Now read on ...

When does it start?

There are very few starts. Oh, some things seem to be
beginnings. The curtain goes up, the first pawn moves, the
first shot is fired —but that's not the start. The play, the
game, the war is just a little window on a ribbon of events
that may extend back thousands of years. The point is,
there's always something before. It's always a case of Now
Read On.

Much human ingenuity has gone into finding the ulti-
mate Before.

The current state of knowledge can be summarized thus:

In the beginning, there was nothing, which exploded.

Other theories about the ultimate start involve gods cre-
ating the universe out of the ribs, entrails, and testicles of
their father.^ There are quite a lot of these. They are inter-
esting, not for what they tell you about cosmology, but for
what they say about people. Hey, kids, which part do you
think they made your town out of?

But this story starts on the Discworld, which travels
through space on the back of four giant elephants which
stand on the shell of an enormous turtle and is not made of
any bits of anyone's bodies.

But when to begin?

Thousands of years ago? When a great hot cascade of
stones came screaming out of the sky, gouged a hole out of
Copperhead Mountain, and flattened the forest for ten miles
around?

* Probably at the first pawn.
t Gods like a joke as much as anyone else.

Terry Pratchett

The dwarfs dug them up, because they were made of
a kind of iron, and dwarfs, contrary to general opinion,
love iron more than gold. It's just that although there's
more iron than gold it's harder to sing songs about.
Dwarfs love iron.

And that's what the stones contained. The love of iron.
A love so strong that it drew all iron things to itself. The
three dwarfs who found the first of the rocks only got free
by struggling out of their chain-mail trousers.

Many worlds are iron, at the core. But the Discworld is
as coreless as a pancake.

On the Disc, if you enchant a needle it will point to the
Hub, where the magical field is strongest. It's simple.

Elsewhere, on worlds designed with less imagination,
the needle turns because of the love of iron.

At the time, the dwarfs and the humans had a very
pressing need for the love of iron.

And now, spool time forward for thousands of years to a
point fifty years or more before the ever-moving now, to a
hillside and a young woman, running. Not running away
from something, exactly, or precisely running toward any-
thing, but running just fast enough to keep ahead of a young
man although, of course, not so far ahead that he'll give up.
Out from the trees and into the rushy valley where, on a
slight rise in the ground, are the stones.

They're about man-height, and barely thicker than a fat
man.

And somehow they don't seem worth it. If there's a stone
circle you mustn't go near, the imagination suggests, then
there should be big brooding trilithons and ancient altar
stones screaming with the dark memory of blood-soaked
sacrifice. Not these dull stubby lumps.

It will turn out that she was running a bit too fast this
time, and in fact the young man in laughing pursuit will get
lost and fed up and will eventually wander off back to the
town alone. She does not, at this point, know this, but

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stands absentmindedly adjusting the flowers twined in her
hair. It's been that kind of afternoon.

She knows about the stones. No one ever gets told about
the stones. And no one is ever told not to go there, because
those who refrain from talking about the stones also know
how powerful is the attraction of prohibition. It's just that
going to the stones is not. . . what we do. Especially if we're
nice girls.

But what we have here is not a nice girl, as generally
understood. For one thing, she's not beautiful. There's a cer-
tain set to the jaw and arch to the nose that might, with a
following wind and in the right light, be called handsome by
a good-natured liar. Also, there's a certain glint in her eye
generally possessed by those people who have found that
they are more intelligent than most people around them but
who haven't yet learned that one of the most intelligent
things they can do is prevent said people ever finding this
out. Along with the nose, this gives her a piercing expression
which is extremely disconcerting. It's not a face you can talk
to. Open your mouth and you're suddenly the focus of a
penetrating stare which declares: what you're about to say
had better be interesting.

Now the eight little stones on their little hill are being
subjected to the same penetrating gaze.

Hmm.

And then she approaches, cautiously. It's not the caution
of a rabbit about to run. It's closer to the way a hunter
moves.

She puts her hands on her hips, such as they are.

There's a skylark in the hot summer sky. Apart from
that, there's no sound. Down in the little valley, and higher
in the hills, grasshoppers are sizzling and bees are buzzing
and the grass is alive with micro-noise. But it's always quiet
around the stones.

"I'm here," she says. "Show me."

A figure of a dark-haired woman in a red dress appears

Terry Pratehett

inside the circle. The circle is wide enough to throw a stone
across, but somehow the figure manages to approach from a
great distance.

Other people would have run away. But the girl doesn't,
and the woman in the circle is immediately interested.
"So you're real, then."
"Of course. What is your name, girl?"
"Esmerelda."

"And what do you want?"
"I don't want anything."

"Everyone wants something. Otherwise, why are you
here?"

"I just wanted to find out if you was real."
"To you, certainly ... you have good sight."
The girl nods. You could bounce rocks off her pride.
"And now you have learned this," said the woman in the
circle, "what is it that you really want?"
"Nothing."

"Really? Last week you went all the way up to the
mountains above Copperhead to talk to the trolls. What did
you want from them?"

The girl put her head on one side.
"How do you know I did that?"

"It's at the top of your mind, girl. Anyone could see it.
Anyone with ... good sight."

"I shall be able to do that one day," said the girl smugly.

"Who knows? Possibly. What did you want from the
trolls?"

"I ... wanted to talk to them. D'you know they think

time goes backward? Because you can see the past, they say,
and—"

The woman in the circle laughed.

"But they are like the stupid dwarfs! All they are inter-
ested in is pebbles. There is nothing of interest in pebbles."

The girl gives a kind of one-shoulder uni-shrug, as if
indicating that pebbles may be full of quiet interest.

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"Why can't you come out from between the stones?"

There was a distinct impression that this was the wrong
question to have asked. The woman carefully ignored it.

"I can help you find far more than pebbles," she said.

"You can't come out of the circle, can you?"

"Let me give you what you want."

"I can go anywhere, but you're stuck in the circle," said
the girl.

"Can you go anywhere?"

"When I am a witch I shall be able to go anywhere."

"But you'll never be a witch."

"What?"

"They say you won't listen. They say you can't keep your
temper. They say you have no discipline."

The girl tossed her hair. "Oh, you know that too, do
you? Well, they would say that, wouldn't they? But I mean
to be a witch whatever they say. You can find things out for
yourself. You don't have to listen to a lot of daft old ladies
who've never had a life. And, circle lady, I shall be the best
witch there has ever been."

"With my help, I believe you may," said the woman in
the circle. "Your young man is looking for you, I think," she
added mildly

Another of those one-shoulder shrugs, indicating that
the young man can go on looking all day.

"I will, will I?"

"You could be a great witch. You could be anything.
Anything you want. Come into the circle. Let me show you."

The girl takes a few steps forward, and then hesitates.
There is something about the woman's tone. The smile is
pleasant and friendly, but there is something in the voice—
too desperate, too urgent, too hungry.

"But I'm learning a lot—"

"Step through the stones now!"

The girl hesitates again.

"How do I know—"

Terry Pratchett

"Circle time is nearly over! Think of what you can leam!
Now!"
"But—"
"Step through!"

But that was a long time ago, in the past. And besides,
the bitch is ...

... older.

A land of ice ...

Not winter, because that presumes an autumn and per-
haps one day a spring. This is a land of ice, not just a time of
ice.

And three figures on horseback, looking down the snow-
covered slope to a ring of eight stones. From this side they
look much bigger.

You might watch the figures for some time before you
realized what it was about them that was strange—stranger,
that is, than their clothing. The hot breath of their horses
hung in the freezing air. But the breath of the riders did not.

"And this time," said the figure in the center, a woman
in red, "there will be no defeat. The land will welcome us. It
must hate humans now."

"But there were witches," said one of the other riders. "I
remember the witches."

"Once, yes," said the woman. "But now . . . poor things,
poor things. Scarce any power in them at all. And sug-
gestible. Pliant minds. I have crept about, my deary. I have
crept about o' nights. I know the witches they have now.
Leave the witches to me."

"I remember the witches," said the third rider insistently.
"Minds like ... like metal."

"Not anymore. I tell you, leave them to me."
The Queen smiled benevolently at the stone circle.

* Which is another country.

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"And then you can have them," she said. "For me, I
rather fancy a mortal husband. A special mortal. A union of
the worlds. To show them that this time we mean to stay."

"The King will not like that."

"And when has that ever mattered?"

"Never, lady."

"The time is right, Lankin. The circles are opening. Soon
we can return."

The second rider leaned on the saddlehom.

"And I can hunt again," it said. "When? When?"

"Soon," said the Queen. "Soon."

It was a dark night, the kind of darkness which is not simply
explainable by absence of moon or stars, but the darkness
that appears to flow in from somewhere else—so thick and
tangible that maybe you could snatch a handful of air and
squeeze the night out of it.

It was the kind of darkness which causes sheep to leap
fences and dogs to skulk in kennels.

Yet the wind was warm, and not so much strong as
loud—it howled around the forests and wailed in chimneys.

On nights like this, normal people would pull the covers
over their head, sensing that there were times when the
world belonged to something else. In the morning it would
be human again; there would be fallen branches, a few tiles
off the roof, but human. For now . . . better to snuggle
down.. .

But there was one man awake.

Jason Ogg, master blacksmith and farrier, pumped the
bellows of his forge once or twice for the look of the thing,
and sat down on his anvil again. It was always warm in the
forge, even with the wind whistling around the eaves.

"He could shoe anything, could Jason Ogg. They'd
brought him an ant once, for a joke, and he'd sat up all

Terry Pratchett

night with a magnifying glass and an anvil made out of the
head of a pin. The ant was still around, somewhere—some-
times he could hear it clatter across the floor.

But tonight. . . well, tonight, in some way, he was going
to pay the rent. Of course, he owned the forge. It had been
passed down for generations. But there was more to a forge
than bricks and mortar and iron. He couldn't put a name to
it, but it was there. It was the difference between being a
master farrier and just someone who bent iron in complicated
ways for a living. And it had something to do with iron. And
something to do with being allowed to be very good at his
job. Some kind of rent.

One day his dad had taken him aside and explained
what he had to do, on nights like this.

There'd be times, he said, there'd be times—and he'd
know when they were without being told—there'd be times
when someone would come with a horse to shoe. Make
them welcome. Shoe the horse. Don't let your mind wander.
And try not to think about anything except horseshoes.

He'd got quite used to it now.

The wind rose, and somewhere there was the creak of a
tree going over.

The latch rattled.

Then there was a knock at the door. Once. Twice.

Jason Ogg picked up his blindfold and put it on. That
was important, his dad had said. It saved you getting dis-
tracted.

He undid the door.

"Evening, m'lord," he said.

A WILD NIGHT.

He smelled wet horse as it was led into the forge, hooves
clattering on the stones.

"There's tea brewing on the forge and our Dreen done us
some biscuits in the tin with A Present from Ankh-Morpork
on it."

THANK YOU. I TRUST YOU ARE WELL.

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"Yes, m'lord. I done the shoes already. Won't hold you
up long. I know you're ... very busy, like."

He heard the click-click of footsteps cross the floor to
the old kitchen chair reserved for customers, or at least for
the owners of customers.

Jason had laid the tools and the horseshoes and the nails
ready to hand on the bench beside the anvil. He wiped his
hands on his apron, picked up a file, and set to work. He
didn't like cold shoeing, but he'd shod horses ever since he
was ten. He could do it by feel. He picked up a rasp and set
to work.

And he had to admit it. It was the most obedient horse
he'd ever encountered. Pity he'd never actually seen it. It'd
be a pretty good horse, a horse like that. ..

His dad had said: don't try to sneak a look at it.

He heard the glug of the teapot and then the gling-glong
sound of a spoon being stirred and then the clink as the
spoon was laid down.

Never any sound, his dad had said. Except when he
walks and talks, you'll never hear him make a sound. No
smacking of lips, stuff like that.

No breathing.

Oh, and another thing. When you takes the old shoes off,
don't chuck 'em in the comer for to go for melt with the other
scrap. Keep 'em separate. Melt 'em separate. Keep a pot spe-
cial for it, and make the new shoes out of that metal. Whatever
else you do, never put that iron on another living thing.

In fact, Jason had saved one set of the old shoes for
pitching contests at the various village fairs, and never lost
when he used them. He won so often that it made him ner-
vous, and now they spent most of their time hanging on a
nail behind the door.

Sometimes the wind rattled the window frame, or made
the coals crackle. A series of thumps and a squawk a little
way off suggested that the chicken house at the end of the
garden had parted company with the ground.

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Terry Pratchett

The customer's owner poured himself another cup of
tea.

Jason finished one hoof and let it go. Then he held out
his hand. The horse shifted its weight and raised the last
hoof.

This was a horse in a million. Perhaps more.

Eventually, he had finished. Funny, that. It never seemed
to take very long. Jason had no use for a clock, but he had a
suspicion that a job which took the best part of an hour was
at the same time over in a matter of minutes.

"There," he said. "Tis done."

THANK YOU. I MUST SAY THESE ARE VERY
GOOD BISCUITS. HOW DO THEY GET THE BITS OF
CHOCOLATE IN?

"Dunno, m'lord," said Jason, staring fixedly at the inside
of his blindfold.

I MEAN, THE CHOCOLATE OUGHT TO MELT OUT
WHEN THEY'RE BAKED. HOW DO THEY DO IT, DO
YOU THINK?

"Tis probably a craft secret," said Jason. "I never asks
that kind o' question."

GOOD MAN. VERY WISE. I MUST—

He had to ask, if only so's he'd always know that he had
asked.

"M'lord?"

YES, MR. OGG?

"I 'as got one question ..."

YES, MR. OGG?

Jason ran his tongue over his lips.

"If I were to ... take the blindfold off, what'd I see?"

There. It was done now.

There was a clicking sound on the flagstones, and a
change in the air movement which suggested to Jason that
the speaker was now standing in front of him.

ARE YOU A MAN OF FAITH, MR. OGG?

Jason gave this some swift consideration. Lancre was not

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knee-deep in religions. There were the Nine Day Wonderers,
and the Strict Offlians, and there were various altars to
small gods of one sort or another, tucked away in distant
clearings. He'd never really felt the need, just like the
dwarfs. Iron was iron and fire was fire—start getting meta-
physical and you were scraping your thumb on the bottom
of your hammer.

WHAT DO YOU REALLY HAVE FAITH IN, RIGHT
AT THIS MOMENT?

He's inches away, Jason thought. I could reach out and
touch . . .

There was a smell. It wasn't unpleasant. It was hardly
anything at all. It was the smell of air in old forgotten
rooms. If centuries could smell, then old ones would smell
like that.

MR. OGG?

Jason swallowed.

"Well, m'lord," he said, "right now ... I really believe in
this blindfold."

GOOD MAN. GOOD MAN. AND NOW ... I MUST
BE GOING.

Jason heard the latch lift. There was a thud as the doors
scraped back, driven by the wind, and then there was the
sound of hooves on the cobbles again.

YOUR WORK, AS ALWAYS, IS SUPERB.

"Thank you, m'lord."

I SPEAK AS ONE CRAFTSMAN TO ANOTHER.

"Thank you, m'lord."

WE WILL MEET AGAIN.

"Yes, m'lord."

WHEN NEXT MY HORSE NEEDS SHOEING.

"Yes, m'lord."

Jason closed the door and bolted it, although there was
probably no point, when you thought about it.

But that was the bargain—you shod anything they
brought to you, anything, and the payment was that you

11

Terry Pratchett

could shoe anything. There had always been a smith in
Lancre, and everyone knew the smith in Lancre was a very
powerful smith indeed.

It was an ancient bargain, and it had something to do
with iron.

The wind slackened. Now it was a whisper around the hori-
zons, as the sun rose.

This was the octarine grass country. Good growing
country, especially for corn.

And here was a field of it, waving gently between the
hedges. Not a big field. Not a remarkable one, really It was
just a field with corn in it, except of course during the win-
ter, when there were just pigeons and crows in it.

The wind dropped.

The corn still waved. They weren't the normal swells of
the wind. They spread out from the center of the field like
ripples from a dropped stone.

The air sizzled and was filled with an angry buzzing.

Then, in the center of the field, rustling as it bent, the
young corn lay down.

In a circle.

And in the sky the bees swarmed and teemed, buzzing
angrily.

It was a few weeks to midsummer. The kingdom of Lancre
dozed in the heat, which shimmered on the forests and the
fields.

Three dots appeared in the sky.

After a while, they became identifiable as three female
figures on broomsticks, flying in a manner reminiscent of
the famous three plaster flying ducks.

Observe them closely

The first one—let us call her the leader—flies sitting bolt

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upright, in defiance of air resistance, and seems to be win-
ning. She has features that would generally be described as
striking, or even handsome, but she couldn't be called beau-
tiful, at least by anyone who didn't want their nose to grow
by three feet.

The second is dumpy and bandy-legged with a face like
an apple that's been left for too long and an expression of
near-terminal good nature. She is playing a banjo and, until
a better word comes to mind, singing. It is a song about a
hedgehog.

Unlike the broomstick belonging to the first figure,
which is more or less unburdened except for a sack or two,
this one is overladen with things like fluffy purple toy don-
keys, corkscrews in the shape of small boys urinating, bot-
tles of wine in straw baskets, and other international
cultural items. Nestling among them is the smelliest and
most evil-minded cat in the world, currently asleep.

The third, and definitely the last, broomstick rider is also
the youngest. Unlike the other two, who dress like ravens,
she wears bright, cheerful clothes which don't suit her now
and probably didn't even suit her ten years ago. She travels
with an air of vague good-natured hopefulness. There are
flowers in her hair but they're wilting slightly, just like her.

The three witches pass over the borders of Lancre, the
kingdom, and very shortly afterward over the town of
Lancre itself. They begin their descent over the moorlands
beyond, eventually touching down near a standing stone
which happens to mark the boundaries of their territories.

They're back.

And everything's all right again.

For about five minutes.

' There was a badger in the privy.

Granny Weatherwax poked it with her broom until it got
the message and lumbered off. Then she took down the key

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Terry Pratchett

which hung on the nail beside the copy of last year's
Almanack And Booke Of Dayes, and walked back up the
path to her cottage.

A whole winter away! There'd be a lot to do. Go and
pick the goats up from Mr. Skindle, get the spiders out of
the chimney, fish the frogs out of the well, and generally get
back into the business of minding everyone's business for
them because there'd be no telling what business people'd
get up to without a witch around . ..

But she could afford an hour with her feet up first.

There was a robin's nest in the kettle, too. The birds had
got in through a broken window pane. She carefully took
the kettle outside and wedged it over the door so's to be safe
from weasels, and boiled up some water in a saucepan.

Then she wound up the clock. Witches didn't have much
use for clocks, but she kept it for the tick . . . well, mainly
for the tick. It made a place seem lived in. It had belonged
to her mother, who'd wound it up every day.

It hadn't come as a surprise to her when her mother
died, firstly because Esme Weatherwax was a witch and
witches have an insight into the future and secondly
because she was already pretty experienced in medicine and
knew the signs. So she'd had a chance to prepare herself,
and hadn't cried at all until the day afterward, when the
clock stopped right in the middle of the funeral lunch.
She'd dropped a tray of ham rolls and then had to go and
sit by herself in the privy for a while, so that no one would
see.

Time to think about that sort of thing, now. Time to
think about the past...

The clock ticked. The water boiled. Granny Weatherwax
fished a bag of tea from the meager luggage on her broom-
stick, and swilled out the teapot.

The fire settled down. The clamminess of a room
unlived-in for months was gradually dispelled. The shadows
lengthened.

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Time to think about the past. Witches have an insight
into the future. The business she'd have to mind soon
enough would be her own ...

And then she looked out of the window.

Nanny Ogg balanced carefully on a stool and ran a finger
along the top of the dresser. Then she inspected the finger. It
was spotless.

"Hummph," she said. "Seems to be moderately clean."

The daughters-in-law shivered with relief.

"So far," Nanny added.

The three young women drew together in their mute
terror.

Her relationship with her daughters-in-law was the only
stain on Nanny Ogg's otherwise amiable character. Sons-in-
law were different—she could remember their names, even
their birthdays, and they joined the family like overgrown
chicks creeping under the wings of a broody bantam. And
grandchildren were treasures, every one. But any woman
incautious enough to marry an Ogg son might as well resign
herself to a life of mental torture and nameless domestic
servitude.

Nanny Ogg never did any housework herself, but she
was the cause of housework in other people.

She got down from the stool and beamed at them.

"You kept the place quite nice," she said. "Well done."

Her smile faded.

"Under the bed in the spare room," she said. "Haven't
looked under there yet, have I?"

Inquisitors would have thrown Nanny Ogg out of their
ranks for being too nasty.

She turned as more members of the family filed into the
' room, and her face contorted into the misty grin with which
she always greeted grandchildren.

Jason Ogg pushed his youngest son forward. This was

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Terry Pratehett

Pewsey Ogg, aged four, who was holding something in his
hands.

"What you got there, then?" said Nanny. "You can show
your Nan."

Pewsey held it up.

"My word, you have been a—"

It happened right there, right then, right in front of her.

And then there was Magrat.

She'd been away eight months.

Now panic was setting in. Technically she was engaged
to the king, Verence II. Well . . . not exactly engaged, as
such. There was, she was almost sure, a general unspoken
understanding that engagement was a definite option.
Admittedly she'd kept on telling him that she was a free
spirit and definitely didn't want to be tied down in any way,
and of course this was the case, more or less, but.. . but...

But. . . well . . . eight months. Anything could have hap-
pened in eight months. She should have come straight back
from Genua, but the other two had been enjoying themselves.

She wiped the dust off her mirror and examined herself
critically. Not a lot to work with, really. No matter what she
did with her hair it took about three minutes for it to tangle
itself up again, like a garden hosepipe left in a shed. She'd
bought herself a new green dress, but what had looked
exciting and attractive on the plaster model looked like a
furled umbrella on a Magrat.

Whereas Verence had been here reigning for eight
months. Of course, Lancre was so small that you couldn't lie
down without a passport, but he was a genuine king and
genuine kings tended to attract young women looking for
career opportunities in the queening department.

* Which, no matter how carefully coiled, will always uncoil overnight and
tie the lawnmower to the bicycles.

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She did her best with the dress and dragged a vengeful
brush through her hair.

Then she went up to the castle.

Guard duty at Lancre castle was the province of anyone
who didn't have much of anything else to do at the moment.
On duty today was Nanny Ogg's youngest son Shawn, in ill-
fitting chain-mail. He brought himself to what he probably
thought was attention as Magrat pattered past, and then
dropped his pike and hurried after her.

"Can you slow down a bit, please, miss?"

He overtook her, ran up the steps to the door, picked up
a trumpet that was hanging from a nail by a bit of string,
and blew an amateurish fanfare. Then he looked panicky
again.

"Wait right there, miss, right there . ., count to five, and
then knock," he said, and darted through the door, slam-
ming it behind him.

Magrat waited, and then tried the knocker.

After a few seconds Shawn opened the door. He was red
in the face and had a powdered wig on back to front.

"Yeeeuss?" he drawled, and tried to look like a butler.

"You've still got your helmet on under the wig," said
Magrat helpfully.

Shawn deflated. His eyes swiveled upward.

"Everyone at the haymaking?" said Magrat.

Shawn raised his wig, removed the helmet, and put the
wig back. Then he distractedly put the helmet back on top
of the wig.

"Yes, and Mr. Spriggins the butler is in bed with his
trouble again," said Shawn. "There's only me, miss. And I've
got to get the dinner started before I'm off 'ome because
Mrs. Scorbic is poorly."

"You don't have to show me in," said Magrat. "I do
know the way."

"No, it's got to be done proper," said Shawn. "You just
keep movin' slow and leave it to me."

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Terry Pratchett

He ran on ahead and flung open some double doors—

"Meeeyisss Magraaaaat Garrrrrli-ick!"

—and scurried toward the next set of doors.

By the third pair he was out of breath, but he did his
best.

"Meeeyisss . . . Magraaaaa . . . Garrrrrli-ick ... His
Majesteeeyyaa the Ki—Oh, bugger, now where's he gone?"

The throne room was empty.

They eventually found Verence II, King of Lancre, in the
stable yard.

Some people are born to kingship. Some achieve king-
ship, or at least Arch-Generalissimo-Father-of-His-
Countryship. But Verence had kingship thrust upon him. He
hadn't been raised to it, and had only arrived at the throne
by way of one of those complicated mix-ups of fraternity
and parentage that are all too common in royal families.

He had in fact been raised to be a Fool, a man whose job
it was to caper and tell jokes and have custard poured down
his trousers. This had naturally given him a grave and
solemn approach to life and a grim determination never to
laugh at anything ever again, especially in the presence of
custard.

In the role of ruler, then, he had started with the advan-
tage of ignorance. No one had ever told him how to be a
king, so he had to find out for himself. He'd sent off for
books on the subject. Verence was a great believer in the
usefulness of knowledge derived from books.

He had formed the unusual opinion that the job of a
king is to make the kingdom a better place for everyone to
live in.

Now he was inspecting a complicated piece of equip-
ment. It had a pair of shafts for a horse, and the rest of it
looked like a cartful of windmills.

He glanced up, and smiled in an absentminded way.

"Oh, hello," he said. "All back safe then?"

"Um—" Magrat began.

18

LORQ6 ft/VQ iftQ/£6

"It's a patent crop rotator," said Verence. He tapped the
machine. "Just arrived from Ankh-Morpork. The wave of the
future, you know. I've really been getting interested in agri-
cultural improvement and soil efficiency. We'll really have to
get cracking on this new three-field system."

Magrat was caught off balance.

"But I think we've only got three fields," she said, "and
there isn't much soil in—"

"It's very important to maintain the correct relationship
between grains, legumes, and roots," said Verence, raising
his voice. "Also, I'm seriously considering clover. I should be
interested to know what you think!"

"Um—"

"And I think we should do something about the pigs!"
Verence shouted, "The Lancre Stripe! Is very hardy! But we
could really bring the poundage up! By careful cross-breeding!
With, say, the Sto Saddleback! I'm having a boar sent up—
Shawn, will you stop blowing that damn trumpet!"

Shawn lowered the trumpet.

"I'm doin' a fanfare, your majesty."

"Yes, yes, but you're not supposed to go on. A few brief
notes are a sufficiency." Verence sniffed. "And something's
burning."

"Oh, blow .. . it's the carrots ..." Shawn hurried away

"That's better," said Verence. "Where were we?"

"Pigs, I think," said Magrat, "but I really came to—"

"It all comes down to the soil," said Verence. "Get the soil
right, and everything else follows. Incidentally, I'm arranging
the marriage for Midsummer Day I thought you'd like that."

Magrat's mouth formed an 0.

"We could move it, of course, but not too much because
of the harvest," said Verence.

"I've had some invitations sent out already, to the more
obvious guests," said Verence.

"And I thought it might be a nice idea to have some sort
of fair or festival beforehand," said Verence.

19

Terry Pratchett

"I asked Boggi's in Ankh-Morpork to send up their best
dressmaker with a selection of materials and one of the
maids is about your size and I think you'll be very pleased
with the result," said Verence.

"And Mr. Ironfoundersson, the dwarf, came down the
mountain specially to make the crown," said Verence.

"And my brother and Mr. Vittoller's Men can't come
because they're touring Klatch, apparently, but Hwel the
playsmith has written a special play for the wedding enter-
tainment. Something even rustics can't muck up, he says,"
said Verence.

"So that's all settled then?" said Verence.

Finally, Magrat's voice returned from some distant
apogee, slightly hoarse.

"Aren't you supposed to ask me?" she demanded.

"What? Urn. No, actually," said Verence. "No. Kings
don't ask. I looked it up. I'm the king, you see, and you are,
no offense meant, a subject. I don't have to ask."

Magrat's mouth opened for the scream of rage but, at
last, her brain jolted into operation.

Yes, it said, of course you can yell at him and sweep
away. And he'll probably come after you.

Very probably.

Urn.

Maybe not that probably. Because he might be a nice lit-
tle man with gentle runny eyes but he's also a king and he's
been looking things up. But very probably quite probably

But...

Do you want to bet the rest of your life? Isn't this what
you wanted anyway? Isn't it what you came here hoping for?
Really?

Verence was looking at her with some concern.

"Is it the witching?" he said. "You don't have to give that
up entirely, of course. I've got a great respect for witches.
And you can be a witch queen, although I think that means
you have to wear rather revealing clothes and keep cats and

20

LOR08 ft^O LfiDIEQ

give people poisoned apples. I read that somewhere. The
witching's a problem, is it?"

"No," Magrat mumbled, "it's not that... um ... did you
mention a crown?"

"You've got to have a crown," said Verence. "Queens do.
I looked it up."

Her brain cut in again. Queen Magrat, it suggested. It
held up the mirror of the imagination . . .

"You're not upset, are you?" said Verence.

"What? Oh. No. Me? No."

"Good. That's all sorted out, then. I think that just about
covers everything, don't you?"

"Um—"

Verence rubbed his hands together.

"We're doing some marvellous things with legumes," he
said, as if he hadn't just completely rearranged Magrat's life
without consulting her. "Beans, peas . . . you know. Nitrogen
fixers. And marl and lime, of course. Scientific husbandry.
Come and look at this."

He bounced away enthusiastically.

"You know," he said, "we could really make this king-
dom work."

Magrat trailed after him.

So that was all settled, then. Not a proposal, just a state-
ment. She hadn't been quite sure how the moment would
be, even in the darkest hours of the night, but she'd had an
idea that roses and sunsets and bluebirds might just possibly
be involved. Clover had not figured largely Beans and other
leguminous nitrogen fixers were not a central feature.

On the other hand Magrat was, at the core, far more
practical than most people believed who saw no further than
her vague smile and collection of more than three hundred
pieces of occult jewelry, none of which worked.

So this was how you got married to a king. It all got
arranged for you. There were no white horses. The past
flipped straight into the future, carrying you with it.

21

Terry Pratchett

Perhaps that was normal. Kings were busy people.
Magrat's experience of marrying them was limited.

"Where are we going?" she said.

"The old rose garden."

Ah ... well, this was more like it.

Except that there weren't any roses. The walled garden
had been stripped of its walks and arbors and was now
waist high in green stalks with white flowers. Bees were furi-
ously at work in the blossoms.

"Beans?" said Magrat.

"Yes! A specimen crop. I keep bringing the farmers up
here to show them," said Verence. He sighed. "They nod and
mumble and smile but I'm afraid they just go off and do the
same old things."

"I know," said Magrat. "The same thing happened when
I tried to give people lessons in natural childbirth."

Verence raised an eyebrow. Even to him the thought of
Magrat giving lessons in childbirth to the fecund and teak-
faced women of Lancre was slightly unreal.

"Really? How had they been having babies before?" he
said.

"Oh, any old way," said Magrat.
They looked at the little buzzing bean field.

"Of course, when you're queen, you won't need to—"
Verence began.

It happened softly, almost like a kiss, as light as the
touch of sunlight.

There was no wind, only a sudden heavy calmness that
made the ears pop.

The stems bent and broke, and lay down in a circle,
The bees roared, and fled.

The three witches arrived at the standing stone together.

They didn't even bother with explanations. There were
some things you know.

22

LOR06 ftWO Lft0/£6

"In the middle of my bloody herbs!" said Granny
Weatherwax.

"On the palace garden!" said Magrat.

"Poor little mite! And he was holding it up to show me,
too!" said Nanny Ogg.

Granny Weatherwax paused.

"What're you talking about, Gytha Ogg?" she said.

"Our Pewsey was growing mustard-and-cress on a flan-
nel for his Nan," said Nanny Ogg, patiently. "He shows it to
me, right enough, and just as I bends down and—splat!
Crop circle!"

"This," said Granny Weatherwax, "is serious. It's been
years since they've been as bad as this. We all know what it
means, don't we. What we've got—"

"Um," said Magrat.

"—to do now is—"

"Excuse me," said Magrat. There were some things you
had to be told.

"Yes?"

"I don't know what it means," said Magrat. "I mean, old
Goodie Whemper—"

"—maysherestinpeace—" the older witches chorused.

"—told me once that the circles were dangerous, but she
never said anything about why."

The older witches shared a glance.

"Never told you about the Dancers?" said Granny
Weatherwax.

"Never told you about the Long Man?" said Nanny Ogg.

"What Dancers? You mean those old stones up on the
moor?"

"All you need to know right now," said Granny
Weatherwax, "is that we've got to put a stop to Them."

"What Them?"

Granny radiated innocence ...

"The circles, of course," she said.

"Oh, no," said Magrat. "I can tell by the way you said it.

23

Terry Pratehett

You said Them as though it was some sort of curse. It wasn't
just a them, it was a them with a capital The."

The old witches looked awkward again.

"And who's the Long Man?" said Magrat.

"We do not," said Granny, "ever talk about the Long
Man."

"No harm in telling her about the Dancers, at any rate,"
mumbled Nanny Ogg.

"Yes, but ... you know ... I mean . . . she's Magrat,"
said Granny.

"What's that meant to mean?" Magrat demanded.

"You probably won't feel the same way about Them, is
what I am saying," said Granny.

"We're talking about the—" Nanny Ogg began.

"Don't name 'em!"

"Yeah, right. Sorry."

"Mind you, a circle might not find the Dancers," said
Granny. "We can always hope. Could be just random."

"But if one opens up inside the—" said Nanny Ogg.

Magrat snapped.

"You just do this on purpose! You talk in code the whole
time! You always do this! But you won't be able to when I'm
queen\"

That stopped them.

Nanny Ogg put her head on one side.

"Oh?" she said. "Young Verence popped the question,
then?"

"Yes!"

"When's the happy event?" said Granny Weatherwax,
icily.

"Two weeks' time," said Magrat. "Midsummer Day."

"Bad choice, bad choice," said Nanny Ogg. "Shortest
night o' the year—"

"Gytha Ogg!"

"And you'll be my subjects," said Magrat, ignoring this.
"And you'll have to curtsy and everything!"

24

LOR06 ftlYD ift0f£6

She knew as soon as she said it that it was stupid, but
anger drove her on.

Granny Weatherwax's eyes narrowed.

"Hmm," she said. "We will, will we?"

"Yes, and if you don't," said Magrat, "you can get
thrown in prison."

"My word," said Granny. "Deary deary me. I wouldn't
like that. I wouldn't like that at all."

All three of them knew that the castle dungeons, which
in any case had never been its most notable feature, were
now totally unused. Verence II was the most amiable
monarch in the history of Lancre. His subjects regarded him
with the sort of good-natured contempt that is the fate of all
those who work quietly and conscientiously for the public
good. Besides, Verence would rather cut his own leg off than
put a witch in prison, since it'd save trouble in the long run
and probably be less painful.

"Queen Magrat, eh?" said Nanny Ogg, trying to lighten
the atmosphere a bit. "Cor. Well, the old castle could do
with a bit of lightening up—"

"Oh, it'll lighten up all right," said Granny.

"Well, anyway, I don't have to bother with this sort of
thing," said Magrat. "Whatever it is. It's your business. I just
shan't have time, I'm sure."

"I'm sure you can please yourself, your going-to-be-
majesty," said Granny Weatherwax.

"Hah!" said Magrat. "I can! You can jol—you can damn
well find another witch for Lancre! All right? Another soppy
girl to do all the dreary work and never be told anything and
be talked over the head of the whole time. I've got better
things to do!"

"Better things than being a witch?" said Granny

Magrat walked into it.
'   "Yes!"

"Oh, dear," murmured Nanny

"Oh. Well, then I expect you'll be wanting to be off,"

25

Terry Pratehett

said Granny, her voice like knives. "Back to your palace, I'll
be bound."

"Yes!"

Magrat picked up her broomstick.

Granny's arm shot out very fast and grabbed the handle.

"Oh, no," she said, "you don't. Queens ride around in
golden coaches and whatnot. Each to their own. Brooms is
for witches."

"Now come on, you two," began Nanny Ogg, one of
nature's mediators. "Anyway, someone can be a queen and a
w—"

"Who cares?" said Magrat, dropping the broomstick. "I
don't have to bother with that sort of thing anymore."

She turned, clutched at her dress, and ran. She became a
figure outlined against the sunset.

"You daft old besom, Esme," said Nanny Ogg. "Just
because she's getting wed."

"You know what she'd say if we told her," said Granny
Weatherwax. "She'd get it all wrong. The Gentry. Circles.
She'd say it was . .. nice. Best for her if she's out of it."

"They ain't been active for years and years," said Nanny.
"We'll need some help. I mean . . . when did you last go up
to the Dancers?"

"You know how it is," said Granny "When it's so quiet...
you don't think about 'em."

"We ought to have kept 'em cleared."

"True."

"We better get up there first thing tomorrow," said
Nanny Ogg.

"Yes."

"Better bring a sickle, too."

There isn't much of the kingdom of Lancre where you could
drop a football and not have it roll away from you. Most of
it is moorland and steeply forested hillside, giving way to

26

LOR06 ft/YD ift0f£6

sharp and ragged mountains where even trolls wouldn't go
and valleys so deep that they have to pipe the sunlight in.

There was an overgrown path up to the moorland where
the Dancers stood, even though it was only a few miles from
the town. Hunters tracked up there sometimes, but only by
accident. It wasn't that the hunting was bad but, well—

—there were the stones.

Stone circles were common enough everywhere in the
mountains. Druids built them as weather computers and
since it was always cheaper to build a new 33-MegaLith cir-
cle than upgrade an old slow one there were generally plenty
of ancient ones around.

No druids ever came near the Dancers.

The stones weren't shaped. They weren't even positioned
in any particularly significant way There wasn't any of that
stuff about the sun striking the right stone at dawn on the
right day. Someone had just dragged eight red rocks into a
rough circle.

But the weather was different. People said that, if it
started to rain, it always began to fall inside the circle a few
seconds after it had started outside, as if the rain was com-
ing from further away. If clouds crossed the sun, it'd be a
moment or two before the light faded inside the circle.

William Scrope is going to die in a couple of minutes. It
has to be said that he shouldn't have been hunting deer out
of season, and especially not the fine stag he was tracking,
and certainly not a fine stag of the Ramtop Red species,
which is officially endangered although not as endangered,
right now, as William Scrope.

It was ahead of him, pushing through the bracken, mak-
ing so much noise that a blind man could have tracked it.

Scrope waded through after it.

Mist was still hanging around the stones, not in a blan-
/ ket but in long raggedy strings.

The stag reached the circle now, and stopped. It trotted
back and forth once or twice, and then looked up at Scrope.

27

Terry Pratchett

He raised the crossbow.
The stag turned, and leapt between the stones.
There were only confused impressions from then on.
The first was of—

—distance. The circle was a few yards across, it
shouldn't suddenly appear to contain so much distance.
And the next was of—

—speed. Something was coming out of the circle, a
white dot growing bigger and bigger.

He knew he'd aimed the bow. But it was whirled out of
his hands as the thing struck, and suddenly there was only
the sensation of—

—peace.

And the brief remembrance of pain.

William Scrope died.

William Scrope looked through his hands at the crushed
bracken. The reason that it was crushed was that his own
body was sprawled upon it.

His newly deceased eyes surveyed the landscape.

There are no delusions for the dead. Dying is like wak-
ing up after a really good party, when you have one or two
seconds of innocent freedom before you recollect all the
things you did last night which seemed so logical and hilari-
ous at the time, and then you remember the really amazing
thing you did with a lampshade and two balloons, which
had them in stitches, and now you realize you're going to
have to look a lot of people in the eye today and you're
sober now and so are they but you can both remember.

"Oh," he said.

The landscape flowed around the stones. It was all so
obvious now, when you saw it from the outside ...

Obvious. No walls, only doors. No edges, only comers—

WILLIAM SCROPE.

"Yes?"

IF YOU WOULD PLEASE STEP THIS WAY.

"Are you a hunter?"

28

LORQ6 ft/YO LDDIE6

I LIKE TO THINK I AM A PICKER-UP OF UNCON-
SIDERED TRIFLES.

Death grinned hopefully. Scrope's post-physical brow
furrowed.

"What? Like . . . sherry, custard ... that sort of thing?"

Death sighed. Metaphors were wasted on people.
Sometimes he felt that no one took him seriously enough.

I TAKE AWAY PEOPLE'S LIVES IS WHAT I MEAN,
he said testily.

"Where to?"

WE SHALL HAVE TO SEE, WON'T WE?

William Scrope was already fading into the mist.

"That thing that got me—"

YES?

"I thought they were extinct!"

"NO. THEY JUST WENT AWAY.

"Where to?"

Death extended a bony digit.

OVER THERE.

Magrat hadn't originally intended to move into the palace
before the wedding, because people would talk. Admittedly
a dozen people lived in the palace, which had a huge num-
ber of rooms, but she'd still be under the same roof, and
that was good enough. Or bad enough.

That was before. Now her blood was sizzling. Let people
talk. She had a pretty good idea which people they'd be, too.
Which person, anyway. Witch person. Hah. Let them talk all
they liked.

She got up early and packed her possessions, such as
they were. It wasn't exactly her cottage, and most of the furni-
ture went with it. Witches came and went, but witches' cottages
went on for ever, usually with the same thatch they started with.

But she did own the set of magical knives, the mystic col-
ored cords, the assorted grails and crucibles, and a box full of

29

Terry Pratchett

rings, necklaces, and bracelets heavy with the hermetic sym-
bols of a dozen religions. She tipped them all into a sack.

Then there were the books. Goodie Whemper had been
something of a bookworm among witches. There were
almost a dozen. She hesitated about the books, and finally
she let them stay on the shelves.

There was the statutory pointy hat. She'd never liked it
anyway, and had always avoided wearing it. Into the sack
with it.

She looked around wild-eyed until she spotted the small
cauldron in the inglenook. That'd do. Into the sack with
that, and then tie the neck with string.

On the way up to the palace she crossed the bridge over
Lancre Gorge and tossed the sack into the river.

It bobbed for a moment in the strong current, and then sank.

She'd secretly hoped for a string of multicolored bub-
bles, or even a hiss. But it just sank. Just as if it wasn't any-
thing very important.

Another world, another castle .. .

The elf galloped over the frozen moat, steam billowing
from its black horse and from the thing it carried over its neck.

It rode up the steps and into the hall itself, where the
Queen sat amidst her dreams .. .

"My lord Lankin?"

"A stag!"

It was still alive. Elves were skilled at leaving things
alive, often for weeks.

"From out of the circle?"

"Yes, lady!"

"It's weakening. Did I not tell you?"

"How long? How long?"

"Soon. Soon. What went through the other way?"

The elf tried to avoid her face.

"Your ... pet, lady."

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LORDS ftffO ift0/£6

"No doubt it won't go far." The Queen laughed. "No
doubt it will have an amusing time ..."

It rained briefly at dawn.

There's nothing nastier to walk through than shoulder-
high wet bracken. Well, there is. There are an uncountable
number of things nastier to walk through, especially if
they're shoulder-high. But here and now, thought Nanny
Ogg, it was hard to think of more than one or two.

They hadn't landed inside the Dancers, of course. Even
birds detoured rather than cross that airspace. Migrating spi-
ders on gossamer threads floating half a mile up curved
around it. Clouds split in two and flowed around it.

Mist hung around the stones. Sticky, damp mist.

Nanny hacked vaguely at the clinging bracken with her
sickle.

"You there, Esme?" she muttered.

Granny Weatherwax's head rose from a clump of bracken
a few feet away.

"There's been things going on," she said, in a cold and
deliberate tone.

"Like what?"

"All the bracken and weeds is trampled around the
stones. I reckon someone's been dancing."

Nanny Ogg gave this the same consideration as would a
nuclear physicist who'd just been told that someone was bang-
ing two bits of sub-critical uranium together to keep warm.

"They never," she said.

"They have. And another thing ..."

It was hard to imagine what other thing there could be,
but Nanny Ogg said "Yes?" anyway.

"Someone got killed up here."
" "Oh, no," moaned Nanny Ogg. "Not inside the circle too."

"Nope. Don't be daft. It was outside. A tall man. He had one
leg longer'n the other. And a beard. He was probably a hunter."

31

Terry Pratchett

"How'd you know all that?"

"I just trod on 'im."

The sun rose through the mists.

The morning rays were already caressing the ancient stones
of Unseen University, premier college of wizardry, five hun-
dred miles away.

Not that many wizards were aware of this.
For roost of the wizards of Unseen University their lunch
was the first meal of the day. They were not, by and large,
breakfast people. The Archchancellor and the Librarian
were the only two who knew what the dawn looked like
from the front, and they tended to have the entire campus to
themselves for several hours.

The Librarian was always up early because he was an
orang-utan, and they are naturally early risers, although in
his case he didn't bellow a few times to keep other males
off his territory. He just unlocked the Library and fed the
books.

And Mustrum Ridcully, the current Archchancellor,
liked to wander around the sleepy buildings, nodding to the
servants and leaving little notes for his subordinates, usually
designed for no other purpose than to make it absolutely
clear that he was up and attending to the business of the day
while they were still fast asleep.

* This happens all the time, everywhere in the multiverse, even on cold
planets awash with liquid methane. No one knows why it is, but in any
group of employed individuals the only naturally early riser is always the
office manager, who will always leave reproachful little notes (or, as it
might be, engraved helium crystals) on the desks of their subordinates. In
fact the only place this does not happen very often is the world Zyrix, and
this is only because Zyrix has eighteen suns and it is only possible to be
an early riser there once every 1,789.6 years, but even then, once every
1,789.6 years, resonating to some strange universal signal, smallminded
employers slither down to the office with a tentacle full of small reproach-
ful etched frimpt shells at the ready.

32

LQR06 ft/VQ iftQ/£8

Today, however, he had something else on his mind.
More or less literally.

It was round. There was healthy growth all around it. He
could swear it hadn't been there yesterday.

He turned his head this way and that, squinting at the
reflection in the mirror of the other mirror he was holding
above his head.

The next member of staff to wake up after Ridcully and
the Librarian was the Bursar; not because he was a naturally
early riser, but because by around ten o'clock the
Archchancellor's very limited supply of patience came to an
end and he would stand at the bottom of the stairs and shout:

"Bursaaar!"

—until the Bursar appeared.

In fact it happened so often that the Bursar, a natural
neurovore,* frequently found that he'd got up and dressed
himself in his sleep several minutes before the bellow. On
this occasion he was upright and fully clothed and halfway
to the door before his eyes snapped open.

Ridcully never wasted time on small talk. It was always
large talk or nothing.

"Yes, Archchancellor?" said the Bursar, glumly.

The Archchancellor removed his hat.

"What about this, then?" he demanded.

"Um, um, um ... what, Archchancellor?"

"This, man! This!"

Close to panic, the Bursar stared desperately at the top
of Ridcully's head.

"The what? Oh. The bald spot?"

"I have not got a bald spot!"

"Um, then—"

"I mean it wasn't there yesterday!"

"Ah. Well. Um." At a certain point something always
snapped inside the Bursar, and he couldn't stop himself. "Of

* He lived on his nerves.

33

Terry Pratchett

course these things do happen and my grandfather always
swore by a mixture of honey and horse manure, he rubbed it
on every day—"

"I'm not going bald!"

A tic started to dance across the Bursar's face. The
words started to come out by themselves, without the appar-
ent intervention of his brain.

"—and then he got this device with a glass rod and, and,
and you rubbed it with a silk cloth and—"

"I mean it's ridiculous! My family have never gone bald,
except for one of my aunts!"

"—and, and, and then he'd collect morning dew and
wash his head, and, and, and—"

Ridcully subsided. He was not an unkind man.

"What're you taking for it at the moment?" he murmured.

"Dried, dried, dried, dried," stuttered the Bursar.

"The old dried frog pills, right?"

"R-r-r-r."

"Left-hand pocket?"

"R-r-r-r."

"OK . .. right. . . swallow ..."

They stared at one another for a moment.

The Bursar sagged.

"M-m-much better now, Archchancellor, thank you."

"Something's definitely happening. Bursar. I can feel it in
my water."

"Anything you say, Archchancellor."

"Bursar?"

"Yes, Archchancellor?"

"You ain't a member of some secret society or somethin',
are you?"

"Me? No, Archchancellor."

"Then it'd be a damn good idea to take your underpants
off your head."

34

LOR06 hNb LORIES

"Know him?" said Granny Weatherwax.

Nanny Ogg knew everyone in Lancre, even the forlorn
thing on the bracken.

"It's William Scrope, from over Slice way," she said.
"One of three brothers. He married that Palliard girl,
remember? The one with the air-cooled teeth?"

"I hope the poor woman's got some respectable black
clothes," said Granny Weatherwax.

"Looks like he's been stabbed," said Nanny. She turned
the body over, gently but firmly. Corpses as such didn't
worryJier. Witches generally act as layers-out of the dead as
well as midwives; there were plenty of people in Lancre for
whom Nanny Ogg's face had been the first and last thing
they'd ever seen, which had probably made all the bit in the
middle seem quite uneventful by comparison.

"Right through," she said. "Stabbed right through.
Blimey Who'd do a thing like that?"

Both the witches turned to look at the stones.

"I don't know what, but I knows where it come from,"
said Granny.

Now Nanny Ogg could see that the bracken all around
the stones was indeed well trodden down, and quite brown.

"I'm going to get to the bottom of this," said Granny.

"You'd better not go into—"

"I knows exactly where I should go, thank you."

There were eight stones in the Dancers. Three of them
had names. Granny walked around the ring until she
reached the one known as the Piper.

She removed a hatpin from among the many that riveted
her pointy hat to her hair and held it about six inches from
the stone. Then she let it go, and watched what happened.

She went back to Nanny.

"There's still power there," she said. "Not much, but the
ring is holding."

"But who'd be daft enough to come up here and dance
around the stones?" said Nanny Ogg, and then, as a

35

Terry Pratchett

treacherous thought drifted across her mind, she added,
"Magrat's been away with us the whole time."

"We shall have to find out," said Granny, setting her face
in a grim smile. "Now help me up with the poor man."

Nanny Ogg bent to the task.

"Coo, he's heavy. We could've done with young Magrat
up here."

"No. Flighty," said Granny Weather-wax. "Head easily
turned."

"Nice girl, though."

"But soppy. She thinks you can lead your life as if fairy
stories work and folk songs are really true. Not that I don't
wish her every happiness."

"Hope she does all right as queen," said Nanny.

"We taught her everything she knows," said Granny
Weatherwax.

"Yeah," said Nanny Ogg, as they disappeared into the
bracken. "D'you think . .. maybe . .. ?"

"What?"

"D'you think maybe we ought to have taught her every-
thing we know?"

"It'd take too long."

"Yeah, right."

It took a while for letters to get as far as the Archchancellor.
The post tended to be picked up from the University gates
by anyone who happened to be passing, and then left lying
on a shelf somewhere or used as a pipe lighter or a book-
mark or, in the case of the Librarian, as bedding.

This one had only taken two days, and was quite intact
apart from a couple of cup rings and a bananary fingerprint.
It arrived on the table along with the other post while the
faculty were at breakfast. The Dean opened it with a spoon.

"Anyone here know where Lancre is?" he said.

"Why?" said Ridcully, looking up sharply.

36

LQRQ6 fitfQ LfiQIEQ

"Some king's getting married and wants us to come."

"Oh dear, oh dear," said the Lecturer in Recent Runes.
"Some tinpot king gets wed and he wants us to come?"

"It's up in the mountains," said the Archchancellor, qui-
etly "Good trout fishin' in those parts, as I recall. My word.
Lancre. Good grief. Hadn't thought about the place in years.
You know, there's glacier lakes up there where the fish've
never seen a rod. Lancre. Yes."

"And it's far too far," said the Lecturer in Recent Runes.

Ridcully wasn't listening. "And there's deer. Thousands
of head of deer. And elk. Wolves all over the place.
Mountain lions too, I shouldn't wonder. I heard that Ice
Eagles have been seen up there again, too."

His eyes gleamed.

"There's only half a dozen of 'em left," he said.

Mustrum Ridcully did a lot for rare species. For one
thing, he kept them rare.

"It's the back of beyond," said the Dean. "Right off the
edge of the map."

"Used to stay with my uncle up there, in the holidays,"
said Ridcully, his eyes misty with distance. "Great days I had
up there. Great days. The summers up there . . . and the
sky's a deeper blue than anywhere else, it's very . . . and the
grass ...and ..."

He returned abruptly from the landscapes of memory.

"Got to go, then," he said. "Duty calls. Head of state get-
tin' married. Important occasion. Got to have a few wizards
there. Look of the thing. Nobblyess obligay."

"Well, I'm not going," said the Dean. "It's not natural,
the countryside. Far too many trees. Never could stand it."

"The Bursar could do with an outing," said Ridcully.
"Seems a bit jumpy just lately, can't imagine why." He leaned
forward to look along the High Table. "Bursaaar!"

The Bursar dropped his spoon into his oatmeal.

"See what I mean?" said Ridcully. "Bundle o' nerves the
whole time. I WAS SAYING YOU COULD DO WITH

37

Terry Pratchett

SOME FRESH AIR, BURSAR." He nudged the Dean heavily.
"Hope he's not going off his rocker, poor fella," he said, in
what he chose to believe was a whisper. "Spends too much
time indoors, if you get my drift."

The Dean, who went outdoors about once a month,
shrugged his shoulders.

"I EXPECT YOU'D LIKE A LITTLE TIME AWAY
FROM THE UNIVERSITY, EH?" said the Archchancellor,
nodding and grimacing madly. "Peace and quiet? Healthy
country livin'?"

"I, I, I, I should like that very much, Archchancellor," said
the Bursar, hope rising in his face like an autumn mushroom.

"Good man. Good man. You shall come with me," said
Ridcully, beaming.

The Bursar's expression froze.

"Got to be someone else, too," said Ridcully. "Volunteers,
anyone?"

The wizards, townies to a man, bent industriously over
their food. They always bent industriously over their food in
any case, but this time they were doing it to avoid catching
Ridcully's eye.

"What about the Librarian?" said the Lecturer in Recent
Runes, throwing a random victim to the wolves.

There was a sudden babble of relieved agreement.

"Good choice," said the Dean. "Just the thing for him.
Countryside. Trees. And . .. and ... trees."

"Mountain air," said the Lecturer in Recent Runes.

"Yes, he's been looking peaky lately," said the Reader in
Invisible Writings.

"It'd be a real treat for him," said the Lecturer in Recent
Runes.

"Home away from home, I expect," said the Dean.
"Trees all over the place."

They all looked expectantly at the Archchancellor.

"He doesn't wear clothes," said Ridcully. "And he goes
'ook' all the time."

38

I.OR08 ft^fO LftQfEQ

"He does wear the old green robe thing," said the Dean.

"Only when he's had a bath."

Ridcully rubbed his beard. In fact he quite liked the
Librarian, who never argued with him and always kept him-
self in shape, even if that shape was a pear shape. It was the
right shape for an orang-utan.

The thing about the Librarian was that no one noticed
he was an orang-utan anymore, unless a visitor to the
University happened to point it out. In which case someone
would say, "Oh, yes. Some kind of magical accident, wasn't
it? Pretty sure it was something like that. One minute
human, next minute an ape. Funny thing, really . . . can't
remember what he looked like before. I mean, he must have
been human, I suppose. Always thought of him as an ape,
really. It's more him."

And indeed it had been an accident among the potent and
magical books of the University library that had as it were
bounced the Librarian's genotype down the evolutionary tree
and back up a different branch, with the significant difference
that now he could hang on to it upside down with his feet.

"Oh, all right," said the Archchancellor. "But he's got to
wear something during the ceremony,' if only for the sake of
the poor bride."

There was a whimper from the Bursar.

All the wizards turned toward him.

His spoon landed on the floor with a small thud. It was
wooden. The wizards had gently prevented him from having
metal cutlery since what was now known as the Unfortunate
Incident At Dinner.

"A-a-a-a," gurgled the Bursar, trying to push himself
away from the table.

"Dried frog pills," said the Archchancellor. "Someone
fish 'em out of his pocket."

/The wizards didn't rush this. You could find anything in
a wizard's pocket—peas, unreasonable things with legs,
small experimental universes, anything ...

Terry Pratehett

The Reader in Invisible Writings craned to see what had
unglued his colleague.

"Here, look at his porridge," he said.

There was a perfect round depression in the oatmeal.

"Oh dear, another crop circle," said the Dean.

The wizards relaxed.

"Damn things turning up everywhere this year," said the
Archchancellor. He hadn't taken his hat off to eat the meal.
This was because it was holding down a poultice of honey
and horse manure and a small mouse-powered electrostatic
generator he'd got those clever young fellas in the High
Energy Magic research building to knock together for him,
clever fellas they were, one day he might even understand
half of what they were always gabblin' on about...

In the meantime, he'd keep his hat on.

"Particularly strong, too," said the Dean. "The gardener
told me yesterday they're playing merry hell with the cabbages."

"I thought them things only turned up out in fields and
things," said Ridcully. "Perfectly normal natural phe-
nomenon."

"If there is a suitably high flux level, the inter-continuum
pressure can probably overcome quite a high base reality
quotient," said the Reader in Invisible Writings.

The conversation stopped. Everyone turned to look at
this most wretched and least senior member of the staff.

The Archancellor glowered.

"I don't even want you to begin to start explainin' that,"
he said. "You're probably goin' to go on about the universe
bein' a rubber sheet with weights on it again, right?"

"Not exactly a—"

"And the word 'quantum' is hurryin' toward your lips
again," said Ridcully.

"Well, the—"

"And 'continuinuinuum' too, I expect," said Ridcully.

The Reader in Invisible Writings, a young wizard whose
name was Ponder Stibbons, sighed deeply.

40

LOR06 ft/YO Lft0/£6

"No, Archchancellor, I was merely pointing out—"

"It's not wormholes again, is it?"

Stibbons gave up. Using a metaphor in front of a man as
unimaginative as Ridcully was like a red rag to a bu—was
like putting something very annoying in front of someone
who was annoyed by it.

It was very hard, being a reader in Invisible Writings.

"I reckon you'd better come too," said Ridcully.

"Me, Archchancellor?"

"Can't have you skulking around the place inventing mil-
lions of other universes that're too small to see and all the
rest of that continuinuinuum stuff," said Ridcully. "Anyway,
I shall need someone to carry my rods and crossbo—my
stuff," he corrected himself.

Stibbons stared at his plate. It was no good arguing.
What he had really wanted out of life was to spend the next
hundred years of it in the University, eating big meals and
not moving much in between them. He was a plump young
man with a complexion the color of something that lives
under a rock. People were always telling him to make some-
thing of his life, and that's what he wanted to do. He wanted
to make a bed of it.

"But, Archchancellor," said the Lecturer in Recent
Runes, "it's still too damn far."

"Nonsense," said Ridcully. "They've got that new turn-
pike open all the way to Sto Helit now. Coaches every
Wednesday, reg'lar. Bursaaar! Oh, give him a dried frog
pill, someone ... Mr. Stibbons, if you could happen to find

*The study of invisible writings was a new discipline made available by
the discovery of the bi-directional nature of Library-Space. The thaumic
mathematics are complex, but boil down to the fact that all books, every-
where, affect all other books. This is obvious: books inspire other books
written in the future, and cite books written in the past. But the General
Theory+ of L-Space suggests that, in that case, the contents of books as
'yet unwritten can be deduced from books now in existence.
tThere's a Special Theory as well, but no one bothers with it much because it's
self-evidently a load of marsh gas.

41

Terry Pratchett

yourself in this universe for five minutes, go and arrange
some tickets. There. All sorted out, right?"

Magrat woke up.

And knew she wasn't a witch anymore. The feeling just
crept over her, as part of the normal stock-taking that any
body automatically does in the first seconds of emergence
from the pit of dreams: arms: 2, legs: 2, existential dread:

58%, randomized guilt: 94%, witchcraft level: 00.00.

The point was, she couldn't remember ever being any-
thing else. She'd always been a witch. Magrat Garlick, third
witch, that was what she was. The soft one.

She knew she'd never been much good at it. Oh, she
could do some spells and do them quite well, and she was
good at herbs, but she wasn't a witch in the bone like the
old ones. They made sure she knew it.

Well, she'd just have to leam queening. At least she was
the only one in Lancre. No one'd be looking over her shoul-
der the whole time, saying things like "You ain't holding that
scepter right'."

Right. ..

Someone had stolen her clothes in the night.

She got up in her nightshirt and hopped over the cold
flagstones to the door. She was halfway there when it
opened of its own accord.

She recognized the small dark girl that came in, barely
visible behind a stack of linen. Most people in Lancre knew
everyone else.

"Millie Chillum?"

The linen bobbed a curtsy.

"Yes'm?"

Magrat lifted up part of the stack.

"It's me, Magrat," she said. "Hello."

"Yes'm." Another bob.

"What's up with you, Millie?"

"Yes'm." Bob, bob.

42

LQR06 fiNb Lft0/£6

"I said it's me. You don't have to look at me like that."

"Yes'm."

The nervous bobbing continued. Magrat found her own
knees beginning to jerk in sympathy but as it were behind
the beat, so that as she was bobbing down she overtook the
girl bobbing up.

"If you say 'yes'm' again, it will go very hard with you,"
she managed, as she went past.

"Y—right, your majesty, m'm."

Faint light began to dawn.

"I'm not queen yet, Millie. And you've known me for
twenty years," panted Magrat, on the way up.

"Yes'm. But you're going to be queen. So me mam told me
I was to be respectful," said Millie, still curtsying nervously

"Oh. Well. All right, then. Where are my clothes?"

"Got 'em here, your pre-majesty."

"They're not mine. And please stop going up and down
all the time. I feel a bit sick."

"The king ordered 'em from Sto Helit special, m'm."

"Did he, eh? How long ago?"

"Dunno, m'm."

He knew I was coming home, thought Magrat. How?
What's going on here?

There was a good deal more lace than Magrat was used
to, but that was, as it were, the icing on the cake. Magrat
normally wore a simple dress with not much underneath it
except Magrat. Ladies of quality couldn't get away with that
kind of thing. Millie had been provided with a sort of techni-
cal diagram, but it wasn't much help.

They studied it for some time.

"This is a standard queen outfit, then?"

"Couldn't say, m'm. I think his majesty just sent 'em a lot
of money and said to send you everything."
/ They spread out the bits on the floor.

"Is this the pantoffle?"

Outside, on the battlements, the guard changed. In fact

43

Terry Pratchett

he changed into his gardening apron and went off to hoe the
beans. Inside, there was considerable sartorial discussion.

"I think you've got it up the wrong way, m'm. Which
bit's the farthingale?"

"Says here Insert Tabbe A into Slotte B. Can't find
slotte B."

"These're like saddlebags. I'm not wearing these. And
this thing?"

"A ruff, m'm. Um. They're all the rage in Sto Helit, my
brother says."

"You mean they make people angry? And what's this?"

"Brocade, I think."

"It's like cardboard. Do I have to wear this sort of thing
everyday?"

"Don't know, I'm sure, m'm."

"But Verence just trots around in leather gaiters and an
old jacket!"

"Ah, but you're queen. Queens can't do that sort of
thing. Everyone knows that, m'm. It's all right for kings
to go wandering around with their arse half out their
trous—"

She rammed her hand over her mouth.

"It's all right," said Magrat. "I'm sure even kings have . ..
tops to their legs just like everyone else. Just go on with
what you were saying."

Millie had gone bright red.

"I mean, I mean, I mean, queens has got to be ladylike,"
she managed. "The king got books about it. Etti-quetty and
stuff."

Magrat surveyed herself critically in the mirror.

"It really suits you, your soon-going-to-be-majesty," said
Millie.

Magrat turned this way and that.

"My hair's a mess," she said, after a while.

"Please m'm, the king said he's having a hairdresser come
all the way from Ankh-Morpork, m'm. For the wedding."

44

LOR08 fiNQ Lft0/£6

Magrat patted a tress into place. It was beginning to
dawn on her that being a queen was a whole new life.

"My word," she said. "And what happens now?"

"Dunno, m'm."

"What's the king doing?"

"Oh, he had breakfast early and buggered off over to
Slice to show old Muckloe how to breed his pigs out of a
book."

"So what do I do? What's my job?"

Millie looked puzzled although this did not involve
much of a change in her general expression.

"Dunno, m'm. Reigning, I suppose. Walking around in
the garden. Holding court. Doin' tapestry. That's very popu-
lar among queens. And then ... er ... later on there's the
royal succession..."

"At the moment," said Magrat firmly, "we'll have a go at
the tapestry."

Ridcully was having difficulty with the Librarian.

"I happen to be your Archchancellor, sir!"

"Oook."

"You'll like it up there! Fresh air! Bags of trees! More
woods than you can shake a stick at!"

"Oook!"

"Come down this minute!"

"Oook!"

"The books'll be quite safe here during the holidays.
Good grief, it's hard enough to get students to come in here
at the best of times—"

"Oook!"

Ridcully glared at the Librarian, who was hanging by his
toes from the top shelf of Parazoology Ba to Mn.

/'Oh, well," he said, his voice suddenly low and cunning,
"it's a great shame, in the circumstances. They've got a pretty
good library in Lancre castle, I heard. Well, they call it a

45

Terry Pratchett

library—it's just a lot of old books. Never had a catalogue
near 'em, apparently."

"Oook?"

"Thousands of books. Someone told me there's incu-
nibles, too. Shame, really, you not wanting to see them."
Ridcully's voice could have greased axles.

"Oook?"

"But I can see your mind is quite made up. So I shall be
going. Farewell."

Ridcully paused outside the Library door, counting
under his breath. He'd reached "three" when the Librarian
knuckled through at high speed, caught by the incunibles.

"So that'll be four tickets, then?" said Ridcully.

Granny Weatherwax set about finding out what had been
happening around the stones in her own distinctive way.

People underestimate bees.

Granny Weatherwax didn't. She had half a dozen hives
of them and knew, for example, there is no such creature
as an individual bee. But there is such a creature as a
swarm, whose component cells are just a bit more mobile
than those of, say, the common whelk. Swarms see every-
thing and sense a lot more, and they can remember things
for years, although their memory tends to be external and
built out of wax. A honeycomb is a hive's memory—the
placement of egg cells, pollen cells, queen cells, honey
cells, different types of honey, are all part of the memory
array.

And then there are the big fat drones. People think all
they do is hang around the hive all year, waiting for those
few brief minutes when the queen even notices their exis-
tence, but that doesn't explain why they've got more sense
organs than the roof of the CIA building.

Granny didn't really keep bees. She took some old wax
every year, for candles, and the occasional pound of honey

46

LQR06 ftfVO iftQ/£6

that the hives felt they could spare, but mainly she had them
for someone to talk to.

For the first time since she'd returned home, she went to
the hives.

And stared.

Bees were boiling out of the entrances. The thrum of
wings filled the normally calm little patch behind the rasp-
berry bushes. Brown bodies zipped through the air like hori-
zontal hail.

She wished she knew why.

Bees were her one failure. There wasn't a mind in Lancre
she couldn't Borrow. She could even see the world through
the eyes of earthworms. But a swarm, a mind made up of
thousands of mobile parts, was beyond her. It was the
toughest test of all. She'd tried over and over again to ride
on one, to see the world through ten thousand pairs of multi-
faceted eyes all at once, and all she'd ever got was a
migraine and an inclination to make love to flowers.

But you could tell a lot from just watching bees. The
activity, the direction, the way the guard bees acted . ..

They were acting extremely worried.

So she went for a lie down, as only Granny Weatherwax
knew how.

Nanny Ogg tried a different way, which didn't have much to
do with witchcraft but did have a lot to do with her general
Oggishness.

She sat for a while in her spotless kitchen, drinking rum
and smoking her foul pipe and staring at the paintings on
the wall. They had been done by her youngest grandchildren
in a dozen shades of mud, most of them of blobby stick fig-
ures with the word GRAN blobbily blobbed in underneath
in muddy blobby letters.

* It was largely dark.

47

Terry Pratchett

In front of her the cat Greebo, glad to be home again,
lay on his back with all four paws in the air, doing his cele-
brated something-found-in-the-gutter impersonation.

Finally Nanny got up and ambled thoughtfully down to
Jason Ogg's smithy.

A smithy always occupied an important position in the
villages, doing the duty of town hall, meeting room, and
general clearing house for gossip. Several men were loung-
ing around in it now, filling in time between the normal
Lancre occupations of poaching and watching the women
do the work.

"Jason Ogg, I wants a word with you."

The smithy emptied like magic. It was probably some-
thing in Nanny Ogg's tone of voice. But Nanny reached out
and grabbed one man by the arm as he tried to go past at a
sort of stumbling crouch.

"I'm glad I've run into you, Mr. Quarney," she said.
"Don't rush off. Store doing all right, is it?"

Lancre's only storekeeper gave her the look a three-
legged mouse gives an athletic cat. Nevertheless, he tried.

"Oh, terrible bad, terrible bad business is right now,
Mrs. Ogg."

"Same as normal, eh?"

Mr. Quarney's expression was pleading. He knew he
wasn't going to get out without something, he just wanted to
know what it was.

"Well, now," said Nanny, "you know the widow Scrope,
lives over in Slice?"

Quarney's mouth opened.

"She's not a widow," he said. "She—"

"Bet you half a dollar?" said Nanny.

Quarney's mouth stayed open, and around it the rest of his
face recomposed itself in an expression of fascinated horror.

"So she's to be allowed credit, right, until she gets the
farm on its feet," said Nanny, in the silence. Quamey nod-
ded mutely.

48

LOR06 ftttQ LftQ/£6

"That goes for the rest of you men listening outside the
door," said Nanny, raising her voice. "Dropping a cut of
meat on her doorstep once a week wouldn't come amiss, eh?
And she'll probably want extra help come harvest. I knows I
can depend on you all. Now, off you go ..."

They ran for it, leaving Nanny Ogg standing triumphantly
in the doorway.

Jason Ogg looked at her hopelessly, a fifteen-stone man
reduced to a four-year-old boy.

"Jason?"

"I got to do this bit of brazing for old—"

"So," said Nanny, ignoring him, "what's been happening
in these parts while we've been away, my lad?"

Jason poked at the fire distractedly with an iron bar.

"Oh, well, us had a big whirlwind on Hogswatch-
night and one of Mother Peason's hens laid the same
egg three times, and old Poorchick's cow gave birth to a
seven-headed snake, and there was a rain of frogs over in
Slice—"

"Been pretty normal, then," said Nanny Ogg. She refilled
her pipe in a casual but meaningful way.

"All very quiet, really," said Jason. He pulled the bar out
of the fire, laid it on the anvil, and raised his hammer.

"I'll find out sooner or later, you know," said Nanny

Ogg.

Jason didn't turn his head, but his hammer stopped in
mid-air.

"I always does, you know," said Nanny Ogg.

The iron cooled from the color of fresh straw to bright
red.

"You knows you always feels better for telling your old
mum," said Nanny Ogg.

The iron cooled from red to spitting black. But Jason,
' used all day to the searing heat of a forge, seemed to be
uncomfortably warm.

"I should beat it up before it gets cold," said Nanny Ogg.

49

Terry Pratchett

"Weren't my fault. Mum! How could I stop 'em?"

Nanny sat back in the chair, smiling happily

"What them would these be, my son?"

"That young Diamanda and that Perdita and that girl
with the red hair from over in Bad Ass and them others. I
says to old Peason, I says you'd have something to say, I
tole 'em Mistress Weatherwax'd get her knic—would defi-
nitely be sarcastic when she found out," said Jason. "But
they just laughs. They said they could teach 'emselves
witching."

Nanny nodded. Actually, they were quite right. You
could teach yourself witchcraft. But both the teacher and the
pupil had to be the right kind of person.

"Diamanda?" she said. "Don't recall the name."

"Really she's Lucy Tockley," said Jason. "She says
Diamanda is more .. . more witchy."

"Ah. The one that wears the big floppy felt hat?"

"Yes, Mum."

"She's the one that paints her nails black, too?"

"Yes, Mum."

"Old Tockley sent her off to school, didn't he?"

"Yes, Mum. She came back while you was gone."

"Ah."

Nanny Ogg lit her pipe from the forge. Floppy hat and
black nails and education. Oh, dear.

"How many of these gels are there, then?" she said.

"Bout half a dozen. But they'm good at it. Mum."

"Yeah?"

"And it ain't as if they've been doing anything bad."

Nanny Ogg stared reflectively at the glow in the forge.

There was a bottomless quality to Nanny Ogg's silences.
And also a certain directional component. Jason was quite
clear that the silence was being aimed at him.

He always fell for it. He tried to fill it up.

"And that Diamanda's been properly educated," he said.
"She knows some lovely words."

50

LORD8 ft/YO Lft0/£6

Silence.

"And I knows you've always said there weren't enough
young girls interested in leamin' witching these days," said
Jason. He removed the iron bar and hit it a few times, for
the look of the thing.

More silence flowed in Jason's direction.

"They goes and dances up in the mountains every full
moon."

Nanny Ogg removed her pipe and inspected the bowl
carefully.

"People do say," said Jason, lowering his voice, "that
they dances in the altogether."

"Altogether what?" said Nanny Ogg.

"You know. Mum. In the nudd."

"Cor. There's a thing. Anyone see where they go?"

"Nah. Weaver the thatcher says they always gives him
the slip."

"Jason?"

"Yes, Mum?"

"They bin dancin' around the stones."

Jason hit his thumb.

There were a number of gods in the mountains and forests
of Lancre. One of them was known as Heme the Hunted.
He was a god of the chase and the hunt. More or less.

Most gods are created and sustained by belief and hope.
Hunters danced in animal skins and created gods of the
chase, who tended to be hearty and boisterous with the tact
of a tidal wave. But they are not the only gods of hunting.
The prey has an occult voice too, as the blood pounds and
the hounds bay. Heme was the god of the chased and the
hunted and all small animals whose ultimate destiny is to be
an'abrupt damp squeak.

He was about three feet high with rabbit ears and very
small horns. But he did have an extremely good turn of

Terry Pratchett

speed, and was using it to the full as he tore madly through
the woods.

"They're coming! They're coming! They're all coming
back!"

"Who are?" said Jason Ogg. He was holding his thumb in
the water trough.

Nanny Ogg sighed.

"Them," she said. "You know. Them. We ain't certain,
but..."

"Who's Them?"

Nanny hesitated. There were some things you didn't tell
ordinary people. On the other hand, Jason was a blacksmith,
which meant he wasn't ordinary. Blacksmiths had to keep
secrets. And he was family; Nanny Ogg had had an adven-
turous youth and wasn't very good at counting, but she was
pretty certain he was her son.

"You see," she said, waving her hands vaguely, "them
stones ... the Dancers . . . see, in the old days . . . see, once
upon a time ..."

She stopped, and tried again to explain the essentially
fractal nature of reality.

"Like . . . there's some places that're thinner than others,
where the old doorways used to be, well, not doorways,
never exactly understood it myself, not doorways as such,
more places where the world is thinner ... Anyway, the thing
is, the Dancers ... are a kind of fence . . . we, well, when I
say we I mean thousands of years ago ... I mean, but they're
not just stones, they're some kind of thunderbolt iron but...
there's things like tides, only not with water, it's when worlds
get closer together'n you can nearly step between 'em . . .
anyway, if people've been hangin' around the stones, playin'
around ... then They'll be back, if we're not careful."

"What They?"

"That's the whole trouble," said Nanny, miserably. "If I

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tells you, you'll get it all wrong. They lives on the other side
of the Dancers."

Her son stared at her. Then a faint grin of realization
wandered across his face.

"Ah," he said. "I knows. I heard them wizards down in
Ankh is always accidentally rippin' holes in this fabric o'
reality they got down there, and you get them horrible things
coming out o' the Dungeon Dimensions. Huge buggers with
dozens o' eyeballs and more legs'n a Morris team." He
gripped his No. 5 hammer. "Don't you worry. Mum. If they
starts poppin' out here, we'll soon—"

"No, it ain't like that," said Nanny "Those live outside.
But Them lives . .. over there."

Jason looked completely lost.

Nanny shrugged. She'd have to tell someone, sooner or later.

"The Lords and Ladies," she said.

"Who're they?"

Nanny looked around. But, after all, this was a forge.
There had been a forge here long before there was a castle,
long before there was even a kingdom. There were horse-
shoes everywhere. Iron had entered the very walls. It wasn't
just a place of iron, it was a place where iron died and was
reborn. If you couldn't speak the words here, you couldn't
speak 'em anywhere.

Even so, she'd rather not.

"You know," she said. "The Fair Folk. The Gentry. The
Shining Ones. The Star People. You know."

"What?"

Nanny put her hand on the anvil, just in case, and said
the word.

Jason's frown very gently cleared, at about the same
speed as a sunrise.

"Them?" he said. "But aren't they nice and—?"

'"See?" said Nanny. "I told you you'd get it wrong!"

53

Terry Pratchett

"How much?" said Ridcully.

The coachman shrugged.

"Take it or leave it," he said.

"I'm sorry, sir," said Ponder Stibbons. "It's the only coach."

"Fifty dollars each is daylight robbery!"

"No," said the coachman patiently. "Daylight robbery,"
he said, in the authoritative tones of the experienced, "is
when someone steps out into the road with an arrow point-
ing at us and then all his friends swings down from the
rocks and trees and take away all our money and things.
And then there's nighttime robbery, which is like daytime
robbery except they set fire to the coach so's they can see
what they're about. Twilight robbery, now, your basic twi-
light robbery is—"

"Are you saying," said Ridcully, "that getting robbed is
included in the price?"

"Bandits' Guild," said the coachman. "Forty dollars per
head, see. It's a kind of flat rate."

"What happens if we don't pay it?" said Ridcully.

"You end up flat."

The wizards went into a huddle.

"We've got a hundred and fifty dollars," said Ridcully.
"We can't get any more out of the safe because the Bursar
ate the key yesterday"

"Can I try an idea, sir?" said Ponder.

"All right."

Ponder gave the coachman a bright smile.

"Pets travel free?" he suggested.

"Oook?"

Nanny Ogg's broomstick skimmed a few feet above the for-
est paths, cornering so fast that her boots scraped through
the leaves. She leapt off at Granny Weather-wax's cottage so
quickly that she didn't switch it off, and it kept going until it
stuck in the privy.

LQR08 ft/YO LftOIEQ

The door was open.

"Cooee?"

Nanny glanced into the scullery, and then thumped up
the small narrow staircase.

Granny Weatherwax was stretched rigid on her bed. Her
face was gray, her skin was cold.

People had discovered her like this before, and it always
caused embarrassment. So now she reassured visitors but
tempted fate by always holding, in her rigid hands, a small
handwritten sign which read:

I ATE'NT DEAD.

The window was propped open with a piece of wood.

"Ah," said Nanny, far more for her own benefit than for
anyone else's, "I sees you're out. I'll, I'll, I'll just put the ket-
tle on, shall I, and wait 'til you comes back?"

Esme's skill at Borrowing unnerved her. It was all very
well entering the minds of animals and such, but too many
witches had never come back. For several years Nanny had
put out lumps of fat and bacon rind for a bluetit that she was
sure was old Granny Postalute, who'd gone out Borrowing
one day and never came back. Insofar as a witch could con-
sider things uncanny. Nanny Ogg considered it uncanny.

She went back down to the scullery and lowered a bucket
down the well, remembering to fish the newts out this time
before she boiled the kettle.

Then she watched the garden.

After a while a small shape flittered across it, heading
for the upstairs window.

Nanny poured out the tea. She carefully took one spoon-
ful of sugar out of the sugar basin, tipped the rest of the
sugar into her cup, put the spoonful back in the basin, put
both cups on a tray, and climbed the stairs.

Granny Weatherwax was sitting up in her bed.

Nanny looked around.

There was a large bat hanging upside down from a
beam.

55

Terry Pratchett

Granny Weatherwax rubbed her ears.

"Shove the po under it, will you, Gytha?" she mumbled.
"They're a devil for excusing themselves on the carpet."

Nanny unearthed the shyest article of Granny Weatherwax's
bedroom crockery and moved it across the rug with her
foot.

"I brought you a cup of tea," she said.

"Good job, too. Mouth tastes of moths," said Granny.

"Thought you did owls at night?" said Nanny.

"Yeah, but you ends up for days trying to twist your head
right round," said Granny. "At least bats always faces the
same way. Tried rabbits first off, but you know what they are
for remembering things. Anyway, you know what they thinks
about the whole time. They're famous for it."

"Grass."

"Right."

"Find out anything?" said Nanny

"Half a dozen people have been going up there. Every
full moon!" said Granny. "Gels, by the shape of them. You
only see silhouettes, with bats."

"You done well there," said Nanny, carefully. "Girls from
round here, you reckon?"

"Got to be. They ain't using broomsticks."

Nanny Ogg sighed.

"There's Agnes Nitt, old Threepenny's daughter," she
said. "And the Tockley girl. And some others."

Granny Weatherwax looked at her with her mouth open.

"I asked our Jason," she said. "Sorry."

The bat burped. Granny genteelly covered her hand with
her mouth.

"I'm a silly old fool, ain't I?" she said, after a while.

"No, no," said Nanny. "Borrowing's a real skill. You're
really good at it."

"Prideful, that's what I am. Once upon a time I'd of
thought of asking people, too, instead of fooling around
being a bat."

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"Our Jason wouldn't have told you. He only told me 'cos
I would've made 'is life a living hell if he didn't," said Nanny
Ogg. "That's what a mother's for."

"I'm losing my touch, that's what it is. Getting old, Gytha."

"You're as old as you feel, that's what I always say."

"That's what I mean."

Nanny Ogg looked worried.

"Supposing Magrat'd been here," said Granny. "She'd
see me being daft."

"Well, she's safe in the castle," said Nanny. "Learning
how to be queen."

"At least the thing about queening," said Granny, "is
that no one notices if you're doing it wrong. It has to be
right 'cos it's you doing it."

"S'funny, royalty," said Nanny. "It's like magic. You take
some girl with a bum like two pigs in a blanket and a head
full of air and then she marries a king or a prince or some-
one and suddenly she's this radiant right royal princess. It's a
funny old world."

"I ain't going to kowtow to her, mind," said Granny.

"You never kowtow to anyone anyway," said Nanny Ogg
patiently. "You never bowed to the old king. You barely
gives young Verence a nod. You never kowtows to anyone
ever, anyway."

"That's right!" said Granny. "That's part of being a
witch, that is."

Nanny relaxed a bit. Granny being an old woman made
her uneasy. Granny in her normal state of barely controlled
anger was far more her old self.

Granny stood up.

"Old Toekley's girl, eh?"

"That's right."

"Her mother was a Keeble, wasn't she? Fine woman, as I
recall."

"Yeah, but when she died the old man sent her off to Sto
Lat to school."

57

Terry Pratchett

"Don't hold with schools," said Granny Weatherwax.
"They gets in the way of education. All them books. Books?
What good are they? There's too much reading these days.
We never had time to read when we was young, I know
that."

"We were too busy makin' our own entertainment."

"Right. Come on—we ain't got much time."

"What d'you mean?"

"It's not just the girls. There's something out there, too.
Some kind of mind, movin' around."

Granny shivered. She'd been aware of it in the same way
that a skilled hunter, moving through the hills, is aware of
another hunter—by the silences where there should have
been noise, by the trampling of a stem, by the anger of the
bees.

Nanny Ogg had never liked the idea of Borrowing, and
Magrat had always refused even to give it a try. The old
witches on the other side of the mountain had too much
trouble with inconvenient in-body experiences to cope with
the out-of-body kind. So Granny was used to having the
mental dimension to herself.

There was a mind moving around in the kingdom, and
Granny Weatherwax didn't understand it.

She Borrowed. You had to be careful. It was like a drug.
You could ride the minds of animals and birds, but never
bees, steering them gently, seeing through their eyes. Granny
Weatherwax had many times flicked through the channels of
consciousness around her. It was, to her, part of the heart of
witchcraft. To see through other eyes . ..

. . . through the eyes of gnats, seeing the slow patterns
of time in the fast pattern of one day, their minds traveling
rapidly as lightning...

... to listen with the body of a beetle, so that the world
is a three-dimensional pattern of vibrations .. .

... to see with the nose of a dog, all smells now
colors . . .

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But there was a price. No one asked you to pay it, but the
very absence of demand was a moral obligation. You tended
not to swat. You dug lightly. You fed the dog. You paid. You
cared; not because it was kind or good, but because it was
right. You left nothing but memories, you took nothing but
experience.

But this other roving intelligence . . . it'd go in and out
of another mind like a chainsaw, taking, taking, taking.
She could sense the shape of it, the predatory shape, all
cruelty and cool unkindness; a mind full of intelligence,
that'd use other living things and hurt them because it
was fun.

She could put a name to a mind like that.

Elf.

Branches thrashed high in the trees.

Granny and Nanny strode through the forest. At least,
Granny Weatherwax strode. Nanny Ogg scurried.

"The Lords and Ladies are trying to find a way," said
Granny. "And there's something else. Something's
already come through. Some kind of animal from the
other side. Scrope chased a deer into the circle and the
thing must have been there, and they always used to say
something can come through if something goes the other
way—"

"What thing?"

"You know what a bat's eyesight is like. Just a big shape
is all it saw. Something killed old Scrope. It's still around.
Not an ... not one o' the Lords and Ladies," said Granny,
"but something from El... that place."

Nanny looked at the shadows. There are a lot of shad-
ows in a forest at night.

•"Ain't you scared?" she said.

Granny cracked her knuckles.

"No. But I hope it is."

Terry Pratchett

"Ooo, it's true what they say. You're a prideful one,
Esmerelda Weatherwax."

"Who says that?"

"Well, you did. Just now."

"I wasn't feeling well."

Other people would probably say: I wasn't myself. But
Granny Weatherwax didn't have anyone else to be.

The two witches hurried on through the gale.

From the shelter of a thorn thicket, the unicorn watched
them go.

Diamanda Tockley did indeed wear a floppy black velvet
hat. It had a veil, too.

Perdita Nitt, who had once been merely Agnes Nitt
before she got witchcraft, wore a black hat with a veil too,
because Diamanda did. Both of them were seventeen. And
she wished she was naturally skinny, like Diamanda, but if
you can't be skinny you can at least look unhealthy. So she
wore so much thick white make-up in order to conceal her
naturally rosy complexion that if she turned around
suddenly her face would probably end up on the back of
her head.

They'd done the Raising of the Cone of Power, and some
candle magic, and some scrying. Now Diamanda was show-
ing them how to do the cards.

She said they contained the distilled wisdom of the
Ancients. Perdita had found herself treacherously wonder-
ing who these Ancients were—they clearly weren't the same
as old people, who were stupid, Diamanda said, but she
wasn't quite clear why they were wiser than, say, modem
people.

Also, she didn't understand what the Feminine
Principle was. And she wasn't too clear about this Inner
Self business. She was coming to suspect that she didn't
have one.

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And she wished she could do her eyes like Diamanda
did.

And she wished she could wear heels like Diamanda did.

Amanita DeVice had told her that Diamanda slept in a
real coffin.

She wished she had the nerve to have a dagger-and-skull
tattoo on her arm like Amanita did, even if it was only in
ordinary ink and she had to wash it off every night in case
her mother saw it.

A tiny, nasty voice from Perdita's inner self suggested
that Amanita wasn't a good choice of name.

Or Perdita, for that matter.

And it said that maybe Perdita shouldn't meddle with
things she didn't understand.

The trouble was, she knew, that this meant nearly every-
thing.

She wished she could wear black lace like Diamanda did.

Diamanda got results.

Perdita wouldn't have believed it. She'd always known
about witches, of course. They were old women who
dressed like crows, except for Magrat Garlick, who was
frankly mental and always looked as if she was going to
burst into tears. Perdita remembered Magrat bringing a gui-
tar to a Hogswatchnight party once and singing wobbly folk
songs with her eyes shut in a way that suggested that she
really believed in them. She hadn't been able to play, but
this was all right because she couldn't sing, either. People
had applauded because, well, what else could you do?

But Diamanda had read books. She knew about stuff.
Raising power at the stones, for one thing. It really worked.

Currently she was showing them the cards.

The wind had got up again tonight. It rattled the shut-
ters and made soot fall down the chimney. It seemed to
Perdita that it had blown all the shadows into the comers of
the room—

"Are you paying attention, sister?" said Diamanda coldly.

61

Terry Pratchett

That was another thing. You had to call one another
'sister,' out of fraternity.

"Yes, Diamanda," she said, meekly.

"This is the Moon," Diamanda repeated, "for those who
weren't paying attention." She held up the card. "And what
do we see here—you, Muscara?"

"Um . . . it's got a picture of the moon on it?" said
Muscara (nee Susan) in a hopeful voice.

"Of course it's not the moon. It's a nonmimetic conven-
tion, not tied to a conventional referencing system, actually,"
said Diamanda.

"Ah."

A gust rocked the cottage. The door burst open and
slammed back against the wall, giving a glimpse of cloud-
wracked sky in which a non-mimetic convention was show-
ing a crescent.

Diamanda waved a hand. There was a brief flash of
octarine light. The door jerked shut. Diamanda smiled in
what Perdita thought of as her cool, knowing way.

She placed the card on the black velvet cloth in front of her.

Perdita looked at it gloomily It was all very pretty, the
cards were colored like little pasteboard jewels, and they
had interesting names. But that little traitor voice whis-
pered: how the hell can they know what the future holds?
Cardboard isn't very bright.

On the other hand, the coven was helping people . . .
more or less. Raising power and all that sort of thing. Oh
dear, supposing she asks me?

Perdita realized that she was feeling worried. Something
was wrong. It had just gone wrong. She didn't know what it
was, but it had gone wrong now. She looked up.

"Blessings be upon this house," said Granny Weatherwax.

In much the same tone of voice have people said, "Eat
hot lead, Kincaid," and, "I expect you're wondenng after all
that excitement whether I've got any balloons and lamp-
shades left."

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Diamanda's mouth dropped open.

" 'Ere, you're doing that wrong. You don't want to muck
about with a hand like that," said Nanny Ogg helpfully,
looking over her shoulder. "You've got a Double Onion
there."

"Who are you?"

Suddenly they were there. Perdita thought: one minute
there's shadows, the next minute they were there, solid as
anything.

"What's all the chalk on the floor, then?" said Nanny
Ogg. "You've got all chalk on the floor. And heathen writ-
ing. Not that I've got anything against heathens," she added.
She appeared to think about it. "I'm practic'ly one," she
added further, "but I don't write on the floor. What'd you
want to write all on the floor for?" She nudged Perdita.
"You'll never get the chalk out," she said, "it gets right into
the grain."

"Um, it's a magic circle," said Perdita. "Um, hello, Mrs.
Ogg. Um. It's to keep bad influences away ..."

Granny Weatherwax leaned forward slightly.

"Tell me, my dear," she said to Diamanda, "do you think
it's working?"

She leaned forward further.

Diamanda leaned backward.

And then slowly leaned forward again.

They ended up nose to nose.

"Who's this?" said Diamanda, out of the comer of her
mouth.

"Um, it's Granny Weatherwax," said Perdita. "Um. She's
a witch, um..."

"What level?" said Diamanda.

Nanny Ogg looked around for something to hide behind.
Granny Weatherwax's eyebrow twitched.

"Levels, eh?" she said. "Well, I suppose I'm level one."

"Just starting?" said Diamanda.

"Oh dear. Tell you what," said Nanny Ogg quietly to

63

Terry Pratchett

Perdita, "if we was to turn the table over, we could probably
hide behind it, no problem."

But to herself she was thinking: Esme can never resist
a challenge. None of us can. You ain't a witch if you ain't
got self-confidence. But we're not getting any younger.
It's like being a hired swordfighter, being a top witch.
You think you're good, but you know there's got to be
someone younger, practicing every day, polishing up their
craft, and one day you're walkin' down the road and you
hears this voice behind you sayin': go for your toad, or
similar.

Even for Esme. Sooner or later, she'll come up against
someone faster on the craftiness than she is.

"Oh, yes," said Granny, quietly "Just starting. Every day,
just starting."

Nanny Ogg thought: but it won't be today.

"You stupid old woman," said Diamanda, "you don't
frighten me. Oh, yes. I know all about the way you old ones
frighten superstitious peasants, actually. Muttering and
squinting. It's all in the mind. Simple psychology. It's not
real witchcraft."

"I'll, er, I'll just go into the scullery and, er, see if I can
fill any buckets with water, shall I?" said Nanny Ogg, to no
one in particular.

"I 'spect you'd know all about witchcraft," said Granny
Weatherwax.

"I'm studying, yes," said Diamanda.

Nanny Ogg realized that she had removed her own hat
and was biting nervously at the brim.

"I 'spect you're really good at it," said Granny Weatherwax.

"Quite good," said Diamanda.

"Show me."

She is good, thought Nanny Ogg. She's been facing
down Esme's stare for more'n a minute. Even snakes gener-
ally give up after a minute.

If a fly had darted through the few inches of space

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between their stares it would have flashed into flame in the

air.

"I learned my craft from Nanny^Gripes," said Granny
Weatherwax, "who learned it from Goody Heggety, who got it
from Nanna Plumb, who was taught it by Black Aliss, who—"

"So what you're saying is," said Diamanda, loading the
words into the sentence like cartridges in a chamber, "that
no one has actually learned anything new?"

The silence that followed was broken by Nanny Ogg say-
ing: "Bugger, I've bitten right through the brim. Right
through."

"I see, said Granny Weatherwax.

"Look," said Nanny Ogg hurriedly, nudging the trem-
bling Perdita, "right through the lining and everything. Two
dollars and curing his pig that hat cost me. That's two dol-
lars and a pig cure I shan't see again in a hurry."

"So you can just go away, old woman," said Diamanda.

"But we ought to meet again," said Granny Weatherwax.

The old witch and the young witch weighed one
another up.

"Midnight?" said Diamanda.

"Midnight? Nothing special about midnight. Practic'ly
anyone can be a witch at midnight," said Granny
Weatherwax. "How about noon?"

"Certainly What are we fighting for?" said Diamanda.

"Fighting? We ain't fighting. We're just showing each
other what we can do. Friendly like," said Granny
Weatherwax.

She stood up.

"I'd better be goin'," she said. "Us old people need our
sleep, you know how it is."

"And what does the winner get?" said Diamanda. There
was just a trace of uncertainty in her voice now. It was very
faint, on the Richter scale of doubt it was probably no more
than a plastic teacup five miles away falling off a low shelf
onto a carpet, but it was there.

65

Terry Pratchett

"Oh, the winner gets to win," said Granny Weather-wax.
"That's what it's all about. Don't bother to see us out. You
didn't see us in."

The door slammed back.

"Simple psychokinesis," said Diamanda.

"Oh, well. That's all right then," said Granny
Weatherwax, disappearing into the night. "Explains it all,
that does."

There used to be such simple directions, back in the
days before they invented parallel universes—Up and
Down, Right and Left, Backward and Forward, Past and
Future . . .

But normal directions don't work in the multiverse,
which has far too many dimensions for anyone to find their
way So new ones have to be invented so that the way can be
found.

Like: East of the Sun, West of the Moon.

Or: Behind the North Wind.

Or: At the Back of Beyond.

Or: There and Back Again.

Or: Beyond the Fields We Know.

And sometimes there's a short cut. A door or a gate.
Some standing stones, a tree cleft by lightning, a filing
cabinet.

Maybe just a spot on some moorland somewhere ...

A place where there is very nearly here.

Nearly, but not quite. There's enough leakage to make
pendulums swing and psychics get nasty headaches, to give
a house a reputation for being haunted, to make the occa-
sional pot hurl across a room. There's enough leakage to
make the drones fly guard.

Oh, yes. The drones.

There are things called drone assemblies. Sometimes, on
fine summer days, the drones from hives for miles around

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will congregate in some spot, and fly circles in the air,
buzzing like tiny early warning systems, which is what they
are.

Bees are sensible. It's a human word. But bees are crea-
tures of order, and programmed into their very genes is a
hatred of chaos.

If some people once knew where such a spot was, if they
had experience of what happens when here and there
become entangled, then they might—if they knew how—
mark such a spot with certain stones.

In the hope that enough daft buggers would take it as a
warning, and keep away.

"Well, what'd you think?" said Granny, as the witches hur-
ried home.

"The little fat quiet one's got a bit of natural talent," said
Nanny Ogg. "I could feel it. The rest of 'em are just along
for the excitement, to my mind. Playing at witches. You
know, ooh-jar boards and cards and wearing black lace
gloves with no fingers to 'em and paddlin' with the occult."

"I don't hold with paddlin' with the occult," said Granny
firmly. "Once you start paddlin' with the occult you start
believing in spirits, and when you start believing in spirits
you start believing in demons, and then before you know
where you are you're believing in gods. And then you're in
trouble."

"But all them things exist," said Nanny Ogg.

"That's no call to go around believing in them. It only
encourages 'em."

Granny Weatherwax slowed to a walk.

"What about her?" she said.

"What exactly about her do you mean?"
- "You felt the power there?"

"Oh, yeah. Made my hair stand on end."

"Someone gave it to her, and I know who. Just a slip of a

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Terry Pratehett

gel with a head full of wet ideas out of books, and suddenly
she's got the power and don't know how to deal with it. Cards!
Candles! That's not witchcraft, that's just party games. Paddlin'
with the occult. Did you see she'd got black fingernails?"

"Well, mine ain't so clean—"

"I mean painted."

"I used to paint my toenails red when I was young," said
Nanny, wistfully.

"Toenails is different. So's red. Anyway," said Granny,
"you only did it to appear allurin'."

"It worked, too."

"Hah!"

They walked along in silence for a bit.

"I felt a lot of power there," Nanny Ogg said, eventually.

"Yes. I know."

"A lot."

"Yes."

"I'm not saying you couldn't beat her," said Nanny
quickly. "I'm not saying that. But I don't reckon I could, and
it seemed to me it'd raise a bit of a sweat even on you. You'll
have to hurt her to beat her."

"I'm losin' my judgment, aren't I?"

"Oh, I—"

"She riled me, Gytha. Couldn't help myself. Now I've got
to duel with a gel of seventeen, and if I wins I'm a wicked
bullyin' old witch, and if I loses ..."

She kicked up a drift of old leaves.

"Can't stop myself, that's my trouble."

Nanny Ogg said nothing.

"And I loses my temper over the least little—"

"Yes, but—"

"I hadn't finished talkin'."

"Sorry, Esme."

A bat fluttered by. Granny nodded to it.

"Heard how Magrat's getting along?" she said, in a tone
of voice which forced casualness embraced like a corset.

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"Settling in fine, our Shawn says."

"Right."

They reached a crossroads; the white dust glowed very
faintly in the moonlight. One way led into Lancre, where
Nanny Ogg lived. Another eventually got lost in the forest,
became a footpath, then a track, and eventually reached
Granny Weatherwax's cottage.

"When shall we ... two . . . meet again?" said Nanny

Ogg.

"Listen," said Granny Weatherwax. "She's well out of it,
d'you hear? She'll be a lot happier as a queen!"

"I never said nothing," said Nanny Ogg mildly.

"I know you never! I could hear you not saying any-
thing! You've got the loudest silences I ever did hear from
anyone who wasn't dead!"

"See you about eleven o'clock, then?"

"Right!"

The wind got up again as Granny walked along the track
to her cottage.

She knew she was on edge. There was just too much to
do. She'd got Magrat sorted out, and Nanny could look after
herself, but the Lords and the Ladies ... she hadn't counted
on them.

The point was . ..

The point was that Granny Weatherwax had a feeling
she was going to die. This was beginning to get on her
nerves.

Knowing the time of your death is one of those strange
bonuses that comes with being a true magic user. And, on
the whole, it ('s a bonus.

Many a wizard has passed away happily drinking the last
, of his wine cellar and incidentally owing very large sums of
money.

Granny Weatherwax had always wondered how it felt,

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Terry Pratehett

what it was that you suddenly saw looming up. And what it
turned out to be was a blankness.

People think that they live life as a moving dot traveling
from the Past into the Future, with memory streaming out
behind them like some kind of mental cometary tail. But
memory spreads out in front as well as behind. It's just that
most humans aren't good at dealing with it, and so it arrives
as premonitions, forebodings, intuitions, and hunches.
Witches are good at dealing with it, and to suddenly find a
blank where these tendrils of the future should be has much
the same effect on a witch as emerging from a cloud bank
and seeing a team of sherpas looking down on him does on
an airline pilot.

She'd got a few days, and then that was it. She'd always
expected to have a bit of time to herself, get the garden in
order, have a good clean up around the place so that whatever
witch took over wouldn't think she'd been a sloven, pick out
a decent burial plot, and then spend some time sitting out in
the rocking chair, doing nothing at all except looking at the
trees and thinking about the past. Now ... no chance.

And other things were happening. Her memory seemed
to be playing up. Perhaps this is what happened. Perhaps
you just drained away toward the end, like old Nanny
Gripes, who ended up putting the cat on the stove and the
kettle out for the night.

Granny shut the door behind her and lit a candle.

There was a box in the dresser drawer. She opened it on
the kitchen table and took out the carefully folded piece of
paper. There was a pen and ink in there, too.

After some thought, she picked up where she had left
off:

. . . and to my friend Gytha Ogg I leave my bedde and
the rag rugge the smith in Bad Ass made for me, and the
matchin jug and basin and wosfname sett she always had
her eye on, and my broomstick what will be Right as Rain
with a bit of work.

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To Magrat Garlick I leave the Contentes elsewhere in
this box, my silver tea service with the milk jug in the shape
of a humorous cow what is an Heir Loom, also the Clocke
what belonged to my mother, but I charge her alwayes to
keep it wound, for when the clocke stops—

There was a noise outside.

If anyone else had been in the room with her Granny
Weatherwax would have thrown open the door boldly, but
she was by herself. She picked up the poker very carefully,
moved surprisingly soundlessly to the door given the nature
of her boots, and listened intently.

There was something in the garden.

It wasn't much of a garden. There were the Herbs, and
the soft fruit bushes, a bit of lawn and, of course, the bee-
hives. And it was open to the woods. The local wildlife
knew better than to invade a witch's garden.

Granny opened the door carefully.

The moon was setting. Pale silver light turned the world
into monochrome.

There was a unicorn on the lawn. The stink of it hit her.

Granny advanced, holding the poker in front of her. The
unicorn backed away, and pawed at the ground.

Granny saw the future plain. She already knew the
when. Now she was beginning to apprehend the how.

"So," she said, under her breath, "I knows where you
came from. And you can damn well get back there."

The thing made a feint at her, but the poker swung
toward it.

"Can't stand the iron, eh? Well, just you trot back to
your mistress and tell her that we know all about iron in
Lancre. And I knows about her. She's to keep away, under-
stand? This is my place!"

Then it was moonlight. Now it was day.

There was quite a crowd in what passed for Lancre's

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Terry Pratchett

main square. Not much happened in Lancre anyway, and a
duel between witches was a sight worth seeing.

Granny Weatherwax arrived at a quarter to noon. Nanny
Ogg was waiting on a bench by the tavern. She had a towel
around her neck, and was carrying a bucket of water in
which floated a sponge.

"What's that for?" said Granny.

"Half time. And I done you a plate of oranges."

She held up the plate. Granny snorted.

"You look as if you could do with eating something, any-
way," said Nanny. "You don't look as if you've had anything
today..."

She glanced down at Granny's boots, and the grubby
hem of her long black dress. There were scraps of bracken
and bits of heather caught on it.

"You daft old besom!" she hissed. "What've you been
doing\"

"I had to—"

"You've been up at the Stones, haven't you! Trying to
hold back the Gentry."

"Of course," said Granny. Her voice wasn't faint. She
wasn't swaying. But her voice wasn't faint and she wasn't
swaying. Nanny Ogg could see, because Granny Weatherwax's
body was in the grip of Granny Weatherwax's mind.

"Someone's got to," she added.

"You could have come and asked me!"

"You'd have talked me out of it."

Nanny Ogg leaned forward.

"You all right, Esme?"

"Fine! I'm fine! Nothing wrong with me, all right?"

"Have you had any sleep at all?" she said.

"Well—"

"You haven't, have you? And then you think you can just
stroll down here and confound this girl, just like that?"

"I don't know," said Granny Weatherwax.

Nanny Ogg looked hard at her.

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"You don't, do you?" she said, in a softer tone of
voice. "Oh, well . . . you better sit down here, before
you fall down. Suck an orange. They'll be here in a few
minutes."

"No she won't," said Granny "She'll be late."

"How d'you know?"

"No good making an entrance if everyone isn't there to
see you, is it? That's headology."

In fact the young coven arrived at twenty past twelve,
and took up station on the steps of the market pentangle on
the other side of the square.

"Look at 'em," said Granny Weatherwax. "All in black,
again."

"Well, we wear black too," said Nanny Ogg the reasonable.

"Only 'cos it's respectable and serviceable," said Granny
morosely. "Not because it's romantic. Hah. The Lords and
Ladies might as well be here already."

After some eye contact. Nanny Ogg ambled across the
square and met Perdita in the middle. The young would-
be witch looked worried under her makeup. She held a
black lace handkerchief in her hands, and was twisting it
nervously.

"Morning, Mrs. Ogg," she said.

"Afternoon, Agnes."

"Um. What happens now?"

Nanny Ogg took out her pipe and scratched her ear
with it.

"Dunno. Up to you, I suppose."

"Diamanda says why does it have to be here and now?"

"So's everyone can see," said Nanny Ogg. "That's the
point, ain't it? Nothing hole and comer about it. Everyone's
got to know who's best at witchcraft. The whole town.
Everyone sees the winner win and the loser lose. That way
there's no argument, eh?"

Perdita glanced toward the tavern. Granny Weatherwax
had dozed off.

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Terry Pratchett

"Quietly confident," said Nanny Ogg, crossing her fin-
gers behind her back.

"Um, what happens to the loser?" said Perdita.

"Nothing, really," said Nanny Ogg. "Generally she
leaves the place. You can't be a witch if people've seen you
beat."

"Diamanda says she doesn't want to hurt the old lady
too much," said Perdita. "Just teach her a lesson."

"That's nice. Esme's a quick learner."

"Um. I wish this wasn't happening, Mrs. Ogg."

"That's nice."

"Diamanda says Mistress Weatherwax has got a very
impressive stare, Mrs. Ogg."

"That's nice."

"So the test is ... just staring, Mrs. Ogg."

Nanny put her pipe in her mouth.

"You mean the old first-one-to-blink-or-look-away
challenge?"

"Um, yes."

"Right." Nanny thought about it, and shrugged. "Right.
But we'd better do a magic circle first. Don't want anyone
else getting hurt, do we?"

"Do you mean using Skorhian Runes or the Triple
Invocation octogram?" said Perdita.

Nanny Ogg put her head on one side.

"Never heard of them things, dear," she said. "I always
does a magic circle like this ..."

She sidled crabwise away from the fat girl, dragging one
toe in the dust. She edged around in a rough circle about fif-
teen feet across, still dragging her boot, until she backed
into Perdita.

"Sorry. There. Done it."

"That's a magic circle?"

"Right. People can come to harm else. All kinds of magic
zipping around the place when witches fight."

"But you didn't chant or anything."

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"No?"

"There has to be a chant, doesn't there?"

"Dunno. Never done one."

"Oh."

"I could sing you a comic song if you likes," said Nanny
helpfully.

"Um, no. Um." Perdita had never heard Nanny sing, but
news gets around.

"I like your black lace hanky," said Nanny, not a bit
abashed. "Very good for not showing the bogies."

Perdita stared at the circle as though hypnotized. "Um.
Shall we start, then?"

"Right."

Nanny Ogg scurried back to the bench and elbowed
Granny in the ribs.

"Wake up!"

Granny opened an eye.

"I weren't asleep, I was just resting me eyes."

"All you've got to do is stare her down!"

"At least she knows about the importance of the stare,
then. Hah! Who does she think she is? I've been staring at
people all my life!"

"Yes, that's what's bothering me—aaahh . . . who's
Nona's little boy, then?"

The rest of the Ogg clan had arrived.

Granny Weatherwax personally disliked young Pewsey.
She disliked all small children, which is why she got on with
them so well. In Pewsey's case, she felt that no one should
be allowed to wander around in just a vest even if they were
four years old. And the child had a permanently runny nose
and ought to be provided with a handkerchief or, failing
that, a cork.

Nanny Ogg, on the other hand, was instant putty in the
hands of any grandchild, even one as sticky as Pewsey

"Want sweetie," growled Pewsey, in that curiously deep
voice some young children have.

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Terry Pratchett

"Just in a moment, my duck, I'm talking to the lady,"
Nanny Ogg fluted.

"Want sweetie now."

"Bugger off, my precious, Nana's busy right this minute."

Pewsey pulled hard on Nanny Ogg's skirts.

"Now sweetie now!"

Granny Weatherwax leaned down until her impressive
nose was about level with Pewsey's gushing one.

"If you don't go away," she said gravely, "I will personal-
ly rip your head off and fill it with snakes."

"There!" said Nanny Ogg. "There's lots of poor children
in Klatch that'd be grateful for a curse like that."

Pewsey's little face, after a second or two of uncertainty,
split into a pumpkin grin.

"Funny lady," he said.

"Tell you what," said Nanny, patting Pewsey on the head
and then absentmindedly wiping her hand on her dress,
"you see them young ladies on the other side of the square?
They've got lots of sweeties."

Pewsey waddled off.

"That's germ warfare, that is," said Granny Weatherwax.

"Come on," said Nanny. "Our Jason's put a couple of
chairs in the circle. You sure you're all right?"

"I'll do."

Perdita Nitt traipsed across the road again.

"Er ... Mrs. Ogg?"

"Yes, dear?"

"Er. Diamanda says you don't understand, she says they
won't be trying to outstare one another ..."

Magrat was bored. She'd never been bored when she was a
witch. Permanently bewildered and overworked yes, but not
bored.

She kept telling herself it'd probably be better when
she really was queen, although she couldn't quite see how.

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In the meantime she wandered aimlessly through the cas-
tle's many rooms, the swishing of her dress almost unheard
above the background roar of the turbines of tedium:

—humdrumhumdrumhumdrum—

She'd spent the whole morning trying to learn to do
tapestry, because Millie assured her that's what queens did,
and the sampler with its message "Gods bless this Hosue"
was even now lying forlornly on her chair.

In the Long Gallery were huge tapestries of ancient
battles, done by previous bored regal incumbents; it was
amazing how all the fighters had been persuaded to stay
still long enough. And she'd looked at the many, many
paintings of the queens themselves, all of them pretty, all
of them well-dressed according to the fashion of their
times, and all of them bored out of their tiny well-shaped
skulls.

Finally she went back to the solar. This was the big
room on top of the main tower. In theory, it was there to
catch the sun. It did. It also caught the wind and the rain. It
was a sort of drift net for anything the sky happened to
throw.

She yanked on the bellpull that in theory summoned a
servant. Nothing happened. After a couple of further pulls,
and secretly glad of the exercise, she went down to the
kitchen. She would have liked to spend more time there. It
was always warm and there was generally someone to talk
to. But nobblyess obligay—queens had to live Above
Stairs.

Below Stairs there was only Shawn Ogg, who was clean-
ing the oven of the huge iron stove and reflecting that this
was no job for a military man.

"Where's everyone gone?"

Shawn leapt up, banging his head on the stove.
„ "Ow! Sorry, miss! Um! Everyone's . . . everyone's down
in the square, miss. I'm only here because Mrs. Scorbic said
she'd have my hide if I didn't get all the yuk off."

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Terry Pratchett

"What's happening in the square, then?"

"They say there's a couple of witches having a real set-to,
miss."

"What? Not your mother and Granny Weatherwax!"

"Oh no, miss. Some new witch."

"In Lancre? A new witch?"

"I think that's what Mum said."

"I'm going to have a look."

"Oh, I don't think that'd be a good idea, miss," said Shawn.

Magrat drew herself up regally.

"We happen to be Queen," she said. "Nearly. So you
don't tell one one can't do things, or one'll have you cleaning
the privies!"

"But I does clean the privies," said Shawn, in a reason-
able voice. "Even the garderobe—"

"And that's going to go, for a start," said Magrat, shud-
dering. "One's seen it."

"Doesn't bother me, miss, it'll give me Wednesday after-
noons free," said Shawn, "but what I meant was, you'll have
to wait till I've gone down to the armory to fetch my horn
for the fanfare."

"One won't need a fanfare, thank you very much."

"But you got to have a fanfare, miss."

"One can blow my own trumpet, thank you."

"Yes, miss."

"Miss what?"

"Miss Queen."

"And don't you forget it."

Magrat arrived at as near to a run as was possible in the
queen outfit, which ought to have had castors.

She found a circle of several hundred people and, near
the edge, a very pensive Nanny Ogg.

"What's happening, Nanny?"

Nanny turned.

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"Oops, sorry. Didn't hear no fanfare," she said. "I'd curtsy,
only it's my legs."

Magrat looked past her at the two seated figures in the
circle.

"What're they doing?"

"Staring contest."

"But they're looking at the sky."

"Bugger that Diamanda girl! She's got Esme trying to
outstare the sun," said Nanny Ogg. "No looking away, no
blinking..."

"How long have they been doing it?"

"About an hour," said Nanny gloomily.

"That's terrible!"

"It's bloody stupid is what it is," said Nanny. "Can't
think what's got into Esme. As if power's all there is to
witching! She knows that. Witching's not power, it's how
you harness it."

There was a pale gold haze over the circle, from magical
fallout.

"They'll have to stop at sunset," said Magrat.

"Esme won't last until sunset," said Nanny. "Look at her.
All slumped up."

"I suppose you couldn't use some magic to—" Magrat
began.

"Talk sense," said Nanny. "If Esme found out, she'd kick
me round the kingdom. Anyway, the others'd spot it."

"Perhaps we could create a small cloud or something?"
said Magrat.

"No! That's cheating!"

"Well, you always cheat."

"I cheat for myself. You can't cheat for other people."

Granny Weatherwax slumped again.

"I could have it stopped," said Magrat.

"You'd make an enemy for life."

"I thought Granny was my enemy for life."

"If you think that, my girl, you've got no understanding,"

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Terry Pratchett

said Nanny. "One day you'll find out Esme Weather-wax is the
best friend you ever had."

"But we've got to do something! Can't you think of any-
thing"

Nanny Ogg looked thoughtfully at the circle.
Occasionally a little wisp of smoke curled up from her
pipe.

The magical duel was subsequently recorded in Birdwhistle's
book Legendes and Antiquities of the Ramptops and went as
follows:

"The duel beinge ninety minutes advanced, a small boy
child upon a sudden ran across the square and stept within
the magic circle, whereup he fell down with a terrible
scream also a flash. The olde witche looked around, got out
of her chair, picked him up, and carried him to his grand-
mother, then went back to her seat, whilom the young witch
never averted her eyes from the Sunne. But the other young
witches stopped the duel averring, Look, Diamanda has
wonne, the reason being, Weather-wax looked away.
Whereupon the child's grandmother said in a loude voice,
Oh yes? Pulle the other onne, it have got bells on. This is
not a conteft about power, you stupid girls, it is a contest
about witchcraft, do you not even begin to know what being
a witch IS?

"Is a witch someone who would look round when she
heard a child scream?

"And the townspeople said, Yess!"

"That was wonderful," said Mrs. Quamey, the storekeeper's
wife. "The whole town cheered. A true miffic quality."

They were in the tavern's back room. Granny Weatherwax
was lying on a bench with a damp towel over her face.

"Yes, it was, wasn't it?" said Magrat.

80

"That girl was left without a leg to stand -on, everyone
says."

"Yes," said Magrat.

"Strutted off with her nose in a sling, as they say."

"Yes," said Magrat.

"Is the little boy all right?"

They all looked at Pewsey, who was sitting in a suspi-
cious puddle on the floor in the comer with a bag of sweets
and a sticky ring around his mouth.

"Right as rain," said Nanny Ogg. "Nothing worse'n a bit
of sunburn. He screams his head off at the least little thing,
bless him," she said proudly, as if this was some kind of rare
talent.

"Gytha?" said Granny, from under the towel.

"Yes?"

"You knows I don't normally touch strong licker, but I've
heard you mention the use of brandy for medicinal purposes."

"Coming right up."

Granny raised her towel and focused one eye on Magrat.

"Good afternoon, your pre-majesty," she said. "Come to
be gracious at me, have you?"

"Well done," said Magrat, coldly. "Can one have a word
with you, Na—Mrs. Ogg? Outside?"

Right you are, your queen," said Nanny.

In the alley outside Magrat spun around with her mouth
open.

"You—"

Nanny held up her hand.

"I know what you're going to say," she said. "But there
wasn't any danger to the little mite."

"But you—"

"Me?" said Nanny. "I hardly did anything. They didn't
know he was going to run into the circle, did they? They both
/reacted just like they normally would, didn't they? Fair's fair."

"Well, in a way, but—"

"No one cheated," said Nanny

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Terry Pratchett

Margrat sagged into silence. Nanny patted her on the
shoulder.

"So you won't be telling anyone you saw me wave the
bag of sweets at him, will you?" she said.

"No, Nanny."

"There's a good going-to-be-queen."

"Nanny?"

"Yes, dear?"

Magrat took a deep breath.

"How did Verence know when we were coming back?"

It seemed to Magrat that Nanny thought for just a few
seconds too long.

"Couldn't say," she said at last. "Kings are a bit magi-
cal, mind. They can cure dandruff and that. Probably he
woke up one morning and his royal prerogative gave him a
tickle."

The trouble with Nanny Ogg was that she always looked
as if she was lying. Nanny Ogg had a pragmatic attitude to
the truth; she told it if it was convenient and she couldn't be
bothered to make up something more interesting.

"Keeping busy up there, are you?" she said.

"One's doing very well, thank you," said Magrat, with
what she hoped was queenly hauteur.

"Which one?" said Nanny.

"Which one what?"

"Which one's doing very well?"

"Me!"

"You should have said," said Nanny, her face poker
straight. "So long as you're keeping busy, that's the impor-
tant thing."

"He knew we were coming back," said Magrat firmly.
"He'd even got the invitations sorted out. Oh, by the way . ..
there's one for you—"

"I know, one got it this morning," said Nanny. "Got all
that fancy nibbling on the edges and gold and everything.
Who's Ruservup?"

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Magrat had long ago got a handle on Nanny Ogg's

world-view.

"RSVP," she said. "It means you ought to say if you're

coming."

"Oh, one'll be along all right, catch one staying away,"
said Nanny. "Has one's Jason sent one his invite yet?
Thought not. Not a skilled man with a pen, our Jason."

"Invitation to what?" said Magrat. She was getting fed

up with ones.

"Didn't Verence tell one?" said Nanny. "It's a special

play that's been written special for you."

"Oh, yes," said Magrat. "The Entertainment."
"Right," said Nanny. "It's going to be on Midsummer's

Eve."

"It's got to be special, on Midsummer's Eve," said Jason

Ogg.

The door to the smithy had been bolted shut. With-
in were the eight members of the Lancre Morris Men,
six times winners of the Fifteen Mountains All-Comers
Morris Championship,* now getting to grips with a new art

form.

"I feel a right twit," said Bestiality Carter, Lancre's
only baker. "A dress on! I just hope my wife doesn't see

me!"

"Says here," said Jason Ogg, his enormous forefinger
hesitantly tracing its way along the page, "that it's a beaut-i-
ful story of the love of the Queen of the Fairies—that's you,
Bestiality—"

"—thank you very much—"

"—for a mortal man. Plus a hum-our-rus int-ter-lude
with Comic Artisans..."

* Three times outright, once after eleven hours extra time, and twice
when the other finalists ran away.

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"What's an artisan?" said Weaver the thatcher.

"Dunno. Type of well, I reckon." Jason scratched his
head. "Yeah. They've got 'em down on the plains. I repaired
a pump for one once. Artisan wells."

"What's comic about them?"

"Maybe people fall down 'em in a funny way?"

"Why can't we do a Morris like normal?" said Obidiah
Carpenter the tailor.*

"Morris is for every day," said Jason. "We got to dp
something cultural. This come all the way from Ankh-
Morpork."

"We could do the Stick and Bucket Dance," volunteered
Baker the weaver.

"No one is to do the Stick and Bucket Dance ever
again," said Jason. "Old Mr. Thrum still walks with a limp,
and it were three months ago."

Weaver the thatcher squinted at his copy of the script.

"Who's this bugger Exeunt OmnesT' he said.

"I don't think much of my part," said Carpenter, "it's too
small."

"It's his poor wife I feel sorry for," said Weaver, auto-
matically.

"Why?" said Jason.+t

"And why's there got to be a lion in it?" said Baker the
weaver.

"'Cos it's a play!" said Jason. "No one'd want to see it if
it had a ... a donkey in it! Oi can just see people comin' to
see a play 'cos it had a donkey in it. This play was written by
a real playsmith! Hah, I can just see a real playsmith putting
donkeys in a play! He says he'll be very interested to hear
how we get on! Now just you all shut up!"

* Who was also general poacher, cess-pit cleaner, and approximate
carpenter.!:

f'With a couple of nails it'll stay up all right."

"The thing about iron is that you generally don't have to think fast i

in

dealing with it.

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"I don't feel like the Queen of the Fairies," moaned
Bestiality Carter.

"You'll grow into it," said Weaver.

"I hope not."

"And you've got to rehearse," said Jason.

"There's no room," said Thatcher the carter.

"Well, I ain't doin' it where anyone else can see," said
Bestiality. "Even if we go out in the woods somewhere, peo-
ple'll be bound to see. Me in a dress!"

"They won't recognize you in your makeup," said Weaver.

"Makeup?"

"Yeah, and your wig," said Tailor the other weaver.
"He's right, though," said Weaver. "If we're going to
make fools of ourselves, I don't want no one to see me until

we're good at it."

"Somewhere off the beaten track, like," said Thatcher

the carter.

"Out in the country," said Tinker the tinker.

"Where no one goes," said Carter.

Jason scratched his cheese-grater chin. He was bound to

think of somewhere.

"And who's going to play Exeunt Omnes?" said Weaver.

"He doesn't have much to say, does he?"

*Well, it's like this . . . The Carter parents were a quiet and respectable
Lancre family who got into a bit of a mix-up when it came to naming
their children. First, they had four daughters, who were christened Hope,
Chastity, Prudence, and Charity, because naming girls after virtues is an
ancient and unremarkable tradition. Then their first son was bom and out
of some misplaced idea about how this naming business was done he was
called Anger Carter, followed later by Jealousy Carter, Bestiality Carter,
and Covetousness Carter. Life being what it is. Hope turned out to be a
depressive. Chastity was enjoying life as a lady of negotiable affection in
Ankh-Morpork, Prudence had thirteen children, and Charity expected to
get a dollar's change out of seventy-five pence—whereas the boys had
grown into amiable, well-tempered men, and Bestiality Carter was, for
example, very kind to animals.

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The coach rattled across the featureless plains. The land
between Ankh-Morpork and the Ramtops was fertile, well-
cultivated and dull, dull, dull. Travel broadens the mind.
This landscape broadened the mind because the mind just
flowed out from the ears like porridge. It was the kind of
landscape where, if you saw a distant figure cutting cab-
bages, you'd watch him until he was out of sight because
there was simply nothing else for the eye to do.

"I spy," said the Bursar, "with my little eye, something
beginning with .. . H."

"Oook."

"No."

"Horizon," said Ponder.

"You guessed!"

"Of course I guessed. I'm supposed to guess. We've had
S for Sky, C for Cabbage, 0 for ... for Ook, and there's
nothing else."

"I'm not going to play anymore if you're going to guess."
The Bursar pulled his hat down over his ears and tried to
curl up on the hard seat.

"There'll be lots to see in Lancre," said the Archchancellor.
"The only piece of flat land they've got up there is in a
museum."

Ponder said nothing.

"Used to spend whole summers up there," said Ridcully.
He sighed. "You know . . . things could have been very
different."

Ridcully looked around. If you're going to relate an inti-
mate piece of personal history, you want to be sure it's going
to be heard.

The Librarian looked out at the jolting scenery. He was
sulking. This had a lot to do with the new bright blue collar
around his neck with the word "PONGO' on it. Someone
was going to suffer for this.

The Bursar was trying to use his hat like a limpet uses its
shell.

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"There was this girl."

Ponder Stibbons, chosen by a cruel fate to be the only
one listening, looked surprised. He was aware that, techni-
cally, even the Archchancellor had been young once. After
all, it was just a matter of time. Common sense suggested
that wizards didn't flash into existence aged seventy and
weighing nineteen stone. But common sense needed
reminding.

He felt he ought to say something.

"Pretty, was she, sir?" he said.

"No. No, I can't say she was. Striking. That's the word.
Tall. Hair so blond it was nearly white. And eyes like gimlets,
I tell you."

Ponder tried to work this out.

"You don't mean that dwarf who runs the delicatessen
in—" he began.

"I mean you always got the impression she could see
right through you," said Ridcully, slightly more sharply than
he had intended. "And she could run ..."

He lapsed into silence again, staring at the newsreels of
memory.

"I would've married her, you know," he said.

Ponder said nothing. When you're a cork in someone
else's stream of consciousness, all you can do is spin and
bob in the eddies.

"What a summer," murmured Ridcully. "Very like this
one, really. Crop circles were bursting like raindrops. And . ..
well, I was having doubts, you know. Magic didn't seem to
be enough. I was a bit ... lost. I'd have given it all up for
her. Every blasted octogram and magic spell. Without a sec-
ond thought. You know when they say things like 'she had a
laugh like a mountain stream'?"

"I'm not personally familiar with it," said Ponder, "but I
-have read poetry that—"

"Load of cobblers, poetry," said Ridcully. "I've listened
to mountain streams and they just go trickle, trickle, gurgle.

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And you get them things in them, you know, insect things
with little . . . anyway. Doesn't sound like laughter at all, is
my point. Poets always get it wrong. 'S'like 'she had lips
like cherries.' Small, round, and got a stone in the middle?
Hah!"

He shut his eyes. After a while Ponder said, "So what
happened, sir?"

"What?"

"The girl you were telling me about."

"What girl?"

"This girl."

"Oh, that girl. Oh, she turned me down. Said there were
things she wanted to do. Said there'd be time enough."

There was another pause.

"What happened then?" Ponder prompted.

"Happened? What d'you think happened? I went off and
studied. Term started. Wrote her a lot of letters but she
never answered 'em. Probably never got 'em, they probably
eat the mail up there. Next year I was studying all summer
and never had time to go back. Never did go back. Exams
and so on. Expect she's dead now, or some fat old granny
with a dozen kids. Would've wed her like a shot. Like a
shot." Ridcully scratched his head. "Hah . . . just wish I
could remember her name ..."

He stretched out with his feet on the Bursar.

"'S'funny, that," he said. "Can't even remember her
name. Hah! She could outrun a horse—"

"Kneel and deliver!"

The coach rattled to a halt.

Ridcully opened an eye.

"What's that?" he said.

Ponder jerked awake from a reverie of lips like mountain
streams and looked out of the window.

"I think," he said, "it's a very small highwayman."

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The coachman peered down at the figure in the road. It was
hard to see much from this angle, because of the short body
and the wide hat. It was like looking at a well-dressed mush-
room with a feather in it.

"I do apologize for this," said the very small highway-
man. "I find myself a little short."

The coachman sighed and put down the reins. Properly
arranged holdups by the Bandits' Guild were one thing,
but he was blowed if he was going to be threatened by an
outlaw that came up to his waist and didn't even have a
crossbow.

"You little bastard," he said. "I'm going to knock your
block off."

He peered closer.

"What's that on your back? A hump?"

"Ah, you've noticed the stepladder," said the low high-
wayman. "Let me demonstrate—"

"What's happening?" said Ridcully, back in the coach.

"Um, a dwarf has just climbed up a small stepladder and
kicked the coachman in the middle of the road," said
Ponder.

"That's something you don't see every day," said
Ridcully. He looked happy. Up to now, the journey had been
quite uneventful.

"Now he's coming toward us."

"Oh, good."

The highwayman stepped over the groaning body of the
driver and marched toward the door of the coach, dragging
his stepladder behind him.

He opened the door.

"Your money or, I'm sorry to say, your—"

A blast of octarine fire blew his hat off.

The dwarfs expression did not change.
' "I wonder if I might be allowed to rephrase my demands?"

Ridcully looked the elegantly dressed stranger up and
down or, rather, down and further down.

Terry Pratchett

"You don't look like a dwarf," he said, "apart from the
height, that is."

"Don't look like a dwarf apart from the height?"

"I mean, the helmet and iron boots department is among
those you are lacking in," said Ridcully.

The dwarf bowed and produced a slip of pasteboard
from one grubby but lace-clad sleeve.

"My card," he said.

It read:

S^ayyz^ G>a^<2^wza^
WORLD'S SECOND GREATEST LOVER

FINEST SWORDSMAN    SOLDIER OF FORTUNE
OUTRAGEOUS LIAR    STEPLADDERS REPAIRED

Ponder peered over Ridcully's shoulder.

"Are you really an outrageous liar?"

"No."

"Why are you trying to rob coaches, then?"

"I am afraid I was waylaid by bandits."

"But it says here," said Ridcully, "that you are a finest
swordsman."

"I was outnumbered."

"How many of them were there?"

"Three million."

"Hop in," said Ridcully

Casanunda threw his stepladder into the coach and then
peered into the gloom.

"Is that an ape asleep in there?"

"Yes."

The Librarian opened one eye.

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"What about the smell?"

"He won't mind."

"Hadn't you better apologize to the coachman?" said

Ponder.

"No, but I could kick him again harder if he likes."

"And that's the Bursar," said Ridcully, pointing to
Exhibit B, who was sleeping the sleep of the near-terminally
overdosed on dried frog pills. "Hey, Bursar? Bursssaaar? No,
he's out like a light. Just push him under the seat. Can you
play Cripple Mr. Onion?"

"Not very well."

"Capital!"

Half an hour later Ridcully owed the dwarf $8,000.

"But I put it on my visiting card," Casanunda pointed
out. "Outrageous liar. Right there."

"Yes, but I thought you were lying!"

Ridcully sighed and, to Ponder's amazement, produced a
bag of coins from some inner recess. They were large coins
and looked suspiciously realistic and golden.

Casanunda might have been a libidinous soldier of for-
tune by profession but he was a dwarf by genetics, and there
are some things dwarfs know.

"Hmm," he said. "You don't have "outrageous liar" on
your visiting card, by any chance?"

"No!" said Ridcully excitedly

"It's just that I can recognize chocolate money when I

see it."

"You know," said Ponder, as the coach jolted along a
canyon, "this reminds me of that famous logical puzzle."
"What logical puzzle?" said the Archchancellor.
"Well," said Ponder, gratified at the attention, "it
appears that there was this man, right, who had to choose
between going through two doors, apparently, and the guard
on one door always told the truth and the guard on the other
door always told a lie, and the thing was, behind one door
was certain death, and behind the other door was freedom,

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Terry Pratchett

and he didn't know which guard was which, and he could
only ask them one question and so: what did he ask?"

The coach bounced over a pothole. The Librarian turned
over in his sleep.

"Sounds like Psychotic Lord Hargon of Quirm to me,"
said Ridcully, after a while.

"That's right," said Casanunda. "He was a devil for jokes
like that. How many students can you get in an Iron Maiden,
that kind of thing."

"So this was at his place, then, was it?" said Ridcully.

"What? I don't know," said Ponder.

"Why not? You seem to know all about it."

"I don't think it was anywhere. It's a puzzle."

"Hang on," said Casanunda, "I think I've worked it out.
One question, right?"

"Yes," said Ponder, relieved.

"And he can ask either guard?"

"Yes."

"Oh, right. Well, in that case he goes up to the smallest
guard and says, Tell me which is the door to freedom if you
don't want to see the color of your kidneys and incidentally
I'm walking through it behind you, so if you're trying for the
Mr. Clever Award just remember who's going through it
first.'"

"No, no, no!"

"Sounds logical to me," said Ridcully "Very good thinking."

"But you haven't got a weapon!"

"Yes I have. I wrested it from the guard while he was
considering the question," said Casanunda.

"Clever," said Ridcully. "Now that, Mr. Stibbons, is logi-
cal thought. You could leam a lot from this man—"

"—dwarf—"

"—sorry, dwarf. He doesn't go on about parasite univers-
es all the time."

"Parallel!" snapped Ponder, who had developed a very
strong suspicion that Ridcully was getting it wrong on purpose.

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"Which ones are the parasite ones, then?"

"There aren't any! I mean, there aren't any, Archchancellor.
Parallel universes, I said. Universes where things didn't happen
like—" He hesitated. "Well, you know that girl?"

"What girl?"

"The girl you wanted to marry?"

"How'd you know that?"

"You were talking about her just after lunch."

"Was I? More fool me. Well, what about her?"

"Well... in a way, you did marry her," said Ponder.

Ridcully shook his head. "Nope. Pretty certain I didn't.
You remember that sort of thing."

"Ah, but not in this universe—"

The Librarian opened one eye.

"You suggestin' I nipped into some other universe to get
married?" said Ridcully.

"No! I mean, you got married in that universe and not in
this universe," said Ponder.

"Did I? What? A proper ceremony and everything?"

"Yes!"

"Hmm." Ridcully stroked his beard. "You sure?"

"Certain, Archchancellor."

"My word! I never knew that."

Ponder felt he was getting somewhere.

"So—"

"Yes?"

"Why don't I remember it?"

Ponder had been ready for this.

"Because the you in the other universe is different from
the you here," he said. "It was a different you that got mar-
ried. He's probably settled down somewhere. He's probably
a great-grandad by now."

"He never writes, I know that," said Ridcully "And the
bastard never invited me to the wedding."

* Ponder was one hundred percent wrong about this.

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"Who?"

"Him."

"But he's you!"

"Is he? Huh! You'd think I'd think of me, wouldn't you?
What a bastard!"

It wasn't that Ridcully was stupid. Truly stupid wizards
have the life expectancy of a glass hammer. He had quite a
powerful intellect, but it was powerful like a locomotive,
and ran on rails and was therefore almost impossible to
steer.

There are indeed such things as parallel universes,
although parallel is hardly the right word—universes
swoop and spiral around one another like some mad weav-
ing machine or a squadron of Yossarians with middle-ear
trouble.

And they branch. But, and this is important, not all the
time. The universe doesn't much care if you tread on a but-
terfly. There are plenty more butterflies. Gods might note
the fall of a sparrow but they don't make any effort to catch
them.

Shoot the dictator and prevent the war? But the dictator
is merely the tip of the whole festering boil of social pus
from which dictators emerge; shoot one, and there'll be
another one along in a minute. Shoot him too? Why not
shoot everyone and invade Poland? In fifty years', thirty
years', ten years' time the world will be very nearly back on
its old course. History always has a great weight of inertia.

Almost always . ..

At circle time, when the walls between this and that are
thinner, when there are all sorts of strange leakages . . . Ah,
then choices are made, then the universe can be sent careen-
ing down a different leg of the well-known Trousers of Time.

But there are also stagnant pools, universes cut off from
past and future. They have to steal pasts and futures from
other universes; their only hope is to batten on to the
dynamic universes as they pass through the fragile period, as

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remora fish hang on to a passing shark. These are the para-
site universes and, when the crop circles burst like rain-
drops, they have their chance ...

Lancre castle was far bigger than it needed to be. It wasn't
as if Lancre could have been bigger at one time; inhos-
pitable mountains crowded it on three sides, and a more or
less sheer drop occupied where the fourth side would have
been if a sheer drop hadn't been there. As far as anyone
knew, the mountains didn't belong to anyone. They were
just mountains.

The castle rambled everywhere. No one even knew how
far the cellars went.

These days everyone lived in the turrets and halls near
the gate.

"I mean, look at the crenellations," said Magrat.

"What, m'm?"

"The cut-out bits on top of the walls. You could hold off
an army here."

"That's what a castle's for, isn't it, m'm?"

Magrat sighed. "Can we stop the 'm'm', please? It makes
you sound uncertain."

"Mm, m'm?"

"I mean, who is there to fight up here? Not even trolls
could come over the mountains, and anyone coming up the
road is asking for a rock on the head. Besides, you only have
to cut down Lancre bridge."

"Dunno, m'm. Kings've got to have castles, I s'pose."

"Don't you ever wonder about anything, you stupid girl?"

"What good does that do, m'm?"

I called her a stupid girl, thought Magrat. Royalty is rub-
bing off on me.

"Oh, well," she said, "where've we got to?"

"We're going to need two thousand yards of the blue
chintz material with the little white flowers," said Millie.

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Terry Pratchett

"And we haven't even measured half the windows yet,"
said Magrat, rolling up the tape measure.

She looked down the length of the Long Gallery. The
thing about it, the thing that made it so noticeable, the first
thing anyone noticed about it, was that it was very long. It
shared certain distinctive traits with the Great Hall and the
Deep Dungeons. Its name was a perfectly accurate descrip-
tion. And it would be, as Nanny Ogg would say, a bugger to
carpet.

"Why? Why a castle in Lancre?" she said, mainly to her-
self, because talking to Millie was like talking to yourself.
"We've never fought anyone. Apart from outside the tavern
on a Saturday night."

"Couldn't say, I'm sure, m'm," said Millie.

Magrat sighed.

"Where's the king today?"

"He's opening Parliament, m'm."

"Hah! Parliament!"

Which had been another of Verence's ideas. He'd tried
to introduce Ephebian democracy to Lancre, giving the vote
to everyone, or at least everyone "who be of good report
and who be male and hath forty years and owneth a hosue*
worth more than three and a half goats a year," because
there's no sense in being stupid about things and giving the
vote to people who were poor or criminal or insane or
female, who'd only use it irresponsibly. It worked, more or
less, although the Members of Parliament only turned up
when they felt like it and in any case no one ever wrote any-
thing down and, besides, no one ever disagreed with what-
ever Verence said because he was King. What's the point of
having a king, they thought, if you have to rule yourself?
He should do his job, even if he couldn't spell properly. No
one was asking him to thatch roofs or milk cows, were
they?

• Verence and Magrat had a lot in common, really.

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"I'm bored, Millie. Bored, bored, bored. I'm going for a
walk in the gardens."

"Shall I fetch Shawn with the trumpet?"

"Not if you want to live."

Not all the gardens had been dug up for agricultural
experiments. There was, for example, the herb garden. To
Magrat's expert eye it was a pretty poor herb garden, since it
just contained plants that flavoured food. And at that Mrs.
Scorbic's repertoire stopped short at mint and sage. There
wasn't a sprig of vervain or yarrow or Old Man's Trousers
anywhere in it.

And there was the famous maze or, at least, it would
be a famous maze. Verence had planted it because he'd
heard that stately castles should have a maze and every-
one agreed that, once the bushes were a bit higher than
their current height of about one foot, it would indeed
be a very famous maze and people would be able to get
lost in it without having to shut their eyes and bend
down.

Magrat drifted disconsolately along the gravel path, her
huge wide dress leaving a smooth trail.

There was a scream from the other side of the hedge,
but Magrat recognized the voice. There were certain tradi-
tions in Lancre castle which she had learned.

"Good morning, Hodgesaargh," she said.

The castle falconer appeared around the comer, dabbing
at his face with a handkerchief. On his other arm, claws
gripping like a torture instrument, was a bird. Evil red eyes
glared at Magrat over a razor-sharp beak.

"I've got a new hawk," said Hodgesaargh proudly. "It's a
Lancre crowhawk. They've never been tamed before. I'm
taming it. I've already stopped it pecking myooooow—"

He flailed the hawk madly against the wall until it let go
of his nose.

Strictly speaking, Hodgesaargh wasn't his real name. On
the other hand, on the basis that someone's real name is the

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name they introduce themselves to you by, he was definitely
Hodgesaargh.

This was because the hawks and falcons in the castle
mews were all Lancre birds and therefore naturally pos-
sessed of a certain "sod you" independence of mind. After
much patient breeding and training Hodgesaargh had man-
aged to get them to let go of someone's wrist, and now he
was working on stopping them viciously attacking the per-
son who had just been holding them, i.e., invariably
Hodgesaargh. He was nevertheless a remarkably optimistic
and good-natured man who lived for the day when his
hawks would be the finest in the world. The hawks lived for
the day when they could eat his other ear.

"I can see you're doing very well," said Magrat. "You don't
think, do you, that they might respond better to cruelty?"

"Oh, no, miss," said Hodgesaargh, "you have to be kind.
You have to build up a bond, you see. If they don't trust you
theyaaaagh—"

"I'll just leave you to get on with it then, shall I?" said
Magrat, as feathers filled the air.

Magrat had been gloomily unsurprised to learn that
there was a precise class and gender distinction in falconry—
Verence, being king, was allowed a gyrfalcon, whatever the
hell that was, any earls in the vicinity could fly a peregrine,
and priests were allowed sparrowhawks. Commoners were
just about allowed a stick to throw. Magrat found herself
wondering what Nanny Ogg would be allowed—a small
chicken on a spring, probably.

There was no specific falcon for a witch but, as a queen,
the Lancre rules of falconry allowed her to fly the wowhawk
or Lappet-faced Worrier. It was small and shortsighted and
preferred to walk everywhere. It fainted at the sight of
blood. And about twenty wowhawks could kill a pigeon, if it
was a sick pigeon. She'd spent an hour with one on her

* If it wasn't a big stick.

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wrist. It had wheezed at her, and eventually it had dozed off
upside down.

But at least Hodgesaargh had a job to do. The castle was
full of people doing jobs. Everyone had something useful to
do except Magrat. She just had to exist. Of course, everyone
would talk to her, provided she talked to them first. But she
was always interrupting something important. Apart from
ensuring the royal succession, which Verence had sent off
for a book about, she—

"You just keep back there, girl. You don't want to come
no further," said a voice.
Magrat bridled.

"Girl? One happens to be very nearly of the royal blood
by marriage!"

"Maybe, but the bees don't know that," said the voice.
Magrat stopped.

She'd stepped out beyond what were the gardens from
the point of view of the royal family and into what were the
gardens from the point of view of everyone else—beyond
the world of hedges and topiary and herb gardens and into
the world of old sheds, piles of flowerpots, compost and,
just here, beehives.

One of the hives had the lid off. Beside it, in the middle
of a brown cloud, smoking his special bee pipe, was Mr.
Brooks.

"Oh," she said, "it's you, Mr. Brooks."
Technically, Mr. Brooks was the Royal Beekeeper. But
the relationship was a careful one. For one thing, although
most of the staff were called by their last names Mr. Brooks
shared with the cook and the butler the privilege of an hon-
orific. Because Mr. Brooks had secret powers. He knew all
about honey flows and the mating of queens. He knew
about swarms, and how to destroy wasps' nests. He got the
general respect shown to those, like witches and black-
smiths, whose responsibilities are not entirely to the world
of the humdrum and everyday—people who, in fact, know

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things that others don't about things that others can't fath-
om. And he was generally found doing something fiddly
with the hives, ambling across the kingdom in pursuit of a
swarm, or smoking his pipe in his secret shed which
smelled of old honey and wasp poison. You didn't offend
Mr. Brooks, not unless you wanted swarms in your privy
while he sat cackling in his shed.

He carefully replaced the lid on the hive and walked
away. A few bees escaped from the gaping holes in his bee-
keeping veil.

"Afternoon, your ladyship," he conceded.

"Hello, Mr. Brooks. What've you been doing?"

Mr. Brooks opened the door of his secret shed, and rum-
maged about inside.

"They're late swarming," said the beekeeper. "I was just
checking up on 'em. Fancy a cup of tea, girl?"

You couldn't stand on ceremony with Mr. Brooks. He
treated everyone as an equal, or more often as a slight inferior;

it probably came of ruling thousands, every day And at least
she could talk to him. Mr. Brooks had always seemed to her
as close to a witch as it was possible to be while still being
male.

The shed was stuffed full of bits of hive, mysterious tor-
ture instruments for extracting honey, old jars, and a small
stove on which a grubby teapot steamed next to a huge
saucepan.

He took her silence for acceptance, and poured out two
mugs.

"Is it herbal?" she quavered.

"Buggered if I know. It's just brown leaves out of a tin."

Magrat looked uncertainly into a mug which pure tannin
was staining brown. But she rallied. One thing you had to
do when you were queen, she knew, was Put Commoners at
their Ease. She cast around for some easeful question.

"It must be very interesting, being a beekeeper," she
said.

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"Yes. It is."

"One's often wondered—"

"What?"

"How do you actually milk them?"

The unicorn prowled through the forest. It felt blind, and
out of place. This wasn't a proper land. The sky was blue,
not flaming with all the colors of the aurora. And time was
passing. To a creature not bom subject to time, it was a sen-
sation not unakin to falling.

It could feel its mistress inside its head, too. That was
worse even than the passing of time.

In short, it was mad.

Magrat sat with her mouth open.

"I thought queens were bom," she said.

"Oh, no," said Mr. Brooks. "There ain't no such thing as
a queen egg. The bees just decides to feed one of 'em up as a
queen. Feeds 'em royal jelly"

"What happens if they don't?"

"Then it just becomes an ordinary worker, your lady-
ship," said Mr. Brooks, with a suspiciously republican grin.

Lucky for it, Magrat thought.

"So they have a new queen, and then what happens to
the old one?"

"Usually the old girl swarms," said Mr. Brooks. "Pushes
off and takes some of the colony with her. I must've seen a
thousand swarms, me. Never seen a Royal swarm, though."

"What's a Royal swarm?"

"Can't say for sure. It's in some of the old bee books. A
swarm of swarms. It's something to see, they say." The old
' beekeeper looked wistful for a moment.

'"Course," he went on, righting himself, "the real fun
starts if the weather's bad and the ole queen can't swarm,

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right?" He moved his hand in a sly circular motion. "What
happens then is, the two queens—that's the old queen,
right? and the new queen—the two queens start astalkin'
one another among the combs, with the rain adrummin' on
the roof of the hive, and the business of the hive agoin' on
all around them," Mr. Brooks moved his hands graphically,
and Magrat leaned forward, "all among the combs, the
drones all hummin', and all the time they can sense one
another, 'cos they can tell, see, and then they spots one
another and—"

"Yes? Yes?" said Magrat, leaning forward.

"Slash! Stab!"

Magrat hit her head on the wall of the hut.

"Can't have more'n one queen in a hive," said Mr.
Brooks calmly.

Magrat looked out at the hives. She'd always liked the
look of beehives, up until now.

"Many's the time I've found a dead queen in front of the
hive after a spell of wet weather," said Mr. Brooks, happily.
"Can't abide another queen around the place, you know.
And it's a right old battle, too. The old queen's more cun-
nin'. But the new queen, she's really got everything to fight
for."

"Sorry?"

"If she wants to be mated."

"Oh."

"But it gets really interestin' in the autumn," said Mr.
Brooks. "Hive don't need any dead weight in the winter, see,
and there's all these drones hangin' around not doing any-
thing, so the workers drag all the drones down to the hive
entrance, see, and they bite their—"

"Stop! This is horrible!" said Magrat. "I thought bee-
keeping was, well, nice."

"Of course, that's around the time of year when the bees
wear out," said Mr. Brooks. "What happens is, see, your
basic bee, why, it works 'til it can't work no more, and you'll

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see a lot of old workers acrawlin' around in front of the hive
'cos—"

"Stop it! Honestly, this is too much. I'm queen, you
know. Almost."

"Sorry, miss," said Mr. Brooks. "I thought you wanted to
know a bit about beekeeping."

"Yes, but note's!"

Magrat swept out.

"Oh, I dunno," said Mr. Brooks. "Does you good to get
close to Nature."

He shook his head cheerfully as she disappeared among
the hedges.

"Can't have more than one queen in a hive," he said.
"Slash! Stab! Hehheh!"

From somewhere in the distance came the scream of
Hodgesaargh as nature got close to him.

Crop circles opened everywhere.

Now the universes swung into line. They ceased their
boiling spaghetti dance and, to pass through this chicane of
history, charged forward neck and neck in their race across
the rubber sheet of incontinent Time.

At such time, as Ponder Stibbons dimly perceived, they
had an effect on one another—shafts of reality crackled back
and forward as the universes jostled for position.

If you were someone who had trained their mind to be
the finest of receivers, and were running it at the moment
with the gain turned up until the knob broke, you might
pick up some very strange signals indeed .. .

The clock ticked.

Granny Weatherwax sat in front of the open box, read-
ing. Occasionally she stopped and closed her eyes and
pinched her nose.

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Not knowing the future was bad enough, but at least she
understood why. Now she was getting flashes of deja vu. It
had been going on all week. But they weren't her deja vus.
She was getting them for the first time, as it were—flashes
of memory that couldn't have existed. Couldn't have existed.
She was Esme Weatherwax, sane as a brick, always had
been, she'd never been—

There was a knock at the door.

She blinked, glad to be free of those thoughts. It took
her a second or two to focus on the present. Then she folded
up the paper, slipped it into its envelope, pushed the enve-
lope back into its bundle, put the bundle into the box,
locked the box with a small key which she hung over the
fireplace, and walked to the door. She did a last-minute
check to make sure she hadn't absentmindedly taken all her
clothes off, or something, and opened it.

"Evenin'," said Nanny Ogg, holding out a bowl with a
cloth over it, "I've brung you some—"

Granny Weatherwax was looking past her.

"Who're these people?" she said.

The three girls looked embarrassed.

"See, they came round my house and said—" Nanny Ogg
began.

"Don't tell me. Let me guess," said Granny. She strode
out, and inspected the trio.

"Well, well, well," she said. "My word. My word. Three
girls who want to be witches, am I right?" Her voice went
falsetto. "'Oh, please, Mrs. Ogg, we has seen the error of
our ways, we want to leam proper witchcraft." Yes?"

"Yes. Something like that," said Nanny. "But—"

"This is witchcraft," said Granny Weatherwax. "It's not...
it's not a game of conkers. Oh, deary, deary me."

She walked along the very short row of trembling girls.

"What's your name, girl?"

"Magenta Frottidge, ma'am."

"I bet that's not what your mum calls you?"

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Magenta looked at her feet.

"She calls me Violet, ma'am."

"Well, it's a better color than magenta," said Granny.
"Want to be a bit mysterious, eh? Want to make folks feel
you got a grip on the occult? Can you do magic? Your friend
taught you anything, did she? Knock my hat off."

"What, ma'am?"

Granny Weatherwax stood back, and turned around.

"Knock it off. I ain't trying to stop you. Go on."

Magenta-shading-to-Violet shaded to pink.

"Er ... I never got the hang of the psycho-thingy ..."

"Oh, dear. Well, just let's see what the rest can do ...
Who're you, girl?"

"Amanita, ma'am."

"Such a pretty name. Let's see what you can do."

Amanita looked around nervously.

"I, er, don't think I can while you're watching me—" she
began.

"That's a shame. What about you, on the end?"

"Agnes Nitt," said Agnes, who was much faster on the
uptake than the other two and saw that there was no point
in pushing Perdita.

"Go on, then. Try."

Agnes concentrated.

"Oh, deary, deary me," said Granny. "And my hat's still
on. Show them, Gytha."

Nanny Ogg sighed, picked up a piece of fallen branch,
and hurled it at Granny's hat. Granny caught the stick in
mid-air.

"But, but—you said we had to use magic—" Amanita
began.

"No, I didn't," said Granny.

"But anyone could have done that," said Magenta.
' "Yes, but that's not the point," said Granny. "The point
is that you didn't." She smiled, which was unusual for her.
"Look, I don't want to be nasty to you. You're young. The

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world's full of things you could be doing. You don't want to
be witches. Not if you knew what it means. Now just go
away. Go home. Don't try the paranormal until you know
what's normal. Go on. Run along."

"But that's just trickery! That's what Diamanda said!
You just use words and trickery—" Magenta protested.

Granny raised a hand.

In the trees, the birds stopped singing.

"Gytha?"

Nanny Ogg gripped her own hat brim defensively.

"Esme, listen, this hat cost me two whole dollars—"

The boom echoed through the woods.

Bits of hat lining zigzagged gently out of the sky.

Granny pointed her finger at the girls, who tried to lean
out of the way.

"Now," she said, "why don't you go and see to your
friend? She was beat. She probably ain't very happy. That's
no time to go leaving people."

They still stared at her. Her finger seemed to fascinate
them.

"I just asked you to go home. Perfectly reasonable voice.
Do you want me to shout?"

They turned and ran.

Nanny Ogg glumly pushed her hand through the strick-
en hat brim.

"It took me ages to get that pig cure together," she mum-
bled. "You need eight types of leaves. Willow leaves, tansy
leaves, Old Man's Trousers leaves ... I was collecting 'em
all day. It's not as though leaves grow on trees—"

Granny Weatherwax watched the disappearing girls.

Nanny Ogg paused. Then she said: "Takes you back, eh?
I remember when I was fifteen, standing in front of old
Biddy Spective, and she said in that voice of hers, 'You want
to be a whatT and I was that frightened I near widd—"

"I never stood in front of no one," said Granny
Weatherwax distantly. "I camped on old Nanny Gripes' garden

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until she promised to tell me everything she knew. Hah.
That took her a week and I had the afternoons free."

"You mean you weren't Chosen?"

"Me? No. I chose," said Granny. The face she turned to
Nanny Ogg was one she wouldn't forget in a hurry,
although she might try. "I chose, Gytha Ogg. And I want
that you should know this right now. Whatever happens. I
ain't never regretted anything. Never regretted one single
thing. Right?"

"If you say so, Esme."

What is magic?

There is the wizards' explanation, which comes in two
forms, depending on the age of the wizard. Older wizards
talk about candles, circles, planets, stars, bananas, chants,
runes, and the importance of having at least four good meals
every day. Younger wizards, particularly the pale ones who
spend most of their time in the High Energy Magic building,*
chatter at length about fluxes in the morphic nature of the
universe, the essentially impermanent quality of even the
most apparently rigid time-space framework, the implausi-
bility of reality, and so on: what this means is that they have
got hold of something hot and are gabbling the physics as
they go along ...

It was almost midnight. Diamanda ran up the hill toward
the Dancers, the briars and heather tearing at her dress.
The humiliation banged back and forth in her skull.

*It was here that the thaum, hitherto believed to be the smallest possible
particle of magic, was successfully demonstrated to be made up of
resonsf or reality fragments. Currently research indicates that each reson
is itself made up of a combination of at least five "flavors," known as
"up," "down," "sideways," "sex appeal," and "peppermint."
+Lit; "Thing-ies."

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Stupid malicious old women! And stupid people, too! She'd
won. According to the rules, she'd won! But everyone had
laughed at her.

That stung. The recollection of those stupid faces, all
grinning. And everyone supporting those horrible old
women, who had no idea about the meaning of witchcraft
and what it could become.

She'd show them.

Ahead of her, the Dancers were dark against the moonlit
clouds.

Nanny Ogg looked under her bed in case there was a man
there. Well, you never knew your luck.

She was going to have an early night. It had been a busy
day

There was a jar of boiled sweets by her bed, and a thick
glass bottle of the clear fluid from her complicated still out
behind the woodshed. It wasn't exactly whiskey, and it
wasn't exactly gin, but it was exactly 90° proof, and a great
comfort during those worrying moments that sometimes
occurred around 3 A.M. when you woke up and forgot who
you were. After a glass of the clear liquid you still didn't
remember who you were, but that was all right now because
you were someone else anyway.

She plumped up the four pillows, kicked her fluffy slip-
pers into the comer, and pulled the blankets over her head,
creating a small, warm, and slightly rank cave. She sucked a
boiled sweet; Nanny had only one tooth left, and that had
taken all she could throw at it for many years, so a sweet at
bedtime wasn't going to worry it much.

After a few seconds a sense of pressure on her feet indi-
cated that the cat Greebo had taken up his accustomed
place on the end of the bed. Greebo always slept on Nanny's
bed; the way he'd affectionately try to claw your eyeballs out
in the morning was as good as an alarm clock. But she

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always left a window open all night in case he wanted to go
out and disembowel something, bless him.

Well, well. Elves. (They couldn't hear you say the word
inside your head, anyway. At least, not unless they were real
close.) She really thought they'd seen the last of them. How
long was it, now? Must be hundreds and hundreds of years,
maybe thousands. Witches didn't like to talk about it,
because they'd made a big mistake about the elves. They'd
seen through the buggers in the end, of course, but it had
been a close thing. And there'd been a lot of witches in
those days. They'd been able to stop them at every turn,
make life in this world too hot for them. Fought them with
iron. Nothing elvish could stand iron. It blinded them, or
something. Blinded them all over.

There weren't many witches now. Not proper witches.
More of a problem, though, was that people didn't seem to
be able to remember what it was like with the elves around.
Life was certainly more interesting then, but usually because
it was shorter. And it was more colorful, if you liked the
color of blood. It got so people didn't even dare talk openly
about the bastards.

You said: The Shining Ones. You said: The Fair Folk.
And you spat, and touched iron. But generations later, you
forgot about the spitting and the iron, and you forgot why
you used those names for them, and you remembered only
that they were beautiful.

Yes, there'd been a lot of witches in them days. Too
many women found an empty cradle, or a husband that
never came home from the hunt. Had been the hunt.

Elves! The bastards . . . and yet ... and yet ... some-
how, yes, they did things to memory.

Nanny Ogg turned over in bed. Greebo growled in
protest.

Take dwarfs and trolls, for e.g. People said: Oh, you
can't trust 'em, trolls are OK if you've got 'em in front of
you, and some of 'em are decent enough in their way, but

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they're cowardly and stupid, and as for dwarfs, well, they're
greedy and devious devils, all right, fair enough, sometimes
you meet one of the clever little sods that's not too bad, but
overall they're no better'n trolls, in fact—

—they're just like us.

But they ain't any prettier to look at and they've got no
style. And we're stupid, and the memory plays tricks, and
we remember the elves for their beauty and the way they
move, and forget what they were. We're like mice saying,
"Say what you like, cats have got real style."

People never quaked in their beds for fear of dwarfs.
They never hid under the stairs from trolls. They might have
chased 'em out of the henhouse, but trolls and dwarfs were
never any more than a bloody nuisance. They were never a
terror in the night.

We only remembers that the elves sang. We forgets what
it was they were singing about.

Nanny Ogg turned over again. There was a slithering
noise from the end of the bed, and a muffled yowl as Greebo
hit the floor.

And Nanny sat up.

"Get your walking paws on, young fella-me-lad. We're
going out."

As she passed through the midnight kitchen she paused,
took one of the big black flatirons from the hob by the fire,
and attached it to a length of clothesline.

For all her life she'd walked at night through Lancre
with no thought of carrying a weapon of any sort. Of
course, for most of that time she'd recognizably been a
witch, and any importunate prowler would've ended up
taking his essentials away in a paper bag, but even so it was
generally true of any woman in Lancre. Man too, come to
that.

Now she could sense her own fear.

The elves were coming back all right, casting their shad-
ows before them.

110

Diamanda reached the crest of the hill.

She paused. She wouldn't put it past that old
Weatherwax woman to have followed her. She felt sure there
had been something tracking her in the woods.

There was no one else around.

She turned.

"Evenin', miss."

"You? You did follow me!"

Granny got to her feet from the shadow of the Piper,
where she had been sitting quite invisibly in the blackness.

"Learned that from my dad," she said. "When he went
hunting. He always used to say a bad hunter chases, a good
hunter waits."

"Oh? So you're hunting me now?"

"No. I was just waiting. I knew you'd come up here. You
haven't got anywhere else to go. You've come to call her,
haven't you? Let me see your hands."

It wasn't a request, it was a command. Diamanda found
her hands moving of their own accord. Before she could pull
them back the old woman had grabbed them and held them
firmly; her skin felt like sacking.

"Never done a hard day's work in your life, have you?"
said Granny, pleasantly. "Never picked cabbages with the ice
on 'em, or dug a grave, or milked a cow, or laid out a
corpse."

"You don't have to do all that to be a witch!" Diamanda
snapped.

"Did I say so? And let me tell you something. About
beautiful women in red with stars in their hair. And proba-
bly moons, too. And voices in your head when you slept.
And power when you came up here. She offered you lots of
power, I expect. All you wanted. For free."

Diamanda was silent.

"Because it happened before. There's always someone

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who'll listen." Granny Weatherwax's eyes seemed to lose
their focus.

"When you're lonely, and people around you seem too
stupid for words, and the world is full of secrets that no
one'll tell you ... "

"Are you reading my mind?"

"Yours?" Granny's attention snapped back, and her
voice lost its distant quality. "Hah! Flowers and suchlike.
Dancing about without yer drawers on. Mucking about with
cards and bits of string. And it worked, I expect. She gave
you power, for a while. Oh, she must have laughed. And
then there is less power and more price. And then no power,
and you're payin' every day. They always take more than
they give. And what they give has less than no value. And
they end up taking everything. What they like to get from us
is our fear. What they want from us most of all is our belief.
If you call them, they will come. You'll give them a channel
if you call them here, at circle time, where the world's thin
enough to hear. The power in the Dancers is weak enough
now as it is. And I'm not having the ... the Lords and
Ladies back."

Diamanda opened her mouth.

"I ain't finished yet. You're a bright girl. Lots of things
you could be doing. But you don't want to be a witch. It's
not an easy life."

"You mad old woman, you've got it all wrong! Elves
aren't like that—"

"Don't say the word. Don't say the word. They come
when called."

"Good! Elf, elf, elf! Elf—"

Granny slapped her face, hard.

"Even you knows that's stupid and childish," she said.
"Now you listen to me. If you stay here, there's to be none of
this stuff anymore. Or you can go somewhere else and find a
future, be a great lady, you've got the mind for it. And maybe
you'll come back in ten years loaded down with jewels and

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stuff, and lord it over all us stay-at-homes, and that will be
fine. But if you stay here and keep trying to call the ... Lords
and Ladies, then you'll be up against me again. Not playing
stupid games in the daylight, but real witchcraft. Not messing
around with moons and circles, but the true stuff, out of the
blood and the bone and out of the head. And you don't know
nothin' about that. Right? And it don't allow for mercy."

Diamanda looked up. Her face was red where the slap
had landed.

"Go?" she said.

Granny reacted a second too late.

Diamanda darted between the stones.

"You stupid child! Not that way'."

The figure was already getting smaller, even though it
appeared to be only a few feet away.

"Oh, drat!"

Granny dived after her, and heard her skirt rip as the
pocket tore. The poker she'd brought along whirred away
and clanked against one of the Dancers.

There was a series of jerks and tings as the hobnails tore
out of her boots and sped toward the stones.

No iron could go through the stones, no iron at all.

Granny was already racing over the turf when she real-
ized what that meant. But it didn't matter. She'd made a
choice.

There was a feeling of dislocation, as directions danced
and twirled around. And then snow underfoot. It was white.
It had to be white, because it was snow. But patterns of
color moved across it, reflecting the wild dance of the per-
manent aurora in the sky

Diamanda was struggling. Her footwear was barely suit-
able for a city summer, and certainly not for a foot of snow.
Whereas Granny Weatherwax's boots, even without their
hobnails, could have survived a trot across lava.

Even so, the muscles that were propelling them had
been doing it for too long. Diamanda was outrunning her.

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More snow was falling, out of a night sky. There was a
ring of riders waiting a little way from the stones, with the
Queen slightly ahead. Every witch knew her, or the shape of
her.

Diamanda tripped and fell, and then managed to bring
herself up to a kneeling position.

Granny stopped.

The Queen's horse whinnied.

"Kneel before your Queen, you," said the elf. She was
wearing red, with a copper crown in her hair.

"Shan't. Won't," said Granny Weatherwax.

"You are in my kingdom, woman," said the Queen. "You
do not come or go without the leave of me. You will kneel!"

"I come and go without the leave of anyone," said
Granny Weatherwax. "Never done it before, ain't starting
now."

She put a hand on Diamanda's shoulder.

"These are your elves," she said. "Beautiful, ain't they?"

The warriors must have been more than two meters tall.
They did not wear clothes so much as items strung together—
scraps of fur, bronze plates, strings of brightly colored feathers.
Blue and green tattoos covered most of their exposed skin.
Several of them held drawn bows, the tips of their arrows
following Granny's every move.

Their hair massed around their heads like a halo, thick
with grease. And although their faces were indeed the most
beautiful Diamanda had ever seen, it was beginning to creep
over her that there was something subtly wrong, some quirk
of expression that did not quite fit.

"The only reason we're still alive now is that we're more
fun alive than dead," said Granny's voice behind her.

"You know you shouldn't listen to the crabbed old
woman," said the Queen. "What can she offer?"

"More than snow in summertime," said Granny. "Look
at their eyes. Look at their eyes."

The Queen dismounted.

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"Take my hand, child," she said.

Diamanda stuck out a hand gingerly.

There was something about the eyes. It wasn't the shape
or the color. There was no evil glint. But there was ...

... a look. It was such a look that a microbe might
encounter if it could see up from the bottom end of the
microscope. It said: You are nothing. It said: You are flawed,
you have no value. It said: You are animal. It said: Perhaps
you may be a pet, or perhaps you may be a quarry. It said:

And the choice is not yours.

She tried to pull her hand away.

"Get out of her mind, old crone."

Granny's face was running with sweat.

"I ain't in her mind, elf. I'm keeping you out."

The Queen smiled. It was the most beautiful smile
Diamanda had ever seen.

"And you have some power, too. Amazing. I never
thought you'd amount to anything, Esmerelda Weatherwax.
But it's no good here. Kill them both. But not at the same
time. Let the other one watch."

She climbed on to her horse again, turned it around, and
galloped off.

Two of the elves dismounted, drawing thin bronze dag-
gers from their belts.

"Well, that's about it, then," said Granny Weatherwax,
as the warriors approached. She dropped her voice.

"When the time comes," she said, "run."

"What time?"

"You'll know."

Granny fell to her knees as the elves approached.

"Oh, deary me, oh spare my life, I am but a poor old
woman and skinny also," she said. "Oh spare my life, young
sir. Oh lawks."

She curled up, sobbing. Diamanda looked at her in
astonishment, not least at how anyone could expect to get
away with something like that.

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Elves had been away from humans for a long time. The
first elf reached her, hauled her up by her shoulder, and got
a doubled-handed, bony-knuckled punch in an area that
Nanny Ogg would be surprised that Esme Weatherwax even
knew about.

Diamanda was already running. Granny's elbow caught
the other elf in the chest as she set off after her.

Behind her, she heard the merry laughter of the elves.

Diamanda had been surprised at Granny's old lady act.
She was far more surprised when Granny drew level. But
Granny had more to run away from.

"They've got horses!"

Granny nodded. And it's true that horses go faster than
people, but it's not instantly obvious to everyone that this is
only true over moderate distances. Over short distances a
determined human can outrun a horse, because they've only
got half as many legs to sort out.

Granny reached over and gripped Diamanda's arm.

"Head for the gap between the Piper and the
Drummer!"

"Which ones are they?"

"You don't even know that?"

Humans can outrun a horse, indeed. It was preying on
Granny Weatherwax's mind that no one can outrun an
arrow.

Something whined past her ear.

The circle of stones seemed as far away as ever.

Nothing for it. It oughtn't to be possible. She'd only ever
tried it seriously when she was lying down, or at least when
she had something to lean against.

She tried it now .. .

There were four elves chasing them. She didn't even
think about looking into their minds. But the horses ... ah,
the horses . . .

They were carnivores, minds like an arrowhead.

The rules of Borrowing were: you didn't hurt, you just

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rode inside their heads, you didn't involve the subject in any
way...

Well, not so much a rule, as such, more of a general
guideline.

A stone-tipped arrow went through her hat.

Hardly really a guideline, even.

In fact, not even—

Oh, drat.

She plunged into the lead horse's mind, down through
the layers of barely controlled madness which is what is
inside even a normal horse's brain. For a moment she looked
out through its bloodshot eyes at her own figure, staggering
through the snow. For a moment she was trying to control
six legs at once, two of them in a separate body.

In terms of difficulty, playing one tune on a musical
instrument and singing a totally different one was a stroll in
the country by comparison.

She knew she couldn't do it for more than a few seconds
before total confusion overwhelmed mind and body. But a
second was all she needed. She let the confusion arise,
dumped it in its entirety in the horse's mind, and withdrew
sharply, picking up control of her own body as it began to
fall.

There was one horrible moment in the horse's head.

It wasn't sure what it was, or how it had got there. More
importantly, it didn't know how many legs it had. There was
a choice of two or four, or possibly even six. It compromised
on three.

Granny heard it scream and collapse noisily, by the
sound of things taking a couple of others with it.

"Hah!"

She risked a look sideways at Diamanda.

Who wasn't there.

She was in the snow some way back, trying with difficulty

* Except for Nanny Ogg, who did it all the time, although not on purpose.
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to get to her feet. The face she turned to Granny was as pale as
the snow.

There was an arrow sticking out of her shoulder.

Granny darted back, grabbed the girl and hauled her
upright.

"Come on! Nearly there!"

"Can't r'n . . . c'ld ..."

Diamanda slumped forward. Granny caught her before
she hit the snow and, with a grunt of effort, slung her over
her shoulder.

A few more steps, and all she had to do was fall forwar ...

A clawed hand snatched at her dress .. .

And three figures fell, rolling over and over in the sum-
mer bracken.

The elf was first to its feet, looking around in dazed tri-
umph. It already had a long copper knife in its hand.

It focused on Granny, who had landed on her back. She
could smell the rankness of it as it raised the knife, and she
sought desperately for a way into its head .. .

Something flashed past her vision.

A length of rope had caught the elfs neck, and went
tight as something swished through the air. The creature
stared in horror as a flatiron whirred a few feet away from
its face and swung past its ear, winding around and around
with increasing speed but a decreasing orbital radius until it
connected heavily with the back of the elf's head, lifting it
off its feet and dropping it heavily on the turf.

Nanny Ogg appeared in Granny's vision.

"Cor, it doesn't half whiff, don't it?" she said. "You can
smell elves a mile off."

Granny scrambled upright.

There was nothing but grass inside the circle. No snow,
no elves.

She turned to Diamanda. So did Nanny. The girl was
lying unconscious.

"Elf-shot," said Granny.

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"Oh, bugger."

"The point's still in there."

Nanny scratched her head.

"I could probably get the point out, no problem," she
said, "but I don't know about the poison ... we could tie a
tourniquet around the affected part."

"Hah! Her neck'd be favorite, then."

Granny sat down with her chin on her knees. Her shoul-
ders ached.

"Got to get me breath back," she said.

Images swam in the forefront of her mind. Here it came
again. She knew there were such things as alternative
futures, after all, that's what the future meant. But she'd
never heard of alternative pasts. She could remember hav-
ing just gone through the stones, if she concentrated. But
she could remember other things. She could remember
being in bed in her own house, but that was it, it was a
house, not a cottage, but she was her, they were her own
memories... she had a nagging feeling that she was asleep,
right now . . .

Dully, she tried to focus on Nanny Ogg. There was
something comfortingly solid about Gytha Ogg.

Nanny had produced a penknife.

"What the hell are you doing?"

"Going to put it out of its misery, Esme."

"Doesn't look miserable to me."

Nanny Ogg's eyes gleamed speculatively.

"Could soon arrange that, Esme."

"Don't go torturing it just because it's lying down,
Gytha."

"Damn well ain't waiting for it to stand up again, Esme."

"Gytha."

"Well, they used to carry off babies. I ain't having that
again. The thought of someone carrying off our Pewsey—"

"Even elves ain't that daft. Never seen such a sticky child
in all my life."

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Terry Pratehett

Granny pulled gently at Diamanda's eyelid.

"Out cold," she said. "Off playing with the fairies."

She picked the girl up. "Come on. I'll carry her, you
bring Mr. Tinkerbell."

"That was brave of you, carrying her over your shoul-
der," said Nanny. "With them elves firing arrows, too."

"And it meant less chance of one hitting me, too," said
Granny.

Nanny Ogg was shocked.

"What? You never thought that, did you?"

"Well, she'd been hit already. If I'd been hit too, neither
of us'd get out," said Granny, simply.

"But that's—that's a bit heartless, Esme."

"Heartless it may be, but headless it ain't. I've never
claimed to be nice, just to be sensible. No need to look like
that. Now, are you coming or are you going to stand there
with your mouth open all day?"

Nanny closed her mouth, and then opened it again to say:

"What're you going to do?"

"Well, do you know how to cure her?"

"Me? No!"

"Right! Me neither. But I know someone who might know,"
she said. "And we can shove him in the dungeons for now.
Lots of iron bars down there. That should keep him quiet."

"How'd he get through?"

"He was holding on to me. I don't know how it works.
Maybe the stone . . . force opens to let humans through, or
something. Just so long as his friends stay inside, that's all
I'm bothered about."

Nanny heaved the unconscious elf on to her shoulders
without much effort.*

"Smells worse than the bottom of a goat's bed," she said.
"It's a bath for me when I get home."

"Oh, dear," said Granny "It gets worse, don't it?"

* As has been pointed out earlier in the Discworld chronicles, entire agri-
cultural economies have been based on the lifting power of little old
ladies in black dresses.

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What is magic?

Then there is the witches' explanation, which comes in
two forms, depending on the age of the witch. Older witches
hardly put words to it at all, but may suspect in their hearts
that the universe really doesn't know what the hell is going
on and consists of a zillion trillion billion possibilities, and
could become any one of them if a trained mind rigid with
quantum certainty was inserted in the crack and twisted;

that, if you really had to make someone's hat explode, all
you needed to do was twist into that universe where a large
number of hat molecules all decide at the same time to
bounce off in different directions.

Younger witches, on the other hand, talk about it all the
time and believe it involves crystals, mystic forces, and danc-
ing about without yer drawers on.

Everyone may be right, all at the same time. That's the
thing about quantum.

It was early morning. Shawn Ogg was on guard on the bat-
tlements of Lancre castle, all that stood between the
inmates and any mighty barbarian hordes that might be in
the area.

He enjoyed the military life. Sometimes he wished a
small horde would attack, just so's he could Save the Day.
He daydreamed of leading an army into battle, and wished
the king would get one.

A brief scream indicated that Hodgesaargh was giving
his charges their morning finger.

Shawn ignored the noise. It was part of the background
hum of the castle. He was passing the time by seeing how
long he could hold his breath.

He had any amount of ways of passing the time, since
guard duty in Lancre involved such an awful lot of it. There

Terry Pratchett

was Getting The Nostrils Really Clean, that was a good one.
Or Farting Tunes. Or Standing On One Leg. Holding His
Breath and Counting was something he fell back on when he
couldn't think of anything else and his meals hadn't been too
rich in carbohydrates.

There were a couple of loud creaks from the door
knocker, far below. There was so much rust on it now that
the only way it could be coaxed into making any sound was
to lift it up, which made it squeak, and then force it mightily
downward, which caused another squeak and, if the visitor
was lucky, a faint thud.

Shawn took a deep breath and leaned over the battle-
ments.

"Halt! Who Goes There?" he said.

A ringing voice came up from below.

"It's me, Shawn. Your mum."

"Oh, hello. Mum. Hello, Mistress Weatherwax."

"Let us in, there's a good boy."

"Friend or Foe?"

"What?"

"It's what I've got to say, Mum. It's official. And then
you've got to say Friend."

"I'm your mum."

"You've got to do it properly, Mum," said Shawn, in the
wretched tones of one who knows he's going to lose no mat-
ter what happens next, "otherwise what's the point?"

"It's going to be Foe in a minute, my lad."

"Oooaaaww, Mum\"

"Oh, all right. Friend, then."

"Yes, but you could just be saying that—"

"Let us in right now, Shawn Ogg."

Shawn saluted, slightly stunning himself with the butt of
his spear.

"Right you are. Mistress Weatherwax."

His round, honest face disappeared from view. After a
minute or two they heard the creaking of the portcullis.

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"How did you do that?" said Nanny Ogg.
"Simple," said Granny. "He knows you wouldn't make
his daft head explode."

"Well, I know you wouldn't, too."
"No you don't. You just know I ain't done it up to now."

Magrat had thought this sort of thing was just a joke, but it
was true. The castle's Great Hall had one long, one very long
dining table, and she and Verence sat at either end of it.

It was all to do with etiquette.

The king had to sit at the head of the table. That was
obvious. But if she sat on one side of him it made them both
uneasy, because they had to keep turning to talk to each
other. Opposite ends and shouting was the only way.

Then there was the logistics of the sideboard. Again, the
easy option—them just going over and helping themselves—
was out of the question. If kings went round putting their
own food on their own plate, the whole system of monarchy
would come crashing down.

Unfortunately, this meant that service had to be by
means of Mr. Spriggins the butler, who had a bad memory, a
nervous twitch and a rubber knee, and a sort of medieval
elevator system that connected with the kitchen and sounded
like the rattle of a tumbril. The elevator shaft was a kind of
heat sink. Hot food was cold by the time it arrived. Cold
food got colder. No one knew what would happen to ice
cream, but it would probably involve some rewriting of the
laws of thermodynamics.

Also, the cook couldn't get the hang of vegetarianism.
The traditional palace cuisine was heavy in artery-clogging
dishes so full of saturated fats that they oozed out in great
wobbly globules. Vegetables existed as things to soak up
spare gravy, and were generally boiled to a uniform shade of
yellow in any case. Magrat had tried explaining things to
Mrs. Scorbic the cook, but the woman's three chins wobbled

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Terry Pratchett

so menacingly at words like "vitamins" that she'd made an
excuse to back out of the kitchen.

At the moment she was making do with an apple. The
cook knew about apples. They were big roasted floury things
scooped out and filled with raisins and cream. So Magrat
had resorted to stealing a raw one from the apple loft. She
was also plotting to find out where the carrots were kept.

Verence was distantly visible behind the silver candle-
sticks and a pile of account books.

Occasionally they looked up and smiled at each other. At
least, it looked like a smile but it was a little hard to be sure
at this distance.

Apparently he'd just said something.

Magrat cupped her hands around her mouth.

"Pardon?"

"We need a—"

"Sorry?"

"What?"

"What?"

Finally Magrat got up and waited while Spriggins, purple
in the face with the effort, moved her chair down toward
Verence. She could have done it herself, but it wasn't what
queens did.

"We ought to have a Poet Laureate," said Verence, mark-
ing his place in a book. "Kingdoms have to have one. They
write poems for special celebrations."

"Yes?"

"I thought perhaps Mrs. Ogg? I hear she's quite an
amusing songstress."

Magrat kept a straight face.

"I... er ... I think she knows lots of rhymes for certain
words," she said.

"Apparently the going rate is fourpence a year and a butt
of sack," said Verence, peering at the page. "Or it may be a
sack of butt."

"What exactly will she have to do?" said Magrat.

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"It says here the role of the Poet Laureate is to recite
poems on State occasions," said Verence.

Magrat had witnessed some of Nanny Ogg's humorous
recitations, especially the ones with the gestures. She nod-
ded gravely.

"Provided," she said, "and I want to be absolutely sure
you understand me on this, provided she takes up her post
after the wedding."

"Oh, dear? Really?"

"After the wedding."

"Oh."

"Trust me."

"Well, of course, if it makes you happy—"

There was a commotion outside the double doors, which
were flung back. Nanny Ogg and Granny Weatherwax
stamped in, with Shawn trying to overtake them.

"Oooaaww, Mum\ I'm supposed to go in first to say who
it is!"

"We'll tell them who we are. Wotcha, your majesties,"
said Nanny.

"Blessing be upon this castle," said Granny. "Magrat,
there's some doctorin' needs doing. Here."

Granny swept a candlestick and some crockery on to the
floor with a dramatic motion and laid Diamanda on the
table. In fact there were several acres of table totally devoid
of any obstruction, but there's no sense in making an
entrance unless you're prepared to make a mess.

"But I thought she was fighting you yesterday!" said
Magrat.

"Makes no difference," said Granny. "Morning, your
majesty."

King Verence nodded. Some kings would have shouted
for the guards at this point but Verence did not because he
' was sensible, this was Granny Weatherwax and in any case
the only available guard was Shawn Ogg, who was trying to
straighten out his trumpet.

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Terry Pratehett

Nanny Ogg had drifted over to the sideboard. It wasn't
that she was callous, but it had been a busy few hours and
there was a lot of breakfast that no one seemed to be inter-
ested in.

"What happened to her?" said Magrat, inspecting the
girl carefully.

Granny looked around the room. Suits of armor, shields
hanging on the walls, rusty old swords and pikes . . . proba-
bly enough iron here ...

"She was shot by an elf—"

"But—" said Magrat and Verence at the same time.

"Don't ask questions now, got no time. Shot by an elf.
Them horrible arrows of theirs. They make the mind go
wandering off all by itself. Now—can you do anything?"

Despite her better nature, Magrat felt a spark of righ-
teous ire.

"Oh, so suddenly I'm a witch again when you—"

Granny Weatherwax sighed.

"No time for that, either," she said. "I'm just askin'. All
you have to do is say no. Then I'll take her away and won't
bother you again."

The quietness of her voice was so unexpected that
Magrat tripped over her own anger, and tried to right her-
self.

"I wasn't saying I wouldn't, I was just—"

"Good."

There was a series of clangs as Nanny Ogg lifted the sil-
ver tureen lids.

"Hey, they've got three kinds of eggs!"

"Well, there's no fever," said Magrat. "Slow pulse. Eyes
unfocused. Shawn?"

"Yes, Miss Queen?"

"Boiled, scrambled and fried. That's what I call posh."

"Run down to my cottage and bring back all the books
you can find. I'm sure I read something about this once,
Granny. Shawn?"

126

Shawn paused halfway to the door.

"Yes, Miss Queen?"

"On your way out, stop off in the kitchens and ask them
to boil up a lot of water. We can start by getting the wound
clean, at any rate. But look, elves—"

"I'll let you get on with it, then," said Granny, turning
away. "Can I have a word with you, your majesty? There's
something downstairs you ought to see."

"I shall need some help," said Magrat.

"Nanny'11 do it."

"That's me," said Nanny indistinctly, spraying crumbs.

"What are you eating?"

"Fried egg and ketchup sandwich," said Nanny happily.

"You better get the cook to boil you, too," said Magrat,
rolling up her sleeves. "Go and see her." She looked at the
wound. "And see if she's got any mouldy bread ..."

The basic unit of wizardry is the Order or the College or, of
course, the University.

The basic unit of witchcraft is the witch, but the basic
continuous unit, as has already been indicated, is the cottage.

A witch's cottage is a very specific architectural item. It
is not exactly built, but put together over the years as the
areas of repair join up, like a sock made entirely of dams.
The chimney twists like a corkscrew. The roof is thatch so
old that small but flourishing trees are growing in it, the
floors are switchbacks, it creaks at night like a tea clipper in
a gale. If at least two walls aren't shored up with balks of
timber then it's not a true witch's cottage at all, but merely
the home of some daft old bat who reads tea leaves and

talks to her cat.

Cottages tend to attract similar kinds of witches. It's nat-
ural. Every witch trains up one or two young witches in
their life, and when in the course of mortal time the cottage
becomes vacant it's only sense for one of them to move in.

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Magrat's cottage traditionally housed thoughtful witches
who noticed things and wrote things down. Which herbs
were better than others for headaches, fragments of old sto-
ries, odds and ends like that.

There were a dozen books of tiny handwriting and draw-
ings, the occasional interesting flower or unusual frog
pressed carefully between the pages.

It was a cottage of questioning witches, research witches.
Eye of what newt? What species of ravined salt-sea shark?
It's all very well a potion calling for Love-in-idleness, but
which of the thirty-seven common plants called by that
name in various parts of the continent was actually meant?

The reason that Granny Weatherwax was a better witch
than Magrat was that she knew that in witchcraft it didn't mat-
ter a damn which one it was, or even if it was a piece of grass.

The reason that Magrat was a better doctor than Granny
was that she thought it did.

The coach slowed to a halt in front of the barricade across
the road.

The bandit chieftain adjusted his eyepatch. He had two
good eyes, but people respect uniforms. Then he strolled
toward the coach.

"Morning, Jim. What've we got today, then?"

"Uh. This could be difficult," said the coachman. "Uh,
there's a handful of wizards. And a dwarf. And an ape." He
rubbed his head, and winced. "Yes. Definitely an ape. Not,
and I think I should make this clear, any other kind of man-
shaped thing with hair on."

"You all right, Jim?"

"I've had this lot ever since Ankh-Morpork. Don't talk to
me about dried frog pills."

The bandit chief raised his eyebrows.

"All right. I won't."

He knocked on the coach door. The window slid down.

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"I wouldn't like you to think of this as a robbery," he
said. "I'd like you to think of it more as a colorful anecdote
you might enjoy telling your grandchildren about."

A voice from within said, "That's him! He stole my
horse!"

A wizard's staff poked out. The chieftain saw the knob
on the end.

"Now, then," he said, pleasantly. "I know the rules.
Wizards aren't allowed to use magic against civilians except
in genuine life-threatening situa—"

There was a burst of octarine light.

"Actually, it's not a rule," said Ridcully. "It's more a
guideline." He turned to Ponder Stibbons. "Interestin' use of
Stacklady's Morphic Resonator here, I hope you noticed."

Ponder looked down.

The chieftain had been turned into a pumpkin although,
in accordance with the rules of universal humor, he still had
his hat on.

"And now," said Ridcully, "I'd be obliged if all you fel-
lows hidin' behind the rocks and things would just step out
where I can see you. Very good. Mr. Stibbons, you and the
Librarian just pass around with the hat, please."

"But this is robbery!" said the coachman. "And you've
turned him into a fruit!"

"A vegetable," said Ridcully "Anyway, it'll wear off in a
couple of hours."

"And I'm owed a horse," said Casanunda.

The bandits paid up, reluctantly handing over money to
Ponder and reluctantly but very quickly handing over money
to the Librarian.

"There's almost three hundred dollars, sir," said Ponder.

"And a horse, remember. In fact, there were two horses.
I'd forgotten about the other horse until now."

" "Capital! We're in pocket on the trip. So if these gentle-
men would just remove the roadblock, we'll be on our
way."

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Terry Pratehett

"In fact, there was a third horse I've just remembered
about."

"This isn't what you're supposed to do! You're supposed
to be robbed!" shouted the coachman.

Ridcully pushed him off the board.

"We're on holiday," he said.

The coach rattled away There was a distant cry of "And
four horses, don't forget" before it rounded a bend.

The pumpkin developed a mouth.

"Have they gone?"

"Yes, boss."

"Roll me into the shade, will you? And no one say any-
thing about this ever again. Has anyone got any dried frog
pills?"

Verence II respected witches. They'd put him on the throne.
He was pretty certain of that, although he couldn't quite
work out how it had happened. And he was in awe of
Granny Weatherwax.

He followed her meekly toward the dungeons, hurrying
to keep up with her long stride.

"What's happening, Mistress Weatherwax?"

"Got something to show you."

"You mentioned elves."

"That's right."

"I thought they were a fairy story."

"Well?"

"I mean ... you know ... an old wives' tale?"

"So?"

Granny Weatherwax seemed to generate a gyroscopic
field—if you started out off-balance, she saw to it that you
remained there.

He tried again.

"Don't exist, is what I'm trying to say."

Granny reached a dungeon door. It was mainly age-

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blackened oak, but with a large barred grille occupying
some of the top half.

"In there."

Verence peered inside.

"Good grief!"

"I got Shawn to unlock it. I don't reckon anyone else
saw us come in. Don't tell anyone. If the dwarfs and the
trolls find out, they'll tear the walls apart to get him out."

"Why? To kill him?"

"Of course. They've got better memories than humans."

"What am / supposed to do with it?"

"Just keep it locked up. How should I know? I've got to
think!"

Verence peered in again at the elf. It was lying curled up
in the center of the floor.

"That's an elf? But it's .. . just a long, thin human with a
foxy face. More or less. I thought they were supposed to be
beautiful?"

"Oh, they are when they're conscious," said Granny, wav-
ing a hand vaguely "They project this ... this... when people
look at them, they see beauty, they see something they want to
please. They can look just like you want them to look. 'S'called
glamour. You can tell when elves are around. People act funny.
They stop thinking clear. Don't you know anything?"

"I thought . . . elves were just stories . . . like the Tooth
Fairy..."

"Nothing funny about the Tooth Fairy," said Granny.
"Very hard-working woman. I'll never know how she man-
ages with the ladder and everything. No. Elves are real. Oh,
drat. Listen..."

She turned, and held up a finger.

"Feudal system, right?"

"What?"

"Feudal system! Pay attention. Feudal system. King on
top, then barons and whatnot, then everyone else .. . witches
off to one side a bit," Granny added diplomatically. She

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steepled her fingers. "Feudal system. Like them pointy build-
ings heathen kings get buried in. Understand?"

"Yes."

"Right. That's how the elves see things, yes? When they
get into a world, everyone else is on the bottom. Slaves.
Worse than slaves. Worse than animals, even. They take
what they want, and they want everything. But worst of all,
the worst bit is ... they read your mind. They hear what
you think, and in self-defense you think what they want.
Glamour. And it's barred windows at night, and food out
for the fairies, and turning around three times before you
talks about 'em, and horseshoes over the door."

"I thought that sort of thing was, you know," the king
grinned sickly, "folklore?"

"Of course it's folklore, you stupid man!"

"I do happen to be king, you know," said Verence
reproachfully.

"You stupid king, your majesty,"

"Thank you."

"I mean it doesn't mean it's not true! Maybe it gets a lit-
tle muddled over the years, folks forget details, they forget
why they do things. Like the horseshoe thing."

"I know my granny had one over the door," said the king.

"There you are. Nothing to do with its shape. But if you
lives in an old cottage and you're poor, it's probably the
nearest bit of iron with holes in it that you can find."

"Ah."

"The thing about elves is they've got no ... begins with
m," Granny snapped her fingers irritably.

"Manners?"

"Hah! Right, but no."

"Muscle? Mucus? Mystery?"

"No. No. No. Means like . . . seein' the other person's
point of view."

Verence tried to see the world from a Granny
Weatherwax perspective, and suspicion dawned.

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"Empathy?"

"Right. None at all. Even a hunter, a good hunter, can
feel for the quarry. That's what makes 'em a good hunter.
Elves aren't like that. They're cruel for fun, and they can't
understand things like mercy. They can't understand that
anything apart from themselves might have feelings. They
laugh a lot, especially if they've caught a lonely human or a
dwarf or a troll. Trolls might be made out of rock, your
majesty, but I'm telling you that a troll is your brother com-
pared to elves. In the head, I mean."

"But why don't I know all this?"

"Glamour. Elves are beautiful. They've got," she spat the
word, "style. Beauty. Grace. That's what matters. If cats
looked like frogs we'd realize what nasty, cruel little bas-
tards they are. Style. That's what people remember. They
remember the glamour. All the rest of it, all the truth of it,
becomes . .. old wives' tales."

"Magrat's never said anything about them."

Granny hesitated.

"Magrat doesn't know too much about elves," she said.
"Hah. She ain't even a young wife yet. They're not some-
thing that gets talked about a lot these days. It's not good to
talk about them. It's better if everyone forgets about them.
They . . . come when they're called. Not called like 'Cooee.'
Called inside people's heads. It's enough for people just to
want them to be here."

Verence waved his hands in the air.

"I'm still learning about monarchy," he said. "I don't
understand this stuff."

"You don't have to understand. You're a king. Listen.
You know about weak places in the world? Where it joins
other worlds?"

"No."

"There's one up on the moor. That's why the Dancers
were put up around it. They're a kind of wall."

Terry Pratchett

"But sometimes the barriers between worlds is weaker,
see? Like tides. At circle time."

"Ah."

"And if people act stupidly then, even the Dancers can't
keep the gateway shut. 'Cos where the world's thin, even the
wrong thought can make the link."

"Ah."

Verence felt the conversation had orbited back to that
area where he could make a contribution.

"Stupidly?" he said.

"Calling them. Attracting them."

"Ah. So what do I do?"

"Just go on reigning. I think we're safe. They can't get
through. I've stopped the girls, so there'll be no more
channeling. You keep this one firmly under lock and key,
and don't tell Magrat. No sense in worrying her, is
there? Something came through, but I'm keeping an eye
on it."

Granny rubbed her hands together in grim satisfaction.

"I think I've got it sorted," she said.

She blinked.

She pinched the bridge of her nose.

"What did I just say?" she said.

"Uh. You said you thought you'd got it sorted," said the
king.

Granny Weatherwax blinked.

"That's right," she said. "I said that. Yes. And I'm in the
castle, aren't I? Yes."

"Are you all right. Mistress Weatherwax?" said the king,
his voice taut with sudden worry.

"Fine, fine. Fine. In the castle. And the children are all
right, too?"

"Sorry?"

She blinked again.

"What?"

"You don't look well..."

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Granny screwed up her face and shook her head.
"Yes. The castle. I'm me, you're you, Gytha's upstairs
with Magrat. That's right." She focused on the king. "Just a
bit of ... of overtiredness there. Nothing to worry about.
Nothing to worry about at all."

Nanny Ogg looked doubtfully at Magrat's preparation.

"A mouldy bread poultice doesn't sound very magical to

me," she said.

"Goodie Whemper used to swear by it. But I don't know

what we can do about the coma."

Magrat thumbed hopefully through the crackling,
ancient pages. Her ancestral witches had written things
down pretty much as they occurred to them, so that quite
important spells and observations would be interspersed
with comments about the state of their feet.

"It says here 'The smalle pointy stones sometimes found
are knowne as Elf-shot, beinge the heads of Elf arrows from
Times Past." That's all I can find. And there's a drawing. But
I've seen these little stones around, too."

"Oh, there's lots of them," said Nanny, bandaging
Diamanda's shoulder. "Dig 'em up all the time, in my garden."

"But elves don't shoot people! Elves are good."

"They probably just fired at Esme and the girl in fun,
like?"

"But—"

"Look, dear, you're going to be queen. It's an important
job. You look after the king now, and let me and Esme look

after ... other stuff."

"Being Queen? It's all tapestry and walking around in
unsuitable dresses! I know Granny. She doesn't like anything
that's . .. that's got style and grace. She's so sour."

"I daresay she's got her reasons," said Nanny amiably.
"Well, that's got the girl patched up. What shall we do with
her now?"

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Terry Pratchett

"We've got dozens of spare bedrooms," said Magrat,
"and they're all ready for the guests. We can put her in one
of them. Um. Nanny?"

"Yes?"

"Would you like to be a bridesmaid?"

"Not really, dear. Bit old for that sort of thing." Nanny
hovered. "There isn't anything you need to ask me, though,
is there?"

"What do you mean?"

"What with your mum being dead and you having no
female relatives and everything..."

Magrat still looked puzzled.

"After the wedding, is what I'm hinting about," said
Nanny.

"Oh, that. No, most of that's being done by a caterer.
The cook here isn't much good at canapes and things."

Nanny looked carefully at the ceiling.

"And what about after that?" she said. "If you catch my
meaning."

"I'm getting a lot of girls in to do the clearing up. Look,
don't worry. I've thought of everything. I wish you and
Granny wouldn't treat me as if I don't know anything."

Nanny coughed. "Your man," she said. "Been around a
bit, I expect? Been walking out with dozens of young
women, I've no doubt."

"Why do you say that? I don't think he has. Fools don't
have much of a private life and, of course, he's been very
busy since he's been king. He's a bit shy with girls."

Nanny gave up.

"Oh, well," she said, "I'm sure you'll work it all out as

you—"

Granny and the king reappeared.

"How's the girl?" said Granny.

"We took out the arrow and cleaned up the wound, any-
way," said Magrat. "But she won't wake up. Best if she stays
here."

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"You sure?" said Granny. "She needs keeping an eye on.
I've got a spare bedroom."

"She shouldn't be moved," said Magrat, briskly.

"They've put their mark on her," said Granny. "You sure
you know how to deal with it?"

"I do know it's quite a nasty wound," said Magrat,
briskly.

"I ain't exactly thinking about the wound," said Granny.
"She's been touched by them is what I mean. She's—"

"I'm sure I know how to deal with a sick person," said
Magrat. "I'm not totally stupid, you know."

"She's not to be left alone," Granny persisted.

"There'll be plenty of people around," said Verence.
"The guests start arriving tomorrow."

"Being alone isn't the same as not having other people
around," said Granny.

"This is a castle. Granny."

"Right. Well. We won't keep you, then," said Granny.
"Come, Gytha."

Nanny Ogg helped herself to an elderly lamb chop from
under one of the silver covers, and waved it vaguely at the
royal pair.

"Have fun," she said. "Insofar as that's possible."

"Gytha!"

"Coming."

Elves are wonderful. They provoke wonder.
Elves are marvellous. They cause marvels.
Elves are fantastic. They create fantasies.
Elves are glamorous. They project glamour.
Elves are enchanting. They weave enchantment.
Elves are terrific. They beget terror.
The thing about words is that meanings can twist just
like a snake, and if you want to find snakes look for them
behind words that have changed their meaning.

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No one ever said elves are nice.
Elves are bad.

"Well, that's it," said Nanny Ogg, as the witches walked out
over the castle's drawbridge. "Well done, Esme."

"It ain't over," said Granny Weatherwax.

"You said yourself they can't get through now. No one
else round here's going to try any magic at the stones, that's
sure enough."

"Yes, but it'll be circle time for another day or so yet.
Anything could happen."

"That Diamanda girl's out of it, and you've put the wind
up the others," said Nanny Ogg, tossing the lamb bone into
the dry moat. "Ain't no one else going to call 'em, I know
that."

"There's still the one in the dungeon."

"You want to get rid of it?" said Nanny. "I'll send our
Shawn to King Ironfoundersson up at Copperhead, if you
like. Or I could hop on the old broomstick meself and go
and drop the word to the Mountain King. The dwarfs and
trolls'll take it off our hands like a shot. No more problem."

Granny ignored this.

"There's something else," she said. "Something we
haven't thought of. She'll still be looking for a way."

They'd reached the town square now. She surveyed it.
Of course, Verence was king and that was right and proper,
and this was his kingdom and that was right and proper
too. But in a deeper sense the kingdom belonged to her.
And to Gytha Ogg, of course. Verence's writ only ran to the
doings of mankind; even the dwarfs and trolls didn't
acknowledge him as king, although they were very polite
about it. But when it came to the trees and the rocks and
the soil. Granny Weatherwax saw it as hers. She was sensi-
tive to its moods.

It was still being watched. She could sense the watch-

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fulness. Sufficiently close examination changes the thing
being observed, and what was being observed was the
whole country. The whole country was under attack, and
here she was, her mind unraveling ...

"Funny thing," said Nanny Ogg, to no one in particular,
"while I was sitting up there at the Dancers this morning I
thought, funny thing..."

"What're you going on about now?"

"I remember when I was young there was a girl like
Diamanda. Bad-tempered and impatient and talented and a
real pain in the bum to the old witches. I don't know if you
happen to remember her, by any chance?"

They passed Jason's forge, which rang to the sound of
his hammer.

"I never forgot her," said Granny, quietly.

"Funny thing, how things go round in circles ..."

"No they don't," said Granny Weatherwax firmly. "I
wasn't like her. You know what the old witches round here
were like. Set in their ways. No more than a bunch of old
wart-charmers. And I wasn't rude to them. I was just . . .
firm. Forthright. I stood up for meself. Part of being a witch
is standing up for yourself—you're grinning."

"Just wind, I promise."

"It's completely different with her. No one's ever been
able to say I wasn't open to new ideas."

"Well known for being open to new ideas, you are," said
Nanny Ogg. "I'm always saying, that Esme Weatherwax,
she's always open to new ideas."

"Right." Granny Weatherwax looked up at the forested
hills around the town, and frowned.

"The thing is," she said, "girls these days don't know
how to think with a clear mind. You've got to think clearly
and not be distracted. That's Magrat for you, always being
distracted. It gets in the way of doing the proper thing." She
stopped. "I can feel her, Gytha. The Queen of the Fairies.
She can get her mind past the stones. Blast that girl! She's

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1

Terry Pratchett

got a way in. She's everywhere. Everywhere I look with my
mind, I can smell her."

"Everything's going to be all right," said Nanny, patting
her on the shoulder. "You'll see."

"She's looking for a way," Granny repeated.

"Good morrow, brothers, and wherehap do we whist this
merry day?" said Carter the baker.

The rest of the Lancre Morris Men looked at him.

"You on some kind of medication or what?" said Weaver
the thatcher.

"Just trying to enter into the spirit of the thing," said
Carter.

"That's how rude mechanicals talk."

"Who're rude mechanicals?" said Baker the weaver.

"They're the same as Comic Artisans, I think," said
Carter the baker.

"I asked my mum what artisans are," said Jason.

"Yeah?"

"They're us."

"And we're Rude Mechanicals as well?" said Baker the
weaver.

"I reckon."

"Bum!"

"Well, we certainly don't talk like these buggers in the
writing," said Carter the baker. "I never said 'fol-de-rol' in
my life. And I can't understand any of the jokes."

"You ain't supposed to understand the jokes, this is a
play," said Jason.

"Drawers!" said Baker the weaver.

"Oh, shut up. And push the cart."

"Don't see why we couldn't do the Stick and Bucket
Dance ..." mumbled Tailor the other weaver.

"We're not doing the Stick and Bucket dance! I never
want to hear any more ever about the Stick and Bucket

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dance! I still get twinges in my knee! So shut up about the
Stick and Bucket dance!"

"Belly!" shouted Baker, who wasn't a man to let go of an
idea.

The cart containing the props bumped and skidded on
the rutted track.

Jason had to admit that Morris dancing was a lot easier
than acting. People didn't keep turning up to watch and gig-
gle. Small children didn't stand around jeering. Weaver and
Thatcher were in almost open rebellion now, and mucking
up the words. The evenings were becoming a constant
search for somewhere to rehearse.

Even the forest wasn't private enough. It was amazing
how people would just happen to be passing.

Weaver stopped pushing, and wiped his brow.

"You'd have thought the Blasted Oak would've been
safe," he said. "Half a mile from the nearest path, and damn
me if after five minutes you can't move for charcoal burners,
hermits, trappers, tree tappers, hunters, trolls, bird-limers,
hurdle-makers, swine-herds, truffle hunters, dwarfs, bodgers
and suspicious buggers with big coats on. I'm surprised
there's room in the forest for the bloody trees. Where to
now?"

They'd reached a crossroads, if such it could be called.

"Don't remember this one," said Carpenter the poacher.
"Thought I knew all the paths around here."

"That's 'cos you only ever sees 'em in the dark," said
Jason.

"Yeah, everyone knows 'tis your delight on a shining
night," said Thatcher the carter.

"Tis his delight every night," said Jason.

"Hey," said Baker the weaver, "we're getting really good
at this rude mechanism, ain't we?"

"Let's go right," said Jason.

"Nah, it's all briars and thorns that way."

"All right, then, left then."

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"It's all winding," said Weaver.

"What about the middle road?" said Carter.

Jason peered ahead.

There was a middle track, hardly more than an animal
path, which wound away under shady trees. Ferns grew
thickly alongside it. There was a general green, rich, dark
feel to it, suggested by the word "bosky"*

His blacksmith's senses stood up and screamed.

"Not that way," he said.

"Ah, come on," said Weaver. "What's wrong with it?"

"Goes up to the Dancers, that path does," said Jason.
"Me mam said no one was to go up to the Dancers 'cos of
them young women dancing round 'em in the nudd."

"Yeah, but they've been stopped from that," said
Thatcher. "Old Granny Weatherwax put her foot down hard
and made 'em put their drawers on."

"And they ain't to go there anymore, neither," said
Carter. "So it'll be nice and quiet for the rehearsing."

"Me mam said no one was to go there," said Jason, a
shade uncertainly.

"Yeah, but she probably meant . . . you know . . . with
magical intent," said Carter. "Nothing magical about pranc-
ing around in wigs and stuff."

"Right," said Thatcher. "And it'll be really private."

"And," said Weaver, "if any young women fancies sneak-
ing back up there to dance around without their drawers on,
we'll be sure to see 'em."

There was a moment of absolute, introspective silence.

"I reckon," said Thatcher, voicing the unspoken views of
nearly all of them, "we owes it to the community."

"We-ell," said Jason, "me mam said ..."

"Anyway, your mum's a fine one to talk," said Weaver.
"My dad said that when he was young, your mum hardly
ever had—"

* i.e., having a lot of bosk.

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"Oh, all right," said Jason, clearly outnumbered. "Can't
see it can do any harm. We're only actin'. It's . . . it's make-
believe. It's not as if it's anything real. But no one's to do any
dancing. Especially, and I want everyone to be absolutely
defnite about this, the Stick and Bucket dance."

"Oh, we'll be acting all right," said Weaver. "And keep-
ing watch as well, o'course."

"It's our duty to the community," said Thatcher, again.

"Make-believe is bound to be all right," said Jason,
uncertainly.

Clang boinng clang ding...

The sound echoed around Lancre.

Grown men, digging in their gardens, flung down their
spades and hurried for the safety of their cottages . ..

Clang boinnng goinng ding...

Women appeared in doorways and yelled desperately for
their children to come in at once .. .
... BANG buggrit Dong boinng...

Shutters thundered shut. Some men, watched by their
frightened families, poured water on the fire and tried to
stuff sacks up the chimney ...

Nanny Ogg lived alone, because she said old people
needed their pride and independence. Besides, Jason lived
on one side, and he or his wife whatshername could easily
be roused by means of a boot applied heavily to the wall,
and Shawn lived on the other side and Nanny had got him
to fix up a long length of string with some tin cans on it in
case his presence was required. But this was only for emer-
gencies, such as when she wanted a cup of tea or felt
bored.

Bond drat clang ...

Nanny Ogg had no bathroom but she did have a tin
bath, which normally hung on a nail on the back of the
privy. Now she was dragging it indoors. It was almost up the

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garden, after being bounced off various trees, walls, and gar-
den gnomes on the way.

Three large black kettles steamed by her fireside. Beside
them were half a dozen towels, the loofah, the pumice stone,
the soap, the soap for when the first soap got lost, the ladle
for fishing spiders out, the waterlogged rubber duck with
the prolapsed squeaker, the bunion chisel, the big scrubbing
brush, the small scrubbing brush, the scrubbing brush on a
stick for difficult crevices, the banjo, the thing with the
pipes and spigots that no one ever really knew the purpose
of, and a bottle of Klatchian Nights bath essence, one drop
of which could crinkle paint.

Bong clang slam ...

Everyone in Lancre had learned to recognize Nanny's
pre-ablutive activities, out of self-defense.

"But it ain't April!" neighbors told themselves, as they
drew the curtains.

In the house just up the hill from Nanny Ogg's cottage
Mrs. Skindle grabbed her husband's arm.

"The goat's still outside!"

"Are you mad? I ain't going out there! Not now!"

"You know what happened last time! It was paralyzed
all down one side for three days, man, and we couldn't get it
down off the roof!"

Mr. Skindle poked his head out of the door. It had all
gone quiet. Too quiet.

"She's probably pouring the water in," he said.

"You've got a minute or two," said his wife. "Go on, or
we'll be drinking yogurt for weeks."

Mr. Skindle took down a halter from behind the door,
and crept out to where his goat was tethered near the hedge.
It too had learned to recognize the bathtime ritual, and was
rigid with apprehension.

There was no point in trying to drag it. Eventually he
picked it up bodily.

There was a distant but insistent sloshing noise, and the

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bonging sound of a floating pumice stone bouncing on the
side of a tin bath.

Mr. Skindle started to run.

Then there was the distant tinkle of a banjo being tuned.

The world held its breath.

Then it came, like a tornado sweeping across a prairie.

"AAaaaaeeeeeee—"

Three flowerpots outside the door cracked, one after the
other. Shrapnel whizzed past Mr. Skindle's ear.

"—wizzaaardsah staaafff has a knobontheend, knobon-
theend—"

He threw the goat through the doorway and leapt after
it. His wife was waiting, and slammed the door shut behind
him.

The whole family, including the goat, got under the table.

It wasn't that Nanny Ogg sang badly. It was just that she
could hit notes which, when amplified by a tin bath half full
of water, ceased to be sound and became some sort of inva-
sive presence.

There had been plenty of singers whose high notes could
smash a glass, but Nanny's high C could clean it.

The Lancre Morris Men sat glumly on the turf, passing an
earthenware jug between them. It had not been a good
rehearsal.

"Don't work, does it?" said Thatcher.
"'S'not funny, that I do know," said Weaver. "Can't see
the king killing himself laughing at us playing a bunch of
mechanical artisans not being very good at doin' a play."
"You're just no good at it," said Jason.
"We're sposed to be no good at it," said Weaver.
"Yeah, but you're no good at acting like someone who's
ho good at acting," said Tinker. "I don't know how, but you
ain't. You can't expect all the fine lords and ladies—"

A breeze blew over the moor, tasting of ice at midsummer.

145

Terry Pratchett

"—to laugh at us not being any good at being no good at
acting."

"I don't see what's funny about a bunch of rude artisans
trying to do a play anyway," said Weaver.

Jason shrugged.

"It says all the gentry—"

A tang on the wind, the sharp tin taste of snow ...

"—in Ankh-Morpork laughed at it for weeks and
weeks," he said. "It was on Broad Way for three months."

"What's Broad Way?"

"That's where all the theaters are. The Dysk, Lord
Wynkin's Men, the Bearpit..."

"They'd laugh at any damn thing down there," said
Weaver. "Anyway, they all think we'm all simpletons up
here. They all think we say oo-aah and sings daft folk songs
and has three brain cells huddlin' together for warmth 'cos
of drinking scumble all the time."

"Yeah. Pass that jug."

"Swish city bastards."

"They don't know what it's like to be up to the armpit in
a cow's backside on a snowy night. Hah!"

"And there ain't one of 'em that—what're you talking
about? You ain't got a cow."

"No, but I know what it's like."

"They don't know what it's like to get one wellie sucked
off in a farmyard full of gyppoe and that horrible moment
where you waves the foot around knowin' that wherever you
puts it down it's going to go through the crust."

The stoneware jug glugged gently as it was passed from
hand to unsteady hand.

"True. That's very true. And you ever seen 'em Morris
dancing? "Muff to make you hang up your hanky."

"What, Morris dancing in a city?"

"Well, down in Sto Helit, anyway. Bunch o' soft wizards
and merchants. I watched 'em a whole hour and there
wasn't even a groinin'."

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"Swish city bastards. Comin' up here, takin' our jobs..."

"Don't be daft. They don't know what a proper job is."

The jug glugged, but with a deeper tone, suggesting that
it contained a lot of emptiness.

"Bet they've never been up to the armpit—"

"The point is. The point is. The point. The point is.
Hah. All laughin' at decent rude artisans, eh? I mean. I
mean. I mean. What's it all about? I mean. I mean. I mean.
Play's all about some mechanical. . . rude buggers makin' a
pig's ear out of doin' a play about a bunch of lords and
ladies—"

A chill in the air, sharp as icicles . ..

"It needs something else."

"Right. Right."

"A mythic element."

"Right. My point. My point. My point. Needs a plot they
can go home whistlin'. Exactly."

"So it should be done here, in the open air. Open to the
sky and the hills."

Jason Ogg wrinkled his brows. They were always pretty
wrinkled anyway, whenever he was dealing with the com-
plexities of the world. Only when it came to iron did he
know exactly what to do. But he held up a wavering finger
and tried to count his fellow thespians. Given that the jug
was now empty, this was an effort. There seemed, on aver-
age, to be seven other people. But he had a vague, nagging
feeling that something wasn't right.

"Out here," he said, uncertainly.

"Good idea," said Weaver.

"Wasn't it your idea?" said Jason.

"I thought you said it."

"I thought you did."

"Who cares who said it?" said Thatcher. "'S'a good idea.
Seems ... right."

"What was that about the miffic quality?"

"What's miffic?"

Terry Pratchett

"Something you've got to have," said Weaver, theatrical
expert. "Very important, your miffics."

"Me mam said no one was to go—" Jason began.

"We shan't be doing any dancing or anything," said Carter.
"I can see you don't want people skulking around up here by
'emselves, doin' magic. But it can't be wrong if everyone
comes here. I mean, the king and everyone. Your mam, too.
Hah, I'd like to see any girls with no drawers on get past her!"

"I don't think it's just—" Jason began.

"And the other one'll be there, too," said Weaver.

They considered Granny Weatherwax.

"Cor, she frightens the life out of me, her," said Thatcher,
eventually. "The way she looks right through you. I wouldn't
say a word against her, mark you, a fine figure of a woman,"
he said loudly, and then added rather more quietly, "but they
do say she creeps around the place o'nights, as a hare or a bat
or something. Changes her shape and all. Not that I believes a
word of it," he raised his voice, then let it sink again, "but old
Weezen over in Slice told me once he shot a hare in the leg one
night and next day she passed him on the lane and said 'Ouch'
and gave him a right ding across the back of his head."

"My dad said," said Weaver, "that one day he was lead-
ing our old cow to market and it took ill and fell down in
the lane near her cottage and he couldn't get it to move and
he went up to her place and he knocked on the door and she
opened it and before he could open his mouth she said, "Yer
cow's ill, Weaver" . . . just like that. . . And then she said—"

"Was that the old brindled cow what your dad had?"
said Carter.

"No, it were my uncle had the brindled cow, we had the
one with the crumpled horn," said Weaver. "Anyway—"

"Could have sworn it was brindled," said Carter. "I
remember my dad looking at it over the hedge one day and
saying, 'That's fine brindling on that cow, you don't get brin-
dling like that these days.' That was when you had that old
field alongside Cabb's Well."

148

"We never had that field, it was my cousin had that
field," said Weaver. "Anyway—"

"You sure?"

"Anyway," said Weaver, she said, "You wait there, I'll give
you something for it," and she goes out into her back kitchen
and comes back with a couple of big red pills, and she—"

"How'd it get crumpled, then?" said Carter.

"—and she gave him one of the pills and said, 'What you
do, you raise the old cow's tail and shove this pill where the
sun don't shine, and in half a minute she'll be up and run-
ning as fast as she can,' and he thanked her, and then as he
was going out of the door he said, 'What's the other pill
for?' and she gave him a look and said, 'Well, you want to
catch her, don't you?'"

"That'd be that deep valley up near Slice," said Carter.

They looked at him.

"What, exactly, are you talking about?" said Weaver.

"It's right behind the mountain," said Carter, nodding
knowingly. "Very shady there. That's what she meant, I
expect. The place where the sun doesn't shine. Long way to
go for a pill, but I suppose that's witches for you."

Weaver winked at the others.

"Listen," he said, "I'm telling you she meant . . . well,
where the monkey put his nut."

Carter shook his head.

"No monkeys in Slice," he said. His face became suf-
fused with a slow grin. "Oh, I get it! She was daft!"

"Them playwriters down in Ankh," said Baker, "boy,
they certainly know about us. Pass me the jug."

Jason turned his head again. He was getting more and
more uneasy. His hands, which were always in daily contact
with iron, were itching.

"Reckon we ought to be getting along home now, lads,"
he managed.

"'S'nice night," said Baker, staying put. "Look at them
stars a-twinklin'."

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Terry Pratchett

"Turned a bit cold, though," said Jason.

"Smells like snow," said Carter.

"Oh, yeah," said Baker. "That's right. Snow at midsum-
mer. That's what they get where the sun don't shine."

"Shutup, shutup, shutup," said Jason.

"What's up with you?"

"It's wrong! We shouldn't be up here! Can't you feel it?"

"Oh, sit down, man," said Weaver. "It's fine. Can't feel
nothing but the air. And there's still more scumble in the jug."

Baker leaned back.

"I remember an old story about this place," he said.
"Some man went to sleep up here once, when he was out
hunting."

The bottle glugged in the dusk.

"So what? I can do that," said Carter. "I go to sleep
every night, reg'lar."

"Ah, but this man, when he woke up and went home,
his wife was carrying on with someone else and all his chil-
dren had grown up and didn't know who he was."

"Happens to me just about every day," said Weaver
gloomily.

Baker sniffed.

"You know, it does smell a bit like snow. You know?
That kind of sharp smell."

Thatcher leaned back, cradling his head on his arm.

"Tell you what," he said, "if I thought my old woman'd
marry someone else and my hulking great kids'd bugger off
and stop eating up the larder every day I'd come up here
with a blanket like a shot. Who's got that jug?"

Jason took a pull out of nervousness, and found that he
felt better as the alcohol dissolved his synapses.

But he made an effort.

"Hey, lads," he slurred, "'ve got 'nother jug coolin' in the
water trough down in the forge, what d'you say? We could
all go down there now. Lads? Lads?"

There was the soft sound of snoring.

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"Oh, lads."

Jason stood up.

The stars wheeled.

Jason fell down, very gently. The jug rolled out of his
hands and bounced across the grass.

The stars twinkled, the breeze was cold, and it smelled
of snow.

The king dined alone, which is to say, he dined at one end of
the big table and Magrat dined at the other.

But they managed to meet up for a last glass of wine in
front of the fire.

They always found it difficult to know what to say at
moments like this. Neither of them was used to spending
what might be called quality time in the company of
another person. The conversation tended toward the

cryptic.

And mostly it was about the wedding. It's different, for
royalty. For one thing, you've already got everything. The
traditional wedding list with the complete set of
Tupperware and the twelve-piece dining set looks a bit out
of place when you've already got a castle with so many fur-
nished rooms that have been closed up for so long that the
spiders have evolved into distinct species in accordance
with strict evolutionary principles. And you can't simply
multiply it all up and ask for An Army in a Red and White
Motif to match the kitchen wallpaper. Royalty, when they
marry, either get very small things, like exquisitely
constructed clockwork eggs, or large bulky items, like

duchesses.

And then there's the guest list. It's bad enough at an
ordinary wedding, what with old relatives who dribble and
swear, brothers who get belligerent after one drink, and
various people who Aren't Talking to other people because
of What They Said About Our Sharon. Royalty has to deal

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with entire countries who get belligerent after one drink,
and entire kingdoms who Have Broken Off Diplomatic
Relations after what the Crown Prince Said About Our
Sharon. Verence had managed to work that all out, but
then there were the species to consider. Trolls and dwarfs
got on all right in Lancre by the simple expedient of having
nothing to do with one another, but too many of them
under one roof, especially if drink was flowing, and espe-
cially if it was flowing in the direction of the dwarfs, and
people would Be Breaking People's Arms Off because of
what, more or less, Their Ancestors Said About Our
Sharon.

And then there's other things .. .

"How's the girl they brought in?"

"I've told Millie to keep an eye on her. What are they
doing, those two?"

"I don't know."

You're king, aren't you?"

Verence shifted uneasily.

"But they're witches. I don't like to ask them questions."

"Why not?"

"They might give me answers. And then what would I
do?"

"What did Granny want to talk to you about?"

"Oh . . . you know . .. things ..."

"It wasn't about.. . sex, was it?"

Verence suddenly looked like a man who had been
expecting a frontal attack and suddenly finds nasty things
happening behind him.

"No! Why?"

"Nanny was trying to give me motherly advice. It was all
I could do to keep a straight face. Honestly, they both treat
me as if I'm a big child."

"Oh, no. Nothing like that."

They sat on either side of the huge fireplace, both crim-
son with embarrassment.

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Then Magrat said: "Er . . . you did send off for that
book, did you? You know . . . the one with the wood-
cuts?"

"Oh, yes. Yes, I did."

"It ought to have arrived by now."

"Well, we only get a mail coach once a week. I expect
it'll come tomorrow. I'm fed up with running down there
every week in case Shawn gets there first."

"You are king. You could tell him not to."

"Don't like to, really. He's so keen."

A large log crackled into two across the iron dogs.

"Can you really get books about... that?"

"You can get books about anything."

They both stared at the fire. Verence thought: she
doesn't like being a queen, I can see that, but that's what
you are when you marry a king, all the books say so ...

And Magrat thought: he was much nicer when he was
a man with silver bells on his hat and slept every night on
the floor in front of his master's door. I could talk to him
then . . .

Verence clapped his hands together.

"Well, that's about it, then. Busy day tomorrow, what
with all the guests coming and everything."

"Yes. It's going to be a long day."

"Very nearly the longest day. Haha."

"Yes."

"I expect they've put warming pans in our beds."

"Has Shawn got the hang of it now?"

"I hope so. I can't afford any more mattresses."

It was a great hall. Shadows piled up in the corners,
clustered at either end.

"I suppose," said Magrat, very slowly, as they stared at
the fire, "they haven't really had many books here in Lancre.
Up until now."

"Literacy is a great thing."

"They got along without them, I suppose."

Terry Pratchett

"Yes, but not properly. Their husbandry is really very
primitive."

Magrat looked at the fire. Their wifery wasn't up to
much either, she thought.

"So we'd better be off to bed, then, do you think?"

"I suppose so."

Verence took down two silver candlesticks, and lit the
candles with a taper. He handed one to Magrat.

"Goodnight, then."

"Goodnight."

They kissed, and turned away, and headed for their own
rooms.

The sheets on Magrat's bed were just beginning to turn
brown. She pulled out the warming pan and dropped it out
of the window.

She glared at the garderobe.

Magrat was probably the only person in Lancre who
worried about things being biodegradable. Everyone else
just hoped things would last and knew that damn near
everything went rotten if you left it long enough.

At home—correction, at the cottage where she used to
live—there had been a privy at the bottom of the garden.

She'd approved of it. With a regular bucket of ashes and
a copy of last year's Almanack on a nail and a bunch-of-
grapes cutout on the door it functioned quite effectively.
About once every few months she'd have to dig a big hole
and get someone to help her move the shed itself.

The garderobe was this: a sort of small roofed-in room
inside the wall, with a wooden seat positioned over a large
square hole that went down all the way to the foot of the
castle wall far below, where there was an opening from
which biodegradability took place once a week by means of
an organo-dynamic process known as Shawn Ogg and his
wheelbarrow. That much Magrat understood. It kind of fit-
ted in with the whole idea of royalty and commonality. What
shocked her were the hooks.

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They were for storing clothes in the garderobe. Millie
had explained that the more expensive furs and things were
hung there. Moths were kept away by the draught from the
hole and .. . the smell.

Magrat had put her foot down about that, at least.

Now she lay in bed and stared at the ceiling.

Of course she wanted to marry Verence, even with his
weak chin and slightly runny eyes. In the pit of the night
Magrat knew that she was in no position to be choosy,
and getting a king in the circumstances was a stroke of
luck.

It was just that she had preferred him when he'd been a
Fool. There's something about a man who tinkles gently as
he moves.

It was just that she could see a future of bad tapestry
and sitting looking wistfully out of the window.

It was just that she was fed up with books of etiquette
and lineage and Twurp's Peerage of the Fifteen Mountains
and the Sto Plains.

You had to know this kind of thing, to be a queen.
There were books full of the stuff in the Long Gallery, and
she hadn't even explored the far end. How to address the
third cousin of an earl. What the pictures on shields
meant, all those lions passant and regardant. And the
clothes weren't getting any better. Magrat had drawn the
line at a wimple, and she wasn't at all happy about the big
pointy hat with the scarf dangling from it. It probably
looked beautiful on the Lady of Shallot, but on Magrat it
looked as though someone had dropped a big ice cream on
her neck.

Nanny Ogg sat in front of her fire in her dressing gown,
smoking her pipe and idly cutting her toenails. There was

* Really tme. That's why people stand aside when kings go past.

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Terry Pratehett

the occasional ping and ricochet from distant parts of the
room, and a small tinkle as an oil lamp was smashed.

Granny Weatherwax lay on her bed, still and cold. In her
blue-veined hands, the words: I ATE'NT DEAD . ..

Her mind drifted across the forest, searching, searching...

The trouble was, she could not go where there were no
eyes to see or ears to hear.

So she never noticed the hollow near the stones, where
eight men slept.

And dreamed ...

Lancre is cut off from the rest of the lands of mankind by a
bridge over Lancre Gorge, above the shallow but poisonous-
ly fast and treacherous Lancre River.

The coach pulled up at the far end.

There was a badly painted red, black, and white post
across the road.

The coachman sounded his hom.

"What's up?" said Ridcully, leaning out of the window.

"Troll bridge."

"Whoops."

After a while there was a booming sound under the
bridge, and a troll clambered over the parapet. It was quite
overdressed, for a troll. In addition to the statutory loin-
cloth, it was wearing a helmet. Admittedly it had been
designed for a human head, and was attached to the much
larger troll head by string, but there probably wasn't a better
word than "wearing."

"What's up?" said the Bursar, waking up.

"There's a troll on the bridge," said Ridcully, "but it's
underneath a helmet, so it's probably official and will get

• The Lancratians did not consider geography to be a very original science.

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into serious trouble if it eats people. Nothing to worry
about."

The Bursar giggled, because he was on the upcurve of
whatever switchback his mind was currently riding.

The troll appeared at the coach window.

"Afternoon, your lordships," it said. "Customs inspection."

"I don't think we have any," babbled the Bursar happily.
"I mean, we used to have a tradition of rolling boiled eggs
downhill on Soul Cake Tuesday, but—"

"I means," said the troll, "do you have any beer, spirits,
wines, liquors, hallucinogenic herbage, or books of a lewd
or licentious nature?"

Ridcully pulled the Bursar back from the window.

"No," he said.

"No?"

"No."

"Sure?"

"Yes."

"Would you like some?"

"We haven't even got," said the Bursar, despite Ridcully's
efforts to sit on his head, "any billygoats."

There are some people that would whistle "Yankee
Doodle" in a crowded bar in Atlanta.

Even these people would consider it tactless to mention
the word "billygoat" to a troll.

The troll's expression changed very slowly, like a glacier
eroding half a mountain. Ponder tried to get under the seat.

"So we'll just trit-trot along, shall we?" said the Bursar,
his voice by now slightly muffled.

"He doesn't mean it," said the Archchancellor quickly.
"It's the dried frog talking."

"You don't want to eat me," said the Bursar. "You want
to eat my brother, he's much mfmfph mfmfph ..."

* Troll, a lifeform on silicon rather than carbon, can't infact digest people.
But there's always someone ready to give it a try.

157

Terry Pratchett

"Well, now," said the troll, "seems to me that—" He
spotted Casanunda.

"Oh-ho," he said, "dwarf smuggling, eh?"

"Don't be ridiculous, man," said Ridcully, "there's no
such thing as dwarf smuggling."

"Yeah? Then what's that you've got there?"

"I'm a giant," said Casanunda.

"Giants are a lot bigger."

"I've been ill."

The troll looked perplexed. This was post-graduate
thinking for a troll. But he was looking for trouble. He
found it on the roof of the coach, where the Librarian had
been sunbathing.

"What's in that sack up there?"

"That's not a sack. That's the Librarian."

The troll prodded the large mass of red hair.

"Ook..."

"What? A monkey?"

"Oook?"

Several minutes later, the travelers leaned on the para-
pet, looking down reflectively at the river far below.

"Happen often, does it?" said Casanunda.

"Not so much these days," said Ridcully. "It's like—
what's that word, Stibbons? About breedin' and passin' on
stuff to yer kids?"

"Evolution," said Ponder. The ripples were still sloshing
against the banks.

"Right. Like, my father had a waistcoat with embroi-
dered peacocks on it, and he left it to me, and now I've got
it. They call it hereditarery—"

"No, that's not—" Ponder began, with no hope whatso-
ever that Ridcully would listen.

"—so anyway, most people left back home know the differ-
ence between apes and monkeys now," said Ridcully.
"Evolution, that is. It's hard to breed when you've got a
headache from being bounced up and down on the pavement."

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The ripples had stopped now.

"Do you think trolls can swim?" said Casanunda.

"No. They just sink and walk ashore," said Ridcully He
turned, and leaned back on his elbows. "This really takes me
back, you know. The old Lancre River. There's trout down
there that'd take your arm off."

"Not just trout," said Ponder, watching a helmet emerge
from the water.

"And limpid pools further up," said Ridcully. "Full of,
of, of ... limpids, stuff like that. And you can bathe
naked and no one'd see. And water meadows full of ...
water, don'tyerknow, and flowers and stuff." He sighed.
"You know, it was on this very bridge that she told me
she—"

"He's got out of the river," said Ponder. But the troll
wasn't moving very fast, because the Librarian was noncha-
lantly levering one of the big stones out of the parapet.

"On this very bridge I asked—"

"That's a big club he's got," said Casanunda.

"This bridge, I may say, was where I nearly—"

"Could you stop holding that rock in such a provocative
way?" said Ponder.

"Oook."

"It'd be a help."

"The actual bridge, if anyone's interested, is where my
whole life took a diff—"

"Why don't we just go on?" said Ponder. "He's got a
steep climb."

"Good thing for him he hasn't got up here, eh?" said
Casanunda. Ponder swiveled the Librarian around and
pushed him toward the coach.

"This is the bridge, in fact, where—"

Ridcully turned around.

"Are you coming or not?" said Casanunda, with the
reins in his hand.

"I was actually having a quality moment of misty nostalgic

Terry Pratchett

remembrance," said Ridcully. "Not that any of you buggers
noticed, of course."

Ponder held the door open.

"Well, you know what they say. You can't cross the same
river twice, Archchancellor," he said.

Ridcully stared at him.

"Why not? This is a bridge."

On the roof of the coach the Librarian picked up the coach-
hom, bit the end of it reflectively—well, you never knew—
and then blew it so hard that it uncurled.

It was early morning in Lancre town, and it was more or
less deserted. Farmers had got up hours before to curse and
swear and throw a bucket at the cows and had then gone
back to bed.

The sound of the horn bounced off the houses.

Ridcully leapt out of the coach and took a deep, theatri-
cal breath.

"Can't you smell that?" he said. "That's real fresh moun-
tain air, that is." He thumped his chest.

"I've just trodden in something rural," said Ponder.
"Where is the castle, sir?"

"I think it could be that huge black towering thing loom-
ing over the town," said Casanunda.

The Archchancellor stood in the middle of the square
and turned slowly with his arms spread wide.

"See that tavern?" he said. "Hah! If I had a penny for
every time they threw me out of there, I'd have . . . five dol-
lars and thirty-eight pence. And over there is the old forge,
and there's Mrs. Persifleur's, where I had lodgings. See that
peak up there? That's Copperhead, that is. I climbed that
one day with old Carbonaceous the troll. Oh, great days,
great days. And see that wood down there, on the hill?
That's where she—"

His voice trailed into a mumble. "Oh, my word. It all comes

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back to me ... What a summer that was. They don't make 'em
like that anymore." He sighed. "You know," he said, "I'd give
anything to walk through those woods with her again. There
were so many things we never—oh, well. Come on."

Ponder looked around at Lancre. He'd been born and
raised in Ankh-Morpork. As far as he was concerned, the
countryside was something that happened to other people,
and most of them had four legs. As far as he was concerned,
the countryside was like raw chaos before the universe,
which was to say something with cobbles and walls, some-
thing civilized, was created.

"This is the capital city?" he said.

"More or less," said Casanunda, who tended to feel the
same way about places that weren't paved.

"I bet there's not a single delicatessen anywhere," said
Ponder.

"And the beer here," said Ridcully, "the beer here—well,
you'd just better taste the beer here! And there's stuff called
scumble, they make it from apples and . . . and damned if I
know what else they put in it, except you daren't pour it into
metal mugs. You ought to try it, Mr. Stibbons. It'd put hair
on your chest. And yours—" he turned to the next one down
from the coach, who turned out to be the Librarian.

"Oook?"

"Well, I, er, I should just drink anything you like, in your
case," said Ridcully.

He hauled the mail sack down from the roof.

"What do we do with this?" he said.

There were ambling footsteps behind him, and he turned
to see a short, red-faced youth in ill-fitting and baggy chain-
mail, which made him look like a lizard that had lost a lot of
weight very quickly.

"Where's the coach driver?" said Shawn Ogg.

"He's ill," said Ridcully. "He had a sudden attack of ban-
dits. What do we do with the mail?"

"I take the palace stuff, and we generally leave the sack

161

Terry Pratehett

hanging up on a nail outside the tavern so that people can
help themselves," said Shawn.

"Isn't that dangerous?" said Ponder.

"Don't think so. It's a strong nail," said Shawn, rummag-
ing in the sack.

"I meant, don't people steal letters?"

"Oh, they wouldn't do that, they wouldn't do that. One
of the witches'd go and stare at 'em if they did that." Shawn
stuffed a few packages under his arm and hung the sack on
the aforesaid nail.

"Yes, that's another thing they used to have round here,"
said Ridcully. "Witches! Let me tell you about the witches
round here—"

"Our mum's a witch," said Shawn conversationally, rum-
maging in the sack.

"As fine a body of women as you could hope to meet,"
said Ridcully, with barely a hint of mental gear-clashing.
"And not a bunch of interfering power-mad old crones at all,
whatever anyone might say."

"Are you here for the wedding?"

"That's right. I'm the Archchancellor of Unseen
University, this is Mr. Stibbons, a wizard, this—where are
you? Oh, there you are—this is Mr. Casanunda—"

"Count," said Casanunda. "I'm a Count."

"Really? You never said."

"Well, you don't, do you? It's not the first thing you say."

Ridcully's eyes narrowed.

"But I thought dwarfs didn't have titles," he said.

"I performed a small service for Queen Agantia of
Skund," said Casanunda.

"Did you? My word. How small?"

"Not that small."

"My word. And that's the Bursar, and this is the
Librarian." Ridcully took a step backward, waved his hands in
the air, and silently mouthed the words: Don't Say Monkey.

"Pleased to meet you," said Shawn, politely.

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Ridcully felt moved to investigate.

"The Librarian," he repeated.

"Yes. You said." Shawn nodded at the orang-utan. "How
d'you do?"

"Ook."

"You might be wondering why he looks like that,"
Ridcully prompted.

"No, sir."

"No?"

"My mum says none of us can help how we're made,"

said Shawn.

"What a singular lady. And what is her name?" said

Ridcully.

"Mrs. Ogg, sir."
"Ogg? Ogg? Name rings a bell. Any relation to Sobriety

Ogg?"

"He was my dad, sir."

"Good grief. Old Sobriety's son? How is the old devil?"

"Dunno, sir, what with him being dead."

"Oh dear. How long ago?"

"These past thirty years," said Shawn.

"But you don't look any older than twen—" Ponder
began. Ridcully elbowed him sharply in the ribcage.

"This is the countryside," he hissed. "People do things
differently here. And more often." He turned back to
Shawn's pink and helpful face.

"Things seem to be waking up a bit," he said, and indeed
shutters were coming down around the square. "We'll get
some breakfast in the tavern. They used to do wonderful
breakfasts." He sniffed again, and beamed.

"Now that" he said, "is what / call fresh air."

Shawn looked around carefully.

"Yes, sir," he said. "That's what we call it, too."
' There was the sound of someone frantically running, and
then a pause, and King Verence II appeared around the comer,
walking slowly and calmly with a very red face.

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Terry Pratchett

"Certainly gives people a rosy complexion," said
Ridcully cheerfully.

"It's the king!" hissed Shawn. "And me without my
trumpet!"

"Urn," said Verence. "Post been yet, Shawn?"

"Oh, yes, sire!" said Shawn, almost as flustered as the
king. "Got it right here. Don't you worry about it! I'll open
it all up and have it on your desk right away, sire!"

"Urn..."

"Something the matter, sire?"

"Um ... I think perhaps ..."

Shawn was already tearing at the wrappers.

"Here's that book on etiquette you've been waiting for,
sire, and the pig stockbook, and ... what's this one ... ?"

Verence made a grab for it. Shawn automatically tried to
hang on to it. The wrapping split, and the large bulky book
thumped on to the cobbles. Its fluttering pages played their
woodcuts to the breeze.

They looked down.

"Wow!" said Shawn.

"My word," said Ridcully.

"Um," said the king.

"Oook?"

Shawn picked up the book very, very carefully, and
turned a few pages.

"Hey, look at this one! He's doing it with his feet! I
didn't know you could do it with your feet!" He nudged
Ponder Stibbons. "Look, sir!"

Ridcully peered at the king.

"You all right, your majesty?" he said.

Verence squirmed.

"Um ..."

"And, look, here's one where both chaps are doing it
with sticks ..."

"What?" said Verence.

"Wow," said Shawn. "Thank you, sire. This is going to

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really come in handy, I can tell you. I mean, I've picked up
bits and pieces here and there, but—"

Verence snatched the book from Shawn's hands and
looked at the title page.

"'Martial Arts"? Martial Arts. But I'm sure I wrote Marit—"

"Sire?"

There was one exquisite moment while Verence fought
for mental balance, but he won.

"Ah. Yes. Right. Uh. Well, yes. Uh. Of course. Yes. Well,
you see, a well-trained army is ... is essential to the security
of any kingdom. That's right. Yes. Fine. Magrat and me, we
thought... yes. It's for you, Shawn."

"I'll start practicing right away, sire!"

"Um. Good."

Jason Ogg awoke, and wished he hadn't.

Let's be clear. Many authorities have tried to describe a
hangover. Dancing elephants and so on are often employed
for this purpose. The descriptions never work. The always
smack of, hoho, here's one for the lads, let's have some
hangover machismo, hoho, landlord, another nineteen pints
of lager, hey, we supped some stuff last night, hoho ...

Anyway, you can't describe a scumble hangover. The best
bit of it is a feeling that your teeth have dissolved and coated
themselves on your tongue.

Eventually the blacksmith sat up and opened his eyes.

His clothes were soaked with dew.

His head felt full of wisps and whispers.

He stared at the stones.

The scumble jar was lying in the leather. After a moment
or two he picked it up, and took an experimental swig. It
was empty.

He nudged Weaver in the ribs with his boot.

* Insert the usual "red-hot curried marbles" description here, if you like.

165

Terry Pratchett

"Wake up, you old bugger. We've been up here all
night!"

One by one, the Morris Men made the short but painful
journey into consciousness.

"I'm going to get some stick from our Eva when I get
home," moaned Carter.

"You might not," said Thatcher, who was on his hands
and knees looking for his hat. "Maybe when you gets 'ome
she'll have married someone else, eh?"

"Maybe a hundred years'll have gone past," said Carter,
hopefully.

"Cor, I hope so," said Weaver, brightening up. "I had
sevenpence invested in The Thrift Bank down in Ohulan. I'll
be a millionaire at complicated interest. I'll be as rich as
Creosote."

"Who's Creosote?" said Thatcher.

"Famous rich bugger," said Barker, fishing one of his
boots out of a peat pool. "Foreign."

"Wasn't he the one, everything he touched turned to
gold?" said Carter.

"Nah, that was someone else. Some king or other. That's
what happens in foreign parts. One minute you're all right,
next minute, everything you touch turns to gold. He was
plagued with it."

Carter looked puzzled.

"How did he manage when he had to—"

"Let that be a lesson to you, young Carter," said Baker.
"You stay here where folks are sensible, not go gadding off
abroad where you might suddenly be holding a fortune in
your hands and not have anything to spend it on."

"We've slept out here all night," said Jason uncertainly
"That's dangerous, that is."

"You're right there, Mr. Ogg," said Carter, "I think some-
thing went to the toilet in my ear."

"I mean strange things can enter your head."

"That's what I mean, too."

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Jason blinked. He was certain he'd dreamed. He could
remember dreaming. But he couldn't remember what the
dream had been about. But there was still the feeling in his
head of voices talking to him, but too far away to be heard.

"Oh, well," he said, managing to stand up at the third
attempt, "probably no harm done. Let's get on home and see
what century it is."

"What century is it, anyway?" said Thatcher.
"Century of the Fruitbat, isn't it?" said Baker.
"Might not be anymore," said Carter hopefully.
It turned out that it was, indeed, the Century of the
Fruitbat. Lancre didn't have much use for units of time any
smaller than an hour or larger than a year, but people were
clearly putting up bunting in the town square and a gang of
men were erecting the Maypole. Someone was nailing up a
very badly painted picture of Verence and Magrat under
which was the slogan: God Bles Their Majestieys.

With hardly a word exchanged, the men parted and stag-
gered their separate ways.

A hare lolloped through the morning mist until it reached
the drunken, ancient cottage in its clearing in the woods.

It reached a tree stump between the privy and The
Herbs. Most woodland animals avoided The Herbs. This
was because animals that didn't avoid The Herbs over the
past fifty years had tended not to have descendants. A few
tendrils waved in the breeze and this was odd because there
wasn't any breeze.

It sat on the stump.

And then there was a sensation of movement. Something
left the hare and moved across the air to an open upstairs
window. It was invisible, at least to normal eyesight.
' The hare changed. Before, it had moved with purpose.
Now it flopped down and began to wash its ears.

After a while the back door opened and Granny

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Terry Pratchett

Weather-wax walked out stiffly, holding a bowl of bread and
milk. She put it down on the step and turned back without a
second glance, closing the door again behind her.

The hare hopped closer.

It's hard to know if animals understand obligations, or
the nature of transactions. But that doesn't matter. They're
built into witchcraft. If you want to really upset a witch, do
her a favor which she has no means of repaying. The unful-
filled obligation will nag at her like a hangnail.

Granny Weatherwax had been riding the hare's mind all
night. Now she owed it something. There's be bread and
milk left outside for a few days.

You had to repay, good or bad. There was more than one
type of obligation. That's what people never really under-
stood, she told herself as she stepped back into the kitchen.
Magrat hadn't understood it, nor that new girl. Things had
to balance. You couldn't set out to be a good witch or a bad
witch. It never worked for long. All you could try to be was
a witch, as hard as you could.

She sat down by the cold hearth, and resisted a tempta-
tion to comb her ears.

They had broken in somewhere. She could feel it in the
trees, in the minds of tiny animals. She was planning some-
thing. Something soon. There was of course nothing special
about midsummer in the occult sense, but there was in the
minds of people. And the minds of people was where eleves
were strong.

Granny knew that sooner or later she'd have to face the
Queen. Not Magrat, but the real Queen.

And she would lose.

She'd worked all her life on controlling the insides of
her own head. She'd prided herself on being the best there
was.

But no longer. Just when she needed all her self reliance,
she couldn't rely on her mind. She could sense the probing of
the Queen—she could remember the feel of that mind, from

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all those decades ago. And she seemed to have her usual skill
at Borrowing. But herself—if she didn't leave little notes for
herself, she'd be totally at sea. Being a witch meant knowing
exactly who you were and where you were, and she was los-
ing the ability to know both. Last night she'd found herself
setting the table for two people. She'd tried to walk into a
room she didn't have. And soon she'd have to fight an elf.

If you fought an elf and lost. . . then, if you were lucky,
you would die.

Magrat was brought breakfast in bed by a giggling Millie

Chillum.

"Guests are arriving already, ma'am. And there's flags
and everything down in the square! And Shawn has found
the coronation coach!"

"How can you lose a coach?" said Magrat.

"It was locked up in one of the old stables, ma'am. He's
giving it a fresh coat of gold paint right now."

"But we're going to be married here," said Magrat. "We
don't have to go anywhere."

"The king said perhaps you could both ride around a bit.
Maybe as far as Bad Ass, he said. With Shawn Ogg as a mili-
tary escort. So people can wave and shout hooray. And then
come back here."

Magrat put on her dressing gown and crossed to the
tower window. She could see down over the outer walls and
into Lancre town square, which was already quite full of
people. It would have been a market day in any case, but
people were erecting benches as well and the Maypole was
already up. There were even a few dwarfs and trolls, politely
maintaining a distance from one another.

"I just saw a monkey walk across the square," said

Magrat.

"The whole world's coming to Lancre!" said Millie, who
had once been as far as Slice.

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Terry Pratchett

Magrat caught sight of the distant picture of herself and
her fiance.

"This is stupid," she said to herself, but Millie heard her
and was shocked.

"What can you mean, ma'am?"

Magrat spun around.

"All this! For me\"

Millie backed away in sudden fright.

"I'm just Magrat Garlick! Kings ought to marry princesses
and duchesses and people like that! People who are used to
it! I don't want people shouting hooray just because I've
gone by in a coach! And especially not people who've known
me all my life! All this—this," her frantic gesture took in the
hated garderobe, the huge four-poster bed, and the dressing
room full of stiff and expensive clothes, "this stuff ... it's not
for me\ It's for some kind of idea. Didn't you ever get those
cut-outs, those dolls, you know, when you were a girl . . .
dolls you cut out, and there were cut-out clothes as well?
And you could make her anything you wanted? That's me\
It's . . . it's like the bees! I'm being turned into a queen
whether I want to or not! That's what's happening to me!"

"I'm sure the king bought you all those nice clothes
because—"

"I don't mean just clothes. I mean people'd be shouting
hooray if—if anyone went past in the coach!"

"But you were the one who fell in love with the king,
ma'am," said Millie, bravely.

Magrat hesitated for a moment. She'd never quite ana-
lyzed that emotion. Eventually she said, "No. He wasn't king
then. No one knew he was going to be king. He was just a
sad, nice little man in a cap and bells who everyone
ignored."

Millie backed away a bit more.

"I expect it's nerves, ma'am," she gabbled. "Everyone
feels nervous on the day before their wedding. Shall I ...
shall I see if I can make you some herbal—"

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"I'm not nervous! And I can do my own herbal tea if I
happen to want any!"

"Cook's very particular who goes into the herb garden,
ma'am," said Millie.

"I've seen that herb garden! It's all leggy sage and yel-
lowy parsley! If you can't stuff it up a chicken's bum, she
doesn't think it's an herb! Anyway . . . who's queen in this
vicinity?"

"I thought you didn't want to be, ma'am?" said Millie.

Magrat stared at her. For a moment she looked as if she
was arguing with herself.

Millie might not have been the best-informed girl in the
world, but she wasn't stupid. She was at the door and
through it just as the breakfast tray hit the wall.

Magrat sat down on the bed with her head in her hands.

She didn't want to be queen. Being a queen was like
being an actor, and Magrat had never been any good at act-
ing. She'd always felt she wasn't very good at being Magrat,
if it came to that.

The bustle of the pre-nuptial activities rose up from the
town. There'd be folkdancing, of course—there seemed to
be no way of preventing it—and probably folksinging would
be perpetrated. And there'd be dancing bears and comic jug-
glers and the greasy pole competition, which for some rea-
son Nanny Ogg always won. And bowling-with-a-pig. And
the bran tub, which Nanny Ogg usually ran; it was a brave
man who plunged his hand into a bran tub stocked by a
witch with a broad sense of humor. Magrat had always liked
the fairs. Up until now.

Well, there were still some things she could do.

She dressed herself in her commoner's clothes for the
' last time, and let herself out and down the back stairs to the
widdershins tower and the room where Diamanda lay

Magrat had instructed Shawn to keep a good fire going

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Terry Pratchett

in the grate, and Diamanda was still sleeping, peacefully, the
unwakeable sleep.

Magrat couldn't help noticing that Diamanda was strik-
ingly good-looking and, from what she'd heard, quite brave
enough to stand up to Granny Weatherwax. She could hardly
wait to get her better so that she could envy her properly.

The wound seemed to be healing up nicely, but there
seemed to be—

Magrat strode to the bellpull in the comer and hauled on it.

After a minute or two Shawn Ogg arrived, panting.
There was gold paint on his hands.

"What," said Magrat, "are all these things?"

"Um. Don't like to say, ma'am ..."

"One happens to be ... very nearly ... the queen," said
Magrat.

"Yes, but the king said ... well. Granny said—"

"Granny Weatherwax does not happen to rule the king-
dom," said Magrat. She hated herself when she spoke like
this, but it seemed to work. "And anyway she's not here. One
is here, however, and if you don't tell one what's going on I'll
see to it that you do all the dirty jobs around the palace."

"But I do all the dirty jobs anyway," said Shawn.

"I shall see to it that there are dirtier ones."

Magrat picked up one of the bundles. It was made up of
strips of sheet wrapped around what turned out to be an
iron bar.

"They're all around her," she said. "Why?"

Shawn looked at his feet. There was gold paint on his
boots, too.

"Well, our mum said ..."

"Yes?"

"Our mum said I was to see to it that there was iron
round her. So me and Millie got some bars from down the
smithy and wrapped 'em up like this and Millie packed 'em
round her."

"Why?"

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"To keep away the ... the Lords and Ladies, ma'am."
"What? That's just old superstition! Anyway, everyone
knows elves were good, whatever Granny Weatherwax

says."

Behind her, Shawn flinched. Magrat pulled the wrapped
iron lumps out of the bed and tossed them into the comer.

"No old wives' tales here, thank you very much. Is there
anything else people haven't been telling me, by any
chance?"

Shawn shook his head, guiltily aware of the thing in the
dungeon.

"Huh! Well, go away. Verence wants the kingdom to be
modem and efficient, and that means no horseshoes and
stuff around the place. Go on, go away."

"Yes, Miss Queen."

At least I can do something positive around here, Magrat
told herself.

Yes. Be sensible. Go and see him. Talk. Magrat clung to
the idea that practically anything could be sorted out if only
people talked to one another.

"Shawn?"

He paused at the door.

"Yes, ma'am?"

"Has the king gone down to the Great Hall yet?"

"I think he's still dressing, Miss Queen. He hasn't rung
for me to do the trumpet, I know that."

In fact, Verence, who didn't like going everywhere pre-
ceded by Shawn's idea of a fanfare, had already gone down-
stairs incognito. But Magrat slipped along to his room, and
knocked on the door.

Why be bashful? It'd be her room as well from tomor-
row, wouldn't it? She tried the handle. It turned. Without
quite willing it, Magrat went in.

Rooms in the castle could hardly be said to belong to
anyone in any case. They'd had too many occupants over the
centuries. The very atmosphere was the equivalent of those

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walls scattered with outbreaks of drawing-pin holes where
last term's occupants hung the posters of rock groups long
disbanded. You couldn't stamp your personality on that
stone. It stamped back harder.

For Magrat, stepping into a man's bedroom was like an
explorer stepping on to that part of the map marked Here
Be Dragons.

And it wasn't exactly what it ought to have been.

Verence had arrived at the bedroom concept fairly late
in life. When he was a boy, the entire family slept on straw
in the cottage attic. As an apprentice in the Guild of
Joculators, he'd slept on a pallet in a long dormitory of other
sad, beaten young men. When he was a fully fledged Fool
he'd slept, by tradition, curled up in front of his master's
door. Suddenly, at a later age than is usual, he'd been intro-
duced to the notion of soft mattresses.

And now Magrat was privy to the big secret.

It hadn't worked.

There was the Great Bed of Lancre, which was said to
be able to sleep a dozen people, although in what circum-
stances and why it should be necessary history had never
made clear. It was huge and made of oak.

It was also, very clearly, unslept in.

Magrat pulled back the sheets, and smelled the scorched
smell of linen. But it also smelled unaired, as if it hadn't
been slept in.

She stared around the room until her eye lit on the little
still-life by the door. There was a folded nightshirt, a candle-
stick, and a small pillow.

As far as Verence had been concerned, a crown merely
changed which side of the door you slept.

Oh, gods. He'd always slept in front of the door of his

*In the case of the a-£l Street Mappe of Ankh-Morpork, this would be
The Sunshine Home for Sick Dragons in Morphic Street, Please Leave
Donations of Coal by Side Door. Remember, A Dragon is For Life, Not
Just for Hogswatchnight.

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master. And now he was king, he slept in front of the door
to his kingdom.

Magrat felt her eyes fill with tears.

You couldn't help loving someone as soppy as that.

Fascinated, and aware that she was where she
technically shouldn't be, Magrat blew her nose and
explored further. A heap of discarded garments by the bed
suggested that Verence had mastered the art of hanging
up clothes as practiced by half the population of the
world, and also that he had equally had difficulty with the
complex topological maneuvers necessary to turn his
socks the right way out.

There was a tiny dressing table and a mirror. Stuck to
the mirror frame was a dried and faded flower that looked,
to Magrat, very like the ones she habitually wore in her hair.

She shouldn't have gone on looking. She admitted
that to herself, afterward. But she seemed to have no self-
control.

There was a wooden bowl in the middle of the dresser
table, full of odd coins, bits of string, and the general detri-
tus of the nightly emptied pocket.

And a folded paper. Much folded, as if it had stayed in
said pocket for some time.

She picked it up, and unfolded it.

There were little kingdoms all over the hubward slopes of
the Ramtops. Every narrow valley, every ledge that some-
thing other than a goat could stand on, was a kingdom.
There were kingdoms in the Ramtops so small that, if they
were ravaged by a dragon, and that dragon had been killed
by a young hero, and the king had given him half his king-
dom as per Section Three of the Heroic Code, then there
wouldn't have been any kingdom left. There were wars of
annexation that went on for years just because someone
wanted a place to keep the coal.

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Terry Pratchett

Lancre was one of the biggest kingdoms. It could actually
afford a standing army.

Kings and queens and various sub-orders of aristocracy
were even now streaming over Lancre bridge, watched by a
sulking and soaking-wet troll who had given up on bridge-
keeping for the day.

The Great Hall had been thrown open. Jugglers and fire-
eaters strolled among the crowd. Up in the minstrels gallery
a small orchestra were playing the Lancre one-string fiddle
and famed Ramtop bagpipes, but fortunately they were
more or less drowned out by the noise of the crowd.

Nanny Ogg and Granny Weatherwax moved through
said crowd. In deference to this being a festive occasion,
Nanny Ogg had exchanged her normal black pointy hat for
one the same shape but in red, with wax cherries on it.

"All the hort mond are here," Nanny observed, taking a
drink off a passing tray. "Even some wizards from Ankh-
Morpork, our Shawn said. One of them said I had a fine
body, he said. Been tryin' to remember all morning who that
could have been."

"Spoilled for choice," said Granny, but it was automatic
nastiness, with no real heart to it. It worried Nanny Ogg.
Her friend seemed preoccupied.

"There's some gentry we don't want to see here," said
Granny. "I won't be happy until all this is over."

Nanny Ogg craned to try and see over the head of a
small emperor.

"Can't see Magrat around," she said. "There's Verence
talking to some other kings, but can't see our Magrat at all.
Our Shawn said Millie Chillum said she was just a bag of
nerves this morning."

"All these high-bom folks," said Granny, looking around
at the crowned heads. "I feel like a fish out of water."

*Shawn Ogg.f
tExcept when he was lying down.

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"Well, the way I see it, it's up to you to make your own
water," said Nanny, picking up a cold roast chicken leg from
the buffet and stuffing it up a sleeve.

"Don't drink too much. We've got to keep alert, Gytha.
Remember what I said. Don't let yourself get distracted—"

"That's never the delectable Mrs. Ogg, is it?"

Nanny turned.

There was no one behind her.

"Down here," said the voice.

She looked down, into a wide grin.

"Oh, blast," she said.

"It's me, Casanunda," said Casanunda, who was dwarfed
still further by an enormous* powdered wig. "You remem-
ber? We danced the night away in Genua?"

"No we didn't."

"Well, we could have done."

"Fancy you turning up here," said Nanny, weakly. The
thing about Casanunda, she recalled, was that the harder
you slapped him down the faster he bounced back, often in
an unexpected direction.

"Our stars are entwined," said Casanunda. "We're fated
for one another. I wants your body, Mrs. Ogg."

"I'm still using it."

And while she suspected, quite accurately, that this was
an approach the world's second greatest lover used on any-
thing that appeared to be even vaguely female, Nanny Ogg
had to admit that she was flattered. She'd had many admir-
ers in her younger days, but time had left her with a body
that could only be called comfortable and a face like Mr.

*But not huge, by wig standards. There have, in the course of decadent
history, been many large wigs, often with built-in gewgaws to stop people
having to look at boring hair all the time. There had been ones big enough
to contain pet mice or clockwork ornaments. Mme. Cupidor, mistress of
Mad King Soup II, had one with a bird cage in it, but on special state
occasions wore one containing a perpetual calendar, a floral clock, and a
take-away linguini shop.

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Grape the Happy Raisin. Long-banked fires gave off a little
smoke.

Besides, she'd rather liked Casanunda. Most men were
oblique in their approach, whereas his direct attack was
refreshing.

"It'd never work," she said. "We're basically incompati-
ble. When I'm 5' 4" you'll still only be 3' 9". Anyway, I'm old
enough to be your mother."

"You can't be. My mother's nearly 300, and she's got a
better beard than you."

And of course that was another point. By dwarf stan-
dards, Nanny Ogg was hardly more than a teenager.

"La, sir," she said, giving him a playful tap that made his
ears ring, "you do know how to turn a simple country girl's
head and no mistake!"

Casanunda picked himself up and adjusted his wig happily

"I like a girl with spirit," he said. "How about you and
me having a little tete-a-tete when this is over?"

Nanny Ogg's face went blank. Her cosmopolitan grip of
language had momentarily let her down.

"Excuse me a minute," she said. She put her drink down
on his head and pushed through the crowd until she found a
likely looking duchess, and prodded her in the bustle
regions.

"Hey, your grace, what's a tater tate?"

"I beg your pardon?"

"A tater tate? Do you do it with your clothes on or what?"

"It means an intimate meeting, my good woman."

"Is that all? Oh. Ta."

Nanny Ogg elbowed her way back to the vibrating dwarf.

"You're on," she said.

"I thought we could have a little private dinner, just you
and me," said Casanunda. "In one of the taverns?"

Never, in a long history of romance, had Nanny Ogg ever
been taken out for an intimate dinner. Her courtships had
been more noted for their quantity than their quality.

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"OK," was all she could think of to say.

"Dodge your chaperone and meet me at six o'clock?"

Nanny Ogg glanced at Granny Weatherwax, who was
watching them disapprovingly from a distance.

"She's not my—" she began.

Then it dawned on her that Casanunda couldn't possibly
have really thought that Granny Weatherwax was chaperon-
ing her.

Compliments and flattery had also been very minor com-
ponents in the machinery of Nanny Ogg's courtships.

"Yes, all right," she said.

"And now I shall circulate, so that people don't talk and
ruin your reputation," said Casanunda, bowing and kissing
Nanny Ogg's hand.

Her mouth dropped open. No one had ever kissed her
hand before, either, and certainly no one had ever worried
about her reputation, least of all Nanny Ogg.

As the world's second greatest lover bustled off to accost
a countess. Granny Weatherwax—who had been watching
from a discreet distance*—said, in an amiable voice: "You
haven't got the morals of a cat, Gytha Ogg."

"Now, Esme, you know that's not true."

"All right. You have got the morals of a cat, then."

"That's better."

Nanny Ogg patted her mass of white curls and won-
dered if she had time to go home and put her corsets on.

"We must stay on our guard, Gytha."

"Yes, yes."

"Can't let other considerations turn our heads."

"No, no."

"You're not listening to a word I say, are you?"

"What?"

"You could at least find out why Magrat isn't down here."

* i.e., far enough so's not to look like you're intruding on the conversa-
tion, but close enough to get a pretty good idea of what is going on.

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"All right."

Nanny Ogg wandered off, dreamily.

Granny Weatherwax turned—

—there should have been violins. The murmur of the
crowd should have faded away, and the crowd itself should
have parted in a quite natural movement to leave an empty
path between her and Ridcully

There should have been violins. There should have been
something.

There shouldn't have been the Librarian accidentally
knuckling her on the toe on his way to the buffet, but this,
in fact, there was.

She hardly noticed.

"Esme?" said Ridcully

"Mustrum?" said Granny Weatherwax.

Nanny Ogg bustled up.

"Esme, I saw Millie Chillum and she said—"

Granny Weatherwax's vicious elbow jab winded her.
Nanny took in the scene.

"Ah," she said, "I'll just, I'll just... I'll just go away, then."

The gazes locked again.

The Librarian knuckled past again with an entire display
of fruit.

Granny Weatherwax paid him no heed.

The Bursar, who was currently on the median point of
his cycle, tapped Ridcully on the shoulder.

"I say, Archchancellor, these quails' eggs are amazingly
go-"

"DROP DEAD. Mr. Stibbons, fish out the frog pills and
keep knives away from him, please."

The gazes locked again.

"Well, well," said Granny, after a year or so.

"This must be some enchanted evening," said Ridcully.

"Yes. That's what I'm afraid of."

"That really is you, isn't it?"

"It's really me," said Granny

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"You haven't changed a bit, Esme."

"Nor have you, then. You're still a rotten liar, Mustrum
Ridcully"

They walked toward one another. The Librarian shuttled
between them with a tray of meringues. Behind them,
Ponder Stibbons groveled on the floor for a spilled bottle of
dried frog pills.

"Well, well," said Ridcully.

"Fancy that."

"Small world."

"Yes indeed."

"You're you and I'm me. Amazing. And it's here and now."

"Yes, but then was then."

"I sent you a lot of letters," said Ridcully

"Never got 'em."

There was a glint in Ridcully's eye.

"That's odd. And there was me putting all those destina-
tion spells on them too," he said. He gave her a critical up-
and-down glance. "How much do you weigh, Esme? Not a
spare ounce on you, I'll be bound."

"What do you want to know for?"

"Indulge an old man."

"Nine stones, then."

"Hmm . . . should be about right . . . three miles hub-
ward . . . you'll feel a slight lurch to the left, nothing to
worry about..."

In a lightning movement, he grabbed her hand. He felt
young and light-headed. The wizards back at the University
would have been astonished.

"Let me take you away from all this."

He snapped his fingers.

There has to be at least an approximate conservation of
mass. It's a fundamental magical rule. If something is moved
from A to B, something that was at B has got to fmd itself at A.

And then there's momentum. Slow as the disc spins, var-
ious points of its radii are moving at different speeds relative

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to the Hub, and a wizard projecting himself any distance
toward the Rim had better be prepared to land jogging.

The three miles to Lancre Bridge merely involved a faint
tug, which Ridcully had been ready for, and he landed up
leaning against the parapet with Esme Weatherwax in his
arms.

The customs troll who had until a fraction of a second
previously been sitting there ended up lying full length on the
floor of the Great Hall, coincidentally on top of the Bursar.

Granny Weatherwax looked over at the rushing water,
and then at Ridcully.

"Take me back this instant," she said. "You've got no
right to do that."

"Dear me, I seem to have run out of power. Can't under-
stand it, very embarrassing, fingers gone all limp," said
Ridcully. "Of course, we could walk. It's a lovely evening.
You always did get lovely evenings here."

"It was all fifty or sixty years ago!" said Granny. "You
can't suddenly turn up and say all those years haven't hap-
pened."

"Oh, I know they've happened all right," said Ridcully.
"I'm the head wizard now. I've only got to give an order and
a thousand wizards will... uh ... disobey, come to think of
it, or say 'What?', or start to argue. But they have to take
notice."

"I've been to that University a few times," said Granny.
"A bunch of fat old men in beards."

"That's right! That's them\"

"A lot of 'em come from the Ramtops," said Granny. "I
knew a few boys from Lancre who became wizards."

"Very magical area," Ridcully agreed. "Something in the
air."

Below them, the cold black waters raced, always dancing
to gravity, never flowing uphill.

"There was even a Weatherwax as Archchancellor, years
ago," said Ridcully.

182

"So I understand. Distant cousin. Never knew him," said

Granny.

They both stared down at the river for a moment.
Occasionally a twig or a branch would whirl along in the

current.

"Do you remember—"

"I have a ... very good memory, thank you."

"Do you ever wonder what life would have been like if

you'd said yes?" said Ridcully.

"No."

"I suppose we'd have settled down, had children, grand-
children, that sort of thing ..."

Granny shrugged. It was the sort of thing romantic
idiots said. But there was something in the air tonight. . .

"What about the fire?" she said.

"What fire?"

"Swept through our house just after we were married.

Killed us both."

"What fire? I don't know anything about any fire?"

Granny turned around.

"Of course not! It didn't happen. But the point is, it
might have happened. You can't say 'if this didn't happen
then that would have happened' because you don't know
everything that might have happened. You might think
something'd be good, but for all you know it could have
turned out horrible. You can't say 'If only I'd . . . ' because
you could be wishing for anything. The point is, you'll never
know. You've gone past. So there's no use thinking about it.

So I don't."

"The Trousers of Time," said Ridcully, moodily. He
picked a fragment off the crumbling stonework and dropped
it into the water. It went plunk, as is so often the case.

"What?"

"That's the sort of thing they go on about in the High
Energy Magic building. And they call themselves wizards!
You should hear them talk. The buggers wouldn't know a

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magic sword if it bit them on the knee. That's young wizards
today. Think they bloody invented magic."

"Yes? You should see the girls that want to be witches
these days," said Granny Weatherwax. "Velvet hats and black
lipstick and lacy gloves with no fingers to 'em. Cheeky, too."

They were side by side now, watching the river.

"Trousers of Time," said Ridcully. "One of you goes
down one leg, one of you goes down the other. And there's
all these continuinuinuums all over the place. When I was a
lad there was just one decent universe and this was it, and
all you had to worry about was creatures breaking through
from the Dungeon Dimensions, but at least there was this
actual damn universe and you knew where you stood. Now
it turns out there's millions of the damn things. And there's
this damn cat they've discovered that you can put in a box
and it's dead and alive at the same time. Or something. And
they all run around saying marvellous, marvellous, hooray,
here comes another quantum. Ask 'em to do a decent levita-
tion spell and they look at you as if you've started to dribble.
You should hear young Stibbons talk. Went on about me not
inviting me to my own wedding. Me!"

From the side of the gorge a kingfisher flashed, hit the
water with barely a ripple, and ricocheted away with some-
thing silver and wriggly in its beak.

"Kept going on about everything happening at the same
time," Ridcully went on morosely. "Like there's no such
thing as a choice. You just decide which leg you're heading
for. He says that we did get married, see. He says all the
things that might have been have to be. So there's thousands
of me out there who never became a wizard, just like there's
thousands of you who, oh, answered letters. Hah! To them,
we're something that might have been. Now, d'you call that
proper thinking for a growing lad? When / started wizard-
ing, old 'Tudgy' Spold was Archchancellor, and if any young
wizard'd even mentioned that sort of daft thing, he'd feel a
staff across his backside. Hah!"

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Somewhere far below, a frog plopped off a stone.
"Mind you, I suppose we've all passed a lot of water

since then."

It dawned gently on Ridcully that the dialogue had
become a monologue. He turned to Granny, who was staring
round-eyed at the river as if she'd never seen water before.

"Stupid, stupid, stupid," she said.

"I beg your pardon? I was only—"

"Not you. I wasn't talking to you. Stupid! I've been
stupid. But I ain't been daft! Hah! And I thought it was my
memory going! And it was, too. It was going and fetching!"

"What?"
"I was getting scared! Me! And not thinking clear!

Except I was thinking clear!"

"What!"

"Never mind! Well, I won't say this hasn't been . . .
nice," said Granny. "But I've got to get back. Do the thing
with the fingers again. And hurry."

Ridcully deflated a little.

"Can't," he said.

"You did it just now."

"That's the point. I wasn't joking when I said I couldn't
do it again. It takes a lot out of you, transmigration."

"You used to be able to do it all the time, as I recall,"
said Granny. She risked a smile. "Our feet hardly touched

the ground."

"I was younger then. Now, once is enough."
Granny's boots creaked as she turned and started to
walk quickly back toward the town. Ridcully lumbered after
her.

"What's the hurry?"

"Got important things to do," said Granny, without turn-
ing around. "Been letting everyone down."
"Some people might say this is important."
"No. It's just personal. Personal's not the same as impor-
tant. People just think it is."

Terry Pratchett

"You're doing it again!"

"What?"

"I don't know what the other future would have been
like," said Ridcully, "but I for one would have liked to give it
a try."

Granny paused. Her mind was crackling with relief.
Should she tell him about the memories? She opened her
mouth to do so, and then thought again. No. He'd get soppy.

"I'd have been crabby and bad-tempered," she said,
instead.

"That goes without saying."

"Hah! And what about you? I'd have put up with all
your womanizing and drunkenness, would I?"

Ridcully looked bewildered.

"What womanizing?"

"We're talking about what might have been."

"But I'm a wizard! We hardly ever womanize. There's
laws about it. Well. . . rules. Guidelines, anyway."

"But you wouldn't have been a wizard then."

"And I'm hardly ever drunk."

"You would have been if you'd been wedded to me."

He caught up with her.

"Even young Ponder doesn't think like this," he said.
"You've made up your mind that it would have been dread-
ful, have you?"

"Yes."

"Why?"

"Why'd you think?"

"I asked you!"

"I'm too busy for this," said Granny. "Like I said, per-
sonal ain't the same as important. Make yourself useful, Mr.
Wizard. You know it's circle time, don't you?"

Ridcully's hand touched the brim of his hat.

"Oh, yes."

"And you know what that means?"

"They tell me it means that the walls between realities

186

get weaker. The circles are . . . what's the word Stibbons
uses? Isoresons. They connect levels of, oh, something daft
. .. similar levels of reality. Which is bloody stupid. You'd be
able to walk from one universe to another."

"Ever tried it?"

"No!"

"A circle is a door half open. It doesn't need much to
open it up all the way. Even belief 11 do it. That's why they
put the Dancers up, years ago. We got the dwarfs to do it.
Thunderbolt iron, those stones. There's something special
about 'em. They've got the love of iron. Don't ask me how it
works. Elves hate it even more than ordinary iron. It ...
upsets their senses, or something. But minds can get
through..."

"Elves? Everyone knows elves don't exist anymore. Not
proper elves. I mean, there's a few folk who say they're elves—"

"Oh, yeah. Elvish ancestry. Elves and humans breed all
right, as if that's anything to be proud of. But you just get a
race o'skinny types with pointy ears and a tendency to giggle
and burn easily in sunshine. I ain't talking about them.
There's no harm in them. I'm talking about real wild elves,
what we ain't seen here for—"

The road from the bridge to the town curved between
high banks, with the forest crowding in on either side and in
places even meeting overhead. Thick ferns, already curling
like green breakers, lined the clay banks.

They rustled.

The unicorn leapt on the road.

Thousands of universes, twisting together like a rope being
plaited from threads .. .

There's bound to be leakages, a sort of mental equivalent
of'the channel breakthrough on a cheap hi-fi that gets you the
news in Swedish during quiet bits in the music. Especially if
you've spent your life using your mind as a receiver.

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Terry Pratchett

Picking up the thoughts of another human being is very
hard, because no two minds are on the same, er, wavelength.

But somewhere out there, at the point where the parallel
universes tangle, are a million minds just like yours. For a
very obvious reason.

Granny Weatherwax smiled.

Millie Chillum and the king and one or two hangers-on were
clustered around the door to Magrat's room when Nanny
Ogg arrived.

"What's happening?"

"I know she's in there," said Verence, holding his crown
in his hands in the famous At'-Senor-Mexican-Bandits-Have-
Raided-Our- Village position. "Millie heard her shout go
away and I think she threw something at the door."

Nanny Ogg nodded sagely.

"Wedding nerves," she said. "Bound to happen."

"But we're all going to attend the Entertainment," said
Verence. "She really ought to attend the Entertainment."

"Well, I dunno," said Nanny. "Seeing our Jason and the
rest of 'em prancing about in straw wigs ... I mean, they
mean well, but it's not something a young—a fairly young—
girl has to see on the night before her nuptials. You asked
her to unlock the door?"

"I did better than that," said Verence. "I instructed her
to. That was right, wasn't it? If even Magrat won't obey me,
I'm a poor lookout as king."

"Ah," said Nanny, after a moment's slow consideration.
"You've not entirely spent a lot of time in female company,
have you? In a generalized sort of way?"

"Well, I—"

The crown spun in Verence's nervous fingers. Not only
had the bandits invaded the village, but the Magnificent
Seven had decided to go bowling instead.

"Tell you what," said Nanny, patting him on the back,

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I.OR06 ft/^D ifiD/ES

"you go and preside over the Entertainment and hobnob
with the other nobs. I'll see to Magrat, don't you worry. I've
been a bride three times, and that's only the official score."

"Yes, but she should—"

"I think if we go easy on the 'shoulds,'" said Nanny, "we
might all make it to the wedding. Now, off you all go."

"Someone ought to stay here," said Verence. "Shawn
will be on guard, but—"

"No one's going to invade, are they?" said Nanny. "Let
me sort this out."

"Well... if you're sure ..."

"Go on!"

Nanny Ogg waited until she heard them go down the
main staircase. After a while a rattle of coaches and general
shouting suggested that the wedding party was leaving,
minus the bride-to-be.

She counted to a hundred, under her breath.

Then:

"Magrat?"

"Go away!"

"I know how it is," said Nanny. "I was a bit worried on
the night before my wedding." She refrained from adding:

because there was a reasonable chance Jason would turn up
as an extra guest.

"I am not worried! I am angry!"

"Why?"

"You know!"

Nanny took off her hat and scratched her head.

"You've got me there," she said.

"And he knew. I know he knew, and I know who told
him," said the muffled voice behind the door. "It was all
arranged. You must all have been laughing!"

Nanny frowned at the impassive woodwork.

"Nope," she said. "Still all at sea this end."

"Well, I'm not saying anymore."

"Everyone's gone to the Entertainment," said Nanny Ogg.

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Terry Pratchett

No reply.

"And later they'll be back."
A further absence of dialogue.

"Then there'll be carousing and jugglers and fellas that
put weasels down their trousers," said Nanny.
Silence.

"And then it'll be tomorrow, and then what're you going
to do?"

Silence.

"You can always go back to your cottage. No one's
moved in. Or you can stop along of me, if you like. But
you'll have to decide, d'you see, because you can't stay
locked in there."

Nanny leaned against the wall.

"I remember years ago my granny telling me about
Queen Amonia, well, I say queen, but she never was queen
except for about three hours because of what I'm about to
unfold, on account of them playing hide-and-seek at the
wedding party and her hiding in a big heavy old chest in
some attic and the lid slamming shut and no one finding her
for seven months, by which time you could definitely say the
wedding cake was getting a bit stale."

Silence.

"Well, if you ain't telling me, I can't hang around all night,"
said Nanny. "It'll all be better in the morning, you'll see."

Silence.

"Why don't you have an early night?" said Nanny. "Our
Shawn'll do you a hot drink if you ring down. It's a bit nippy
out here, to tell you the truth. It's amazing how these old
stone places hang on to the chill."

Silence.

"So I'll be off then, shall I?" said Nanny, to the unyield-
ing silence. "Not doing much good here, I can see that. Sure
you don't want to talk?"

Silence.

"Stand before your god, bow before your king, and kneel

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before your man. Recipe for a happy life, that is," said
Nanny, to the world in general. "Well, I'm going away now.
Tell you what, I'll come back early tomorrow, help you get
ready, that sort of thing. How about it?"

Silence.

"So that's all sorted out then," said Nanny. "Cheerio."
She waited a full minute. By rights, by the human
mechanics of situations like this, the bolts should have been
drawn back and Magrat should have peeped out into the
corridor, or possibly even called out to her. She did not.

Nanny shook her head. She could think of at least three
ways of getting into the room, and only one of them involved
going through the door. But there was a time and a place for
witchcraft, and this wasn't it. Nanny Ogg had led a long and
generally happy life by knowing when not to be a witch, and
this was one of those times.

She went down the stairs and out of the castle. Shawn
was standing guard at the main gate, surreptitiously practic-
ing karate chops on the evening air. He stopped and looked
embarrassed as Nanny Ogg approached.

"Wish I was going to the Entertainment, Mum."
"I daresay the king will be very generous to you come
payday on account of your duty," said Nanny Ogg. "Remind
me to remind him."
"Aren't you going?"

"Well, I'm . . . I'm just going for a stroll into town," said
Nanny. "I expect Esme went with 'em, did she?"
"Couldn't say, Mum."
"Just a few things I got to do."

She hadn't gone much further before a voice behind her
said, "Ello, oh moon of my delight."

"You do sneak up on people, Casanunda."
"I've arranged for us to have dinner at the Goat and
Bush," said the dwarf Count.

"Ooo, that's a horrible expensive place," said Nanny
Ogg. "Never eaten there."

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Terry Pratchett

"They've got some special provisions in, what with the
wedding and all the gentry here," said Casanunda. "I've
made special arrangements."

These had been quite difficult.

Food as an aphrodisiac was not a concept that had ever
caught on in Lancre, apart from Nanny Ogg's famous Carrot
and Oyster Pie. As far as the cook at the Goat and Bush
was concerned, food and sex were only linked in certain
humorous gestures involving things like cucumbers. He'd
never heard of chocolate, banana skins, avocado and ginger,
marshmallow and the thousand other foods people had
occasionally employed to drive an A-to-B freeway through
the rambling pathways of romance. Casanunda had spent a
busy ten minutes sketching out a detailed menu, and quite a
lot of money had changed hands.

He'd arranged a careful romantic candlelit supper.
Casanunda had always believed in the art of seduction.

Many tall women accessible by stepladder across the
continent had reflected how odd it was that the dwarfs, a
race to whom the aforesaid art of seduction consisted in the
main part of tactfully finding out what sex, underneath all
that leather and chain-mail, another dwarf was, had generated
someone like Casanunda.

It was as if Eskimos had produced a natural expert in
the care and attention of rare tropical plants. The great pent-
up waters of dwarfish sexuality had found a leak at the bot-
tom of the dam—small, but with enough power to drive a
dynamo.

Everything that his fellow dwarfs did very occasionally as
nature demanded he did all the time, sometimes in the back
of a sedan chair and once upside down in a tree—but, and

* Carrots so you can see in the dark, she'd explain, and oysters so's you've
got something to look at.

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LORDS ft^O LftQfEQ

this is important, with care and attention to detail that was
typically dwarfish. Dwarfs would spend months working on
an exquisite piece of jewelry, and for broadly similar reasons
Casanunda was a popular visitor to many courts and palaces,
for some strange reason generally while the local lord was
away. He also had a dwarfish ability with locks, always a use-
ful talent for those awkward moments sur la boudoir.

And Nanny Ogg was an attractive lady, which is not the
same as being beautiful. She fascinated Casanunda. She was
an incredibly comfortable person to be around, partly
because she had a mind so broad it could accommodate
three football fields and a bowling alley.

"I wish I had my crossbow," muttered Ridcully. "With that
head on my wall I'd always have a place to hang my hat."

The unicorn tossed its head and pawed the ground.
Steam rose from its flanks.

"I ain't sure that would work," said Granny. "You sure
you've got no whoosh left in them fingers of yours?"

"I could create an illusion," said the wizard. "That's not

hard."

"It wouldn't work. The unicorn is an elvish creature.
Magic don't work on 'em. They see through illusions. They
ought to, they're good enough at 'em. How about the bank?
Reckon you could scramble up it?"

They both glanced at the banks. They were red clay, slip-
pery as priests.

"Let's walk backward," said Granny. "Slowly."

"How about its mind? Can you get in?"

"There's someone in there already. The poor thing's her
pet. It obeys only her."

The unicorn walked after them, trying to watch both of
them at the same time.

"What shall we do when we come to the bridge?"

"You can still swim, can't you?"

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Terry Pratehett

"The river's a long way down."

"But there's a deep pool there. Don't you remember?
You dived in there once. One moonlit night..."

"I was young and foolish then."

"Well? You're old and foolish now."

"I thought unicorns were more ... fluffy."

"See clear! Don't let the glamour get you! See what's in
front of your eyes! It's a damn great horse with a horn on
the end!" said Granny.

The unicorn pawed the ground.

Granny's feet scraped the bridge.

"Got here by accident, can't get back," she said. "IFn
there'd been one of us it'd be charging by now. We're about
halfway across the bridge—"

"Lot of snow runoff in that river," said Ridcully, doubtfully

"Oh, yes," said Granny "See you at the weir."

And she was gone.

The unicorn, which had been trying to decide between
targets, was left with Ridcully.

It could count up to one.

It lowered its head.

Ridcully had never liked horses, animals which seemed
to him to have only the weakest possible grip on sanity

As the unicorn charged, he vaulted the parapet and
dropped, without much aerodynamic grace, into the icy
waters of the Lancre.

The Librarian liked the stage. He was always in the front
seat on the first night of a new production at any of Ankh's
theaters, his prehensile abilities allowing him to clap twice
as hard as anyone else or, if necessary, hurl peanut shells.

And he was feeling let down. There were hardly any
books in the castle, except for serious volumes on etiquette
and animal breeding and estate management. As a rule, roy-
alty doesn't read much.

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He wasn't expecting to be amazed at the Entertainment.
He'd peered behind the bit of sacking that was doing service
as a dressing room, and seen half a dozen heavily built men
arguing with one another. This did not bode well for an
evening of thespianic splendor, although there was always
the possibility that one of them might hit another one in the
face with a custard pie.

He had managed to get the three of them seats in the front
row. This wasn't according to the rules of precedence, but it was
amazing how everyone squeezed up to make room. He'd also
found some peanuts. No one ever knew how he managed that.

"Oook?"

"No, thank you," said Ponder Stibbons. "They give me
wind."

"Oook?"

"I like to listen to a man who likes to talk! Whoops!
Sawdust and treacle! Put that in your herring and smoke it!"

"I don't think he wants one," said Ponder.

The curtain went up, or at least was pulled aside by
Carter the baker.

The Entertainment began.

The Librarian watched in deepening gloom. It was amaz-
ing. Normally he quite liked a badly acted play, provided
enough confectionery stayed airborne, but these people
weren't even good at bad acting. Also, no one seemed to be
on the point of throwing anything.

*The Librarian, an ape of simple but firmly held tastes, considered an
episode with custard pies, buckets of whitewash, and especially that bit
when someone takes someone else's hat off, fills it with something oozy,
and replaces it on the deadpan head while the orchestra plays "WHAH ..
. Whah . . . whah . . . whaaaa ..." to be an absolutely essential part of
any theatrical performance. Since a roasted peanut is a dangerous and
painful item when hurled with pinpoint accuracy, directors in Ankh-
Morpork had long ago taken the hint. This made some of the grand guig-
nol melodramas a little unusual, but it was considered that plays like "The
Blood-Soaked Tragedy of the Mad Monk of Quirm (with Custard-Pie
scene)" were far better than being deaf in one ear for five days.

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Terry Pratchett

He fished a peanut out of the bag and rolled it in his fingers,
while staring intently at the left ear of Tailor the other weaver.

And felt his hair rise. This is very noticeable on an
orang-utan.

He glanced up at the hill behind the erratic actors, and
growled under his breath.

"Oook?"

Ponder nudged him.

"Quiet!" he hissed. "They're getting the hang of it..."

There was an echo to the voice of the one in the straw
wig.

"What'd she say?" said Ponder.

"Oook!"

"Hpw'd she do that? That's good makeup, that—"

Ponder fell silent.

Suddenly the Librarian felt very alone.

Everyone else in the audience had their gaze fastened
firmly on the turf stage.

He moved a hand up and down in front of Stibbons's
face.

The air was wavering over the hill, and the grass on its
side moved in a way that made the ape's eyes ache.

"Oook?"

Over the hill, between the little stones, it began to snow.

"Oook?"

Alone in her room, Magrat unpacked the wedding dress.

And that was another thing.

She ought to have been involved in the dress, at least.
She was going to—would have been the one wearing it, after
all. There should have been weeks of choosing the material,
and fittings, and changing her mind, and changing the mate-
rial, and changing the pattern, and more fittings ...

. . . although of course she was her own woman and
didn't need that kind of thing at all...

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LOR06 ft/YD LftQIEQ

.. . but she should have had the choice.

It was white silk, with a tasteful amount of lace. Magrat
knew she wasn't much up on the language of dressmaking.
She knew what things were, she just didn't know the names.
All those ruches and pleats and gores and things.

She held the dress against her and gave it a critical
examination.

There was a small mirror against the wall.

After a certain amount of internal tussling Magrat gave
in and tried the dress on. It wasn't as if she'd be wearing it
tomorrow. If she never did try it on, she'd always wonder if
it had fitted.

It fitted. Or, rather, it didn't fit but in a flattering way.
Whatever Verence had paid, it had been worth it. The dress-
maker had done cunning things with the material, so that it
went in where Magrat went straight up and down and bil-
lowed out where Magrat didn't.

The veil had silk flowers on the headband.

I'm not going to start crying again, Magrat told herself.
I'm going to stay angry. I'm going to wind up the anger until
it's thick enough to become rage, and when they come back
I shall—

—what?

She could try being icy. She could sweep majestically
past them . . . this was a good dress for that . . . and that'd
teach them.

And then what? She couldn't stay here, not with every-
one knowing. And they'd find out. About the letter. News
went around Lancre faster than turpentine through a sick
donkey.

She'd have to go away. Perhaps find somewhere where
there were no witches and start up again, although at the
moment her feelings about witches were such that she'd pre-
fer practically any other profession, insofar as there were
other professions for an ex-witch.

Magrat stuck out her chin. The way she felt now, with

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Terry Pratchett

the bile bubbling like a hot spring, she'd create a new pro-
fession. One that with any luck didn't involve men and med-
dling old women.

And she'd keep that damn letter, just to remind her.
All the time she'd wondered how Verence was able to
have things arranged weeks before she got back, and it was
as simple as this. How they must have laughed ...

It occurred briefly to Nanny Ogg that she really should be
somewhere else, but at her time of life invitations to inti-
mate candlelit suppers were not a daily occurrence. There
had to be a time when you stopped worrying about the rest
of the world and cared a little for yourself. There had to be a
time for a quiet, inner moment.

"This is damn good wine," she said, picking up another
bottle. "What did you say it's called?" She peered at the
label. "Chateau Maison? Chat-eau . . . that's foreign for cat's
water, you know, but that's only their way, I know it ain't
real cat's water. Real cat's water is sharper." She hammered
the cork into the bottle with the end of her knife, then stuck
her finger over the neck and gave it a vigorous shaking "to
mix the goodness in."

"But I don't hold with drinking it out of ladies' boots,"
she said. "I know it's supposed to be the thing to do, but I
can't see what's so wonderful about walking home with your
boots full of wine. Ain't you hungry? If you don't want that
bit of gristle, I'll eat it. anymore of them lobsters? Never had
lobster before. And that mayonnaise. And them little eggs
stuffed with stuff. Mind you, that bramble jam tasted of fish,
to my mind."

" 'S caviar," murmured Casanunda.

He was sitting with his chin on his hand, watching her in
rapt infatuation.

He was, he was surprised to find, enjoying himself
immensely while not horizontal.

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He knew how this sort of dinner was supposed to go. It
was one of the basic weapons in the seducer's armory. The
amoratrix was plied with fine wines and expensive yet light
dishes. There was much knowing eye contact across the
table, and tangling of feet underneath it. There was much
pointed eating of pears and bananas and so on. And thus the
ship of temptation steered, gently yet inexorably, to a good
docking.

And then there was Nanny Ogg.

Nanny Ogg appreciated fine wine in her very own way. It
would never have occurred to Casanunda that anyone would
top up white wine with port merely because she'd reached
the end of the bottle.

As for the food . . . well, she enjoyed that, too.
Casanunda had never seen that elbow action before. Show
Nanny Ogg a good dinner and she went at it with knife,
fork, and rammer. Watching her eat a lobster was a particu-
lar experience he would not forget in a hurry. They'd be
picking bits of claw out of the woodwork for weeks.

And the asparagus ... he might actually try to forget
Nanny Ogg putting away asparagus, but he suspected the
memory would come creeping back.

It must be a witch thing, he told himself. They're always
very clear about what they want. If you climbed cliffs and
braved rivers and ski'd down mountains to bring a box of
chocolates to Gytha Ogg, she'd have the nougat centers out of
the bottom layer even before you got your crampons off. That's
it. Whatever a witch does, she does one hundred percent.

Hubba, hubba!

"Ain't you going to eat all those prawns? Just push the
plate this way, then."

He had tried a little footsie to keep his hand in, as it
were, but an accidental blow on the ankle from one of
Nanny's heavy iron-nailed boots had put a stop to that.

And then there had been the gypsy violinist. At first
Nanny had complained about people playin' the fiddle while

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she was trying to concentrate on her eatin', but between
courses she'd snatched it off the man, thrown the bow into a
bowl of camellias, retuned the instrument to something
approaching a banjo, and had given Casanunda three rous-
ing verses of what, him being foreign, she chose to call II
Porcupine Nil Sodomy Est.

Then she'd drunk more wine.

What also captivated Casanunda was the way Nanny
Ogg's face became a mass of cheerful horizontal lines when
she laughed, and Nanny Ogg laughed a lot.

In fact Casanunda was finding, through the faint haze of
wine, that he was actually having fun.

"I take it there is no Mr. Ogg?" he said, eventually.

"Oh, yes, there's a Mr. Ogg," said Nanny. "We buried
him years ago. Well, we had to. He was dead."

"It must be very hard for a woman living all alone?"

"Dreadful," said Nanny Ogg, who had never prepared a
meal or wielded a duster since her eldest daughter had been
old enough to do it for her, and who had at least four meals
cooked for her every day by various terrified daughters-in-law.

"It must be especially lonely at night," said Casanunda,
out of habit as much as anything else.

"Well, there's Greebo," said Nanny "He keeps my feet
warm."

"Greebo—"

"The cat. I say, do you think there's any pudding?"

Later, she asked for a doggy bottle.

Mr. Brooks the beekeeper ladled some greenish, foul-
smelling liquid out of the saucepan that was always simmer-
ing in his secret hut, and filled his squirter.

There was a wasps' nest in the garden wall. It'd be a
mortuary by morning.

That was the thing about bees. They always guarded the
entrance to the hive, with their lives if necessary. But wasps

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were adept at finding the odd chink in the woodwork
around the back somewhere and the sleek little devils'd be
in and robbing the hive before you knew it. Funny. The bees
in the hive'd let them do it, too. They guarded the entrance,
but if a wasp found another way in, they didn't know what
to do.

He gave the plunger a push. A stream of liquid bubbled
out and left a smoking streak on the floor.

Wasps looked pretty enough. But if you were for bees,
you had to be against wasps.

There seemed to be some sort of party going on in the
hall. He vaguely remembered getting an invitation but, on
the whole, that sort of thing never really caught his imagina-
tion. And especially now. Things were wrong. None of the
hives showed any signs of swarming. Not one.

As he passed the hives in the dusk he heard the hum-
ming. You got that, on a warm night. Battalions of bees
stood at the hive entrance, fanning the air with their wings
to keep the brood cool. But there was also the roar of bees
circling the hive.

They were angry, and on guard.

There was a series of small weirs just on the borders of
Lancre. Granny Weatherwax hauled herself up on to the
damp woodwork, and squelched to the bank where she
emptied her boots.

After a while a pointy wizard's hat drifted downriver,
and rose to reveal a pointy wizard underneath it. Granny
lent a hand to help Ridcully out of the water.

"There," she said, "bracing, wasn't it? Seemed to me you
could do with a cold bath."

Ridcully tried to clean some mud out of his ear. He
glared at Granny.

"Why aren't you wet?"

"I am."

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"No you're not. You're just damp. I'm wet through. How
can you float down a river and just be damp?"
"I dries out quick."

Granny Weatherwax glared up the rocks. A short dis-
tance away the steep road ran on to Lancre, but there were
other, more private ways known to her among the trees,

"So," she said, more or less to herself. "She wants to
stop me going there, does she? Well, we'll see about that."

"Going where?" said Ridcully.

"Ain't sure," said Granny. "All I know is, if she don't
want me to go there, that's where I'm going. But I hadn't
bargained on you tumin' up and having a rush of blood to
the heart. Come on."

Ridcully wrung out his robe. A lot of the sequins had
come off. He removed his hat and unscrewed the point.

Headgear picks up morphic vibrations. Quite a lot of trou-
ble had once been caused in Unseen University by a former
Archchancellor's hat, which had picked up too many magical
vibrations after spending so much time on wizardly heads and
had developed a personality of its very own. Ridcully had put a
stop to this by having his own hat made to particular specifica-
tions by an Ankh-Morpork firm of completely insane hatters.

It was not a normal wizard hat. Few wizards have ever
made much use of the pointy bit, except maybe to keep the
odd pair of socks in it. But Ridcully's hat had small cup-
boards. It had surprises. It had four telescopic legs and a roll
of oiled silk in the brim that extended downward to make a
small but serviceable tent, and a patent spirit stove just
above it. It had inner pockets with three days' supply of iron
rations. And the tip unscrewed to dispense an adequate sup-
ply of spirituous liquors for use in emergencies, such as
when Ridcully was thirsty.

Ridcully waved the small pointed cup at Granny.

"Brandy?" he said.

"What have you got on your head?"

Ridcully felt his pate gingerly.

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"Urn ..."
"Smells like honey and horse apples to me. And what's

that thing?"

Ridcully lifted the small cage off his head. There was a
small treadmill in it, in a complex network of glass rods. A
couple of feeding bowls were visible. And there was a small,
hairy and currently quite wet mouse.

"Oh, it's something some of the young wizards came up
with," said Ridcully diffidently "I said I'd ... try it out for
them. The mouse hair rubs against the glass rods and there's
sparks, don't'y'know, and ... and ..."

Granny Weatherwax looked at the Archchancellor's
somewhat grubby hair and raised an eyebrow.

"My word," she said. "What will they think of next?"

"Don't really understand how it works, Stibbons is the
man for this sort of thing, I thought I'd help them out..."

"Lucky you were going bald, eh?"

In the darkness of her sickroom Diamanda opened her eyes,
if they were her eyes. There was a pearly sheen to them.
The song was as yet only on the threshold of hearing.
And the world was different. A small part of her mind
was still Diamanda, and looked out through the mists of
enchantment. The world was a pattern of fine silver lines,
constantly moving, as though everything was coated with fil-
igree. Except where there was iron. There the lines were
crushed and tight and bent. There, the whole world was
invisible. Iron distorted the world. Keep away from iron.

She slipped out of bed, using the edge of the blanket to
grasp the door handle, and opened the door.

Shawn Ogg was standing very nearly to attention.

Currently he was guarding the castle and Seeing How
Long He Could Stand On One Leg.

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Then it occurred to him that this wasn't a proper activity
for a martial artist, and he turned it into No. 19, the Flying
Chrysanthemum Double Drop Kick.

After a while he realized that he had been hearing some-
thing. It was vaguely rhythmical, and put him in mind of a
grasshopper chirruping. It was coming from inside the castle.

He turned carefully, keeping alert in case the massed
armies of Foreign Parts tried to invade while his back was
turned.

This needed working out. He wasn't on guard from
things inside the castle, was he? "On guard" meant things
outside. That was the point of castles. That's why you had
all the walls and things. He'd got the big poster they gave
away free with Jane's All the World's Siege Weapons. He
knew what he was talking about.

Shawn was not the quickest of thinkers, but his thoughts
turned inexorably to the elf in the dungeon. But that was
locked up. He'd locked the door himself. And there was iron
all over the place, and Mum had been very definite about
the iron.

Nevertheless...

He was methodical about it. He raised the drawbridge
and dropped the portcullis and peered over the wall for
good measure, but there was just the dusk and the night
breeze.

He could feel the sound now. It seemed to be coming out
of the stone, and had a saw-toothed edge to it that grated on
his nerves.

It couldn't have got out, could it? No, it stood to reason.
People hadn't gone around building dungeons you could get
out of.

The sound swung back and forth across the scale.

Shawn leaned his rusty pike against the wall and drew
his sword. He knew how to use it. He practiced for ten min-
utes every day, and it was one sorry hanging sack of straw
when he'd finished with it.

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He slipped into the keep by the back door and sidled
along the passages toward the dungeon. There was no one
else around. Of course, everyone was at the Entertainment.
And they'd be back any time now, carousing all over the

place.

The castle felt big, and old, and cold.

Any time now.

Bound to.

The noise stopped.

Shawn peered around the comer. There were the steps,
there was the open doorway to the dungeons.

"Stop!" shouted Shawn, just in case.

The sound echoed off the stones.

"Stop! Or ... or ... or ... Stop!"

He eased his way down the steps and looked through the

archway

"I warn you! I'm learning the Path of the Happy Jade

Lotus!"

There was the door to the cell, standing ajar. And a

white-clad figure next to it.
Shawn blinked.
"Aren't you Miss Tockley?"

She smiled at him. Her eyes glowed in the dim light.
"You're wearing chain-mail, Shawn," she said.
"What, miss?" He glanced at the open door again.
"That's terrible. You must take it off, Shawn. How can

you hear with all that stuff around your ears?"

Shawn was aware of the empty space behind him. But

he daren't look around.

"I can hear fine, miss," he said, trying to ease himself
around so that his back was against a wall.

"But you can't hear truly," said Diamanda, drifting for-
ward. "The iron makes you deaf."

Shawn was not yet used to thinly clad young women
approaching him with a dreamy look on their faces. He fer-
vently wished he could take the Path of the Retreating Back.

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Terry Pratehett

He glanced sideways.

There was a tall skinny shape outlined in the open cell
doorway. It was standing very carefully, as if it wanted to
keep as far away from its surroundings as possible.

Diamanda was smiling at him in a funny way.

He ran.

Somehow, the woods had changed. Ridcully was certain that
in his youth they'd been full of bluebells and primroses and—
and bluebells and whatnot and so on. Not bloody great briars
all over the place. They snagged at his robe and once or twice
some tree-climbing equivalent knocked his hat off.

What made it worse was that Esme Weatherwax seemed
to avoid all of them.

"How do you manage that?"

"I just know where I am all the time," said Granny.

"Well? I know where / am, too."

"No you don't. You just happen to be present. That's not
the same."

"Well, do you happen to know where a proper path is?"

"This is a short cut."

"Between two places where you're not lost, d'you
mean?"

"I keep tellin' you, I ain't lost! I'm . . . directionally chal-
lenged."

"Hah!"

But it was a fact about Esme Weatherwax, he had to
admit. She might be lost, and he had reason to suspect this
was the case now, unless there were in this forest two trees
with exactly the same arrangement of branches and a strip
of his robe caught on one of them, but she did have a quality
that in anyone not wearing a battered pointy hat and an
antique black dress might have been called poise. Absolute
poise. It would be hard to imagine her making an awkward
movement unless she wanted to.

LQRD6 fittO Lft0/£6

He'd seen that years ago, although of course at the time
he'd just been amazed at the way her shape fitted perfectly
into the space around it. And—

He'd got caught up again.

"Wait a minute!"

"Entirely the wrong sort of clothes for the country!"

"I wasn't expecting a hike through the woods! This is
ceremonial damn costume!"

"Take it off, then."

"Then how will anyone know I'm a wizard?"

"I'll be sure to tell them!"

Granny Weatherwax was getting rattled. She was also,
despite everything that she'd said, getting lost. But the point
was that you couldn't get lost between the weir at the bot-
tom of the Lancre rapids and Lancre town itself. It was
uphill all the way Besides, she'd walked through the local
forests all her life. They were her forests.

She was pretty sure they'd passed the same tree twice.
There was a bit of Ridcully's robe hanging on it.

It was like getting lost in her own garden.

She was also sure she'd seen the unicorn a couple of
times. It was tracking them. She'd tried to get into its mind.
She might as well have tried to climb an ice wall.

It wasn't as if her own mind was tranquil. But now at
least she knew she was sane.

When the walls between the universes are thin, when
the parallel strands of If bunch together to pass through the
Now, then certain things leak across. Tiny signals, perhaps,
but audible to a receiver skilled enough.

In her head were the faint, insistent thoughts of a thou-
sand Esme Weatherwaxes.

Magrat wasn't sure what to pack. Most of her original
clothes seemed to have evaporated since she'd been in the
castle, and it was hardly good manners to take the ones

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Verence had bought for her. The same applied to the
engagement ring. She wasn't sure if you were allowed to
keep it.

She glared at herself in the mirror.

She'd have to stop thinking like this. She seemed to have
spent her whole life trying to make herself small, trying to be
polite, apologizing when people walked over her, trying to be
good-mannered. And what had happened? People had treated
her as if she was small and polite and good-mannered.

She'd stick the, the, the damn letter on the mirror, so
they'd all know why she'd gone.

She'd a damn good mind to go off to one of the cities
and become a courtesan.

Whatever that was.

And then she heard the singing.

It was, without a doubt, the most beautiful sound
Magrat had ever heard. It flowed straight through the ears
and into the hindbrain, into the blood, into the bone .. .

A silk camisole dropped from her fingers on to the floor.

She wrenched at the door, and a tiny part of her mind
still capable of rational thought remembered about the key.

The song filled the passageway. She gripped some folds
of the wedding dress to make running easier and hurried
toward the stairs ...

Something bulleted out of another doorway and bore
her to the floor.

It was Shawn Ogg. Through the chromatic haze she could
see his worried face peering out from its hood of rusty—

—iron.

The song changed while staying the same. The complex
harmonies, the fascinating rhythm did not alter but suddenly
grated, as if she was hearing the song through different ears.

She was dragged into the doorway.

"Are you all right. Miss Queen?"

"What's happening?"

"Dunno, Miss Queen. But I think we've got elves."

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"Elves?"

"And they've got Miss Tockley. Um. You know you took
the iron away—"

"What are you talking about, Shawn?"

Shawn's face was white.

"That one down the dungeons started singing, and they'd
put their mark on her, so she's doing what they want—"

"Shawn!"

"And Mum said they don't kill you, if they can help it.
Not right away. You're much more fun if you're not dead."

Magrat stared at him.

"I had to run away! She was trying to get my hood off! I
had to leave her, miss! You understand, miss?"

"Elves?"

"You got to hold on to something iron, miss! They hate iron!"

She slapped his face, hurting her fingers on the mail.

"You're gabbling, Shawn!"

"They're out there, miss! I heard the drawbridge go
down! They're out there and we're in here and they don't
kill you, they keep you alive—"

"Stand to attention, soldier!"

It was all she could think of. It seemed to work. Shawn
pulled himself together.

"Look," said Magrat, "everyone knows there really aren't
any elves any mo . . . " Her voice faded. Her eyes narrowed.
"Everyone but Magrat Garlick knows different, yes?"

Shawn shook. Magrat grabbed his shoulders.

"Me mum and Mistress Weatherwax said you wasn't to
know!" Shawn wailed. "They said it was witch business!"

"And where are they now, when they've got some witch
business to mind?" said Magrat. "I don't see them, do you?
Are they behind the door? No! Are they under the bed?
How strange, they're not ... there's just me, Shawn Ogg.
And if you don't tell me everything you know right now I'll
make you regret the day I was born."

Shawn's Adam's apple bobbed up and down as he con-

Terry Pratchett

sidered this. Then he shook himself free of Magrat's grasp
and listened at the door.

The singing had stopped. For a moment Magrat thought
she heard footsteps outside the door, hurrying away.

"Well, Miss Queen, our mum and Mistress Weatherwax
was up at the Dancers—"

Magrat listened.

Finally she said, "And where's everyone now?"

"Dunno, miss. All gone to the Entertainment . . . but
they ought to've been back by now."

"Where's the Entertainment?"

"Dunno, miss. Miss?"

"Yes?"

"Why've you got your wedding dress on?"

"Never you mind."

"It's unlucky for the groom to see the bride in her dress
before the wedding," said Shawn, taking refuge in run-of-
the-mill idiocies to relieve his terror.

"It will be for him if I see him first," snarled Magrat.

"Miss?"

"Yes?"

"I'm feared about what's happened to everyone. Our
Jason said they'd be back in an hour or so, and that was
hours ago."

"But there's almost a hundred guests and everyone from
the town, practically. Elves couldn't do anything to them."

"They wouldn't have to, miss." Shawn went to the
unglazed window. "Look, miss. I can drop down on to the
granary in the stable yard from here. It's thatch, I'll be all
right. Then I can sneak around the kitchens and out by the
little gate by the hubward tower with military precision."

"What for?"

"To get help, miss."

"But you don't know if there's any help to get."

"Can you think of anything else, miss?"

She couldn't.

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"It's very . .. brave of you, Shawn," said Magrat.

"You stay here and you'll be right as rain," said Shawn.
"Tell you what... How about if I lock the door and take the
key with me? Then even if they sing at you they can't get
you to open the door."

Magrat nodded.

Shawn tried to smile. "Wish we had another suit of
mail," he said. "But it's all in the armory."

"I'll be fine," said Magrat. "Off you go, then."

Shawn nodded. He waited for a moment on the window
ledge, and then dropped into the darkness.

Magrat pushed the bed against the door and sat on it.

It occurred to her that she should have gone as well. But
that would mean leaving the castle empty, and that didn't
feel right.

Besides, she was scared.

There was one candle in the room, and that was half
burned down. When it was gone, there'd be nothing but the
moonlight. Magrat had always liked moonlight. Up to now.

It was quiet outside. There should be the noises of the town.

It crept over her that letting Shawn go away with a key
to the door was not a wholly sensible thing, because if they
caught him they could open—

There was a scream, which went on for a long time.

And then the night rolled back in again.

After a few minutes there was a scrabbling at the lock,
such as might be made by someone trying to manipulate a
key held in several thicknesses of cloth, so as not to come
into contact with the iron.

The door began to open, and wedged up against the bed.

"Will you not step outside, lady?"

The door creaked again.

"Will you not come dance with us, pretty lady?"

'The voice had strange harmonics and an echo that
buzzed around the inside of the head for several seconds
after the last word had been spoken.

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Terry Pratchett

The door burst open.

Three figures slid into the room. One looked up the bed,
and the others poked into dark comers. Then one of them
crossed to the window and looked out.

The crumbling wall stretched down to the thatched roof
entirely unoccupied.

The figure nodded to two more shapes in the courtyard,
its blond hair glowing in the moonlight.

One of them pointed up, to where a figure, its long
white dress billowing in the breeze, was climbing up the
wall of the keep.

The elf laughed. This was going to be more enjoyable
than it'd suspected.

Magrat pulled herself over the windowsill and collapsed,
panting, on the floor. Then she staggered across to the door,
which was missing its key. But there were two heavy wooden
bars, which she slotted into place.

There was a wooden shutter for the window.

They'd never let her get away with it again. She'd been
expecting an arrow but ... no, something as simple as that
wouldn't have been enough fun.

She glared at the darkness. So ... there was this room.
She didn't even know which one it was. She found a candle-
stick and a bundle of matches and, after some scrabbling,
got it lit.

There were some boxes and cases piled by the bed. So ...
a guest room.

The thoughts trickled through the silence of her brain,
one after another.

She wondered if they'd sing to her, and if she could
stand it again. Maybe if you knew what to expect. ..

There was a gentle tap at the door.

"We have your friends downstairs, lady. Come dance
with me."

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Magrat stared desperately around the room.

It was as featureless as guest bedrooms everywhere. Jug
and basin on a stand, the horrible garderobe alcove inade-
quately concealed behind a curtain, the bed which had a few
bags and bundles tossed on it, a battered chair with all the
varnish gone and a small square of carpet made gray with
age and ground-in dust.

The door rattled. "Let me in, sweet lady."

The window was no escape this time. There was the bed
to hide under, and that'd work for all of two seconds,
wouldn't it?

Her eye was drawn by some kind of horrible magic back
to the room's garderobe, lurking behind its curtain.

Magrat lifted the lid. The shaft was definitely wide enough
to admit a body. Garderobes were notorious in that respect.
Several unpopular kings had met their end, as it were, in the
garderobe, at the hands of an assassin with good climbing
ability, a spear, and a fundamental approach to politics.

Something hit the door hard.

"Lady, shall I sing to you?"

Magrat reached a decision.

It was the hinges that gave way eventually, the rusty
bolts finally losing their grip on the stone.

The alcove's half-drawn curtain moved in the breeze.

The elf smiled, strode to the curtain, and pulled it aside.

The oak lid was up.

The elf looked down.

Magrat rose up behind it like a white ghost and hit it hard
across the back of the neck with the chair, which shattered.

The elf tried to turn and keep its balance, but there was
still enough chair left in Magrat's hands for her to catch it
on the desperate upswing. It toppled backward, flailed at the
lid, and only succeeded in pulling it shut behind it. Magrat
' heard a thump and a scream of rage as it dropped into the
noisome darkness. It'd be too much to hope that the fall
would kill it. After all, it'd land in something soft.

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"Not just high," said Magrat to herself, "but stinking."

Hiding under the bed is only good for about two sec-
onds, but sometimes two seconds is enough.

She let go of the chair. She was shaking. But she was still
alive, and that felt good. That's the thing about being alive.
You're alive to enjoy it.

Magrat peered out into the passage.

She had to move. She picked up a stricken chair leg for
the little comfort that it gave, and ventured out.

There was a scream again, from the direction of the
Great Hall.

Magrat looked the other way, toward the Long Gallery
She ran. There had to be a way out, somewhere, some gate,
some window . . .

Some enterprising monarch had glazed the windows
some time ago. The moonlight shone through in big silver
blocks, interspersed with squares of deep shadow.

Magrat ran from light to shade, light to shade, down the
endless room. Monarch after monarch flashed past, like a
speeded-up film. King after king, all whiskers and crowns
and beards. Queen after queen, all corsages and stiff bodices
and Lappet-faced wowhawks and small dogs and—

Some shape, some trick of moonlight, some expression
on a painted face somehow cut through her terror and
caught her eye.

That was a portrait she'd never seen before. She'd never
walked down this far. The idiot vapidity of the assembled
queens had depressed her. But this one . . .

This one, somehow, reached out to her.

She stopped.

It couldn't have been done from life. In the days of this
queen, the only paint known locally was a sort of blue, and
generally used on the body But a few generations ago King
Lully I had been a bit of a historian and a romantic. He'd
researched what was known of the early days of Lancre, and
where actual evidence had been a bit sparse he had, in the

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best traditions of the keen ethnic historian, inferred from
revealed self-evident wisdom* and extrapolated from associated
sources. "*" He'd commissioned the portrait of Queen Ynci the
Short-Tempered, one of the founders of the kingdom.

She had a helmet with wings and a spike on it and a
mass of black hair plaited into dreadlocks with blood as a
setting lotion. She was heavily made-up in the woad-and-
blood-and-spirals school of barbarian cosmetics. She had a
42 D-cup breastplate and shoulder pads with spikes. She
had knee pads with spikes on, and spikes on her sandals,
and a rather short skirt in the fashionable tartan and blood
motif. One hand rested nonchalantly on a double-headed
battle axe with a spike on it, the other caressed the hand of a
captured enemy warrior. The rest of the captured enemy
warrior was hanging from various pine trees in the back-
ground. Also in the picture was Spike, her favorite war
pony, of the now extinct Lancre hill breed which was the
same general shape and disposition as a barrel of gunpow-
der, and her war chariot, which picked up the popular spiky
theme. It had wheels you could shave with.

Magrat stared.

They'd never mentioned this.

They'd told her about tapestries, and embroidery, and
farthingales, and how to shake hands with lords. They'd
never told her about spikes.

There was a sound at the end of the gallery, from back
the way she'd come. She grabbed her skirts and ran.

There were footsteps behind her, and laughter.

Left down the cloisters, then along the dark passage
above the kitchens, and past the—

A shape moved in the shadows. Teeth flashed. Magrat
raised the chair leg, and stopped in mid-strike.

"Greebo?"

* Made it up.
+ Had read a lot of stuff that other people had made up, too.

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Nanny Ogg's cat rubbed against her legs. His hair was
flat against his body. This unnerved Magrat even more. This
was Greebo, undisputed king of Lancre's cat population and
father of most of it, in whose presence wolves trod softly
and bears climbed trees. He was frightened.

"Come here, you bloody idiot!"

She grabbed him by the scruff of his scarred neck and
ran on, while Greebo gratefully sank his claws into her arm
to the bone and scrambled up to her shoulder.

She must be somewhere near the kitchen now, because
that was Greebo's territory. This was an unknown and shad-
owy area, terror incognita, where the flesh of carpets and
the plaster pillars ran out and the stone bone of the castle
showed through.

She was sure there were footsteps behind her, very fast
and light.

If she hurried around the next comer—

In her arms, Greebo tensed like a spring. Magrat
stopped.

Around the next comer—

Without her apparently willing it, the hand holding the
broken wood came up, moving slowly back.

She stepped to the comer and stabbed in one movement.
There was a triumphant hiss which turned into a screech as
the wood scraped down the side of the waiting elfs neck. It
reeled away Magrat bolted for the nearest doorway, weeping
in panic, and wrenched at the handle. It swung open. She
darted through, slammed the door, flailed in the dark for the
bars, felt them clonk home, and collapsed on to her knees.

Something hit the door outside.

After a while Magrat opened her eyes, and then won-
dered if she really had opened her eyes, because the dark-
ness was no less dark. There was a feeling of space in front

* "He's just an old soppy really"—from the Nanny Ogg Book of Cat
Sayings.

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of her. There were all sorts of things in the castle, old hidden
rooms, anything . . . there could be a pit there, there could
be anything. She fumbled for the doorframe, guided herself
upright, and then groped cautiously in the general direction
of the wall.

There was a shelf. This was a candle. And this was a
bundle of matches.

So, she insisted above her own heartbeat, this was a
room that got used recently. Most people in Lancre still used
tinderboxes. Only the king could afford matches all the way
from Ankh-Morpork. Granny Weatherwax and Nanny Ogg
got them too, but they didn't buy them. They got given
them. It was easy to get given things, if you were a witch.

Magrat lit the stub of candle, and turned to see what
kind of room she'd scuttled into.

Oh,no...

"Well, well," said Ridcully "There's a familiar tree."

"Shut up."

"I thought someone said we just had to walk up hill,"
said Ridcully.

"Shut up."

"I remember once when we were in these woods you let

me—"

"Shut up."

Granny Weatherwax sat down on a stump.

"We're being mazed," she said. "Someone's playing
tricks on us."

"I remember a story once," said Ridcully, "where these
two children were lost in the woods and a lot of birds came
and covered them with leaves." Hope showed in his voice
like a toe peeking out from under a crinoline.

"Yes, that's just the sort of bloody stupid thing a bird
would think of," said Granny. She rubbed her head.

"She's doing it," she said. "It's an elvish trick. Leading

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travelers astray. She's mucking up my head. My actual head.
Oh, she's good. Making us go where she wants. Making us
go round in circles. Doing it to me."

"Maybe you've got your mind on other things," said
Ridcully, not quite giving up hope.

"Course I've got my mind on other things, with you
falling over all the time and gabbling a lot of nonsense," said
Granny. "If Mr. Cleverdick Wizard hadn't wanted to dredge
up things that never existed in the first place I wouldn't be
here, I'd be in the center of things, knowing what's going
on." She clenched her fists.

"Well, you don't have to be," said Ridcully. "It's a fine
night. We could sit here and—"

"You're falling for it too," said Granny. "All that dreamy-
weamy, eyes-across-a-crowded-room stuff. Can't imagine
how you keep your job as head wizard."

"Mainly by checking my bed carefully and makin' sure
someone else has already had a slice of whatever it is I'm
eating," said Ridcully, with disarming honesty. "There's not
much to it, really. Mainly it's signin' things and having a
good shout—"

Ridcully gave up.

"Anyway, you looked pretty surprised when you saw
me," he said. "Your face went white."

"Anyone'd go white, seeing a full-grown man standing
there looking like a sheep about to choke," said Granny.

"You really don't let up, do you?" said Ridcully.
"Amazing. You don't give an inch."

Another leaf drifted past.

Ridcully didn't move his head.

"You know," he said, his voice staying quite level, "either
autumn comes really early in these parts, or the birds here
are the ones out of that story I mentioned, or someone's in
the tree above us."

"I know."

"You know?"

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"Yes, because I've been paying attention while you were
dodging the traffic in Memory Lane," said Granny. "There's
at least five of 'em, and they're right above us. How's those
magic fingers of yours?"

"I could probably manage a fireball."

"Wouldn't work. Can you carry us out of here?"

"Not both of us."

"Just you?"

"Probably, but I'm not going to leave you."

Granny rolled her eyes. "It's true, you know," she said.
"All men are swains. Push off, you soft old bugger. They're
not intending to kill me. At least, not yet. But they don't
hardly know nothing about wizards and they'll chop you
down without thinking."

"Now who's being soft?"

"I don't want to see you dead when you could be doin'
something useful."

"Running away isn't useful."

"It's going to be a lot more useful than staying here."

"I'd never forgive myself if I went."

"And I'd never forgive you if you stayed, and I'm a lot
more unforgiving than you are," said Granny. "When it's all
over, try to find Gytha Ogg. Tell her to look in my old box.
She'll know what's in there. And if you don't go now—"

An arrow hit the stump beside Ridcully.

"The buggers are firing at me!" he shouted. "If I had my
crossbow—"

"I should go and get it, then," said Granny.

"Right! I'll be back instantly!"

Ridcully vanished. A moment later several lumps of cas-
tle masonry dropped out of the space he had just occupied.

"That's him out of the way, then," said Granny, to no one
in particular.

She stood up, and gazed around at the trees.

"All right," she said, "here I am. I ain't running. Come
and get me. Here I am. All of me."

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*    *   *

Magrat calmed down. Of course it existed. Every castle had
one. And of course this one was used. There was a trodden
path through the dust to the rack a few feet away from the
door, where a few suits of unraveling chain-mail hung on a
rack, next to the pikes.

Shawn probably came in here every day.

It was the armory.

Greebo hopped down from Magrat's shoulders and wan-
dered off down the cobwebbed avenues, in his endless
search for anything small and squeaky.

Magrat followed him, in a daze.

The kings of Lancre had never thrown anything away. At
least, they'd never thrown anything away if it was possible
to kill someone with it.

There was armor for men. There was armor for horses.
There was armor for fighting dogs. There was even armor
for ravens, although King Gumt the Stupid's plan for an
aerial attack force had never really got off the ground.
There were more pikes, and swords, cutlasses, rapiers,
epees, broadswords, flails, momingstars, maces, clubs, and
huge knobs with spikes. They were all piled together and,
in those places where the roof had leaked, were rusted into
a lump. There were longbows, short bows, pistol bows,
stirrup bows, and crossbows, piled like firewood and
stacked with the same lack of care. Odd bits of armor were
piled in more heaps, and were red with rust. In fact rust
was everywhere. The whole huge room was full of the
death of iron.

Magrat went on, like some clockwork toy that won't
change direction until it bumps into something.

The candlelight was reflected dully in helmets and
breastplates. The sets of horse armor in particular were ter-
rible, on their rotting wooden frames—they stood like exte-
rior skeletons, and, like skeletons, nudged the mind into

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thoughts of mortality. Empty eye sockets stared sightlessly
down at the little candlelit figure.

"Lady?"

The voice came from outside the door, far behind
Magrat. But it echoed around her, bouncing off the centuries
of mouldering armaments.

They can't come in here, Magrat thought. Too much
iron. In here, I'm safe.

"If lady wants to play, we will fetch her friends."

As Magrat turned, the light caught the edge of some-
thing, and gleamed.

Magrat pulled aside a huge shield.

"Lady?"

Magrat reached out.

"Lady?"

Magrat's hands held a rusty iron helmet, with wings.

"Come dance at the wedding, lady."

Magrat's hands closed on a well-endowed breastplate,
with spikes.

Greebo, who had been tracking mice through a prone
suit of armor, stuck his head out of a leg.

A change had come over Magrat. It showed in her
breathing. She'd been panting, with fear and exhaustion.
Then, for a few seconds, there was no sound of her breathing
at all. And finally it returned. Slowly. Deeply. Deliberately.

Greebo saw Magrat, who he'd always put down as basi-
cally a kind of mouse in human shape, lift the hat with the
wings on it and put it on her head.

Magrat knew all about the power of hats.

In her mind's ear she could hear the rattle of the chariots.

"Lady? We will bring your friends to sing to you."

She turned.

The candlelight sparkled off her eyes.

Greebo drew back into the safety of his armor. He
recalled a particular time when he'd leapt out on a vixen.
Normally Greebo could take on a fox without raising a

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sweat but, as it turned out, this one had cubs. He hadn't
found out until he chased her into her den. He'd lost a bit of
one ear and quite a lot of fur before he'd got away.

The vixen had a very similar expression to the one
Magrat had now.

"Greebo? Come here!"

The cat turned and tried to find a place of safety in the
suit's breastplate. He was beginning to doubt he'd make it
through the knight.

Elves prowled the castle gardens. They'd killed the fish in
the ornamental pond, eventually.

Mr. Brooks was perched on a kitchen chair, working at a
crevice in the stable wall.

He'd been aware of some sort of excitement, but it was
involving humans and therefore of secondary importance.
But he did notice the change in the sound from the hives,
and the splintering of wood.

A hive had already been tipped over. Angry bees clouded
around three figures as feet ripped through comb and honey
and brood.

The laughter stopped as a white-coated, veiled figure
appeared over the hedge. It raised a long metal tube.

No one ever knew what Mr. Brooks put in his squirter.
There was old tobacco in it, and boiled-up roots, and bark
scrapings, and herbs that even Magrat had never heard of.
It shot a glistening stream over the hedge which hit the
middle elf between the eyes, and sprayed over the other
two.

Mr. Brooks watched dispassionately until their struggles
stopped.

"Wasps," he said.

Then he went and found a box, lit a lantern and, with
great care and delicacy, oblivious to the stings, began to
repair the damaged combs.

222

*    *    *

Shawn couldn't feel much in his arm anymore, except in the
hot dull way that indicated at least one broken bone, and he
knew that two of his fingers shouldn't be looking like that.
He was sweating, despite being only in his vest and drawers.
He should never have taken his chain-mail off, but it's hard
to say no when an elf is pointing a bow at you. Shawn knew
what, fortunately, many people didn't—chain-mail isn't
much defense against an arrow. It certainly isn't when the
arrow is being aimed between your eyes.

He'd been dragged along the corridors to the armory.
There were at least four elves, but it was hard to see their
faces. Shawn remembered when the traveling Magic
Lanthorn show had come to Lancre. He'd watched
entranced as different pictures had been projected on to one
of Nanny Ogg's bedsheets. The elf faces put him in mind of
that. There were eyes and a mouth in there somewhere, but
everything else seemed to be temporary, the elves' features
passing across their faces like the pictures on the screen.

They didn't say much. They just laughed a lot. They were
a merry folk, especially when they were twisting your arm to
see how far it could go.

The elves spoke to one another in their own language.
Then one of them turned to Shawn, and indicated the
armory door.

"We wish the lady to come out," it said. "You must say
to her, if she does not come out, we will play with you some
more."

"What will you do to us if she does come out?" said
Shawn.

"Oh, we shall still play with you," said the elf. "That's
what makes it so much fun. But she must hope, must she
not? Talk to her now."

He was pushed up to the door. He knocked on it, in
what he hoped was a respectful way.

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"Urn. Miss Queen?"

Magrat's voice was muffled.

"Yes?"

"It's me, Shawn."

"I know."

"I'm out here. Um. I think they've hurt Miss Tockley.
Um. They say they'll hurt me some more if you don't come
out. But you don't have to come out because they daren't
come in there because of all the iron. So I shouldn't listen to
them if I was you."

There were some distant clankings, and then a twang.

"Miss Magrat?"

"Ask her," said the elf, "if there is any food and water in
there."

"Miss, they say—"

One of the elves jerked him away. Two of them took up
station either side of the doorway, and one put his pointed
ear to it.

Then it knelt down and peered through the keyhole, tak-
ing care not to come too near the metal of the lock.

There was a sound no louder than a click. The elf
remained motionless for a moment, and then keeled over
gently, without a sound.

Shawn blinked.

There was about an inch of crossbow bolt sticking out of
its eye. The feathers had been sheared off by its passage
through the keyhole.

"Wow," he said.

The armory door swung open, revealing nothing but
darkness.

One of the elves started to laugh.

"So much for him," it said. "How stupid . . . Lady? Will
you listen to your warrior?"

He gripped Shawn's broken arm, and twisted.

Shawn tried not to scream. Purple lights flashed in front of
his eyes. He wondered what would happen if he passed out.

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He wished his mum was here.

"Lady," said the elf, "if you—"

"All right," said Magrat's voice, from somewhere in the
darkness. "I'm going to come out. You must promise not to
hurt me."

"Oh, indeed I do, lady."

"And you'll let Shawn go."

"Yes."

The elves on either side of the doorway nodded at each
other.

"Please?" Magrat pleaded.

"Yes."

Shawn groaned. If it had been Mum or Mistress Weather-
wax, they'd have fought to the death. Mum was right—
Magrat always was the nice soft one .. .

. .. who'd just fired a crossbow through a keyhole.

Some eighth sense made Shawn shift his weight. If the elf
relaxed his grip for just one second, Shawn was ready to stagger.

Magrat appeared in the doorway. She was carrying an
ancient wooden box with the word "Candles" on the side in
peeling paint.

Shawn looked hopefully along the corridor.

Magrat smiled brightly at the elf beside him. "This is for
you," she said, handing over the box. The elf took it auto-
matically. "But you mustn't open it. And remember you
promised not to hurt me."

The elves closed in behind Magrat. One of them raised a
hand, with a stone knife in it.

"Lady?" said the elf holding the box, which was rocking
gently in its hands.

"Yes?" said Magrat, meekly.

"I lied to you."

The knife plunged toward her back.

And shattered.

The elf looked at Magrat's innocent expression, and
opened the box.

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Greebo had spent an irritating two minutes in that box.
Technically, a cat locked in a box may be alive or it may be
dead. You never know until you look. In fact, the mere act
of opening the box will determine the state of the cat,
although in this case there were three determinate states the
cat could be in: these being Alive, Dead, and Bloody
Furious.

Shawn dived sideways as Greebo went off like a
Claymore mine.

"Don't worry about him," said Magrat dreamily, as the
elf flailed at the maddened cat. "He's just a big softy."

She drew a knife out of the folds of her dress, turned,
and stabbed the elf behind her. It wasn't an accurate thrust,
but it didn't have to be. Not with an iron blade.

She completed the movement by daintily raising the hem
of her dress and kicking the third elf just under the knee.

Shawn saw a flash of metal as her foot retreated under
the silk again.

She elbowed the screaming elf aside, trotted into the
doorway, and came back with a crossbow.

"Shawn," she said, "which one hurt you?"

"All of them," said Shawn, weakly. "But the one fighting
Greebo stabbed Diamanda."

The elf pulled Greebo off his face. Green-blue blood was
streaming from a dozen wounds and Greebo hung on to its
arm as he was flailed against the wall.

"Stop it," said Magrat.

The elf looked down at the bow, and froze.

"I will not beg for mercy," it said.

"Good," said Magrat, and fired.

That left one elf rolling in circles on the flagstones,
clutching at its knee.

Magrat stepped daintily over the body of another elf,
vanished into the armory for a moment, and came back with
an axe.

The elf stopped moving, and focused all its attention on her.

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"Now," said Magrat, conversationally, "I'm not going to
lie to you about your chances, because you haven't got any.
I'm going to ask you some questions. But first of all, I'm
going to get your attention."

The elf was expecting it, and managed to roll aside as
the axe splintered the stones.

"Miss?" said Shawn weakly, as Magrat raised the axe again.

"Yes?"

"Mum says they don't feel pain, miss."

"No? But they can certainly be put to inconvenience."

Magrat lowered the axe.

"Of course, there's armor," she said. "We could put this
one in a suit of armor. How about it?"

"No!"

The elf tried to pull away across the floor.

"Why not?" said Magrat. "Better than axes, yes?"

"No!"

"Why not?"

"It is like being buried in the earth," hissed the elf. "No
eyes, no ears, no mouth!"

"Chain-mail, then," said Magrat.

"No!"

"Where is the king? Where is everyone?"

"I will not say!"

"All right."

Magrat vanished into the armory again, and came back
dragging a suit of chain-mail.

The elf tried to scramble away.

"You won't get it on," said Shawn, from where he lay.
"You'll never get it over its arms—"

Magrat picked up the axe.

"Oh, no," said Shawn. "Miss!"

"You will never get him back," said the elf. "She has him."

"We shall see," said Magrat. "All right, Shawn. What
shall we do with it?"

In the end they dragged it into a storeroom next to the

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dungeon and manacled it to the bars of the window. It was
still whimpering at the touch of the iron as Magrat slammed
the door.

Shawn was trying to keep at a respectful distance. It was
the way Magrat kept smiling all the time.

"Now let's have a look at that arm of yours," she said.

"I'm all right," said Shawn, "but they stabbed Diamanda
in the kitchen."

"Was it her I heard screaming?"

"Uh. Partly. Uh." Shawn stared down in fascination at
the dead elves as Magrat stepped over them.

"You killed them," he said.

"Did I do it wrong?"

"Um. No," said Shawn cautiously. "No, you did it ...
quite well, really."

"And there's one in the pit," said Magrat. "You know ...
the pit. What day is it?"

"Tuesday."

"And you clean it out on ... ?"

"Wednesdays. Only I missed last Wednesday because I
had—"

"Then we probably don't need to worry about it. Are
there anymore around?"

"I... don't think so. Uh. Miss Queen?"

"Yes, Shawn?"

"Could you put the axe down, please? I'd feel a lot bet-
ter if you put the axe down. The axe. Miss Queen. You keep
swinging it about. It could go off at any second."

"What axe?"

"The one you're holding."

"Oh, this axe." Magrat appeared to notice it for the first
time. "That arm looks bad. Let's get down to the kitchen
and I'll splint it. Those fingers don't look good, either. Did
they kill Diamanda?"

"I don't know. And I don't know why. I mean, she was
helping them."

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"Yes. Wait a moment." Magrat disappeared one more
time into the armory, and came back carrying a sack. "Come

on. Greebo!"

Greebo gave her a sly look, and stopped washing himself.

"D'you know a funny thing about Lancre?" said Magrat,
as they sidled down the stairs.

"What's that, miss?"

"We never throw anything away. And you know another

thing?"

"No, miss."

"They couldn't have painted her from life, of course. I
mean, people didn't paint portraits in those days. But the
armor . .. hah! All they had to do was look. And you know

what?"

Shawn suddenly felt frightened. He'd been scared
before, but it had been immediate and physical. But Magrat,
like this, frightened him more than the elves. It was like
being charged by a sheep.

"No, miss?" he said.

"No one told me about her. You'd think it's all tapestry
and walking around in long dresses!"

"What, miss?"

Magrat waved an arm expressively.

"All this!"

"Miss!" said Shawn, from knee level.

Magrat looked down.

"What?"

"Please put the axe down!"

"Oh. Sorry."

Hodgesaargh spent his nights in a little shed adjoining the
mews. He too had received an invitation to the wedding, but
it had been snatched from his hand and eaten in mistake for
one of his fingers by Lady Jane, an ancient and evil-tempered
gyrfalcon. So he'd gone through his usual nightly routine,

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bathing his wounds and eating a meal of stale bread and
ancient cheese and going to bed early to bleed gently by can-
dlelight over a copy of Beaks and Talons.

He looked up at a sound from the mews, picked up the
candlestick, and wandered out.

An elf was looking at the birds. It had Lady Jane perched
on its arm.

Hodgesaargh, like Mr. Brooks, didn't take much interest
in events beyond his immediate passion. He was aware that
there were a lot of visitors in the castle and, as far as he
was concerned, anyone looking at the hawks was a fellow
enthusiast.

"That's my best bird," he said proudly. "I've nearly got
her trained. She's very good. I'm training her. She's very
intelligent. She knows eleven words of command."

The elf nodded solemnly. Then it slipped the hood off
the bird's head, and nodded toward Hodgesaargh.

"Kill," it commanded.

Lady Jane's eyes glittered in the torchlight. Then she
leapt, and hit the elf full in the throat with two sets of talons
and a beak.

"She does that with me, too," said Hodgesaargh. "Sorry
about that. She's very intelligent."

Diamanda was lying on the kitchen floor, in a pool of blood.
Magrat knelt beside her.

"She's still alive. Just." She grabbed the hem of her
dress, and tried to rip it.

"Damn the thing. Help me, Shawn."

"Miss?"

"We need bandages!"

"But—"

"Oh, stop gawping."

The skirt tore. A dozen lace roses unraveled.

Shawn had never been privy to what queens wore under

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their clothes, but even starting with certain observations
concerning Millie Chillum and working his way up, he'd
never considered metal underwear.

Magrat thumped the breastplate.

"Fairly good fit," she said, defying Shawn to point out
that in certain areas there was quite a lot of air between
the metal and Magrat. "Not that a few tucks and a rivet
here and there wouldn't help. Don't you think it looks
good?"

"Oh, yes," said Shawn. "Uh. Sheet iron is really you."

"You really think so?"

"Oh, yes," said Shawn, inventing madly. "You've got the
figure for it."

She set and splinted his arm and fingers, working
methodically, using strips of silk as bandages. Diamanda was
less easy. Magrat cleaned and stitched and bandaged, while
Shawn sat and watched, trying to ignore the insistent hot-ice
pain from his arm.

He kept repeating, "They just laughed and stabbed her.
She didn't even try to run away. It was like they were playing."

For some reason Magrat shot a glance at Greebo, who
had the decency to look embarrassed.

"Pointy ears and hair you want to stroke," she said,
vaguely. "And they can fascinate you. And when they're
happy they make a pleasing noise."

"What?"

"Just thinking to myself." Magrat stood up. "OK. I'll
build up the fire and fetch a couple of crossbows and load
them up for you. And you keep the door shut and let no one
in, d'you hear? And if I don't come back ... try and go
somewhere where there's people. Get up to the dwarfs at
Copperhead. Or the trolls."

"What are you going to do?"

"I'm going to see what's happened to everyone."

Magrat opened the sack she'd brought down from the
armory. There was a helmet in it. It had wings on, and to

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Shawn's mind was quite impractical.* There was also a
pair of mail gloves and a choice assortment of rusty
weaponry.

"But there's probably more of those things out there!"

"Better out there than in here."

"Can you fight?"

"Don't know. Never tried," said Magrat.

"But if we wait here, someone's bound to come."

"Yes. I'm afraid they will."

"What I mean is, you don't have to do this!"

"Yes I do. I'm getting married tomorrow. One way or the
other."

"But—"

"Shut up!"

She's going to get killed, Shawn thought. It's enough to
be able to pick up a sword. You have to know which end to
poke into the enemy. I'm supposed to be on guard and she's
going to get killed—

But-
But—

She shot one of them in the eye, right through the key-
hole. I couldn't have done that. I'd have said something like
"Hands up!" first. But they were in the way and she just. . .
got them out of her way.

She's still going to die. She's just probably going to die
bravely.

I wish my mum was here.

Magrat finished rolling up the stained remnant of the
wedding dress and stowed it in the sack.

"Have we got any horses?"

"There's ... elf horses in the courtyard, miss. But I don't
think you'll be able to ride one."

* He knew this because the previous month's issue of Popular Armor had
run a feature entitled "We Test The Top Twenty Sub-$50 Helmets." It
had also run a second feature called "Battleaxes: We Put The Ten Best
Through Their Paces" and had advertised for half a dozen new testers.

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It struck Shawn immediately that this wasn't the right
thing to say.

It was black, and larger than what Magrat had to think of as
a human horse. It rolled red eyes at her, and tried to get into
position to kick.

Magrat managed to mount only by practically tethering
every leg to the rings in the stable wall, but when she was
on, the horse changed. It had the docility of the severely
whipped, and seemed to have no mind of its own.

"It's the iron," said Shawn.

"What does it do to them? It can't hurt."

"Don't know, miss. Seems they just freeze up, kind of thing."

"Drop the portcullis after I'm through."

"Miss—"

"Are you going to tell me not to go?"

"But—"

"Shut up, then."

"But—"

"I remember a folksong about a situation just like this,"
said Magrat. "This girl had her fiance stolen by the Queen of
the Elves and she didn't hang around whining, she jolly well
got on her horse and went and rescued him. Well, I'm going
to do that too."

Shawn tried to grin.

"You're going to sing7" he said.

"I'm going to fight. I've got everything to fight for,
haven't I? And I've tried everything else."

Shawn wanted to say: but that's not the same! Going
and fighting when you're a real person isn't like folksongs!
In real life you die! In folksongs you just have to remember
to keep one finger in your ear and how to get to the next
chorus! In real life no one goes wack-fol-a-diddle-di-do-sing-
too-rah-li-ay!

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But he said:

"But, miss, if you don't come back—"

Magrat turned in the saddle.

"I'll be back."

Shawn watched her urge the sluggish horse into a trot
and disappear over the drawbridge.

"Good luck!" he shouted.

Then he lowered the portcullis and went back into the
keep, where there were three loaded crossbows on the
kitchen table.

There was also the book on martial arts that the king
had sent for specially.

He pumped up the fire, turned a chair to face the door,
and turned to the Advanced Section.

Magrat was halfway down the road to the square when the
adrenaline wore off and her past life caught up with her.

She looked down at the armor, and the horse, and
thought: I'm out of my mind.

It was that bloody letter. And I was frightened. I thought
I'd show everyone what I'm made of. And now they'll prob-
ably find out: I'm made of lots of tubes and greeny purple
wobbly bits.

I was just lucky with those elves. And I didn't think. As
soon as I think, I get things wrong. I don't think I'll be that
lucky again ...

Luck?

She thought wistfully of her bags of charms and talis-
mans at the bottom of the river. They'd never really
worked, if her life was anything to go by, but maybe—it was
a horrible thought—maybe they'd just stopped it getting
worse.

There were hardly any lights in the town, and a lot of the
houses had their shutters up.

The horse's hooves clattered loudly on the cobbles.

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Magrat peered into the shadows. Once, they'd just been
shadows. Now they could be gateways to anything.

Clouds were pressing in from the Hub. Magrat shivered.

This was something she'd never seen before.

It was true night.

Night had fallen in Lancre, and it was an old night. It
was not the simple absence of day, patrolled by the moon
and stars, but an extension of something that had existed
long before there was any light to define it by absence. It
was unfolding itself from under tree roots and inside stones,
crawling back across the land.

Magrat's sack of what she considered to be essential
props might be at the bottom of the river but she had been a
witch for more than ten years, and she could feel the terror
in the air.

People remember badly. But societies remember well,
the swarm remembers, encoding the information to slip it
past the censors of the mind, passing it on from grandmother
to grandchild in little bits of nonsense they won't bother to
forget. Sometimes the truth keeps itself alive in devious
ways despite the best efforts of the official keepers of infor-
mation. Ancient fragments chimed together now in Magrat's
head.

Up the airy mountain, down the rushy glen. ..

From ghosties and bogles and long-leggity beasties...

My mother said I never should...

We dare not go a-hunting, for fear...

And things that go bump ...

Play with the fairies in the wood...

Magrat sat on the horse she didn't trust and gripped the
sword she didn't know how to use while the ciphers crept
out of memory and climbed into a shape.

They steal cattle and babies...

They steal milk...

They love music, and steal away musicians...

In fact they steal everything.

235

Terry Pratchett

We'll never be as free as them, as beautiful as them, as
clever as them, as light as them; we are animals.

Chilly wind soughed in the forest beyond the town. It
had always been a pleasant forest to walk in at nights but
now, she knew, it would not be so again. The trees would
have eyes. There would be distant laughter in the wind.

What they take is everything.

Magrat spurred the horse into a walk. Somewhere in the
town a door slammed shut.

And what they give you is fear.

There was the sound of hammering from across the
street. A man was nailing something on his door. He glanced
around in terror, saw Magrat, and darted inside.

What he had been nailing on the door was a horseshoe.

Magrat tied the horse firmly to a tree and slid off its
back. There was no reply to her knocking.

Who was it who lived here? Carter the weaver, wasn't it,
or Weaver the baker?

"Open up, man! It's me, Magrat Garlick!"

There was something white beside the doorstep.

It turned out to be a bowl of cream.

Again, Magrat thought of the cat Greebo. Smelly, unreli-
able, cruel and vindictive—but who purred nicely, and had a
bowl of milk every night.

"Come on! Open up!"

After a while the bolts slid back, and an eye was applied
to a very narrow crack.

"Yes?"

"You're Carter the baker, aren't you?"

"I'm Weaver the thatcher."

"And you know who I am?"

"Miss Garlick?"

"Come on, let me in!"

"Are you alone, miss?"

"Yes."

The crack widened to a Magrat width.

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There was one candle alight in the room. Weaver backed
away from Magrat until he was leaning awkwardly over the
table. Magrat peered around him.

The rest of the Weaver family were hiding under the
table. Four pairs of frightened eyes peered up at Magrat.

"What's going on?" she said.

"Er ..." said Weaver. "Didn't recognize you in your fly-
ing hat, miss ..."

"I thought you were doing the Entertainment? What's
happened? Where is everyone? Where is my going-to-be-
husband?"

"Er..."

Yes, it was probably the helmet. That's what Magrat
decided afterward. There are certain items, such as swords
and wizards' hats and crowns and rings, which pick up
something of the nature of their owners. Queen Ynci had
probably never sewn a tapestry in her life and undoubtedly
had a temper shorter than a wet cowpat. It was better to
think that something of her had rubbed off on the helmet
and was being transmitted to Magrat like some kind of royal
scalp disease. It was better to let Ynci take over.

She grabbed Weaver by his collar.

"If you say 'Er' one more time," she said, "I'll chop your
ears off."

"Er . . . aargh ... I mean, miss . . . it's the Lords and
Ladies, miss!"

"It really is the elves?"

"Miss!" said Weaver, his eyes full of pleading. "Don't say
it! We heard 'em go down the street. Dozens of 'em. And
they've stolen old Thatcher's cow and Skindle's goat and
they broke down the door of—"

"Why'd you put a bowl of milk out?" Magrat demanded.

• The shortest unit of time in the multiverse is the New York Second,
defined as the period of time between the traffic lights turning green and
the cab behind you honking.

237

Terry Pratchett

Weaver's mouth opened and shut a few times. Then he
managed: "You see, my Eva said her granny always put a
bowl of milk out for them, to keep them hap—"
"I see," said Magrat, icily. "And the king?"
"The king, miss?" said Weaver, buying time.
"The king," said Magrat. "Short man, runny eyes, ears that
stick out a bit, unlike other ears in this vicinity very shortly."

Weaver's fingers wove around one another like tormented
snakes.

"Well... well... well..."

He caught the look on Magrat's face, and sagged.

"We done the play," he said. "I told 'em, let's do the Stick
and Bucket Dance instead, but they were set on this play. And
it all started all right and then, and then, and then... suddenly
They were there, hundreds of 'em, and everyone was runnin',
and someone bashed into me, and I rolled into the stream,
and then there was all this noise, and I saw Jason Ogg hitting
four elves with the first thing he could get hold of—"

"Another elf?"

"Right, and then I found Eva and the kids, and then lots of
people were running like hell for home, and there were these—
Gentry on horseback, and I could hear 'em laughing, and we
got home and Eva said to put a horseshoe on the door and—"

"What about the king?"

"Dunno, miss. Last I remember, he was laughin' at
Thatcher in his straw wig."

"And Nanny Ogg and Granny Weatherwax? What hap-
pened to them?"

"Dunno, miss. Don't remember seein' 'em, but there was
people runnin' everywhere—"

"And where was all this?"
"Miss?"

"Where did it happen?" said Magrat, trying to speak
slowly and distinctly.

"Up at the Dancers, miss. You know. Them old stones."
Magrat let him go.

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"Oh, yes," she said. "Don't tell Magrat, Magrat's not to
know about this sort of thing. The Dancers? Right."

"It wasn't us, miss! It was only make-believe!"

"Hah!"

She unbolted the door again.

"Where're you going, miss?" said Weaver, who was not a
competitor in the All-Lancre Uptake Stakes.

"Where d'you think?"

"But, miss, you can't take iron—"

Magrat slammed the door. Then she kicked the bowl of
milk so hard that it sprayed across the street.

Jason Ogg crawled cautiously through the dripping bracken.
There was a figure a few feet away. He hefted the stone in
his hand—

"Jason?"

"Is that you, Weaver?"

"No, it's me—Tailor."

"Where's everyone else?"

"Tinker'n Baker found Carpenter just now. Have you
seen Weaver?"

"No, but I saw Carter and Thatcher."

Mist curled up as the rain drummed into the warm
earth. The seven surviving Morris Men crawled under a

dripping bush.

"There's going to be hell to pay in the morning!"

moaned Carter. "When she finds us we're done for!"

"We'll be all right if we can find some iron," said Jason.
"Iron don't have no effect on her! She'll tan our hides

for us!"

Carter clutched his knees to his chest in terror.

"Who?"
"Mistress Weatherwax!"

Thatcher jabbed him in the ribs. Water cascaded off the
leaves above them and tunneled down every neck.

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Terry Pratchett

"Don't be so daft! You saw them things! What're you
worrying about that old baggage for?"

"She'll tan our hides for us, right enough! 'Twas all our
fault, she'll say!"

"I just hopes she gets a chance," muttered Tinker.

"We are," said Thatcher, "between a rock and a hard place."

"No we ain't," sobbed Carter. "I been there. That's that
gorge just above Bad Ass. We ain't there! I wish we was
there! We're under this bush! And they'll be looking for us!
And so shall she!"

"What happened when we was doing the Ent—"
Carpenter began.

"I ain't asking that question right now," said Jason. "The
question I'm asking right now is, how do we get home tonight?"

"She'll be waiting for us!" Carter wailed.

There was a tinkle in the darkness.

"What've you got there?" said Jason.

"It's the props sack," said Carter. "You said as how it
was my job to look after the props sack!"

"You dragged that all the way down here?"

"I ain't about to get into more trouble 'cos of losing the
props sack!"

Carter started to shiver.

"If we gets back home," said Jason, "I'm going to talk to
our mam about getting you some of these new dried frog pills."

He pulled the sack toward him and undid the top.

"There's our bells in here," he said, "and the sticks. And
who told you to pack the accordion?"

"I thought we might want to do the Stick and—"

"No one's ever to do the Stick and—"

There was a laugh, away on the rain-soaked hill, and a
crackling in the bracken. Jason suddenly felt the focus of
attention.

"They're out there!" said Carter.

"And we ain't got any weapons," said Tinker.

A set of heavy brass bells hit him in the chest.

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"Shut up," said Jason, "and put your bells on. Carter?"

"They're waiting for us!"

"I'll say this just once," said Jason. "After tonight no
one's ever to talk about the Stick and Bucket dance ever
again. All right?"

The Lancre Morris Men faced one another, rain plastering
their clothes to their bodies.

Carter, tears of terror mingling with make-up and the
rain, squeezed the accordion. There was the long-drawn-out
chord that by law must precede all folk music to give
bystanders time to get away

Jason held up his hand and counted his fingers.

"One, two ..." His forehead wrinkled. "One, two,
three ..."

"... four ..." hissed Tinker.

"... four," said Jason. "Dance, lads!"

Six heavy ash sticks clashed in mid-air.

"... one, two, forward, one, back, spin ..."

Slowly, as the leaky strains of Mrs. Widgery's Lodger
wound around the mist, the dancers leapt and squelched
their way slowly through the night. ..

"... two, back, jump ..."

The sticks clashed again.

"They're watching us!" panted Tailor, as he bounced
past Jason, "I can see 'em!"

"... one . . . two . . . they won't do nothing 'til the
music stops! . . . back, two, spin . . . they loves music! . . .
forward, hop, turn ... one and six, beetle crushers! . .. hop,
back, spin ..."

"They're coming out of the bracken!" shouted Carpenter,
as the sticks met again.

"I see 'em . . . two, three, forward, turn . . . Carter . . .
back, spin . . . you do a double . . . two, back . . . wandering
angus down the middle ..."

241

Terry Pratchett

"I'm losing it, Jason!"

"Play! ... two, three, spin ..."

"They're all round us!"

"Dance!"

"They're watching us! They're closing in!"

"... spin, back ... jump ... we're nearly at the road ..."

"Jason!"

"Remember when . . . three, turn ... we won the cup
against Ohulan Casuals? . .. spin ..."

The sticks met, with a thump of wood against wood.
Clods of earth were kicked into the night.

"Jason, you don't mean—"

"... back, two ... do it... "

"Carter's getting . .. one, two ... out of wind ..."

"... two, spin..."

"The accordion's melting, Jason," sobbed Carter.

"... one, two, forward . .. bean setting!"

The accordion wheezed. The elves pressed in. Out of the
corner of his eye Jason saw a dozen grinning, fascinated
faces.

"Jason!"

"... one, two . . . Carter into the middle . . . one, two,
spin..."

Seven pairs of boots thudded down .. .

"Jason!"

"... one, two . . . spin . . . ready . . . one, two . . . back
. . . back . . . one, two . . . turn . . . KILL . . . and back, one,
two..."

The inn was a wreck. The elves had stripped it of everything
edible and rolled out every barrel, although a couple of
rogue cheeses in the cellar had put up quite a fight.

The table had collapsed. Lobster claws and candlesticks
lay among the ruined meal.

Nothing moved.

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Then someone sneezed, and some soot fell into the
empty grate, followed by Nanny Ogg and, eventually, by the
small, black, and irate figure of Casanunda.

"Yuk," said Nanny, looking around at the debris. "This
really is the pips."

"You should have let me fight them!"

"There were too many of them, my lad."

Casanunda threw his sword on the floor in disgust.

"We were just getting to know one another properly and
fifty elves burst into the place! Damn! This kind of thing
happens to me all the time!"

"That's the best thing about black, it doesn't show the
soot," said Nanny Ogg vaguely, dusting herself off. "They
managed it, then. Esme was right. Wonder where she is?
Oh, well. Come on."

"Where're we going?" said the dwarf.

"Down to my cottage."

"Ah!"

"To get my broomstick," said Nanny Ogg firmly. "I ain't
having the Queen of the Fairies ruling my children. So we'd
better get some help. This has gone too far."

"We could go up into the mountains," said Casanunda,
as they crept down the stairs. "There's thousands of dwarfs
up there."

"No," said Nanny Ogg. "Esme won't thank me for this,
but I'm the one who has to wave the bag o' sweets when she
overreaches herself . . . and I'm thinking about someone
who really hates the Queen."

"You won't find anyone who hates her worse than
dwarfs do," said Casanunda.

"Oh, you will," said Nanny Ogg, "if you knows where to
look."

The elves had been into Nanny Ogg's cottage, too. There
weren't two pieces of furniture left whole.

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Terry Pratchett

"What they don't take they smash," said Nanny Ogg.

She stirred the debris with her foot. Glass tinkled.

"That vase was a present from Esme," she said, to the
unfeeling world in general. "Never liked it much."

"Why'd they do it?" said Casanunda, looking around.

"Oh, they'd smash the world if they thought it'd make a
pretty noise," said Nanny She stepped outside again and felt
around under the eaves of the low thatched roof, and pulled
out her broomstick with a small grunt of triumph.

"I always shove it up there," she said, "otherwise the
kids nick it and go joy-riding. You ride behind me, and I say
this against my better judgement."

Casanunda shuddered. Dwarfs are generally scared of
heights, since they don't often have the opportunity to get
used to them.

Nanny scratched her chin, making a sandpapery sound.

"And we'll need a crowbar," she said. "There'll be one in
Jason's forge. Hop on, my lad."

"I really wasn't expecting this," said Casanunda, feeling
his way on to the broomstick with his eyes shut. "I was look-
ing forward to a convivial evening, just me and you."

"It is just me and you."

"Yes, but I hadn't assumed there'd be a broomstick
involved."

The stick left the ground slowly Casanunda clung miser-
ably to the bristles.

"Where're we going?" he said weakly

"Place I know, up in the hills," said Nanny "Ages since I've
been there. Esme won't go near it, and Magrat's too young to be
tole. I used to go there a lot, though. When I was a girl. Girls
used to go up there if they wanted to get—oh, bugger..."

"What?"

"Thought I saw something fly across the moon, and I'm
damn sure it wasn't Esme."

Casanunda tried to look around while keeping his eyes
shut.

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"Elves can't fly," he muttered.

"That's all you know," said Nanny. "They ride yarrow
stalks."

"Yarrow stalks?"

"Yep. Tried it meself, once. You can get some lift out of
'em, but it plays merry hell with the gussets. Give me a nice
bundle of bristles every time. Anyway," she nudged
Casanunda, "you should be right at home on one of these.
Magrat says a broomstick is one of them sexual metaphor
things."*

Casanunda had opened one eye just long enough to see a
rooftop drift silently below him. He felt sick.

"The difference being," said Nanny Ogg, "that a broom-
stick stays up longer. And you can use it to keep the house
clean, which is more than you can say for—are you all right?"

"I really don't like this at all, Mrs. Ogg."

"Just trying to cheer you up, Mr. Casanunda."

"'Cheer' I like, Mrs. Ogg," said the dwarf, "but can we
avoid the 'up'?"

"Soon be down."

"That I like."

Nanny Ogg's boots scraped along the hard-packed mud
of the smithy's yard.

"I'll leave the magic running, won't be a mo," she said.
Ignoring the dwarfs bleat for help, she hopped off the stick
and disappeared through the back door.

The elves hadn't been there, at least. Too much iron. She
pulled a crowbar from the toolbench and hurried out again.

"You can hold this," she said to Casanunda. She hesitated.
"Can't have too much luck, can we?" she said, and scurried
back into the forge. This time she was out again much faster,
slipping something into her pocket.

"Ready?" she said.
' "No."

* Although this is a phallusy.

245

Terry Pratchett

"Then let's go. And keep a look out. With your eyes open."

"I'm looking for elves?" said Casanunda, as the stick
rose into the moonlight.

"Could be. It wasn't Esme, and the only other one ever
flying around here is Mr. Ixolite the banshee, and he's very
good about slipping us a note under the door when he's
going to be about. For air traffic control, see?"

Most of the town was dark. The moonlight made a black
and silver checkerboard across the country. After a while,
Casanunda began to feel better about things. The motion of
the broomstick was actually quite soothing.

"Carried lots of passengers, have you?" he said.

"On and off, yes," said Nanny.

Casanunda appeared to be thinking about things. And
then he said, in a voice dripping with scientific inquiry, "Tell
me, has anyone ever tried to mak—"

"No," said Nanny Ogg firmly. "You'd fall off."

"You don't know what I was going to ask."

"Bet you half a dollar?"

They flew in silence for a couple of minutes, and then
Casanunda tapped Nanny Ogg on the shoulder.

"Elves at three o'clock!"

"That's all right, then. That's hours away."

"I mean they're over there!"

Nanny squinted at the stars. Something ragged moved
across the night.

"Oh, blast."

"Can't you outfly them?"

"Nope. They can put a girdle round the world in forty
minutes."

"Why? It's not that fat," said Casanunda, who was feel-
ing in the mood for a handful of dried frog pills.

"I mean they're /as(. We can't outrun 'em, even if we lost
some weight."

"I think I'm losing a tiny bit," said Casanunda, as the
broomstick dived toward the trees.

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Leaves scraped on Nanny Ogg's boots. Moonlight glinted
briefly off ash-blond hair, away to her left.
"Bugger, bugger, bugger."

Three elves were keeping station with the broomstick.
That was the thing about elves. They chased you till you
dropped, until your blood was curdling with dread; if a
dwarf wanted you dead, on the other hand, they'd simply
cut you in half with an axe first chance they got. But that
was because dwarfs were a lot nicer than elves.

"They're gaming on us!" said Casanunda.

"Got the crowbar?"

"Yes!"

"Right..."

The broomstick zigzagged over the silent forest. One of
the elves drew its sword and swung down. Knock them
down into the trees, leave them alive as long as possible . ..

The broomstick went into reverse. Nanny Ogg's head
and legs went forward, so that partly she was sitting on her
hands but mainly she was sitting on nothing. The elf
swooped toward her, laughing—

Casanunda stuck out the crowbar.

There was a sound very like doioinng.

The broomstick jerked ahead again, dumping Nanny
Ogg in Casanunda's lap.

"Sorry."

"Don't mention it. In fact, do it again if you like."

"Get him, did you?"
"Took his breath away."
"Good. Where're the others?"
"Can't see them."
Casanunda grinned madly.
"We showed them, eh?"

Something went zip and stuck into Nanny Ogg's hat.
"They know we've got iron," she said. "They won't come
close again. They don't need to," she added bitterly.

The broomstick swerved around a tree and ploughed

247

1

Terry Pratchett

through some bracken. Then it swung out on to an over-
grown path.

"They aren't following us anymore," said Casanunda,
after a while. "We've frightened them off, yes?"

"Not us. They're nervy of going close to the Long Man.
It's not their turf. Huh, look at the state of this path. There's
trees growing in it now. When I was a girl, you wouldn't find
a blade of grass growing on the path." She smiled at a dis-
tant memory. "Very popular place on a summer night, the
Long Man was."

There was a change in the texture of the forest now. It
was old even by the standards of Lancre forestry. Beards of
moss hung from gnarled low branches. Ancient leaves crack-
led underfoot as the witch and the dwarf flew between the
trees. Something heard them and crashed away through the
thick undergrowth. By the sound of it, it was something
with horns.

Nanny let the broomstick glide to a halt.

"There," she said, pushing aside a bracken frond, 'the
Long Man.'"

Casanunda peered under her elbow.

"Is that all? It's just an old burial mound."

"Three old burial mounds," said Nanny

Casanunda took in the overgrown landscape.

"Yes, I see them," he said. "Two round ones and a long
one. Well?"

"The first time I saw 'em from the air," said Nanny, "I
nearly fell off the bloody broomstick for laughin'."

There was one of those pauses known as the delayed drop
while the dwarf worked out the topography of the situation.

Then:

"Blimey," said Casanunda. "I thought the people who
built burial mounds and earthworks and things were serious
druids and people like that, not. . . not people who drew on
privy walls with 200,000 tons of earth, in a manner of
speaking."

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"Doesn't sound like you to be shocked by that sort of
thing."

She could have sworn the dwarf was blushing under his
wig.

"Well, there's such a thing as style," said Casanunda.
"There's such a thing as subtlety. You don't just shout: I've
got a great big tonker."

"It's a bit more complicated than that," said Nanny,
pushing through the bushes. "Here it's the landscape saying:

I've got a great big tonker. That's a dwarf word, is it?"

"Yes."

"It's a good word."

Casanunda tried to untangle himself from a briar.

"Esme doesn't ever come up here," said Nanny, from
somewhere up ahead. "She says it's bad enough about folk-
songs and maypoles and suchlike, without the whole scenery
getting suggestive. 'Course," she went on, "this was never
intended as a women's place. My great-gran said in the real
old days the men used to come up for strange rites what no
women ever saw."

"Except your great-grandmother, who hid in the bushes,"
said Casanunda.

Nanny stopped dead.

"How did you know that7"

"Let's just say I'm developing a bit of an insight into Ogg
womanhood as well, Mrs. Ogg," said the dwarf. A thorn
bush had ripped his coat.

"She said they just used to build sweat lodges and smell
like a blacksmith's armpit and drink scumble and dance
around the fire with horns on and piss in the trees any old
how," said Nanny. "She said it was a bit sissy, to be honest.
But I always reckon a man's got to be a man, even if it is
sissy. What happened to your wig?"

"I think it's on that tree back there."

"Still got the crowbar?"

"Yes, Mrs. Ogg."

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Terry Pratchett

"Here we are, then."

They had arrived at the foot of the long mound. There
were three large irregular stones there, forming a low cave.
Nanny Ogg ducked under the lintel into the fusty and some-
what ammonia-scented darkness.

"About here'd do," she said. "Got a match?"

The sulfurous glow revealed a flat rock with a crude
drawing scratched on it. Ochre had been rubbed into the
lines. They showed a figure of an owl-eyed man wearing an
animal skin and horns.

In the flickering light he seemed to dance.

There was a runic inscription underneath.

"Anyone ever worked out what that says?" said
Casanunda.

Nanny Ogg nodded.

"It's a variant of Oggham," she said. "Basically, it means
'I've Got a Great Big Tonker.'"

"Oggham?" said the dwarf.

"My family has been in these, how shall I put it, in these
parts for a very long time," said Nanny.

"Knowing you is a real education, Mrs. Ogg," said
Casanunda.

"Everyone says that. Just shove the crowbar down the
side of the stone, will you? I've always wanted an excuse to
go down there."

"What is down there?"

"Well, it leads into Lancre Caves. They run everywhere,
I've heard. Even up to Copperhead. There's supposed to be
an entrance in the castle, but I've never found it. But mainly
they lead to the world of the elves."

"I thought the Dancers led to the world of the elves?"

"This is the other world of the elves."

"I thought they only had one."

"They don't talk about this one."

"And you want to go into it?"

"Yes."

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"You want to find elves?"

"That's right. Now, are you going to stand here all night,
or are you going to crowbar that stone?" She gave him a
nudge. "There's gold down there, you know."

"Oh, yes, thanks very much," said Casanunda sarcasti-
cally. "That's speciesist, that is. Just because I am ... verti-
cally disadvantaged, you're trying to get round me with gold,
yes? Dwarfs are just a lot of appetites on legs, that's what
you think. Hah!"

Nanny sighed.

"Oh, all right," she said. "Tell you what. . . when we get
back home, I'll bake you some proper dwarf bread, how
about that?"

Casanunda's face split into a disbelieving grin.

"Real dwarf bread?"

"Yes. I reckon I've still got the recipe, and anyway it's
been weeks since I emptied out the cat box."

"Well, all right—."

Casanunda rammed one end of the crowbar under the
stone and pulled on it with dwarfish strength. After a
moment's resistance the stone swung up.

There were steps below, thick with earth and old roots.

Nanny started down them without a look back, and then
realized that the dwarf wasn't following.

"What's the matter?"

"Never liked dark and enclosed spaces much."

"What? You're a dwarf."

"Born a dwarf, born a dwarf. But I even get nervous
when I'm hiding in wardrobes. That's a bit of a drawback in
my line of work."

"Don't be daft. I'm not scared."

* There are many recipes for the flat round loaves of Lancre dwarf bread,
but the common aim of all of them is to make a field ration that is long-
lasting, easily packed, and can disembowel the enemy if skimmed through
the air hard enough. Edibility is a kind of optional extra. Most recipes are
a closely guarded secret, apart from the gravel.

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"You're not me."

"Tell you what—I'll bake 'em with extra gravel."

"Ooh . .. you're a temptress, Mrs. Ogg."

"And bring the torches."

The caves were dry, and warm. Casanunda trotted along
after Nanny, anxious to stay in the torchlight.

"You haven't been down here before?"

"No, but I know the way."

After a while Casanunda began to feel better. The caves
were better than wardrobes. For one thing, you weren't trip-
ping over shoes all the time, and there probably wasn't much
chance of a sword-wielding husband opening the door.

In fact, he began to feel happy.

The words rose unbidden into his head, from some-
where in the back pocket of his genes.

"Hiho, hiho—"

Nanny Ogg grinned in the darkness.

The tunnel opened into a cavern. The torchlight picked
up the suggestion of distant walls.

"This it?" said Casanunda, gripping the crowbar.

"No. This is something else. We . . . know about this
place. It's mythical."

"It's not real?"

"Oh, it's real. And mythical."

The torch flared. There were hundreds of dust-covered
slabs ranged around the cavern in a spiral; at the center of
the spiral was a huge bell, suspended from a rope that disap-
peared into the darkness of the ceiling. Just under the hang-
ing bell was one pile of silver coins and one pile of gold
coins.

"Don't touch the money," said Nanny "'Ere, watch this,
my dad told me about this, it's a good trick."

She reached out and tapped the bell very gently, causing
a faint ting.

Dust cascaded off the nearest slab. What Casanunda had
thought was just a carving sat up, in a creaky way. It was an

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armed warrior. Since he'd sat up he almost certainly was
alive, but he looked as though he'd gone from life to rigor
mortis without passing through death on the way.

He focused deepset eyes on Nanny Ogg.

"What bloody tyme d'you call thys, then?"

"Not time yet," said Nanny.

"What did you goe and bang the bell for? I don't know, I
haven't had a wynke of sleep for two hundred years, some
sodde alwayes bangs the bell. Go awaye."

The warrior lay back.

"It's some old king and his warriors," whispered Nanny,
as they hurried away. "Some kind of magical sleep, I'm told.
Some old wizard did it. They're supposed to wake up for
some final battle when a wolf eats the sun."

"Those wizards, always smoking something," said
Casanunda.

"Could be. Go right here. Always go right."

"We're walking in a circle?"

"A spiral. We're right under the Long Man now."

"No, that can't be right," said Casanunda. "We climbed
down a hole under the Long Man . . . hold on ... you mean
we're in the place where we started and it's a different
place?"

"You're getting the hang of this, I can see that."

They followed the spiral.

Which, at length, brought them to a door, of sorts.

The air was hotter here. Red light glowed from side
passages.

Two massive stones had been set up against a rock wall,
with a third stone across them. Animal skins hung across
the crude entrance thus formed; wisps of steam curled
around them.

"They got put up at the same time as the Dancers," said
Nanny, conversationally. "Only the hole here's vertical, so
they only needed three. Might as well leave your crowbar
here and take your boots off if they've got nails in 'em."

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"These boots were stitched by the finest shoemaker in
Ankh-Morpork," said Casanunda, "and one day I shall pay him."

Nanny pulled aside the skins.

Steam billowed out.

There was darkness inside, thick and hot as treacle and
smelling of a fox's locker room. As Casanunda followed
Nanny Ogg he sensed unseen figures in the reeking air, and
heard the silence of murmured conversations suddenly cur-
tailed. At one point he thought he saw a bowl of red hot
stones, and then a shadowy hand moved across them and
upturned a ladle, hiding them in steam.

This can't be inside the Long Man, he told himself.
That's an earthworks, this is a long tent of skins.

They can't both be the same thing.

He realized he was dripping with sweat.

Two torches became visible as the steam swirled, their
light hardly more than a red tint to the darkness. But they
were enough to show a huge sprawled figure lying by another
bowl of hot stones.

It looked up. Antlers moved in the damp, clinging heat.

"Ah. Mrs. Ogg."

The voice was like chocolate.

"Y'lordship," said Nanny.

"I suppose it is too much to expect you to kneel?"

"Yes indeed, y'honor," said Nanny, grinning.

"You know, Mrs. Ogg, you have a way of showing
respect to your god that would make the average atheist
green with envy," said the dark figure. It yawned.

"Thank you, y'grace."

"No one even dances for me now. Is that too much to ask?"

"Just as you say, y'lordship."

"You witches don't believe in me anymore."

"Right again, your homishness."

"Ah, little Mrs. Ogg—and how, having got in here, do
you possibly think you are going to get out?" said the
slumped one.

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"Because I have iron," said Nanny, her voice suddenly
sharp.

"Of course you have not, little Mrs. Ogg. No iron can
enter this realm."

"I have the iron that goes everywhere," said Nanny.

She took her hand out of her apron pocket, and held up
a horseshoe.

Casanunda heard scuffles around him, as the hidden
elves fought to get out of the way More steam hissed up as a
brazier of hot stones was overturned.

"Take it away!"

"I'll take it away when I go," said Nanny. "Now you lis-
ten to me. She's making trouble again. You've got to put a
stop to it. Fair's fair. We're not having all the Old Trouble
again."

"Why should I do that?"

"You want her to be powerful, then?"

There was a snort.

"You can't ever rule again, back in the world," said
Nanny. "There's too much music. There's too much iron."

"Iron rusts."

"Not the iron in the head."

The King snorted.

"Nevertheless ... even that. .. one day ..."

"One day." Nanny nodded. "Yes. I'll drink to that. One
day. Who knows? One day. Everyone needs 'one day.' But it
ain't today. D'you see? So you come on out and balance
things up. Otherwise, this is what I'll do. I'll get 'em to dig
into the Long Man with iron shovels, y'see, and they'll say,
why, it's just an old earthworks, and pensioned-off wizards
and priests with nothin' better to do will pick over the heaps
and write dull old books about burial traditions and such-
like, and that'll be another iron nail in your coffin. And I'd
be a little bit sorry about that, 'cos you know I've always had
a soft spot for you. But I've got kiddies, y'see, and they don't
hide under the stairs because they're frit of the thunder, and

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they don't put milk out for the elves, and they don't hurry
home because of the night, and before we go back to them
dark old ways /'// see you nailed."

The words sliced through the air.

The homed man stood up. And further up. His antlers
touched the roof.

Casanunda's mouth dropped open.

"So you see," said Nanny, subsiding, "not today. One
day, maybe. You just stay down here and sweat it out 'til
One Day. But not today."

"I... will decide."

"Very good. You decide. And I'll be getting along."

The homed man looked down at Casanunda.

"What are you staring at, dwarf?"

Nanny Ogg nudged Casanunda.

"Go on, answer the nice gentleman."

Casanunda swallowed.

"Blimey," he said, "you don't half look like your picture."

In a narrow little valley a few miles away a party of elves
had found a nest of young rabbits which, in conjunction
with a nearby antheap, kept them amused for a while.

Even the meek and blind and voiceless have gods.

Heme the Hunted, god of the chased, crept through the
bushes and wished fervently that gods had gods.

The elves had their backs to him as they hunkered down
to watch closely.

Heme the Hunted crawled under a clump of bramble,
tensed, and sprang.

He sank his teeth in an elfs calf until they met, and was
flung away as it screamed and turned.

He dropped and ran.

That was the problem. He wasn't built to fight, there
was not an ounce of predator in him. Attack and run, that
was the only option.

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And elves could run faster.

He bounced over logs and skidded through drifts of
leaves, aware even as his vision fogged that elves were
overtaking him on either side, pacing him, waiting for him
to ...

The leaves exploded. The little god was briefly aware of
a fanged shape, all arms and vengeance. Then there were a
couple of disheveled humans, one of them waving an iron
bar around its head.

Heme didn't wait to see what happened next. He dived
through the apparition's legs and ran on, but a distant war-
cry echoed in his long, floppy ears:

"Why, certainly, I'll have your whelk! How do we do it?
Volume!"

Nanny Ogg and Casanunda walked in silence back to the
cave entrance and the flight of steps. Finally, as they stepped
out into the night air, the dwarf said, "Wow."

"It leaks out even up here," said Nanny. "Very mackko
place, this."

"But I mean, good grief—"

"He's brighter than she is. Or more lazy," said Nanny.
"He's going to wait it out."

"But he was—"

"They can look like whatever they want, to us," said
Nanny. "We see the shape we've given 'em." She let the rock
drop back, and dusted off her hands.

"But why should he want to stop her?"

"Well, he's her husband, after all. He can't stand her. It's
what you might call an open marriage."

"Wait what out?" said Casanunda, looking around to see
if there were anymore elves.

"Oh, you know," said Nanny, waving a hand. "All this
iron and books and clockwork and universities and reading
and suchlike. He reckons it'll all pass, see. And one day it'll

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Terry Pratchett

all be over, and people'll look up at the skyline at sunset and
there he'll be."

Casanunda found himself turning to look at the sunset
beyond the mound, half-imagining the huge figure outlined
against the afterglow.

"One day he'll be back," said Nanny softly "When even
the iron in the head is rusty"

Casanunda put his head on one side. You don't move
around among a different species for most of your life with-
out learning to read a lot of their body language, especially
since it's in such large print.

"You won't entirely be sorry, eh?" he said.

"Me? I don't want 'em back! They're untrustworthy and
cruel and arrogant parasites and we don't need 'em one bit."

"Bet you half a dollar?"

Nanny was suddenly flustered.

"Don't you look at me like that! Esme's right. Of course
she's right. We don't want elves anymore. Stands to reason."

"Esme's the short one, is she?"

"Hah, no, Esme's the tall one with the nose. You know
her."

"Right, yes."

"The short one is Magrat. She's a kind-hearted soul and
a bit soft. Wears flowers in her hair and believes in songs, I
reckon she'd be off dancing with the elves quick as a wink,
her."

More doubts were entering Magrat's life. They concerned
crossbows, for one thing. A crossbow is a very useful and
usable weapon designed for speed and convenience and
deadliness in the hands of the inexperienced, like a faster
version of an out-of-code TV dinner. But it is designed to be
used once, by someone who has somewhere safe to duck
while they reload. Otherwise it is just so much metal and
wood with a piece of string on it.

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Then there was the sword. Despite Shawn's misgivings,
Magrat did in theory know what you did with a sword. You
tried to stick it into the enemy by a vigorous arm motion, and
the enemy tried to stop you. She was a little uncertain about
what happened next. She hoped you were allowed another go.

She was also having doubts about her armor. The helmet
and the breastplate were OK, but the rest of it was chain-
mail. And, as Shawn Ogg knew, chain-mail from the point of
view of an arrow can be thought of as a series of loosely
connected holes.

The rage was still there, the pure fury still gripped her at
the core. But there was no getting away from the fact that
the heart it gripped was surrounded by the rest of Magrat
Garlick, spinster of this parish and likely to remain so.

There were no elves visible in the town, but she could see
where they had been. Doors hung off their hinges. The place
looked as though it had been visited by Genghiz Cohen.

Now she was on the track that led to the stones. It was
wider than it had been; the horses and carriages had
churned it on the way up, and the fleeing people had turned
it into a mire on the way down.

She knew she was being watched, and it almost came as
a relief when three elves stepped out from under the trees
before she'd even lost sight of the castle.

The middle one grinned.

"Good evening, girl," it said. "My name is Lord Lankin,
and you will curtsy when you talk to me."

The tone suggested that there was absolutely no possibil-
ity that she would disobey She felt her muscles strain to
comply.

Queen Ynci wouldn't have obeyed ...

"I happen to be practically the queen," she said.

It was the first time she'd looked an elf in the face when
she was in any condition to notice details. This one was

* Hence the term "wholesale destruction."
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Terry Pratchett

currently wearing high cheekbones and hair tied in a pony-
tail; it wore odds and ends of rags and lace and fur, confi-
dent in the knowledge that anything would look good on an
elf.

It wrinkled its perfect nose at her.

"There is only one Queen in Lancre," it said. "And you
are, most definitely, not her."

Magrat tried to concentrate.

"Where is she, then?" she said.

The other two raised their bows.

"You are looking for the Queen? Then we will take you
to her," Lankin stated. "And, lady, should you be inclined to
make use of that nasty iron bow there are more archers hid-
den in the trees."

There was indeed a rustling in the trees on one side of
the track, but it was followed by a thump. The elves looked
disconcerted.

"Get out of my way," said Magrat.

"I think you have a very wrong idea," said the elf. Its
smile widened, but vanished when there was another sylvan
crash from the other side of the track.

"We felt you coming all the way up the track," said the
elf. "The brave girl off to rescue her lover! Oh, the romance!
Take her."

A shadow rose up behind the two armed elves, took a
head in either hand, and banged them together.

The shadow stepped forward over their bodies and, as
Lankin turned, caught it with one roundarm punch that
picked it up and slammed it into a tree.

Magrat drew her sword.

Whatever this was, it looked worse than elves. It was
muddy and hairy and almost troll-like in its build, and it
reached out for the bridle with an arm that seemed to
extend for ever. She raised the sword—

"Oook?"

"Put the sword down, please, miss!"

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The voice came from somewhere behind her, but it
sounded human and worried. Elves never sounded worried.

"Who are you?" she said, without turning around. The
monster in front of her gave her a big, yellow-toothed grin.

"Um, I'm Ponder Stibbons. A wizard. And he's a wizard,
too."

"He's got no clothes on!"

"I could get him to have a bath, if you like," said Ponder,
slightly hysterically. "He always puts on an old green dress-
ing gown when he's had a bath."

Magrat relaxed a bit. No one who sounded like that
could be much of a threat, except to themselves.

"Whose side are you on, Mr. Wizard?"

"How many are there?"

"Oook?"

"When I get off this horse," said Magrat, "it'll bolt. So can
you ask your ... friend to let go of the bridle? He'll be hurt."

"Oook?"

"Um. Probably not."

Magrat slid off. The horse, relieved of the presence of
iron, bolted. For about two yards.

"Oook."

The horse was struggling to get back on its feet.

Magrat blinked.

"Um, he's just a bit annoyed at the moment," said
Ponder. "One of the ... elves .. . shot him with an arrow."

"But they do that to control people!"

"Um. He's not a person."

"Oook!"

"Genetically, I mean."

Magrat had met wizards before. Occasionally one visited
Lancre, although they didn't stay very long. There was some-
thing about the presence of Granny Weatherwax that made
them move on.

They didn't look like Ponder Stibbons. He'd lost most of
his robe and, of his hat, only the brim remained. Most of his

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face was covered in mud, and there was a multicolored
bruise over one eye.

"Did they do that to you?"

"Well, the mud and the torn clothes is just from, you
know, the forest. And we've run into—"

"Ook."

"—over elves a few times. But this is when the Librarian
hit me."

"Oook."

"Thank goodness," Ponder added. "Knocked me cold.
Otherwise I'd be like the others."

A foreboding of a conversation to come swept over
Magrat.

"What others?" she snapped.

"Are you alone?"

"What others?"

"Have you any idea what's been happening?"

Magrat thought about the castle, and the town.

"I might be able to hazard a guess," she said.

Ponder shook his head.

"It's worse than that," he said.

"What others?" said Magrat.

"I think there's definitely been a cross-continuum break-
through, and I'm sure there's a difference in energy levels."

"But what others?" Magrat insisted.

Ponder Stibbons glanced nervously at the surrounding
forest.

"Let's get off the path. There's a lot more elves back there."

Ponder disappeared into the undergrowth. Magrat
followed him, and found a second wizard propped
against a tree like a ladder. He had a huge smile creasing
his face.

"The Bursar," said Ponder. "I think we may have over-
done the dried frog pills a bit." He raised his voice. "How ...
are ... you ... doing ... sir?"

"Why, I'll have a little of the roast weasel, if you

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would be so good," said the Bursar, beaming happily at
nothing.

"Why's he gone so stiff?" said Magrat.
"We think it's some kind of side effect," said Ponder.
"Can't you do anything about it?"
"What, and have nothing to cross streams on?"
"Call again tomorrow, baker, and we'll have a crusty
one!" said the Bursar.

"Besides, he seems quite happy," said Ponder. "Are you a
warrior, miss?"

"What?" said Magrat.
"Well, I mean, the armor and everything ..."
Magrat looked down. She was still holding the sword.
The helmet kept falling over her eyes, but she'd padded it a
bit with a scrap of wedding dress.

"I... er ... yes. Yes, that's right. That's what I am," she
said. "Absolutely. Yes."

"Here for the wedding, I expect. Like us."
"That's right. Definitely here for the wedding. That's
true." She changed her grip on the sword. "Now tell me
what happened," she said. "Paying particular attention to
what happened to the others."

"Well ..." Ponder absentmindedly picked up a cor-
ner of his torn robe and began to screw it up in his
fingers. "We all went to see this Entertainment, you see.
A play. You know. Acting? And, and it was very funny.
There were all these yokels in their big boots and every-
thing, straw wigs and everything, clumping around pre-
tending to be lords and ladies and everything, and getting
it all wrong. It was very funny. The Bursar laughed at
them a lot. Mind you, he's been laughing at trees and
rocks, too. But everyone was having fun. And then . . .
and then ..."

"I want to know everything," said Magrat.
"Well . . . well . . . then there was this bit I can't really
remember. It was something to do with the acting, I think. I

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mean, suddenly . . . suddenly it all seemed real. Do you
know what I mean?"

"No."

"There was this chap with a red nose and bandy legs and
he was playing the Queen of the Fairies or something and
suddenly he was still him but. . . everything felt. . . every-
thing round me just vanished, there was just the actors . . .
and there was this hill ... I mean, they must have been
good, because I really believed ... I think at some point I
remember someone asking us to clap our hands . . . and
everyone was looking very strange and there was this singing
and it was wonderful and ... and ..."

"Oook."

"Then the Librarian hit me," said Ponder simply.

"Why?"

"Best if he tells it in his own words," said Ponder.

"Oook ook eek. Ook! Ook!"

"Cough, Julia! Over the bender!" said the Bursar.

"I didn't understand what the Librarian said," said Magrat.

"Um. We were all present at an interdimensional rip,"
said Ponder. "Caused by belief. The play was the last little
thing that opened it up. There must have been a very deli-
cate area of instability very close. It's hard to describe, but if
you had a rubber sheet and some lead weights I could
demonstrate—"

"You're trying to tell me those . . . things exist because
people believe in them?"

"Oh, no. I imagine they exist anyway. They're here
because people believe in them here."

"Ook."

"He ran off with us. They shot an arrow at him."

"Eeek."

"But it just made him itch."

"Ook."

"Normally he's as gentle as a lamb. Really he is."

"Ook."

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"But he can't abide elves. They smell wrong to him."

The Librarian flared his nostrils.

Magrat didn't know much about jungles, but she
thought about apes in trees, smelling the rank of the tiger.
Apes never admired the sleek of the fur and the bum of the
eye, because they were too well aware of the teeth of the

mouth.

"Yes," she said, "I expect they would. Dwarfs and trolls hate
them, too. But I think they don't hate them as much as I do."

"You can't fight them all," said Ponder. "They're swarm-
ing like bees up there. There's flying ones, too. The
Librarian says they made people get fallen trees and things
and push those, you know, those stones down? There were
some stones on the hill. They attacked them. Don't know
why."

"Did you see any witches at the Entertainment?" said
Magrat.

"Witches, witches ..." muttered Ponder.

"You couldn't have missed them," said Magrat.
"There'd be a thin one glaring at everyone and a small fat
one cracking nuts and laughing a lot. And they'd be talking
to each other very loudly. And they'd both have tall pointy
hats."

"Can't say I noticed them," said Ponder.

"Then they couldn't have been there," said Magrat.
"Being noticed is what being a witch is all about." She was
about to add that she'd never been good at it, but didn't.
Instead she said: "I'm going on up there."

"You'll need an army, miss. I mean, you'd have been in
trouble just now if the Librarian hadn't been up in the trees."

"But I haven't got an army. So I'm going to have to try
by myself, aren't I?"

This time Magrat managed to spur the horse into a gallop.

Ponder watched her go.

"You know, folksongs have got a lot to answer for," he
said to the night air.

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Terry Pratehett

"Oook."

"She's going to get utterly killed."

"Oook."

"Hello, Mr. Flowerpot, two pints of eels if you would be
so good."

"Of course, it could be her destiny, or one of those sort
of things."

"Oook."

"Millennium hand and shrimp."

Ponder Stibbons looked embarrassed.

"Anyone want to follow her?"

"Oook."

"Whoops, there he goes with his big clock."

"Was that a 'yes'?"

"Oook."

"Not yours, his."

"Flobby wobbly, here comes our jelly."

"I think that probably counts as a 'yes'," said Ponder,
reluctantly.

"Oook?"

"I've got a lovely new vest."

"But look," said Ponder, "the graveyards are full of peo-
ple who rushed in bravely but unwisely."

"Ook."

"What'd he say?" said the Bursar, passing briefly
through reality on his way somewhere else.

"I think he said, 'Sooner or later the graveyards are full
of everybody,'" said Ponder. "Oh, blast. Come on."

"Yes indeedy," said the Bursar, "hands up the mittens,
Mr. Bosun!"

"Oh, shut up."

Magrat dismounted and let the horse go.

She knew she was near the Dancers now. Colored light
flickered in the sky.

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She wished she could go home.

The air was colder here, far too cold for a midsummer
night. As she plodded onward, flakes of snow swirled in the
breeze and turned to rain.

Ridcully materialized inside the castle, and then clung on
to a pillar for support until he got his breath back. Trans-
migration always made blue spots appear in front of his

eyes.

No one noticed him. The castle was in turmoil.
Not everyone had run home. Armies had marched across
Lancre many times over the last few thousand years, and the
recollection of the castle's thick safe walls had been practi-
cally engraved in the folk memory. Run to the castle. And
now it held most of the little country's population.

Ridcully blinked. People were milling around and being
harangued by a small young man in loose-fitting chain-mail
and one arm in a sling, who seemed to be the only person

with any grip on things.

When he was certain he could walk straight, Ridcully

headed toward him.

"What's going on, young—" he began, and then stopped.

Shawn Ogg looked around.

"The scheming minx!" said Ridcully, to the air in gener-
al. '"Oh, go back and get it then,' she said, and I fell right
for it! Even if I could cut the mustard again I don't know
where we were!"

"Sir?" said Shawn.

Ridcully shook himself. "What's happening?" he said.

"I don't know!" said Shawn, who was almost in tears. "I
think we're being attacked by elves! Nothing anyone's telling
me's making any sense! Somehow they arrived during the
Entertainment! Or something!"

Ridcully looked around at the frightened, bewildered

people.

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"And Miss Magrat's gone out to fight them alonel"

Ridcully looked perplexed.

"Who's Miss Magrat?"

"She's going to be queen! The bride! You know? Magrat
Garlick?"

Ridcully's mind could digest one fact at a time.

"What's she gone out for?"

"They captured the king!"

"Did you know they've got Esme Weatherwax as well?"

"What, Granny Weatherwax?"

"I came back to rescue her," said Ridcully, and then real-
ized that this sounded either nonsense or cowardly.

Shawn was too upset to notice. "I just hope they're not
collecting witches," he said. "They'll need our mum to get
the complete set."

"They ain't got me, then," said Nanny Ogg, behind him.

"Mum? How did you get in?"

"Broomstick. You'd better get some people with bows
up on the roof. I came down that way. So can others."

"What're we going to do, Mum?"

"There's bands of elves all over the place," said Nanny,
"and there's a big glow over the Dancers—"

"We must attack them!" shouted Casanunda. "Give 'em
a taste of cold steel!"

"Good man, that dwarf!" said Ridcully. "That's right! I'll
get my crossbow!"

"There's too many of them," said Nanny flatly.

"Granny and Miss Magrat are out there, Mum," said
Shawn. "Miss Magrat came over all strange and put on
armor and went out to fight all of them!"

"But the hills are crawling with elves," said Nanny. "It's a
double helping of hell with extra devils. Certain death."

"It's certain death anyway," said Ridcully. "That's the
thing about Death, certainty."

"We'd have no chance at all," said Nanny.

"Actually, we'd have one chance," said Ridcully. "I don't

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understand all this continuinuinuum stuff, but from what
young Stibbons says it means that everything has to happen
somewhere, d'y'see, so that means it could happen here.
Even if it's a million to one chance, ma'am."

"That's all very well," said Nanny, "but what you're say-
ing is, for every Mr. Ridcully that survives tonight's work,

999,999 are going to get killed?"

"Yes, but I'm not bothered about those other buggers,"
said Ridcully. "They can look after themselves. Serve 'em
right for not inviting me to their weddings."

"What?"
"Nothing."

Shawn was hopping from one foot to the other.
"We ought to be fighting 'em. Mum!"
"Look at everyone!" said Nanny. "They're dog tired and
wet and confused! That's not an army!"
"Mum, Mum, Mum!"

"What?"

"I'll pussike 'em up, Mum! That's what you have to do
before troops go into battle. Mum! I read about that in
books! You can take a rabble of thingy and make the right
kind of speech and pussike them up and turn 'em into a ter-
rible fighting force. Mum!"

"They look terrible anyway!"

"I mean terrible like fierce. Mum!"

Nanny Ogg looked at the hundred or so Lancre subjects.
The thought of them managing to fight anyone at all took

some getting used to.

"You been studyin' this, Shawn?" she inquired.
"I've got five years' worth of Bows and Ammo, Mum,"

said Shawn reproachfully.

"Give it a try, then. If you think it'll work."
Trembling with excitement, Shawn climbed on to a

table, drew his sword with his good hand, and banged it on

the planks until people were silent.
He made a speech.

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He pointed out that their king had been captured and
their prospective queen had gone out to save him. He
pointed out their responsibility as loyal subjects. He point-
ed out that other people currently not here but at home
hiding under the bed would, after the glorious victory,
wish they'd been there too instead of under the aforesaid
bed which they were hiding under, you know, the bed he'd
just mentioned. In fact it was better that there were so few
here to face the enemy, because that meant that there
would be a higher percentage of honor per surviving head.
He used the word "glory" three times. He said that in times
to come people would look back on this day, whatever the
date was, and proudly show their scars, at least those
who'd survived would show their scars, and be very proud
and probably have drinks bought for them. He advised
people to imitate the action of the Lancre Reciprocating
Fox and stiffen some sinews while leaving them flexible
enough so's they could move their arms and legs, in fact,
probably it'd be better to relax them a bit now and stiffen
them properly when the time came. He suggested that
Lancre expected everyone to do their duty. And urn. And
uh. Please?

The silence that followed was broken by Nanny Ogg,
who said, "They're probably considering it a bit, Shawn.
Why don't you take Mr. Wizard here up to his room and
help him with his crossbow?"

She nodded meaningfully in the direction of the stairs.

Shawn wavered, but not for long. He'd seen the glint in
his mother's eye.

When he'd gone. Nanny climbed up on the same table.

"Well," she said, "it's like this. If you go out there you
may have to face elves. But if you stops here, you definitely
have to face me. Now, elves is worse than me, I'll admit. But
I'm persistent."

Weaver put up a tentative hand.

"Please, Mrs. Ogg?"

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"Yes, Weaver?"

"What exactly is the action of the Reciprocating Fox?"

Nanny scratched her ear.

"As I recall," she said, "its back legs go like this but its
front legs go like this."

"No, no, no," said Quamey the storekeeper. "It's its tail
that goes like that. Its legs go like this."

"That's not reciprocating, that's just oscillating," said
someone. "You're thinking of the Ring-tailed Ocelot."

Nanny nodded.

"That's settled, then," she said.

"Hold on, I'm not sure—"

"Yes, Mr. Quamey?"

"Oh . . . well..."

"Good, good," said Nanny, as Shawn reappeared. "They
was just saying, our Shawn, how they was swayed by your
speech. Really pussiked up."

"Cor!"

"They're ready to follow you into the jaws of hell itself, I

expect," said Nanny.

Someone put up their hand.

"Are you coming too, Mrs. Ogg?"

"I'll just stroll along behind," said Nanny.

"Oh. Well. Maybe as far as the jaws of hell, then."

"Amazing," said Casanunda to Nanny, as the crowd filed
reluctantly toward the armory.

"You just got to know how to deal with people."

"They'll follow where an Ogg leads?"

"Not exactly," said Nanny, "but if they know what's good
for 'em they'll go where an Ogg follows."

Magrat stepped out from under the trees, and the moorland

lay ahead of her.

A whirlpool of cloud swirled over the Dancers, or at
least, over the place where the Dancers had been. She could

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make out one or two stones by the flickering light, lying on
their side or rolled down the slope of the hill.

The hill itself glowed. Something was wrong with the
landscape. It curved where it shouldn't curve. Distances
weren't right. Magrat remembered a woodcut shoved in as a
place marker in one of her old books. It showed the face of
an old crone but, if you stared at it, you saw it was also the
head of a young woman; a nose became a neck, an eyebrow
became a necklace. The images seesawed back and forth.
And like everyone else, she'd squinted herself silly trying to
see them both at the same time.

The landscape was doing pretty much the same thing.
What was a hill was also at the same time a vast snowbound
panorama. Lancre and the land of the elves were trying to
occupy the same space.

The intrusive country wasn't having it all its own way.
Lancre was fighting back.

There was a circle of tents just on the cusp of the war-
ring landscapes, like a beachhead on an alien shore. They
were brightly colored. Everything about the elves was beau-
tiful, until the image tilted, and you saw it from the other
side...

Something was happening. Several elves were on
horseback, and more horses were being led between the
tents.

It looked as though they were breaking camp.

The Queen sat on a makeshift throne in her tent. She sat
with her elbow resting on one arm of the throne and her fin-
gers curling pensively around her mouth.

There were other elves seated in a semicircle, except that
"seated" was a barely satisfactory word. They lounged; elves
could make themselves at home on a wire. And here there
was more lace and velvet and fewer feathers, although it was

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hard to know if it meant that these were aristocrats—elves
seemed to wear whatever they felt like wearing, confident of
looking absolutely stunning.

Every one of them watched the Queen, and was a mirror
of her moods. When she smiled, they smiled. When she said
something she thought was amusing, they laughed.

Currently the object of her attention was Granny
Weatherwax.

"What is happening, old woman?" she said.

"It ain't easy, is it?" said Granny. "Thought it would be
easy, didn't you?"

"You've done some magic, haven't you? Something is
fighting us."

"No magic," said Granny. "No magic at all. It's just that
you've been away too long. Things change. The land belongs
to humans now."

"That can't be the case," said the Queen. "Humans take.
They plough with iron. They ravage the land."

"Some do, I'll grant you that. Others put back more'n
they take. They put back love. They've got soil in their
bones. They tell the land what it is. That's what humans are
for. Without humans, Lancre'd just be a bit of ground with
green bits on it. They wouldn't even know they're trees.
We're all down here together, madam—us and the land. It's
not just land anymore, it's a country. It's like a horse that's
been broken and shod or a dog that's been tamed. Every
time people put a plough in the soil or planted a seed they
took the land further away from you," said Granny. "Things
change."

* The Monks of Cool, whose tiny and exclusive monastery is hidden in a
really cool and laid-back valley in the lower Ramtops, have a passing-out
test for a novice. He is taken into a room full of all types of clothing and
asked: Yo,+ my son, which of these is the most stylish thing to wear? And
the correct answer is: Hey, whatever I select.
tCool, but not necessarily up to date.

273

Verence sat beside the Queen. His pupils were tiny pin-
points; he smiled faintly, permanently, in a way very reminis-
cent of the Bursar.

"Ah. But when we are married," said the Queen, "the
land must accept me. By your own rules. I know how it
works. There's more to being a king than wearing a crown.
The king and the land are one. The king and the queen are
one. And I shall be queen."

She smiled at Granny. There was an elf on either side of
her and. Granny knew, at least one behind her. Elves were
not given to introspection; if she moved without permission,
she'd die.

"What you shall be is something I have yet to decide,"
said the Queen. She held up an exquisitely thin hand and
curled the thumb and forefinger into a ring, which she held
up to her eye.

"And now someone comes," she said, "with armor that
doesn't fit and a sword she cannot use and an axe she can
hardly even lift, because it is so romantic, is it not? What is
her name?"

"Magrat Garlick," said Granny.

"She is a mighty enchantress, is she?"

"She's good with herbs."

The Queen laughed.

"I could kill her from here."

"Yes," said Granny, "but that wouldn't be much fun,
would it? Humiliation is the key."

The Queen nodded.

"You know, you think very much like an elf."

"I think it will soon be dawn," said Granny. "A fine day.
Clear light."

"Not soon enough," The Queen stood up. She glanced at
King Verence for a moment, and changed. Her dress went
from red to silver, catching the torchlight like glittering fish
scales. Her hair unraveled and reshaped itself, became corn
blond. And a subtle ripple of alterations flowed across her
face before she said, "What do you think?"

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She looked like Magrat. Or, at least, like Magrat wished
she looked and maybe as Verence always thought of her.
Granny nodded. As one expert to another, she recognized
accomplished nastiness when she saw it.

"And you're going to face her like that," she said.

"Certainly. Eventually. At the finish. But don't feel sorry
for her. She's only going to die. Would you like me to show
you what you might have been?"

"No."

"I could do it easily. There are other times than this. I
could show you grandmother Weatherwax."

"No."

"It must be terrible, knowing that you have no friends.
That no one will care when you die. That you never touched
a heart."

"Yes."

"And I'm sure you think about it... in those long evenings
when there's no company but the ticking of the clock and the
coldness of the room and you open the box and look at—"

The Queen waved a hand vaguely as Granny tried to
break free.

"Don't kill her," she said. "She is much more fun alive."

Magrat stuck the sword in the mud and hefted the battleaxe.

Woods pressed in on either side. The elves would have
to come this way There looked like hundreds of them and
there was only one Magrat Garlick.

She knew there was such a thing as heroic odds. Songs
and ballads and stories and poems were full of stories about
one person single-handedly taking on and defeating a vast
number of enemies.

Only now was it dawning on her that the trouble was
that they were songs and ballads and stories and poems
because they dealt with things that were, not to put too fine
a point on it, untrue.

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She couldn't, now she had time to think about it, ever
remember an example from history.

In the woods to one side of her an elf raised its bow and
took careful aim.

A twig snapped behind it. It turned.

The Bursar beamed.

"Whoopsy daisy, old trouser, my bean's all runny."

The elf swung the bow.

A pair of prehensile feet dropped out of the greenery,
gripped it by the shoulders, and pulled it upward sharply.
There was a crack as its head hit the underside of a branch.

"Oook."

"Move right along!"

On the other side of the path another elf took aim. And
then its world flowed away from it...

This is the inside of the mind of an elf:

Here are the normal five senses but they are all subordi-
nate to the sixth sense. There is no formal word for it on the
Discworld, because the force is so weak that it is only ever
encountered by observant blacksmiths, who call it the Love
of Iron. Navigators might have discovered it were it not that
the Disc's standing magical field is much more reliable. But
bees sense it, because bees sense everything. Pigeons navi-
gate by it. And everywhere in the multiverse elves use it to
know exactly where they are.

It must be hard for humans, forever floundering through
inconvenient geography. Humans are always slightly lost.
It's a basic characteristic. It explains a lot about them.

Elves are never lost at all. It's a basic characteristic. It
explains a lot about them.

Elves have absolute position. The flow of the silvery
force dimly outlines the landscape. Creatures generate small
amounts of it themselves, and become perceptible in the
flux. Their muscles crackle with it, their minds buzz with it.
For those who learn how, even thoughts can be read by the
tiny local changes in the flow.

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For an elf, the world is something to reach out and take.
Except for the terrible metal that drinks the force and deforms
the flux universe like a heavy weight on a rubber sheet and
blinds them and deafens them and leaves them rudderless
and more alone than most humans could ever be...

The elf toppled forward.

Ponder Stibbons lowered the sword.

Almost everyone else would not have thought much
about it. But Ponder's wretched fate was to look for patterns
in an uncaring world.

"But I hardly touched him," he said, to no one except
himself.

"'And I kissed her in the shrubbery where the nightingales—
sing it, you bastards! Two, three!"

They didn't know where they were. They didn't know
where they'd been. They were not fully certain who they
were. But the Lancre Morris Men had reached some sort of
state now where it was easier to go on than stop. Singing
attracted elves, but singing also fascinated them ...

The dancers whirled and hopped, gyrated and skipped
along the paths. They pranced through isolated hamlets,
where elves left whoever they were torturing to draw closer
in the light of the burning buildings...

"'With a WACK foladiddle-di-do, sing too-rah-li-ay!'"

Six sticks did their work, right on the beat.

"Where're we goin', Jason?"

"I reckon we've gone down Slippery Hollow and're cir-
cling back toward the town," said Jason, hopping past Baker.
"Keep goin'. Carter!"

"The rain's got in the keys, Jason!"

"Don't matter! They don't know the difference! It's good
enough for folk music!"

"I think I broke my stick on that last one, Jason!"

"Just you keep dancing, Tinker! Now, lads . . . how

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about Gathering Peasecods? We might as well get some
practice in, since we're here ..."

"There's some people up ahead," said Tailor, as he
skipped past, "I can see torches an' that."

"Human, two, three, or more elves?"

"Dunno!"

Jason spun and danced back.

"Is that you, our Jason?"

Jason cackled as the voice echoed among the dripping
trees.

"It's our mam! And our Shawn. And—and lots of people!
We've made it, lads!"

"Jason," said Carter.

"Yes?"

"I ain't sure I can stop!"

The Queen examined her face in a mirror attached to the

tent pole.

"Why?" said Granny. "What is it you see?"
"Whatever I want to see," said the Queen. "You know

that. And now ... let us ride to the castle. Tie her hands

together. But leave her legs free."

It rained again, gently, although around the stones it turned
to sleet. The water dripped off Magrat's hair and temporarily
unraveled the tangles.

Mist coiled out from among the trees where summer and
winter fought.

Magrat watched the elven court mount up. She made
out the figure of Verence, moving like a puppet. And
Granny Weatherwax, tied behind the Queen's horse by a
long length of rope.

The horses splashed through the mud. They had silver
bells on their harness, dozens of them.

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The elves in the castle, the night of ghosts and shadows,
all of this was just a hard knot in her memory. But the jin-
gling of the bells was like a nailfile rubbed across her teeth.

The Queen halted the procession a few yards away.

"Ah, the brave girl," she said. "Come to save her fiance,
all alone? How sweet. Someone kill her."

An elf spurred its horse forward, and raised its sword.
Magrat gripped the battleaxe.

Somewhere behind her a bowstring slammed against
wood. The elf jerked. So did one behind it. The arrow kept
going, curving a little as it passed over one of the fallen
Dancers.

Then Shawn Ogg's ragbag army charged out from under
the trees, except for Ridcully, who was feverishly trying to
rewind his crossbow.

The Queen did not look surprised.

"And there's only about a hundred of them," she said.
"What do you think, Esme Weatherwax? A valiant last
stand? It's so beautiful, isn't it? I love the way humans
think. They think like songs."

"You get down off that horse!" Magrat shouted.

The Queen smiled at her.

Shawn felt it. Ridcully felt it. Ponder felt it. The glamour
swept over them.

Elves feared iron, but they didn't need to go near it.

You couldn't fight elves, because you were so much
more worthless than them. It was right that you should be
so worthless. And they were so beautiful. And you weren't.
You were always the one metaphorically picked last for any
team, even after the fat kid with one permanently blocked
runny nostril; you were always the one who wasn't told the
rules until you'd lost, and then wasn't told the new rules;

you were the one who always knew that everything interest-
ing was happening to other people. All those hot self-
consuming feelings were rolled together. You couldn't fight
an elf. Someone as useless as you, as stolid as you, as

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human as you, could never win; the universe wasn't built
like that—

Hunters say that, just sometimes, an animal will step out
of the bushes and stand there waiting for the spear .. .

Magrat managed to half-raise the axe, and then her hand
slumped to her side. She looked down. The correct attitude
of a human before an elf was one of shame. She had shouted
so coarsely at something as beautiful as an elf...

The Queen dismounted and walked over to her.

"Don't touch her," said Granny.

The Queen nodded.

"You can resist," she said. "But you see, it doesn't mat-
ter. We can take Lancre without a fight. There is nothing
you can do about it. Look at the brave little army, standing
like sheep. Humans are so enthusiastic."

Granny looked at her boots.

"You can't rule while I'm alive," she said.

"There's no trickery here," said the Queen. "No silly
women with bags of sweets."

"You noticed that, did you?" said Granny. "Gytha meant
well, I expect. Daft old biddy. Mind if I sit down?"

"Of course you may," said the Queen. "You are an old
woman now, after all."

She nodded to the elves. Granny subsided gratefully on
to a rock, her hands still tied behind her.

"That's the thing about witchcraft," she said. "It doesn't
exactly keep you young, but you do stay old for longer.
Whereas you, of course, do not age," she added.

"Indeed, we do not."

"But I suspect you may be capable of being reduced."

The Queen's smile didn't vanish, but it did freeze, as
smiles do when their owner is not certain about what has
just been said and isn't sure what to say next.

"You meddled in a play," said Granny. "I believe you
don't realize what you've done. Plays and books . . . you've
got to keep an eye on the buggers. They'll turn on you. I

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mean to see that they do." She nodded amicably at an elf
covered in woad and badly tanned skins. "Ain't that so,
Fairy Peaseblossom?"

The Queen's brows knotted.

"But that is not his name," she said.

Granny Weatherwax gave the Queen a bright smile.

"We shall see," she said. "There's a lot more humans
these days, and lots of them live in cities, and they don't
know much about elves one way or another. And they've got
iron in their heads. You're too late."

"No. Humans always need us," said the Queen.

"They don't. Sometimes they want you. That's different. But
all you can give 'em is gold that melts away in the morning."

"There are those who would say that gold for one night
is enough."

"No."

"Better than iron, you stupid old hag, you stupid child
who has grown older and done nothing and been nothing."

"No. It's just soft and shiny. Pretty to look at and no
damn use at all," said Granny, her voice still quite calm and
level. "But this is a real world, madam. That's what I had to
learn. And real people in it. You got no right to 'em.
People've got enough to cope with just being people. They
don't need you swanking around with your shiny hair and
shiny eyes and shiny gold, going sideways through life,
always young, always singing, never learning."

"You didn't always think like this."

"That was a long time ago. And, my lady, old I may be,
and hag I may be, but stupid I ain't. You're no kind of god-
dess. I ain't against gods and goddesses, in their place. But
they've got to be the ones we make ourselves. Then we can
take 'em to bits for the parts when we don't need 'em any-
more, see? And elves far away in fairyland, well, maybe that's
something people need to get 'emselves through the iron
times. But I ain't having elves here. You make us want what
we can't have and what you give us is worth nothing and

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what you take is everything and all there is left for us is the
cold hillside, and emptiness, and the laughter of the elves."

She took a deep breath. "So bugger off."

"Make us, old woman."

"I thought you'd say that."

"We don't want the world. Just this little kingdom will
do. And we will take it, whether it wants us or not."

"Over my dead body, madam."

"If that is a condition."

The Queen lashed out mentally, like a cat.

Granny Weatherwax winced, and leaned backward for a
moment.

"Madam?"

"Yes?" said the Queen.

"There aren't any rules, are there?"

"Rules? What are rules?" said the Queen.

"I thought so," said Granny. "Gytha Ogg?"

Nanny managed to turn her head.

"Yes, Esme?"

"My box. You know. The one in the dresser. You'll know
what to do."

Granny Weatherwax smiled. The Queen swayed side-
ways, as if she'd been slapped.

"You have learned," she said.

"Oh, yes. You know I never entered your circle. I could
see where it led. So I had to learn. All my life. The hard way.
And the hard way's pretty hard, but not so hard as the easy
way. I learned. From the trolls and the dwarfs and from peo-
ple. Even from pebbles."

The Queen lowered her voice.

"You will not be killed," she whispered. "I promise you
that. You'll be left alive, to dribble and gibber and soil your-
self and wander from door to door for scraps. And they'll
say: there goes the mad old woman."

"They say that now," said Granny Weatherwax. "They
think I can't hear."

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"But inside," said the Queen, ignoring this, "inside I'll
keep just a part of you which looks out through your eyes
and knows what you've become.

"And there will be none to help," said the Queen. She
was closer now, her eyes pinpoints of hatred. "No charity for
the mad old woman. You'll see what you have to eat to stay
alive. And we'll be with you all the time inside your head,
just to remind you. You could have been the great one, there
was so much you could have done. And inside you'll know
it, and you'll plead all the dark night long for the silence of
the elves."

The Queen wasn't expecting it. Granny Weatherwax's
hand shot out, pieces of rope falling away from it, and
slapped her across the face.

"You threaten me with that?" she said. "Me? Who am
becoming old?"

The elf woman's hand rose slowly to the livid mark across
her cheek. The elves raised their bows, waiting for an order.

"Go back," said Granny. "You call yourself some kind of
goddess and you know nothing, madam, nothing. What
don't die can't live. What don't live can't change. What don't
change can't learn. The smallest creature that dies in the
grass knows more than you. You're right. I'm older. You've
lived longer than me but I'm older than you. And better'n
you. And, madam, that ain't hard."

The Queen struck wildly.

The rebounded force of the mental blow knocked Nanny
Ogg to her knees. Granny Weatherwax blinked.

"A good one," she croaked. "But still I stand, and still
I'll not kneel. And still I have strength—"

An elf keeled over. This time the Queen swayed.

"Oh, and I have no time for this," she said, and snapped
her fingers.

There was a pause. The Queen glanced around at her elves.

"They can't fire," said Granny. "And you wouldn't want
that, would you? So simple an end?"

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"You can't be holding them! You have not that much
power!"

"Do you want to find out how much power I have,
madam? Here, on the grass of Lancre?"

She stepped forward. Power crackled in the air. The
Queen had to step back.

"My own turf?" said Granny

She slapped the Queen again, almost gently.

"What's this?" said Granny Weatherwax. "Can't you
resist me? Where's your power now, madam? Gather your
power, madam!"

"You foolish old crone!"

It was felt by every living creature for a mile around.
Small things died. Birds spiraled out of the sky Elves and
humans alike dropped to the ground, clutching their heads.

And in Granny Weatherwax's garden the bees rose out
of their hives.

They emerged like steam, colliding with one another in
their rush to get airborne. The deep gunship hum of the
drones underpinned the frantic roars of the workers.

But, louder than the drones, was the piccolo piping of
the queens.

The swarms spiraled up over the clearing, circled once,
and then broke and headed away. Others joined them, out of
backyard skeps and hollow trees, blackening the sky.

After a while, order became apparent in the great cir-
cling cloud. The drones flew on the wings, throbbing like
bombers. The workers were a cone made up of thousands of
tiny bodies. And at its tip, a hundred queens flew.

The fields lay silent after the arrow-shaped swarm of
swarms had gone.

Flowers stood alone and uncourted. Nectar flowed
undrunk. Blossoms were left to go fertilize themselves.

The bees headed toward the Dancers.

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Granny Weatherwax dropped to her knees, clutching at her
head.

"No—"

"Oh, but yes," said the Queen.

Esme Weatherwax raised her hands. The fingers were
curled tightly with effort and pain.

Magrat found she could move her eyes. The rest of her
felt weak and useless, even with chain-mail and the breast-
plates. So this was it. She could feel the ghost of Queen
Ynci laughing scornfully from a thousand years ago. She'd
not give up. Magrat was just another one of those dozens of
simpering stiff women who'd just hung around in long
dresses, ensuring the royal succession—

Bees poured down out of the sky.

Granny Weatherwax turned her face toward Magrat.

Magrat heard the voice clearly in her head.

"You want to be queen?"

And she was free.

She felt the weariness drop away from her and it also
felt as though pure Queen Ynci poured out of the helmet.

More bees rained down, covering the slumped figure of

the old witch.

The Queen turned, and her smile froze as Magrat
straightened up, stepped forward and, with hardly a thought
in her head, raised the battleaxe and brought it around in

one long sweep.

The Queen moved faster. Her hand snaked out and

gripped Magrat's wrist.

"Oh yes," she said, grinning into Magrat's face. "Really?

You think so?"

She twisted. The axe dropped from Magrat's fingers.

"And you wanted to be a witch?"

Bees were a brown fog, hiding the elves—too small to
hit, impervious to glamour, but determined to kill.

Magrat felt the bone scrape.

"The old witch is finished," said the Queen, forcing

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Magrat down. "I won't say she wasn't good. But she wasn't

good enough. And you certainly aren't."

Slowly and inexorably, Magrat was forced downward.
"Why don't you try some magic?" said the Queen.
Magrat kicked. Her foot caught the Queen on the knee,

and she heard a crack. As she staggered back Magrat

launched herself forward and caught her around the waist,

bearing her to the ground.

She was amazed at the lightness. Magrat was skinny

enough, but the Queen seemed to have no weight at all.
"Why," she said, pulling herself up until the Queen's face

was level with hers, "you're nothing. It's all in the mind,

isn't it? Without the glamour, you're—"

—an almost triangular face, a tiny mouth, the nose hard-
ly existing at all, but eyes larger than human eyes and now
focused on Magrat in pinpoint terror.

"Iron," whispered the Queen. Her hands gripped Magrat's
arms. There was no strength there. An elfs strength lay in
persuading others they were weak.

Magrat could feel her desperately trying to enter her
mind, but it wasn't working. The helmet—

—was lying several feet away, in the mud.

She just had time to wish she hadn't noticed that before
the Queen attacked again, exploding into her uncertainty
like a nova.

She was nothing. She was insignificant. She was so
worthless and unimportant that even something completely
worthless and exhaustively unimportant would consider
her beneath contempt. In laying hands upon the Queen she
truly deserved an eternity of pain. She had no control of
her body. She did not deserve any. She did not deserve a
thing.

The disdain sleeted over her, tearing the planetary body
of Magrat Garlick to pieces.

She'd never be any good. She'd never be beautiful, or
intelligent, or strong. She'd never be anything at all.

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Self-confidence? Confidence in what?
The eyes of the Queen were all she could see. All she
wanted to do was lose herself in them ...

And the ablation of Magrat Garlick roared on, tearing at
the strata of her soul.. .
. .. exposing the core.

She bunched up a fist and hit the Queen between the eyes.
There was a moment of terminal perplexity before the
Queen screamed, and Magrat hit her again.
Only one queen in a hive! Slash! Stab!
They rolled over, landing in the mud. Magrat felt some-
thing sting her leg, but she ignored it. She took no notice of
the noise around her, but she did find the battleaxe under
her hand as the two of them landed in a peat puddle. The elf
scrabbled at her but this time without strength, and Magrat
managed to push herself to her knees and raise the axe—
—and then noticed the silence.

It flowed over the Queen's elves and Shawn Ogg's
makeshift army as the glamour faded.

There was a figure silhouetted against the setting moon.
Its scent carried on the dawn breeze.
It smelled of lions' cages and leaf mold.
"He's back," said Nanny Ogg. She glanced sideways and
saw Ridcully, his face glowing, raising his crossbow.
"Put it down," she said.
"Will you look at the horns on that thing—"
"Put it down."
"But—"

"It'd go right through him. Look, you can see that tree
through him. He's not really here. He can't get past the
doorway. But he can send his thoughts."
"But I can smell—"

"If he was really here, we wouldn't still be standing up."
The elves parted as the King walked through. His hind
legs hadn't been designed for bipedal walking; the knees
were the wrong way round and the hooves were overlarge.

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It ignored them all and strutted slowly to the fallen
Queen. Magrat pulled herself to her feet and hefted the axe
uncertainly.

The Queen uncoiled, leaping up and raising her hands,
her mouth framing the first words of some curse—

The King held out a hand, and said nothing.

Only Magrat heard it.

Something about meeting by moonlight, she said later.

And they awoke.

The sun was well over the Rim. People pulled them-
selves to their feet, staring at one another.

There was not an elf in sight.

Nanny Ogg was the first to speak. Witches can generally
come to terms with what actually ('s, instead of insisting on
what ought to be.

She looked up at the moors. "The first thing we do," she
said, "the first thing, is put back the stones."

"The second thing," corrected Magrat.

They both looked down at the still body of Granny
Weatherwax. A few stray bees were flying disconsolate cir-
cles in the grass near her head.

Nanny Ogg winked at Magrat.

"You did well there, girl. Didn't think you had it in you to
survive an attack like that. It fairly had me widdling myself."

"I've had practice," said Magrat darkly.

Nanny Ogg raised her eyebrows, but made no further
comment. Instead she nudged Granny with her boot.

"Wake up, Esme," she said. "Well done. We won."

"Esme?"

Ridcully knelt down stiffly and picked up one of
Granny's arms.

"It must have taken it out of her, all that effort," burbled
Nanny. "Freeing Magrat and everything—"

Ridcully looked up.

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"She's dead," he said.

He thrust both arms underneath the body and got
unsteadily to his feet.

"Oh, she wouldn't do a thing like that," said Nanny, but
in the voice of someone whose mouth is running on auto-
matic because their brain has shut down.

"She's not breathing and there's no pulse," said the wizard.

"She's probably just resting."

"Yes."

Bees circled, high in the blue sky.

Ponder and the Librarian helped drag the stones back into
position, occasionally using the Bursar as a lever. He was
going through the rigid phase again.

They were unusual stones. Ponder noticed—quite hard,
and with a look about them that suggested that once, long
ago, they had been melted and cooled.

Jason Ogg found him standing deep in thought by one of
them. He was holding a nail on a piece of string. But, instead
of hanging from the string, the nail was almost at right
angles, and straining as if desperate to reach the stone. The
string thrummed. Ponder watched it as though mesmerized.

Jason hesitated. He seldom encountered wizards and
wasn't at all sure how you were supposed to treat them.

He heard the wizard say: "It sucks. But why does it suck?"

Jason kept quiet.

He heard Ponder say: "Maybe there's iron and . . . and
iron that loves iron? Or male iron and female iron? Or com-
mon iron and royal iron? Some iron contains something
else? Some iron makes a weight in the world and other iron
rolls down the rubber sheet?"

The Bursar and the Librarian joined him, and watched
the swinging nail.

"Damn!" said Ponder, and let go of the nail. It hit the
stone with a plink.

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He turned to the others with the agonized expression of
a man who has the whole great whirring machinery of the
Universe to dismantle and only a bent paper clip to do it
with.

"What ho, Mr. Sunshine!" said the Bursar, who was feel-
ing almost cheerful with the fresh air and lack of shouting.

"Rocks! Why am I messing around with lumps of stone?
When did they ever tell anyone anything?" said Ponder.
"You know, sir, sometimes I think there's a great ocean of
truth out there and I'm just sitting on the beach playing with
... with stones."

He kicked the stone.

"But one day we'll find a way to sail that ocean," he said.
He sighed. "Come on. I suppose we'd better get down to the
castle."

The Librarian watched them join the procession of tired
men who were staggering down the valley.

Then he pulled at the nail a few times, and watched it fly
back to the stone.

"Oook."

He looked up into the eyes of Jason Ogg.

Much to Jason's surprise, the orang-utan winked.

Sometimes, if you pay real close attention to the pebbles
you find out about the ocean.

The clock ticked.

In the chilly morning gloom of Granny Weatherwax's
cottage. Nanny Ogg opened the box.

Everyone in Lancre knew about Esme Weatherwax's
mysterious box. It was variously rumored to contain books
of spells, a small private universe, cures for all ills, the deeds
of lost lands and several tons of gold, which was pretty good
going for something less than a foot across. Even Nanny
Ogg had never been told about the contents, apart from the
will.

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She was a bit disappointed but not at all surprised to
find that it contained nothing more than a couple of large
envelopes, a bundle of letters, and a miscellaneous assort-
ment of common items in the bottom.

Nanny lifted out the paperwork. The first envelope was
addressed to her, and bore the legend: To Gytha Ogge,
Reade This NOWE.

The second envelope was a bit smaller and said: The
Will of Esmerelda Weatherwax, Died Midsummer's Eve.

And then there was a bundle of letters with a bit of
string round them. They were very old; bits of yellowing
paper crackled off them as Magrat picked them up.

"They're all letters to her," she said.

"Nothing odd about that," said Nanny. "Anyone can get
letters."

"And there's all this stuff at the bottom," said Magrat.
"It looks like pebbles."

She held one up.

"This one's got one of those curly fossil things in it," she
said. "And this one . . . looks like that red rock the Dancers
were made of. It's got a darning needle stuck to it. How
strange."

"She always paid attention to small details, did Esme.
Always tried to see inside to the real thing."

They were both silent for a moment, and the silence
wound out around them and filled the kitchen, to be sliced
into gentle pieces by the soft ticking of the clock.

"I never thought we'd be doing this," said Magrat, after
a while. "I never thought we'd be reading her will. I thought
she'd keep on going for ever."

"Well, there it is," said Nanny. "Tempus fuggit."

"Nanny?"

"Yes, love?"

"I don't understand. She was your friend but you don't
seem ... well... upset?"

"Well, I've buried a few husbands and one or two kid-

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dies. You get the hang of it. Anyway, if she hasn't gone to a
better place she'll damn well be setting out to improve it."

"Nanny?"

"Yes, love?"

"Did you know anything about the letter?"

"What letter?"

"The letter to Verence."

"Don't know anything about any letter to Verence."

"He must have got it weeks before we got back. She
must have sent it even before we got to Ankh-Morpork."

Nanny Ogg looked, as far as Magrat could tell, genuinely
blank.

"Oh, hell," said Magrat. "I mean this letter."

She fished it out of the breastplate.

"See?"

Nanny Ogg read:

"Dear sire. This is to inform youe that Magrate Garlick
will bee retouning to Lancre on or aboute Blind Pig Tuesday.
Shee is a Wet Hen but shee is clean and has got Good Teeth.
If you wishes to marrie her, then starte arranging matters
without delae, because if you just proposes and similar she
will lede you a Dance because there is noone like Magrat for
getting in the way of her own life. She does not Knoe her own
Mind. You aere Kinge and you can doe what you like. You
muste present her with a Fate Accompli. PS. I hear there is
talk aboute making witches pay tax, no kinges of Lancre has
tried this for many a Year, you could profit from their exam-
ple. Yrs. in good health, at the moment. A FRIEND (MSS)."

The ticking of the clock stitched the blanket of silence.

Nanny Ogg turned to look at it.

"She arranged it all!" said Magrat. "You know what
Verence is like. I mean, she hardly disguised who she was,
did she? And I got back and it was all arranged—"

"What would you have done if nothing had been
arranged?" said Nanny.

Magrat looked momentarily taken aback.

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"Well, I would ... I mean, if he had ... I'd—"

"You'd be getting married today, would you?" said
Nanny, but in a distant voice, as if she was thinking about
something else.

"Well, that depends on—"

"You want to, don't you?"

"Well, yes, of course, but—"

"That's nice, then," said Nanny, in what Magrat thought
of as her nursery voice.

"Yes, but she pushed me on one side and shut me up in
the castle and I got so wound up—"

"You were so angry that you actually stood Up to the
Queen. You actually laid hands on her," said Nanny. "Well
done. The old Magrat wouldn't have done that, would she?
Esme could always see the real thing. Now nip out of the
back door and look at the log pile, there's a love."

"But I hated her and hated her and now she's dead!"

"Yes, dear. Now go and tell Nanny about the log pile."

Magrat opened her mouth to frame the words "I happen
to be very nearly queen" but decided not to. Instead she gra-
ciously went outside and looked at the log pile.

"It's quite high," she said, coming back and blowing her
nose. "Looks like it's just been stacked."

And she wound up the clock yesterday," said Nanny.
"And the tea caddy's half full, I just looked."

"Well?"

"She wasn't sure," said Nanny. "Hmm."
She opened the envelope addressed to her. It was larger
and flatter than the one holding the will, and contained a
single piece of card.

Nanny read it, and let it drop on to the table.

"Come on," she said. "We ain't got much time!"

"What's the matter?"

"And bring the sugar bowl!"

Nanny wrenched open the door and hurried toward her

broomstick.

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"Come on!"

Magrat picked up the card. The writing was familiar.
She'd seen it several times before, when calling on Granny
Weatherwax unexpectedly.

It said: I ATE'NT DEAD.

"Halt! Who goes there?"

"What're you doing on guard with your arm in a sling,
Shawn?"

"Duty calls. Mum."

"Well, let us in right now."

"Are you Friend or Foe, Mum?"

"Shawn, this is almost-Queen Magrat here with me, all
right?"

"Yes, but you've got to—"

"Right now!"

"Oooaaaww, Mum!"

Magrat tried to keep up with Nanny as she scurried through
the castle.

"The wizard was right. She was dead, you know. I don't
blame you for hoping, but I can tell when people are dead."

"No, you can't. I remember a few years ago you came
running down to my house in tears and it turned out she
was just off Borrowing. That's when she started using the
sign."

"But—"

"She wasn't sure what was going to happen," said
Nanny. "That's good enough for me."

"Nanny—"

"You never know until you look," said Nanny Ogg,
expounding her own Uncertainty Principle.

Nanny kicked open the doors to the Great Hall.

"What's all this?"

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Ridcully got up from his chair, looking embarrassed.

"Well, it didn't seem right to leave her all alone—"

"Oh dear, oh dear," said Nanny, gazing at the solemn

tableau.

"Candles and lilies. I bet you pinched 'em yourself, out

of the garden. And then you all shut her away indoors like

this."

"Well—"
"And no one even thought to leave a damn window

open! Can't you hear them?"
"Hear what?"
Nanny looked around hurriedly and picked up a silver

candlestick.
"No!"

Magrat snatched it out of her hand.
"This happens to be," winding her arm back, "very nearly,"

taking aim, "my castle—"

The candlestick flew up, turning end over end, and hit a
big stained glass window right in the center.

Fresh sunlight extruded down to the table, visibly mov-
ing in the Disc's slow magical field. And down it, like mar-
bles down a chute, the bees cascaded.

The swarm settled on the witch's head, giving the
impression of a very dangerous wig.

"What did you—" Ridcully began.

"She's going to swank about this for weeks," said Nanny.
"No one's ever done it with bees. Their mind's everywhere,
see? Not just in one bee. In the whole swarm."

"What are you—"

Granny Weatherwax's fingers twitched.

Her eyes flickered.
Very slowly, she sat up. She focused on Magrat and

Nanny Ogg with some difficulty, and said:

"I wantzzz a bunzzch of flowerszz, a pot of honey, and

someone to szzzting."

"I brung the sugar bowl, Esme," said Nanny Ogg.

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Granny eyed it hungrily, and then looked at the bees that
were taking off from her head like planes from a stricken
carrier.

"Pour a dzzrop of water on it, then, and tip it out on the
table for them."

She stared triumphantly at their faces as Nanny Ogg
bustled off.

"I done it with beezzz! No one can do it with beezzz,
and I done it! You endzzz up with your mind all flying in
different directionzzz! You got to be good to do it with
beezzz!"

Nanny Ogg sloshed the bowl of makeshift syrup across
the table. The swarm descended.

"You're alive?" Ridcully managed.

"That's what a univerzzity education doezz for you," said
Granny, trying to massage some life into her arms. "You've
only got to be sitting up and talking for five minutzz and
they can work out you're alive."

Nanny Ogg handed her a glass of water. It hovered in
the air for a moment and then crashed to the floor, because
Granny had tried to grasp it with her fifth leg.

"Zzorry."

"I knew you wasn't certain!" said Nanny.

"Czertain? Of courze I waz certain! Never in any doubt
whatsoever."

Magrat thought about the will.

"You never had a moment's doubt?"

Granny Weatherwax had the grace not to look her in the
eye. Instead, she rubbed her hands together.

"What's been happening while I've been away?"

"Well," said Nanny, "Magrat stood up to the—"

"Oh, I knew she'd do that. Had the wedding, have you?"

"Wedding?" The rest of them exchanged glances.

"Of course not!" said Magrat. "Brother Perdore of the
Nine Day Wonderers was going to do it and he was knocked
out cold by an elf, and anyway people are all—"

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"Don't let's have any excuses," said Granny briskly.
"Anyway, a senior wizard can conduct a service at a pinch,
ain't that right?"

"I, I, I think so," said Ridcully, who was falling behind a
bit in world events.

"Right. A wizard's only a priest without a god and a
damp handshake," said Granny

"But half the guests have run away!" said Magrat.

"We'll round up some more," said Granny

"Mrs. Scorbic will never get the wedding feast done in
time!"

"You'll have to tell her to," said Granny.

"The bridesmaids aren't here!"

"We'll make do."

"I haven't got a dress!"

"What's that you've got on?"

Magrat looked down at the stained chain-mail, the mud-
encrusted breastplate, and the few damp remnants of white
silk that hung over them like a ragged tabard.

"Looks good to me," said Granny "Nanny'11 do your hair."

Magrat reached up instinctively, removed the winged
helmet, and patted her hair. Bits of twigs and fragments of
heather had twisted themselves in it with comb-breaking
complexity It never looked good for five minutes together at
the best of times; now it was a bird's nest.

"I think I'll leave it," she said.

Granny nodded approvingly

"That's the way of it," she said. "It's not what you've got
that matters, it's how you've got it. Well, we're just about
ready, then."

Nanny leaned toward her and whispered.

"What? Oh, yes. Where's the groom?"

"He's a bit muzzy. Not sure what happened," said Magrat.

"Perfectly normal," said Nanny, "after a stag night."

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There were difficulties to overcome:

"We need a Best Man."
"Ook."
"Well, at least put some clothes on."

Mrs. Scorbic the cook folded her huge pink arms.

"Can't be done," she said firmly.

"I thought perhaps just some salad and quiche and some
light—" Magrat said, imploringly.

The cook's whiskery chin stuck out firmly.

"Them elves turned the whole kitchen upside down,"
she said. "It's going to take me days to get it straight.
Anyway, everyone knows raw vegetables are bad for you,
and I can't be having with them eggy pies."

Magrat looked beseechingly at Nanny Ogg; Granny
Weatherwax had wandered off into the gardens, where she
was getting a tendency to stick her nose in flowers right out
of her system.

"Nothin' to do with me," said Nanny. "It's not my
kitchen, dear."

"No, it's mine. I've been cook here for years," said Mrs.
Scorbic, "and I knows how things should be done, and I'm
not going to be ordered around in my own kitchen by some
chit of a girl."

Magrat sagged. Nanny tapped her on the shoulder.

"You might need this at this point," she said, and handed
Magrat the winged helmet.

"The king's been very happy with—" Mrs. Scorbic
began.

There was a click. She looked down the length of a
crossbow and met Magrat's steady gaze.

"Go ahead," said the Queen of Lancre softly, "bake my
quiche."

298

*    *    *

Verence sat in his nightshirt with his head in his hands. He
could remember hardly anything about the night, except a
feeling of coldness. And no one seemed very inclined to tell

him.

There was a faint creak as the door opened.

He looked up.
"Glad to see you're up and about already," said Granny

Weatherwax. "I've come to help you dress."

"I've looked in the garderobe," said Verence. "The . . .
elves, was it? ... they ransacked the place. There's nothing

I can wear."

Granny looked around the room. Then she went to a low
chest and opened it. There was a faint tinkling of bells, and

a flash of red and yellow.

"I thought you never threw them away," she said. "And
you ain't put on any weight, so they'll still fit. On with the
motley. Magrat'll appreciate it."

"Oh, no," said Verence. "I'm very firm about this. I'm
king now. It'd be demeaning for Magrat to marry a Fool. I've
got a position to maintain, for the sake of the kingdom.
Besides, there is such a thing as pride."

Granny stared at him for so long that he shifted
uncomfortably.

"Well, there is," he said.

Granny nodded, and walked toward the doorway.

"Why're you leaving?" said Verence nervously.

"I ain't leaving," said Granny, quietly, "I'm just shutting
the door."

And then there was the incident with the crown.

Ceremonies and Protocols of The Kingdom of Lancre
was eventually found after a hurried search of Verence's
bedroom. It was very clear about the procedure. The new

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queen was crowned, by the king, as part of the ceremony. It
wasn't technically difficult for any king who knew which
end of a queen was which, which even the most inbred king

figured out in two goes.

But it seemed to Ponder Stibbons that the ritual wob-
bled a bit at this point.

It seemed, in fact, that just as he was about to lower the
crown on the bride's head he glanced across the hall to
where the skinny old witch was standing. And nearly every-
one else did too, including the bride.

The old witch nodded very slightly.

Magrat was crowned.

Wack-fol-a-diddle, etc.

The bride and groom stood side by side, shaking hands with
the long line of guests in that dazed fashion normal at this
point in the ceremony.

"I'm sure you'll be very happy—"

"Thank you."

"Ook!"

"Thank you."

"Nail it to the counter, Lord Ferguson, and damn the

cheesemongers!"

"Thank you."

"Can I kiss the bride?"

It dawned on Verence that he was being addressed by
fresh air. He looked down.

"I'm sorry," he said, "you are—?"

"My card," said Casanunda.

Verence read it. His eyebrows rose.

"Ah," he said. "Uh. Urn. Well, well, well. Number two, eh?"

"I try harder," said Casanunda.

Verence looked around guiltily, and then bent down until
his mouth was level with the dwarfs ear.

"Could I have a word with you in a minute or two?"

300

The Lancre Morris Men got together again for the first time
at the reception. They found it hard to talk to one another.
Several of them jigged up and down absentmindedly as they

talked.

"All right," said Jason, "anyone remember? Really

remember?"

"I remember the start," said Tailor the other weaver.

"Definitely remember the start. And the dancing in the

woods. But the Entertainment—"

"There was elves in it," said Tinker the tinker.
"That's why it all got buggered up," said Thatcher the

carter. "There was a lot of shouting, too."

"There was someone with horns on," said Carter, "and a

great big—"

"It was all," said Jason, "a bit of a dream."
"Hey, look over there, Carter," said Weaver, winking at

the others, "there's that monkey. You've got something to

ask it, ain't you?"

Carter blinked. "Coo, yes," he said.

"Shouldn't waste a golden opportunity if I was you,"
said Weaver, with the happy malice often shown by the

clever to the simple.

The Librarian was chatting to Ponder and the Bursar. He

looked around as Carter prodded him.

"You've been over to Slice, then, have you?" he said, in

his cheery open way.

The Librarian gave him a look of polite incomprehension.

"Oook?"

Carter looked perplexed.

"That's where you put your nut, ain't it?"

The Librarian gave him another odd look, and shook his

head.

"Oook."
"Weaver!" Carter shouted, "the monkey says he didn't put

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his nut where the sun don't shine! You said he did! You
didn't, did you? He said you did." He turned to the Librarian.
"He didn't. Weaver. See, I knew you'd got it wrong. You're
daft. There's no monkeys in Slice."

Silence flowed outward from the two of them.

Ponder Stibbons held his breath.

"This is a lovely party," said the Bursar to a chair, "I wish
I was here."

The Librarian picked up a large bottle from the table.
He tapped Carter on the shoulder. Then he poured him a
large drink and patted him on the head.

Ponder relaxed and turned back to what he was doing.
He'd tied a knife to a bit of string and was gloomily watch-
ing it spin round and round . . .

On his way home that night Weaver was picked up by a
mysterious assailant and dropped into the Lancre. No one
ever found out why. Do not meddle in the affairs of wizards,
especially simian ones. They're not all that subtle.

Others went home that night.

"She'll be getting ideas above her station in life," said
Granny Weatherwax, as the two witches strolled through the
scented air.

"She's a queen. That's pretty high," said Nanny Ogg.
"Almost as high as witches."

"Yes . . . well . . . but you ain't got to give yourself airs,"
said Granny Weatherwax. "We're advantaged, yes, but we
act with modesty and we don't Put Ourselves Forward. No
one could say I haven't been decently modest all my life."

"You've always been a bit of a shy violet, I've always
said," said Nanny Ogg. "I'm always telling people, when it
comes to humility you won't find anyone more humile than
Esme Weatherwax."

"Always keep myself to myself and minded my own
business—"

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"Barely known you were there half the time," said Nanny

Ogg.

"I was talking, Gytha."

"Sorry."
They walked along in silence for a while. It was a warm

dry evening. Birds sang in the trees.

Nanny said, "Funny to think of our Magrat being mar-
ried and everything."

"What do you mean, everything?"

"Well, you know—married," said Nanny. "I gave her a few
tips. Always wear something in bed. Keeps a man interested."

"You always wore your hat."

"Right."
Nanny waved a sausage on a stick. She always believed

in stocking up on any free food that was available.

"I thought the wedding feast was very good, didn't you?
And Magrat looked radiant, I thought."

"/ thought she looked hot and flustered."

"That is radiant, with brides."

"You're right, though," said Granny Weatherwax, who
was walking a little way ahead. "It was a good dinner. I
never had this Vegetarian Option stuff before."

"When I married Mr.. Ogg, we had three dozen oysters
at our wedding feast. Mind you, they didn't all work."

"And I like the way they give us all a bit o' the wedding

cake in a little bag," said Granny.

"Right. You know, they says, if you puts a bit under your
pillow, you dream of your future husb ..." Nanny Ogg's

tongue tripped over itself.

She stopped, embarrassed, which was unusual in an Ogg.

"It's all right," said Granny "I don't mind."

"Sorry, Esme."

"Everything happens somewhere. I know. I know.
Everything happens somewhere. So it's all the same in the

end."

"That's very continuinuinuum thinking, Esme."

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"Cake's nice," said Granny, "but. .. right now . . . don't
know why ... what I could really do with, Gytha, right now
... is a sweet."

The last word hung in the evening air like the echo of a
gunshot.

Nanny stopped. Her hand flew to her pocket, where the
usual bag of fluff-encrusted boiled sweets resided. She
stared at the back of Esme Weatherwax's head, at the tight
bun of gray hair under the brim of the pointy hat.

"Sweet?" she said.

"I expect you've got another bag now," said Granny,
without looking around.

"Esme—"

"You got anything to say, Gytha? About bags of sweets?"

Granny Weatherwax still hadn't turned around.

Nanny looked at her boots.

"No, Esme," she said meekly.

"I knew you'd go up to the Long Man, you know. How'd
you get in?"

"Used one of the special horseshoes."

Granny nodded. "You didn't ought to have brung him
into it, Gytha."

"Yes, Esme."

"He's as tricky as she is."

"Yes, Esme."

"You're trying preemptive meekness on me."

"Yes, Esme."

They walked a little further.

"What was that dance your Jason and his men did when
they'd got drunk?" said Granny.

"It's the Lancre Stick and Bucket Dance, Esme."

"It's legal, is it?"

"Technically they shouldn't do it when there's women
present," said Nanny. "Otherwise it's sexual morrisment."

"And I thought Magrat was very surprised when you
recited that poem at the reception."

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S

"Poem?"

"The one where you did the gestures."

"Oh, that poem."

"I saw Verence making notes on his napkin."

Nanny reached again into the shapeless recesses of her
clothing and produced an entire bottle of champagne you
could have sworn there was no room for.

"Mind you, I thought she looked happy," she said.
"Standing there wearing about half of a torn muddy dress and
chain-mail underneath. Hey, d'you know what she told me?"

"What?"

"You know that ole painting of Queen Ynci? You know,
the one with the iron bodice? Her with all the spikes and
knives on her chariot? Well, she said she was sure the . . .
the spirit of Ynci was helping her. She said she wore the
armor and she did things she'd never dare do."

"My word," said Granny, noncommittally.

"Funny ole world," agreed Nanny.

They walked in silence for a while.

"So you didn't tell her that Queen Ynci never existed, then?"

"No point."

"Old King Lully invented her entirely 'cos he thought we
needed a bit of romantic history. He was a bit mad about
that. He even had the armor made."

"I know. My great-grandma's husband hammered it out
of a tin bath and a couple of saucepans."

"But you didn't think you ought to tell her that?"

"No."

Granny nodded.

"Funny thing," she said, "even when Magrat's completely
different, she's just the same."

Nanny Ogg produced a wooden spoon from somewhere in
her apron. Then she raised her hat and carefully lifted down a
bowl of cream, custard, and jelly which she had secreted there.

* Nanny Ogg was also a great picker-up of unconsidered trifles.

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Terry Pratchett

"Huh. I really don't know why you pinches food the
whole time," said Granny. "Verence'd give you a bathful of
the stuff if you asked. You know he don't touch custard
himself."

"More fun this way," said Nanny. "I deserve a bit of fun."

There was a rustling in the thick bushes and the unicorn
burst through.

It was mad. It was angry. It was in a world where it did
not belong. And it was being driven.

It pawed the ground a hundred yards away, and lowered
its horn.

"Whoops," said Nanny, dropping her just desserts.
"Come on. There's a tree here, come on."

Granny Weatherwax shook her head.

"No. I ain't runnin' this time. She couldn't get me before
and she's tryin' through an animal, eh?"

"Will you look at the size of the horn on that thing?"

"I can see clear enough," said Granny calmly.

The unicorn lowered its head and charged. Nanny Ogg
reached the nearest tree with low branches and leapt
upward. ..

Granny Weatherwax folded her arms.

"Come on, Esme!"

"No. I ain't been thinking clear enough, but I am now.
There's some things I don't have to run from."

The white shape bulleted down the avenue of trees, a
thousand pounds of muscle behind twelve inches of glisten-
ing hom. Steam swirled behind it.

"Esme!"

Circle time was ending. Besides, she knew now why her
mind had felt so unravelled, and that was a help. She
couldn't hear the ghostly thoughts of all the other Esme
Weatherwaxes anymore.

Perhaps some lived in a world ruled by elves. Or had
died long ago. Or were living what they thought were happy
lives. Granny Weatherwax seldom wished for anything,

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because wishing was soppy, but she felt a tiny regret that
she'd never be able to meet them.

Perhaps some were going to die, now, here on this
path. Everything you did meant that a million copies of
you did something else. Some were going to die. She'd
sensed their future deaths . . . the deaths of Esme
Weatherwax. And couldn't save them, because chance did
not work like that.

On a million hillsides the girl ran, on a million bridges
the girl chose, on a million paths the woman stood. ..

All different, all one.

All she could do for all of them was be herself, here and
now, as hard as she could.

She stuck out a hand.

A few yards away the unicorn hit an invisible wall. Its
legs flailed as it tried to stop, its body contorted in pain, and
it slid the rest of the way to Granny's feet on its back.

"Gytha," said Granny, as the beast tried to get upright,
"you'll take off your stockings and knot 'em into a halter
and pass it to me carefully."

"Esme..."

"What?"

"Ain't got no stockings on, Esme."

"What about the lovely red and white pair I gave you on
Hogswatchnight? I knitted 'em myself. You know how I
hates knitting."

"Well, it's a warm night. I likes to, you know, let the air
circulate."

"I had the devil of a time with the heels."

"Sorry, Esme."

"At least you'll be so good as to run up to my place and
bring everything that's in the bottom of the dresser."

"Yes, Esme."

"But before that you'll call in at your Jason's and tell him
to get the forge good and hot."

Nanny Ogg stared down at the struggling unicorn. It

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Terry Pratchett

seemed to be stuck, terrified of Granny but at the same time
quite unable to escape.

"Oh, Esme, you're never going to ask our Jason to—"

"I won't ask him to do anything. And I ain't asking you,
neither."

Granny Weather-wax removed her hat, skimming it into
the bushes. Then, her eyes never leaving the animal, she
reached up to the iron-gray bun of her hair and removed a
few crucial pins.

The bun uncoiled a waking snake of fine hair, which
unwound down to her waist when she shook her head a cou-
ple of times.

Nanny watched in paralyzed fascination as she reached
up again and broke a single hair at its root.

Granny Weatherwax's hands made a complicated motion
in the air as she made a noose out of something almost too
thin to see. She ignored the thrashing horn and dropped it
over the unicorn's neck. Then she pulled.

Struggling, its unshod hooves kicking up great clods of
mud, the unicorn struggled to its feet.

"That'll never hold it," said Nanny, sidling around the tree.

"I could hold it with a cobweb, Gytha Ogg. With a cob-
web. Now go about your business."

"Yes, Esme."

The unicorn threw back its head and screamed.

Half the town was waiting as Granny led the beast into
Lancre, hooves skidding on the cobbles, because when you
tell Nanny Ogg you tell everyone.

It danced at the end of the impossibly thin tether, kick-
ing out at the terminally unwary, but never quite managing
to pull free.

Jason Ogg, still in his best clothes, was standing ner-
vously at the open doorway to the forge. Superheated air
vibrated over the chimney.

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"Mister Blacksmith," said Granny Weatherwax, "I have a
job for you."

"Er," said Jason, "that's a unicorn, is that."

"Correct."

The unicorn screamed again, and rolled mad red eyes at
Jason.

"No one's ever put shoes on a unicorn," said Jason.

"Think of this," said Granny Weatherwax, "as your big

moment."

The crowd clustered round, trying to see and hear while
keeping out of the way of the hooves.

Jason rubbed his chin with his hammer.

"I don't know—"

"Listen to me, Jason Ogg," said Granny, hauling on the
hair as the creature skittered around in a circle, "you can
shoe anything anyone brings you. And there's a price for
that, ain't there?"

Jason gave Nanny Ogg a panic-stricken look. She had
the grace to look embarrassed.

"She never told me about it," said Granny, with her
usual ability to read Nanny's expression through the back of
her own head.

She leaned closer to Jason, almost hanging from the
plunging beast. "The price for being able to shoe anything,
anything that anyone brings you ... is having to shoe any-
thing anyone brings you. The price for being the best is
always . . . having to be the best. And you pays it, same as

me."

The unicorn kicked several inches of timber out of the

door frame.

"But iron—" said Jason. "And nails—"

"Yes?"

"Iron'11 kill it," said Jason. "If I nail iron to 'n, I'll kill 'n.
Killing's not part of it. I've never killed anything. I was up
all night with that ant, it never felt a thing. I won't hurt a liv-
ing thing that never done me no harm."

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Terry Pratchett

"Did you get that stuff from my dresser, Gytha?"

"Yes, Esme."

"Bring it in here, then. And you, Jason, you just get that
forge hot."

"But if I nail iron to it I'll—"

"Did I say anything about iron?"

The hom took a stone out of the wall a foot from Jason's
head. He gave in.

"You'll have to come in to keep it calm, then," he said.
"I've never shod a stallion like this'n without two men and a
boy a-hanging on to it."

"It'll do what it's told," Granny promised. "It can't cross
me."

"It murdered old Scrope," said Nanny Ogg. "I wouldn't
mind him killing it."

"Then shame on you, woman," said Granny "It's an ani-
mal. Animals can't murder. Only us superior races can mur-
der. That's one of the things that sets us apart from animals.
Give me that sack."

She towed the fighting animal through the big double
doors and a couple of the villagers hurriedly swung them
shut. A moment later a hoof kicked a hole in the planking.

Ridcully arrived at a run, his huge crossbow slung over
his shoulder.

"They told me the unicorn had turned up again!"

Another board splintered.

"In there?"

Nanny nodded.

"She dragged it all the way down from the woods," she said.

"But the damn thing's savage!"

Nanny Ogg rubbed her nose. "Yes, well . . . but she's
qualified, ain't she? When it comes to unicorn taming.
Nothing to do with witchcraft."

"What d'you mean?"

"I thought there was some things everyone knew about
trapping unicorns," said Nanny archly. "Who could trap 'em,

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is what I am delicately hintin' at. She always could run
faster'n you, could Esme. She could outdistance any man."

Ridcully stood there with his mouth open.

"Now, me," said Nanny, "I'd always trip over first ole
tree root I came to. Took me ages to find one, sometimes."

"You mean after I went she never—"

"Don't get soft ideas. It's all one at our time o'life any-
way," said Nanny "It'd never have crossed her mind if you
hadn't turned up." An associated thought seemed to strike
her. "You haven't seen Casanunda, have you?"

"'Ello, my little rosebud," said a cheerful, hopeful voice.

Nanny didn't even turn around.

"You do turn up where people aren't looking," she said.

"Famed for it, Mrs. Ogg."

There was silence from inside the forge. Then they could
make out the tap-tap-tap of Jason's hammer.

"What they doing in there?" said Ridcully.

"It's stopping it kicking, whatever it is," said Nanny

"What was in the sack, Mrs. Ogg?" said Casanunda.

"What she told me to get," said Nanny "Her old silver tea
set. Family heirloom. I've only ever seen it but twice, and once
was just now when I put it in the sack. I don't think she's ever
used it. It's got a cream jug shaped like a humorous cow."

More people had arrived outside the forge. The crowd
stretched all the way across the square.

The hammering stopped. Jason's voice, quite close, said:

"We're coming out now."

"They're coming out now," said Nanny

"What'd she say?"

"She said they're coming out now."

"They're coming out now!"

The crowd pulled back. The doors swung open.

Granny emerged, leading the unicorn. It walked sedately,
muscles moving under its white coat like frogs in oil. And its
hooves clattered on the cobbles. Ridcully couldn't help
noticing how they shone.

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Terry Pratchett

It walked politely alongside the witch until she reached
the center of the square. Then she turned it loose, and gave
it a light slap on the rump.

It whinnied softly, turned, and galloped down the street,
toward the forest...

Nanny Ogg appeared silently behind Granny Weatherwax
as she watched it go.

"Silver shoes?" she said quietly "They'll last no time at all."

"And silver nails. They'll last for long enough," said
Granny, speaking to the world in general. "And she'll never
get it back, though she calls it for a thousand years."

"Shoeing the unicorn," said Nanny, shaking her head.
"Only you'd think of shoeing a unicorn, Esme."

"I've been doing it all my life," said Granny.

Now the unicorn was a speck on the moorland. As they
watched, it disappeared into the evening gloom.

Nanny Ogg sighed, and broke whatever spell there was.

"So that's it, then."

"Yes."

"Are you going to the dance up at the castle?"

"Are you?"

"Well. . . Mr. Casanunda did ask if I could show him the
Long Man. You know. Properly. I suppose it's him being a
dwarf. They're very interested in earthworks."

"Can't get enough of them," said Casanunda.

Granny rolled her eyes.

"Act your age, Gytha."

"Act? Don't have to act, can do it automatic," said
Nanny. "Acting half my age . . . now that's the difficult trick.
Anyway, you didn't answer me."

To the surprise of Nanny, and of Ridcully, and possibly
even of Granny Weatherwax herself, she slipped her arm
around Ridcully's arm.

"Mr. Ridcully and I are going to have a stroll down to
the bridge."

"We are?" said Ridcully

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"Oh, that's nice."
"Gytha Ogg, if you keep on looking at me like that I

shall give you a right ding around the ear."
"Sorry, Esme," said Nanny.

"Good."
"I expect you want to talk about old times," Nanny

volunteered.

"Maybe old times. Maybe other times."
The unicorn reached the forest, and galloped onward.

The waters of the Lancre gushed below. No one crossed the
same water twice, even on a bridge.

Ridcully dropped a pebble. It went plunk.

"It all works out," said Granny Weatherwax, "some-
where. Your young wizard knows that, he just puts daft
words around it. He'd be quite bright, if only he'd look at

what's in front of him."

"He wants to stay here for a while," said Ridcully

gloomily. He flicked another pebble into the depths. "Seems
fascinated by the stones. I can't say no, can I? The king's all
for it. He says other kings have always had fools, so he'll try
having a wise man around, just in case that works better."

Granny laughed.
"And there's young Diamanda going to be up and about

any day now," she said.
"What do you mean?"
"Oh, nothing. That's the thing about the future. It could

turn out to be anything. And everything."

She picked up a pebble. It hit the water at the same time
as one of Ridcully's own, making a double plunk.

"Do you think," said Ridcully, "that . . . somewhere . . .

it all went right?"
"Yes. Here!"
Granny softened at the sight of his sagging shoulders.

"But there, too," she said.

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Terry Pratehett

"What?"

"I mean that somewhere Mustrum Ridcully married
Esmerelda Weather-wax and they lived—" Granny gritted her
teeth "—lived happily ever after. More or less. As much as
anyone does."

"How d'you know?"

"I've been picking up bits of her memories. She seemed
happy enough. And I ain't easily pleased."

"How can you do that?"

"I try to be good at everything I do."

"Did she say anything about—"

"She didn't say nothing! She don't know we exist! Don't
ask questions! It's enough to know that everything happens
somewhere, isn't it?"

Ridcully tried to grin.

"Is that the best you can tell me?" he said.

"It's the best there is. Or the next best thing."

Where does it end?*

On a summer night, with couples going their own ways,
L         and silky purple twilight growing between the trees. From
d          the castle, long after the celebrations had ended, faint laugh-
ter and the ringing of little silver bells. And from the empty
hillside, only the silence of the elves.

N
A

ev

ar          * When Hwel the playwright turned up with the rest of the troupe next

day they told him all about it, and he wrote it down. But he left out all the
(.L            bits that wouldn't fit on a stage, or were too expensive, or which he didn't

believe. In any case, he called it The Taming of the Vole, because no one

would be interested in a play called Things that Happened on A

Midsummer Night.

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