vibration, it appears that most tetrahedral structures
have two tetrahedrons stuck inside of each other as we see
above.

There is clear evidence that any scientific effort which
moves towards a discovery of the importance of these geometries in
the Universe is being actively suppressed, as those in the
secret brotherhoods still have a high degree of power and
feel bound to “ever conceal and never reveal” the “secrets of
the Order.” Many of these group members have deliberately arisen to
power in various scientific institutions, and are thus positioned to
deflect certain types of research, especially those related to free
energy / anti-gravity, as we shall discuss in
Volume II. Richard Hoagland and the Enterprise Mission, working with Lt. Col. Tom Bearden, have
shown how such suppression efforts trace back to the 19th century, at
least. The great 19th century pioneer who analyzed the behavior of the
electromagnetic (EM) wave was Sir James Clerk
Maxwell. His equations, known as “quaternions,” were used to
map out the full, hidden internal structures of the EM wave
in full 3-D view, with over 200 equations altogether. When you analyze all
200+ quaternions as a group, you see the geometry of a tetrahedron
inside a sphere. This is the hidden secret of the
electromagnetic wave, the underlying structure that
determines its behavior as it moves along – and Oliver Heaviside
and others, who reduced Maxwell’s equations to four basic
quaternions and declared the hidden geometry to be “occult
nonsense”, vigorously removed it from all academic debate. Had this
not been done, we may have “solved the puzzle” far earlier along.

There is no direct way to prove that those from the secret groups
inspired this political move on Maxwell’s work, but it is exactly
what we would expect based on their own system of beliefs that they are
sworn to uphold on pain of death. An even more obvious example was the
demonizing of the “aether”
concept through using the results of the
Michelson-Morley experiment as “proof.” 19th century mystic
Madame Blavatsky predicted that the aether would be
removed from discussion, and that “the pillars of science would come
down along with it.” We will discuss this more fully in volumes
II and III. Even now, the anti-aether bias is so
strong that you will be almost immediately dismissed if you try to bring
it up in a scientific discussion – but we are not concerned, as time and
proof will heal this wound.

Once we do accept the existence of a
fluidlike aether at various levels of density, where each
density has a different quality of vibration, then we realize that certain
clear geometric forms will emerge at the various “pure”
frequencies. Indeed, geometry is the single most important aspect of
the aether’s behavior in terms of being able to construct
stable structures, such as crystals. Without the
geometry, matter would not be possible, as geometry is what allows the
“field bubbles” of the aether to clump
together in precise, organized patterns, forming specific molecules.
Otherwise, the best we could hope for is that the spheres would line up
pole-to-pole, and otherwise be free flowing around each other – and this
behavior would not be complex enough to build matter. The tips of the
geometries have more strength to attract each other than the other areas
on the surface of the sphere, as we shall discuss below, and this allows
the spheres to organize into non-random “matrix” patterns.

Though
we cannot directly see these geometries most of the time, except in
crystal structures, microclusters and
quasi-crystals (volume III), they create distinct
“stresses” or pressure zones in the aether that can exert
enormous forces on their environment. Think about the force that is
contained in a whirlpool and you’ll see how a fluid can have areas of
stronger and weaker force inside of it. These geometric forms therefore
possess both qualities of a fluid, as they are forming in a fluid medium,
as well as a crystal, as they are clearly geometric – hence Dr. Harold
Aspden refers to them as “fluid crystals.” By the end of
Volume III, we will have constructed a complete physics model to
demonstrate how these formations are hidden within all physics, whether
quantum, biological or cosmological. If you think the science of
chemistry and quantum physics is complete as
it is, you will be very surprised to find out how many problems there are
with the current models – and that the design we present here solves every
one of these problems. In this book we will cover some of the basics of
how this geometric patterning works, including the “Global Grid” of energy lines on the
Earth, which directly shape the continents.

The most
important quality of the Platonic Solids is that each shape
fits perfectly into a sphere, such that all its outer points precisely
merge with the outside surface of the sphere. Each of the straight lines
that make up these objects will be the same length, and all geometric
points on the sphere’s surface are equidistant from their neighbors –
which is exactly what we would expect with the science of
vibration. Plato and other Greek philosophers also pointed
out that all the angle measurements in these geometric solids are the
same, and that each side of the three-dimensional objects have to be the
same shape. Although this may seem confusing at first, it actually works
out very nicely. There are only five major shapes to contend with when we
look at this information. Those five shapes are the
octahedron, star tetrahedron,
cube (hexahedron), dodecahedron
and icosahedron.

In order to understand why such geometric objects form inside a
vibrating sphere of fluidlike energy, we have to know a
little about wave movement. If we have a simple two-dimensional wave, such
as a vibrating guitar string, then there are three basic components that
will stay the same if the wave is not disturbed. These three basic
components are the wavelength, the frequency
and the amplitude. The wavelength is how long
each part of the wave is, i.e. “the observed distance between two adjacent
wave crests,” (measured as a length quantity in angstroms when dealing
with visible light.) The frequency is the number of wave
crests that pass by an observer each second – measured as cycles per
second or “hertz,” and the amplitude is how high each wave
is – i.e. “the size of the wave measured from zero to peak.”

Any
color or sound that stays the same for a
length of time will have a continuous repetition of the same
wavelength during that time. As a typical example, the “concert-level”
frequency for the note A is 440 cycles per second. This means that when
air vibrates 440 times in one second, our ear interprets this as the
musical sound “A”. That’s all there is to it. If those 440 cycles didn’t
all have the same frequency and amplitude, then we wouldn’t hear a steady
pitch at a steady volume. If we increase the frequency of the sound, such
as by going up to 497 cycles per second, then the pitch will go up as the
wavelength shortens. If we increase the amplitude, the volume of the sound
will go up as the height of the wave increases, but its pitch will stay
the same.

We should also remember that complex information can
be stored in these waves. We have two types of waves that are used for
radio: frequency modulation, or FM, and
amplitude modulation, or AM. The word
‘modulation’ simply means ‘changing.’ So, as a
simple explanation, the FM waves stay at the same amplitude
but have continuing changes (modulations) in their frequency, whereas the
AM waves maintain the same frequency but have continuing
changes in amplitude. That’s basically all there is to it. Since these
electromagnetic waves can move so fast, there is a great deal of
information that can be stored within them – and that is an important
point. The encoded information of AM/FM radio, CB, the police / fire /
emergency bands, broadcast and satellite television stations, cordless and
cellular telephone conversations are always around us in every moment.

Now when we have a three-dimensional geometric waveform
inside of a sphere, the wavelength and frequency
would be represented by the distance between the various node points
across the surface of the sphere, which could be measured in degrees,
and calculated by the sine function in trigonometry. The amplitude
would be measured by the size of the sphere, which could be
measured in radians, and calculated by the cosine function. Thus, as we
pump up the strength (amplitude) of a given spherical energy field, so too
will we increase its size – which explains why these structures exist from
the tiniest level of quantum mechanics all the
way up to the known Universe. It is also important to
realize that in this fluidlike aether system, increases in
frequency will also draw in more aetheric energy from the
surrounding environment, and thereby increase the size (amplitude) of the
sphere as one geometry shifts to another. We will explore this later in
the chapter, when we see how neatly the different Platonic
Solids “nest” inside of each other, with each new geometry larger
than the one inside of it. So typically, a frequency increase will also
involve an amplitude increase.

The only thing left to explain
is why the vibrations form tips or points or vertices at the surface of
the sphere, with straight lines connecting them. Again, returning to a the
simple study of a wave in two dimensions, known as wave mechanics, we know
that every wave has certain points known as “nodes” where there is no
movement. This is easiest to see with the basic sine wave, which is shaped
like a slow-moving wave on the surface of a lake – a continuing S-shaped
curve. If you pluck a guitar string, there are certain areas of the wave
where there is no movement at all, but it actually will remain perfectly
still. These areas are the “nodes,” and you obtain the wavelength by
measuring the distance between these nodes. A node could also be seen as
the area where a child’s seesaw is supported by a metal pole; either side
of the seesaw can go up and down, but the middle of the board will always
stay in the same place. Again, such a point is known in wave mechanics as
a “node” or a “moment point.”

Similarly, the pointy tips or
vertices of the Platonic Solids represent the nodes of the
wave. These points are where the least amount of vibration is occurring
throughout the entire sphere. Consequently, we will see that in this
“stillness” is great power, caused by the pressure surrounding the points.
These node areas (as well as the exact center of the sphere) actually have
the greatest energetic strength across the entire surface of the sphere,
because the surrounding higher-pressure zones of vibration will naturally
gather up and direct everything “loose” in the area back to these
low-pressure zones. It is for this very reason that the most number of
loose “colloids” would gather into these nodes in Dr.
Jenny’s experiments. (This is also the same reason why high-pressure
storm clouds will rush into a low-pressure zone in our atmosphere.) Since
these nodes exert great force on each other by the laws of vibration, then
as the old saying goes, “the shortest distance between two points is a
straight line.” So, straight lines of force are naturally formed between
these nodes once they are created, and when you see all the lines combined
together, the geometric object emerges – just like connect-the-dots.

The last terms from wave mechanics that we need to introduce at
this time are “moving wave” and “standing
wave.” (The terms “dynamic” or “propagating” for the
moving wave and “static” for the standing wave are also used.) This
is quite self-explanatory – a moving wave moves through space, where a
standing wave stands still as it vibrates. So, if we have a sphere of
fluid that remains stationary and has a geometric stress pattern of
vibration inside of it, that geometry is referred to as a “standing wave.”
Once we think in these terms, it becomes easy to put the model together –
it is based on simple, known physical principles of vibrating fluid, and
the quasi-solid “stresses” that can be formed inside of it by
vibration.

MATCHING UP GEOMETRIC FORMS TO THE “DENSITIES”

Now if we think back to the idea that there is an
Octave of aetheric densities in the Universe, we can
see that these densities have color, sound and
geometric components. This is perhaps the most frequently
studied connection that was explored by the inheritors of the ancient
mysteries, long after they had lost track of the full scope of scientific
knowledge that was behind it. So, one early puzzle that we worked on from
1996 to 1998 was, “How do we assign a geometric shape to each of the seven
major densities, since there are only five Platonic Solids
and the sphere to work with?” We do not need eight shapes, as the
ancient traditions tell us that the sphere exists both at
the beginning and the end of the Octave. Similarly, in the
Octave of sound, any note that is an octave higher than
another note will sound the same, just in a different register – a higher
or lower octave. Mathematically, any musical note that is an octave higher
than another note will have exactly twice as many cycles per second – so
“A” at 440 cycles per second will again become “A” when it gets to 880
cycles per second.

So where is the seventh shape? The
answer was found in the “religious myths” of the
ancient Vedic scriptures from India, the remnants of the
Rama empire, as told in Robert Lawlor’s invaluable
book Sacred Geometry. The Hindus, or their contacts, supplied the
answer by supplying us with one of the Platonic Solids twice. Just as the
sphere appears twice, at the beginning and end of the
octave, so does its closest harmonic partner, the
icosahedron, located at the second and
seventh density levels. For the rich, mystical culture of
the ancient Vedic texts, with the full cooperation of
extradimensional entities flying about in fabulous
vimanas, the icosahedron shape was actually
turned into a god. They named him Purusha, and in the
seventh dimension, or density, he represents the masculine
force in the universe.

Figure 3.2 – The icosahedron, known as the
masculine god “Purusha” to the ancient Rama
empire

As we just said, Purusha also shows up as the first
shape for the sphere to crystallize into when we are at the beginning of
the spectrum. Therefore, the One, being a manifestation of all
conscious entities, must crystallize down into the world of form as
Purusha, and any entity must again attain the level of
Purusha to return to the One at the end of the
cycle. The next image from Lawlor’s Sacred
Geometry shows how you would draw an icosahedron in
two dimensions, using a compass and straightedge.

Figure 3.3 – The icosahedron, as drawn in two
dimensions with a compass and straightedge.

(From Sacred
Geometry)

Before we assert that the Hindu culture was sexist and male-driven,
assigning masculinity to all the best spiritual forces in life, realize
that there is a yin to our yang. The
universal feminine force is referred to as
Prakriti, and is identified as the
dodecahedron, or the sixth density.

Figure 3.4 – The dodecahedron, known as the
feminine goddess “Prakriti” to the ancient Rama empire.

(From Sacred
Geometry)

In fact, it appears that each density can be considered as
having either “male” or “female” qualities, the second being female,
third male, fourth female, fifth male, et cetera. Let us not forget that
the Oneness is a combination of both genders in Unity. Thus,
as Purusha starts as female in the second density, we
see that it is, indeed, a father / mother god, also encompassing the
feminine, or Prakriti archetype within itself. Once we read
further into the design and understand the metaphysical and spiritual
properties of the dimensions, their “genders” will make tremendously good
sense. Other than the sphere, we can see that Purusha and
Prakriti are the two highest shapes in the spectrum,
so it makes sense, in some way, that these two shapes themselves could
have been personified as gods and goddesses. These higher
realms are clearly something we can aspire to, and these are, essentially,
conscious shapes.

Our own home is currently in shape
number 3. This, the octahedron, is the vibratory level that
provides the invisible background framework for the energy that all of our
atoms and molecules are created from. Rod Johnson, whose sacred geometry model of quantum physics
covered in Volume III, has asserted that the massless
"neutrinos" that have been observed in the laboratory could
well be octahedrons. However, more often than not these
vibrations would remain undetectable, as they are only the underlying
framework of reality, not the actual reality itself. When you look at a
finished skyscraper, you don’t see the I-beams. Similarly, we don’t see
the "zero-point energy" that creates "virtual
particles" of protons, neutrons and
electrons which constantly wink in and out of existence, but
yet we know that it must exist. Therefore, the ancient physics would teach
us that this shape represents the fundamental background for all matter
in our "density." This is the forgotten ancient teaching. It is
important to realize that this is only a general rule, as within our own
density we see evidence of all the Platonic Solids,
representing the different “sub-densities.” We need all of them in place
to be able to build physical matter – but the strongest one in
third-density is the octahedron.

Figure 3.5 – The octahedron, which is the
underlying geometry of our own “third density.”

To look at just the top half of an octahedron, we can easily see
that it is identical to the shape of the Egyptian Great
Pyramid. With the full physics model in place, this simple fact
will clearly illustrate that all pyramids were designed in order to be
able to focus this geometric energy of the
aether, much as would a funnel direct a flow of water. As we
will see later in this volume, the “torsion fields” on the
Earth can vary from place to place far more than the normal
“push” of gravity or of the Earth’s magnetic
field, and in the Russian lingo, any pyramid acts as a “passive
torsion generator.”

Matter itself behaves like a vibrating sponge
that is submerged in water, with fluidlike energy
continually flowing in and out of it with a pulsating motion. When you
clump matter together into a single structure, the shape of that structure
will determine how the aether “currents” flow
through it. Any cylinder or cone-shaped object will harness and focalize
torsion fields, as we have extensively documented in Volume III.
There are always torsion fields coming out of the Earth in spirals, and
the cone shape can direct and focus these fields. Let us not forget that
these fields are composed of intelligent energy, so one
major benefit of harnessing these fields is that they will dramatically
enhance your physical health as well as your spiritual consciousness in a
short time – hence the ancient Egyptians referred to the
pyramids as “temples of initiation.” And we
know that the Greek word “Pyramid” is a conjunction of the words
“Pyre” and “Amid,” meaning “Fire in the
Middle.” This “fire in the middle” represents the energy
fields that are harnessed inside the Pyramid – hence the
name itself conceals part of the secret.

In essence, with the
proper science in place, we realize that the Great Pyramid of Gizeh, the most
precisely constructed pyramid on Earth, is a fantastic
machine, fashioned with a technology that is far more advanced than
our present scientific level of understanding. The reason why is that this
is a technology of consciousness, working off of a physics
model that we are only just now rediscovering in the public arena. And the
more that we examine the Pyramid, the more that we can see
how accurate and comprehensive the ancient knowledge that went into it
must be.

It is an established, longstanding fact that if you take
the difference between the base and height measurements of the Pyramid,
the pi ratio of 3.14159 is expressed. This means that you could
draw a circle from one corner, over the top and down to the opposite
corner, and that circle would perfectly touch all three points. Then, all
we have to do is think in three dimensions, and we will quickly discover
that the Pyramid mathematically fits perfectly within a
half-sphere.

Figure 3.6 – The Great Pyramid fits perfectly
within a half-sphere, as
pictured

So, in a very direct fashion, the pyramid structure forms
“resonance” with the aether, causing a sphere
of unseen energy to form around itself just like this. Remember that the
strongest geometric energy structure of our own dimension, if we could see
it, would look exactly like this. Thus, the Pyramid was not
only a geometric object, it was literally built as a giant, solidified
“consciousness unit.” On one level, we could think of it as
a giant statue in honor of the energy density that we now inhabit – but it
is also a very potent machine. We have also been told by Ra that it
was far more effective when it was first built than it is now, due to the
changing positions of the Earth and the deterioration of its
stone faces.

Many Pyramidologists have pointed out that the
outside of the Great Pyramid expresses the exact length of
an Earth year, 365.2422, in many different measurements. Since scholars
understand that the Pyramid perfectly fits into a half-sphere, many have
concluded that the Pyramid is designed to represent the
Earth. But that wouldn’t explain why the pyramid builders
didn’t simply erect a globe, especially with the apparent technology that
they had at their disposal to precisely position such huge stones. It is
only now that we can see why the octahedral form was chosen
in order to do this.

Though we cannot see the Pyramid
as a crystal now, it is a well-known fact in Egyptological circles that
when the Pyramid was first built, it was entirely covered on the
outside with casing stones. These were made of white Tura
limestone that was precisely mirror-polished to a glowing sheen
(Lemesurier, 1977.) It was so bright in daylight as to be blinding,
hence the ancient Egyptians named it “Ta Khut,” or
“The Light.” It would be very easy to conclude that it was
not built by primitive human beings when seen in this original form. In
the next picture below, we see the remnants of these stones that still
exist along the bottom.

Figure 3.7 – Casing stones that still exist
along the base perimeter of the Great
Pyramid.

What is not often known is that the spaces in between these casing
stones were only 1/100th of an inch wide (Lemesurier,
Hoagland.) For comparison, the best that modern technology could do
to align the heat shield tiles on the Space Shuttle was one thirtieth of
an inch tolerance (Hoagland.) This puts the fashioning of the
casing stones on the level of optical precision; something we would
normally only use for extremely sensitive pieces of equipment. All of this
precision was used to make it that much more effective as a
“machine” that harnessed torsion fields.

Furthermore, in these incredibly tight spaces between casing
stones, so tight that a knife blade cannot be pushed into them, there is
an impossibly thin layer of “cement” holding them together. This
“cement” is so strong that to strike the joint with a sledgehammer,
the limestone itself breaks before the “cement” does. Still to this
day, no one has provided a satisfactory explanation for how this could
have been done. It certainly appears that the stones themselves were fused
in place, and thus it wasn’t cement at all, but a product of extreme heat,
melting the two stones together. So how did they get the heat? A
laser, perhaps? Or was it focused consciousness, transforming the matter
phase of conscious limestone molecules? Ra’s explanations start to
make more and more sense to us as we go along, as in their model, they
were able to use consciousness to visualize how they wanted
the stones to arrange themselves, and their visualizations would then
become reality.

To summarize, then, the outside of the
Pyramid was fashioned with an optical precision that is only now
matched by the type of work that we would do on a mirror lens for a
reflecting telescope (Hoagland.) We must then picture a giant
pyramid built out of four mirrors, so bright in the daylight as to be
almost blinding. Again, it is no wonder that ancient Egyptians referred to
it as “Ta Khut,” or The Light. When it was in
its true crystal state, there could be no doubt that it was not built by
the humans of the time; it would be a most totally alien-looking
structure. We can only imagine its original appearance now, as earthquakes
jarred most of the casing stones loose in the early years of the first
millennium AD, and these perfect white stones were then hauled off to
build mosques in Cairo. Thus we can only measure the original design
of the casing stones from the few that remain along the bottom, still
intact. The top of the second pyramid also has some casing stones still
remaining.

Figure 3.8 – Top-down view of second pyramid on
the Giza plateau, showing casing stones at
top

This almost insane degree of precision starts to make a lot
more sense when we realize what energies might be
able to be harnessed by the building of such a structure. These energies
would not be cold and lifeless like electricity; instead, they would
represent conscious energy, and could thus be directed by a
conscious human being, once trained. The author’s own sources, along with
Ra and the Cayce readings, indicate that a person well
trained in directing this energy could rejuvenate dying bodies to extreme
youth and vitality, travel in time and levitate massive objects with ease.
Furthermore, it helped to stabilize the Earth on its axis, decrease
severe weather and earthquakes in the surrounding area, heal and normalize
the mind, purify water, create usable energy and eliminate leftover
radiation from nuclear battles in much shorter amounts of
time. The more we learn about the science that is involved, the more
obvious this will become – and the greater of a desire we will have to
rebuild a worldwide network of pyramids once again to heal the earth of
the present damages that we are creating.

Indeed, Ra tells
us that the Pyramid was a giant gift that they produced
for our civilization, a gift whose primary purpose centered on
providing a temple for initiation while also functioning as an effective
balancing agent for the Earth’s energy fields. Having a “temple of
initiation” meant that higher-level energies could be harnessed
and integrated into the physical and nonphysical bodies of the human
seeker, and the full soul evolution progress through the spectrum of seven
densities could then be made while still on Earth. This was
a very rigorous and terrifying process, as one essentially confronts all
of the “distortions” of the personality self at once,
in what amounts to a subjectively long-lasting nightmare. A trained
healer, who can travel with the person out-of-body while they go on this
journey, was always present for this work to be done, since the fear alone
could cause the person to lose track of the physical body and thereby die.

If the initiation was successful, then after such a progressive
evolution is complete, that entity would have access to all the power of
the entire octave of dimensions, becoming like a god and
having Christlike abilities, if it decided not to leave the
Earth. One reason that the inheritors of the Atlantean
Mysteries felt that they had to keep the knowledge a secret is
that they felt that if a negatively-polarized person made sufficient
progress in the Pyramid, they could become a very powerful
force of evil on Earth – even though it appears that this would not truly
be possible, since the negative path cannot sustain itself above the
fifth density.

It should be no surprise that
mystical tradition long holds that Jesus also completed a Pyramidal
initiation in such a manner, and might well have been the only person
coming in well equipped enough to actually complete the process in full.
According to the Edgar Cayce readings, Jesus enjoyed a former
lifetime as Hermes, the co-designer of the Pyramid
with the priest Ra-Ta, who later reincarnated as Cayce
himself. Thus, it appears that Jesus later utilized the very piece of
technology that he originally helped to build, in order to complete his
own initiation.

As we will see in the end of the book, the
Pyramid actually wrote Jesus’ arrival directly into a
timeline based on a geometric and numeric code built into the design of
the chambers and passages inside. The prophetic statement of this
Messianic arrival occurs at the moment where the narrow Ascending
Passage suddenly heightens tremendously into the Grand
Gallery. This particular event in the Pyramid symbolism is
arguably one of the single most powerful symbolic events of the entire
span of time given. Obviously Jesus knew, even as he helped design this
incredible structure, what he would later use it for in future lifetimes.

If the pyramid shape is a basic product of understanding a more
advanced physics than we are now using, then we would expect that the
technology would be discovered by any civilized society on any inhabited
planet. In 1981, Ra said that Mars is the only
remaining planet in our Solar System that had
third-dimensional humanoid life like ourselves in any recent past. And
in the late 1980’s, Richard Hoagland’s work began to be more widely
known, which did indeed reveal the remnants of just such a civilization.
From Hoagland and others’ data regarding Mars, we see
that the largest and easiest pyramid to identify in the
Viking-photographed Cydonia region of Mars is five-sided,
almost precisely duplicating the top of an icosahedron, or
the Hindu god Purusha, if we remember. Near this five-sided
pyramid is a city complex of slightly smaller pyramids that appear
identical to those we see in Egypt.

In addition, the
Mariner-photographed Elysium pyramids on Mars are clearly in
the form of tetrahedrons, and Carl Munck, whom we
will meet in later chapters, demonstrates a North American Earth mound in
the form of a tetrahedron in his book The Code, also available from
the Laura Lee Online Bookstore. Furthermore, Hoagland and
others have written of spherical glass domes on the
Moon, which might well serve the same purpose in harnessing
torsion fields, holding in an atmosphere and providing a clear view of
“outer space.” Our own ex-NASA astrophysicist Maurice
Chatelain, whom we also shall discuss in later chapters, came forward
in 1995 with the shattering revelation that NASA had found
"geometric ruins of unknown origin" on the
Moon during the Mariner and Apollo
missions. More recently, similar testimony was given at the
Disclosure Project conferences, starting
on May 9, 2001 – and we attended the May 10 event and personally
interviewed the witness.

GEOMETRIC ENERGY
TRANSITIONS
Our next question is, “How do we naturally map out
the transitions from one geometric energy frequency to the next?” Through
a moderately complex set of procedures, one can demonstrate how each
geometric form will naturally “grow” out of the one before it. To begin
with, the sphere into the icosahedron is
relatively obvious – the movement of formless Unity into
geometric form – so there is no real modeling to be done. The
second-density icosahedron into the
third-density octahedron will be clearly modeled in
Volume II. In order to turn our own octahedron into
the shape of the 4th dimension, all that is required is to expand
each face into a basic four-sided triangle, or tetrahedron.
In our diagram here, we conceptualize it as if you were going to place a
tetrahedron onto each face separately.

Figure 3.8 – The transition of the octahedron
(L) into the star tetrahedron
(R).

Each face on the octahedron, which is in the form of
an equilateral triangle, (composed entirely of 60-degree internal angles,
with each side the same length,) becomes one three-sided tip of a
star tetrahedron. As the octahedron has eight
sides, you would then need to add eight tetrahedra to its
faces. To animate this progression like a cartoon, it would appear that
the octahedron was suddenly blooming like a flower; the faces suddenly
sprout upwards as the tetrahedra rise into position.
[Compare the diagram here with the original harmonic table in order to
help visualize this. The top right shape in the diagram shows where one of
the eight tetrahedra would be, in terms of position, if it were not
attached directly to the octahedron.]

In order to then progress from the fourth
dimension to the fifth, you can look at the diagram and easily see how
a simple connect-the-dots on the edge points of the star
tetrahedron forms the cube. To go from the
fifth-dimensional cube to the
sixth-dimensional dodecahedron, a further outward
expansion is required, where each face of the cube sprouts an
inward-slanting "rooftop" in order to turn into the
dodecahedron. The "roof" shape that appears is most easily
seen in the rectangular area below, whereas the square area would be more
akin to an overhead view.

Figure 3.9 – The cube’s “nested” position
within the dodecahedron

Then, if you put a dot in the center of each pentagon on the
dodecahedron and connect all of the dots together, you will
have a series of lines that form five-pointed stars that create the
icosahedron shape, the last major node before the return to
the Sphere. In short, going back to our original harmonic
table again, we can see how the entire progression is a
sphere, or a Oneness, expanding into the
“seed” or fundamental form of the icosahedron,
which then by its structure gives rise to all of the other forms contained
therein (Lawlor, 1982.) The "seed" aspect of the
icosahedron is why the Hindus associated it with a male
god - they were using the metaphor of the semen, or
"seed of life."

Figure 3.10 – The full hierarchy of geometric
shapes that represent the Octave of densities,
L-R

What we have here is an understanding of the fact that the shapes
formed by these energy vibrations can grow, much in the way that crystals
grow.

ALL IS ONE
We shall briefly cover another
point that has been a major source of confusion to those reading this
book, and attempt to break it down into simpler terms in this revised
edition. If you still find it difficult to understand, just be reminded
that it isn’t an essential point that is needed to understand the physics.
In order for the Universe to truly be One,
there must be a level where there is no space and no time – where
All is Here and Now. Sources such as “Seth” through
Jane Roberts tell us that nothing in the Universe really
‘exists,’ including the aether itself – that all the
Universe is expanding and contracting from a single point of
Oneness in each and every moment.

So, the many tiny
“field bubbles” that make up the fluidlike
aether appear to flow around each other when we study their
behavior. On one level, this is indeed true, as the experiments of Dr.
Nikolai Kozyrev, Nikola Tesla and others have demonstrated,
which we will cover in Volume III. On another level, we must
remember that the amplitude of the spherical wave shows us that the
“zero point” of the wave is indeed right in the center,
meaning that the wave itself is constantly expanding and collapsing from a
single point. Think of a balloon that is constantly inflating and
deflating from a very tiny point to a very large sphere. At the highest
level of vibration, all of the energy in the sphere is contained within
the central point. Though this does seem confusing, various sources such
as Seth and Ra tell us that all of those single points are
actually joined together in Oneness – that there is only one
single point that all is emanating from. This is another way that
we can understand that we do have a perfect “spark” of the One
Infinite Creator within ourselves.

If this is true, and we
have every reason to believe that it is, then each of the geometric shapes
that we have discussed must be continually present, at their own
frequency, in every “consciousness unit” or field bubble in
the entire Universe. Roughly speaking, every energy form is pulsating from
a point, through the icosahedron, into the
octahedron, to the star tetrahedron, to
the cube, to the dodecahedron, again to the
icosahedron, and again back into the sphere or
point once more. This is the only way we can explain that
Seth would tell us, loosely paraphrased, that

“your entire reality system is “off” as much as it is “on,” and
you simply do not vibrate quickly enough to see what is in between the
gaps.”

Another analogy that we have used is the idea of a filmstrip. The
actual filmstrip in a movie camera is a series of still pictures that are
separated from each other, but when we watch them fast enough, they form
“moving pictures,” or “movies.”

So, the spherical energy
that forms the Universe itself could be seen to vibrate through
all the different shapes at mind-numbing speeds, forever expanding from a
single point out to form the boundaries of space and time as we know it
and then compressing back into that space yet again just as quickly.
Although it seems almost impossible to conceive of our entire universe as
crumpling up into a single point over and over again at speeds too fast to
measure, this is exactly what is happening, say sources such as Ra.
Since all of physical reality is ultimately nothing but conscious
energy in vibration, each density would then have the illusion
of only existing at one level in this energetic system. In fact, all
of the densities are interpenetrable, and the vibrations from higher
densities will exert measurable stresses in space and time here in the
third. Among other things, this forms the basis for the Global Grid, which we will examine in
future chapters.