The First Heroes New Tales of the Bronze Age Harry Turtledove and Noreen Doyle Copyright Acknowledgements "The Lost Pilgrim" copyright © 2004 by Gene Wolfe "How the Bells Came from Yang to Hubei" copyright © 2004 by Brenda Clough "The Gods of Chariots" copyright © 2004 by Judith Tarr "The Horse of Bronze" copyright © 2004 by Harry Turtledove "A Hero for the Gods" copyright © 2004 by Josepha Sherman "Blood Wolf" copyright © 2004 by S. M. Stirling "Ankhtifi the Brave is dying." Copyright © 2004 by Noreen Doyle "The God Voice" copyright © 2004 by Katharine Kerr & Debra Doyle "Orqo Afloat on the Willkamayu" copyright © 2004 by Karen Jordan Allen "The Myrmidons" copyright © 2004 by Larry Hammer "Giliad" copyright © 2004 by Gregory Feeley "The Sea Mother's Gift" copyright © 2004 by Laura Frankos "The Matter of theAhhiyans" copyright © 2004 by Lois Tilton "The Bog Sword" copyright © 2004 by the Trigonier Trust in memory of POUL ANDERSON 1926-2001 Contents Definition ................................................................................. 4 Introduction ................................................................................. 4 "The Lost Pilgrim" by Gene Wolfe ........................................... 5 "How the Bells Came from Yang to Hubei" by Brenda Clough ............................................................ 20 "The God of Chariots" by Judith Tarr ..................................... 26 "The Horse of Bronze" by Harry Turtledove ........................ 41 "A Hero for the Gods" by Josepha Sherman .......................... 66 "Blood Wolf" by S. M. Stirling ............................................... 73 "Ankhtifi the Brave is dying." by Noreen Doyle ..................... 86 "The God Voice" by Katharine Kerr & Debra Doyle ............. 103 " Orqo Afloat on the Willkamayu" by Karen Jordan Allen ....................................................... 111 "The Myrmidons" by Larry Hammer ...................................... 126 "Giliad" by Gregory Feeley ............................................... 135 "The Sea Mother's Gift" by Laura Frankos .......................... 159 "The Matter of the Ahhiyans" by Lois Tilton .......................... 172 "The Bog Sword" by Poul Anderson ...................................... 181 BRONZE AGE: (noun) 1) archaeology/history; a period of cultural development marked by the use of copper alloys, such as bronze. 2) Greek mythology; the era of the third race of humanity created by Zeus. Their armor, their houses, and their tools were bronze, for they had no iron. Their strength was great, their arms unconquerable. Terrible and strong, they were followed by the nobler and more righteous heroic race that fought the Trojan War. Introduction Storytellers have been writing and rewriting the Bronze Age since the Bronze Age, and their enthusiasm shows no sign of waning. Sometime before 1500 B.C. an Egyptian wrote down a series of stories about King Khufu, for whom the Great Pyramid had been built a thousand years before. In the seventh century B.C. Babylonian scribes incised onto eleven clay tablets their own adaptation of the much earlier Sumerian epic of Gilgamesh—and recorded a sequel on the twelfth. Homer's tales of the Trojans and Achaians inspired Mediaeval and Renaissance romances. All of this, and everything else you have ever read, is possible because literature itself was born during the Bronze Age. This singular invention, the written narrative, preserved for us the names and deeds and a little of the personalities of the first recorded individuals. It was the beginning of history—literally, as archaeologists define the period before the development of writing as prehistory. It was an age of new technology and experimentation (writing, metallurgy, the wheel) and evolving social forms (statehood, standing armies, the merchant class). It was an age of exploration, when Egyptian expeditions set sail for the incense terraces of Punt and Odysseus wandered his way home. And it was an age of magic: the gods so familiar to us, from Ishtar to Poseidon, attained recognizable name and form and power. So we turn our eyes toward a past when kings were gods, voyagers were heroes, and tin was the key to cutting-edge technology. And as we look back—and forward and a little sideways—we see that Bronze Age figures, at once familiar and strange, remain around us everywhere. The -past is a foreign country that cannot be visited but rather only glimpsed on the horizon. When we try for a closer view, through the spyglass of history or archaeology, our view is invariably distorted by distance, by our choice of focus, and by the curvature of our lens. If, however, we were to attempt landfall, could we navigate the currents of time to an intended moorage? And would we find a world any more familiar than might a sailor who, informed by rumor and legend and sightings through his telescope, has disembarked from his storm-swept ship onto an alien shore? Would the landscape around us remain distorted and strange to our expectations? Renowned author Gene Wolfe takes us on such a voyage across the ancient Black Sea and the wider gulf of time itself. He shows us anew people, places, and events that, separated from us by more than three and a half millennia, authors and filmmakers have made unjustly familiar. The Lost Pilgrim Gene Wolfe Before leaving my own period, I I resolved to keep a diary; and in-'deed I told several others I would, and promised to let them see it upon my return. Yesterday I arrived, captured no Pukz, and compiled no text. No more inauspicious beginning could be imagined. I will not touch my emergency rations. I am hungry, and there is nothing to eat; but how absurd it would be to begin in such a fashion! No. Absolutely not. Let me finish this, and I will go off in search of breakfast. To begin. I find myself upon a beach, very beautiful and very empty, but rather too hot and much too shadeless to be pleasant. "Very empty," I said, but how can I convey just how empty it really is? (Pukz 1—3) As you see, there is sun and there is water, the former remarkably hot and bright, the latter remarkably blue and clean. There is no shade, and no one who— A sail! Some kind of sailboat is headed straight for this beach. It seems too small, but this could be it. (Puk 4) I cannot possibly describe everything that happened today. There was far, far too much. I can only give a rough outline. But first I should say that I am no longer sure why I am here, if I ever was. On the beach last night, just after I arrived, I felt no doubts. Either I knew why I had come, or I did not think about it. There was that time when they were going to send me out to join the whateveritwas expedition—the little man with the glasses. But I do not think this is that; this is something else. Not the man getting nailed up, either. It will come to me. I am sure it will. In such a process of regression there cannot help but be metal confusion. Do I mean metal? The women's armor was gold or brass. Something like that. They marched out onto the beach, a long line of them, all in the gold armor. I did not know they were women. I hid behind rocks and took Pukz. (See Pukz 5—9) The reflected glare made it difficult, but I got some good shots just the same. They banged their spears on their shields and made a terrible noise, but when the boat came close enough for us to see the men on it (Pukz 10 and 11) they marched back up onto the hill behind me and stood on the crest. It was then that I realized they were women; I made a search for "women in armor" and found more than a thousand references, but all those I examined were to Joan of Arc or similar figures. This was not one woman but several hundreds. I do not believe there should be women in armor, anyway. Or men in armor, like those who got off the boat. Swords, perhaps. Swords might be all right. And the name of the boat should be two words, I think. The men who got off this boat are young and tough-looking. There is a book of prayers in my pack, and I am quite certain it was to be a talisman. "O God, save me by thy name and defend my cause by thy might." But I cannot imagine these men being impressed by any prayers. Some of these men were in armor and some were not. One who had no armor and no weapons left the rest and started up the slope. He has an intelligent face, and though his staff seemed sinister, I decided to risk everything. To tell the truth I thought he had seen me and was coming to ask what I wanted. I was wrong, but he would surely have seen me as soon as he took a few more steps. At any rate, I switched on my translator and stood up. He was surprised, I believe, at my black clothes and the buckles on my shoes; but he is a very smooth man, always exceedingly polite. His name is Ekkiawn. Or something like that. (Puk 12) Ekkiawn is as near as I can get to the pronunciation. I asked where he and the others were going, and when he told me, suggested that I might go with them, mentioning that I could talk to the Native Americans. He said it was impossible, that they had sworn to accept no further volunteers, that he could speak the language of Kolkkis himself, and that the upper classes of Kolkkis all spoke English. I, of course, then asked him to say something in English and switched off my translator. I could not understand a word of it. At this point he began to walk again, marking each stride with his beautiful staff, a staff of polished hardwood on which a carved snake writhes. I followed him, switched my translator back on, and complimented him on his staff. He smiled and stroked the snake. "My father permits me to use it," he said. "The serpent on his own is real, of course. Our tongues are like our emblems, I'm afraid. He can persuade anyone of anything. Compared to him, my own tongue is mere wood." I said, "I assume you will seek to persuade those women that you come in peace. When you do, will they teach you to plant corn?" He stopped and stared at me. "Are they women? Don't toy with me." I said I had observed them closely, and I was quite sure they were. "How interesting! Come with me." As we approached the women, several of them began striking their shields with their spears, as before. (Puk 13) Ekkiawn raised his staff. "My dear young ladies, cease! Enchanting maidens, desist! You suppose us pirates. You could not be more mistaken. We are the aristocracy of the Minyans. Nowhere will you find young men so handsome, so muscular, so wealthy, so well bred, or so well connected. I myself am a son of Hodios. We sail upon a most holy errand, for we would return the sacred ramskin to Mount Laphystios." The women had fallen silent, looking at one another and particularly at an unusually tall and comely woman who stood in the center of their line. "Let there be peace between us," Ekkiawn continued. "We seek only fresh water and a few days' rest, for we have had hard rowing. We will pay for any supplies we receive from you, and generously. You will have no singing arrows nor blood-drinking spears from us. Do you fear sighs? Languishing looks? Gifts of flowers and jewelry? Say so if you do, and we will depart in peace." A woman with gray hair straggling from under her helmet tugged at the sleeve of the tall woman. (Puk 14) Nodding, the tall woman stepped forward. "Stranger, I am Hupsipule, Queen of Lahmnos. If indeed you come in peace—" "We do," Ekkiawn assured her. "You will not object to my conferring with my advisors." "Certainly not." While the queen huddled with four other women, Ekkiawn whispered, "Go to the ship like a good fellow, and find Eeasawn, our captain. Tell him these are women and describe the queen. Name her." Thinking that this might well be the boat I was supposed to board after all and that this offered as good a chance to ingratiate myself with its commander as I was ever likely to get, I hurried away. I found Eea-sawn without much trouble, assured him that the armed figures on the hilltop were in fact women in armor ("both Ekkiawn and I saw that quite clearly") and told him that the tallest, good-looking, black-haired, and proud, was Queen Hupsipule. He thanked me. "And you are . . .?" "A humble pilgrim seeking the sacred ramskin, where I hope to lay my heartfelt praise at the feet of God." "Well spoken, but I cannot let you sail with us, Pilgrim. This ship is already as full of men as an egg is of meat. But should—" Several members of the crew were pointing and shouting. The women on the hilltop were removing their armor and so revealing their gender, most being dressed in simple frocks without sleeves, collars, or buttons. (Puk 15) There was a general rush from the ship. Let me pause here to comment upon the men's clothing, of which there is remarkably little, many being completely naked. Some wear armor, a helmet and a breastplate, or a helmet alone. A few more wear loose short-sleeved shirts that cover them to mid-thigh. The most remarkable is certainly the captain, who goes naked except for a single sandal. (Pukz 16 and 17) For a moment or two, I stood watching the men from the ship talking to the women. After conversations too brief to have consisted of much more than introductions, each man left with three or more women, though our captain departed with the queen alone (Puk 18), and Ekkiawn with five. I had started to turn away when the largest and strongest hand I have ever felt closed upon my shoulder. "Look 'round here, Pilgrim. Do you really want to go to Kolkkis with us?" The speaker was a man of immense size, bull-necked and pig-eyed (Puk 19); I felt certain that it would be dangerous to reply in the negative. "Good! I promised to guard the ship, you see, the first time it needed guarding." "I am not going to steal anything," I assured him. "I didn't think so. But if you change your mind, I'm going to hunt you down and break your neck. Now, then, I heard you and Eeasawn. You watch for me, hear? While I go into whatever town those split-tailed soldiers came out of and get us some company. Two enough for you?" Not knowing what else to do, I nodded. "Me?" He shrugged shoulders that would have been more than creditable on a bull gorilla. "I knocked up fifty girls in one night once. Not that I couldn't have done it just about any other night, too, only that was the only time I've had a crack at fifty. So a couple for you and as many as I can round up for me. And if your two have anything left when you're done up, send 'em over. Here." He handed me a spear. "You're our guard 'til I get back." I am waiting his return; I have removed some clothing because of the heat and in the hope of ingratiating myself with any women who may return with him. Hahraklahs is his name. Hours have passed since I recorded the account you just read. No one has come, neither to molest our boat nor for any other reason. I have been staring at the stars and examining my spear. It has a smooth hardwood shaft and a leaf-shaped blade of copper or brass. I would not have thought such a blade could be sharpened, but it is actually very sharp. It is also wrong. I keep thinking of spears with flared mouths like trumpets. And yet I must admit that my spear is a sensible weapon, while the spears with trumpet mouths would be senseless as well as useless. These are the most beautiful stars in the world. I am beginning to doubt that I have come at the right period, and to tell the truth I cannot remember what the right period was. It does not matter, since no one can possibly use the same system. But this period in which I find myself has the most beautiful stars, bar none. And the closest. There are voices in the distance. I am prepared to fight, if I must. We are at sea. I have been rowing; my hands are raw and blistered. We are too many to row all at once, so we take turns. Mine lasted most of the morning. I pray for a wind. I should have brought prophylactics. It is possible I have contracted some disease, though I doubt it. The women (Apama and Klays, Pukz 20—25, infrared) were interesting, both very eager to believe that I was the son of some king or other and very determined to become pregnant. Apama has killed her husband for an insult, stabbing him in his sleep. Long after we had finished and washed ourselves in this strange tideless sea, Hahraklahs was still engaged with his fifteen or twenty. (They came and went in a fashion that made it almost impossible to judge the exact number.) When the last had gone, we sat and talked. He has had a hard life in many ways, for he is a sort of slave to one Eurustheus who refuses to speak to him or even look at him. He has been a stableman and so forth. He says he strangled the lion whose skin he wears, and he is certainly very strong. I can hardly lift his brass-bound club, which he flourishes like a stick. If it were not for him, I would not be on this boat. He has taken a liking to me because I did not want to stay at Lahmnos. He had to kidnap about half the crew to get us out to sea again, and two could not be found. Kaeneus (Puk 26) says the crew wanted to depose Captain Eeasawn and make Hahraklahs captain, but he remained loyal to Eeasawn and would not agree. Kaeneus also confided that he himself underwent a sex-change operation some years ago. Ekkiawn warned me that Kaeneus is the most dangerous fighter on the boat; I suppose he was afraid I would ridicule him. He is a chief, Ekkiawn says, of the Lapiths; this seems to be a Native American tribe. I am certainly on the wrong vessel. There are two points I am positive of. The first is the name of the captain. It was Jones. Captain Jones. This cannot be Eeasawn, whose name does not even begin with J. The second is that there was to be someone named Brewster on board, and that I was to help this Brewster (or perhaps Bradford) talk with the Lapiths. There is no one named Bradford among my present companions—I have introduced myself to all of them and learned their names. No Brewsters. Thus this boat cannot be the one I was to board. On the positive side, I am on a friendly footing now with the Lapith chief. That seems sure to be of value when I find the correct ship and reach Atlantis. I have discussed this with Argos. Argos (Puk 27) is the digitized personality of the boat. (I wonder if the women who lay with him realized that?) He points out—wisely, I would say—that the way to locate a vessel is to visit a variety of ports, making inquiries at each. In order to do that, one should be on another vessel, one making a long voyage with many ports of call. That is my situation, which might be far worse. We have sighted two other boats, both smaller than our own. Our helmsman, said to be an infallible weather prophet, has announced that we will have a stiff west wind by early afternoon. Our course is northeast for Samothrakah, which I take to be another island. We are forty-nine men and one woman. She is Atalantah of Kaludon (Pukz 28-30), tall, slender, muscular, and quite beautiful. Ekkiawn introduced me to her, warning me that she would certainly kill me if I tried to force her. I assured her, and him, that I would never do such a thing. In all honesty I cannot say I have talked with her, but I listened to her for some while. Hunting is the only thing she cares about. She has hunted every large animal in her part of the world and joined Eeasawn's expedition in hope of hunting grups, a fierce bird never seen west of our destination. They can be baited to a blind to feed upon the bodies of horses or cattle, she says. From that I take them to be some type of vulture. Her knowledge of lions, stags, wild swine, and the dogs employed to hunt all three is simply immense. At sea again, course southeast and the wind dead astern. Now that I have leisure to bring this account up to date, I sit looking out at the choppy waves pursuing us and wonder whether you will believe even a fraction of what I have to relate. In Samothrakah we were to be initiated into the Cult of Persefonay, a powerful goddess. I joined in the preparations eagerly, not only because it would furnish insight into the religious beliefs of these amoral but very superstitious men, but also because I hoped—as I still do— that the favor of the goddess would bring me to the rock whose name I have forgotten, the rock that is my proper destination. We fasted for three days, drinking water mixed with wine but eating no solid food. On the evening of the third day we stripped and daubed each other with a thin white mixture which I suspect was little more than chalk dispersed in water. That done, we shared a ritual supper of boiled beans and raw onions. (Pukz 31 and 32) Our procession reached the cave of Persefassa, as she is also called, about midnight. We extinguished our torches in an underground pool and received new ones, smaller torches that burned with a clear, almost white flame and gave off a sweet scent. Singing, we marched another mile underground. My companions appeared undaunted. I was frightened, and kept my teeth from chattering only by an effort of will. After a time I was able to exchange places with Erginos and so walk behind Hahraklahs, that tower of strength. If that stratagem had not succeeded, I think I might have turned and run. The throne room of the goddess (Pukz 33—35) is a vast underground chamber of spectacular natural columns where icy water drips secretly and, as it were, stealthily. The effect is of gentle, unending rain, of mourning protracted until the sun burns out. The priestesses passed among us, telling each of us in turn, "All things fail. All decays, and passes away." Ghosts filled the cavern. Our torches rendered them invisible, but I could see them in the darkest places, always at the edge of my field of vision. Their whispers were like a hundred winds in a forest, and whenever one came near me I felt a cold that struck to the bone. Deep-voiced horns, melodious and tragic, announced the goddess. She was preceded by the Kabeiri, stately women and men somewhat taller than Hahraklahs who appeared to have no feet. Their forms were solid to the knees, where they became translucent and quickly faded to nothing. They made an aisle for Persefonay, a lovely young woman far taller than they. She was robed in crimson, and black gems bound her fair hair. (Pukz 36 and 37) Her features are quite beautiful; her expression I can only call resigned. (She may revisit the upper world only as long as the pomegranate is in bloom—so we were taught during our fast. For the rest of the year she remains her husband's prisoner underground.) She took her seat upon a rock that accommodated itself to her as she sat, and indicated by a gesture that we were to approach her. We did, and her Kabeiri closed about us as if we were children shepherded by older children, approaching a teacher. That and Puk 38 will give you the picture; but I was acutely conscious, as I think we all were, that she and her servants were beings of an order remote from biological evolution. You will be familiar with such beings in our own period, I feel sure. I do not recall them, true. I do recall that knowledge accumulates. The people of the period in which I find myself could not have sent someone, as I have been sent, to join in the famous voyage whose name I have forgotten. Captain Eeasawn stepped forward to speak to Persefonay. (Pukz 39 and 40) He explained that we were bound for Aea, urged upon our mission by the Pythoness and accompanied by sons of Poseidon and other gods. Much of what he said contradicted what I had been told earlier, and there was much that I failed to understand. When he had finished, Persefonay introduced the Kabeiri, the earliest gods of Samothrakah. One or more, she said, would accompany us on our voyage, would see that our boat was never wrecked, and would rescue us if it were. Eeasawn thanked her in an elaborate speech, and we bowed. At once every torch burned out, leaving us in utter darkness. (Pukz 39a and 40a infrared) Instructed by the priestesses, we joined hands, I with Hahraklahs and Atalantah, and so were led out of the cave. There our old torches were restored to us and rekindled. (Puk 41) Carrying them and singing, we returned to our ship, serenaded by wolves. We have passed Ilion! Everyone agrees that was the most dangerous part of our voyage. Its inhabitants control the strait and permit no ships other than their own to enter or leave. We remained well out of sight of the city until night. Night came, and a west wind with it. We put up the mast and hoisted our sail, and Periklumenos dove from the prow and took the form of a dolphin (Puk 42 infrared) to guide us though the strait. As we drew near Ilion, we rowed, too, rowing for all we were worth for what seemed half the night. A patrol boat spotted us and moved to intercept us, but Phaleros shot its helmsman. It sheered off—and we passed! That shot was five hundred meters if it was one, and was made by a man standing unsupported on a bench aboard a heeling, pitching boat urged forward by a bellying sail and forty rowers pulling for all they were worth. The arrow's flight was as straight as any string. I could not see where the helmsman was hit, but Atalantah says the throat. Knowing that she prides herself on her shooting, I asked whether she could have made that shot. She shrugged and said, "Once, perhaps, with a quiver-full of arrows." We are docked now at a place called Bear Island. We fear no bears here, nor much of anything else. The king is the son of an old friend of Hahraklahs's. He has invited us to his wedding, and all is wine and garlands, music, dancing, and gaiety. (Pukz 43—48) Eeasawn asked for volunteers to guard the boat. I volunteered, and Atalantah offered to stay with me. Everyone agreed that Eeasawn and Hahraklahs would have to be present the whole time, so they were excused; the rest drew lots to relieve us. Polydeukahs the Clone and Kaeneus lost and were then subjected to much good-natured raillery. They promise to relieve us as soon as the moon comes up. Meanwhile I have been leaning on my spear and talking with Atalantah. Leaning on my spear, I said, but that was only at first. Some kind people came down from the town (Puk 49) to talk with us, and left us a skin of wine. After that we sat side by side on one of the benches and passed the tart wine back and forth. I do not think that I will ever taste dry red wine again without being reminded of this evening. Atalantah has had a wretched life. One sees a tall, athletic, good-looking young woman. One is told that she is royal, the daughter of a king. One assumes quite naturally that hers has been a life of ease and privilege. It has been nothing of the sort. She was exposed as an infant— left in the forest to die. She was found by hunters, one of whom had a captive bear with a cub. He washed her in the bear's urine, after which the bear permitted her to nurse. No one can marry her who cannot best her in a foot-race, and no one can. As if that were not enough, she is compelled to kill the suitors she outruns. And she has, murdering half a dozen fine young men and mourning them afterward. I tried to explain to her that she could still have male friends, men other than suitors who like her and enjoy her company. I pointed out that I could never make a suitable mate for a beautiful young woman of royal blood but that I would be proud to call myself her friend. I would make no demands, and assist her in any way I could. We kissed and became intimate. Have I gone mad? Persefonay smiled at me as we left. I shall never forget that. I cannot. Now this! No, I am not mad. I have been wracking my brain, sifting my memory for a future that does not yet exist. There is a double helix of gold. It gives us the power to make monsters, and if it exists in that age it must exist in this. Look! (Pukz 50—58) I have paced off their height, and find it to be four and a half meters or a little more. Six arms! All of them have six arms. (Pukz 54-57 show this very clearly.) They came at us like great white spiders, then rose to throw stones, and would have brained us with their clubs. God above have mercy on us! I have been reading my little book by firelight. It says that a wise warrior is mightier than a strong warrior. Doubtless that is true, but I know that I am neither. We killed three. I killed one myself. Good Heavens! Let me go at this logically, although every power in this mad universe must know that I feel anything but logical. I have reread what I recorded here before the giants came. The moon rose, and not long after—say, three quarters of an hour—our relief arrived. They were somewhat drunk, but so were we. Kastawr came with his clone Polydeukahs, not wanting to enjoy himself without him. Kaeneus came as promised. Thus we had five fighters when the giants came down off the mountain. Atalantah's bow served us best, I think, but they rushed her. Kaeneus killed one as it ran. That was simply amazing. He crouched under his shield and sprang up as the giant dashed past, severing an artery in the giant's leg with his sword. The giant took a few more steps and fell. Polydeukahs and Kastawr attacked another as it grappled Atalantah. I actually heard a rib break under the blows of Polydeukahs's fists. They pounded the giant's side like hammers. People who heard our war cries, the roars of the giants, and Atalan-tah's screams came pouring down from the town with torches, spears, and swords; but they were too late. We had killed four, and the rest were running from us. None of the townspeople I talked to had been aware of such creatures on their island. They regarded the bodies with superstitious awe. Furthermore, they now regard us with superstitious awe— our boat and our whole crew, and particularly Atalantah, Kastawr, Polydeukahs, Kaeneus, and me. (Puk 59) About midnight Atalantah and I went up to the palace to see if there was any food left. As soon as we were alone, she embraced me. "Oh, Pilgrim! Can you . . . Could anyone ever love such a coward?" "I don't ask for your love, Atalantah, only that you like me. I know very well that everyone on our boat is braver than I am, but—" "Me! Me! You were—you were a wild bull. I was terrified. It was crushing me. I had dropped my bow, and I couldn't get to my knife. It was about to bite my head off, and you were coming! Augah! Oh, Pilgrim! I saw fear in the monster's eyes, before your spear! It was the finest thing that has ever happened to me, but when the giant dropped me I was trembling like a doe with an arrow in her heart." I tried to explain that it had been nothing, that Kastawr and his clone had already engaged the giant, and that her own struggles were occupying its attention. I said, "I could never have done it if it hadn't had its hands full." "It had its hands full?" She stared, and burst into laughter. In another minute I was laughing too, the two of us laughing so hard we had to hold onto each other. It was a wonderful moment, but her laughter soon turned to tears, and for the better part of an hour I had to comfort a sobbing girl, a princess small, lonely, and motherless, who stayed alive as best she could in a forest hut with three rough men. Before I go on to speak of the extraordinary events at the palace, I must say one thing more. My companions shouted their war cries as they battled the giants; and I, when I rushed at the one who held Atalantah, yelled, "Mayflower! Mayflower!" I know that was not what I should have said. I know I should have said mayday, but I do not know what "mayday" means, or why I should have said it. I cannot offer even a hint as to why I found myself shouting mayflower instead. Yet I feel that the great question has been answered. It was what I am doing here. The answer, surely, is that I was sent in order that Atalantah might be spared. The whole palace was in an uproar. (Pukz 60-62) On the day before his wedding festivities began, King Kuzikos had killed a huge lion on the slopes of Mount Dindumon. It had been skinned and its skin displayed on the stoa, no one in his country having seen one of such size before. After Kaeneus, Polydeukahs, and Kastawr left the banquet, this lion (we were told) was restored to life, someone filling the empty skin with new lion, so to speak. (Clearly that is impossible; another lion, black-maned like the first and of similar size, was presumably substituted for the skin.) What mattered was that the new or restored lion was loose in the palace. It had killed two persons before we arrived and had mauled three others. Amphiareaws was in a trance. King Kuzikos had freed his hounds, piebald dogs the size of Great Danes that were nearly as dangerous as any lion. (Pukz 63 and 64) Eeasawn and most of our crew were hunting the lion with the king. Hahraklahs had gone off alone in search of it but had left word with Ekkiawn that I was to join him. Atalantah and I hurried away, knowing no more than that he had intended to search the east wing of the palace and the gardens. We found a body, apparently that of some worthy of the town but had no way of knowing whether it was one of those whose deaths had already been reported or a fresh kill. It had been partly devoured, perhaps by the dogs. We found Hahraklahs in the garden, looking very much like a lion on its hind legs himself with his lion skin and huge club. He greeted us cordially and seemed not at all sorry that Atalantah had come with me. "Now let me tell you," he said, "the best way to kill a lion—the best way for me, anyhow. If I can get behind that lion and get my hands on its neck, we can go back to our wine. If I tried to club it, you see, it would hear the club coming down and jerk away. They've got sharp ears, and they're very fast. I'd still hit it—they're not as fast as all that—but not where I wanted, and as soon as I hit it, I'd have it in my lap. Let me get a grip on its neck, though, and we've won." Atalantah said, "I agree. How can we help?" "It will be simple, but it won't be easy. When we find it, I'll front it. I'm big enough and mean enough that it won't go straight for me. It'll try to scare me into running, or dodge around and look for an opening. What I need is for somebody to distract it, just for a wink. When I killed this one I'm wearing, Hylas did it for me, throwing stones. But he's not here." I said I could do that if I could find the stones, and Atalantah remarked that an arrow or two would make any animal turn around to look. We had begun to tell Hahraklahs about the giants when Kalais swooped low and called, "It's coming! Path to your left! Quick!" I turned my head in time to see its final bound, and it was like seeing a saddle horse clear a broad ditch. Three sparrows could not have scattered faster than we. The lion must have leaped again, coming down on Hahraklahs and knocking him flat. I turned just in time to see him throw it off. It spun through the air, landed on its feet, and charged him with a roar I will never forget. I ran at it, I suppose with the thought of spearing it, if I had any plan at all. One of Atalantah's arrows whistled past and buried itself in the lion's mane. Hahraklahs was still down, and I tried to pull the lion off him. His club, breaking the lion's skull, sounded like a lab explosion. And it was over. Blood ran from Hahraklahs's immense arms and trickled from his fingers, and more ran down his face and soaked his beard. The lion lay dead between us, bigger than any horse I have ever seen. Kalais landed on its side as he might have landed on a table, his great white wings fanning the hot night air. Atalantah embraced me, and we kissed and kissed again. I think that we were both overjoyed that we were still alive. I know that I had already begun to shake. It had happened much too fast for me to be afraid while it was happening, but when it was over, I was terrified. My heart pounded and my knees shook. My mouth was dry. But oh how sweet it was to hold Atalantah and kiss her at that moment, and have her kiss me! By the time we separated, Hahraklahs and Kalais were gone. I took a few Pukz of the dead lion. (Pukz 65—67) After that, we returned to the wedding banquet and found a lot of guests still there, with Eea-sawn and most of our crew. As we came in, Hahraklahs called out, "Did you ever see a man that would take a lion by the tail? Here he is! Look at him!" That was a moment! We held a meeting today, just our crew. Eeasawn called it, of course. He talked briefly about Amphiareaws of Argolis, his high reputation as a seer, famous prophecies of his that had been fulfilled, and so on. I had already heard most of it from Kaeneus, and I believe most of our crew is thoroughly familiar with Amphiareaws's abilities. Amphiareaws himself stepped forward. He is surprisingly young, and quite handsome, but I find it hard to meet his eyes; there is poetry in them, if you will, and sometimes there is madness. There may be something else as well, a quality rarer than either, to which I can put no name. I say there may be, although I cannot be sure. He spoke very quietly. "We had portents last night. When we were told the lion had been resurrected, I tried to find out what god had done it, and why. At that time, I knew nothing about the six-armed giants. I'll come to them presently. "Hrea is one of the oldest gods, and one of the most important. She's the mother of Father Zeus. She's also the daughter of Earth, something we forget when we shouldn't. Lions are her sacred animals. She doesn't like it when they are driven away. She likes it even less when they are killed. She's old, as I said, and has a great deal of patience, as old women generally do. Still, patience doesn't last forever. One of us killed one of her favorite lions some time ago." Everyone looked at Hahraklahs when Amphiareaws said this; I confess I did as well. "That lion was nursed by Hrea's daughter Hahra at her request, and it was set in the heavens by Hahra when it died—again at her mother's request. The man who killed it changed his name to 'Hahra's Glory' to avert her wrath, as most of us know. She spared him, and her mother Hrea let the matter go, at least for the present." Amphiareaws fell silent, studying us. His eyes lingered on Hahraklahs, as was to be expected, but lingered on me even longer. (Puk 68) I am not ashamed to say they made me acutely uncomfortable. "King Kuzikos offended Hrea anew, hunting down and killing another of her finest animals. We arrived, and she determined to avenge herself. She called upon the giants of Hopladamus, the ancient allies who had protected her and her children from her husband." By a gesture, Amphiareaws indicated the six-armed giants we had killed. "Their plan was to destroy the Argo, and with most of us gone, they anticipated little difficulty. I have no wish to offend any of you. But had only Kaeneus and Polydeukahs been present, or only Atalantah and Pilgrim, I believe they would have succeeded without much difficulty. Other gods favored us, however. Polydeukahs and Kastawr are sons of Zeus. Kaeneus is of course favored by the Sea God, as are ships generally. Who can doubt that Augah favors Atalantah? Time is Pilgrim's foe—something I saw plainly as I began to speak. But if Time detests him, other gods, including Father Zeus, may well favor him. "Whether that is so or otherwise, our vessel was saved by the skill in arms of those five, and by their courage, too. We must not think, however, that we have won. We must make what peace we can with Hrea, and so must King Kuzikos. If we fail, we must expect disaster after disaster. Persefonay favors our cause. This we know. Father Zeus favors it as well. But Persefonay could not oppose Hrea even if she dared, and though Father Zeus may oppose his mother in some things, there will surely be a limit to his friendship. "Let us sacrifice and offer prayers and praise to Hrea. Let us urge the king to do likewise. If our sacrifices are fitting and our praise and prayers sincere, she may excuse our offenses." We have sacrificed cattle and sheep in conjunction with the king. Pukz 69—74 show the entire ceremony. I have been hoping to speak privately with Amphiareaws about Time's enmity. I know that I will not be born for many years. I know also that I have traveled the wrong way through those many years to join our crew. Was that in violation of Time's ordinances? If so, it would explain his displeasure; but if not, I must look elsewhere. Is it lawful to forget? For I know that I have forgotten. My understanding of the matter is that knowledge carried from the future into the past is clearly out of place, and so exists only precariously and transitorily. (I cannot remember who taught me this.) My offense may lie in the things I remember, and not in the far greater number of things I have forgotten. I remember that I was a student or a scholar. I remember that I was to join the crew of a boat (was it this one?) upon a great voyage. I remember that I was to talk with the Lapiths. I remember that there is some device among my implants that takes Pukz, another implant that enables me to keep this record, and a third implant that will let me rush ahead to my own period once we have brought the ramskin back to Mount Laphysios. Perhaps I should endeavor to forget those things. Perhaps Time would forgive me if I did. I hope so. We will put to sea again tomorrow morning. The past two days have been spent making ready. (Pukz 75-81) The voyage to Kolkkis should take a week or ten days. The capital, Aea, is some distance from the coast on a navigable river. Nauplios says the river will add another two days to our trip, and they will be days of hard rowing. We do not care. Call the whole time two weeks. Say we spend two more in Aea persuading the king to let us return the ramskin. The ghost of Phreexos is eager to be home, Amphiareaws says. It will board us freely. In a month we may be homeward bound, our mission a success. We are overjoyed, all of us. Atalantah says she will ask the king's permission to hunt in his territory. If he grants it, she will go out at once. I have promised to help her. This king is Aeeahtahs, a stern ruler and a great warrior in his youth. His queen is dead, but he has a daughter, the beautiful and learned Mahdaya. Atalantah and I agree that in a kingdom without queen or prince, this princess is certain to wield great influence, the more so in that she is reported to be a woman of ability. Atalantah will appeal to her. She will certainly be interested in the particulars of our voyage, as reported by the only woman on board. Atalantah will take every opportunity to point out that her hunt will bring credit to women everywhere, and particularly to the women of Kolkkis, of whom Mahdaya is the natural leader. Should her hunt fail, however, there will be little discredit if any—everyone acknowledges that the grups is a terribly difficult quarry. I will testify to Atalantah's prowess as a huntress. Hahraklahs offers his testimony as well; before our expedition set out they went boar hunting together. We are loaded—heavily loaded, in fact—with food, water, and wine. It will be hard rowing, but no one is complaining so early, and we may hope for a wind once we clear the harbor. There is talk of a rowing contest between Eeasawn and Hahraklahs. Is it possible to be too tired to sleep? I doubt it, but I cannot sleep yet. My hands burn like fire. I splashed a little wine on them when no one was looking. They could hurt no worse, and it may prevent infection. Every muscle in my body aches. I am splashing wine in me, as well—wine mixed with water. Half and half, which is very strong. If I had to move to write this, it would not be written. We put out in fair weather, but the storm came very fast. We took down the sail and unshipped the mast. It was as dark as the inside of a tomb, and the boat rolled and shipped water, and rolled again. We rowed and we bailed. Hour after hour after hour. I bailed until someone grabbed my shoulder and sat me down on the rowing bench. It was so good to sit! I never want to touch the loom of an oar again. Never! More wine. If I drink it so fast, will I get sick? It might be a relief, but I could not stand, much less wade out to spew. More wine. No one knows where we are. We were cast ashore by the storm. On sand, for which we thank every god on the mountain. If it had been rocks, we would have died. The storm howled like a wolf deprived of its prey as we hauled the boat higher up. Hahraklahs broke two ropes. I know that I, and a hundred more like me, could not have broken one. (Pukz 82 and 83, infrared) Men on either side of me—I do not know who. It does not matter. Nothing does. I have to sleep. The battle is over. We were exhausted before they came, and we are exhausted now; but we were not exhausted when we fought. (Pukz 84, infrared, and 85—88) I should write here of how miraculously these heroes revived, but the fact is that I myself revived in just the same way. I was sound asleep and too fatigued to move when Lugkeos began shouting that we were being attacked. I sat up, blearily angry at being awakened and in the gray dawnlight saw the ragged line of men with spears and shields charging us from the hills above the beach. All in an instant, I was wide awake and fighting mad. I had no armor, no shield, nothing but my spear, but early in the battle I stepped on somebody's sword. I have no idea how I knew what it was, but I did, and I snatched it up and fought with my spear in my right hand and the sword in my left. My technique, if I can be said to have had one, was to attack furiously anyone who was fighting Atalantah. It was easy since she frequently took on two or three at a time. During the fighting I was much too busy to think about it, but now I wonder what those men thought when they were confronted with a breastplate having actual breasts, and glimpsed the face of a beautiful woman under her helmet. Most have not lived to tell anyone. What else? Well, Eeasawn and Askalafos son of Arahs were our leaders, and good ones, too, holding everybody together and going to help wherever the fighting was hottest. Which meant that I saw very little of them; Kaeneus fought on Atalantah's left, and his swordsmanship was simply amazing. Confronted by a man with armor and a shield, he would feint so quickly that the gesture could scarcely be seen. The shield would come down, perhaps only by five centimeters. Instantly Kaeneus's point would be in his opponent's throat, and the fight would be over. He was not so much fighting men as butchering them, one after another after another. Hahraklahs fought on my right. Spears thrust at us were caught in his left hand and snapped like so many twigs. His club smashed every shield in reach, and broke the arm that held it. We four advanced, walking upon corpses. Oh, Zeus! Father, how could you! I have been looking at my Pukz of the battle (84-88). King Kuzikos led our attackers. I recognized him at once, and he appears in 86 and 87. Why should he welcome us as friends, then attack us when we were returned to his kingdom by the storm? The world is mad! I will not tell Eeasawn or Hahraklahs. We have agreed not to loot the bodies until the rain stops. If the king is among the dead, someone is sure to recognize him. If he is not, let us be on our way. A protracted quarrel with these people is the last thing we require. I hope he is still alive. I hope that very much indeed. The king's funeral games began today. Foot races, spear-throwing, all sorts of contests. I know I cannot win, but Atalantah says I must enter several to preserve my honor, so I have. Many will enter and all but one will lose, so losing will be no disgrace. Eeasawn is buying a chariot and a team so that he can enter the chariot race. He will sacrifice both if he wins. Hahraklahs will throw the stone. Atalantah has entered the foot races. She has had no chance to run for weeks, and worries over it. I tried to keep up with her, but it was hopeless. She runs like the wind. Today she ran in armor to build up her legs. (Puk 89) Kastawr has acquired a fine black stallion. Its owner declared it could not be ridden by any man alive. Kastawr bet that he could ride it, laying his place on our boat against the horse. When its owner accepted the bet, Kastawr whistled, and the horse broke its tether to come to him. We were all amazed. He whispered in its ear, and it extended its forelegs so that he could mount more easily. He rode away bareback, jumped some walls, and rode back laughing. (Pukz 90—92) "This horse was never wild," he told its previous owner. "You merely wanted to say that you nearly had a place on the Argo." The owner shook his head. "I couldn't ride him, and neither could anyone else. You've won. I concede that. But can I try him just once more, now that you've ridden him?" Polydeukahs got angry. "You'll gallop away, and my brother will never see you again. I won't permit it." "Well, I will," Kastawr declared. "I trust him—and I think I know a way of fetching him back." So the previous owner mounted; the black stallion threw him at once, breaking his neck. Kastawr will enter the stallion in the horse race. He is helping Eeasawn train his chariot horses as well. The games began with choral singing. We entered as a group, our entire crew. I was our only tenor, but I did the best I could, and our director singled me out for special praise. Atalantah gave us a mezzo- soprano, and Hahraklahs supplied a thundering bass. The judges chose another group, but we were the popular favorites. These people realize, or at any rate most of them seem to, that it was King Kuzikos's error (he mistook us for pirates) that caused his death, a death we regret as much as they do. As music opened the games today, so music will close them. Orfius of Thrakah, who directed our chorus, will play and sing for us. All of us believe he will win. The one stade race was run today. Atalantah won, the only woman who dared run against men. She is celebrated everywhere. I finished last. But wait— My performance was by no means contemptible. There were three who were no more than a step or two ahead of me. That is the first thing. I paced myself poorly, I know, running too fast at first and waiting until too late to put on a final burst of speed. The others made a final effort, too, and I had not counted on that. I will know better tomorrow. Second, I had not known the customs of these people. One is that every contestant wins a prize of some kind—armor, clothing, jewelry, or whatever. The other is that the runner who comes in last gets the best prize, provided he accepts his defeat with good humor. I got a very fine dagger of the hard, yellowish metal all armor and weapons are made of here. There is a scabbard of the same metal, and both display extraordinary workmanship. (Pukz 93—95) Would I rather have won? Certainly. But I got the best prize as well as the jokes, and I can honestly say that I did not mind the jokes. I laughed and made jokes of my own about myself. Some of them were pretty feeble, but everybody laughed with me. I wanted another lesson from Kaeneus, and while searching for him I came upon Idmon, looking very despondent. He tells me that when the funeral games are over, a member of our crew will be chosen by lot to be interred with King Kuzikos. Idmon knows, he says, that the fatal lot will fall upon him. He is a son of Apollawn and because he is, a seer like Amphiareaws; long before our voyage began, he learned that he would go and that he would not return alive. (Apollawn is another of their gods.) I promised Idmon that if he was in fact buried alive I would do my utmost to rescue him. He thanked me but seemed as despondent as ever when I left him. (Puk 96) The two-stade race was run this morning, and there was wrestling this afternoon. Both were enormously exciting. The spectators were beside themselves, and who can blame them? In the two-stade race, Atalantah remained at the starting line until the rest of us had rounded the first turn. When she began to run, the rest of us might as well have been walking. No, we were running. Our legs pumped, we gasped for breath, and we streamed with sweat. Atalantah was riding a turbocycle. She ran effortlessly, her legs and arms mere blurs of motion. She finished first and was already accepting her prize when the second-place finisher crossed the line. Kastawr wrestled. Wrestlers cannot strike, kick, gouge or bite, but everything else seems to be permitted. To win, one must throw one's opponent to the ground while remaining on one's feet. When both fall together, as often happens, they separate, rise, and engage again. Kastawr threw each opponent he faced, never needing more than a minute or two. (Pukz 97—100) No one threw him, nor did he fall with his opponent in any match. He won, and won as easily, I thought, as Atalantah had won the two-stade race. I asked Hahraklahs why he had not entered. He said he used to enter these things, but he generally killed or crippled someone. He told me how he had wrestled a giant who grew stronger each time he was thrown. Eventually Hahraklahs was forced to kill him, holding him over his head and strangling him. If I had not seen the six-armed giants here, I would not have believed the story, but why not? Giants clearly exist. I have seen and fought them myself. Why is there this wish to deny them? Idmon believes he will die, and that nothing can save him. I would deny giants, and the very gods, if I were not surrounded by so many of their sons. Atalantah says she is of purely human descent. Why did her father order her exposed to die? Surely it must have been because he knew he was not her father save in name. I asked about Augah, to whom Atalantah is so often compared. Her father was Zeus, her mother a Teetan. May not Father Zeus (as he is rightly called) have fathered another, similar, daughter by a human being? A half sister? When I congratulated Kastawr on his win, he challenged me to a friendly fencing match, saying he wanted to see how much swordcraft I had picked up from Kaeneus. I explained that Kaeneus and I have spent most of our time on the spear. Kastawr and I fenced with sticks and pledged ourselves not to strike the face. He won, but praised my speed and resource. Afterward he gave me a lesson and taught me a new trick, though like Kaeneus he repeated again and again that tricks are of no value to a warrior who has not mastered his art, and of small value even to him. He made me fence left-handed, urging that my right arm might someday be wounded and useless; it has given me an idea. Stone-throwing this morning; we will have boxing this afternoon. The stadium is a hollow surrounded by hills, as my Pukz (101-103) show. There are rings of stone seats all around the oval track on which we raced, nine tiers of them in most places. Stone-throwing, boxing, and the like take place in the grassy area surrounded by the track. Hahraklahs was the only member of our crew to enter the stone-throwing, and it is the only event he has entered. I thought that they would measure the throws, but they do not. Two throw together, and the one who makes the shorter throw is eliminated. When all the pairs have thrown, new pairs are chosen by lot, as before. As luck would have it, Hahraklahs was in the final pair of the first pairings. He went to the farther end of the stadium and warned the spectators that his stone might fall among them, urging them to leave a clear space for it. They would not take him seriously, so he picked up one of the stones and warned them again, tossing it into the air and catching it with one hand as he spoke. They cleared a space as he had asked, though I could tell that he thought it too small. (Puk 104) He went back to the line at the other end of the field, picking up the second stone on his way. In his huge hands they seemed scarcely larger than cheeses. When he threw, his stone sailed high into the air and fell among the spectators like a thunderbolt, smashing two limestone slabs in the ninth row. It had landed in the cleared space, but several people were cut by flying shards even so. After seeing the boxing, I wonder whether I should have entered the spear-dueling after all. The boxers' hands are bound with leather strips. They strike mostly at the face. A bout is decided when one contestant is knocked down; but I saw men fighting still when they were half blinded by their own blood. (Pukz 105-110) Polydeukahs won easily. Since I am to take part in the spear-dueling, I had better describe the rules. I have not yet seen a contest, but Kaeneus has explained everything. A shield and a helmet are allowed, but no other armor. Neither the spears nor anything else (stones for example) may be thrown. First blood ends the contest, and in that way it is more humane than boxing. A contestant who kills his opponent is banished at once—he must leave the city, never to return. In general a contestant tries to fend off his opponent's spear with his shield, while trying to pink his opponent with his own spear. Wounds are almost always to the arms and legs, and are seldom deep or crippling. It is considered unsportsmanlike to strike at the feet, although it is not, strictly speaking, against the rules. Reading over some of my earlier entries, I find I referred to a "tur-bocycle." Did I actually know what a turbocycle was when I wrote that? Whether I did or not, it is gone now. A cycle of turbulence? Kalais might ride turbulent winds, I suppose. No doubt he does. His father is the north wind. Or as I should say, his father is the god who governs it. I am alone. Kleon was with me until a moment ago. He knelt before me and raised his head, and I cut his throat as he wished. He passed swiftly and with little pain. His spurting arteries drenched me in blood, but then I was already drenched with blood. I cannot remember the name of the implant that will move me forward in time, but I hesitate to use it. (They are still shoveling dirt upon this tomb. The scrape of their shovels and the sounds of the dirt falling from them are faint, but I can hear them now that the others are dead.) Swiftly, then, before they finish and my rescuers arrive. Eeasawn won the chariot race. (Pukz 111-114) I reached the semifinals in spear-dueling, fighting with the sword I picked up during the battle in my left hand. (Pukz 115-118) Twice I severed a spear shaft, as Kastawr taught me. (Pukz 119 and 120) I was as surprised as my opponents. One must fight without effort, Kaeneus said, and Kaeneus was right. Forget the fear of death and the love of life. (I wish I could now.) Forget the desire to win and any hatred of the enemy. His eyes will tell you nothing if he has any skill at all. Watch his point, and not your own. I was one of the final four contestants. (Pukz 121) Atalantah and I could not have been happier if I had won. (Pukz 122 and 123) I have waited. I cannot say how long. Atalantah will surely come, I thought. Hahraklahs will surely come. I have eaten some of the funeral meats, and drunk some of the wine that was to cheer the king in Perse-fonay's shadowy realm. I hope he will forgive me. We drew pebbles from a helmet. (Pukz 124 and 125) Mine was the black pebble (Pukz 126), the only one. No one would look at me after that. The others (Pukz 127 and 128) were chosen by lot, too, I believe. From the king's family. From the queen's. From the city. From the palace servants. That was Kleon. He had been wine steward. Thank you, Kleon, for your good wine. They walled us in, alive. "Hahraklahs will come for me," I told them. "Atalantah will come for me. If the tomb is guarded—" They said it would be. "It will not matter. They will come. Wait. You will see that I am right." They would not wait. I had hidden the dagger I won and had brought it into the tomb with me. I showed it to them, and they asked me to kill them. Which I did, in the end. I argued. I pleaded. But soon I consented, because they were going to take it from me. I cut their throats for them, one by one. And now I have waited for Atalantah. Now I have waited for Hahraklahs. Neither has come. I slept, and sat brooding in the dark, slept, and sat brooding. And slept again, and sat brooding again. I have reread my diary, and reviewed my Pukz, seeing in some things that I had missed before. They have not come. I wonder if they tried? How long? Is it possible to overshoot my own period? Surely not, since I could not go back to it. But I will be careful just the same. A hundred years—a mere century. Here I go! Nothing. I have felt about for the bodies in the dark. They are bones and nothing more. The tomb remains sealed, so Atalantah never came. Nobody did. Five hundred years this time. Is that too daring? I am determined to try it. Greece. Not that this place is called Greece, I do not think it is, but Eeasawn and the rest came from Greece. I know that. Even now the Greeks have laid siege to Ilion, the city we feared so much. Agamem-nawn and Akkilleus are their leaders. Rome rules the world, a rule of iron backed by weapons of iron. I wish I had some of their iron tools right now. The beehive of masonry that imprisons me must surely have decayed somewhat by this time, and I still have my emergency rations. I am going to try to pry loose some stones and dig my way out. The Mayflower has set sail, but I am not aboard her. I was to make peace. I can remember it now—can remember it again. We imagined a cooperative society in which Englishmen and Indians might meet as friends, sharing knowledge and food. It will never happen now, unless they have sent someone else. The tomb remains sealed. That is the chief thing and the terrible thing, for me. No antiquarian has unearthed it. King Kuzikos sleeps undisturbed. So does Kleon. Again . . . This is the end. The Chronomiser has no more time to spend. This is my own period, and the tomb remains sealed; no archeologist has found it, no tomb robber. I cannot get out, and so must die. Someday someone will discover this. I hope they will be able to read it. Good-bye. I wish that I had sailed with the Pilgrims and spoken with the Native Americans—the mission we planned for more than a year. Yet the end might have been much the same. Time is my enemy. Cronus. He would slay the gods if he could, they said, and in time he did. Revere my bones. This hand clasped the hand of Hercules. These bony lips kissed the daughter of a god. Do not pity me. The bronze blade is still sharp. Still keen, after four thousand years. If I act quickly I can cut both my right wrist and my left. (Pukz 129 and 130, infrared) The Zhou Dynasty of China came to an end during the Warring States Period (475—221 B.C.), when a number of vassals broke away from Zhou rule and fought vigorously among themselves. Amid this turmoil the arts thrived and the period came to be called "One Hundred Flowers Blooming." Brenda Clough, who has already brought elements of the Near Eastern Bronze Age into modern times in two recent novels, illuminates this contradiction, that art may indeed be born out of war, and serve it. How the Bells Came from Yang to Hubei Brenda Clough Ihad never beheld such a miserable wretch. My master Chu gulped. The prisoner was bone-thin, the weeping sores easily visible through his rags. His dirty bare feet left red smears on the tile floor. "The carpet," old Lord Yang murmured, and servants carried the priceless textile aside. We ourselves had not dared to walk on it and had stepped around. The soldier in charge jerked the rope attached to the unfortunate's leg shackle, and the prisoner fell flat on his face with no attempt to break the fall. I saw that his hands had been chopped off, the wrists ending in black cauterized stumps. How could one come to such a horrendous pass, the ultimate catastrophe for a handiworker? My own fingers twitched in sympathy. From my place just behind and to his left I saw Master Chu's cheek blanch. He is oversensitive, a true artist. Luckily he has me, young Li, for First Assistant. Discreetly I gripped him by the elbow to keep him upright. Lord Yang would not think a faint amusing. "Tell your tale, worm," the soldier barked. The prisoner's Chinese was accented but understandable: "The battle in Guangdong—we should have won. We were winning. Our arrows darkened the sky. We had a third again as many spears." "And?" Lord Yang flicked a glance at my master. I squeezed his arm to make sure he was listening. "The bells. They had sorcerers with bronze bells. Racks and racks of them, dangling like green skulls, carried into the field on wagons. And the sound . . ." "Ah, the sound!" My master straightened. "Was the note high-pitched, or low?" "Both. Neither. I cannot say. They beat the bells with mallets, and we fell down. Blood poured from our noses and assholes. Our guts twisted in our bellies . . ." The prisoner began to sob, muffling the noise in the crook of his elbow. Lord Yang sighed. "This one's usefulness is at an end." The soldier hauled the prisoner roughly up, and the servants ushered them out. More servants crawled in their wake, silently mopping up the red stains with cloths. I tried not to look. "Now, Master Chu. You know of these bells that Lord Tso used to defeat Guangdong?" "I can guess, my lord." My master would have scratched his head in his usual thoughtful gesture, but I twitched his arm down—you can't scratch in front of a warlord. "When I was First Assistant in his foundries, the Lord Tso was their most munificent patron." "As I shall be yours." Lord Yang flicked a wrinkled finger. A servant came forward with two bulging leather bags. "Make me bells, Master Chu. Bells of war." "My lord, the Lord Tso ordered a set of sixty bells." "You shall make me eighty." "Eighty!" My master drew in a deep joyful breath. "Such a commission—the foundry's resources will be yours alone, lord. And a huge ensemble like this—they must be zhong bells, of course, mounted upon racks for easy transport . . ." It was just like Master Chu to immediately plunge into technical matters. He is like the phoenix, the bird that we inlay in gold upon the cylindrical sides of bells. The phoenix thinks only of its music, and flies higher and ever higher, singing. It doesn't worry about practicalities. My thoughts ran otherwise. The Lord Tso was a warrior in his prime, reputed to be a tiger in both combat and peace. If he had devoured Guangdong, his power would be overweening. And we were going to fight him? "Then it is war, lord?" I burst out. Lord Yang's lean mouth pursed in a smile. "High politics are for me to determine, apprentice. Do you stick to your master's craft, and I will hew to mine. You are but one tile in the mosaic, and who can say which tile is the most essential? Here is gold enough. And from my storehouses you may draw bronze and tin. In two years' time my armies shall march." "Two years?" Master Chu nodded. "I must consult with your musicians . . ." "My lord!" I licked my lips, which had gone unaccountably dry. "No one loves bronzework better than I. But—bells are only bells. They are only our plea to heaven, our voice to the gods. There is no power against mortals in them. The symptoms the prisoner described—could it be that his army merely had drunk bad water?" When Lord Yang clapped his hands the sound was thin and dry as reed striking reed. "Let the prisoner be returned," he said. "You and your master shall question him closely. Wring from him all you can— indeed my spies brought him from Guangdong for this very purpose. Master Chu, you have my permission to have his captor exert whatever persuasion necessary." The idea made me shudder, and my master stared. He is incapable of hurting a fly. But the servant returned and fell to his knees, crying, "My lord, you indicated the prisoner was no longer of use to yourself. He has already been executed. Perhaps your lordship would care to see the body?" Lord Yang shook his head sadly. "Regrettable. No, have the useless carrion flung onto the midden. You must manage without, Master Chu. I look forward to seeing the bells. And—" He nodded at the servant. "You have served me long. Is it your wish to be executed for your incompetence, or to commit suicide?" "I shall hang myself immediately, lord, thank you!" The servant kowtowed and scuttled away. We were dismissed with another gesture, and gratefully backed out of the room. "Bells we can cast," I said, once we were safe in the forecourt. "Bells that will sing a true note clear as crystal, and not only a single note, but sometimes even two harmonious ones. But a bell that can kill? Master, are there secrets to the craft that you have not yet taught me?" "Never, lad! I was First Assistant in Lord Tso's foundries, and I can attest that no magics were used in those bells. It's some fanciful story that our lord got into his head. He shouldn't have consulted that prisoner. Under threat of death a man will say any nonsense." "But you didn't tell him that." I could not blame him. The fate of Lord Yang's servant did not encourage frankness. "Bells are musical instruments, my boy. You could easier make a military weapon of needles and thread! I like your idea that the losing army had drunk bad water. And it could be that the music of Lord Tso's bells greatly enheartened the troops, urging them on to victory. If they believe it is magic, then it is so." This was an encouraging line of reflection. "So perhaps our bells could be likewise," I said. "Like the jade button on the top of a mandarin's cap: not the cause of his greatness but an ornament upon it." "Two years is a long time," my ever-hopeful master said. "Let us design and cast the bells, a fascinating project! And worry about slaving armies with them later—" "Master?" We both looked up from our talk. A maid beckoned from a circular archway in the wall. "Do I know you?" my master said uncertainly. "Of course not. But surely you know of my mistress, Lady Yang. She summons you." "I?" Bemused, my master followed her, and I fell in behind. Beyond the archway was a walled garden. A plum tree drooped over a carp pool bordered with elaborate stonework. Beside the tree sat a woman, almost lost in the amplitude of brocade sleeves and robe. The mere sight of the gold embroidery on her black satin slippers told us both that we should bow down to the pavement. "Great lady," my master murmured. "Do it again, only this time don't let your butt stick up." Astonished, I twisted around to stare up with one eye. The robe and cap and sash were huge, impossibly grand, but the little face beneath the cap was girlish, delicate and pale as plum blossom. "Go on," she commanded. "More elegantly this time." The little foot in its satin slipper tapped impatiently. I hastened to set the example for my master, rising and then kowtowing again. Both of us tucked our sterns well under this time. I remembered now, how old Yang had lately married a new and exalted wife, a princess from Jiangsu. "Great lady, how may these humble ones serve you?" "I wish to bear a son." I could feel my stomach turning right over under my sash with a flop. Was she asking my master to father her child? Surely old Lord Yang could not be impotent—he was rich enough to buy aphrodisiacs by the cartload. And Master Chu has no interest in women, or in anything else for that matter. His love is given to his craft. It was his Assistant's job to take care of all the mundane details, which put me in the center of the target. Such things only happened in stories! I said nothing and didn't look up, waiting for another clue. And thank the gods, here it was, the solid chink of gold on the pavement between us. I took a sideways peek: a gold bracelet, set with jade plaques. "You will take this in payment, and you will engrave my wish upon the bell. Thus every time it is struck, my prayer will rise to Heaven." I sagged so limply with relief that my bowed silhouette surely lost elegance. For once my master was the readier with words. "Willingly, great lady. Your august husband has commanded a set of eighty bells. Shall I have the prayer engraved inside each of them?" "Oh, that would be very good! Nobody has ever had eighty sons before—I shall be the first!" I risked looking at her again. This time I saw that her cheeks were round and babyish. Lady Yang must be scarcely twelve, too young to know what bearing ten children would be like, never mind eighty. On the other hand, she had the years before her to do it, if old Yang could keep his end up. For the first time my master's attitude of eternal hope seemed entirely sensible and wise. Not for us to argue childbearing with a princess and the wife of the warlord! "It shall be as you command, great lady," my master said. "Thank you." I hooked the bracelet with one sideswiping finger and tucked it into my sleeve as we rose and backed out. Only when we were outside the gate did I say, "You realize we've just signed on to produce not one but two complete absurdities? To defeat armies with the sound of bells is impossible, as unachievable as using their music to make a bride pregnant. What are we going do?" Thoughtfully scratching his head, my master hardly heard me. "This time I shall make all eighty of the bells two-toned. It will be a tremendous challenge! I can see in my mind's eye what the set should look like, cylindrical but slightly flattened. Inlaid gold phoenixes, the symbol of music, would be a proper decoration, sporting around the shoulders. My lady's prayer can be engraved on the inside of each bell, out of the way. The lower surface must be reserved for inscriptions of the sui and gu sites, so that the musicians may know where to strike for each note. Truly, this shall be magic." "Just not the kind of magic they paid for!" "You worry too much, Li," my master reasoned. "We have the job, and the money, and the materials. What more can we ask for? Let's just do our task. Lord Yang can deal with the wars, and his wife can worry about her babies. Do you think you can go to his storehouses and choose the best copper ingots today?" Caring for nothing but its song, the phoenix soars higher and higher. Perhaps all would yet be well. Willing it to be so, I said, "Of course, master." Safely secluded in our craft, Master Chu and I spent happy months compounding bronze alloys and casting test bells. The molten metal was poured into pottery molds so large they had to be made in sections, an exacting and difficult business. The largest bell would be chest-high. No one had ever attempted so large an instrument before. We practiced on the smaller ones, slowly perfecting the placement of the mei, the bronze bumps on the outside of the bell. Even such tiny details affected the tone. The day we unmolded the first bell was like a birthday. Master Chu lowered the hot pottery mold into a sandbox and levered the halves apart with a stick. It was the tiniest bell, no larger than my hand, and the hot curve of metal rolled out of the dull mold glowing like a chestnut newly hulled. "Hot, hot!" my master exclaimed, patting it with his leather-gauntleted fingertips. He eased the tip of the stick into the xuan, the loop the bell would hang by. When he raised it from the surface of the sand the bell hung at a bit less than the ideal thirty-degree angle, counterbalanced by its heavy yong. "We can adjust that," he panted. "File the yong down a bit. Now, Li, strike!" I had a tiny wooden mallet ready. The markings made the sui position perfectly easy to find on the flatter front surface of the curve. I have not the touch of a trained musician, but I knew how to tap the place. The sweet high note hung in the air and then faded. It's important that there be no prolonged echo that would interfere with the main melody. Then I struck the gu position. "Hah!" "A perfect harmonic!" Master Chu grinned so widely the sweat dripped down into his open month. The glorious pure sound made my vision blur, hope and joy bubbling up inside my chest. Perhaps the music of bells really did have some unknown power, unless it was only the heat radiating from the new metal to blame. I grinned too. "And it only took three months!" "The next bells will be faster. Not easier, but faster. We can set the slaves to polishing this one and engraving Lady Yang's prayer inside." There is no madness like love, and surely the love of one's craft is the maddest of them all. Master Chu would not have selected me as his Assistant if I did not also have something of the phoenix in me. Not a thought did I put into larger issues that year. To make the bells was enough; what others would do with them was unimportant. Compounding this were the usual maddening delays and setbacks. The larger bells cracked or did not ring truly, and had to be cast and recast several times. Right up to the last moment we were adjusting tone by grinding metal from the insides. The Lord Yang had had three special wagons made with racks running down the middle, pegs for the different mallets, and space for the musicians to stand. When all the bells were hung in place and the wagons lined up, it looked very fine indeed. The Director of the lord's orchestra came to the foundry to accept delivery. When I saw him in his full battle armor and helmet, it washed over me like cold water, what we had done. The phoenix fell to the ground with a thump. Impossible to tell myself that we were merely the ornamental button on Lord Yang's cap. My master was dashing from rack to rack, advising the players. So I was able to remark to the Director, "You are marching with the army, I see. Do you know, have these bells formed a vital part of our lord's battle tactics?" "They are absolutely essential," the Director said cheerfully. "I've had the players perfecting their repertoire, practicing on clay dummy bells. On the way we shall do 'Carp and Bamboo' and 'Hands Like Lilies,' all the good old walking tunes. Then as they march to the actual battle we will play 'Spears of Gold' and my own special composition for the occasion, which our lord has graciously permitted me to title 'Thunder Dragon Yang' . . . " More proof that love of one's work is madness! I could see that it would be the same whomever I queried. The generals would chatter of battle diagrams, the horsemen would drone on about saddlery, the sutlers would talk about supply trains until listeners wept with boredom. Every tile in the pattern believed passionately that it was paramount. There was no discreet way to find out whether our bells really were supposed to be magic. Suppose the Lord Yang truly was relying upon it? As well lean upon a sewing needle, as my master said. I could see it now, the crushing defeat, the carnage of the battlefield, Lord Tso marching upon our town, the sack and pillage. As his Assistant it would be my duty to defend Master Chu to the death. Perhaps we could escape before the victors put the city to the torch. Our tools could be loaded into a wagon . . . It haunted me so much, I derived no pleasure from watching the army march away the next day. Everyone in town turned out to watch and cheer. Incense burners made the air blue with sweet smoke. Scarlet banners fluttered from spear points, and Lord Yang rode on a white stallion with slaves holding a green silk canopy over his head. "Magnificent!" my master yelled in my ear over the tumult. "Even that old war-horse 'Hands Like Lilies' sounds grand when played over a hundred and sixty tones." "Will a hundred and sixty tones make Lord Tso's soldiers fall down and bleed?" "There's always a sadness when a big project is finished," my master assured me. "Fear not—it passes off entirely when the next job turns up." "My next job might be fleeing with you into the mountains. Could we perhaps buy a couple of mules, just in case?" "Don't be silly, lad. Look, there's the palanquin with the Lady. Those gilded poles and rings must have cost a fortune." "Is she pregnant?" I demanded gloomily. But with the flowing robes that princesses wore it was impossible to say. With the passage of the ladies the most interesting part of the parade was over. "Look here, Li." My master patted me on the shoulder as we turned away. "You'll fret yourself into a fever. The odds are quite good. Either our lord wins the battle, or not. And either the babe will be a girl, or a boy. Fifty-fifty in both cases, and we can't affect the outcome either way." "There's something wrong with your calculation," I grumbled, but couldn't put my finger on it. As summer slid into autumn I became more and more uneasy. The war might be won or lost already, with no way to tell from this distance. The first word we got might be Lord Tso's regiments at the gate with fire and sword. I spent my own small savings on a good mule and its trappings, and packed food and clothing for us both, ready to be snatched up at a moment's notice. And I sorted all the tools in the forge into a pile to take, and those that could be left. "Perhaps you should marry," my master suggested mildly. "It's not healthy to bear the troubles of all the world on your back. A wife would help you sleep better." "I don't want to sleep better. I want to keep an eye open for trouble." "Always, you expect the worst!" Master Chu looked out over the silent workshop. "Another job, that's what we need. Perhaps you're right, and we should move on purely for professional reasons. Lord Yang probably has all the bells he will want for some time." "Lord Yang has troubles enough on his hands—" But he waved me to silence. "Listen. Do you hear?" The sound suddenly resounded clearly in the empty room, the clamor of many voices and shouting. "News must have arrived! Quick, let's go to the marketplace and find out." Forgetting the autumn chill we dashed bareheaded into the courtyard. But beyond the house gate horses milled, and armed men. Armored fists were raised to hammer for entry. "Oh gods, I knew it," I groaned. "All is lost. The town is being sacked. We're about to die. Run, master, run!" "Wouldn't enemies loot the palace and the treasury first?" Master Chu raised his voice. "Sirs, who do you seek? This is the house of Chu the bronzeworker." "Well met then, Master Chu. I bring you news from your Lord Yang." "Me?" Trustfully my master unbarred the gate, while I peered out to see the soldiers' crests. These were not men of ours! "Behold the orders of the victorious Lord Yang." The soldier swaggered in jingling and held out an enameled bamboo scroll-case. "He has lent you and your services to his triumphant ally, my lord the Marquis of Hubei. The fame of your war bells has inspired the Marquis with a profound desire for his own set." "Gods!" My master goggled. "Did you see them in battle?" I interjected. "Did the enemy fall down at the sound?" At this the troops in the gateway yelled with laughter. "The enemy fell down all right, but it was at the sight of us!" "Oh, ho ho! We rattled our spears, and they wet their pants!" For a moment I was speechless. Of course they would believe they were responsible. Everyone in the army probably did. Of all the tiles in the mosaic, which is the most essential? The only answer is all of them. "But then it was all by chance!" I cried. "We had nothing to do with the victory!" "My Assistant is overwrought with relief," Master Chu said calmly. "Your news of victory relieves my mind tremendously, sirs." The soldier chortled until his face was red. "My lord the Marquis is merely anxious to reproduce all the elements of this famous victory, when he marches against Zheng." "Zheng!" I was aghast. Lord Zheng was the master military tactician of the western provinces, and we were going to fight him with bells? And there was another thing: "Does the lord Yang's wife enjoy good health, do you know?" "She was delivered of a son last month." The soldier winked at me. "Word is you two had something to do with that, as well." My master scratched his head thoughtfully. "I would be delighted to comply with the Marquis' behest. And by the greatest of good fortune my Assistant here has readied our tools and gear for travel." "Good!" The soldier nodded to his men. "Fetch your baggage—we depart immediately!" We hurried inside to gather up our bags. "The Marquis will not be satisfied to be outdone by Lord Yang," my master said happily. "We must make him a hundred bells, perhaps a hundred and twenty!" "We don't know what we did or how we did it," I almost wailed. "But we're supposed to do it again, better?" My master rolled the heavy leather forge aprons and gauntlets and crammed them into a sack. "What can we do, lad, but what we do best? The work is good, the bells as well made as can be. Mortals can ask for no more. When our best doesn't suffice, we shall die." I sat down heavily on a box of metal scraps. The prisoner's fate could have been our own: brutal mutilation and slow death. Instead we had fame and possibly fortune. We had done nothing to either avert it or earn it. All our efforts were unavailing. "Is there anyone truly in control, then?" "The gods, perhaps. No one less. Let it go, boy. The entire scroll of fate is too broad for our eyes. We view the world through a bamboo stem, a narrow circle of the picture, but it's all we can take in." It came to me that the magic of the bells was not in the metal nor in their music nor in our crafting of them. The magic was in the hope they raised in the human heart. With it impossibilities became not certain but possible. My master's fathomless hope and ferocious concentration were the best wisdoms in this meaningless world. Wheat, he could bow to the wind; a phoenix, he could ride the storm. Five years I had been his Assistant, and I had not known that. "You are indeed my Master," I said humbly. "I have much to learn." Master Chu smiled. "Now come, Li. Gather up those extra shovels. These soldiers can be useful—let us have them carry what we cannot. Surely the Marquis will build us a workshop!" Chariotry became the hallmark of Bronze Age warfare, a status symbol from Egypt to northern Europe and far to the east. Some scholars argue that eventually new military tactics spelled the end not only of chariot-based warfare but of the Bronze Age itself. In the beginning, however, chariots promised protection from marauding tribes and commanded a great price. Judith Tarr demonstrates just how valuable by returning to the speculative Bronze Age of her Epona Sequence. The God of Chariots Judith Tarr Enmerkar the king stood on the .walls of Uruk. The hordes from Ithe desert had withdrawn at last. In their wake they had left devastation: fields and orchards stripped of their harvest, villages burned, cattle slaughtered or stolen, and an echo of laughter as they marched away with their spoils. He had hoped—gods, he had prayed—that if he raised the city's walls higher and doubled the guards on the fields, the Martu would give way. But they had only grown bolder, the more the city tried to resist them. Those who understood their language said that the raiders reckoned the city folk soft and their king a coward, too weak to put up a proper fight. The men of Uruk were brave enough, but these savages were relentless. Their blades of flint and their spears of fire-hardened wood killed as thoroughly as the finest bronze. And there were so many of them. Uruk was a great city and powerful, but it could not send out the hordes of fighting men that these tribes bred like swarms of locusts. Now they had gone away. A good half of the harvest was taken and much of the rest trampled and fouled. It was too much to hope that the Martu would not come back when the grain was tall again, as they had for year upon year, and each year in greater numbers and with stronger weapons and more outrageous contempt. The men of Uruk grew the grain; the men of the desert took it, as if the gods had given it to them as a gift. Enmerkar stood under the open sky before the eyes of his people. He could not rend his beard in frustration, still less fling down his royal staff and trample it. He stiffened his back and squared his shoulders and made himself descend from the sight of a war that he could not, with all his wealth and power, hope to win. "We need Aratta," the king's sister said. She was Inanna, the living goddess, unlike Enmerkar, who was a mere king of men. In her divinity she could run far ahead of mortal understanding; she was not always patient, either. She glared at the blank faces of the king's council, a circle of round cheeks and round eyes, with no more wit in them than in a cairn of stones. "Aratta," she said as if to children, "has wood. It has stone. It has metal. It has alliances with us from years before, oaths and promises of trade. Aratta will help us, if we offer a caravan of grain and the fruits of the south." "A caravan?" said the king. "It will be a lean winter as it is. We can't spare even a tithe of the harvest—and Aratta will want more than that, if it knows how desperate we are." "Then let us not be desperate," Inanna said sharply. "Let us be allies with trade to offer. Or are we truly defeated as the Martu declare? Are we their sheep, to be plucked of our fleece in season and led tamely to the slaughter?" That made some of them bristle and others close their ears and minds against her. Lugalbanda, who had earned his place here by winning a battle or three but who was not the best or most eloquent of speakers, found himself unable to restrain his tongue. "I—I have heard," he said, battling the stammer that always beset him when he had to speak in front of people, "I have heard a story, a rumor really, but it has a ring of truth—that there is a new god in Aratta, a god of war." "That's old news," said the councilor who had spoken first. "The god, if he is one at all, has been there for years." "Indeed," said the king's sister. She turned her beautiful and terrible eyes on Lugalbanda. "Tell us what you have heard." His knees were weak and his wits scattered, but those eyes compelled him. They drew words out of him, words that even made sense—and that was a miracle worthy of her divinity. "I—I have heard that the god came from the east, and he brought with him an art and a weapon. He forges bronze, they say, that is stronger and brighter and keener than any in the world. His swords are sharper, his spearheads more deadly. But even more than those, he has a craft, a thing of power and terror. It rolls like thunder over the earth. Great beasts draw it, swifter than the wind. Wherever it goes, armies fall like mown grain." "Travelers' tales," said the king. "Travelers who have been to Aratta," his sister said. "Is there more?" Lugalbanda had an itch between his shoulderblades. It would have killed his dignity to scratch it, yet it was a miserable niggling thing. It could not drive him any madder than the sight of her face. "There—there is a little, divine lady. They say the god rides in his great weapon, and rules it with the terror of his will. And—and they say that he is not alone. That he has made more of them, and taught the men of the city to master them, and they are unconquerable in battle." "It is true," said the eldest of the council, who was deaf and nearly blind, but his wits were still as sharp as ever. "Even I hear a thing or two, and I have heard that no enemy has threatened Aratta since shortly after the god came to it. It's more than the terror of his presence; he has weapons that deter even the hordes of savages." Enmerkar smote his thigh with his fist. "If Aratta has such weapons—if this is not dream and delusion—we need them. We need copper and stone, wood and bronze. We need strength to drive back the Martu and to keep them from coming back again and again." Inanna clapped her hands together. "All hail to the king of Uruk! Yes, we need what Aratta has—and it would be best if our messenger went soon, before winter closes the mountain passes. As it is, he'll not come back until spring, but maybe he'll come to us with a hoard of god-forged weapons." "And maybe he'll come back empty-handed, or never at all." But Enmerkar was less despondent than he had been in all this Martu-embattled year. "It's a risk I'm willing to take. But, lady, to send a caravan—" "We can't send promises," she said. "We're too desperate. It must be sacks of wheat and barley, and jars of dates and baskets of apples and all the riches of the earth that we can possibly spare." "And wine," the eldest councilor said. "Send the king a great gift of date wine, and see he drinks a good part of it while he haggles. That will bring him round if nothing else will." He grinned a toothless grin. Some of them were outraged, but laughter ran round the rest of the circle, easing the mood remarkably. He had won them over more truly with laughter than she had with her fierce impatience. She was in no way contrite, though she had the grace to acknowledge his wisdom. "We should leave as soon as may be," she said, "with as large a caravan as we can muster, under a strong guard. You"—she thrust her chin toward Lugalbanda—"will command the guard. See that you choose men brave enough, and hardy enough, for mountains." Lugalbanda could find no words to say. He was the youngest and the least of this council. He was a fighting man, to be sure, and had led a company of stalwarts from the city with some credit and a number of victories the past few seasons. But to leave Uruk, to venture the mountains that walled the north of the world, to walk where all the gods were strange— "I am not—" he began. No one heeded him. The king had heard what Inanna had tried to hide behind the shield of Lugalbanda. "You are going? Lady, you cannot—" "I am going," she said with divine certainty. "My temple will do well enough in my absence. The rest of the gods will look after the city. No one and nothing in Uruk will suffer because I have gone from it." "No one but you," her brother said bluntly. "Lady, the journey is long and the road is hard. As great and powerful as you are, and as divinely blessed, still you walk in flesh, and flesh can be destroyed. We can't risk the loss of you." "You can't risk a lesser messenger," she said. "You could send every wise man in this council, and that would be a noble embassy, but my heart declares that they would fail. I may not succeed, either, but the refusal may be less swift. Men will hesitate to refuse a goddess." "I can't let you go," Enmerkar said. She raised her chin. When she drew herself up, she was nearly as tall as the king. She met him eye to eye and will to will. "I am not yours to permit or deny," she said with dangerous softness. "I belong to Uruk, and Uruk has great need of me." He was not struck dumb—far from it. But before he could burst out in speech, the eldest councilor said, "Certainly no man may oppose the will of a goddess. But, lady, Uruk will be a sad place without you." "Uruk will be sadder when the Martu break down the gates," she said. "A god may address a god, even when kings are minded to be difficult. I will speak as an equal to the god in Aratta, and see what I may win for Uruk." Even the king could hardly fail to see the sense in that. He scowled and snarled, but he no longer tried to forbid her. She rose from her chair of honor and shook out the flounces of her skirt. "We leave before the moon comes to the full," she said. Whatever protest any of them might have uttered, she did not hear it. She had swept out, grand as a goddess could be, in every expectation that when she deigned to look again, all would be done exactly as she had ordered. Mountains went up and up, but never quite touched the sky. Lugal-banda's men had known no height of land but what men made with their own hands: towers, and walls of cities. This lifting and tilting and tumbling of the earth robbed them of breath and sense, numbed them with cold and pelted them with stinging whiteness. Snow, their mountain-born guides called that. They were casually contemptuous of the flatlanders, as they called the men of Uruk—but they were in awe of the goddess who traveled with them. Lugalbanda had deep doubts of their trustworthiness, but their fear of the goddess had proved thus far to be greater than either greed or malice. He had been trudging upward since the world began, and wheezing for breath the more, the higher he went. Some of the men had had to turn back: they were dizzy, their heads were splitting, and when they tried to rise or walk they collapsed in a fit of vomiting. Lugalbanda was not much happier than they, but he had so little desire to eat that there was nothing to cast up. There had been a raid or two, days ago; they had lost a pair of oxen and a drover. But since they had come to the top of the world, they were all alone but for the occasional eagle. Lugalbanda was sure by then that their journey would have no end, that they would climb forever and never find Aratta. Inanna, being divine, knew no such doubts or weakness. She walked ahead of her people, beside or just behind the guides, wrapped in wool and felt and fleece, and nothing showing from the midst of it but her great dark eyes. She refused to ride on one of the oxen; she would not let one of the men carry her. Her legs were sturdy and her strides long; she breathed as easily on the summits as in the river valley in which she had been born. Lugalbanda followed her blindly. The snow was so white, the light so piercing, that his eyes stabbed with pain. He wrapped them in folds of linen and followed the shadow of her, and knew little of where he went. He had no mind left; it was all burned out of him, there beneath the roof of heaven. Even as dazed he was, he became aware, one bitterly bright day, that the ascent had stopped. They were going down, slowly sometimes, and at other times precipitously. Little by little the air warmed. The snow thinned. The sun's light lost its fierce edge. Lugalbanda's eyes could open again without pain, and his mind began to clear. There came a morning when, having camped in a green and pleasant valley, they descended by a steep narrow track. It surmounted a ridge and, at midmorning, bent sharply round the knee of the mountain. There before them was not yet another wilderness of peaks but a wide green country rolling toward a distant dazzle and shimmer. "The sea," Inanna said. He had not heard or sensed her coming, but she was beside him. The mountainside dropped away almost beneath her feet, but she stood as calmly as if on level ground. "Look, do you see? There is Aratta." He had seen it, but at that distance and out of the last of his mountain-born befuddlement he had taken it for an outcropping of rock. It was built on such, he saw as he peered under his hand, but its walls were deep and high, and within them he saw the rise of towers. It was a greater city than he had expected. It was not as great or as noble as Uruk, but its splendors were manifold. Its walls were of stone, its gates of massive timbers bound with bronze. Its houses and palaces and the towers of its temples were built of wood and stone. The wealth of that, the extravagance, were unimaginable in a world of mud brick, but here they were commonplace. They were three days on the road between the mountains and the city. Lugalbanda had sent men ahead, swift runners with strong voices, to proclaim the goddess's coming. They performed the task well: when the caravan came to Aratta, they found its walls hung with greenery and its processional way strewn with flowers. Inanna allowed herself to be carried in like a sacred image, borne on the shoulders of the tallest and strongest of her guards. She had put on a gown of fine linen and ornaments of gold and lapis, and set a diadem of gold over her plaited hair, with golden ribbons streaming down her back and shoulders. She was as bright as a flame in the cool sunlight of this country, where everything was green, and the earth's bones were hidden beneath a mantle of grass and forest. The king of Aratta received her at the door of his high stone house. He was a younger man than Lugalbanda had expected, tall and broad and strong, with the look of a fighting man and the scars to go with it. He watched Inanna's coming with an expression almost of shock, as if he had never seen a goddess before. It was a remarkable expression, like none that Lugalbanda had seen before. After a while he set a name to it. It was hunger: not the hunger of the starving man who sees welcome sustenance, but of the rich man who thought that he had seized all the wealth that was to be had, but now he sees a treasure that is not his—and he must have it, whatever the cost. As quickly as it had appeared, it receded into his eyes. He smiled the practiced smile of kings and greeted the goddess and her following in a fair rendering of the dialect of Uruk. She replied with dignity. Lugalbanda did not listen to the words. He watched the faces. The god was not here: there was only one divinity in this place, and she had drawn every eye to her. No god would have borne such a distraction. At length the king bowed and turned and led the goddess into his house. Lugalbanda followed at a wary distance. The caravan dissipated within the king's house; only Lugalbanda's own men followed the goddess to the depths of it, and there guarded her. Embassies, even urgent ones, were leisurely proceedings. It would be days before anyone came to the point. Today they feasted and exchanged compliments. No word was spoken of the caravan of gifts and grain, or of the message that had come with it. Nor did they speak of the god—not the king, and not the high ones seated near him, and certainly not Inanna. But in the farther reaches of the hall, among the young men, the talk was of little else. They were all wild to master the new weapon, which they called a chariot. "It is wonderful," they said. "Remarkable. Divine. To ride in it, it's like riding the wind." "I should like to see this thing," Lugalbanda said. "Is it winged? Do the winds carry it?" "Oh, no," they said. "You should see, yes. Come after all this feasting is over. We'll take you to see the chariots." Lugalbanda made no secret of his pleasure in the invitation. They had no wariness in them, and no fear of betraying their city. They seemed as innocent as children. They were full of stories of the god: how he had come from a far country; how he had offended a goddess there and been broken for it, and still walked lame; how that curse had pursued him even to Aratta, and taken his consort and his daughter, and left him alone in a world of mortal strangers. Lugalbanda must remember that these were strangers to him just as they were to the god, that even close allies could turn to enemies. Trust no one, the elders of Uruk's council had admonished him, and offer service to none but the goddess herself. He was the elders' servant before all else. He exerted himself to be pleasant company and drank maybe a little more than was wise, but it was difficult to refuse his hosts' persuasion—and the beer was surprisingly good for an outland brew. They were all much warmer than the sun warranted when the feast meandered to its end. Lugalbanda had a new band of dearest friends, each one dearer than the last, and all determined to show him their wonderful new god. The god was in his temple, forging bronze. The roar of the forge and the ring of the hammer resounded in the courtyard, silencing even the most boisterous of the young men. Wide-eyed and mute with awe, they crept through the gate into the inner shrine. In Uruk it would have been a place of beauty and mystery, glimmering with lapis and gold, and made holy with the image of the god. Here were walls of stone unadorned but for the tools of the smith's trade. The stone was dark with old smoke, but the tools were bright, with the look of frequent use. On the far wall, where would have hung a tapestry woven in honor of the god, was a wonder of work in gold and bronze and silver, brooches and ornaments and oddities that might be trappings for chariot teams. Later Lugalbanda would marvel at the artistry of the work, but his eye was caught by the figure that bent over the forge. There were others in the hall, laboring as he labored, but they were mortal. This truly was a god. He had come, they said, from the land of the sunrise. Its light was in him, shining out of him. His skin was the color of milk, his hair new copper shot with gold. His eyes when he lifted them were the color of reeds in the first light of morning, clear green shot through with shadow. There was a great sadness in them, a darkness of grief, overlaid with pain. He lived, said that flat stare, because he had no choice. Life was a curse, and death was not granted him. The light was gone from the world. "His consort," said one of Lugalbanda's new friends: "the greater gods took her to themselves—oh, a while ago." "Five winters past," one of the others said. "A fever took her, and the daughter she had borne him. It was the fire of the gods, the priests said, taking back their own. There was nothing left of them but ash." "They burned away to nothing?" Lugalbanda asked, barely above a whisper, although the others did not trouble to lower their voices. "Not their bodies," his new friend said with a touch of impatience. "Their hearts and souls, their lives: all were gone in a day and a night. They were the breath of life to him, but they weren't permitted to linger here below. The gods wanted them back." "But they didn't want him?" said Lugalbanda. "My work is not done," the god said. His voice was soft and deep. He shaped the words strangely, but they were clear enough to understand. Lugalbanda swallowed hard. He had thought, somehow, that the god was like his greater kin: oblivious to human nattering unless it was shaped in the form of prayer. But he wore flesh and walked visible in the world; of course he could hear what people said in his presence. The god's expression was terrible in its mildness. "You would be from Uruk," he said. "Have you come to steal my chariots?" Lugalbanda's shoulders hunched. But he had a little pride, and a little courage, too. "We are not thieves," he said. Then he added, for what little good it might do: "Great lord." The green eyes flickered. Was that amusement? "You are whatever your city needs you to be," the god said. "My city needs me to show you respect, great lord," Lugalbanda said. The god shrugged. His interest had waned. He turned back to his forge. He was making a sword, a long leaf-shape of bronze. Lugalbanda did not know what—whether god or ill spirit—made him say, "Don't temper it with your own heart's blood, great lord. That would cause grief to more cities than this one." "I care nothing for yours," the god said. But he said no word of Aratta. Lugalbanda chose to find that encouraging. Inanna's head had been aching since morning. It was worse now, between noon and sunset of this endless day. The sky beyond Aratta's walls was low, the air raw and cold. It would snow by evening, the elders had opined, somewhere amid their council. She was wrapped in every felt and fleece she had, and seated in the place of honor beside the fire, but she did not think that she would ever be warm again. She clenched her teeth to keep them from chattering, though it only made her headache worse. She had presented her embassy to the king and his council, offering her caravan of grain and wine and lesser treasures in return for wood and stone and bronze. The king's eyes had gleamed as her men laid gifts before him: fine weavings of wool and linen; ornaments of gold, copper, lapis, amber; a pair of young onagers, perfectly matched; and with them a pair of maidens from the south, so like to one another that only they themselves could tell for certain which was which. The king was a man of strong appetites, as she had observed at the feast of welcome. He accepted the gifts with unconcealed pleasure, but when they were all given, he seemed faintly disappointed. That vague sourness persisted through the council. His elders haggled like women at market. They wanted as much as Uruk would give, in return for as little as they could manage. That was the way of commerce, even between kings. She waited a considerable time before broaching the subject of chariots. Still, it seemed she had not waited long enough. "No!" the king said firmly. Until then he had let his councilors speak for him, but in this he would speak for himself. "Those we do not sell or give away. The gods have given them to us, with one of their own to teach us their making." "Indeed," Inanna said, "and the greater gods have let it be known to us that their gift resides in Aratta. Shall we not fill your granaries and adorn your women, and share this gift in return?" Some of the council were wavering. One even said, "It will be a long winter. Our trade with the south was not as profitable as it might have been, nor are our storehouses as full as they should be. Surely—" "We do not give our chariots away," the king said. And that was all he would say, although the council stretched until evening. When it ended, he had not budged, and his elders had shifted equally immovably to his side. Inanna was glad to leave the hall behind. She had thought only of food and a bed, but as she went to find both, she overheard two of the king's women whispering together in a corner. It seemed they had undertaken to console the god of chariots—a frequent venture, from the sound of it, but no more successful tonight than it had ever been. "This time he was less angry," one of them said. "He's weakening, I can tell. One night he'll give way—and I'll be there." "Not before me," her sister said. They hissed a little as cats will, but amicably enough. They did not see Inanna's passing: she made sure that they were blind to her. It was not difficult to find the god. Inanna had thought he might be still in his forge, where people said he always was, but he was in the priest's house behind it, attended by servants who were both loyal and discreet. But they could not stop a goddess. When she came into the room in which he was sitting, he had been eating a little: there was cheese by him, and a loaf of bread, barely touched. He had an apple in his hand and was examining it, turning it with long clever fingers. "One eats that," she said without thinking. Lugalbanda had told her of those eyes, how they were as green as reeds by the river in summer. Even forewarned, she was astonished, taken aback by the light of them and by the grief that haunted them. But she was a goddess, and his equal. She met him stare for stare. He blinked ever so slightly. She was careful not to let him see her smile. "I will make an apple of gold," he said. "Make it of bronze," she said, "and adorn a chariot with it." "So you did come to steal my chariots." He did not sound dismayed by the prospect. "I came to buy them," she said. "We're honorable merchants in our part of the world." "Honor is a rare commodity," he said. "Not in Uruk," said Inanna. "Then yours must be a city of wonders," he said. "We do think so," said Inanna. He almost smiled—almost. She watched the wave of grief rise up and drown him, the memory so vivid and so bitter that it filled her own heart with sorrow. She could see the two who had died, how beautiful they had been, how deeply he had loved them—how grievous was their loss. "Come with us to Uruk," she said. She had not plotted to say such a thing; the words escaped her of their own accord. He did not laugh in her face. Neither did he reject her out of hand. He frowned, but not in refusal. "Are you so desperate for chariots?" 'We are desperate for something," she said. "A new weapon, new power to destroy our enemies. But I didn't ask for that. You would be welcome in Uruk for yourself, and not only for what you can give us." "Why?" This was a god of uncomfortable questions. She chose to answer honestly. "There are no memories in Uruk." She had overstepped herself: his eyes hooded, and his face went cold. "The memories are within me," he said. "I thank you for your kindness." It was a dismissal. She bridled a little, but she judged it wise to yield. She had much to think of, and little of that had to do with the need of Uruk or the greed of Aratta. She took with her a vision of eyes as green as reeds, and a long fair face, and sorrow that her heart yearned to console. After the first storm of winter, the gods of heaven relented and brought back for a while the mellow gold of the season that, in this country, they called autumn. The king of Aratta seemed to soften with the sky. He accepted the riches of the caravan in return for an acceptable quantity of worked and unworked metal, quarried stone, and mountain gold. He would not sell his chariots or their maker, but he granted the king of Uruk a gift: a single chariot with its team and its charioteer. Lugalbanda had grown uneasy as their stay in Aratta lengthened. There was nothing overt to object to; the people of the city were unfailingly courteous, and some of the young men had become quite friendly. But he was growing weary of the cold, the strangeness, even the way in which the trees closed out the sky. His new friends took him hunting in the forests, and taught him the ways of a country that he could never have imagined in his distant and treeless homeland. He could have borne that, at least until spring, but he did not like the way the king watched Inanna. It never came to anything; it was only a constant, starveling stare. Yet it did not lessen at all as the days went on. It was not Lugalbanda's place to bring it to her attention, but he suspected that there was no need. She had left most of the negotiations to the master of her caravan and withdrawn gradually from the daily councils. No one remarked on that. She was a goddess; she could set herself above mere human commerce. It was assumed that she retreated to her rooms, which were warm, capacious, and adorned with every luxury. But Lugalbanda had discovered her secret: how she would put on a plain dark mantle like those worn by women here, and slip away. Sometimes she went into the city, but more often she sought the temple and the one who lived in it. She would efface herself there, sit in a corner and watch the god and his servants at their work. The god did not appear to find her presence distracting. Often as time went on, she would linger after the day's labors were done and take bread with him, and then they would converse. It was easy conversation, as between friends, or between gods who understood one another. She did not press herself upon him as a woman might upon a man, nor did he seem to see her in that way. And yet Lugalbanda, standing guard upon them—unmarked by the god and unforbidden by the goddess—saw too well how it was with her. She was a woman in love, hardly aware of it herself, but he knew the signs. He suffered them, too, with just as little hope of requital. As the fine weather continued unabated, even the god tired of his temple and ventured out to the field on which the chosen of Aratta ran their chariots. His coming was a great occasion. He was brought there in a chair borne by strong young men, to find a chariot waiting, larger yet lighter and stronger than the others. The beasts harnessed to it were like onagers and yet unlike: horses, they were called, born beyond the eastern horizon. When the god rose from the chair, he was very tall, taller than any man there, but he stooped somewhat as if in pain, and his steps were stiff and slow. He disdained the stick that someone offered, but accepted the shoulder of one of his young men, leaning lightly on it as he moved from the chair to the chariot. However faltering his gait on the earth, when he had ascended into the chariot and taken the reins, his heart and body were whole again. His back straightened. His head came up. The darkness of grief faded from his eyes. His horses arched their proud necks and tossed their long, thick manes. He did not let them run as they begged to do, not yet. Inanna had come, walking alone, dressed as simply as a woman of the city. Still there was no mistaking who she was, with the light in her eyes and the beauty of her face. She spoke no word to the god and he none to her, but he held out his hand. She let him lift her into the chariot. There was space for two of them, if she stood close, within the circle of his arms. She, who was as tall as many men, was small beside him. Then at last he gave the horses free rein. They leaped into flight, as swift as wind over the grass. Lugalbanda's heart flew with them, but his eyes were not completely blind to what went on about him. They saw that another had come to see the god and the goddess together: the king of Aratta with his look of perpetual hunger. It was stronger than before, strong enough to fester. The god and the goddess were far away, caught up in the glory of their speed. Lugalbanda, mere mortal that he was, was left to protect them as he could. It was little enough: a word to his men, a doubling of guards for when she should return, and a prayer to the greater gods for her safety and for that of the god of chariots. When the god rode in his chariot, he was alive as he never was in his temple. Wind and sunlight lessened his sorrow. For once he saw Inanna, if not as a woman, then as an emissary from another, brighter world. They rode far from Aratta, too swift even for men in chariots to follow. Inanna tasted the intoxication of speed and found it sweeter than wine. He saw her delight and shared in it. His smile transformed him; his face that had been so grim and sad was suddenly far younger, and far more beautiful. They slowed at last by the bank of a river, out of sight of the city. The river was narrow and swift and too deep to ford. The horses trotted beside it, tossing their heads and snorting, still as fresh as if they had just come from their stable. "Come to Uruk with me," Inanna said with as little forethought as before. As soon as the words escaped, she regretted them, but there was no calling them back. This time he heard her, and this time he answered. His smile did not die; the darkness did not come back to his face. He said, "Tell me—is it true? There are no trees there? No walls of mountains shutting out the sky?" "No forests of trees," she said. "No mountains. Only long levels of land, green fields and thorny desert, and the many streams of our rivers, flowing into the sea." "Only once have I seen the sea," he said. "My heart yearns for the open sky." "That, we do have," she said a little wryly. "And heat, too, and flies, and mud or dust in season." "Ah!" he said. "Are you trying to lure me there or repel me?" "I'm telling you the truth of it," she said. "An honest merchant," he said. He was chaffing her, but gently. He drew in a deep breath of the cold mountain air, and turned his face to the sun. "I will go to Uruk," he said. "I will make chariots for you." "You will not." The king's face was dark with rage; his eyes were glittering. But they were not resting on the god whom he had tracked to his temple to discover if the rumor was true: that Aratta was about to lose the blessing of his presence. They were fixed on Inanna. "You will not take our god from us," he said. "That is not for you to choose," said the god. "I have served you well, and given you great gifts. Now I am called elsewhere." "You are seduced," the king said. "Your wits are clouded. Your place is here, where your destiny has brought you." "You overstep your bounds," the god said very softly. "You will not be taken from us," said the king. He beckoned. His guards came, shaking with fear of the god, but their fear of the king was greater. They did not presume to lay hands on him, but they made it clear that if he did not let himself be led away, they would bind him like a common mortal. No fire came down from heaven. No storm of wind swept them all away. The god went as he was compelled. Inanna stood stiff in a temple now empty of its god, with her fists clenched at her sides and her face white and set. Her guards had closed in about her. The king's men surrounded them. None had yet drawn weapon, but hands had dropped to hilts. A war was brewing, and she was in the heart of it. Her three dozen men stood against a hundred, and the whole city of Aratta behind them. Long leagues lay between Aratta and Uruk, and seven mountains, each higher than the last. Lugalbanda opened his mouth to speak. He did not know what he would say, but he could hope that the gods would grant him inspiration. She spoke before any words could come to him. Her voice was clear and cold. "Lord king," she said. "I offer you a bargain." The king's greed was stronger than his wrath. His eyes gleamed. "What can you offer, lady, that will buy a god?" "Myself," she said. "A goddess for a god. Set him free; let him go to Uruk. In return I will stay, and serve you as best I may." The king raked fingers through his heavy black beard. He was trembling; his breath came quick and shallow. "Indeed 1? You will do such a thing?" She bent her head. "For Uruk I will do it." "What? What will you do? How will you serve me?" That was cruel. Inanna's back was rigid. "I give myself to you as your bride. I will be your queen, and the god of chariots will be free." Lugalbanda cried out in protest, but no one heard him. He was nothing and no one in this battle of kings and gods. The king could hardly contain himself. He must have prayed for this; his gods had given him all that he asked for. But the roots of his avarice were sunk deep. "Bring me a dowry," he said, "of the riches of Uruk. Every year a caravan of wheat and barley, with all the beasts that bear it, and a tribute of gold, and a mantle woven by the king's own women, a royal garment worked with images of the alliance between Aratta and Uruk." Her lips were tight, her nostrils white, but she said steadily, "In return for the god of chariots, his art and craft, his chariot and his horses, and teams of onagers with their drivers and those who tend them, I will bring you such a dowry." Lugalbanda watched the king reflect on the bargain, and ponder the riches that were laid in his hand—and what else might he win in this moment of her weakness? He was a slave to his greed, but he was not a fool. He could see as well as any other man how far he had driven the goddess. He chose to desist while he held the advantage. "Done," he said, "and sworn before all who have witnessed it." "Done and sworn," she said, still with that perfect, level calm. "Lady," Lugalbanda pleaded. "Oh, lady. Nothing is worth such a sacrifice." Inanna looked down at him where he knelt at her feet. She knew how he yearned after her; she would have had to be blind not to know it. But it was a clean yearning, the worship of a pure heart. She raised him, though he resisted her, and laid her hands on his shoulders. "Uruk is worth any price." "Uruk could find another way," he said. "You'll wither and die here, bound to that man." "I hope I am stronger than that," she said. She kept the quaver out of her voice, but he loved her well enough to see through her mask of courage. "Lady," he said, and he wept as he said it. "Lady, you don't have to do this." "You know I do," she said. "Go now, prepare the caravan. The sooner you're out of this place with the god and his chariots, the better for us all." But he was not her dog, to run tamely at her bidding. "I'm not going until the bargain is signed and sealed." "If you wait," she said, "you may not be allowed to leave at all." He did not like that, but he gave way to her wisdom. He must see what she saw: that the king of Aratta was not an honest merchant. She prayed that it was not already too late. "Go," she said. "Be quick. Time is short." He hated to leave her. She hated to see him go. But her choice was made, and his must not be made for him—to remain a prisoner in Aratta, with the god of chariots bound beside him. The gates of Aratta were closed, and the guards were politely immovable. "After the wedding feast," they said, "you may go and welcome. The king requires the men of Uruk to witness the conclusion of the bargain, so that there may be no question in their city that it was truly fulfilled." There was no arguing with that, or with arrows aimed at their throats and spears turned toward their hearts. The guards' courtesy was as honest as it could be, but so was their determination to carry out their king's orders. "Do you solemnly swear," Lugalbanda asked their captain, "that when the wedding is over, when the price is fully paid, we will be allowed to go?" "I do swear," the captain said. Lugalbanda had to accept the oath. It was no more than his own heart had desired before the goddess commanded him otherwise. The walls were closing in. This must be how it had been for the god of chariots, bound in forest and constrained by mountains. Had he felt the narrowness of Aratta's walls, and the will of its king crushing his own beneath it? Inanna could not go to him to ask. She was shut within the women's house, surrounded by an army of servants. In a day and a night, in a fever of activity, they had made a royal wedding. She had given herself up to them and let them make her beautiful, clothing her in the richest of the fabrics that had come from Uruk and adorning her with gems and gold. She fixed her mind on that and not on the man she had taken for Uruk's sake. She must not grieve; she must know no regret. This choice was made as it must be. She had been born into this world for such choices. Even as strong as she endeavored to be, when the king's maids led her out to her wedding, it was all she could do to keep her head high and her shoulders straight. If she could have turned and run, she would have done it. The king was waiting in his hall, naked but for the skin of a forest lion. She in linen and fine white wool, with her hair elaborately plaited and her face bravely painted, felt herself diminished by the raw power of this mortal beast. She was a goddess, a daughter of heaven. She must not falter, even at the sight of Lugalbanda among the king's men with the rest of the guards from Uruk. She must not think of what it meant that Lugalbanda had disobeyed her command, or that the men about him had the look of men guarding a captive—or most disturbing of all, that the god of chariots was nowhere to be seen. The chief of Aratta's priests set her hand in the king's and spoke the words that made her his wife. Her heart was small and cold and remote. She felt nothing, not even fear. The king had joy enough for both of them. He took her as if she had been a great gift—and so she was, the greatest that had ever been given in this city. He neither noticed nor cared that she was silent. His delight was entirely his own. The wedding feast was long and boisterous, but all too soon it ended. The women led Inanna away while the men were still carousing over date wine and barley beer. They had prepared the bridal chamber, hung it with fragrant boughs and adorned it with hangings of richly woven wool. The bed was heaped high with furs and soft coverlets, and scented with unguents from the south. They took away her wedding garments but left the ornaments, and set her in the midst of the bed. They shook her hair out of all its plaits and combed the shining waves of it. Then they anointed her with sweet oils and bowed low before her and left her there, alone, to wait for the coming of the king. She had hoped as a coward might, that he would lose himself in the pleasures of food and drink and lively company. But he had not forgotten why he celebrated the feast. He came as soon as he reasonably could. The sun had barely left the sky; it was still light beyond the walls. The king's men would carry on until dawn, but he had come to take what he had bargained for. He was clean—that much she could grant him. He took no care for her pleasure, but neither did he cause her pain. He seemed not to notice that she lay still, unresponsive, while he kissed and fondled her. It was enough for him to possess her. He was easily pleased. When he had had his fill of her, he dropped like a stone. She eased herself away from his sleeping bulk. Her body was as cold as her heart. She wrapped it in one of the coverlets and crouched in the far corner of the bed, knees drawn up, and waited for the dawn. With the coming of the day, Lugalbanda found the gates open and the way clear, as the captain of guards had promised. The caravan was drawn up, and his men were waiting. But the god of chariots was nowhere to be seen. Lugalbanda was not in the least surprised. He called on the men he trusted most, who were his friends and kinsmen—five of them, armed with bronze. With them at his back, he went hunting the god. The temple was empty, the forge untended. Its fires were cold. The god was gone. None of the king's servants would answer when Lugalbanda pressed them, and the king himself was indisposed. Still it was abundantly clear that the king of Aratta had not honored his bargain. The god could have gone rather far, if he had been taken before the wedding feast. The gates were still open, the guards having had no orders to shut them. Lugalbanda stood torn. Go or stay? Take what he could and escape while he could, or defend the goddess against the man to whom she had bound herself? He knew his duty, which was to Uruk. She was a goddess; he should trust her to look after herself. And yet it tore at his vitals to leave her alone in this city of strangers. He did the best he could, which was to send the men he trusted most to stand guard over her door. They would take orders only from the goddess, and defend her with their lives if need be. "Let her know what the king has done," he said to them. "Do whatever she bids you— but if she tries to send you away, tell her that you are bound by a great oath to guard her person until she should be safe again in Uruk." They bowed. They were hers as he was; they did not flinch from the charge he laid upon them. He had done as much as he might in Aratta. He turned his back on it and faced the world in which, somewhere, the god of chariots might be found. The king slept long past sunrise. Inanna, who had not slept at all, was up at first light. She called for a bath. When it came, she scrubbed herself until her skin was raw. The servants carefully said nothing. When she was dressed, as one of the servants was plaiting her hair, a young woman slipped in among the rest and busied herself with some small and carefully unobtrusive thing. She had bold eyes and a forthright bearing, but she was somewhat pale. Her hands trembled as she arranged and rearranged the pots of paint and unguents. Inanna stopped herself on the verge of calling the girl to her. If she had wanted to be singled out, she would have come in more openly. It seemed a very long time before Inanna's hair was done. The servants lingered, offering this ornament or that, but in a fit of pique that was only partly feigned, she sent them all away. The young woman hung back, but Inanna had no patience to spare for shyness—whatever its source. "Tell me," she said. The girl's fingers knotted and unknotted. Just as Inanna contemplated slapping the words out of her, she said, "Lady, before I speak, promise me your protection." "No one will touch you unless I will it," Inanna said. "What is your trouble? Is it one of my men? Did he get you with child?" The girl glared before she remembered to lower her eyes and pretend to be humble. "With all due and proper respect, lady," she said, "if my trouble were as small as that, I would never be vexing you with it. Did you know that there are five men of Uruk outside your door, refusing to shift for any persuasion? Did you also know that the god of chariots has not been seen since before your wedding?" Inanna had not known those things. The unease that had kept her awake had been formless; prescience had failed her. And yet, as the servant spoke, she knew a moment of something very like relief—as if a storm that had long been threatening had suddenly and mercifully broken. "Where have they taken him?" she asked. "I don't know, lady," the servant said. "But I do know that most of your men went to find him. I also know—" She stopped to draw a breath. However bold she was, this frightened her. "I know that the king means no good to Uruk. He wants—needs—its wealth and its caravans of grain, but he would rather own it than buy it. Now that he has you, he'll seize the opportunity to make a state visit to your brother the king. If he happens to come attended by a sizable force, well then, isn't that an escort proper to a royal embassy? And if while he plays the guest in Uruk, your brother happens to meet an unfortunate accident ..." Inanna's hand lashed out and seized the girl by the throat. "Tell me why I should believe you. Tell me why I should not let my men have you, to do with as they will." The girl was not the sort to be struck dumb by terror. Her eyes, lifting to meet Inanna's, held more respect than fear. "Because, lady, you know what a woman can hear if she sets herself to listen. The king never remembers that women have ears. I heard him boasting to one of his cousins. He swore by the gods of the heights that the god of chariots will never leave Aratta. But chariots will come to Uruk, armed for war." However painful the truth might be, Inanna could not help but see it. The long levels of the river country were far better suited to the passage of swift battle-cars than these mountain valleys. They offered room for greater armies, faster charges, more devastating invasions. Aratta's king with his perpetual hunger would crave what he could gain with an army of chariots. And now he had free passage through the gates of Uruk by his marriage to its living goddess. She did not berate herself for a fool. Her choice had been well enough taken. The king's might be less so. "You have my protection," she said to the girl, "on one condition. Tell me the truth. Who are you and what is your grudge against the king?" The girl flushed, then paled. Inanna thought she might bolt, but she lifted her chin instead and said, "My father was lord of a hill-fort that had been built above a mine of silver. The king sent envoys to him, who made bargains and failed to keep them. Now my father is dead and my brothers labor in the mines, and I was to be the king's concubine— except that you came, and he forgot that I existed." There was truth in that, a passion that Inanna could not mistake. She laid her hand on the girl's bowed head. The girl flinched but held her ground. "You are mine," she said. "Your life and honor are in my keeping. Go now and be watchful. Bring me word of any new treachery." Inanna's new servant bowed to the floor. In an instant she was up and gone, with a brightness in her like the flash of sun on a new-forged blade. Inanna stood where the girl had left her. She knew what she must do. In her heart's wisdom she had already begun it, in making herself beautiful for the man who came shambling through the door, ruffled and stinking with sleep, wanting her again and with no vestige of ceremony. She suffered him as she had before, but more gladly now. Her purpose was clearer, her duty more immediate. In a little while, all bargains would be paid. Lugalbanda found the god of chariots near a hill-fort a day's journey from Aratta. There was a mine below the fort, and a forge in it, to which the god was chained. His guards were strong, but Lugalbanda's were stronger—and they had unexpected aid: the slaves in the forge rose up and turned on their masters. The last of them died on Lugalbanda's spear, full at the feet of the god of chariots. The god stood motionless in the midst of the carnage. He had an axe in his hand and a great bear of a man sprawled at his feet. The man's head had fallen some little distance from his body. Lugalbanda knew him even in livid death: he had been the captain of the king's guard. The god's face was perfectly still. Only his eyes were alive. They burned with nothing resembling love for the men who had brought him to this captivity. One of the freed slaves broke his chains with swift, sure blows. He walked out of them over the bodies of the slain, refusing any arm or shoulder that was offered. When he had passed through the gate into the open air, he let his head fall back for a moment and drank in the sunlight. They had brought the god's horses, which some of Lugalbanda's men had reckoned madness, but Lugalbanda had trusted the urging of his heart. He had only and deeply regretted that they could not drag or carry a chariot up the mountain tracks. The god would have one with him, he had hoped, or would find the means to make one. But the god needed no chariot. He took the rein of the nearer horse, caught a handful of mane, and pulled himself onto the broad dun back. The horse tossed its head and danced. The men of Uruk stood gaping. The god swept them with his green glare. "Follow as close as you can," he said. With no more word than that, he wheeled the horse about and gave it its head. The king was dizzied, dazzled, besotted. He lolled in the tumbled bed, reeking of wine and sweat and musk. Inanna rose above him. He leered at her, groping for her breasts. She drove the keen bronze blade between his ribs, thrusting up beneath the breastbone, piercing the pulsing wall of the heart. It was a good blade. The god had made it, her servant said when she brought it, hidden in a bolt of linen from the caravan. It slipped through the flesh with deadly ease. The king did not die prettily. Inanna had not wished him to. When his thrashing had stopped, when he had gaped and voided and died, she drew the blade from his heart and wiped it clean on the coverlets. Still naked, still stained with his blood, she walked out to face the people of Aratta. The sun was setting in blood and the cold of night coming down, when the god rode through the gate of the city. His horse's thick coat was matted with sweat, but the beast was still fresh enough to dance and snort as it passed beneath the arch. The god rode from the outer gate to the inner and into the citadel, and up to the hall. Inanna waited there, seated on the king's throne, with the bronze dagger on her knee, still stained with the king's blood. His body was her footstool. She was wrapped in the lionskin that had been the king's great vaunt and the mark of his office. The king's body was wrapped in nothing at all. The five men of Uruk guarded them both, the living and the dead, but there was no defiance in Aratta, not before the wrath of a goddess. She knew that she could expect treachery—she had braced for it, made such plans as she could against it. But the coming of the god of chariots had shocked them all into stillness. His wrath was the mirror of her own. The marks on him told the cause of it. He had been taken and bound and forced to serve a mortal will. And she had robbed him of his revenge. She offered him no apology. She had done what she must. He saw that: his eyes did not soften, but his head bent the merest fraction. "The great gods bless your return," she said to him. "Have you seen my men? They were hunting you." "They found me, lady," he said. "They set me free. I bade them follow as quickly as they could. They'll be here by morning." "So they will," she said, "if Lugalbanda leads them." And tonight, she was careful not to say, she would have six men and a god to guard her, and a city that watched and waited for the first sign of weakness. She would hold, because she must. The king's body at her feet, his unquiet spirit in the hall, were more protection than an army of living men. She rose. She was interested to see how many of the king's court and council flinched, and how many watched her with keen speculation. The god spoke before she could begin. His voice was soft, almost gentle. He was naming names. With each, the man who belonged to it came forward. They were young men, most of them; she remembered some of their faces from the field of chariots. These were his charioteers. There were a good half-hundred of them, many of whom advanced before he could speak their names, coming to stand beside her loyal few. They were a fair army when they were all gathered, surrounding her in ranks as if they were ordered for a march, with the god on his horse in the midst of them. He smiled at her, a remarkably sweet smile, and said, "Hail the queen of Aratta." "Hail," said the men whom he had summoned to her defense. "Hail the queen, lady and goddess, the glory of Aratta." "A bargain is a bargain," Inanna said as they stood on the field of chariots, outside the walls of Aratta. A keen wind was blowing, with a memory of winter in it still, but spring softened it with the scent of flowers. "Uruk still needs Aratta—and I've made myself queen of it. Now my brother can trust that he will have the means to fight the Martu." "But—" said Lugalbanda, knowing even as he said it that he could not win this battle. "There are no buts," Inanna said. "I've won this city by marriage and by conquest. I dare not leave it to the next man who may be minded to seize it. It is mine—and its charioteers will serve me, because their god has bound them to it." Lugalbanda let the rest of his protests sink into silence. She was not to be moved. She would stay and be queen, and teach these people to honor their bargains. The god would go, because he had promised. "There will be a great emptiness in Uruk," said Lugalbanda, "now that you are gone from it." "You've lost a goddess," she said, "but gained a god. It seems a fair exchange." So it was, he supposed, if one regarded it with a cold eye. But his heart knew otherwise. He bowed low before her, and kept the rest of his grief to himself. Winter was gone; the passes were open. He could bring the god of chariots over the mountains to Uruk. Then when the Martu came again, they would find a new weapon, and new strength among the soft folk of the city. When he straightened, she had already forgotten him. Her eyes were on the god of chariots, and his on her, and such a light between them that Lugalbanda raised his hand to shield his face. "I will be in Uruk," the god said, "for as long as I am needed. But when that need is past, look for me." "You would come back?" she asked him. "You would suffer again the shadows of trees, and mountains that close in the sky?" "Trees are not so ill," he said, "in the heat of summer, and mountains are the favored abode of gods." "There are no mountains in Uruk," she said. "Just so," said the god of chariots. He bowed before her as Lugalbanda had, but with markedly more grace. "Fare you well, my lady of the high places." "And you, my lord," she said. "May the light of heaven shine upon your road." He mounted his horse. The caravan was ranked and waiting, with a score of chariots before and behind. The new queen of Aratta was far more generous than the king had been: she was sending a rich gift to her brother, a strong force for the defense of Uruk. She remained in the field, alone in the crowd of her servants, until the caravan was far away. Lugalbanda, walking last of all, looked back just before the road bent round a hill. She was still there, crowned with gold, bright as a flame amid the new green grass. He took that memory away with him, held close in his heart. Long after he had left the city behind, as the mountains rose to meet the sky, he remembered her beauty and her bravery and her sacrifice. She would have her reward when the Martu were driven away: when the god of chariots came back to her. He would rule beside her in Aratta, and forge bronze for her, and defend her with chariots. It was right and proper that it should be so. Even Lugalbanda, who loved her without hope of return, could admit it. A goddess should mate with a god. So the world was made. So it would always be. Whether for tin or wine or gold or amber, commerce brought the Bronze Age cultures of northern and western Europe into contact with peoples of the south and east. With luxuries and staples, merchants wove vast webs of resources, creating an interdependence among powers great and small, far and near. How alien such travelers must have found the lands they visited and their inhabitants, and how strange these travelers and their goods must have seemed to their hosts. At such convergences foreign notions hybridized with one another and norms mutated as people were forced to adapt, embracing or rejecting influences far more profound than the material goods brought by merchant ship or caravan. Harry Turtledove, master of the myriad ifs of history, explores how how much stranger still it might be if these Bronze Age peoples had not been—quite—human. The Horse of Bronze Harry Turtledove I knew, the last time we fought the sphinxes, this dearth of tin would trouble us. I knew, and I was right, and I had the privilege—if that is what you want to call it—of saying as much beforehand, so that a good many of the hes in the warband heard me being clever. And much grief and labor and danger and fear my cleverness won for me, too, though I could not know that ahead of time. "Oh, copper will serve well enough," said Oreus, who is a he who needs no wine to run wild. He brandished an axe. It gleamed red as blood in the firelight of our encampment, for he had polished it with loving care. "Too soft," Hylaeus said. He carried a fine old sword, leaf-shaped, as green with patina as growing wheat save for the cutting edge, which gleamed a little darker than Oreus's axe blade. "Bronze is better, and the sphinxes, gods curse them, are bound to have a great plenty of it." Oreus brandished the axe once more. "Just have to hit harder, then," he said cheerfully. "Hit hard enough, and anything will fall over." With a snort, Hylaeus turned to me. "Will you listen to him, Cheiron? Will you just listen? All balls and no sense." If this does not describe half our folk—oh, far more than half, by the Cloud-Mother from whom we are sprung—then never have I heard a phrase that does. "Hylaeus is right," I told Oreus. "With tin to harden their weapons properly, the sphinxes will cause us more trouble than they usually do." And Oreus turned his back on me and made as if to lash out with his hinder hooves. All balls and no brains, sure enough, as Hylaeus had said. I snatched up my own spear—a new one, worse luck, with a head of copper unalloyed—and would have skewered him as he deserved had he provoked me even a little more. He must have realized as much, for he flinched away and said, "We'll give the sphinxes some of this, too." Then he did kick, but not right in my direction. In worried tones, Hylaeus said, "I wonder if what they say about the Tin Isle is true." "Well, to the crows with me if I believe it's been overrun by monsters," I replied. "Some things are natural, and some just aren't. But something's gone wrong, or we wouldn't have had to do without tin shipments for so long." Looking back on it, thinking about the Tin Isle while we were camped out not far from the sphinxes' stronghold, in the debatable land north and east of their river-valley homeland, seems strange. This is a country of broiling sun, and one that will never match or even approach the river valley in wealth, for it is as dry as baked straw. Only a few paltry folk dwell therein, and they pay tribute to the sphinxes who hold the land as a shield for their better country. Those folk would pay tribute to us, too, if only we could drive away the sphinxes. They found us the next morning. Keeping our camp secret from them for as long as we had struck me as something of a miracle. With their eagle-feathered wings, they can soar high over a battlefield, looking for a fight. And so this one did. Hideous, screeching laughter came from it as it spied us. They have faces that put me in mind of our own shes, but lengthened and twisted into a foxlike muzzle, and full of hatred—to say nothing of fangs. "Now we're for it," I said, watching the accursed thing wing off southward, listening to its wails fade in the distance. "They'll come by land and air, bedeviling us till we're like to go mad." Nessus strung his great bow. When he thrummed the bowstring, he got a note like the ones a he draws from a harp with a sound box made from the shell of a tortoise. "Some of them will be sorry they tried," he said. Nessus can send an arrow farther than any male I know. "Some of us will be sorry they tried, too," I answered. I had not liked this expedition from the beginning and never would have consented to it had I not hoped we might get on the scent of a new source of tin. That seemed more unlikely with each league farther south we traveled. Wherever the sphinxes got the metal to harden their bronze, it was not there. But we were there, and we were about to pay the price for it. I had put out sentries, though our folk are far from fond of being so forethoughtful. One of them cried, "The sphinxes! The sphinxes come!" We had enough time to snatch up our weapons and form the roughest sort of line before they swarmed upon us like so many lions. They are smaller and swifter than we. We are stronger. Who is fiercer . . . Well, that is why they have battles: to find out who is fiercer. Sometimes the sphinxes will not close with us at all, but content themselves with shooting arrows and dropping stones and screeching curses from afar. That day, though, they proved eager enough to fight. Our warbands seldom penetrate so far into their land. I suppose they thought to punish us for our arrogance—as if they have none of their own. The riddle of the sphinxes is why, with their wings and fangs and talons, they do not rule far more of the land around the Inner Sea than in fact they hold. The answer to the riddle is simplicity itself: they are sphinxes, and so savage and vile and hateful they can seldom decide what to do next or make any other folk obey them save through force and fear. On the one hand, they hold the richest river valley the gods ever made. On the other, they could be so much more than they are. As well they do not see it themselves, I suppose. But whether they see it or not, they had enough and to spare that day to send us home with our plumed tails hanging down in dismay. Along with their ferocity and their wings, their bronze weapons won the fight for them. Oreus practiced his philosophy, if you care to dignify it with such a word, when he hit one of the sphinxes' shields as hard as he could with his copper-headed axe. The metal that faced the shield was well laced with tin, and so much harder than the blade that smote it that the axe head bent to uselessness from the blow. Hit something hard enough and . . . This possibility had not entered into Oreus's calculations. Of course, Oreus is not one who can count above fourteen without polluting himself. Which is not to say I was sorry he was part of our warband. On the contrary. The axe failing of the purpose for which it was intended, he hurled it in the startled sphinx's face. The sphinx yowled in pain and rage. Before it could do more than yowl, Oreus stood high on his hinder pair of legs and lashed out with his forehooves. Blood flew. The sphinx, screaming now rather than yammering, tried to take wing. He snatched it out of the air with his hands, threw it down, and trampled it in the dirt with all four feet. "Who's next?" he cried, and none of the sphinxes had the nerve to challenge him. Elsewhere in the field, though, we did not do so well. I would it were otherwise, but no. Before the day was even half done, we streamed north in full retreat, our hopes as dead as that lake of wildly salty water lying not far inland from where we were. The sphinxes pursued, jeering us on. I posted three hes beneath an overhanging rock, so they might not be easily seen from the air. They ambushed the sphinxes leading the chase as prettily as you might want. That, unfortunately, was a trick we could play only once, and one that salved the sore of our defeat without curing it. When evening came, I took Oreus aside and said, "Now do you see why we need tin for our weapons?" He nodded, his great chest heaving with the exertion of the fight and the long gallop afterward and the shame he knew that that gallop had been away from the foe. "Aye, by the gods who made us, I do," he replied. "It is because I am too strong for copper alone." I laughed. Despite the sting of a battle lost, I could not help laughing. "So you are, my dear," I said. "And what do you propose to do about that?" He frowned. Thought never came easy for him. At length, he said, "We need tin, Cheiron, as you say. If I'm going to smash the sphinxes, we need tin." His thought might not have come easy, but it came straight. I nodded. "You're right. We do. And where do you propose to get it?" Again, he had to think. Again, he made heavy going of it. Again, he managed. "Well, we will not get it from the sphinxes. That's all too plain. They've got their supply, whatever it is, and they aren't about to give it up. Only one other place I can think of that has it." "The Tin Isle?" I said. Now he nodded. "The Tin Isle. I wonder what's become of it. We paid the folk there a pretty price for their miserable metal. Why don't their traders come down to us any more?" "I don't know the answer to that, either," I said. "If we go there— and if the gods are kind—we'll find out, and bring home word along with the tin." Oreus frowned at that. "And if the gods are unkind?" With a shrug, I answered, "If the gods are unkind, we won't come back ourselves. It's a long way to the Tin Isle, with many strange folk between hither and yon." That only made Oreus snort and throw up his tail like a banner. He has his faults, does Oreus, and no one knows them better than I—certainly not he, for lack of self-knowledge is conspicuous among them—but only a fool would call him craven. I went on, "And whatever has befallen the folk who grub the tin from the ground may meet us, too." His hands folded into fists. He made as if to rear, to stamp something into submission with his forehooves. But there was nothing he could smite. He scowled. He wanted to smash frustration, as he wants to smash everything. Another fault, without a doubt, but a brave fault, let it be said. "Anything that tries to befall me will rue the day," he declared. Idiocy and arrogance, you are thinking. No doubt. Yet somehow idiocy and arrogance of a sort that cheered me. And so we built a ship, something centaurs seldom undertake. The Chalcippus, we named her—the Horse of Bronze. She was a big, sturdy craft, for centaurs are a big, sturdy folk. We need more space to hold enough rowers to drive a ship at a respectable turn of speed. Sphinxes, now, can pack themselves more tightly than we would dream of doing. But the valley in which the sphinxes dwell has no timber worth the name. They build their ships from bundled sheaves of papyrus plants. These strange vessels serve them well enough on their tame river, less so when they venture out onto the open waters of the Inner Sea. We have fine timber in our country. The hills are green with pine and oak. We would have to cut and burn for years on end to despoil them of their trees. I do not like to think the dryads would ever thus be robbed of their homes. Not while the world remains as it is, I daresay, shall they be. Once the wood was cut into boards and seasoned, we built the hull, joining planks edge to edge with mortise and tenon work and adding a skeleton of ribs at the end of the job for the sake of stiffening against the insults of wave and wind. We painted bright eyes, laughing eyes, at the bow that the ship might see her way through any danger, and the shes wove her a sail of linen they dyed a saffron the color of the sun. Finding a crew was not the difficult matter I had feared it might be. Rather, my trouble was picking and choosing from among the swarm of hes who sought to sail in search of the Tin Isle. Had I not named Oreus among their number, I am sure he would have come after me with all the wild strength in him. Thus are feuds born. But choose him I did, and Hy-laeus, and Nessus, and enough others to row the Chalci-ppus and to fight her: for I felt we would need to fight her before all was said and done. Sail west to the mouth of the Inner Sea, then north along the coast of the strange lands fronting Ocean the Great—thus in reverse, it was said, the tin came down from the far northwest. What folk dwelt along much of the way, what dangers we would meet—well, why did we make the voyage, if not to learn such things? Not long before we set out, Oreus sidled up to me. In a low voice, he said, "What do you think, Cheiron? On our travels, do you suppose we'll find—wine?" He whispered the last word. Even if he had spoken more softly still, it would have been too loud. Wine is . . . Wine is the most wonderful poison in all the world, as any of us who have tasted it will attest. It is a madness, a fire, a delight beyond compare. I know nothing hes or shes would not do to possess it, and I know nothing they might not do after possessing it. As well we have never learned the secret of making the marvelous, deadly stuff for ourselves. Gods only know what might become of us if we could poison ourselves whenever and however we chose. I said, "I know not. I do not want to find out. And I tell you this, Oreus: if you seek to sail on the Horse of Bronze for the sake of wine and not for the sake of tin, sail you shall not." A flush climbed from where his torso rose above his forelegs all the way to the top of his head. "Not I, Cheiron. I swear it. Not I," he said. "But a he cannot keep from wondering . . ." "Well, may we all keep wondering through the whole of the voyage," I said. "I have known the madness of wine, known it and wish I had not. What we do when we have tasted of it—some I do not remember, and some I wish I did not remember. Past that, I will say no more." "Neither will I, then," Oreus promised. But he did not promise to forget. I wish I could have forced such a vow from him, but the only thing worse than a promise broken is a promise made or forced that is certain to be broken. We set out on a fine spring day, the sun shining down brightly from the sky. A wind off the hills filled my nostrils with the spicy fragrance of pines. It also filled the saffron sail that pulled the Horse of Bronze across the wine-dark sea (an omen I should have taken, but I did not, I did not) fast enough to cut a creamy wake in the water. The Inner Sea was calm. In spring and summer, the Inner Sea usually is. The Chalcippus's motion was as smooth and gentle as an easy trot across a meadow. This notwithstanding, several strong hes leaned over the rail and puked up their guts all the way to the horse in them. Some simply cannot take the sea, do what they will. I am not one who suffers so. I stood at the stern, one hand on each steering oar. Another he called the stroke. He set the speed at my direction, but I did not have to do it myself. I was captain aboard the Chalcippus, yes, but among us he who leads must have a light hand, or those he presumes to lead will follow no more. Not all hes see this clearly, which is one reason we have been known—oh, yes, we have been known—to fight among ourselves. But all was well when we first set out. The wind blew strongly, and from a favorable direction. We did not have to row long or row hard. But I wanted the hes to get some notion of what they would need to do later, if the wind faltered or if we fell in with enemies. They still reckoned rowing a sport and not a drudgery, and so they worked with a will. I knew that was liable to change as readily as the wind, but I made the most of it while it lasted. Some of the hes muttered when we passed out of sight of land. "Are you foals again?" I called to them. "Do you think you will fall off the edge of the earth here in the middle of the Inner Sea? Wait till we are come to Ocean the Great. Then you will find something worth worrying about." They went on muttering, but now they muttered at me. That I did not mind. I feared no mutiny, not yet. When I set my will against theirs in any serious way, then I would see. A captain who does not know when to let the crew grumble deserves all the trouble he finds, and he will find plenty. Oreus came up to me when new land heaved itself up over the western horizon. "Is it true what they say about the folk of these foreign parts?" he asked. He was young, as I have said; the failed attack against the sphinxes had been his first time away from the homeland. "They say all manner of things about the folk of foreign parts," I answered. "Some of them are true, some nothing but lies. The same happens when other folk speak of us." He gestured impatiently. "You know what I mean. Is it true the folk hereabouts"—he pointed to the land ahead—"are cripples? Missing half their hindquarters?" "The fauns? Cripples?" I laughed. "By the gods who made them, no! They are as they are supposed to be, and they'll run the legs off you if you give them half a chance. They're made like satyrs. They're half brute, even more so than satyrs, but that's how they work: torso and thinking head above, horse below." "But only the back part of a horse?" he persisted. When I nodded, he gave back a shudder. "That's disgusting. I can stand it on goaty satyrs, because they're sort of like us only not really. But these faun things— it's like whoever made them couldn't wait to finish the job properly." "Fauns are not mockeries of us. They are themselves. If you expect them to behave the way we do, you'll get a nasty surprise. If you expect them to act the way they really do, everything will be fine—as long as you keep an eye on them." He did not like that. I had not expected that he would. But then, after what passed for reflection with him, he brightened. "If they give me a hard time, I'll bash them." "Good," I said. It might not be good at all—it probably would not be good at all, but telling Oreus not to hit something was like telling the sun not to cross the sky. You could do it, but would he heed you? I did not want to come ashore among the fauns at all. But rowing is thirsty work, and our water jars were low. And so, warily, with archers and spearers posted at the bow, I brought the Chalcippus toward the mouth of a little stream that ran down into the sea. As I say, fauns are brutes. They scarcely know how to grow crops or work copper, let alone bronze. But a stone arrowhead will let the life out of a he as well as any other. If they gave us trouble, I wanted to be ready to fight or to trade or to run, whichever seemed the best idea at the time. It turned out to be trade. Half a dozen fauns came upon us as we were filling the water jars—and, being hes on a lark, splashing one another in the stream like a herd of foals. The natives carried spears and arrows, which, sure enough, were tipped with chipped stone. Two of them also carried, on poles slung over their shoulders, the gutted carcass of a boar. "Bread?" I called to them, and their faces brightened. They are so miserable and poor, they sometimes grind a mess of acorns up into flour. Real wheaten bread is something they seldom see. For less than it was worth, I soon got that lovely carcass aboard the Horse of Bronze. My crew would eat well tonight. Before we sailed, before the fauns slipped back into the woods, I found another question to ask them: "Are the sirens any worse than usual?" They could understand my language, it being not too far removed from their own barbarous jargon. Their chief—I think that is what he was, at any rate; he was certainly the biggest and strongest of them— shook his head. "No worser," he said. "No better, neither. Sirens is sirens." "True," I said, and wished it were a lie. An island lies west of the land west of ours. Monsters haunt the strait between mainland and island: one that grabs with tentacles for ships sailing past, another that sucks in water and spits it out to make whirlpools that can pull you down to the bottom of the sea. We slipped past them and down the east coast of the island. The gods' forge smoked, somewhere deep below the crust of the world. What a slag heap they have built up over the eons, too, so tall that snow still clings to it despite the smoke issuing from the vent. The weather turned warm and then warmer and then hot. We stopped for water every day or two, and to hunt every now and again. There are fauns also on the island, which I had not known and would not have if we had not rushed by them while coursing after deer. Next to them, the fauns of the mainland are paragons of sophistication. I see no way to embarrass them more than to say that, yet they would not be embarrassed if they knew I said it. They would only take its truth for granted. They have not even the sophistication to regret that which is. Maybe they were as they were because they knew no better. And maybe they were as they were because the sirens hunt them as we hunted that stag through the woods. We would not be as we are, either, not with sirens for near neighbors. I wish we would have had nothing to do with them. What a he wishes and what the gods give him are all too often two different things. What the gods gave us was trouble. Hylaeus, Nessus, and I had just killed a deer and were butchering it when a siren came out of the woods and into the clearing where we worked. She stood there, watching us. I have never seen a siren who was not a she. I have never heard of a siren who was a he. How there come to be more sirens is a mystery of the gods. The one we saw was quite enough. In their features, sirens might be beautiful shes. Past that, though, there is nothing to them that would tempt the eye of even the most desperately urgent he. They are, not to put too fine a point on it, all over feathers, with arms that are half wings and with tail feathers in place of a proper horse's plume. Their legs are the scaly, skinny legs of a bird, with the grasping claws of a bird of prey. But the eye is not the only gateway to the senses. The siren asked, "What are you doing here?" A simple question, and I had all I could do not to rear up on my hind legs and bellow out a challenge to the world. Her voice was all honey and poppy juice, sweet and tempting at the same time. I looked at the other two hes. Hylaeus and Nessus were both staring back at me, as if certain I would try to cheat them out of what was rightfully theirs. They knew what they wanted, all right, and they did not care what they had to do to get it. I glanced over at the siren. Her eyes had slit pupils, like a lion's. They got big and black as a lion's when it sights prey as she watched us. That put me on my guard, where maybe nothing else would have. "Careful, friends," I said. "She does not ask because she wishes us well." Roughly, I answered the siren: "Taking food for ourselves and our comrades." By the way she eyed me, we had no need of food; we were food. She said, "But would you not rather share it with me instead?" That voice! When she said something might be so, a he's first impulse was to do all he could to make it so. I had to work hard to ask the siren, "Why should we? What payment would you give us?" I have lived a long time. One of the things this has let me do is make a great many mistakes. Try as I will, I have a hard time remembering a worse one. The siren smiled. She had a great many teeth. They all looked very long and very sharp. "What will I do?" she crooned. "Why, I will sing for you." And she did. And why I am here to tell you how she sang . . . That is not so easy to explain. Some small beasts, you will know, lure their prey to them by seeming to be something the prey wants very much. There are spiders colored like flowers, but woe betide the bee or butterfly who takes one for a flower, for it will soon find itself seized and poisoned and devoured. Thus it was with the siren's song. No she of the centaur folk could have sung so beautifully. I am convinced of it. A she of our own kind would have had many things on her mind as she sang: how much she cared about the hes who heard her, what she would do if she did lure one of them—perhaps one of them in particular—forward, and so on and so on. The siren had no such . . . extraneous concerns. She wanted us for one thing and one thing only: flesh. And her song was designed on the pattern of a hunting snare, to bring food to her table. Any doubts, any second thoughts, that a she of our kind might have had were missing here. She drew us, and drew us, and drew us, and . . . And, if one of us had been alone, she would have stocked centaur in her larder not long thereafter. But, in drawing Nessus and Hylaeus and me all with the same song, she spread her magic too thin to let it stick everywhere it needed to. Nessus it ensnared completely, Hylaeus perhaps a little less so, and me least of all. Why this should be, I cannot say with certainty. Perhaps it is simply because I have lived a very long time, and my blood does not burn so hotly as it did in years gone by. Or perhaps it is that when Nessus made to strike at Hylaeus, reckoning him a rival for the charms of the sweetly singing feathered thing, the siren was for a moment distracted. And its distraction let me move further away from the snare it was setting. I came to myself, thinking, Why do I so want to mate with a thing like this? I would crush it and split it asunder. That made me—or rather, let me—hear the siren's song with new ears, see the creature itself with new eyes. How eager it looked, how hungry! How those teeth glistened! Before Nessus and Hylaeus could commence one of those fights that can leave a pair of hes both badly damaged, I kicked out at the siren. It was not my strongest blow. How could it be, when part of my blood still sang back to the creature? But it dislodged a few of those pearly feathers and brought the siren's song to a sudden, screeching stop. Both my comrades jerked as if waking from a dream they did not wish to quit. They stared at the siren as if not believing their eyes. Perhaps, indeed, they did not believe their eyes, their ears having so befooled them. I kicked the siren again. This time, the blow landed more solidly. The siren's screech held more pain than startlement. More feathers flew. Hylaeus and Nessus set on the siren then, too. They attacked with the fury of lovers betrayed. So, I daresay, they imagined themselves to be. The siren died shrieking under their hooves. Only feathers and blood seemed to be left when they were done. The thing was lighter and more delicately made than I would have thought; perhaps it truly was some sort of kin to the birds whose form and feathers it wore. "Back to the ship, and quick!" I told the other two hes. "The whole island will be roused against us when they find out what happened here." "What do you suppose it would have done if you hadn't given it a kick?" Hylaeus asked in an unwontedly small voice. "Fed," I answered. After that one-word reply, neither Hylaeus nor Nessus seemed much inclined to argue with me any more. They carried away the gutted stag at a thunderous gallop I had not thought they had in them. And they did not even ask me to help bear the carcass. As he ran, Nessus said, "What do we do if they start—singing at us again, Cheiron?" "Only one thing I can think of," I told him. We did that one thing, too: we took the Horse of Bronze well out to sea. Soon enough, the sirens gathered on the shore and began singing at us, began trying to lure us back to them so they could serve us as we had served one of them. And after they had served us thus, they would have served us on platters, if sirens are in the habit of using platters. On that last I know not, nor do I care whether I ever learn. We could hear them, if only barely, so I ordered the hes to row us farther yet from the land. Some did not seem to want to obey. Most, though, would sooner listen to me than to those creatures. When we could hear nothing but the waves and the wind and our own panting, I had the whole crew in my hands once more. But we had not altogether escaped our troubles. We could not leave the island behind without watering the ship once more. Doing it by day would have caused us more of the trouble we had escaped thus far by staying out of earshot of the sirens, for the creatures followed us along the coast. Had some foes come to our shores, slain one of our number, and then put to sea once more, I have no doubt we should have relentlessly hounded them. The sirens did the same for this fallen comrade of theirs. That she had tried to murder us mattered to them not at all. If they could avenge her, they would. As the sun god drove his chariot into the sea ahead of us, I hoisted sail to make sure the sirens on the shore could see us. Then I swung the Chalcippus' bow away from the island and made as if to sail for the mainland lying southwest. "You are mad," Oreus said. "We'll bake before we get there." "I know that," I said, and held my course. Oreus kept on complaining. Oreus always complains, especially when he cannot find something to trample, and not least because he never looks ahead. It could be that he will learn one day, I thought. It could also be that he -will never learn, in which case his days will be short. To my sorrow, I have seen such things before, more often than I would wish. A few of the other hes likewise grumbled. More, though, paid me no small compliment: they gave me credit for knowing what I was about. Now I had to prove I had earned their trust. The sun set. Blue drowned pink and gold in the west. Black rose out of the east, drowning blue. Stars began to shine. There was no moon. Her boat would not sail across the sky until later. "Raise the sail to the yard, then lower the yard," I said, and pulled the steering oars so that the Chalcippus swung back to starboard. "Very nice," said Nessus, who seemed to understand what I was doing. "Is it? I wonder," I replied. "But we have need, and necessity is the master of us all." I raised my voice, but not too loud: "Feather your oars, you rowers. We want to go up to the shore as quietly as we can. Think of a wild cat in the forest stalking a squirrel." At that, even Oreus understood my plan. He was loud in his praise of it. He was, as is his way, too cursed loud in his praise of it. Someone must have kicked him in the hock, for he fell silent very abruptly. In the starlight, the sea was dark and glimmering. An owl hooted somewhere on the land ahead. I took the call as a good omen. Perhaps the sirens did as well, the owl being like them a feathered hunting creature. I have never understood omens, not in fullness. I wonder if ever I shall, or if that lies in the hands of the gods alone. From the bow came a hiss: "Cheiron! Here's a stream running out into the sea. This is what you want, eh?" "Yes," I said. "This is just what I want." Few folk are active by night. Fewer still are active both day and night. I hoped we could nip in, fill our empty jars, and escape the sirens without their ever realizing we were about. What I hoped for and what I got were two different things. Such is the way of life for those who are not gods. I have said as much before, I believe. Repeating oneself is a thing that happens to those who have lived as long and have as seen as much as I have. And if you believe I have troubles in this regard, you should hear some of the gods I have known. Or, better, you should not. A god will tell the same story a hundred times, and who that is not a god will presume to let him know what a bore he is making of himself? Only one of great courage or one of even greater foolishness, for gods are also quick to anger. However boring they may be, they are also powerful. Power, after all, is what makes them gods. My hes scrambled out of the Horse of Bronze. They set to work in as sprightly a way as any captain could have wanted. But they had not yet finished when another owl hooted. As I have remarked, owls crying in the night are said to be birds of good omen, but not this one, for his cries alerted the sirens. I do not understand omens. I have said that before, too, have I not? The sirens rushed toward us, fluttering their winglike arms and then—far more dangerous—commencing to sing. For a bad moment, I thought they would instantly ensorcel all of us, dragging us down to doleful destruction. But then, as if a god—not, for once, a boring god—had whispered in my ear, I called out to my fellow hes: "Shout! Shout for your lives! If you hear yourselves, you will not hear the sirens! Shout! With all the strength that is in you, shout!" And they did—only a few of them at first, but then more and more as their deep bellow drowned out the sirens' honeyed voices and released other hes from their enchantment. Shouting like mad things, we rushed at the sirens, and they broke and fled before us. Now they did not sing seductively, but squalled out their dismay. And well they might have, for we trod more than one under our hooves and suffered but a few bites and scratches in the unequal battle. "Back to the ship," I said then. "We have done what we came to do, and more besides. The faster we get away now, the better." Those sirens had nerve. They could not close with us, but they tried to sing us back to them as we rowed away. But we kept on shouting, and so their songs went for naught. We pulled out to sea, until we were far enough from land to hear them no more. "That was neatly done, Cheiron," Oreus said, as if praise from him were what I most sought in life. Well, this once maybe he was not so far wrong. "I thank you," I said, and let out the long, weary sigh I had held in for too long. "I wonder what other things we shall have to do neatly between here and the Tin Isle—and when we have got there, and on the way home." We were not tested again until we left the Inner Sea and came out upon the heaving bosom of Ocean the Great. Heave that bosom did. Anyone who has sailed on the Inner Sea will have known storms. He will have known them, yes, but as interludes between longer stretches of calm weather and good sailing. On the Ocean, this business is reversed. Calms there are, but the waters more often toss and turn like a restless sleeper. Sail too close to land and you will be cast up onto it, as would never happen in the calmer seas our ships usually frequent. The day after we began our sail upon Ocean the Great, we beached ourselves at sunset, as we almost always did at nightfall on the Inner Sea. When the sun god drove his chariot into the water, I wondered how he hoped to return come morning, for Ocean seemed to stretch on to westward forever, with no land to be seen out to the edge of the world. I hoped we would not sail out far enough to fall off that edge, which had to be there somewhere. But for our sentries, we slept after supping, for the work had been hard—harder than usual, on those rough waters. And the sentries, of course, faced inland, guarding us against whatever strange folk dwelt in that unknown land. They did not think to look in the other direction, but when we awoke someone had stolen the sea. I stared in consternation at the waters of Ocean the Great, which lay some cubits below the level at which we had beached the Chalcip--pus. I wondered if a mad god had tried to drink the seabed dry through a great rhyton and had come closer than he knew to success. We tried pushing the ship back into the sea but to no avail: she was stuck fast. I stood there, wondering what to do. What could we do? Nothing. I knew it all too well. As the sun rose higher in the east, though, the sea gradually returned, until we were able to float the Horse of Bronze and sail away as if nothing had happened. It seemed nothing had—except to my bowels, when I imagined us trapped forever on that unknown shore. Little by little, we learned Ocean the Great had a habit of advancing and withdrawing along the edge of the land, a habit the Inner Sea fortunately fails to share. Ocean is Ocean. He does as he pleases. Here we did not go out of sight of land, not at all. Who could guess what might happen to us if we did? Better not to find out. We crawled along the coast, which ran, generally speaking, north and east. Were we the first centaurs to see those lands, to sail those waters? I cannot prove it, but I believe we were. We did not see other ships. Even on the Inner Sea, ships are scarce. Here on the unstable waters of Ocean the Great, they are scarcer still. And Ocean's waters proved unstable in another way as well. The farther north we sailed, the cooler and grayer they grew—and also the wilder. Had we not built well, the Horse of Bronze would have broken her back, leaving us nothing but strange bones to be cast up on an alien shore. But the ship endured, and so did we. We had thought to travel from island to island on our way to the Tin Isle. But islands proved few and far between on the Ocean. We did sail past one, not long before coming to the Tin Isle, from which small cattle whose roan coats were half hidden by strange tunics—I know no better word—stared out at us with large, brown, incurious eyes. Some of the sailors, hungry for meat, wanted to put ashore there and slaughter them. I told them no. "We go on," I said. "They may be sacred to a god—those garments they wear argue for it. Remember the Cattle of the Sun? Look what disaster would befall anyone who dared raise a hand against them. And these may not be cattle at all; they may be folk in the shape of cattle. Who can say for certain, in these strange lands? But that is another reason they might be clothed. Better we leave them alone." And so we sailed on, and entered the sleeve of water separating the Tin Isle from the mainland. That was the roughest travel we had had yet. More than a few of us clung to the rail, puking till we wished we were dead. Had the day not been bright and clear, showing us the shape of the Tin Isle blue in the distance, we might have had to turn back, despairing of making headway against such seas. But we persevered and eventually made landfall. Oreus said, "Like as not, Ocean will steal the ship when our backs are turned. What would we do then, Cheiron?" "Build another," I answered. "Or would you rather live in this gods-forsaken place the rest of your days?" Oreus shivered and shook his head. I did not know, not then, how close I came to being right. Something was badly amiss on the Tin Isle. That I realized not long after we landed there and made our way inland. The Isle proved a bigger place than I had thought when setting out. Simply landing on the coast did not necessarily put us close to the mines from which the vital tin came. The countryside was lovely, though very different from that around the Inner Sea. Even the sky was strange, ever full of fogs and mists and drizzles. When the sun did appear, it could not bring out more than a watery blue in the dome of heaven. The sun I am used to will strike a centaur dead if he stays out in it too long. It will burn his hide, or the parts of it that are not hairy. Not so on those distant shores. I do not know why the power of the sun god is so attenuated thereabouts, but I know that it is. Because of the fogs and mists and the endless drizzle, the landscape seemed unnaturally—indeed, almost supernaturally—green. Grass and ferns and shrubs and trees grew in such profusion as I have never seen in all my days. Not even after the wettest winter will our homeland look so marvelously lush. High summer being so cool in those parts, however, I did wonder what winter might be like. Hard winters or no, though, it was splendid country. A he could break the ground with his hoof and something would grow there. But no one and nothing appeared to have broken the ground any time lately. That was the puzzlement: the land might as well have been empty, and it should not have been. I knew the names of the folk said to dwell in those parts: piskies and spriggans and especially nuggies, who were said to dig metal from the ground. Those names had come to the Inner Sea along with the hide-wrapped pigs of tin that gave this land its fame there. What manner of folk these might be, though, I could not have said—nor, I believe, could anyone from my part of the world. I had looked forward to finding out. That would have been a tale to tell for many long years to come. It would have been—but the folk did not come forth. I began to wonder if they could come forth, or if some dreadful fate had overwhelmed them. But even if they had been conquered and destroyed, whatever folk had defeated them should have been in evidence. No one was. "We should have brought shes with us and settled here," Nessus said one day. "We'd have the land to ourselves." "Would we?" I looked about. "It does seem so, I grant you, but something tells me we would get little joy from it." Oreus looked about, too, more in bewilderment than anything else. Then he said one of the few things I have ever heard him say with which I could not disagree, either then or later: "If the folk are gone out of the land, no wonder the tin's stopped coming down to the Inner Sea." "No wonder at all," I said. "Now, though, we have another question." Confusion flowed across his face until I posed it: "Why have the folk gone from this land?" "Sickness?" Nessus suggested. I let the word lie there, not caring to pick it up. It struck me as unlikely, in any case. Most folk are of sturdy constitution. We die, but we do not die easily. I had trouble imagining a sickness that could empty a whole countryside. Then Oreus said his second sensible thing in a row. Truly this was a remarkable day. "Maybe," he said, "maybe their gods grew angry at them, or tired of them." A cool breeze blew down from the north. I remember that very well. And I remember wondering whether it was but a breeze, or whether it was the breath of some god either angry or tired. "If that be so," I said, "if that be so, then we will not take tin back to the Inner Sea, and so I shall hope it is not so." "What if it is?" Nessus asked nervously, and I realized I was not the only one wondering if I felt a god's breath. I thought for a moment. With that breeze blowing, thought did not come easily, and the moment stretched longer than I wished it would have. At last, I said, "In that case, my friend, we will do well enough to go home ourselves, don't you think?" "Do our gods see us when we are in this far country?" Oreus asked. I did not know the answer to that, not with certainty. But I pointed up to the sun, which, fortunately, the clouds and mist did not altogether obscure at that moment. "He shines here, too," I replied. "Do you not think he will watch over us as he does there?" That should have steadied him. But such was the empty silence of that countryside that he answered only, "I hope so," in tones suggesting that, while he might hope, he did not believe. Two days—or rather, two nights—later, a nuggy came into our camp. I would not have known him from a piskie or a spriggan, but a nuggy he declared himself to be. I had sentries out around our fires, but he appeared in our midst without their being any the wiser. I believe he tunneled up from under the ground. He looked like one who had seen much hardship in his time. I later learned from him that was the true aspect of nuggies, but he owned he had it more than most. He was ill-favored, a withered, dried-up creature with a face as hard and sharp as an outcropping of flint. In other circumstances, his tiny size might have made it hard for me to take him seriously; he was no larger in the head and torso than one of us would have been at two years, and had only little bandy legs below, though his arms were, in proportion to the rest of him, large and considerably muscled. His name, he said, was Bucca. I understood him with difficulty. We did not speak the same language, he and I, but our two tongues held enough words in common to let us pass meaning back and forth. His rocky face worked with some mixture of strong emotion when he came before me. "Gods be praised!" he said, or something much like that. "Old Bucca's not left all alone in the dark!" And he began to weep, a terrible thing to see. "Here, now. Here, now," I said. I gave him meat and bread. Had we had wine, I would have given him that as well. But for us to carry wine would have been like stags carrying fire with which to roast them once they were slain. He ate greedily, and without much regard for manners. Though he was so small, he put away a startling amount. Grease shone on his thin lips and his chin when he tossed aside a last bone and said, "I hoped some folk would come when the tin stopped. I prayed some folk would come. But for long and long, no folk came. I drew near to losing hope." More tears slid down the cliffsides of his cheeks. "Here now," I said again, wanting to embrace him yet fearing I would offend if I did. Only when he came over and clung to my foreleg did I take him up in my arms and hold his small chest against my broad one. He was warm and surprisingly hard; his arms, as they embraced me, held even more strength than I would have guessed. At last, when he seemed somewhat eased, I thought I could ask him, "Why did the tin stop?" He stared at me, our two faces not far apart. Moonlight and astonishment filled his pale eyes. "You know not?" he whispered. "That is the truth: I know not," I replied. "That is why I came so far, that is why we all came so far, in the Horse of Bronze—to learn why precious tin comes no more to the Inner Sea." "Why?" Bucca said. "I will tell you why. Because most of us are dead, that is why. Because where they are, we cannot live." I did not believe all Bucca told me. If I am to speak the whole truth here, I did not want to believe what the nuggy told me. And so, not believing, I told a party of hes to come with me so that we might see for ourselves what truth lay in his words—or rather, as I thought of it, so that we might see he was lying. "You big things are bold and brave," Bucca said as we made ready to trot away. "You will have grief of it. I am no bolder or braver than I have to be, and already I have known griefs uncounted." "I grieve for your grief," I told him. "I grieve for your grief, but I think things will go better for us." "It could be," Bucca replied. "Yes, it could be. You big things still believe in yourselves, or so it seems. We nuggies did not, not after a while. And when we did not believe, and when they did not believe . . . we died." "How is it that you are left alive, then?" I asked him. This question had burned in my mind since the night when he first appeared amongst us, though I had not had the heart to ask him then. Now, though, it seemed I might need the answer, if answer there was. But Bucca only shrugged those surprisingly broad shoulders of his. "I think I am too stubborn to know I should be dead." That, then, meant nothing to me. I have learned more since than I once knew, however. Even then, I wanted nothing more than to get away from the nuggy. And away we went, rambling east into one of the more glorious mornings the gods ever made. It was cool. It was always cool on the Tin Isle, except when it was downright cold. A little mist clung to the hillsides. The sun had trouble burning it off. This too is a commonplace of that country. But oh! the greens in that northern clime! Yes, I say it again. Nothing round the Inner Sea can match them, especially not in summertime. And those hills were not stark and jagged, as are the hills we know, but smooth and round, some of them, as a she's breast. The plains are broad, and roll gently. Their soil puts to shame what goes by that name in our land. Yet it grew no wheat or barley, only grass. Indeed, this might have been a countryside forever without folk. As we trotted east, we left the hills behind us. The plain stretched out ahead, far broader than any in our own homeland. But only a cold, lonely wind sighed across it. "Plague take me if I like this place," Oreus said. "We need not like it," I answered. "We need but cross it." Though I might say such things to Oreus, before long the stillness came to oppress me, too. I began to have the feeling about this plain that one might have about a centaurs' paddock where no one happens to be at a particular time: that the folk are but gone for a moment and will soon return. About the paddock, one having such a feeling is generally right. About this plain, I thought otherwise. There I proved mistaken. I found—the entire band of hes found—I was mistaken some little while before actually realizing as much. We hurried through the tall grass of the plain, making better time than we had before, and did not think to wonder why until Hylaeus looked down and exclaimed in sudden, foolish-sounding surprise: "We are following a trail." All of us stopped then, staring in surprise at the ground under our hooves. Hylaeus was quite correct, even if we had not noticed up until that time. The earth was well trodden down, the grass quite sparse, especially compared to its rich lushness elsewhere. Nessus asked the question uppermost in all our minds: "Who made it?" What he meant was, had the trail survived from the days when folk filled this land—days Bucca recalled with fond nostalgia—or was it new, the product of whatever had driven the nuggies and so many other folk to ruin? One obvious way to find the answer crossed my mind. I asked, "How long has it been since any but ourselves walked this way?" We studied the ground again. A trail, once formed, may last a very long time; the ground, pounded hard under feet or hooves, will keep that hardness year after year. Grass will not thrive there, not when it can find so many easier places close by to grow. And yet. . . "I do not think this trail is ancient," Hylaeus said. "It shows too much wear to make that likely." "So it also seems to me," I said, and waiting, hoping someone— anyone—would contradict me. No one did. I had to go on, then: "This means we may soon learn how much of the truth Bucca was telling." "It means we had better watch out," Nessus said, and who could tell him he was wrong, either? But for the trail, though, the land continued to seem empty of anything larger than jackdaws and rooks. It stretched on for what might have been forever, wide and green and rolling. Strange how the Tin Isle should show a broader horizon than my own home country, which, although part of the mainland, is much divided by bays and mountains and steep valleys. There were valleys in this country, too, but they were not like the ones I knew at home, some of which are sharp enough at the bottom to cut yourself on if you are not careful. The valleys that shaped this plain were low and gently sloping. The rivers in them ran in the summertime, when many of the streams in my part of the world go dry. And I will tell you something else, something even odder. While we were traveling across that plain, black clouds rolled across the sun. A cold wind from the north began to blow. Rain poured down from the sky, as if from a bucket. Yes, I tell you the truth, no matter how strange it might seem. I saw hard rain—not the drizzle and fogs we had known before—in summertime, when all around the Inner Sea a lizard will cook if it ventures out in the noonday sun. By the gods, it is so. Truly I was a long way from home. "Is it natural?" Hylaeus asked, rain dripping from his nose and the tip of his beard and the tip of his tail till he flicked it about, at which point raindrops flew from it in all directions. "Can such a thing be natural?" "Never!" Oreus said. His tail did not flick. It lashed, back and forth, back and forth, as if it had a life of his own. "This surely must be some evil sorcery raised against us. Perhaps it is akin to whatever caused the nuggies to fail." "I think you may be mistaken," I told him. He glared at me—until a raindrop hit him in the eye, at which point he blinked, tossed his head, and spluttered. I went on, "Look how green the land is all around us," emphasizing my words with a broad wave of my arm. "Could it be what it is unless rain came down now and again—or more than now and again—in the summertime to keep it so?" Oreus only grunted. Nessus considered the greenery and said, "I think Cheiron may be right." "Whether he is or not, we'll be squelching through mud if this goes on much longer." As if to prove Oreus's point, his hoof splashed in a puddle—a puddle that surely had not been there before the rain began. The hard-packed trail helped more than somewhat, for it did not go to muck nearly so fast as the looser-soiled land to either side. We could go on, if not at our best clip, while the rain continued. Little by little, the steady downpour eased off to scattered showers. The wind shifted from north to east and began to blow away some of the clouds. When we forded a stream, we paused to wash ourselves. I was by then muddy almost all the way up to my belly, and my comrades no cleaner. Washing, though, proved a business that tested my hardiness, for the stream, like every stream I encountered in the Tin Isle, ran bitterly cold. In a halfhearted way, the sun tried to come out once more. I was glad of that. Standing under it, even if it seemed but a pale imitation of the blazing disk of light I had known around the Inner Sea, helped dry the water clinging to my coat of hair and also helped give me back at least a little warmth. I was, then, reluctant to leave the valley in which that stream lay, and all the more so since it was rather deeper and steeper than most of the rest in the plain. "No help for it, Cheiron," said Hylaeus, who of the other hes had the most sympathy for my weariness. "No, I suppose not," I said sadly, and set my old bones to moving once more. Some of the other centaurs went up the eastern slope of the valley at a pace no better than mine. Oreus, on the other hand, was filled with the fiery impetuosity of youth and climbed it at the next thing to a gallop. I expected him to charge across the flat land ahead and then come trotting back to mock the rest of us for a pack of lazy good-for-nothings. I expected that, but I was wrong. Instead, he stopped in his tracks at the very lip of the valley, which stood somewhat higher than the western slope. He stopped, he began to rear in surprise or some other strong emotion, and then he stood stock-still, as if turned to stone by a Gorgon's appalling countenance, his right arm outstretched and pointing ahead. "What is it?" I called grumpily. I had no great enthusiasm for rushing up there to gape at whatever had seized foolish Oreus's fancy. But he did not answer me. He simply stood where he was and kept on pointing. I slogged up the slope, resolved to kick him in the rump for making such a nuisance of himself. When at last I reached him, my resolve died. Before I could turn and lash out with my hind feet, my eyes followed his index finger. And then, like him, I could do nothing for long, long moments but stare and stare and stare. How long I stood there, I am not prepared to say. As long as the wonder ahead deserved: 1 I doubt it, else I might be standing there yet. The great stone circle loomed up out of nothing, there on the windswept plain. Even in summertime, that wind was far from warm, but it was not the only thing that chilled me. I am not ashamed to say I was awed. I was, in fact, amazed, wondering how and why such a huge thing came to be, and what folk could have raised it. The sphinxes brag of the monuments they have built, there beside their great river. I have never seen them, not with my own eyes. Centaurs who have visited their country say the image of one of their own kind and the enormous stone piles nearby are astonishing. But the sphinxes, as I have said, dwell in what must be the richest country any gods ever made. This . . . This stood in the middle of what I can best describe as nothing. And the sphinxes had the advantage of their river to haul stone from quarries to where they wanted it. No rivers suitable for the job here. And these blocks of stone, especially the largest in the center of the circle, the ones arranged in a pattern not much different from the outline of my hoof, were, I daresay, larger than any the sphinxes used. Some of this—much of this, in fact—I learned later. For the time being, I was simply stunned. So were we all, as we came up the side of the valley one after another to stare at the amazing circle. We might have been under a spell, a spell that kept us from going on and bid fair to turn us to stone ourselves. Brash Oreus, who had first seen the circle of standing stones, was also the one who broke that spell, if spell it was. Sounding at that moment not at all brash, he said, "I must see more." He cantered forward: an oddly stylized gait, and one that showed, I think, how truly impressed he was. Seeing him move helped free me from the paralysis that had seized me. I too went toward the stone circle, though not at Oreus's ceremonial prance. As I drew closer, the wind grew colder. Birds flew up from the circle, surprised and frightened that anyone should dare approach. Chaka-chaka-chak! they called, and by their cries I knew them for jackdaws. I do not believe I have ever seen stonework so fresh before. The uprights and the stones that topped them might have been carved only moments before. No lichen clung to them, and I had seen it mottling boulders in the plain. Hylaeus noted the same thing at almost the same time. Pointing ahead as Oreus had done before, he said, "Those stones could have gone up yesterday." "Yesterday," I agreed, "or surely within the past few years." And all at once, a chill colder even than the breeze pierced me to the root. That was the time in which the tin failed. Again, Hylaeus was not far behind me. "This is a new thing," he said slowly. "The passing of the folk of the Tin Isle is a new thing, too." Chaka-chaka-chak! the jackdaws screeched. Suddenly, they might have been to my mind carrion crows, of which I had also seen more than a few. And on what carrion had those crows, and the jackdaws, and the bare-faced rooks, and the ravens, on what carrion had they feasted? The wind seemed colder yet, wailing out of the north as if the ice our bones remembered lay just over the horizon. But the ice I felt came as much from within me as from without. Oreus said, "Who made this circle, then, and why? Is it a place of magic?" Nessus laughed at that, even if the wind blew his mirth away. "Could it be anything but a place of magic? Would any folk labor so long and so hard if they expected nothing in return?" Not even quarrelsome Oreus could contest against such reasoning. I shivered yet again. Magic is a curious business. Some folk choose to believe they can compel their gods to do their bidding by one means or another rather than petition them in humble piety. What is stranger still is that some gods choose to believe they can be so compelled—at least for a while. Sometimes, later, they remember they are gods, and then no magic in the world can check them. Sometimes . . . but perhaps not always. I looked at the stone circle again, this time through new eyes. Centaurs have little to do with magic, nor have we ever; it appears to be a thing contrary to our nature. But I believed Nessus had the right of it. Endless labor had gone into this thing. No one would be so daft as to expend such labor without the hope of some reward springing from it. What sort of reward? Slowly, I said, "If the other folk of the Tin Isles fail, who will take the land? Who will take the mines?" Once more, I eyed the stone circle, the uprights capped with a continuous ring of lintel stones, the five bigger trilithons set in the hoof-shaped pattern within. Of itself, my hand tightened on the copper-headed spear I bore. I thought I could see an answer to that. Had much power sprung from all this labor? Chip, chip, chip. I turned at the sound of stone striking stone. Oreus had found a hard shard and was smacking away at one of the uprights. Before I could ask him what he was about, Nessus beat me to it. "What am I doing? Showing we were here," Oreus answered, and went on chipping. After watching him for a while, I saw the shape he was making, and I could not help but smile. He was pounding into that great standing stone the image of one of our daggers, broad at the base of the blade and with hardly any quillons at all. When he had finished that, he began another bit of carving beside it: an axe head. "Not only have you shown we were here, but also for what reason we came to the Tin Isle," I said. Oreus nodded and continued with his work. He had just finished when one of our hes let out a wordless cry of warning. The centaur pointed north, straight into the teeth of that wind. As I had with Oreus's before, I followed that outflung, pointing arm. There coming toward us were the ones who, surely, had shaped the circle of standing stones. If dogs had gods, those they worshiped would wag their tails and bark. If sheep had gods, they would follow woolly deities who grazed. As the world is, almost all folk have many things in common, as if the gods who shaped them were using certain parts of a pattern over and over again. Think on it. You will find it holds much truth. Centaurs and sirens and sphinxes and fauns and satyrs all have faces of an essential similarity. Nor were our features so much different from those of Bucca the nuggy on this distant shore. The differences, such as they are, are those of degree, not of kind. Again, hands are much alike from one folk to another. How could it be otherwise, when we all must grasp tools and manipulate them? Arms are also broadly similar, one to another, save when a folk needs must use them for flying. Even torsos have broad likenesses amongst us, satyrs and fauns, nuggies, and, to a lesser extent, sirens as well. The folk striding toward us through the green, green grass might have been the pattern itself, the pattern from whose rearranged pieces the rest of us had been clumsily reassembled. As bronze, which had brought us here, is an alloy of copper and tin, so I saw that sirens were an alloy of these folk and birds, sphinxes of them and birds and lions, satyrs of them and goats, fauns of them and horses. And I saw that we centaurs blended these folk and horses as well, though in different proportions, as one bronze will differ from another depending on how much is copper and how much tin. Is it any wonder, then, that, on seeing this folk, I at once began to wonder if I had any true right to exist? And I began to understand what Bucca meant. As a nuggy, he was no doubt perfectly respectable. Next to these new ones, he was a small, wrinkled, ugly thing. Any of us, comparing ourselves to them, would have felt the same. How could we help it? We were a mixture. They were the essence with which our other parts were mixed. They might have been so many gods approaching us. Nessus shivered. It might have been that cutting wind. It might have been, but it was not. "When I look at them, I see my own end," he murmured. Because I felt the same way, I also felt an obligation to deny it. "They are bound to be as surprised by us as we are by them," I said. "If we have never seen their kind, likewise they have never seen ours. So long as we keep up a bold front, they will know nothing of . . . whatever else we may feel." "Well said, Cheiron," Hylaeus told me. Whether it would likewise be well done remained to be seen. "I will go forward with two others, so they may see we come in peace," I said. "Who will come with me?" Hylaeus and Oreus both strode forward, and I was glad to have them (gladder, perhaps, of the one than the other). The reason I offered was plausible, but it was not the only one I had. If I went forward with only two bold companions, the new folk would have more trouble noticing how so many of my hes wavered at the mere sight of them. We three slowly went out ahead of the rest of the band. When we did, the strangers stopped for a moment. Then they also sent three of their number forward. They walked so straight, so free, so erect. Their gait was so natural. It made that of fauns or satyrs seem but a clumsy makeshift. Two of them carried spears, one a fine leaf-shaped sword of bronze. The one with the sword, the tallest of them, sheathed his weapon. The other two trailed their spears on the ground. They did not want a fight, not then. We also showed we were not there to offer battle. "Can you understand me?" I called. Their leader frowned. "Can you understand me?" he called back in a tongue not far removed from the one Bucca used. I could, though it was not easy. I gather my language was as strange in his ears. "Who are you? What is your folk?" I asked him, and, pointing back toward the stone circle, "What is this place?" "I am Geraint," he answered. "I am a man"—a word I had not heard before. He looked at my companions and me. "I will ask you the same questions, and where you are from, and why you have come here." I told him who I was, and named my kind as well. He listened attentively, his eyes—eyes gray as the seas thereabouts—alert. And I told him of our desire for tin, and of how we had come from the lands around the Inner Sea to seek it. He heard me out. He had a cold courtesy much in keeping with that windswept plain. When I had finished, he threw back his head and laughed. If I needed it, I could have brought up my axe very quickly. "Do you think I jest?" I asked. "Or do you aim to insult me? If you want a quarrel, I am sure we can oblige you." Geraint shook his head. "Neither, although we will give you all the fight you care for if that is what you want. No, I am laughing because it turns out those funny little digging things were right after all."