WildcardsWildcards
Book 1 of Wildcards
Edited by George R.R. Martin
ISBN: 0-553-26190-8

PROLOGUE
From Wild Times: An Oral History of the Postwar Years, by Studs Terkel 
(Pantheon, 1979).
Herbert L. Cranston
Years later, when I saw Michael Rennie come out of that flying saucer in The Day 
the Earth Stood Still, I leaned over to the wife and said, "Now that's the way 
an alien emissary ought to look." I've always suspected that it was Tachyons 
arrival that gave them the idea for that picture, but you know how Hollywood 
changes things around. I was there, so I know how it really was. For starts, he 
came down in White Sands, not in Washington. He didn't have a robot, and we 
didn't shoot him. Considering what happened, maybe we should have, eh?
His ship, well, it certainly wasn't a flying saucer, and it didn't look a damn 
thing like our captured V-2s or even the moon rockets on Werner's drawing 
boards. It violated every known law of aerodynamics and Einstein's special 
relativity too.
He came down at night, his ship all covered with lights, the prettiest thing I 
ever saw. It set down plunk in the middle of the proving range, without rockets, 
propellers, rotors, or any visible means of propulsion whatsoever. The outer 
skin looked like it was coral or some kind of porous rock, covered with whorls 
and spurs, like something you'd find in a limestone cavern or spot while 
deep-sea diving.
I was in the first jeep to reach it. By the time we got there, Tach was already 
outside. Michael Rennie, now, he looked right in that silvery-blue spacesuit of 
his, but
Tachyon looked like a cross between one of the Three Musketeers and some kind of 
circus performer. I don't mind telling you, all of us were pretty scared driving 
out, the rocketry boys and eggheads just as much as the GIs. I remembered that 
Mercury Theater broadcast back in '39, when Orson Welles fooled everybody into 
thinking that the Martians were invading New Jersey, and I couldn't help 
thinking maybe this time it was happening for real. But once the spotlights hit 
him, standing there in front of his ship, we all relaxed. He just wasn't scary.
He was short, maybe five three, five four, and to tell the truth, he looked more 
scared than us. He was wearing these green tights with the boots built right 
into them, and this orangy shirt with lace sissy ruffles at the wrists and 
collar, and some kind of silvery brocade vest, real tight. His coat was a 
lemon-yellow number, with a green cloak snapping around in the wind behind him 
and catching about his ankles. On top of his head he had this wide-brimmed hat, 
with a long red feather sticking out of it, except when I got closer, I saw it 
was really some weird spiky quill. His hair covered his shoulders; at first 
glance, I thought he was a girl. It was a peculiar sort of hair too, red and 
shiny, like thin copper wire.
I didn't know what to make of him, but I remember one of our Germans saying that 
he looked like a Frenchman.
No sooner had we arrived than he came slogging right over to the jeep, bold as 
you please, trudging through the sand with a big bag stuck up under one arm.
He started telling us his name, and he was still telling it to us while four 
other jeeps pulled up. He spoke better English than most of our Germans, despite 
having this weird accent, but it was hard to be sure at first when he spent ten 
minutes telling us his name.
I was the first human being to speak to him. That's God's truth, I don't care 
what anybody else tells you, it was me. I got out of the jeep and stuck out my 
hand and said, "Welcome to America." I started to introduce myself, but he 
interrupted me before I could get the words out.
"Herb Cranston of Cape May, New Jersey," he said. "A rocket scientist. 
Excellent. I am a scientist myself." He didn't look like any scientist I'd ever 
known, but I made allowances, since he came from outer space. I was more 
concerned about how he'd known my name. I asked him.
He waved his ruffles in the air, impatient. "I read your mind. That's 
unimportant. Time is short, Cranston. Their ship broke up." I thought he look 
more than a little sick when he said that; sad, you know, hurting, but scared 
too. And tired, very tired. Then he started talking about this globe. That was 
the globe with the wild card virus, of course, everyone knows that now, but back 
then I didn't know what the hell he was going on about. It was lost, he said, he 
needed to get it back, and he hoped for all our sakes it was still intact. He 
wanted to talk to our top leaders. He must have read their names in my mind, 
because he named Werner, and Einstein, and the President, except he called him 
"this President Harry S Truman of yours." Then he climbed right into the back of 
the jeep and sat down. "Take me to them," he said. "At once. "

Professor Lyle Crawford Kent
In a certain sense, it was I who coined his name. His real name, of course, his 
alien patronymic, was impossibly long. Several of us tried to shorten it, I 
recall, using this or that piece of it during our conferences, but evidently 
this was some sort of breach of etiquette on his home world, Takis. He 
continually corrected us, rather arrogantly I might say, like an elderly pedant 
lecturing a pack of schoolboys. Well, we needed to call him something. The title 
came first. We might have called him "Your Majesty" or some such, since he 
claimed to be a prince, but Americans are not comfortable with that sort of 
bowing and scraping. He also said he was a physician, although not in our sense 
of the word, and it must be admitted that he did seem to know a good deal of 
genetics and biochemistry, which seemed to be his area of expertise. Most of our 
team held advanced degrees, and we addressed each other accordingly, and so it 
was only natural that we fell to calling him "Doctor" as well.
The rocket scientists were obsessed with our visitor's ship, particularly with 
the theory of his faster-than-light propulsion system. Unfortunately, our 
Takisian friend bad burned out his ship's interstellar drive in his haste to 
arrive here before those relatives of his, and in any case he adamantly refused 
to let any of us, civilian or military, inspect the inside of his craft. Werner 
and his Germans were reduced to questioning the alien about the drive, rather 
compulsively I thought. As I understood it, theoretical physics and the 
technology of space travel were not disciplines in which our visitor was 
especially expert, so the answers he gave them were not very clear, but we did 
grasp that the drive made use of a hithertounknown particle that traveled faster 
than light.
The alien had a term for the particle, as unpronounceable as his name. Well, I 
had a certain grounding in classical Greek, like all educated men, and a flair 
for nomenclature if I do say so myself. I was the one who devised the coinage 
"tachyon." Somehow the GIs got things confused, and began referring to our 
visitor as "that tachyon fellow." The phrase caught on, and from there it was 
only a short step to Doctor Tachyon, the name by which he became generally known 
in the press.

Colonel Edward Reid, U.S. Army Intelligence (Ret.)
You want me to say it, right? Every damned reporter I've ever talked to wants me 
to say it. All right, here it is. We made a mistake. And we paid for it too. Do 
you know that afterwards they came within a hair of court-martialing all of us, 
the whole interrogation team? That's a fact. The hell of it is, I don't know how 
we could have been expected to do things any differently than we did. I was in 
charge of his interrogation. I ought to know. What did we really know about him? 
Nothing except what he told us himself. The eggheads were treating him like Baby 
Jesus, but military men have to be a little more cautious. If you want to 
understand, you have to put yourself in our shoes and remember how it was back 
then.
His story was utterly preposterous, and he couldn't prove a single damned thing.
Okay, he landed in this funny-looking rocket plane, except it didn't have 
rockets. That was impressive. Maybe that plane of his did come from outer space, 
like he said.
But maybe it didn't. Maybe it was one of those secret projects the Nazis had 
been working on, left over from the war. They'd had jets at the end, you know, 
and those V-2s, and they were even working on the atomic bomb. Maybe it was 
Russian. I don't know. If Tachyon had only let us examine his ship, our boys 
would have been able to figure out where it came from, I'm sure. But he wouldn't 
let anyone inside the damned thing, which struck me as more than a little 
suspicious. What was he trying to hide?
He said he came from the planet Talds. Well, I never heard of no goddamned 
planet Takis. Mars, Venus, Jupiter, sure. Even Mongo and Barsoom. But Takis? I 
called up a dozen top astronomers all around the country, even one guy over in 
England. Where's the planet Takis? I asked them. There is no planet Takis, they 
told me.
He was supposed to be an alien, right? We examined him. A complete physical, X 
rays, a battery of psychological tests, the works. He tested human. Every which 
way we turned him, he came up human. No extra organs, no green blood, five 
fingers, five toes, two balls, and one cock. The fucker was no different from 
you and me. He spoke English, for crissakes. But get this-he also spoke German. 
And Russian and French and a few other languages I've forgotten. I made wire 
recordings of a couple of my sessions with him, and played them for a linguist, 
who said the accent was Central European.
And the headshrinkers, whoa, you should have heard their reports. Classic 
paranoid, they said. Megalomania, they said. Schitzo, they said. All kinds of 
stuff. I mean, look, this guy claimed to be a prince from outer space with magic 
fucking powers who'd come here all alone to save our whole damned planet. Does 
that sound sane to you?
And let me say something about those damned magic powers of his. I'll admit it, 
that was the thing that bothered me the most. I mean, not only could Tachyon 
tell you what you were thinking, he could look at you funny and make you jump up 
on your desk and drop your pants, whether you wanted to or not. I spent hours 
with him every day, and he convinced me. The thing was, my reports didn't 
convince the brass back east. Some kind of trick, they thought, he was 
hypnotizing us, he was reading our body posture, using psychology to make us 
think he read minds. They were going to send out a stage hypnotist to figure out 
how he did it, but the shit hit the fan before they got around to it.
He didn't ask much. All he wanted was a meeting with the President so he could 
mobilize the entire American military to search for some crashed rocket ship.
Tachyon would be in command, of course, no one else was qualified. Our top 
scientists could be his assistants. He wanted radar and jets and submarines and 
bloodhounds and weird machines nobody had ever heard of. You name it, he wanted 
it. And he did not want to have to consult with anybody, either. This guy 
dressed like a fag hairdresser, if you want the truth, but the way he gave 
orders you would've thought he had three stars at least.
And why? Oh, yeah, his story, that sure was great. On this planet Takis, he 
said, a couple dozen big families ran the whole show, like royalty, except they 
all had magic powers, and they lorded it over everybody else who didn't have 
magic powers. These families spent most of their time feuding like the Hatfields 
and McCoys. His particular bunch had a secret weapon they'd been working on for 
a couple of centuries. A tailored artificial virus designed to interact with the 
genetic makeup of the host organism, he said. He'd been part of the research 
team.
Well, I was humoring him. What did this germ do? I asked him. Now get this-it 
did everything.
What it was supposed to do, according to Tachyon, was goose up these mind powers 
of theirs, maybe even give them some new powers, evolve 'em almost into gods, 
which would sure as hell give his kin the edge over the others. But it didn't 
always do that. Sometimes, yeah. Most often it killed the test subjects. He went 
on and on about how deadly this stuf was, and managed to give me the creeps. 
What were the symptoms? I asked. We knew about germ weapons back in 46; just in 
case he was telling the truth, I wanted us to know what to look for.
He couldn't tell me the symptoms. There were all kinds of symptoms. Everybody 
had different symptoms, every single person. You ever hear of a germ worked like 
that? Not me.
Then Tachyon said that sometimes it turned people into freaks instead of killing 
them. What kind of freaks? I asked. All kinds, he said. I admitted that it 
sounded pretty nasty, and asked him why his folks hadn't used this stuff on the 
other families. Because sometimes the virus worked, he said; it remade its 
victims, gave them powers. What kinds of powers? All kinds of powers, naturally.
So they had this stuff. They didn't want to use it on their enemies, and maybe 
give them powers. They didn't want to use it on themselves, and kill off half 
the family.
They weren't about to forget about it. They decided to test it on us. Why us? 
Because we were genetically identical to Takisians, he said, the only such race 
they knew of, and the bug was designed to work on the Takisian genotype. So why 
were we so lucky? Some of his people thought it was parallel evolution, others 
believed that Earth was a lost Takisian colony-he didn't know and didn't care.
He did care about the experiment. Thought it was "ignoble." He protested, he 
said, but they ignored him. The ship left. And Tachyon decided to stop them all 
by himself. He came after them in a smaller ship, burned out his damned tachyon 
drive getting here ahead of them. When he intercepted them, they told him to 
fuck of, even though he was family, and they had some kind of space battle. His 
ship was damaged, theirs was crippled, and they crashed. Somewhere back east, he 
said. He lost them, on account of the damage to his ship. So he landed at White 
Sands, where he thought he could get help.
I got down the whole story on my wire recorder. Afterwards, Army Intelligence 
contacted all sorts of experts: biochemists and doctors and germ-warfare guys, 
you name it. An alien virus, we told them, symptoms completely random and 
unpredictable. Impossible, they said. Utterly absurd. One of them gave me a 
whole lecture about how Earth germs could never affect Martians like in that H. 
G. Wells book, and Martian germs couldn't affect us, either. Everybody agreed 
that this random-symptom bit was a laugh. So what were we supposed to do? We all 
cracked jokes about the Martian flu and spaceman's fever. Somebody, I don't know 
who, called it the wild card virus in a report, and the rest of us picked up on 
the name, but nobody believed it for a second.
It was a bad situation, and Tachyon just made it worse when he tried to escape. 
He almost pulled it off, but like my old man always told me, "almost" only 
counts in horseshoes and grenades. The Pentagon had sent out their own man to 
question him, a bird colonel named Wayne, and Tachyon finally got fed up, I 
guess. He took control of Colonel Wayne, and together they just marched out of 
the building. Whenever they were challenged, Wayne snapped off the orders to let 
them pass, and rank does have its privileges. The cover story was that Wayne had 
orders to escort Tachyon back to Washington. They commandeered a jeep and got 
all the way back to the spaceship, but by then one of the sentries had checked 
with me, and my men were waiting for them, with direct orders to ignore anything 
Colonel Wayne might say. We took him back into custody and kept him there, under 
heavy guard. For all his magic powers, there wasn't much he could do about it. 
He could make one person do what he wanted, maybe three or four if he tried real 
hard, but not all of us, and by then we were wise to his tricks.
Maybe it was a bonehead maneuver, but his escape attempt did get him the date 
with Einstein he'd been badgering us for. The Pentagon kept telling us he was 
the world's geatest hypnotist, but I wasn't buying that anymore, and you should 
have heard what Colonel Wayne thought of the theory. The eggheads were getting 
agitated too. Anyway, together Wayne and I managed to wrangle authorization to 
fly the prisoner to Princeton. I figured a talk with Einstein couldn't do any 
harm, and might do some good. His ship was impounded, and we'd gotten all we 
were going to get from the man himself. Einstein was supposed to be the world's 
greatest brain, maybe he could figure the guy out, right?
There are still those who say that the military is to blame for everything that 
happened, but it's just not true. It's easy to be wise in hindsight, but I was 
there, and I'll maintain to my dying day that the steps we took were reasonable 
and prudent.
The thing that really burns me is when they talk about how we did nothing to 
track down that damned globe with the wild card spores. Maybe we made a mistake, 
yeah, but we weren't stupid, we were covering our asses. Every damned military 
installation in the country got a directive to be on the lookout for a crashed 
spaceship that looked something like a seashell with running lights. Is it my 
fucking fault that none of them took it seriously?
Give me credit for one thing, at least. When all hell broke loose, I had Tachyon 
jetting back toward New York within two hours. I was in the seat behind him. The 
redheaded wimp cried half the fucking way across the country. Me, I prayed for 
Jetboy.

THIRTY MINUTES OVER BROADWAY! JETBOY'S LAST ADVENTURE!
by Howard Waldrop
Bonham's Flying Service of Shantak, New Jersey, was socked in. The small 
searchlight on the tower barely pushed away the darkness of the swirling fog.
There was the sound of car tires on the wet pavement in front of Hangar 23. A 
car door opened, a moment later it closed. Footsteps came to the Employees Only 
door. It opened. Scoop Swanson came in, carrying his Kodak Autograph Mark II and 
a bag of flashbulbs and film.
Lincoln Traynor raised up from the engine of the surplus P-40 he was overhauling 
for an airline pilot who had got it at a voice-bid auction for $293. Judging 
from the shape of the engine, it must have been flown by the Flying Tigers in 
1940. A ball game was on the workbench radio. Line turned it down. "'Lo, Line," 
said Scoop.
"'Lo."
"No word yet?"
"Don't expect any. The telegram he sent yesterday said he'd be in tonight. Good 
enough for me."
Scoop lit a Camel with a Three Torches box match from the workbench. He blew 
smoke toward the Absolutely No Smoking sign at the back of the hangar. "Hey, 
what's this?" He walked to the rear. Still in their packing cases were two long 
red wing extensions and two 300-gallon teardrop underwing tanks. "When these get 
here?"
"Air Corps shipped them yesterday from San Francisco. Another telegram came for 
him today. You might as well read it, you're doing the story." Line handed him 
the War Department orders.
TO: Jetboy (Tomlin, Robert NMI) HOR: Bonham's Flying Service Hangar 23, Shantak, 
New Jersey
1. Effective this date 1200Z hours 12 Aug '46, you are no longer on active duty, 
United States Army Air Force.
2. Your aircraft (model-experimental) (ser. no. JB-1) is hereby decommissioned 
from active status, United States Army Air Force, and reassigned you as private 
aircraft. No further materiel support from USAAF or War Department will be 
forthcoming.
3. Records, commendations, and awards forwarded under separate cover.
4. Our records show Tomlin, Robert NMI, has not obtained pilot's license. Please 
contact CAB for courses and certification.
5. Clear skies and tailwinds,
For Arnold, H. H. CofS, USAAF ref. Executive Order #2, 08 Dec '41
"What's this about him having no pilot's license?" asked the newspaperman. "I 
went through the morgue on him-his file's a foot thick. Hell, he must have flown 
faster and farther, shot down more planes than anyone-five hundred planes, fifty 
ships! He did it without a pilot's license?"
Line wiped grease from his mustache. "Yep. That was the most plane-crazy kid you 
ever saw. Back in '39, he couldn't have been more than twelve, he heard there 
was a job out here. He showed up at four A.M.-lammed out of the orphanage to do 
it. They came out to get him. But of course Professor Silverberg had hired him, 
squared it with them."
"Silverberg's the one the Nazis bumped off? The guy who made the jet?"
"Yep. Years ahead of everybody, but weird. I put together the plane for him, 
Bobby and I built it by hand. But Silverberg made the jets--damnedest engines 
you ever saw. The Nazis and Italians, and Whittle over in England, had started 
theirs. But the Germans found out something was happening here."
"How'd the kid learn to fly?"
"He always knew, I think," said Lincoln. "One day he's in here helping me bend 
metal. The next, him and the professor are flying around at four hundred miles 
per. In the dark, with those early engines."
"How'd they keep it a secret?"
"They didn't, very well. The spies came for Silverbergwanted him and the plane. 
Bobby was out with it. I think he and the prof knew something was up. Silverberg 
put up such a fight the Nazis killed him. Then, there was the diplomatic stink. 
In those days the JB-1 only had six .30 cals on it-where the professor got them 
I don't know. But the kid took care of the car full of spies with it, and that 
speedboat on the Hudson full of embassy people. All on diplomatic visas."
"Just a sec," Linc stopped himself. "End of a doubleheader in Cleveland. On the 
Blue Network." He turned up the metal Philco radio that sat above the toolrack.
" Sanders to Papenfuss to Volstad, a double play. That does it. So the Sox drop 
two to Cleveland. We'll be right-" Linc turned it off. "There goes five bucks," 
he said. "Where was I?"
"The Krauts killed Silverberg, and Jetboy got even. He went to Canada, right?"
"Joined the RCAF, unofficially. Fought in the Battle of Britain, went to China 
against the Japs with the Tigers, was back in Britain for Pearl Harbor."
"And Roosevelt commissioned him?"
"Sort of. You know, funny thing about his whole career. He fights the whole war, 
longer than any other American-late '39 to '45--then right at the end, he gets 
lost in the Pacific, missing. We all think he's dead for a year. Then they find 
him on that desert island last month, and now he's coming home." There was a 
high, thin whine like a prop plane in a dive. It came from the foggy skies 
outside. Scoop put out his third Camel. "How can he land in this soup?"
"He's got an all-weather radar set-got it off a German night fighter back in 
'43. He could land that plane in a circus tent at midnight."
They went to the door. Two landing lights pierced the rolling mist. They lowered 
to the far end of the runway, turned, and came back on the taxi strip.
The red fuselage glowed in the gray-shrouded lights of the airstrip. The 
twin-engine high-wing plane turned toward them and rolled to a stop.
Linc Traynor put a set of double chocks under each of the two rear tricycle 
landing gears. Half the glass nose of the plane levered up and pulled back. The 
plane had four 20mm cannon snouts in the wing roots between the engines, and a 
75mm gunport below and to the left of the cockpit rim.
It had a high thin rudder, and the rear elevators were shaped like the tail of a 
brook trout. Under each of the elevators was the muzzle of a rear-firing machine 
gun. The only markings on the plane were four nonstandard USAAF stars in a black 
roundel, and the serial number JB-1 on the top right and bottom left wings and 
beneath the rudder.
The radar antennae on the nose looked like something to roast weenies on.
A boy dressed in red pants, white shirt, and a blue helmet and goggles stepped 
out of the cockpit and onto the dropladder on the left side.
He was nineteen, maybe twenty. He took off his helmet and goggles. He had curly 
mousy brown hair, hazel eyes, and was short and chunky.
Linc," he said. He hugged the pudgy man to him, patted his back for a full 
minute. Scoop snapped off a shot. "Great to have you back, Bobby, said Linc. 
"Nobody's called me that in years," he said. "It sounds real good to hear it 
again."
"This is Scoop Swanson," said line. "He's gonna make you famous all over again."
"I'd rather be asleep." He shook the reporter's hand. "Any place around here we 
can get some ham and eggs?"
The launch pulled up to the dock in the fog. Out in the harbor a ship finished 
cleaning its bilges and was turning to steam back southward.
There were three men on the mooring: Fred and Ed and Filmore. One man stepped 
out of the launch with a suitcase in his hands. Filmore leaned down and gave the 
guy at the wheel of the motorboat a Lincoln and two Jacksons. Then he helped the 
guy with the suitcase.
"Welcome home, Dr. Tod."
"It's good to be back, Filmore." Tod was dressed in a baggy suit, and had on an 
overcoat even though it was August. He wore his hat pulled low over his face, 
and from it a glint of metal was reflected in the pale lights from a warehouse.
"This is Fred and this is Ed," said Filmore. "They're here just for the night."
"'Lo," said Fred. "'Lo," said Ed.
They walked back to the car, a '46 Merc that looked like a submarine. They 
climbed in, Fred and Ed watching the foggy alleys to each side. Then Fred got 
behind the wheel, and Ed rode shotgun. With a sawed-off ten-gauge.
"Nobody's expecting me. Nobody cares," said Dr. Tod. "Everybody who had 
something against me is either dead or went respectable during the war and made 
a mint. I'm an old man and I'm tired. I'm going out in the country and raise 
bees and play the horses and the market."
"Not planning anything, boss?"
"Not a thing."
He turned his head as they passed a streetlight. Half his face was gone, a 
smooth plate reaching from jaw to hatline, nostril to left ear.
"I can't shoot anymore, for one thing. My depth perception isn't what it used to 
be."
"I shouldn't wonder," said Filmore. "We heard something happened to you in '43."
"Was in a somewhat-profitable operation out of Egypt while the Afrika Korps was 
falling apart. Taking people in and out for a fee in a nominally neutral air 
fleet. Just a sideline. Then ran into that hotshot flier."
"Who?"
"Kid with the jet plane, before the Germans had them."
"Tell you the truth, boss, I didn't keep up with the war much. I take a long 
view on merely territorial conflicts."
"As I should have," said Dr. Tod. "We were flying out of Tunisia. Some important 
people were with us that trip. The pilot screamed. There was a tremendous 
explosion. Next thing, I came to, it was the next morning, and me and one other 
person are in a life raft in the middle of the Mediterranean. My face hurt. I 
lifted up. Something fell into the bottom of the raft. It was my left eyeball. 
It was looking up at me. I knew I was in trouble."
"You said it was a kid with a jet plane?" asked Ed. "Yes. We found out later 
they'd broken our code, and he'd flown six hundred miles to intercept us."
"You want to get even?" asked Filmore.
"No. That was so long ago I hardly remember that side of my face. It just taught 
me to be a little more cautious. I wrote it off as character building."
"So no plans, huh?"
"Not a single one," said Dr. Tod.
"That'll be nice for a change," said Filmore. They watched the lights of the 
city go by.
He knocked on the door, uncomfortable in his new brown suit and vest.
"Come on in, its open," said a woman's voice. Then it was muffled. "I'll be 
ready in just a minute."
Jetboy opened the oak hall door and stepped into the room, past the glass-brick 
room divider.
A beautiful woman stood in the middle of the room, a dress halfway over her arms 
and head. She wore a camisole, garter belt, and silk hose. She was pulling the 
dress down with one of her hands.
Jetboy turned his head away, blushing and taken aback. "Oh," said the woman. 
"Ohl I-who?"
"It's me, Belinda," he said. "Robert."
"Robert?"
"Bobby, Bobby Tomlin."
She stared at him a moment, her hands clasped over her front though she was 
fully dressed.
"Oh, Bobby," she said, and came to him and hugged him and gave him a big kiss 
right on the mouth.
It was what he had waited six years for.
"Bobby. It's great to see you. I-I was expecting someone else. Some-girlfriends. 
How did you find me?"
"Well, it wasn't easy"
She stepped back from him. "Let me look at you." He looked at her. The last time 
he had seen her she was fourteen, a tomboy, still at the orphanage. She had been 
a thin kid with mousy blond hair. Once, when she was eleven, she'd almost 
punched his lights out. She was a year older than he. Then he had gone away, to 
work at the airfield, then to fight with the Brits against Hitler. He had 
written her when he could all during the war, after America entered it. She had 
left the orphanage and been put in a foster home. In '44 one of his letters had 
come back from there marked 'Moved-No Forwarding Address.' Then he had been lost 
all during the last year.. "You've changed, too," he said.
"So have you."
"Uh."
"I followed the newspapers all during the war. I tried to write you but I don't 
guess the letters ever caught up with you. Then they said you were missing at 
sea, and I sort of gave up."
"Well, I was, but they found me. Now I'm back. How have you been?"
"Real good, once I ran away from the foster home," she said. A look of pain came 
across her face. "You don't know how glad I was to get away from there. Oh, 
Bobby," she said. "Oh, I wish things was different!" She started to cry a 
little.
"Hey," he said, holding her by the shoulders. "Sit down. I've got something for 
you."
"A present?"
"Yep." He handed her a grimy, oil-stained paper parcel. "I carried these with me 
the last two years of the war. They were in the plane with me on the island. 
Sorry I didn't have time to rewrap them."
She tore the English butcher paper. Inside were copies of The House at Pooh 
Corner and The Tale of the Fierce Bad Rabbit.
"Oh," said Belinda. "Thank you."
He remembered her dressed in the orphanage coveralls, just in, dusty and tired 
from a baseball game, lying on the reading-room floor with a Pooh book open 
before her.
"The Pooh book's signed by the real Christopher Robin," he said. "I found out he 
was an RAF officer at one of the bases in England. He said he usually didn't do 
this sort of thing, that he was just another airman. I told him I wouldn't tell 
anyone. I'd searched high and low to find a copy, and he knew that, though."
"This other one's got more of a story behind it. I was coming back near dusk, 
escorting some crippled B-17s. I looked up and saw two German night fighters 
coming in, probably setting up patrol, trying to catch some Lancasters before 
they went out over the Channel."
"To make a long story short, I shot down both of them; they packed in near a 
small village. But I had run out of fuel and had to set down. Saw a pretty flat 
sheep pasture with a lake at the far end of it, and went in. When I climbed out 
of the cockpit, I saw a lady and a sheepdog standing at the edge of the field. 
She had a shotgun. When she got close enough to see the engines and the decals, 
she said, "Good shooting! Won't you come in for a bite of supper and to use the 
telephone to call Fighter Command?" We could see the two ME-110s burning in the 
distance. `You're the very famous Jetboy.' she said, 'We have followed your 
exploits in the Sawrey paper. I'm Mrs. Heelis.' She held out her hand."
"I shook it. `Mrs. William Heelis? And this is Sawrey?' 'Yes,' she said."
"'You're Beatrix Potter!' I said."
"'I suppose I am,' she said."
"Belinda, she was this stout old lady in a raggedy sweater and a plain old 
dress. But when she smiled, I swear, all of England lit up!"
Belinda opened the book. On the flyleaf was written
To Jetboy's American Friend, Belinda,
from Mrs. William Heelis ("Beatrix Potter") 
12 April 1943
Jetboy drank the coffee Belinda made for him. "Where are your friends?" he 
asked.
"Well, he they should have been here by now. I was thinking of going down the 
hall to the phone and trying to call them. I can change, and we can sit around 
and talk about old times. I really can call."
"No," said Jetboy "Tell you what. I'll call you later on in the week; we can get 
together some night when you're not busy. That would be fun."
"Sure would." Jetboy got up to go.
"Thank you for the books, Bobby. They mean a lot to me, they really do."
"It's real good to see you again, Bee."
Thirty Minutes Over Broadway!
"Nobody's called me that since the orphanage. Call me real soon, will you?"
"Sure will." He leaned down and kissed her again.
He walked to the stairs. As he was going down, a guy in a modified zoot 
suit-pegged pants, long coat, watch chain, bow tie the size of a coat hanger, 
hair slicked back, reeking of Brylcreem and Old Spice-went up the stairs two at 
a time, whistling "It Ain't the Meat, It's the Motion."
Jetboy heard him knocking at Belinda's door. Outside, it had begun to rain.
"Great. Just like in a movie," said Jetboy.
The next night was quiet as a graveyard.
Then dogs all over the Pine Barrens started to bark. Cats screamed. Birds flew 
in panic from thousands of trees, circled, swooping this way and that in the 
dark night.
Static washed over every radio in the northeastern United States. New television 
sets flared out, volume doubling. People gathered around nine-inch Dumonts 
jumped back at the sudden noise and light, dazzled in their own living rooms and 
bars and sidewalks outside appliance stores all over the East Coast.
To those out in that hot August night it was even more spectacular. A thin line 
of light, high up, moved, brightened, still falling. Then it expanded, upping in 
brilliance, changed into a blue-green bolide, seemed to stop, then flew to a 
hundred falling sparks that slowly faded on the dark starlit sky. Some people 
said they saw another, smaller light a few minutes later. It seemed to hover, 
then sped off to the west, growing dimmer as it flew. The newspapers had been 
full of stories of the "ghost rockets" in Sweden all that summer. It was the 
silly season.
A few calls to the weather bureau or Army Air Force bases got the answer that it 
was probably a stray from the Delta Aquarid meteor shower.
Out in the Pine Barrens, somebody knew differently, though he wasn't in the mood 
to communicate it to anyone.
Jetboy, dressed in a loose pair of pants, a shirt, and a brown aviator's jacket, 
walked in through the doors of the Blackwell Printing Company. There was a 
bright red-and-blue sign above the door: Home of the Cosh Comics Company. He 
stopped at the receptionist's desk.
"Robert Tomlin to see Mr. Farrell."
The secretary, a thin blond job in glasses with swept-up rims that made it look 
like a bat was camping on her face, stared at him. "Mr. Farrell passed on in the 
winter of 1945. Were you in the service or something?"
"Something."
"Would you like to speak to Mr. Lowboy? He has Mr. Farrell's job now."
"Whoever's in charge of Jetboy Comics."
The whole place began shaking as printing presses cranked up in the back of the 
building. On the walls of the office were garish comic-book covers, promising 
things only they could deliver.
"Robert Tomlin," said the secretary to the intercom. "Scratch squawk never heard 
of him squich." "What was this about?" asked the secretary.
"Tell him Jetboy wants to see him."
"Oh," she said, looking at him. "I'm sorry. I didn't recognize you."
"Nobody ever does."
Lowboy looked like a gnome with all the blood sucked out. He was as pale as 
Harry Langdon must have been, like a weed grown under a burlap bag.
"Jetboy!" He held out a hand like a bunch of grub worms. "We all thought you'd 
died until we saw the papers last week. You're a real national hero, you know?"
"I don't feel like one."
"What can I do for you? Not that I'm not pleased to finally meet you. But you 
must be a busy man."
"Well, first, I found out none of the licensing and royalty checks had been 
deposited in my account since I was reported Missing and Presumed Dead last 
summer."
"What, really? The legal department must have put it in escrow or something 
until somebody came forward with a claim. I'll get them right on it."
"Well, I'd like the check now, before I leave," said Jetboy. "Huh? I don't know 
if they can do that. That sounds awfully abrupt."
Jetboy stared at him.
"Okay, okay, let me call Accounting." He yelled into the telephone.
"Oh," said Jetboy. "A friend's been collecting my copies. I checked the 
statement of ownership and circulation for the last two years. I know Jetboy 
Comics have been selling five hundred thousand copies an issue lately."
Lowboy yelled into the phone some more. He put it down. "It'll take 'em a little 
while. Anything else?"
"I don't like what's happening to the funny book," said Jetboy.
"What's not to like? It's selling a half a million copies a monthl"
"For one thing, the plane's getting to look more and more like a bullet. And the 
artists have swept back the wings, for Christ's sakesl"
"This is the Atomic Age, kid. Boys nowadays don't like a plane that looks like a 
red leg of lamb with coat hangers sticking out the front."
"Well, it's always looked like that. And another thing: Why's the damned plane 
blue in the last three issues?"
"Not mel I think red's fine. But Mr. Blackwell sent down a memo, said no more 
red except for blood. He's a big Legionnaire."
"Tell him the plane has to look right, and be the right color. Also, the combat 
reports were forwarded. When Farrell was sitting at your desk, the comic was 
about flying and combat, and cleaning up spy rings-real stuff. And there were 
never more than two ten-page Jetboy stories an issue."
"When Farrell was at this desk, the book was only selling a quarter-million 
copies a month," said Lowboy.
Robert stared at him again.
"I know the war's over, and everybody wants a new house and eye-bulging 
excitement," said Jetboy. "But look what I find in the last eighteen months ."
"I never fought anyone like The Undertaker, anyplace called The Mountain of 
Doom. And come on! The Red Skeleton? Mr. Maggot? Professor Blooteaux? What is 
this with all the skulls and tentacles? I mean, evil twins named Sturm and Drang 
Hohenzollern? The Arthropod Ape, a gorilla with six sets of elbows? Where do you 
get all this stuff?"
"It's not me, it's the writers. They're a crazy bunch, always taking Benzedrine 
and stuff. Besides, it's what the kids want!"
"What about the flying features, and the articles on real aviation heroes? I 
thought my contract called for at least two features an issue on real events and 
people?"
"We'll have to look at it again. But I can tell you, kids don't want that kind 
of stuff anymore. They want monsters, spaceships, stuff that'll make 'em wet the 
bed. You remember? You were a kid once yourself!"
Jetboy picked up a pencil from the desk. "I was thirteen when the war started, 
fifteen when they bombed Pearl Harbor. I've been in combat for six years. 
Sometimes I don't think I was ever a kid."
Lowboy was quiet a moment.
"Tell you what you need to do," he said. "You need to write up all the stuff you 
don't like about the book and send it to us. I'll have the legal department go 
over it, and we'll try to do something, work things out. Of course, we print 
three issues ahead, so it'll be Thanksgiving before the new stuff shows up. Or 
later."
Jetboy sighed. "I understand."
"I sure do want you happy, 'cause Jetboy's my favorite comic. No, I really mean 
that. The others are just a job. My god, what a job: deadlines, working with 
drunks and worse, riding herd over printers-you can just imagine! But I like the 
work on Jetboy. It's special."
"Well, I'm glad."
"Sure, sure. Lowboy drummed his fingers on the desk. "Wonder what's taking them 
so long?""
"Probably getting out the other set of ledgers," said Jetboy.
"Hey, no! We're square here!" Lowboy came to his feet. "Just kidding."
"Oh. Say, the paper said you were, what, marooned on a desert island or 
something? Pretty tough?"
"Well, lonely. I got tired of catching and eating fish. Mostly it was boring, 
and I missed everything. I don't mean missed, I mean missed out. I was there 
from April twentyninth of '45 until last month."
"There were times when I thought I'd go nuts. I couldn't believe it one morning 
when I looked up, and there was the U. S. S. Reluctant anchored less than a mile 
offshore. I fired off a flare, and they picked me up. It's taken a month to get 
someplace to repair the plane, rest up, get home. I'm glad to be back."
"I can imagine. Hey, lots of dangerous animals on the island? I mean, lions and 
tigers and stuff?"
Jetboy laughed. "It was less than a mile wide, and a mile and a quarter long. 
There were birds and ats and some lizards."
"Lizards? Big lizards? Poisonous?"
"No. Small. I must have eaten half of them before I left. Got pretty good with a 
slingshot made out of an oxygen hose."
"Huhl I bet you did!"
The door opened, and a tall guy with an ink-smudged shirt came in.
"That him?" asked Lowboy.
"I only seen him once, but it looks like him," said the man. "Good enough for 
me!" said Lowboy.
"Not for me," said the accountant. "Show me some ID and sign this release."
Jetboy sighed and did. He looked at the amount on the check. It had far too few 
digits in front of the decimal. He folded it up and put it in his pocket.
"I'll leave my address for the next check with your secretary. And I'll send a 
letter with the objections this week."
"Do that. It's been a real pleasure meeting you. Let's hope we have a long and 
prosperous business together."
"Thanks, I guess," said Jetboy. He and the accountant left. Lowboy sat back down 
in his swivel chair. He put his hands behind his head and stared at the bookcase 
across the room.
Then he rocketed forward, jerked up the phone, and dialed nine to get out. He 
called up the chief writer for Jetboy Comics.
A muzzy, hung-over voice answered on the twelfth ring. "Clean the shit out of 
your head, this is Lowboy. Picture this: fifty-two-page special, single-story 
issue. Ready? Jetboy on Dinosaur Island! Got that? I see lots of cavemen, a 
broad, a what-you-call-it-king rex. What? Yeah, yeah, a tyrannosaur. Maybe a 
buncha holdout Jap soldiers. You know. Yeah, maybe even samurai. When? Blown off 
course in A. D. 1100? Christ. Whatever. You know exactly what we need."
"What's this? Tuesday. You got till five P M. Thursday, okay? Quit bitchin'. 
It's a hundred and a half fast bucksl See you then."
He hung up. Then he called up an artist and told him what he wanted for the 
cover.
Ed and Fred were coming back from a delivery in the Pine Barrens.
They were driving an eight-yard dump truck. In the back until a few minutes ago 
had been six cubic yards of new-set concrete. Eight hours before, it had been 
five and a half yards of water, sand, gravel, and cement and a secret 
ingredient.
The secret ingredient had broken three of the Five Unbreakable Rules for 
carrying on a tax-free, unincorporated business in the state.
He had been taken by other businessmen to a wholesale construction equipment 
center, and been shown how a cement mixer works, up close and personal.
Not that Ed and Fred had anything to do with that. They'd been called an hour 
ago and been asked if they could drive a dump truck through the woods for a 
couple of grand.
It was dark out in the woods, not too many miles from the city. It didn't look 
like they were within a hundred miles of a town over five-hundred population.
The headlights picked out ditches where everything from old airplanes to 
sulfuric-acid bottles lay in clogged heaps. Some of the dumpings were fresh. 
Smoke and fire played about a few. Others glowed without combustion. A pool of 
metal bubbled and popped as they ground by.
Then they were back into the deep pines again, jouncing from rut to rut.
"Hey!" yelled Ed. "Stop!"
Fred threw on the brakes, killing the engine. "Goddamn!" he said. "What the 
hell's the matter with you?"
"Back therel I swear I saw a guy pushing a neon cat's-eye marble the size of 
Cleveland!"
"I'm sure as hell not going back," said Fred.
"Nab! Come on! You don't see stuff like that every day."
"Shit, Ed! Someday you're gonna get us both killedl"
It wasn't a marble. They didn't need their flashlights to tell it wasn't a 
magnetic mine. It was a rounded canister that glowed on its own, with swirling 
colors on it. It hid the man pushing it.
"It looks like a rolled-up neon armadillo," said Fred, who'd been out west.
The man behind the thing blinked at them, unable to see past their flashlights. 
He was tattered and dirty, with a tobaccostained beard and wild, steel-wool 
hair.
They stepped closer.
"It's mine!" he said to them, stepping in front of the thing, holding his arms 
out across it.
Thirty Minutes Over Broadway!
"Easy, old-timer," said Ed. "What you got?"
"My ticket to easy street. You from the Air Corps?"
"Hell, no. Let's look at this."
The man picked up a rock. "Stay back! I found it where I found the plane crash. 
The Air Corps'll pay plenty to get this atomic bomb back!"
"That doesn't look like any atomic bomb I've ever seen," said Fred. "Look at the 
writing on the side. It ain't even English."
"Course it's not! It must be a secret weapon. That's why they dressed it up so 
weird."
"Who?"
"I told you more'n I meant to. Get outta my way." Fred looked at the old geezer. 
"You've piqued my interest," he said. "Tell me more."
"Outta my way, boyl I killed a man over a can of lye hominy once!"
Fred reached in his jacket. He came out with a pistol with a muzzle that looked 
like a drainpipe.
"It crashed last night," said the old man, eyes wild. "Woke me up. Lit up the 
whole sky. I looked for it all day today, figured the woods would be crawlin' 
with Air Corps people and state troopers, but nobody came."
"Found it just before dark tonight. Tore all hell up, it did. Knocked the wings 
completely off the thing when it crashed. All these weird-dressed people all 
scattered around. Women too." He lowered his head a minute, shame on his face. 
"Anyway, they was all dead. Must have been a jet plane, didn't find no 
propellers or nothing. And this here atomic bomb was just lying there in the 
wreck. I figured the Air Corps would ay real good to get it back. Friend of mine 
found a weather balloon once and they gave him a dollar and a quarter. I figure 
this is about a million times as important as that!"
Fred laughed. "A buck twenty-five, huh? I'll give you ten dollars for it."
"I can get a million!"
Fred pulled the hammer back on the revolver. "Fifty," said the old man.
"Twenty."
"It ain't fair. But I'll take it."
"What are you going to do with that?" asked Ed. "Take it to Dr. Tod," said Fred. 
"He'll know what to do with it. He's the scientific type."
"What if it is an A-bomb?"
"Well, I don't think A-bombs have spray nozzles on them. And the old man was 
right. The woods would have been crawling with Air Force people if they'd lost 
an atomic bomb."
"Hell, only five of them have ever been exploded. They can't have more than a 
dozen, and you better believe they know where every one of them is, all the 
time."
"Well, it ain't a mine," said Ed. "What do you think it is?"
"I don't care. If it's worth money, Doctor Tod'll split with us. He's a square 
guy."
"For a crook," said Ed.
They laughed and laughed, and the thing rattled around in the back of the dump 
truck.
The MPs brought the red-haired man into his office and introduced them.
"Please have a seat, Doctor," said A. E. He lit his pipe. The man seemed ill at 
ease, as he should have been after two days of questioning by Army Intelligence.
"They have told me what happened at White Sands, and that you won't talk to 
anyone but me," said A. E. "I understand they used sodium pentathol on you, and 
that it had no effect?"
"It made me drunk," said the man, whose hair in this light seemed orange and 
yellow.
"But you didn't talk?"
"I said things, but not what they wanted to hear."
"Very unusual."
"Blood chemistry."
A. E. sighed. He looked out the window of the Princeton office. "Very well, 
then. I will listen to your story. I am not saying I will believe it, but I will 
listen."
"All right," said the man, taking a deep breath. "Here goes. "
He began to talk, slowly at first, forming his words carefully, gaining 
confidence as he spoke. As he began to talk faster, his accent crept back in, 
one A. E. could not ace, something like a Fiji Islander who had learned English 
from a Swede. A. E. refilled his pipe twice, then left it unlit after filling it 
the third time. He sat slightly forward, occasionally nodding, his gray hair an 
aureole in the afternoon light.
The man finished.
A. E. remembered his pipe, found a match, lit it. He put his hands behind his 
head. There was a small hole in his sweater near the left elbow.
"They'll never believe any of that," he said.
"I don't care, as long as they do something!" said the man. "As long as I get it 
back."
A. E. looked at him. "If they did believe you, the implications of all this 
would overshadow the reason you're here. The fact that you are here, if you 
follow my meaning."
"Well, what can we do? If my ship were still operable, I'd be looking myself. I 
did the next best thing-landed somewhere that would be sure to attract 
attention, asked to speak to you. Perhaps other scientists, research 
institutes..."
A. E. laughed. "Forgive me. You don't realize how things are done here. We will 
need the military. We will have the military and the government whether we want 
them or not, so we might as well have them on the best possible terms, ours, 
from the first. The problem is that we have to think of something that is 
plausible to them, yet will still mobilize them in the search."
"I'll talk to the Army people about you, then make some calls to friends of 
mine. We have just finished a large global war, and many things had a way of 
escaping notice, or being lost in the shuffle. Perhaps we can work something 
from there."
"The only thing is, we had better do all this from a phone booth. The MPs will 
be along, so I will have to talk quietly. Tell me," he said, picking up his hat 
from the corner of a cluttered bookcase, "do you like ice cream?"
"Lactose and sugar solids congealed in a mixture kept just below the freezing 
point?" asked the man.
"I assure you," said A. E., "it is better than it sounds, and quite refreshing." 
Arm in arm, they went out the office door.
Jetboy patted the scarred side of his plane. He stood in Hangar 23. Linc came 
out of his office, wiping his hands on a greasy rag.
"Hey, how'd it go?" he asked.
"Great. They want the book of memoirs. Going to be their big Spring book, if I 
get it in on time, or so they say."
"You still bound and determined to sell the plane?" asked the mechanic. "Sure 
hate to see her go."
"Well, that part of my life's over. I feel like if I never fly again, even as an 
airline passenger, it'll be too soon."
"What do you want me to do?"
Jetboy looked at the plane.
"Tell you what. Put on the high-altitude wing extensions and the drop tanks. It 
looks bigger and shinier that way. Somebody from a museum will probably buy it, 
is what I figure-I'm offering it to museums first. If that doesn't work, I'll 
take out ads in the papers. We'll take the guns out later, if some private 
citizen buys it. Check everything to see it's tight. Shouldn't have shaken much 
on the hop from San Fr an, and they did a pretty good overhaul at Hickam Field. 
Whatever you think it needs."
"Sure thing."
"I'll call you tomorrow, unless something can't wait."

HISTORICAL AIRCRAFT FOR SALE: Jetboy's twin-engine jet. 2 x 1200 lb thrust 
engines, speed 600 mph at 25,000 ft, range 650 miles, 1000 w/drop tanks (tanks 
and wing exts. inc.) length 31 ft, w/s 33 ft (49 w exts. ) Reasonable offers 
accepted. Must see to appreciate. On view at Hangar 23, Bonham's Flying Service, 
Shantak, New Jersey.
Jetboy stood in front of the bookstore window, looking at the pyramids of new 
titles there. You could tell paper rationing was off. Next year, his book would 
be one of them. Not just a comic book, but the story of his part in the war. He 
hoped it would be good enough so that it wouldn't be lost in the clutter. Seems 
like, in the words of someone, every goddamn barber and shoeshine boy who was 
drafted had written a book about how he won the war.
There were six books of war memoirs in one window, by everyone from a lieutenant 
colonel to a major general (maybe those PFC barbers didn't write that many 
books?).
Maybe they wrote some of the two dozen war novels that covered another window of 
the display.
There were two books near the door, piles of them in a window by themselves, 
runaway best-sellers, that weren't war novels or memoirs. One was called The 
Grass-Hopper Lies Heavy by someone named Abendsen (Hawthorne Abendsen, obviously 
a pen name). The other was a thick book called Growing Flowers by Candlelight in 
Hotel Rooms by someone so self-effacing she called herself "Mrs. Charles Fine 
Adams." It must be a book of unreadable poems that the public, in its craziness, 
had taken up. There was no accounting for taste.
Jetboy put his hands in the pockets of his leather jacket and walked to the 
nearest movie show.
Tod watched the smoke rising from the lab and waited for the phone to ring. 
People ran back and forth to the building a half-mile away.
There had been nothing for two weeks. Thorkeld, the scientist he'd hired to run 
the tests, had reported each day. The stuff didn't work on monkeys, dogs, rats, 
lizards, snakes, frogs, insects, or even on fish in suspension in water. Dr. 
Thorkeld was beginning to think Tod's men had paid twenty dollars for an inert 
gas in a fancy container.
A few moments ago there had been an explosion. Now he waited.
The phone rang.
"Tod--oh, god, this is Jones at the lab, its-" Static washed over the line. "Oh, 
sweet Jesus! Thorkeld's--they're all-" There was thumping near the phone 
receiver on the other end. "Oh, my..."
"Calm down," said Tod. "Is everyone outside the lab safe?"
"Yeah, yeah. The... oooh." The sound of vomiting came over the phone.
Tod waited.
"Sorry, Dr. Tod. The lab's still sealed off: The fire's--it's a small one on the 
grass outside. Somebody dropped a butt."
"Tell me what happened."
"I was outside for a smoke. Somebody in there must have messed up, dropped 
something. I-I don t know. Its-they're most of them dead, I think. I hope. I 
don't know. Something's--wait, wait. There's someone still moving in the office, 
I can see from here, there's-"
There was a click of someone picking up a receiver. The volume on the line 
dropped.
"Tog, Tog," said a voice, an approximation of a voice. "Who's there?"
"Torgk--"
"Thorkeld?"
"Guh. Hep. Hep. Guh."
There was a sound like a sack full of squids being dumped on a corrugated roof. 
"Hep." Then came the sound of jelly being emptied into a cluttered desk drawer.
There was a gunshot, and the receiver bounced off the desk.
"He--he shot-it-himself," said Jones. "I'll be right out," said Tod.
After the cleanup, Tod stood in his office again. It had not been pretty. The 
canister was still intact. Whatever the accident had been had been with a 
sample. The other animals were okay. It was only the people. Three were dead 
outright. One, Thorkeld, had killed himself. Two others he and Jones had had to 
kill. A seventh person was missing, but had not come out any of the doors or 
windows.
Tod sat down in his chair and thought a long, long time. Then he reached over 
and pushed the button on his desk. "Yeah, Doctor?" asked Filmore, stepping into 
the room with a batch of telegrams and brokerage orders under his arm. Dr. Tod 
opened the desk safe and began counting out bills. "Filmore. I'd like you to get 
down to Port Elizabeth, North Carolina, and buy me up five type B -limp 
balloons. Tell them I'm a car salesman. Arrange for one million cubic feet of 
helium to be delivered to the south Pennsy warehouse. Break out the hardware and 
give me a complete list of what we have-anything we need, we can get surplus. 
Get ahold of Captain Mack, see if he still has that cargo ship. We'll need new 
passports. Get me Cholley Sacks; I'll need a contact in Switzerland. I'll need a 
pilot with a lighter-than-air license. Some diving suits and oxygen. Shot 
ballast, couple of tons. A bombsight. Nautical charts. And bring me a cup of 
coffee."
"Fred has a lighter-than-air pilot's license," said Filmore. "Those two never 
cease to amaze me," said Dr. Tod.
"I thought we'd pulled our last caper, boss."
"Filmore," he said, and looked at the man he'd been friends with for twenty 
years, "Filmore, some capers you have to pull, whether you want to or not."
"Dewey was an Admiral at Manila Bay, Dewey was a candidate just the other day 
Dewey were her eyes when she said I do; Do we love each other? I should say we 
dol"
The kids in the courtyard of the apartment jumped rope. They'd started the 
second they got home from school.
At first it bothered Jetboy. He got up from the typewriter and went to the 
window. Instead of yelling, he watched. The writing wasn't going well, anyway. 
What had seemed like just the facts when he'd told them to the G-2 boys during 
the war looked like bragging on paper, once the words were down:
Three planes, two ME-109s and a TA-152, came out of the clouds at the crippled 
B-24. It had suffered heavy flak damage. Two props were feathered and the top 
turret was missing.
One of the 109s went into a shallow dive, probably going into a snap roll to 
fire up at the underside of the bomber.
I ease my plane in a long turn and fired a deflection shot while about 700 yards 
away and closing. I saw three hits, then the 109 disintegrated.
The TA-152 had seen me and dived to intercept. As the 109 blew up, I throttled 
back and hit my air brakes. The 152 flashed by less than 50 yards away. I saw 
the surprised look on the pilot's face. I fired one burst as he flashed by with 
my 20mms. Everything from his canopy back flew apart in a shower.
I pulled up. The last 109 was behind the Liberator. He was firing with his 
machine guns and cannon. He'd taken out the tail gunner, and the belly turret 
couldn't get enough elevation. The bomber pilot was wigwagging the tail so the 
waist gunners could get a shot, but only the left waist gun was working.
I was more than a mile away, but had turned above and to the right. I put the 
nose down and fired one round with the 75mm just before the gunsight ashed 
across the 109.
The whole middle of the fighter disappeared--I could see France through it. The 
only image I have is that I was looking down on top of an open umbrella and 
somebody folded it suddenly. The fighter looked like Christmas-tree tinsel as it 
fell.
Then the few gunners left on the B-24 opened up on me, not recognizing my plane. 
I flashed my IFF code, but their receiver must have have been out.
There were two German parachutes far below. The pilots of the first two fighters 
must have gotten out. I went back to my base.
When they ran maintenance, they found one of my 75mm rounds missing, and only 
twelve 20mm shells. I'd shot down three enemy planes.
I later learned the B-24 had crashed in the Channel and there were no survivors.
Who needs this stuff? Jetboy thought. The war's over. Does anybody really want 
to read The Jet-Propelled Boy when it's published? Does anybody except morons 
even want to read Jetboy Comics anymore?
I don't even think I'm needed. What can I do now? Fight crime? I can see 
strafing getaway cars full of bank robbers. That would be a real fair fight. 
Barnstorming? That went out with Hoover, and besides, I don't want to fly again. 
This year more people will fly on airliners on vacation than have been in the 
air all together in the last forty-three years, mail pilots, cropdusters, and 
wars included.
What can I do? Break up a trust? Prosecute wartime profiteers? There's a real 
dead-end job for you. Punish mean old men who are robbing the state blind 
running orphanages and starving and beating the kids? You don't need me for 
that, you need Spanky and Alfalfa and Buckwheat.
"A tisket, a tasket, Hitler's in a casket. Eenie-meenie-Mussolini, Six feet 
underground!" said the kids outside, now doing double-dutch, two ropes going 
opposite directions. Kids have too much energy, he thought. They hot-peppered a 
while, then slowed again.
"Down in the dungeon, twelve feet deep,
Where old Hitler lies asleep.
German boys, they tickle his feet,
Down in the dungeon, twelve feet deep!"
Jetboy turned away from the window. Maybe what I need is to go to the movies 
again.
Since his meeting with Belinda, he'd done nothing much but read, write, and go 
see movies. Before coming home, the last two movies he'd seen, in a crowded post 
auditorium in France in late '44, had been a cheesy double bill. That Nazty 
Nuisance, a United Artists film made in '43, with Bobby Watson as Hitler, and 
one of Jetboy's favorite character actors, Frank Faylen, had been the better of 
the two. The other was a PRC hunk of junk, jive junction, starring Dickie Moore, 
about a bunch of hepcats jitterbugging at the malt shop.
The first thing he'd done after getting his money and finding an apartment, was 
to find the nearest movie theater, where he'd seen Murder, He Says about a house 
full of hillbilly weird people, with Fred McMurray and Marjorie Main, and an 
actor named Porter Hall playing identical twin-brother murderers named Bert and 
Mert. "Which one's which?" asks McMurray, and Marjorie Main picked up an axe 
handle and hit one of them in the middle of the back, where he collapsed from 
the waist up in a distorted caricature of humanity, but stayed on his feet. 
"That there's Mert," says Main, throwing the axe handle on the woodpile. "He's 
got a trick back." There was radium and homicide galore, and Jetboy thought it 
was the funniest movie he had ever seen.
Since then he'd gone to the movies every day, sometimes going to three theaters 
and seeing from six to eight movies a day. He was adjusting to civilian life, 
like most soldiers and sailors had, by seeing films.
He had seen Lost Weekend with Ray Milland, and Frank Faylen again, this time as 
a male nurse in a psycho ward; A Tree Grows in Brooklyn; The Thin Man Goes Home, 
with William Powell at his alcoholic best; Bring on the Girls; It's in the Bag 
with Fred Allen; Incendiary Blonde; The Story of G.I. Joe (Jetboy had been the 
subject of one of Pyle's columns back in '43); a horror film called Isle of the 
Dead with Boris Karloff; a new kind of Italian movie called Open City at an art 
house; and The Postman Always Rings Twice.
And there were other films, Monogram and PRC and Republic westerns and crime 
movies, pictures he'd seen in twenty-four-hour nabes, but had forgotten about 
ten minutes after leaving the theaters. By the lack of star names and the 4-F 
look of the leading men, they'd been the bottom halves of double bills made 
during the war, all clocking in at exactly fiftynine minutes running time.
Jetboy sighed. So many movies, so much of everything he'd missed during the war. 
He'd even missed V-E and V-J Days, stuck on that island, before he and his plane 
had been found by the crew of the U.S. S. Reluctant. The way the guys on the 
Reluctant talked, you'd have thought they missed most of the war and the movies, 
too.
He was looking forward to a lot of films this fall, and to seeing them when they 
came out, the way everybody else did, the way he'd used to do at the orphanage.
Jetboy sat back down at the typewriter. If I don't work, I'll never get this 
book done. I'll go to the movies tonight.
He began to type up all the exciting things he'd done on July 12, 1944.
In the courtyard, women were calling kids in for supper as their fathers came 
home from work. A topple of kids were still jumping rope out there, their voices 
thin in the afternoon air:
"Hitler, Hitler looks like this,
Mussolini bows like this,
Sonja Henie skates like this,
And Betty Grable misses like this!"
The Haberdasher in the White House was having a pissass of a day.
It had started with a phone call a little after six A. M.-the Nervous Nellies 
over at the State Department had some new hot rumors from Turkey. The Soviets 
were moving all their men around on that nation's edges.
"Well," the Plain-speaking Man from Missouri said, "call me when they cross the 
goddamn border and not until." Now this.
Independence's First Citizen watched the door close. The last thing he saw was 
Einstein's heel disappearing. It needed half-soling.
He sat back in his chair, lifted his thick glasses off his nose, rubbed 
vigorously. Then the President put his fingers together in a steeple, his elbows 
resting on his desk. He looked at the small model plow on the front of his desk 
(it had replaced the model of the M-1 Garand that had sat there from the day he 
took office until V-J Day). There were three books on the right corner of the 
desk-a Bible, a thumbed thesaurus, and a pictorial history of the United States. 
There were three buttons on his desk for calling various secretaries, but he 
never used them.
Now that peace has come, I'm fighting to keep ten wars from breaking out in 
twenty places, there's strikes looming in every industry and that's a damn 
shame, people are hollering for more cars and refrigerators, and they're as 
tired as I am of war and war's alarm.
And I have to kick the hornet's nest again, get everybody out looking for a damn 
germ bomb that might go off and infect the whole U. S. and kill half the people 
or more.
We'd have been better off still fighting with sticks and rocks.
The sooner I get my ass back to 219 North Delaware in Independence, the better 
off me and this whole damn country will be.
Unless that son of a bitch Dewey wants to run for President again. Like Lincoln 
said, I'd rather swallow a deerantler rocking chair than let that bastard be 
President.
That's the only thing that'll keep me here when I've finished out Mr. 
Roosevelt's term.
Sooner I get this snipe hunt under way, the faster we can put World War Number 
Two behind us.
He picked up the phone.
"Get me the Chiefs of Staff," he said. "Major Truman speaking."
"Major, this is the other Truman, your boss. Put General Ostrander on the horn, 
will you?"
While he was waiting he looked out past the window fan (he hated 
air-conditioning) into the trees. The sky was the kind of blue that quickly 
turns to brass in the summer.
He looked at the clock on the wall: 10:23 A.M., eastern daylight time. What a 
day. What a year. What a century. "General Ostrander here, sir."
"General, we just had another bale of hay dropped on us..."
A couple of weeks later, the note came:
Deposit 20 Million Dollars account # 43Z21, Credite Suisse, Berne, by 2300Z 14 
Sept or lose a major city. You know of this weapon; your people have been 
searching for it. I have it; I will use half of it on the first city. The price 
goes to 30 Million Dollars to keep me from using it a second time. You have my 
word it will not be used if the first payment is made and instructions will be 
sent on where the weapon can be recovered.
The Plain-speaking Man from Missouri picked up the phone.
"Kick everything up to the top notch," he said. "Call the cabinet, get the joint 
Chiefs together. And Ostrander..."
"Yessir?"
"Better get ahold of that kid flier, what's his name?..."
"You mean Jetboy, sir? He's not on active duty anymore."
"The hell he's not. He is now!"
"Yessir."
It was 2:24 P .M. on the Tuesday of September 15, 1946, when the thing first 
showed up on the radar screens.
At 2:31 it was still moving slowly toward the city at an altitude of nearly 
sixty thousand feet.
At 2:41 they blew the first of the air-raid sirens, which had not been used in 
New York City since April of 1945 in a blackout drill.
By 2:48 there was panic.
Someone in the CD office hit the wrong set of switches. The power went off 
everywhere except hospitals and police and fire stations. Subways stopped. 
Things shut down, and traffic lights quit working. Half the emergency equipment, 
which hadn't been checked since the end of the war, failed to come up.
The streets were jammed with people. Cops rushed out to try to direct traffic. 
Some of the policemen panicked when they were issued gas masks. Telephones 
jammed. Fistfights broke out at intersections, people were trampled at subway 
exits and on the stairs of skyscrapers.
The bridges clogged up.
Conflicting orders came down. Get the people into bomb shelters. No, no, 
evacuate the island. Two cops on the same corner yelled conflicting orders at 
the crowds. Mostly people just stood around and looked.
Their attention was soon drawn to something in the southeastern sky. It was 
small and shiny.
Flak began to bloom ineffectually two miles below it. On and on it came.
When the guns over in Jersey began to fire, the panic really started.
It was 3 PM.
"It's really quite simple," said Dr. Tod. He looked down toward Manhattan, which 
lay before him like a treasure trove. He turned to Filmore and held up a long 
cylindrical device that looked like the offspring of a pipe bomb and a 
combination lock. "Should anything happen to me, simply insert this fuse in the 
holder in the explosives"-he indicated the taped-over portion with the opening 
in the canister covered with the Sanskrit-like lettering-"twist it to the number 
five hundred, then pull this lever." He indicated the bomb-bay door latch. 
"It'll fall of its own weight, and I was wrong about the bombsights. Pinpoint 
accuracy is not our goal."
He looked at Filmore through the grill of his diving helmet. They all wore 
diving suits with hoses leading back to a central oxygen supply.
"Make sure, of course, everyone's suited with their helmet on. Your blood would 
boil in this thin air. And these suits only have to hold pressure for the few 
seconds the bomb door's open."
"I don't expect no trouble, boss."
"Neither do I. After we bomb New York City, we go out to our rendezvous with the 
ship, rip the ballast, set down, and head for Europe. They'll be only too glad 
to pay us the money then. They have no way of knowing well be using the whole 
germ weapon. Seven million or so dead should quite convince them we mean 
business."
"Look at that," said Ed, from the copilot's seat. "Way down there. Flak("
"What's our altitude?" asked Dr. Tod.
"Right on fifty-eight thousand feet," said Fred. "Target?"
Ed sighted, checked a map. "Sixteen miles straight ahead. You sure called those 
wind currents just right, Dr. Tod."
They had sent him to an airfield outside Washington, D.C., to wait. That way he 
would be within range of most of the major East Coast cities.
He had spent part of the day reading, part asleep, and the rest of it talking 
over the war with some of the other pilots. Most of them, though, were too new 
to have fought in any but the closing days of the war.
Most of them were jet pilots, like him, who had done their training in P-59 
Airacomets or P-80 Shooting Stars. A few of those in the ready room belonged to 
a P-51 prop-job squadron. There was a bit of tension between the blowtorch 
jockeys and the piston eaters.
All of them were a new breed, though. Already there was talk Truman was going to 
make the Army Air Force into a separate branch, just the Air Force, within the 
next year. Jetboy felt, at nineteen, that time had passed him by.
"They're working on something," said one of the pilots, "that'll go through the 
sonic wall. Bell's behind it."
"A friend of mine out at Muroc says wait till they get the Flying Wing in 
operation. They're already working on an alljet version of it. A bomber that can 
go thirteen thousand miles at five hundred per, carries a crew of thirteen, bunk 
beds for seven, can stay up for a day and a half!" said another. "Anybody know 
anything about this alert?" asked a very young, nervous guy with second-looie 
bars. "The Russians up to something?"
"I heard we were going to Greece," said someone. "Ouzo for me, gallons of it."
"More like Czech potato-peel vodka. We'll be lucky if we see Christmas."
Jetboy realized he missed ready-room banter more than he had thought.
The intercom hissed on and a klaxon began to wail. Jetboy looked at his watch. 
It was 2:25 B M.
He realized he missed something more than Air Corps badinage. That was flying. 
Now it all came back to him. When he had flown down to Washington the night 
before it had been just a routine hop.
Now was different. It was like wartime again. He had a vector. He had a target. 
He had a mission.
He also had on an experimental Navy T-2 pressure suit. It was a girdle 
manufacturer's dream, all rubber and laces, pressure bottles, and a real space 
helmet, like out of Planet Comics, over his head. They had fitted him for it the 
night before, when they saw his high-altitude wings and drop tanks on the plane.
"Wed better tailor this down for you," the flight sergeant had said.
"I've got a pressurized cabin," said Jetboy.
"Well, in case they need you, and in case something goes wrong, then."
The suit was still too tight, and it wasn't pressurized yet. The arms were built 
for a gorilla, and the chest for a chimpanzee. "You'll appreciate the extra room 
if that thing ever inflates in an emergency," said the sergeant.
"You're the boss," said Jetboy.
They'd even painted the torso white and the legs red to match his outfit. His 
blue helmet and goggles showed through the clear plastic bubble.
As he climbed with the rest of the squadron, he was glad now that he had the 
thing. His mission was to accompany the flight of P-80s in, and to engage only 
if needed. He had never exactly been a team player.
The sky ahead was blue as the background curtain in Bronzino's Venus, Cupid, 
FoUy and Time, with a two-fifths cloud to the north. The sun stood over his left 
shoulder. The squadron angled up. He wigwagged the wings. They spread out in a 
staggered box and cleared their guns.
Chunder chunder chunder chunder went his 20mm cannons.
Tracers arced out ahead from the six .50 cals on each P-80. They left the prop 
planes far behind and pointed their noses toward Manhattan.
They looked like a bunch of angry bees circling under a hawk.
The sky was filled with jets and prop fighters climbing like the wall clouds of 
a hurricane.
Above was a lumpy object that hung and moved slowly on toward the city. Where 
the eye of the hurricane would be was a torrent of flak, thicker than Jetboy had 
ever seen over Europe or Japan.
It was bursting far too low, only at the level of the highest fighters.
Fighter Control called them. "Clark Gable Command to all squadrons. Target at 
five five zero... repeat, five five zero angels. Moving ENE at two five knots. 
Flak unable to reach."
"Call it off," said the squadron leader. "Well try to fly high enough for 
deflection shooting. Squadron Hodiak, follow me." Jetboy looked up into the high 
blue above. The object continued its slow track.
"What's it got?" he asked Clark Gable Command. "Command to Jetboy. Some type of 
bomb is what we've been told. It has to be a lighter-than-air craft of at least 
five hundred thousand cubic feet to reach that altitude. Over."
"I'm beginning a climb. If the other planes can't reach it, call them off, too."
There was silence on the radio, then, "Roger."
As the P-80s glinted like silver crucifixes above him, he eased the nose up.
"Come on, baby," he said. "Let's do some flying."

The Shooting Stars began to fall away, sideslipping in the thin air. Jetboy 
could hear only the sound of his own pressurebreathing in his ears, and the high 
thin whine of his engines. "Come on, girl," he said. "You can make itl"
The thing above him had resolved itself into a bastard aircraft: made of half a 
dozen blimps, with a gondola below it. The gondola looked as if it had once been 
a PT boat shell. That was all he could see. Beyond it, the air was purple and 
cold. Next stop, outer space.
The last of the P-80s slid sideways on the blue stairs of the sky. A few had 
made desultory firing runs, some snap-rolling as fighters used to do underneath 
bombers in the war. They fired as they nosed up. All their tracers fell away 
under the balloons. One of the P-80s fought for control, dropping two miles 
before leveling out.
Jetboy's plane protested, whining. It was hard to control. He eased the nose up 
again, had to fight it.
"Get everybody out of the way," he said to Clark Gable Command.
"Here's where we give you some fighting room," he said to his plane. He blew the 
drop tanks. They fell away like bombs behind him. He pushed his cannon button. 
Chunder chunder chunder chunder they went. Then again and again.
His tracers arced toward the target, then they too fell away. He fired four more 
bursts until his cannon ran dry. Then he cleaned out the twin fifties in the 
tail, but it didn't take long for all one hundred rounds to be spent.
He nosed over and went into a shallow dive, like a salmon sounding to throw a 
hook, gaining speed. A minute into the run he nosed up, putting the JB-1 into a 
long circling climb. "Feels better, huh?" he asked.
The engines bit into the air. The plane, relieved of the weight, lurched up and 
ahead.
Below him was Manhattan with its seven million people. They must be watching 
down there, knowing these might be the last things they ever saw. Maybe this is 
what living in the Atomic Age would be like, always be looking up and thinking, 
is this it?
Jetboy reached down with one of his boots and slammed a lever over. A 75mm 
cannon shell slid into the breech. He put his hand on the autoload bar, and 
pulled back a little more on the control wheel.
The red jet cut the air like a razor.
He was closer now, closer than the others had gotten, and still not close 
enough. He only had five rounds to do the job. The jet climbed, beginning to 
stagger in the thin air, as if it were some red animal clawing its way up a long 
blue tapestry that slipped a little each time the animal lurched.
He pointed the nose up. Everything seemed frozen, waiting.
A long thin line of machine-gun tracers reached out from the gondola for him 
like a lover.
He began to fire his cannon.
From the statement of Patrolman Francis V ("Francis the Talking Cop") O'Hooey, 
Sept. 15, 1946, 6:45 P M.
We was watching from the street over at Sixth Avenue, trying to get people from 
shoving each other in a panic. Then they calmed down as they was watching the 
dogfights and stuff up above.
Some birdwatcher had this pair of binocs, so I confiscated 'em. I watched pretty 
much the whole thing. Them jets wasn't having no luck, and the antiaircraft from 
over in the Bowery wasn't doing no good either. I still say the Army oughta be 
sued 'cause them Air Defense guys got so panicky they forgot to set the timers 
on them shells and I heard that some of them came down in the Bronx and blew up 
a whole block of apartments.
Anyway, this red plane, that is, Jetboy's plane, was climbing up and he fired 
all his bullets, I thought, without doing any damage to the balloon thing.
I was out on the street, and this fire truck pulls up with its sirens on, and 
the whole precinct and auxiliaries were on it, and the lieutenant was yelling 
for me to climb on, we'd been assigned to the west side to take care of a 
traffic smash-up and a riot.
So I jump on the truck, and I try to keep my eyes on what's happening up in the 
skies.
The riot was pretty much over. The air-raid sirens was still wailing, but 
everybody was just standing around gawking at what was happening up there.
The lieutenant yells to at least get the people in the buildings. I pushed a few 
in some doors, then I took another gander in the field glasses.
"I'll be damned if Jetboy hasn't shot up some of the balloons (I hear he used 
his howitzer on 'em) and the thing looks bigger-it's dropping some. But he's out 
of ammo and not as high as the thing is and he starts circlin'."
I forgot to say, all the time this blimp thing is got so many machine guns going 
it looks like a Fourth of July sparkler, and Jetboy's plane's taking these hits 
all the time.
Then he just takes his plane around and comes right back and crashes right into 
the what-you-call-it-the gondola, that's it, on the blimps. They just sort of 
merged together. He must have been going awful slow by then, like stalling, and 
the plane just sort of mashed into the side of the thing.
And the blimp deal looked like it was coming down a little, not a lot, just 
some. Then the lieutenant took the glasses away from me, and I shaded my eyes 
and watched as best I could.
There was this flare of light. I thought the whole thing had blown up at first, 
and I ducked up under a car. But when I looked up the blimps was still there.
"Look out! Get inside!" yelled the lieutenant. Everybody had another panic then, 
and was jumping under cars and around stuff and through windows. It looked like 
a regular Three Stooges for a minute or two.
A few minutes later, it rained red airplane parts all over the streets, and a 
bunch on the Hudson Terminal...
There was steam and fire all around. The cockpit cracked like an egg, and the 
wings folded up like a fan. Jetboy jerked as the capstans in the pressure suit 
inflated. He was curved into a circle, and must have looked like a frightened 
tomcat.
The gondola walls had parted like a curtain where the fighter's wings crumpled 
into it. A wave of frost formed over the shattered cockpit as oxygen blew out of 
the gondola.
Jetboy tore his hoses loose. His bailout bottle had five minutes of air in it. 
He grappled with the nose of the plane, like fighting against iron bands on his 
arms and legs. All you were supposed to be able to do in these suits was eject 
and pull the D-ring on your parachute.
The plane lurched like a freight elevator with a broken cable. Jetboy grabbed a 
radar antenna with one gloved hand, felt it snap away from the broken nose of 
the plane. He grabbed another.
The city was twelve miles below him, the buildings making the island look like a 
faraway porcupine. The left engine of his plane, crumpled and spewing fuel, tore 
loose and flew under the gondola. He watched it grow smaller.
The air was purple as a plum-the skin of the blimps brut as fire in the 
sunlight, and the sides of the gondola bent an torn like cheap cardboard.
The whole thing shuddered like a whale.
Somebody flew by over Jetboy's head through the hole in the metal, trailing 
hoses like the arms of an octopus. Debris followed through the air in the 
explosive decompression. The jet sagged.
Jetboy thrust his hand into the torn side of the gondola, found a strut.
He felt his parachute harness catch on the radar array. The plane twisted. He 
felt its weight.
He jerked his harness snap. His parachute packs were ripped away from him, 
tearing at his back and crotch.
His plane bent in the middle like a snake with a broken back, then dropped away, 
the wings coming up and touching above the shattered cockpit as if it were a 
dove trying to beat its pinions. Then it twisted sideways, falling to pieces.
Below it was the dot of the man who had fallen out of the gondola, spinning like 
a yard sprinkler toward the bright city below.
Jetboy saw the plane fall away beneath his feet. He hung in space twelve miles 
up by one hand.
He gripped his right wrist with his left hand, chinned himself up until he got a 
foot through the side, then punched his way in.
There were two people left inside. One was at the controls, the other stood in 
the center behind a large round thing. He was pushing a cylinder into a slot in 
it. There was a shattered machine-gun turret on one side of the gondola.
Jetboy reached for the service .38 strapped across his chest. It was agony 
reaching for it, agony trying to run toward the guy with the fuse.
Thewore diving suits. The suits were inflated. They looked like ten or twelve 
beach balls stuffed into suits of long underwear. They were moving as slowly as 
he was.
Jetboy's hands closed in a claw over the handle of the .38. He jerked it from 
its holster.
It flew out of his hand, bounced of the ceiling, and went out through the hole 
he had come in.
The guy at the controls got off one shot at him. He dived toward the other man, 
the one with the fuse.
His hand clamped on the diving-suited wrist of the other just as the man pushed 
the cylindrical fuse into the side of the round canister. Jetboy saw that the 
whole device sat on a hinged doorplate.
The man had only half a face-Jetboy saw smooth metal on one side through the 
grid-plated diving helmet.
The man twisted the fuse with both hands.
Through the torn ceiling of the pilothouse, Jetboy saw another blimp begin to 
deflate. There was a falling sensation. They were dropping toward the city.
Jetboy gripped the fuse with both hands. Their helmets clanged together as the 
ship lurched.
The guy at the controls was putting on a parachute harness and heading toward 
the rent in the wall.
Another shudder threw Jetboy and the man with the fuse together. The guy reached 
for the door lever behind him as best he could in the bulky suit.
Jetboy grabbed his hands and pulled him back.
They slammed together, draped over the canister, their hands entangled on each 
other's suits and the fuse to the bomb. The man tried again to reach the lever. 
Jetboy pulled him away. The canister rolled like a giant beach ball as the 
gondola listed.
He looked directly into the eye of the man in the diving suit. The man used his 
feet to push the canister back over the bomb door. His hand went for the lever 
again.
Jetboy gave the fuse a half-twist the other way.
The man in the diving suit reached behind him. He came up with a .45 automatic. 
He jerked a heavy gloved hand away from the fuse, worked the slide. Jetboy saw 
the muzzle swing at him.
"Die, Jetboyl Diel" said the man. He pulled the trigger four times.
Statement of Patrolman Francis V O'Hooey, Sept. 15, 1946, 6:45 PM. (continued).
So when the pieces of metal quit falling, we all ran out and looked up.
I saw the white dot below the blimp thing. I grabbed the binocs away from the 
lieutenant.
Sure enough, it was a parachute. I hoped it was.
Jetboy had bailed out when his plane crashed into the thing.
I don't know much about such stuff, but I do know that you don't open a 
parachute that high up or you get in serious trouble.
Then, while I was watching, the blimps and stuff all blew up, all at once. Like 
they was there, then there was this explosion, and there was only smoke and 
stuff way up in the air.
Thepeople all around started cheering. The kid had done it he'd blown the thing 
up before it could drop the A-bomb on Manhattan Island.
Then the lieutenant said to get in the truck, we'd try to get the kid.
We jumped in and tried to figure out where he was gonna land. Everywhere we 
passed, people was standing in the middle of the car wrecks and fires and stuff, 
looking up and cheering the parachute.
I noticed the big smudge in the air after the explosion, when we'd been driving 
around for ten minutes. Them other jets that had been with Jetboy was back, 
flying all around trough the air, and some Mustangs and Thunderjugs, too. It was 
like a regular air show up there. Somehow we got out near the Bridge before 
anybody else did. Good thing, because when we got to the water, we saw this guy 
pile right in about twenty feet from shore. Went down like a rock. He was 
wearing this diving-suit thing, and we swam out and I grabbed part of the 
parachute and a fireman grabbed some of the hoses and we hauled him out onto 
shore.
Well, it wasn't Jetboy, it was the one we got the make on as Edward "Smooth 
Eddy" Shiloh, a real small-time operator.
And he was in bad shape, too. We got a wrench off the fire truck and popped his 
helmet, and he was purple as a turnip in there. It had taken him twenty-seven 
minutes to get to the ground. He'd passsed out of course with not enough air up 
there, and he was so frostbit I heard they had to take off one of his feet and 
all but the thumb on the left hand.
But he'd jumped out of the thing before it blew. We looked back up, hoping to 
see Jetboy's chute or something, but there wasn't one, just that misty big 
smudge up there, and all those planes zoomin' round.
Thirty Minutes Over Broadway!
We took Shiloh to the hospital. Tbat's my report.

Statement of Edward "Smooth Eddy" Shiloh, Sept. 16, 1946 (excerpt).
...all five shells into a couple of the gasbags. Then he crashed the plane right 
into us. The walls blew. Fred and Filmore were thrown out without their 
parachutes.
When the pressure dropped, I felt like I couldn't move, the suit got so tight. I 
tried to get my parachute. I see that Dr. Tod has the fuse and is making it to 
the bomb thing.
I felt the airplane fall off the side of the gondola.' Next thing I know, 
Jetboy's standing right in front of the hole his plane made.
I pull out my roscoe when I see he's packing heat. But he dropped his gat and he 
heads toward Tod. Stop him, stop himl" Tod's yelling over the suit radio. I get 
one clean shot, but I miss, then he's on top of Tod and the bomb, and right then 
I decide my job's been over about five minutes and I'm not getting paid any 
overtime."
So I head out, and all this gnashing and screaming's coming across the radio, 
and they're grappling around. Then Tod yells and pulls out his .45 and I swear 
he put four shots in Jetboy from closer than I am to you. Then they fall back 
together, and I jumped out the hole in the side.
Only I was stupid, and I pulled my ripcord too soon, and my chute don't open 
right and got all twisted, and I started passing out. Just before I did, the 
whole thing blew up above me.
Next thing I know, I wake up here, and I got one shoe too many, know what I 
mean?...
...what did they say? Well, most of it was garbled. Let's. see. Tod says "Stop 
him, stop him," and I shot. Then I lammed for the hole. They were yelling. I 
could only hear Jetboy when their helmets slammed together, through Tod's suit 
radio. They must have crashed together a lot, 'cause I heard both of them 
breathing hard.
Then Tod got to the gun and shot Jetboy four times and said "Die, Jetboy! Die!" 
and I jumped and they must have fought a second, and I heard Jetboy say:
"I can't die yet. I haven't seen The Jolson Story."

It was eight years to the day after Thomas Wolfe died, but it was his kind of 
day. Across the whole of America and the northern hemisphere, it was one of 
those days when summer gives up its hold, when the weather comes from the poles 
and Canada again, rather than the Gulf and the Pacific.
They eventually built a monument to jetboy-"the kid that couldn't die yet." A 
battle-scarred veteran of nineteen had stopped a madman from blowing up 
Manhattan. After calmer heads prevailed, they realized that. But it took a while 
to remember that. And to get around to going back to college, or buying that new 
refrigerator. It took a long time for anybody to remember what anything was like 
before September 15, 1946.
When people in New York City looked up and saw Jetboy blowing up the attacking 
aircraft, they thought their troubles were over.
They were as wrong as snakes on an eight-lane highway.

-Daniel Deck GODOT IS MY CO-PILOT: A Life of Jetboy Lippincott, 1963
From high up in the sky the fine mist began to curve downward.
Part of it stretched itself out in the winds, as it went through the jet stream, 
toward the east.
Beneath those currents, the mist re-formed and hung like verga, settling slowly 
to the city below, streamers forming and re-forming, breaking like scud near a 
storm.
Wherever it came down, it made a sound like gentle autumn rain.

THE SLEEPER
by Roger Zelazny
I. The Long Walk Home
He was fourteen years old when sleep became his enemy, a dark and terrible thing 
he learned to fear as others feared death. It was not, however, a matter of 
neurosis in any of its more mysterious forms. A neurosis generally possesses 
irrational elements, while his fear proceeded from a specific cause and followed 
a course as logical as a geometrical theorem.
Not that there was no irrationality in his life. Quite the contrary. But this 
was a result, not the cause, of his condition. At least, this is what he told 
himself later.
Simply put, sleep was his bane, his nemesis. It was his hell on an installment 
plan.
Croyd Crenson had completed eight grades of school and didn't make it through 
the ninth. This was not because of any fault of his own. While not at the top of 
his class he was not at the bottom either. He was an average kid of average 
build, freckly-faced, with blue eyes and straight brown hair. He had liked to 
play war games with his friends until the real war ended; then they played cops 
and robbers more and more often. When it was war he had waited-not too 
patiently---for his chance to be the ace fighter pilot, Jetboy; after the war, 
in cops and robbers, he was usually a robber.
He'd started ninth grade, but like many others he never got through the first 
month: September 1946....
"What are you looking at?"
He remembered Miss Marston's question but not her expression, because he didn't 
turn away from the spectacle. It was not uncommon for kids in his class to 
glance out the window with increasing frequency once three o'clock came within 
believable distance. It was uncommon for them not to turn away quickly, though, 
when addressed, feigning a final bout of attention while awaiting the dismissal 
bell.
Instead, he had replied, "The blimps."
In that three other boys and two girls who also had a good line of sight were 
looking in the same direction, Miss Marston--her own curiosity aroused-crossed 
to the window. She halted there and stared.
They were quite high-five or six of them, it seemedtiny things at the end of an 
alleyway of cloud, moving as if linked together. And there was an airplane in 
the vicinity, making a rapid pass at them. Black-and-white memories of flashing 
newsreels, still fresh, came to mind. It actually looked as if the plane were 
attacking the silver minnows.
Miss Marston watched for several moments, then turned away.
"All right, class," she began. "It's only-"
Then the sirens sounded. Involuntarily, Miss Marston felt her shoulders rise and 
tighten.
"Air raid!" called a girl named Charlotte in the first row. "Is not," said Jimmy 
Walker, teeth braces flashing. "They don't have them anymore. The war's over."
"I know what they sound like," Charlotte said. "Every time there was a 
blackout-"
"But there's no more war," Bobby Tremson stated. "That will be enough, class," 
Miss Marston said. "Perhaps they're testing them."
But she looked back out the window and saw a small flash of fire in the sky 
before a reef of cloud blocked her view of the aerial conflict.
"Stay in your seats," she said then, as several students had risen and were 
moving toward the window. "I'm going to check in the office and see whether 
there's a drill that hadn't been announced. I'll be right back. You may talk if 
you do it quietly." She departed, banging the door behind her. Croyd continued 
to stare at the cloud screen, waiting for it to part again.
"It's Jetboy," he said to Bobby Tremson, across the aisle. "Aw, c'mon," Bobby 
said. "What would he be doing up there? The war's over."
"It's a jet plane. I've seen it in newsreels, and that's how it goes. And he's 
got the best one."
"You're just making that up," Liza called from the rear of the room.
Croyd shrugged.
"There's somebody bad up there, and he's fighting them," he said. "I saw the 
fire. There's shooting."
The sirens continued to wail. From the street outside came the sound of 
screeching brakes, followed by the brief hoot of an auto horn and the dull thud 
of collision.
"Accident!" Bobby called, and everyone was getting up and moving to the window.
Croyd rose then, not wanting his view blocked; and because he was near he found 
a good spot. He did not look at the accident, however, but continued to stare 
upward.
"Caved in his trunk," Joe Sarzanno said. "What?" a girl asked.
Croyd heard the distant booming sounds now. The plane was no longer in sight.
"What's the noise?" Bobby asked. "Antiaircraft fire," Croyd said. "You're nutsl"
"They're trying to shoot the things down, whatever they are."
"Yeah. Sure. Just like in the movies."
The clouds began to close again. But as they did, Croyd thought that he glimpsed 
the jet once more, sweeping in on a collision course with the blimps. His view 
was blocked then, before he could be sure.
"Damn!" he said. "Get 'em, Jetboy!"
Bobby laughed and Croyd shoved him, hard. "Hey! Watch who you're pushing!"
Croyd turned toward him, but Bobby did not seem to want to pursue the matter. He 
was looking out of the window again, pointing.
"Why are all those people running?"
"I don't know."
"Is it the accident?"
"Nave"
"Look! There's anotherl"
A blue Studebaker had swung rapidly about the corner, swerved to miss the two 
stopped vehicles, and clipped an oncoming Ford. Both cars were turned at an 
angle. Other vehicles braked and halted to avoid colliding with them.
Several horns began to sound. The muffled noises of antiaircraft fire continued 
within the wail of the sirens. People were rushing along the streets now, not 
even pausing to regard the accidents.
"Do you think the war started again?" Charlotte asked. "I don't know," Leo said.
The sound of a police siren was suddenly mixed with the other noises.
"Jeez!" Bobby said. "Here comes another!"
Before he finished speaking a Pontiac had run into the rear of one of the 
stopped vehicles. Three pairs of drivers confronted each other on foot; one 
couple angrily, the others simply talking and occasionally pointing upward. 
Shortly, they all departed and hurried off along the street.
"This is no drill," Joe said.
"I know," Croyd answered, staring at the area where a cloud had grown pink from 
the brightness it masked. "I think it's something real bad."
He moved back from the window. "I'm going home now," he said.
"You'll get in trouble," Charlotte told him. He glanced at the clock.
"I'll bet the bell rings before she gets back," he answered. "If you don't go 
now I don't think they'll let you go with whatever that is going on-and I want 
to go home."
He turned away and crossed to the door. "I'm going, too," Joe said.
"You'll both get in trouble."
They passed along the hallway. As they neared the front door an adult voice, 
masculine, called out from up the hall, "You two! Come back here!"
Croyd ran, shouldered open the big green door, and kept going. Joe was only a 
step behind him as he descended the steps. The street was full of stopped cars 
now, for as far as he could see in either direction. There were people on the 
tops of buildings and people at every window, most of them looking upward.
He rushed to the sidewalk and turned right. His home was six blocks to the 
south, in an anomalous group of row houses in the eighties. Joe's route took him 
half that way, then off to the east.
Before they reached the corner they were halted as a stream of people flowed 
from the side street to the right, cutting into their line of pedestrian 
traffic, some turning north and trying to push through, others heading south. 
The boys heard cursing and the sound of a fistfight from up ahead. Joe reached 
out and tugged at a man's sleeve. The man jerked his arm away, then looked down.
"What's happening?" Joe shouted.
"Some kind of bomb," the man answered. "Jetboy tried to stop the guys who had 
it. I think they were all blown up. The thing might go off any minute. Maybe 
atomic."
"Where'd it fall?" Croyd yelled. The man gestured to the northwest. "That way."
Then the man was gone, having seen an opening and pushed his way through.
"Croyd, we can get past on the street if we go over the hood of that car," Joe 
said.
Croyd nodded and followed the other boy across the stillwarm hood of a gray 
Dodge. The driver swore at them, but his door was blocked by the press of bodies 
and the door on the passenger side could only open a few inches before hitting 
the fender of a taxi. They made their way around the cab and passed through the 
intersection at its middle, traversing two more cars on the way.
Pedestrian traffic eased near to the center of the next block, and it looked as 
if there was a large open area ahead. They sprinted toward it, then halted 
abruptly.
A man lay upon the pavement. He was having convulsions. His head and hands had 
swollen enormously, and they were dark red, almost purple in color. Just as they 
caught sight of him, blood began to rush from his nose and mouth; it trickled 
from his ears, it oozed from his eyes and about his fingernails.
"Holy Maryl" Joe said, crossing himself as he drew back. "What's he got?"
"I don't know," Croyd answered. "Let's not get too close. Let's go over some 
more cars."
It took them ten minutes to reach the next corner. Somewhere along the way they 
noticed that the guns had been silent for a long time, though the air-raid 
sirens, police sirens, and auto horns maintained a steady din.
"I smell smoke," Croyd said.
"Me, too. If something's burning no fire truck's going to get to it."
"Whole damn town could burn down."
"Maybe it's not all like this."
"Bet it is."
They pushed ahead, were caught in a press of bodies and swept about the corner.
"We're not going this wayl" Croyd yelled.
But it did not matter, as the mass of people about them was halted seconds 
later.
"Think we can crawl through to the street and go over cars again?" Joe asked.
"Might as well try."
They made it. Only this time, as they worked their way back toward the corner it 
was slower, as others were taking the same route. Croyd saw a reptilian face 
through a windshield then, and scaly hands clutching at a steering wheel that 
had been torn loose from its column as the driver slowly slumped to the side. 
Looking away, he saw a rising tower of smoke from beyond buildings to the 
northeast.
When they reached the corner there was no place to descend. People stood packed 
and swaying. There were occasional screams. He wanted to cry, but he knew it 
would do no good. He clenched his teeth and shuddered.
"What're we going to do?" he called to Joe.
"If we're stuck here overnight we can bust the window on an empty car and sleep 
in it, I guess."
"I wart to go home!"
"Me, too. Let's try and keep going as far as we can." They inched their way down 
the street for the better part of an hour, but only made another block. Drivers 
howled and pounded on windows as they climbed over the roofs of their cars. 
Other cars were empty. A few others contained things they did not like to look 
at. Sidewalk traffic looked dangerous now. It was fast and loud, with brief 
fights, numerous screams, and a number of fallen bodies which had been pushed 
into doorways or off the curb into the street. There had been a few seconds' 
hesitation and silence when the sirens had stopped. Then came the sound of 
someone speaking over a bullhorn. But it was too far away. The words were not 
distinguishable, except for "bridges." The panic resumed.
He saw a woman fall from a building across the street and up ahead, and he 
looked away before she hit. The smell of smoke was still in the air, but there 
were yet no signs of fire in the vicinity. Ahead, he saw the crowd halt and draw 
back as a person-man or woman, he could not tell-burst into flames in its midst. 
He slid to the road between two cars and waited till his friend came up.
"Joe, I'm scared shitless," he said. "Maybe we should just crawl under a car and 
wait till it's all over."
"I've been thinking of that," the other boy replied. "But what if part of that 
burning building falls on a car and it catches fire?"
"What of it?"
"If it gets to the gas tank and it blows up they'll all go, this close together, 
like a string of firecrackers."
"Jesus!"
"We've got to keep going. You can come to my place if it seems easier."
Croyd saw a man perform a series of dancelike movements, tearing at his 
clothing. Then he began to change shape. Someone back up the road started 
howling. There came sounds of breaking glass.
During the next half-hour the sidewalk traffic thinned to what might, under 
other circumstances, be called normal. The people seemed either to have achieved 
their destinations or to have advanced their congestion to some other part of 
town. Those who passed now picked their way among corpses. Faces had vanished 
from behind windows. No one was in sight atop the buildings. The sounds of auto 
horns had diminished to sporadic outbursts. The boys stood on a corner. They had 
covered three blocks and crossed the street since they had left school.
"I turn here," Joe said. "You want to come with me or you going ahead?"
Croyd looked down the street.
"It looks better now. I think I can make it okay," he said. "I'll see you."
"Okay "
Joe hurried off to the left. Croyd watched him for a moment, then moved ahead. 
Far up the street, a man raced from a doorway screaming. He seemed to grow 
larger and his movements more erratic as he moved to the center of the street. 
Then he exploded. Croyd pressed his back against the brick wall to his left and 
stared, heart pounding, but there was no new disturbance. He heard the bullhorn 
again, from somewhere to the west, and this time its words were more clear: 
"....he bridges are closed to both auto and foot traffic. Do not attempt to use 
the bridges. Return to your homes. The bridges are closed...."
He moved ahead again. A single siren wailed somewhere to the east. A low-flying 
airplane passed overhead. There was a crumpled body in a doorway to his left; he 
looked away and quickened his pace. He saw smoke across the street, and he 
looked for the flames and saw then that it rose from the body of a woman seated 
on a doorstep, her head in her hands. She seemed to shrink as he watched, then 
fell to her left with a rattling sound. He clenched his fists and kept going.
An Army truck rolled from the side street at the corner ahead of him. He ran to 
it. A helmeted face turned toward him from the passenger side.
"Why are you out, son?" the man asked.
"I'm going home," he answered. "Where's that?"
He pointed ahead. "Two blocks," he said. "Go straight home," the man told him. 
"What's happening?"
"We're under martial law. Everybody's got to get indoors. Good idea to keep your 
windows closed, too."
"why?"
"It seems that was some kind of germ bomb that went off. Nobody knows for sure."
"Was is Jetboy that... ?"
"Jetboy's dead. He tried to stop them." Croyd's eyes were suddenly brimming. "Go 
straight home."
The truck crossed the street and continued on to the west. Croyd ran across and 
slowed when he reached the sidewalk. He began to shake. He was suddenly aware of 
the pain in his knees, where he had scraped them in crawling over vehicles. He 
wiped his eyes. He felt terribly cold. He halted near the middle of the block 
and yawned several times. Tired. He was incredibly tired. He began moving. His 
feet felt heavier than he ever remembered. He halted again beneath a tree. There 
came a moaning from overhead.
When he looked up he realized that it was not a tree. It was tall and brown, 
rooted and spindly, but there was an enormously elongated human face near its 
top and it was from there that the moaning came. As he moved away one of the 
limbs plucked at his shoulder, but it was a weak thing and a few more steps bore 
him out of its reach. He whimpered. The corner seemed miles away, and then there 
was another block....
He had long yawning spells now, and the remade world had lost its ability to 
surprise him. So what if a man flew through the skies unaided? Or if a 
human-faced puddle lay in the gutter to his right? More bodies....n overturned 
car.... pile of ashes....anging telephone lines. . He trudged on to the comer. 
He leaned against the lamppost, then slowly slid down and sat with his back to 
it. He wanted to close his eyes. But that was silly. He lived right over there. 
Just a bit more and he could sleep in his own bed.
He caught hold of the lamppost and dragged himself to his feet. One more 
crossing. .
He made it onto his block, his vision swimming. Just a little farther. He could 
see the door. .
He heard the sliding, grating sound of a window opening, heard his name called 
from overhead. He looked up. It was Ellen, the neighbors' little girl, looking 
down at him.
"I'm sorry your daddy's dead," she called.
He wanted to cry but he couldn't. The yawning took all of his strength. He 
leaned upon his door and rang the bell. The pocket with his key in it seemed so 
far away. .
When his brother Carl opened the door, he fell at his feet and found that he 
could not rise.
"I'm so tired," he told him, and he closed his eyes. 

II. The Killer at the Heart of the Dream
Croyd's childhood vanished while he slept, that first Wild Card Day. Nearly four 
weeks passed before he awoke, and he was changed, as was the world about him. It 
was not just that he was a half-foot taller, stronger than he had thought anyone 
could be, and covered with fine red hair. He quickly discovered, also, as he 
regarded himself in the bathroom mirror, that the hair possessed peculiar 
properties. Repelled by its appearance, he wished that it were not red. 
Immediately, it began to fade until it was pale blond in color, and he felt a 
notunpleasant tingling over the entire surface of his body.
Intrigued, he wished for it to turn green and it did. Again, the tingling, this 
time more like a wave of vibration sweeping over him. He willed himself black 
and he blackened. Then pale once more. Only this time he did not halt at light 
blond. Paler, paler; chalky, albino. Paler still.... What was the limit? He 
began to fade from sight. He could see the tiled wall behind him now, through 
his faint outline in the mirror. Paler....
Gone.
He raised his hands before his face and saw nothing. He picked up his damp 
washcloth and held it to his chest. It, too, became transparent, was gone, 
though he still felt its wet presence.
He returned himself to pale blond. It seemed the most socially acceptable. Then 
he squeezed into what had been his loosest jeans and put on a green flannel 
shirt that he could not button all the way. The pants only reached to his shins 
now. Silently, he padded down the stairs on bare feet and made his way to the 
kitchen. He was ravenous. The hall clock told him that it was close to three. He 
had looked in on his mother, his brother, and his sister, but had not disturbed 
their slumber.
There was a half-loaf of bread in the breadbox and he tore it apart, stuffing 
great chunks into his mouth, barely chewing before he swallowed. He bit his 
finger at one point, which slowed him only slightly. He found a piece of meat 
and a wedge of cheese in the refrigerator and he ate them. He also drank a quart 
of milk. There were two apples on the countertop and he ate them as he searched 
the cupboards. A box of crackers. He munched them as he continued his search. 
Six cookies. He gulped them. A half-jar of peanut butter. He ate it with a 
spoon.
Nothing. He could find nothing more, and he was still terribly hungry.
Then the enormity of his feast struck him. There was no more food in the house. 
He remembered the mad afternoon of his return from school. What if there were a 
food shortage?
What if they were back on rationing? He had just eaten everyone's food.
He had to get more, for the others as well as for himself! He went to the front 
room and looked out the window. The street was deserted. He wondered about the 
martial law he had heard of on the way home from school-how long ago? How long 
had he slept, anyway? He'd a feeling it had been a long while.
He unlocked the door and felt the coolness of the night. One of the unbroken 
streetlights shone through the bare branches of a nearby tree. There had still 
been a few leaves on the roadside trees on the afternoon of the troubles. He 
removed the spare key from the table in the hall, stepped outside, and locked 
the door behind him. The steps, which he knew must be cold, did not feel 
particularly chill on his bare feet.
He halted then, retreated into shadow. It was frightening, not knowing what was 
out there.
He raised his hands and held them up to the streetlight. "Pale, pale, pale..."
They faded until the light shone through them. They continued to fade. His body 
tingled.
When they were gone, he lowered his eyes. Nothing of him seemed to remain but 
the tingle.
Then he hurried up the street, a feeling of enormous energy within him. The odd, 
treelike being was gone from the next block. The streets were clear for traffic 
now, though there was considerable debris in the gutters and almost every parked 
vehicle he saw had sustained some damage. It seemed that every building he 
passed had at least one window blocked with cardboard or wood. Several roadside 
trees were now splintered stumps, and the metal signpost at the next corner was 
bent far to one side. He hurried, surprised at the rapidity of his progress, and 
when he reached his school he saw that it remained intact, save for a few 
missing panes of glass. He passed on.
Three grocery stores he came to were boarded up and displayed CLOSED UNTIL 
FURTHER NOTICE signs. He broke into the third one. The boards offered very 
little resistance when he pushed against them. He located a light switch and 
threw it. Seconds later, he flipped it off. The place was a shambles. It had 
been thoroughly looted.
He proceeded uptown, passing the shells of several burned-out buildings. He 
heard voices-one gruff, one high and fluting-from within one of these. Moments 
later, there came a flash of white light and a scream. Simultaneous with this, a 
portion of a brick wall collapsed, spilling across the sidewalk at his back. He 
saw no reason to investigate. It also seemed on occasion that he heard voices 
from beneath sewer gratings.
He wandered for miles that night, not becoming aware until he was nearing Times 
Square that he was being followed. At first he thought that it was simply a 
large dog moving in the same direction he was headed. But when it drew nearer 
and he noted the human lines to its features, he halted and faced it. It sat 
down at a distance of about ten feet and regarded him. "You're one, too," it 
growled.
"You can see me?"
"No. Smell."
"What do you want?"
"Food."
"Me, too."
"I'll show you where. For a cut."
"Okay. Show me."
It led him to a roped-off area where Army trucks were parked. Croyd counted ten 
of them. Uniformed figures stood or rested among them.
"What's going on?" Croyd asked.
"Talk later. Food packages in the four trucks to the left." It was no problem to 
pass the perimeter, enter the rear of a vehicle, gather an armload of packages, 
and withdraw in the other direction. He and the dog-man retreated to a doorway 
two blocks away. Croyd phased back to visibility and they proceeded to gorge 
themselves.
Afterward, his new acquaintance-who wished to be called Bentley-told him of the 
events during the weeks following Jetboy's death, while Croyd had slept. Croyd 
learned of the rush to Jersey, of the rioting, of the martial law, of the 
Takisians, and of the ten thousand deaths their virus had caused. And he heard 
of the transformed survivors-the lucky ones and the unlucky ones.
"You're a lucky one," Bentley concluded. "I don't feel lucky," Croyd said.
"At least you stayed human."
"So, have you been to see that Dr. Tachyon yet?"
"No. He's been so damn busy. I will, though."
"I should, too."
"Maybe."
"What do you mean, `maybe'?"
"Why should you want to change? You got it made. You can have whatever you 
want."
"You mean stealing?"
"Times are tough. You get by however you can."
"Maybe so."
"I can put you on to some clothes that will fit you."
"Where?"
"Just around the corner."
"Okay. "
It was not difficult for Croyd to break into the rear of the clothing store to 
which Bentley led him. He faded again after that and returned for another load 
of food parcels. Bentley padded beside him as he headed home.
"Mind if I keep you company?"
"No. "
"I want to see where you live. I can put you on to lots of good things."
"Yeah?"
"I'd like a friend who can keep me fed. Think we can work something out?"
"Yes."
In the days that followed Croyd became his family's provider. His older brother 
and sister did not ask whence he acquired the food or, finally, the money he 
obtained with seeming facility during his nightly absences. Neither did his 
mother, distracted in her grief over his father's death, think to inquire. 
Bentley-who slept somewhere in the neighborhood-became his guide and mentor in 
these enterprises, as well as his confidant in other matters.
"Maybe I should see that doctor you mentioned," Croyd said, lowering the case of 
canned goods he had removed from a warehouse and perching himself upon it.
"Tachyon?" Bentley asked, stretching himself in an undoglike fashion.
"Yeah."
"What's wrong?"
"I can't sleep. It's been five days since I woke up this way, and I haven't 
slept at all since then."
"So? What's wrong with that? More time to do what you want."
"But I'm finally starting to get tired and I still can't sleep."
"It'll catch up with you in time. Not worth bothering Tachyon over. Anyway, if 
he tries to cure you your chances are only like one in three or four."
"How do you know that?"
"I went to see him."
"Oh?"
Croyd ate an apple. Then, "You going to try it?" he asked. "If I can get up the 
nerve," Bentley answered. "Who wants to spend his life as a dog? And not a very 
good dog, at that. By the way, when we go past a pet shop I want you to break in 
and get me a flea collar."
"Sure. I wonder. .. If I do go to sleep, will I sleep a long time like before?"
Bentley tried to shrug, gave up. "Who knows?"
"Who'll take care of my family? Who'll take care of you?"
"I see the point. If you stop coming out nights, I guess I wait awhile and then 
go and try the cure. For your family, you'd better pick up a bunch of money. 
Things will loosen up again, and money always talks."
"You're right."
"You're damn strong. Think you could tear open a safe?"
"Maybe. I don't know."
"Well try one on the way home, too. I know a good place."
"Okay "
"....nd some flea powder."
It was getting on toward morning, as he sat reading and eating, that he began to 
yawn uncontrollably. When he rose there was a certain heaviness to his limbs 
that had not been present earlier. He climbed the stairs and entered Carl's 
room. He shook his brother by the shoulder until he awoke. "Whassamatter, 
Croyd?" he asked.
"I'm sleepy."
"So go to bed."
"It's been a long time. Maybe I'll sleep a long time again, too."
"Oh."
"So here's some money, to take care of everybody in case that's what happens."
He opened the top drawer of Carl's dresser and stuffed a huge wad of bills in 
under the socks.
"Uh, Croyd... Where'd you get all that money?"
"None of your business. Go back to sleep."
He made it to his room, undressed, and crawled into bed. He felt very cold.
When he awoke there was frost on the windowpanes. When he looked outside he saw 
that there was snow on the ground beneath a leaden sky. His hand on the sill was 
wide and swarthy, the fingers short and thick.
Examining himself in the bathroom, he discovered that he was about five and a 
half feet tall, powerfully built, with dark hair and eyes, and that he possessed 
hard scarlike ridges on the front of his legs, the outside of his arms, across 
his shoulders, down his back, and up his neck. It took him another fifteen 
minutes to learn that he could raise the temperature of his hand to the point 
where the towel he was holding caught fire. It was only a few more minutes 
before he discovered that he could generate heat all over, until his entire body 
glowedthough he felt badly about the footprint that had burned into the 
linoleum, and the hole his other foot made in the throw rug.
This time, there was plenty of food in the kitchen, and he ate steadily for over 
an hour before his hunger pangs were eased. He'd put on sweatpants and a 
sweatshirt, reflecting on the variety of clothing he would have to keep about if 
he were going to change in form each time that he slept.
There was no pressure on him this time to forage for food. The enormous number 
of deaths that had occurred following the release of the virus had resulted in a 
surplus in local warehouses, and the stores were open again with distribution 
routines back to normal.
His mother was spending most of her time in church, and Carl and Claudia were 
back in school, which had reopened recently. Croyd knew that he would not be 
returning to school himself. The money supply was still good, but on reflecting 
that he had slept nine days longer this time than he had on the previous 
occasion he felt it would be a good idea to have some extra cash on hand. He 
wondered whether he could heat a hand sufficiently to burn through the metal 
door of a safe. He had had a very hard time tearing open that one-had almost 
given up, actually-and Bentley had assured him that it was a "tin can." He went 
outside and practiced on a piece of galvanized pipe.
He tried to plan the job carefully, but his judgment was bad. He had to open 
eight safes that week before he obtained much in the way of money. Most of them 
just held papers. He knew that he set off alarms also, and this made him 
nervous; he hoped that his fingerprints changed too when he slept. He worked as 
quickly as he could and wished that Bentley were back. The dog-man would have 
known what to do, he felt. He bad hinted on several occasions that his normal 
occupation had involved something somewhat less than legal.
The days passed more quickly than he would have wished. He purchased a large, 
all-purpose wardrobe. Nights, he walked the city, observing the signs of damage 
that still remained and the progress of repair work. He caught up on the news, 
of the city, the world. It was not hard to believe in a man from outer space 
when the results of his virus were all about him. He asked a bullet-domed man 
with webbed fingers where he might find Dr. Tachyon. The man gave him an address 
and a phone number. He kept them in his wallet and did not call or visit. What 
if the doctor examined him, told him there was no problem, and cured him? Nobody 
else in the family was able to make a living at this point.
The day came when his appetite peaked again, which he felt might mean that his 
body was getting ready for another change. This time, he observed his feelings 
more carefully, for future reference. It took him the rest of that day and night 
and part of the next day before the chills came and the waves of drowsiness 
began. He left a note saying good night to the others, for they were out when 
the feeling began to overwhelm him. And this time he locked his bedroom door, 
for he had learned that they had observed him regularly as he slept, had even 
brought in a doctor at one point-a woman who had prudently recommended that they 
simply let him sleep, once she learned his case history. She had also suggested 
that he see Dr. Tachyon when he awoke, but his mother had misplaced the paper on 
which she had written this. Mrs. Crenson's mind seemed to wander often these 
days.
He had the dream again-and this time he realized that it was again--and this was 
the first time that he remembered it: The apprehension was reminiscent of his 
feelings on the day of his last return home from school. He was walking down 
what seemed an empty twilit street. Something stirred behind him and he turned 
and looked back. People were emerging from doorways, windows, automobiles, 
manholes, and all of them were staring at him, moving toward him. He continued 
on his way and there came something like a collective sigh at his back. When he 
looked again they were all hurrying after him in a menacing fashion, expressions 
of hatred on their faces. He began to run, with a certainty that they intended 
his destruction. They pursued him....
When he awoke he was hideous, and he had no special powers. He was hairless, 
snouted, and covered with graygreen scales; his fingers were elongated and 
possessed of extra joints, his eyes yellow and slitted; he developed pains in 
his thighs and lower back if he stood upright for too long. It was far easier to 
go about his room on all fours. When he exclaimed aloud over his condition there 
was a pronounced sibilance to his speech.
It was early evening, and he heard voices from downstairs. He opened the door 
and called out, and Claudia and Carl both hurried to his room. He opened the 
door the barest crack and remained behind it.
"Croyd! Are you all right?" Carl asked.
"Yes and no," he hissed. "I'll be okay. Right now I'm starving. Bring me food. 
Lots of it."
"What's the matter?" Claudia asked. "Why won't you come out?"
"Later! Talk later. Food nowl"
He refused to leave his room or to let his family see him. They brought him 
food, magazines, newspapers. He listened to the radio and paced, quadrupedally. 
This time, sleep was something to be courted rather than feared. He lay back on 
the bed, hoping it would come soon. But it was denied him for the better part of 
a week.
The next time he woke he found himself slightly over six feet tall, dark-haired, 
slim, and not unpleasantly featured. He was as strong as he had been on earlier 
occasions, but after a while he concluded that he possessed no special 
powers-until he slipped on the stair in his rush to the kitchen and saved 
himself by levitating.
Later, he noticed a note in Claudia's handwriting, tacked to his door. It gave a 
phone number and told him he could reach Bentley there. He put it in his wallet. 
He'd another call to make first.
Dr. Tachyon looked up at him and smiled faintly. "It could be worse," he said.
Croyd was almost amused at the judgment. "How?" he asked.
"Well, you could have drawn a joker."
"Just what did I draw, sir?"
"Yours is one of the most interesting cases I've seen so far. In all of the 
others it's simply run its course and either killed the person or changed 
him-for better or worse. With you well, the nearest analogy is an earth disease 
called malaria. The virus you harbor seems to reinfect you periodically."
"I drew a joker once...."
"Yes, and it could happen again. But unlike anyone else to whom it's happened, 
all you have to do is wait. You can sleep it off."
"I don't ever want to be a monster again. Is there some way you could change 
just that much of it?"
"I'm afraid not. It's part of your total syndrome. I can only go after the whole 
thing."
"And the odds against a cure are three or four to one?"
"Who told you that?"
"A joker named Bentley. He looked sort of like a dog."
"Bentley was one of my successes. He's back to normal now. Just left here fairly 
recently, in fact."
"Really! It's good to know that someone made it." Tachyon looked away.
"Yes, he answered, a moment later. "Tell me something.
"What?"
"If I only change when I sleep, then I could put off a change by staying awake 
right?"
"I see what you mean. Yes, a stimulant would put it off a bit. If you feel it 
coming on while you're out somewhere, the caffeine in a couple of cups of coffee 
would probably hold it off long enough for you to get back home."
"Isn't there something stronger? Something that would put it off for a longer 
time?"
"Yes, there are powerful stimulants-amphetamines, for example. But they can be 
dangerous if you take too many or take them for too long."
"In what ways are they dangerous?"
"Nervousness, irritability, combativeness. Later on" a toxic psychosis, with 
delusions, hallucinations, paranoia. "Crazy?"
"Yes."
"Well, you could just stop them if it gets near that point, couldn't you?"
"I don't believe it's that easy."
"I'd hate to be a monster again, or- You didn't say it, but isn't it possible 
that I could just die during one of the comas?"
"There is that possibility. It's a nasty virus. But you've come through several 
attacks now, which leads me to believe that your body knows what it is doing. I 
wouldn't worry myself unduly on that...."
"It's the joker part that really bothers me."
"That is a possibility you simply have to live with."
"All right. Thank you, Doctor."
"I wish you would come to Mt. Sinai the next time you feel it coming on. I'd 
really like to observe the process in you."
"I'd rather not."
Tachyon nodded.
"Or right away after you awaken... ?"
"Maybe," Croyd said, and he shook his hand. "By the way, Doctor... How do you 
spell `amphetamine'?"
Croyd stopped by the Sarzannos' apartment later, for he had not seen Joe since 
that day in September when they had made their way home from school together, 
the exigencies of making a living have limited his spare time since then.
Mrs. Sarzanno opened the door a crack and stared at him. After he had identified 
himself and tried to explain his changed appearance, she still refused to open 
the door farther.
"My Joe, he is changed, too," she said. "Uh, how is he changed?" he asked. 
"Changed. That's all. Changed. Go away." She closed the door.
He knocked again, but there was no response.
Croyd went away then and ate three steaks, because there was nothing else he 
could do.
Croyd studied Bentley-a small foxy-featured man with dark hair and shifty 
eyes-feeling that his earlier transformation had actually been in keeping with 
his general demeanor.
Bentley returned the compliment for several seconds, then said, "That's really 
you, Croyd?"
"Yep. "
"Come on in. Sit down. Have a beer. We've got a lot to talk about. "
He stepped aside, and Croyd entered the brightly furnished apartment.
"I got cured and I'm back in business. Business is lousy," Bentley said, after 
they had seated themselves. "What's your story?"
Croyd told him, of the changes and powers he'd experienced and of his talk with 
Tachyon. The one thing he never told him was his age, since all of his 
transformations bore the appearance of adulthood. He feared that Bentley might 
not trust him in the same fashion as he had if he knew otherwise. "You went 
about those other jobs wrong," the small man said, lighting a cigarette and 
coughing. "Hit or miss is never good. You want a little planning, and it should 
be tailored to whatever your special talent is, each time around. Now, you say 
that this time you can fly?"
"Yes."
"Okay. There are lots of places high up in skyscrapers that people think are 
pretty secure. This is the time we hit those. You know, you've got the best 
setup of anyone there is. Even if someone sees you, it don't matter. You're 
going to look different next time around...."
"And you'll get me the amphetamines?"
"All you want. You come back here tomorrow-same time, same station. Maybe I'll 
have a job worked out for us. And I'll have your pills for you."
"Thanks, Bentley."
"It's the least I can do. If we stick together we'll both get rich."
Bentley did plan a good job, and three days later Croyd brought home more money 
than he had ever held before. He took most of it to Carl, who had been handling 
the family's finances.
"Let's take a walk," Carl said, securing the money behind a row of books and 
glancing significantly toward the living room where their mother sat with 
Claudia.
Croyd nodded. "Sure."
"You seem a lot older these days," said Carl-who would be eighteen in a.few 
months-as soon as they were on the street.
"I feel a lot older."
"I don't know where you keep getting the money...."
"Better you don't."
"Okay. I can't complain, since I'm living off it, too. But I wanted you to know 
about Mom. She's getting worse. Seeing Dad torn apart that way.... She's been 
slipping ever since."
"You missed the worst of it so far, the last time you were asleep. Three 
different nights she just got up and went outside in her nightgown-barefoot yet, 
in February, for crissake!-and she wandered around like she was looking for Dad. 
Fortunately, someone we knew spotted her each time and brought her back. She 
kept asking her-Mrs. Brandt-if she'd seen him. Anyhow, what I'm trying to say is 
she's getting worse. I've already talked to a couple of doctors. They think she 
should be in a rest home for a while. Claudia and I think so, too. We can't 
watch her all the time, and she might get hurt. Claudia's sixteen now. The two 
of us can run things while she's away. But it's going to be expensive."
"I can get more money," Croyd said.
When he finally got hold of Bentley the following day and told him that they had 
to do another job soon, the small man seemed pleased, for Croyd had not been 
eager for a quick follow-up to the last one.
"Give me a day or so to line something up and work out the details," Bentley 
said. "I'll get back to you."
"Right."
The next day Croyd's appetite began to mount, and he found himself yawning 
occasionally. So he took one of the pills. It worked well. Better than well, 
actually. It was a fine feeling that came over him. He could not recall the last 
time he'd felt quite that good. Everything seemed as if it were going right for 
a change. And all of his movements felt particularly fluid and graceful. He 
seemed more alert, more aware than usual, also. And, most importantly, he was 
not sleepy.
It was not until nighttime, after everyone else had retired, that these feelings 
began to wear off. He took another pill. When it began to work he felt so fine 
that he went outside and levitated high above the city, drifting in the cold 
March night between the bright constellations of the city and those far above, 
feeling as if he possessed a secret key to the inner meaning of it all. Briefly, 
he thought of Jetboy's battle in the sky, and he flew over the remains of the 
Hudson Terminal which had burned when pieces of Jetboy's plane fell upon it.
He had read of a plan to build a monument to him there. Was this how it felt 
when he fell?
He descended to swoop among buildings-sometimes resting atop one, leaping, 
falling, saving himself at the last moment. On one such occasion, he beheld two 
men watching him from a doorway. For some reason that he did not understand, 
this irritated him. He returned home then and began cleaning the house. He 
stacked old newspapers and magazines and tied them into bundles, he emptied 
wastebaskets, he swept and mopped, he washed all of the dishes in the sink. He 
flew four loads of trash out over the East River and dropped them in, trash 
collections still not being quite regular. He dusted everything, and dawn found 
him polishing the silverware. Later, he washed all of the windows.
It was quite sudden that he found himself weak and shaking. He realized what it 
was and he took another pill and set a pot of coffee to percolating. The minutes 
passed. It was hard to remain seated, to be comfortable in any position. He did 
not like the tingling in his hands. He washed them several times, but it would 
not go away. Finally, he took another pill. He watched the clock and listened to 
the sounds of the coffeepot. Just as the coffee became ready the tingling and 
the shaking began to subside. He felt much better. While he was drinking his 
coffee he thought again of the two men in the doorway. Had they been laughing at 
him? He felt a quick rush of anger, though he had not really seen their faces, 
known their expressions. Watching him! If they'd had more time they might have 
thrown a rock....
He shook his head. That was silly. They were just two guys. Suddenly, he wanted 
to run outside and walk all over the city, or perhaps fly again. But he might 
miss Bentley's call if he did. He began pacing. He tried to read but was unable 
to focus his attention as well as usual. Finally, he phoned Bentley. "Have you 
come up with anything yet?" he asked. "Not yet, Croyd.- What's the rush?"
"I'm starting to get sleepy. You know what I mean?"
"Uh-yeah. You take any of that shit yet?"
"Uh-huh. I had to."
"Okay. Look, go as light on it as possible. I'm working on a couple angles now. 
I'll try to have something lined up by tomorrow. If it's no go then, you stop 
taking the stuff and go to bed. We can do it next time. Got me?"
"I want to do it this time, Bentley."
"I'll talk to you tomorrow. You take it easy now."
He went out and walked. It was a cloudy day, with patches of snow and ice upon 
the ground. He realized suddenly that he had not eaten since the day before. 
That had to be bad, when he considered what had become his normal appetite. It 
must be the pills' doing, he concluded. He sought a diner, determined to force 
himself to eat something. As he walked, it occurred to him that he did not care 
to sit down in a crowd of people and eat. The thought of having all of them 
around him was unsettling. No, he would get a carryout order....
As he headed toward a diner he was halted by a voice from a doorway. He turned 
so quickly that the man who had addressed him raised an arm and drew back.
"Don't..." the man protested. Croyd took a step back. "Sorry," he mumbled.
The man had on a brown coat, its collar turned all the way up. He wore a hat, 
its brim drawn about as low as it would go and still permit vision. He kept his 
head inclined forward. Nevertheless, Croyd discerned a hooked beak, glittering 
eyes, an unnaturally shiny complexion.
"Would you do me a favor, sir?" the man asked in a clipped, piping voice.
"What do you want?"
"Food. "
Automatically, Croyd reached for his pocket.
"No. I got money. You don't understand. I can't go in that place and get served, 
looking like I do. I'll pay you to go in and get me a couple hamburgers, bring 
them out."
"I was going in anyway."
Later, Croyd sat with the man on a bench, eating. He was fascinated by jokers. 
Because he knew he was partly one himself. He began wondering where he would eat 
if he ever woke up in bad shape and there was nobody home.
"I don't usually come this far uptown anymore," the other told him. "But I had 
an errand."
"Where do you guys usually hang out?"
"There's a number of us down on the Bowery. Nobody bothers us there. There's 
places you get served and nobody cares what you look like. Nobody gives a damn."
"You mean people might attack you?" The man uttered a brief, shrill laugh.
"People ain't real nice, kid. Not when you really get to know 'em."
"I'll walk you back," Croyd said. "You might be taking a chance."
"'That's okay."
It was down in the forties that three men on a bench stared at them as they 
passed. Croyd had just taken two more pills a few blocks back. (Was it only a 
few blocks back?) He hadn't wanted the jitters again while talking with his new 
friend John-at least, that's what he'd said to call him-so he'd taken two more 
to ease him over the next hump, in case one was due soon, and he knew right away 
when he saw the two men that they were planning something bad for him and John, 
and the muscles in his shoulders tightened and he rolled his hands into fists 
within his pockets.
"Cock-a-doodle-doo," said one of the men, and Croyd started to turn, but John 
put his hand on his arm and said, "Come on."
They walked on. The men rose and fell into step behind them.
"Kirkiriki," said one of the men. "Squak, squak," said another.
Shortly, a cigarette butt sailed over Croyd's head and landed in front of him.
"Hey, freak lover!"
A hand fell upon his shoulder.
He reached up, took hold of the hand, and squeezed. Bones made little popping 
noises within it as the man began to scream. The screaming stopped abruptly when 
Croyd released the hand and slapped the man across the face, knocking him into 
the street. The next man threw a punch at his face and Croyd knocked the arm 
aside with a flick of his hand that spun the man full-face toward him. He 
reached out then with his left hand, caught hold of both the other's lapels, 
bunching them, twisting them, and raised the man two feet into the air. He 
slammed him back against the brick wall near which they stood and released him. 
The man slumped to the ground and did not move.
The final man had drawn a knife and was swearing at him through clenched teeth. 
Croyd waited until he was almost upon him, and then levitated four feet and 
kicked him in the face. The man went over backward onto the sidewalk. Croyd 
drifted into position above him then and dropped, landing upon his midsection. 
He kicked the fallen knife into the gutter, turned away, and walked on with 
John.
"You're an ace," the smaller man said after a while. "Not always," Croyd 
replied. "Sometimes I'm a joker. I change every time I sleep."
"You didn't have to be that rough on them."
"Right. I could have been a lot rougher. If it's really going to be like this we 
should take care of each other."
"Yeah. Thanks."
"Listen, I want you to show me the places on the Bowery where you say nobody 
bothers us. I may have to go there someday."
"Sure. I'll do that."
"Croyd Crenson. C-r-e-n-s-o-n. Remember it, okay? If you see me again I'll look 
different, that's why."
"I'll remember."
John took him to several dives and pointed out places where some of them stayed. 
He introduced him to six jokers they encountered, all of them savagely deformed. 
Remembering his lizard phase, Croyd shook appendages with all of them and asked 
if there was anything they needed. But they shook their heads and stared. He 
knew that his appearance was against him.
"Good evening," he said, and he flew away.
His fear that the uninfected survivors were watching him, waiting to jump him, 
grew as he flew up along the course of the East River. Even now, someone with a 
rifle with telescopic sights might be taking aim .
He moved faster. On one level, he knew that his fear was ridiculous. But he felt 
it too strongly to put it aside. He landed on the corner, ran to his front door, 
and let himself in. He hurried upstairs and locked himself in his bedroom.
He stared at the bed. He wanted to stretch out on it. But what if he slept? It 
would be all over. The world would end for him. He turned on the radio and began 
to pace. It was going to be a long night . .
When Bentley called the next day and said that he had a hot one but that it was 
a little risky, Croyd said he didn't care. He would have to carry 
explosives-which meant he would have to learn to use them between now and 
then-because this safe would be too tough even for his enhanced strength. Also, 
there was the possibility of an armed guard....
He didn't mean to kill the guard, but the man had frightened him when he came in 
with a drawn gun that way. And he must have miscalculated on the fuse, because 
the thing blew before it should have, which is how the piece of flying metal 
took off the first two fingers of his left; hand. But he wrapped the hand in his 
handkerchief and got the money and got out.
He seemed to remember Bentley's saying, "For crissake, kidl Go home and sleep it 
off!" right after they split the take. He levitated then and headed in the 
proper direction, but he had to descend and break into a bakery where he ate 
three loaves of bread before he could continue, his mind reeling. There were 
more pills in his pocket, but the thought of them tied his stomach into a knot.
He slid open his bedroom window, which he had left unlatched, and crawled 
inside. He staggered up the hall to Carl's room and dumped the sack of money 
onto his sleeping form. Shaking then, he returned to his own room and locked the 
door. He switched on the radio. He wanted to wash his injured hand in the 
bathroom, but it just seemed too far away. He collapsed onto the bed and did not 
rise.
He was walking down what seemed an empty twilit street. Something stirred behind 
him and he turned and looked back. People were emerging from doorways, windows, 
automobiles, manholes, and all of them were staring at him, moving toward him. 
He continued on his way and there came something like a collective sigh at his 
back. When he looked again they were all hurrying after him, expressions of 
hatred on their faces. He turned upon them, seized hold of the nearest man and 
strangled him. The others halted, drew back. He crushed another man's head. The 
crowd turned, began to flee. He pursued....

III. Day of the Gargoyle
Croyd awoke in June, to discover that his mother was in a sanatorium, his 
brother had graduated high school, his sister was engaged, and he had the power 
to modulate his voice in such a fashion as to shatter or disrupt virtually 
anything once he had determined the proper frequency by a kind of resonant 
feedback that he lacked the vocabulary to explain. Also, he was tall, thin, 
dark-haired, sallow, and had regrown his missing fingers.
Foreseeing the day when he would be alone, he spoke with Bentley once again, to 
line up one big job for this waking period, and to get it over with quickly, 
before the weariness overcame him. He had resolved not to take the pills again, 
as he had thought back over the nightmare quality of his final days the last 
time around.
This time he paid even more attention to the planning and he asked better 
questions as Bentley chain-smoked his way through a series of details. The loss 
of both his parents and his sisters impending marriage had led him to reflect 
upon the impermanence of human relationships, with the realization that Bentley 
might not always be around.
He was able to disrupt the alarm system and damage the door to the bank's vault 
sufficiently to gain entrance, though he had not counted on shattering all of 
the windows in a threeblock area while seeking the proper frequencies. Still, he 
was able to make good his escape with a large quantity of cash. This time he 
rented a safe-deposit box in a bank across town, where he left the larger 
portion of his share. He had been somewhat bothered by the fact that his brother 
was driving a new car.
He rented rooms in the Village, Midtown, Morningside Heights, the Upper East 
Side, and on the Bowery, paying all of the rents for a year in advance. He wore 
the keys on a chain around his neck, along with the one for his safe-deposit 
box. He wanted places he could reach quickly no matter where he was when the 
sleep came for him. Two of the apartments were furnished; the other four he 
equipped with mattresses and radios. He was in a hurry and could take care of 
amenities later. He had awakened with an awareness of several events that had 
transpired during his most recent sleep, and he could only attribute it to an 
unconscious apprehension of news broadcasts from the radio he had left playing 
this last time. He resolved to continue the practice.
It took him three days to locate, rent, and equip his new retreats. In that his 
place on the Bowery was his last one, he looked up John, identified himself, and 
had dinner with him. The stories he heard then of a gang of joker-bashers 
depressed him, and when the hunger and the chill and the drowsiness came upon 
him that evening he took a pill so as to stay awake and patrol the area. Just 
one or two, he decided, would hardly matter.
The bashers did not show up that night, but Croyd was depressed by the 
possibility that he might awaken as a joker the next time around. So he took two 
more pills with his breakfast to put things off a bit, and he decided to furnish 
his local quarters in the fit of energy that followed. That evening he took 
three more for a last night on the town, and the song he sang as he walked along 
Forty-second Street, shattering windows building by building, caused dogs to 
howl for several miles around and awakened two jokers and an ace equipped with 
UHF hearing. Bat-ears Brannigan-who expired two weeks later beneath a falling 
statue thrown by Muscles Vincenzi the day he was gunned down by the NYPD-sought 
him out to pound on him in payment for his headache and wound up buying him 
several drinks and requesting a soft UHF version of "Galway Bay."
The following afternoon on Broadway, Croyd responded to a taxi driver's curse by 
running his vehicle through a series of vibrations until it fell apart. Then, 
while he was about it, he turned the force upon all of those others who had 
proven themselves enemies by blowing their horns. It was only when the ensuing 
traffic snarl reminded him of the one outside his school on that first Wild Card 
Day that he turned and fled.
He awoke in early August in his Morningside Heights apartment, recalling slowly 
how he had gotten there and promising himself he would not take any more pills 
this time.
When he looked at the tumors on his twisted arm he knew that the promise would 
not be hard to keep. This time he wanted to return to sleep as quickly as 
possible. Looking out the window, he was grateful that it was night, since it 
was a long way to the Bowery.
On a Wednesday in mid-September he woke to find himself dark blond, of medium 
height, build, and complexion, and possessed of no visible marks of his wild 
card syndrome.
He ran himself through a variety of simple tests that experience had taught him 
were likely to reveal his hidden ability. Nothing in the way of a special power 
came to light.
Puzzled, he dressed himself in the best-fitting clothing he had on hand and went 
out for his usual breakfast. He picked up several newspapers along the way and 
read them while he devoured plate after plate of scrambled eggs, waffles, 
pancakes. It had been a chill morning when he'd entered the street. When he left 
the diner it was near to ten o'clock and balmy.
He rode the subways to midtown, where he entered the first decent-looking 
clothing store he saw and completely refitted himself. He bought a pair of hot 
dogs from a street vendor and ate them as he walked to the subway station.
He got off in the seventies, walked to the nearest delicatessen, and ate two 
corned beef sandwiches with potato pancakes. Was he stalling? he asked himself 
then. He knew that he could sit here all day and eat. He could feel the process 
of digestion going on like a blast furnace in his midsection. He rose, paid, and 
departed. He would walk the rest of the way. How many months had it been? he 
wondered, scratching his forehead. It was time to check in with Carl and 
Claudia. Time to see how Mom was doing. To see whether anybody needed any money.
When Croyd came to his front door he halted, key in his hand. He returned the 
key to his pocket and knocked. Moments later, Carl opened the door.
"Yes?" he said. "It's me. Croyd."
"Croyd! Jeez! Come in! I didn't recognize you. How long's it been?"
"Pretty long." Croyd entered. "How is everybody?" he asked.
"Mom's still the same. But you know they told us not to get our hopes up."
"Yeah. Need any money for her?"
"Not till next month. But a couple of grand would come in handy then."
Croyd passed him an envelope.
"I'd probably just confuse her if I went to see her, looking this different."
Carl shook his head.
"She'd be confused even if you looked the same as you did, Croyd."
"Oh."
"Want something to eat?"
"Yeah. Sure."
His brother led him to the kitchen.
"Lots of roast beef here. Makes a good sandwich."
"Great. How's business?"
"Oh, I'm getting established now. It's better than it was at first."
"Good. And Claudia?"
"It's good you turned up when you did. She didn't know where to send the 
invitation."
"What invitation?"
"She's getting married Saturday."
"That guy from jersey?"
"Yeah. Sam. The one she was engaged to. He manages a family business. Makes 
pretty good money."
"Where'll the wedding be?"
"In Ridgewood. You come with me for it. I'm driving over."
"Okay. I wonder what kind of present they'd like?"
"They've got this list. I'll find it."
"Good."
Croyd went out that afternoon and bought a Dumont television set with a 
sixteen-inch screen, paid cash, and arranged for its delivery to Ridgewood. He 
visited with Bentley then, but declined a somewhat-risky-sounding job because of 
his apparent lack of special talent this time around. Actually, it was a good 
excuse. He didn't really want to work anyway, to take a chance on getting 
screwed up-physically or with the law--this close to the wedding.
He had dinner with Bentley in an Italian restaurant, and they sat for several 
hours afterward over a bottle of Chianti, talking shop and looking ahead as 
Bentley tried to explain to him the value of long-range solvency and getting 
respectable one day-a thing he'd never quite managed himself.
He walked most of the night after that, to practice studying buildings for their 
weak points, to think about his changed family. Sometime after midnight, as he 
was passing up Central Park West, a strong itching sensation began on his chest 
and spread about his entire body. After a minute, he had to halt and scratch 
himself violently. Allergies were becoming very fashionable about this time, and 
he wondered whether his new incarnation had brought him a sensitivity to 
something in the park.
He turned west at the first opportunity and left the area as quickly as 
possible. After about ten minutes the itching waned. Within a half-hour it had 
vanished completely. His hands and face felt as if they were chapped, however.
At about four in the morning he stopped in an all-night diner off Times Square, 
where he ate slowly and steadily and read a copy of Time magazine which someone 
had left in a booth. It's medical section contained an article on suicide among 
jokers, which depressed him considerably. The quotations it contained reminded 
him of things he had heard said by many people with whom he was acquainted, 
causing him to wonder whether any of them were among the interviewees. He 
understood the feelings too well, though he could not share them fully, knowing 
that no matter what he drew he would always be dealt a new wild card the next 
time aroundand that more often than not it was an ace.
All of his joints creaked when he rose, and he felt a sharp pain between his 
shoulder blades. His feet felt swollen, also. He returned home before daybreak, 
feeling feverish. In the bathroom, he soaked a washcloth to hold against his 
forehead. He noted in the mirror that his face seemed swollen. He sat in the 
easy chair in his bedroom until he heard Carl and Claudia moving about. When he 
rose to join them for breakfast his limbs felt leaden, and his joints creaked 
again as he descended the stairway.
Claudia, slim and blond, embraced him when he entered the kitchen. Then she 
studied his new face.
"You look tired, Croyd," she said.
"Don't say that," he responded. "I can't get tired this soon. It's two days till 
your wedding, and I'm going to make it."
"You can rest without sleeping, though, can't you?" He nodded.
"Then, take it easy. I know it must be hard.... Come on, let's eat."
As they were sipping their coffee, Carl asked, "You want to come into the office 
with me, see the setup I've got now?"
"Another time," Croyd answered. "I've got some errands."
"Sure. Maybe tomorrow"
"Maybe so."
Carl left shortly after that. Claudia refilled Croyd's cup. "We hardly see you 
anymore," she said.
"Yeah. Well, you know how it is. I sleep-sometimes months. When I wake up I'm 
not always real pretty. Other times, I have to hustle to pay the bills."
"We've appreciated it," she said. "It's hard to understand. You're the baby, but 
you look like a grown man. You act like one. You didn't get your full share of 
being a kid."
He smiled.
"So what are you-an old lady? Here you are just seventeen, and you're getting 
married."
She smiled back.
"He's a nice guy, Croyd. I know we're going to be happy."
"Good. I hope so. Listen, if you ever want to reach me I'm going to give you the 
name of a place where you can leave a message. I can't always be prompt, 
though."
"I understand. What is it that you do, anyway?"
"I've been in and out of a lot of different businesses. Right now I'm between 
jobs. I'm taking it easy this time, for your wedding. What's he like, anyhow?"
"Oh, very respectable and proper. Went to Princeton. Was a captain in the Army."
"Europe? The Pacific?"
"Washington."
"Oh. Well-connected." She nodded.
"Old family," she said.
"Well.... Good," he said. "You know I wish you happiness."
She rose and embraced him again. "I've missed you," she said.
"Me, too."
"I've got errands to run, too, now. I'll see you later."
"Yes."
"You take it easy today."
When she left he stretched his arms as far as they would go, trying to relieve 
the ache in his shoulders. His shirt tore down the back as he did this. He 
looked in the hall mirror. His shoulders were wider today than they had been 
yesterday. In fact, his entire body looked wider, huskier. He returned to his 
room and stripped. Most of his torso was covered with a red rash. Just looking 
at it made him want to scratch, but he restrained himself. Instead, he filled 
the bathtub and soaked in it for a long while. The water level had lowered 
itself visibly by the time he got out. When he studied himself in the bathroom 
mirror he seemed even larger. Could he have absorbed some of the water through 
his skin? At any rate, the inflammation seemed to have vanished, though his skin 
was still rough in those areas where it had been prominent.
He dressed himself in clothing he had left from an earlier time when he had been 
larger. Then he went out and rode the subways to the clothing store he had 
visited the previous day.
There, he re-outfitted himself completely and rode back, feeling vaguely 
nauseous as the car jounced and swayed. He noted that his hands looked dry and 
rough. When he rubbed them, flakes of dead skin fell off like dandruff.
After he left the subway he walked on until he came to the Sarzannos' apartment 
building. The woman who opened the door was not Joe's mother, Rose, however.
"What do you want?" she asked.
"I'm looking for Joe Sarzanno," he said.
"Nobody here by that name. Must be someone who moved out before we moved in."
"So you wouldn't know where they went?"
"No. Ask the manager. Maybe he knows." She closed the door.
He tried the manager's apartment, but there was no answer. So he made his way 
home, feeling heavy and bloated. The second time that he yawned he was abruptly 
fearful. It seemed too soon to be going back to sleep. This transformation was 
more puzzling than usual.
He put a fresh pot of coffee on the stove and paced while he waited for it to 
percolate. While there was no certainty that he would awaken with a special 
power on each occasion, the one thing that had been constant was change. He 
thought back over all of the changes he had undergone since he had been 
infected. This was the only one where he had seemed neither joker nor ace, but 
normal. Still...
When the coffee was ready, he sat down with a cup and became aware that he had 
been scratching his right thigh, halfconsciously. He rubbed his hands together 
and more dry skin flaked off. He considered his increased girth. He thought of 
all the little twinges and creaks, of the fatigue. It was obvious that he was 
not completely normal this time, but as to what his abnormality actually 
constituted, he was uncertain. Could Dr. Tachyon help him? he wondered. Or at 
least give him some idea as to what was going on?
He called the number that he had committed to memory. A woman with a cheerful 
voice told him that Tachyon was out but would be back that afternoon. She took 
Croyd's name, seemed to recognize it, and told him to come in at three. He 
finished the pot of coffee; the itching had increased steadily all over his body 
as he sat drinking the final cup. He went upstairs and ran the water in the 
bathtub again. While the tub was filling he undressed and studied his body. All 
of his skin now had the dry, flaky appearance of his hands. Wherever he brushed 
himself a small flurry occurred.
He soaked for a long while. The warmth and the wetness felt good. After a time 
he leaned back and closed his eyes. Very good...
He sat up with a start. He had begun dozing. He had almost drifted off to sleep 
just then. He seized the washcloth and began rubbing himself vigorously, not 
only to remove all of the detritus. When he had finished he toweled himself 
briskly as the tub drained, then rushed to his room. He located the pills at the 
back of a clothing drawer and took two of them. Whatever games his body was 
playing, sleep was very much his enemy now.
He returned to the bathroom, cleaned the tub, dressed. It would feel good to 
stretch out on his bed for a time. To rest, as Claudia had suggested. But he 
knew that he couldn't.
Tachyon took a blood sample and fed it to his machine. On his first attempt, the 
needle had only gone in a short distance and stopped. The third needle, backed 
with considerable force, penetrated a subdermal layer of resistance and the 
blood was drawn.
While awaiting the machine's findings, Tachyon conducted a gross examination.
"Were your incisors that long when you awoke?" he asked, peering into Croyd's 
mouth.
"They looked normal when I brushed them," Croyd replied. "Have they gown?"
"Take a look."
Tachyon held up a small mirror. Croyd stared. The teeth were an inch long, and 
sharp looking.
"That's a new development," he stated. "I don't know when it happened."
Tachyon moved Croyd's left arm up behind his back in a gentle hammerlock, then 
pushed his fingers beneath the protruding scapula. Croyd screamed.
"That bad, is it?" Tachyon asked.
"My God!" Croyd said. "What is it? Is something broken back there?"
The doctor shook his head. He examined some of the skin flakes under a 
miscroscope. He studied Croyd's feet next. "Were they this wide when you woke 
up?" he asked. "No. What the hell is happening, Doc?"
"Let's wait another minute or so for my machine to finish with your blood. 
You've been here three or four times in the past..."
"Yes," Croyd said.
"Fortunately, you came in once right after you woke up. Another time, you were 
in about six hours after you awoke. On the former occasion you possessed a high 
level of a very peculiar hormone which I thought at the time might be associated 
with the change process itself. The other time six hours after awakening-you 
still had traces of the hormone, but at a very low level. Those were the only 
two times it was evident."
"So?"
"The main test in which I am interested right now is a check for its presence in 
your blood. Ah! I believe we have something now."
A series of strange symbols flashed upon the screen of the small unit.
"Yes. Yes, indeed," he said, studying them. "You have a high level of the 
substance in your blood-higher even than it was right after awakening. Hm. 
You've been taking amphetamines again, too."
"I had to. I was starting to get sleepy, and I've got to make it to Saturday. 
Tell me in plain words what this damn hormone means."
"It means that the process of change is still going on within you. For some 
reason you awoke before it was completed. There seems to be a regular cycle of 
it, but this time it was interrupted."
"Why?"
Tachyon shrugged, a movement he seemed to have learned since the last time Croyd 
had seen him.
"Any of a whole constellation of possible biochemical events triggered by the 
change itself. I think you probably received some brain stimulation as a side 
effect of another change that was in progress at the time you were aroused. 
Whatever that particular change was, it is completed-but the rest of the process 
isn't. So your body is now trying to put you back to sleep until it finishes its 
business."
"In other words, I woke up too soon?"
"Yes."
"What should I do?"
"Stop taking the drugs immediately. Sleep. Let it run its course."
"I can't. I have to stay awake for two more days-a day and a half will do, 
actually."
"I suspect your body will fight this, and as I said once before, it seems to 
know what it's doing. I think you would be taking a chance to keep yourself 
awake much longer."
"What kind of chance? Do you mean it might kill me--or will it just make me 
uncomfortable?"
"Croyd, I simply do not know. Your condition is unique. Each change takes a 
different course. The only thing we can trust is whatever accommodation your 
body has made to the virus-whatever it is within you that brings you through 
each bout safely. If you try to stay awake by unnatural means now, this is the 
very thing that you will be fighting."
"I've put off sleep lots of times with amphetamines."
"Yes, but those times you were merely postponing the onset of the process. It 
doesn't normally begin until your brain chemistry registers a sleep state. But 
now it is already under way, and the presence of the hormone indicates its 
continuance. I don't know what will happen. You may turn an ace phase into a 
joker phase. You may lapse into a really lengthy coma. I simply have no way of 
telling."
Croyd reached for his shirt.
"I'll let you know how it all turns out," he said.
Croyd did not feel like walking as much as he usually did. He rode the subway 
again. His nausea returned and this time brought with it a headache. And his 
shoulders were still hurting badly. He visited the drugstore near his subway 
stop and bought a bottle of aspirins.
He stopped by the apartment building where the Sarzannos had formerly resided, 
before he headed home. This time the manager was in. He was unable to help him, 
however, for Joe's family had left no forwarding address when they departed. 
Croyd glanced in the mirror beside the man's door as he left, and he was shocked 
at the puffiness of his eyes, at the deep circles beneath them. They were 
beginning to ache now, he noted.
He returned home. He had promised to take Claudia and Carl to a good restaurant 
for dinner, and he wanted to be in the best shape he could for the occasion. He 
returned to the bathroom and stripped again. He was huge, bloated-looking. He 
realized then that with all of his other symptoms, he had forgotten to tell 
Tachyon that he had not relieved himself at all since awakening. His body must 
be finding some use for everything that he ate or drank. He stepped on the 
scale, but it only went up to three hundred and he was over that. He took three 
aspirins and hoped that they would work soon. He scratched his arm and a long 
strip of flesh came away, painlessly and without bleeding. He scratched more 
gently in other areas and the flaking continued. He took a shower and brushed 
his fangs. He combed his hair and big patches of it came out. He stopped 
combing. For a moment he wanted to cry, but he was distracted by a yawning jag. 
He went to his room and took two more amphetamines. Then he recalled having 
heard somewhere that body mass had to be taken into account in calculating doses 
of medication. So he took another one, just to be safe.
Croyd found a dark restaurant and he slipped the waiter something to put them in 
a booth toward the rear, out of sight of most of the other diners.
"Croyd, you're really looking-unwell," Claudia had said when she'd returned 
earlier.
"I know," he replied. "I went to see my doctor this afternoon."
"What did he say?"
"I'm going to need a lot of sleep, starting right after the wedding."
"Croyd, if you want to skip it, I'll understand. Your health comes first. "
"I don't want to skip it. I'll be okay."
How could he say it to her when he did not fully understand it himself? Say that 
it was more than his favorite relative's wedding?-that the occasion represented 
the final rending of his home and that it was unlikely he would ever have 
another? Say that this was the end of a phase of his existence and the beginning 
of a big unknown?
Instead, he ate. His appetite was undiminished and the food was particularly 
good. Carl watched with the fascination of a voyeur, long after he had finished 
his own meal, as Croyd put away two more chateaubriands-for-two, pausing only to 
call for extra baskets of rolls.
When they finally rose Croyd's joints were creaking again. He sat on his bed 
later that evening, aching. The aspirins weren't helping. He had removed his 
clothing because all of his garments were feeling tight again. Whenever he 
scratched himself now, his skin did more than flake. Big pieces of it came away, 
but they were dry and pale with no signs of blood. No wonder I look pasty-faced, 
he decided. At the bottom of one particularly large rent in his chest he saw 
something gray and hard. He could not figure what it was, but its presence 
frightened him.
Finally, despite the hour, he phoned Bentley. He had to talk to someone who knew 
his condition. And Bentley usually gave good advice.
After many rings Bentley answered, and Croyd told him his story.
"You know what I think, kid?" Bentley said at last. "You ought to do what the 
doctor said. Sleep it off."
"I can't. Not yet. I just need a little over a day. Then I'll be all right. I 
can keep awake that long, but I hurt so damn much and my appearance-"
"Okay, okay. Here's what we'll do. You come by about ten in the morning. I can't 
do anything for you now. But I'll talk to a man I know first thing, and we'll 
get you a really strong painkiller. And I want to have a look at you. Maybe 
there's some way of playing down your appearance a bit."
"Okay. Thanks, Bentley. I appreciate it."
"It's all right. I understand. It was no fun being a dog either. G'night."
"'Night."
Two hours later, Croyd was stricken with severe cramps followed by diarrhea; 
also, his bladder felt as if it were bursting. This continued through the night. 
When he weighed himself at three-thirty he was down to 276. By six o'clock he 
weighed 242 pounds. He gurgled constantly. Its only benefit, he reflected, was 
that it kept his mind off the itching and the aches in his shoulders and joints. 
Also, it was sufficient to keep him awake without additional amphetamines.
By eight o'clock he weighed 216 and he realized-when Carl called him-that he had 
finally lost his appetite. Strangely, his girth had not decreased at all. His 
general body structure was unaltered from the previous day, though he was pale 
now to the point of albinism-and this, combined with his prominent teeth, gave 
him the look of a fat vampire.
At nine o'clock he called Bentley because he was still gurgling and running to 
the john. He explained that he had the shits and couldn't come for the medicine. 
Bentley said that he'd bring it by himself as soon as the man dropped it off. 
Carl and Claudia had already left for the day. Croyd had avoided them this 
morning, claiming an upset stomach. He now weighed 198.
It was near eleven o'clock when Bentley came by. Croyd had lost another twenty 
pounds by then and had scratched off a large flap of skin from his lower 
abdomen. The area of exposed tissue beneath it was gray and scaly.
"My God!" Bentley said when he saw him. "Yeah."
"You've got big bald patches."
"Right."
"I'll get you a hairpiece. Also, I'll talk to a lady I know. She's a beautician. 
We'll get you some kind of cream to rub in. Give you some normal color. I think 
you'd better wear dark glasses, too, when you go to the wedding. Tell 'em you 
got drops in your eyes. You're getting hunchbacked, too. When'd that happen?"
"I didn't even notice. I've been--occupied."
Bentley patted the lump between his shoulders and Croyd screamed.
"Sorry. Maybe you'd better take a pill right away."
"Yeah."
"You're going to need to wear a big overcoat, too. What size do you take?"
"I don't know-now"
"That's okay. I know someone's got a warehouse full. We'll send you a dozen."
"I've got to run, Bentley. I'm gurgling again."
"Yeah. Take your medicine and try to rest."
By two o'clock, Croyd weighed 155. The painkiller had worked fine, and he was 
without aches for the first time in a long while. Unfortunately, it had also 
made him sleepy and he had had to take amphetamines again. On the plus side, 
this combination gave him his first good feeling since the whole business had 
started, even though he knew it was fake.
When the load of coats was delivered at three-thirty he was down to 132 pounds 
and felt very light on his feet. Somewhere deep within him his blood seemed to 
be singing. He found a coat that fit him perfectly and took it back to his room, 
leaving the others on the sofa. The beautician-a tall, lacquered blonde who 
chewed gum--came by at four o'clock. She combed out most of his hair, shaved the 
rest, and fitted him with a hairpiece. She made up his face then, instructing 
him in the use of the cosmetics as she went along. She also advised him to keep 
his mouth closed as much as possible to hide his fangs. He was pleased with the 
results and gave her a hundred dollars. She observed then that there were other 
services she might perform for him, but he was gurgling again and had to bid her 
a good afternoon.
By six o'clock his guts began to ease up on him. He was down to 116 by then and 
still feeling very good. The itching had finally stopped also, though he had 
scratched more skin from his thorax, forearms, and thighs.
When Carl came in, he yelled upstairs, "What the hell are all these coats doing 
here?"
"It's a long story," Croyd answered. "You can have them if you want."
"Hey, they're cashmere!"
"Yeah."
"This one's my size."
"So take it."
"How you feeling?"
"Better, thanks."
That evening he felt his strength returning, and he took one of his long walks. 
He raised the front end of a parked car high into the air to test it. Yes, he 
seemed to be recovering now. With the hair and the makeup he looked like a 
gardenvariety fat man, so long as he kept his mouth closed. If only he'd had a 
little more time he'd have sought a dentist to do something about the fangs. He 
did not eat anything that night or in the morning. He did feel a peculiar 
pressure on the sides of his head, but he took another pill and it did not turn 
to pain.
Before he and Carl left for Ridgewood, Croyd had indulged in another soak. More 
of his skin had come away, but that was all right. His clothes would cover his 
patchwork body. His face, at least, had remained intact. He applied his makeup 
carefully and adjusted the hairpiece. When he was fully dressed and had put on a 
pair of sunglasses, he thought that he looked fully presentable. And the 
overcoat did minimize the bulging of his back somewhat.
The morning was brisk and overcast. His intestinal problem seemed ended. He took 
another pill as a prophylactic, not knowing whether there was really any 
remaining pain to be masked. This necessitated another amphetamine. But that was 
all right. He felt fine, if a bit nervous.
As they were passing through the tunnel he found himself rubbing his hands. To 
his dismay, a large flap of skin came loose on the back of his left hand. But 
even that was all right. He had remembered to bring gloves.
He did not know whether it was the pressure in the tunnel, but his head was 
beginning to throb again. It was not a painful sensation, merely a vicinity of 
heavy pressure in his ears and temples. His upper back also throbbed, and there 
was a movement within it. He bit his lip and a piece of it came loose. He 
cursed.
"What's the matter?" his brother asked. "Nothing. "
At least it wasn't bleeding.
"If you're still sick, I can take you back. Hate to have you get ill at the 
wedding. Especially with a stodgy bunch like Sam's gang."
"I'll be okay."
He felt light. He felt the pressure at many points within his body. The sense of 
strength from the drug overlaid his genuine strength. Everything seemed to be 
flowing perfectly. He hummed a tune and tapped his fingers on his knee.
"....oats must be worth quite a bit," Carl was saying. "They're all new."
"Sell 'em somewhere and keep the money," he heard himself saying.
"They hot?"
"Probably"
"You in the rackets, Croyd?"
"No, but I know people."
"I'll keep quiet."
"Good."
"You sort of look the part, though, you know? With that black coat and the 
glasses...."
Croyd did not answer him. He was listening to his body, which was telling him 
that something was coming free in his back. He rubbed his shoulders against the 
back of the seat. This made him feel better.
When he was introduced to Sam's parents, William and Marcia Kendall-a 
rugged-looking gray-haired man gone slightly to fat, and a well-preserved blond 
woman--Croyd remembered to smile without opening his mouth and to make his few 
comments through barely moving lips. They seemed to study him carefully, and he 
felt certain they would have had more to say, save that there were others 
waiting to be greeted.
"I want to talk to you at the reception," were William's final words.
Croyd sighed as he moved away. He'd passed. He had no intention of attending the 
reception. He'd be in a taxi heading back to Manhattan as soon as the service 
ended, be sleeping in a matter of hours. Sam and Claudia would probably be in 
the Bahamas before he awoke.
He saw his cousin Michael from Newark and almost approached him. The hell with 
it. He'd have to explain his appearance then and it wasn't worth it. He entered 
the church and was shown to a pew in the front, to the right. Carl would be 
giving Claudia away. At least he had awakened too late to be impressed as an 
usher himself. There was that much to be said for his timing.
As he sat waiting for the ceremony to begin he regarded the altar decorations, 
the stained-glass windows at either hand, the arrangements of flowers. Other 
people entered and were seated. He realized that he was sweating. He glanced 
about. He was the only one wearing an overcoat. He wondered whether the others 
would think that strange. He wondered whether the perspiration was causing his 
makeup to run. He unbuttoned his coat, let it hang open.
The sweating continued, and his feet began to hurt. Finally, he leaned forward 
and loosened the shoelaces. As he did, he heard his shirt tear across his back. 
Something also seemed to have loosened even further in the vicinity of his 
shoulders. Another flap of skin, he supposed. When he straightened he felt a 
sharp pain. He could not lean all the way back in the pew. His hump seemed to 
have grown, and any pressure on it was painful. So he assumed a position partway 
forward, bowed slightly as if in prayer. The organist began playing. More people 
entered and were seated. An usher conducted an elderly couple past his row and 
gave him a strange look as he went by.
Soon everyone was seated, and Croyd continued to sweat. It ran down his sides 
and his legs, was absorbed by his clothing which became blotchy, then drenched. 
He decided that it might be a bit cooler if he slipped his arms out of the 
coat's sleeves and just let it hang about his shoulders. This was a mistake, for 
as he struggled to free his arms he heard his garments tear in several more 
places. His left shoe burst suddenly, and his toes protruded grayly from its 
sides. A number of people glanced his way as these sounds occurred. He was 
grateful that he was incapable of blushing.
He did not know whether it was the heat or something psychological that set off 
the itching again. Not that it mattered. It was a real itch, whatever had 
brought it on. He had painkillers and amphetamines in his pocket, but nothing 
for skin irritation. He clasped his hands tightly, not to pray but to keep from 
scratching-though he threw in a prayer too, since the circumstances seemed about 
as appropriate as they came. It didn't work.
Through perspiration-beaded lashes he saw the priest enter. He wondered why the 
man was staring at him so. It was as if he did not approve of non-Episcopalians 
sweating in his church. Croyd clenched his teeth. If only he still had the power 
to make himself invisible, he mused. He'd fade for a few minutes, scratch like 
mad, then phase back and sit quietly.
By dint of sheer will he was able to hold himself steady through Mendelssohn's 
"March." He was unable to focus on what the priest was saying after that, but he 
was now certain that he was not going to be able to remain seated through the 
entire ceremony. He wondered what would happen if he left right then. Would 
Claudia be embarrassed? On the other hand, if he stayed, he was certain that she 
would be. He must look ill enough to justify it. Still, would it become one of 
those incidents that people would talk about for years afterward? ("Her brother 
walked out...") Perhaps he could stay a little longer.
There was movement on his back. He felt his coat stirring. He heard female gasps 
from behind him. Now he was afraid to move, but the itching became overpowering. 
He unclasped his hands to scratch, but in a final act of resistance he seized 
hold of the back of the pew before him. To his horror, there came a loud 
cracking noise as the wood splintered within his grip. There followed a long 
moment of silence.
The priest was staring at him. Claudia and Sam had both turned to stare at him, 
where he sat clutching a six-foot length of broken pew-back and knowing that he 
couldn't even smile or his fangs would show.
He dropped the wood and clasped himself with both arms. There were exclamations 
from behind as his coat slipped away. With his full strength he dug his fingers 
into his sides and scratched cross-body.
He heard his clothes tear and felt his skin rip all the way up to the top of his 
head. He saw the hairpiece fall away to his right. He threw down the clothing 
and the skin and scratched again, hard. He heard a scream from the rear and he 
knew that he would never forget the look on Claudia's face as she began to cry. 
But he could no longer stop. Not until his great batlike wings were unfurled, 
the high, pointed vanes of his ears freed, and the last remnants of clothing and 
flesh removed from his dark, scaled frame.
The priest began speaking again, something that sounded like an exorcism. There 
came shrieks and the sounds of rapid footfalls. He knew that he couldn't exit 
through the door where everyone else was headed, so he leapt into the air, 
circled several times to get a feeling of his new limbs, then covered his eyes 
with his left forearm and crashed out through the stainedglass window to his 
right.
As he beat his way back toward Manhattan he felt that it would be a long time 
before he saw the in-laws again. He hoped that Carl wouldn't be getting married 
for a while. He wondered then whether he'd ever meet the right girl himself. . .
Catching an updraft he soared, the breezes sobbing about him. The church looked 
like a disturbed anthill when he glanced back. He flew on.

WITNESS
by Walter Jon Williams
When Jetboy died I was watching a matinee of The Jolson Story. I wanted to see 
Larry Parks's performance, which everyone said was so remarkable. I studied it 
carefully and made mental notes.
Young actors do things like that.
The picture ended, but I was feeling comfortable and had no plans for the next 
few hours, and I wanted to see Larry Parks again. I watched the movie a second 
time. Halfway through, I fell asleep, and when I woke the titles were scrolling 
up. I was alone in the theater.
When I stepped into the lobby the usherettes were gone and the doors were 
locked. They'd run for it and forgotten to tell the projectionist. I let myself 
out into a bright, pleasant autumn afternoon and saw that Second Avenue was 
empty. Second Avenue is never empty.
The newsstands were closed. The few cars I could see were parked. The theater 
marquee had been turned off: I could hear angry auto horns some distance off, 
and over it the rumble of high-powered airplane engines. There was a bad smell 
from somewhere.
New York had the eerie feeling that towns sometimes got during an air raid, 
deserted and waiting and nervous. I'd been in air raids during the war, usually 
on the receiving end, and I didn't like the feeling at all. I began walking for 
my apartment, just a block and a half away.
In the first hundred feet I saw what had been making the bad smell. It came from 
a reddish-pink puddle that looked like several gallons of oddly colored ice 
cream melting on the sidewalk and oozing down the gutter.
I looked closer. There were a few bones inside the puddle. A human jawbone, part 
of a tibia, an eye socket. They were dissolving into a light pink froth.
There were clothes beneath the puddle. An usherette's uniform. Her flashlight 
had rolled into the gutter and the metal parts of it were dissolving along with 
her bones.
My stomach turned over as adrenaline slammed into my system. I started to run.
By the time I got to my apartment I figured there had to be some kind of 
emergency going on, and I turned on the radio to get information. While I was 
waiting for the Philco to warm up I went to check the canned food in the 
cupboard-a couple cans of Campbell's was all I could find. My hands were shaking 
so much I knocked one of the cans out of the cupboard, and it rolled off the 
sideboard behind the icebox. I pushed against the side of the icebox to get at 
the can, and suddenly it seemed like there was a shift in the light and the 
icebox flew halfway across the room and damn near went through the wall. The pan 
I had underneath to catch the ice-melt slopped over onto the floor.
I got the can of soup. My hands were still trembling. I moved the icebox back, 
and it was light as a feather. The light kept doing weird shifts. I could pick 
up the box with one hand.
The radio warmed finally and I learned about the virus. People who felt sick 
were to report to emergency tent hospitals set up by the National Guard all over 
the city. There was one in Washington Square Park, near where I was living. I 
didn't feel sick, but on the other hand I could juggle the icebox, which was not 
exactly normal behavior. I walked to Washington Square Park. There were 
casualties everywhere some were just lying in the street. I couldn't look at a 
lot of it. It was worse than anything I'd seen in the war. I knew that as long 
as I was healthy and mobile the doctors would put me low on the list for 
treatment, and it would be days before I'd get any help, so I walked up to 
someone in charge, told him I used to be in the Army, and asked what I could do 
to help. I figured if I started to die I'd at least be near the hospital.
The doctors asked me to help set up a kitchen. People were screaming and dying 
and changing before the doctors' eyes, and the medics couldn't do anything about 
it. Feeding the casualties was all they could think to do.
I went to a National Guard deuce-and-a-half and started picking up crates of 
food. Each weighed about fifty pounds, and I stacked six of them on top of each 
other and carried them off the truck in one arm. My perception of the light kept 
changing in odd ways. I emptied the truck in about two minutes. Another truck 
had gotten bogged down in mud when it tried to cross the park, so I picked up 
the whole truck and carried it to where it was supposed to be, and then I 
unloaded it and asked the doctors if they needed me for anything else.
I had this strange glow around me. People told me that when I did one of my 
stunts I glowed, that a bright golden aura surrounded my body. My looking at the 
world through my own radiance made the light appear to change.
I didn't think much about it. The scene around me was overwhelming, and it went 
on for days. People were drawing the black queen or the joker, turning into 
monsters, dying, transforming. Martial law had slammed down on the city-it was 
just like wartime. After the first riots on the bridges there were no 
disturbances. The city had lived with blackouts and curfews and patrols for four 
years, and the people just slipped back into wartime patterns. The rumors were 
insane-a Martian attack, accidental release of poison gas, bacteria released by 
Nazis or by Stalin. To top it all off, several thousand people swore they saw 
Jetboy's ghost flying, without his plane, over the streets of Manhattan. I went 
on working at the hospital, moving heavy loads. That's where I met Tachyon.
He came by to deliver some experimental serum he was hoping might be able to 
relieve some symptoms, and at first I thought, Oh, Christ, here's some fruitbar 
got past the guards with a potion his Aunt Nelly gave him. He was a weedy guy 
with long metallic red hair past his shoulders, and I knew it couldn't be a 
natural color. He dressed as if he got his clothes from a Salvation Army in the 
theater district, wearing a bright orange jacket like a bandleader might wear, a 
red Harvard sweater, a Robin Hood hat with a feather, plus-fours with argyle 
socks, and two-tone shoes that would have looked out of place on a pimp. He was 
moving from bed to bed with a tray full of hypos, observing each patient and 
sticking the needles in people's arms. I put down the X-ray machine I was 
carrying and ran to stop him before he could do any harm.
And then I noticed that the people following him included a three-star general, 
the National Guard bird colonel who ran the hospital, and Mr. Archibald Holmes, 
who was one of F.D.R.'s old crowd at Agriculture, and who I recognized right 
away. He'd been in charge of a big relief agency in Europe following the war, 
but Truman had sent him to New York as soon as the plague hit. I sidled up 
behind one of the nurses and asked her what was going on.
"That's a new kind of treatment," she said. "That Dr. Tacks-something brought 
it."
"It's his treatment?" I asked.
"Yeah." She looked at him with a frown. "He's from another planet."
I looked at the plus-fours and Robin Hood hat. "No kidding," I said.
"No. Really. He is."
Closer up, you could see the dark circles under his weird purple eyes, the 
strain that showed on his face. He'd been pushing himself hard since the 
catastrophe, like all the doctors here-like everyone except me. I felt full of 
energy in spite of only getting a few hours' sleep each night.
The bird colonel from the National Guard looked at me. "Here's another case," he 
said. "This is Jack Braun." Tachyon looked up at me. "Your symptoms?" he asked. 
He had a deep voice, a vaguely mid-European accent. "I'm strong. I can pick up 
trucks. I glow gold when I do it."
He seemed excited. "A biological force field. Interesting. I'd like to examine 
you later. After the"-an expression of distaste crossed his face-"present crisis 
is over."
"Sure, Doc. Whatever you like."
He moved on to the next bed. Mr. Holmes, the relief man, didn't follow. He just 
stayed and watched me, fiddling with his cigarette holder.
I stuck my thumbs in my belt and tried to look useful. "Can I help you with 
something, Mr. Holmes?" I asked. He seemed mildly surprise. "You know my name?" 
he said.
"I remember you coming to Fayette, North Dakota, back in '33," I said. "Just 
after the New Deal came in. You were at Agriculture then."
"A long time ago. What are you doing in New York, Mr. Braun?"
"I was an actor till the theaters shut down."
"Ah." He nodded. "We'll have the theaters running again soon. Dr. Tachyon tells 
us the virus isn't contagious."
"That'll ease some minds."
He glanced at the entrance to the tent. "Let's go outside and have a smoke."
"Suits me." After I followed him out I dusted off my hands and accepted a 
custom-blended cigarette from his silver case. He lit our cigarettes and looked 
at me over the match.
"After the emergency's over, I'd like to run some more tests with you," he said. 
"Just see what it is that you can do." I shrugged. "Sure, Mr. Holmes," I said. 
"Any particular reason?"
"Maybe I can give you a job," he said. "On the world stage. "
Something passed between me and the sun. I looked up, and a cold finger touched 
my neck.
The ghost of Jetboy was flying black against the sky, his white pilot's scarf 
fluttering in the wind.
I'd grown up in North Dakota. I was born in 1924, into hard times. There was 
trouble with the banks, trouble with the farm surpluses that were keeping prices 
down. When the Depression hit, things went from bad to worse. Grain prices were 
so low that some farmers literally had to pay people to haul the stuff away. 
Farm auctions were held almost every week at the courthouse-farms worth fifty 
thousand dollars were selling for a few hundred. Half Main Street was boarded 
up:
Those were the days of the Farm Holidays, the farmers withholding grain to make 
the prices rise. I'd get up in the middle of the night to bring coffee and food 
to my father and cousins, who were patrolling the roads to make sure nobody sold 
grain behind their backs. If someone came by with grain, they'd seize the truck 
and dump it; if a cattle truck came by, they'd shoot the cattle and toss them on 
the roadside to rot. Some of the local bigwigs who were making a fortune buying 
underpriced wheat sent the American Legion to break the farm strike, carrying 
axe handles and wearing their little hats-and the whole district rose, gave the 
legionnaires the beating of their lives, and sent them scampering back to the 
city.
Suddenly a bunch of conservative German farmers were talking and acting like 
radicals. F .D. R. was the first Democrat my family ever voted for.
I was eleven years old when I first saw Archibald Holmes. He was working as a 
troubleshooter for Mr. Henry Wallace in the Department of Agriculture, and he 
came to Fayette to consult with the farmers about something or other-price 
control or production control, probably, or conservation, the New Deal agenda 
that kept our farm off the auction block. He gave a little speech on the 
courthouse steps on his arrival, and for some reason I didn't forget it.
He was an impressive man even then. Well-dressed, grayhaired even though he 
wasn't yet forty, smoked a cigarette in a holder like F D. R. He had a Tidewater 
way of talking, which sounded strange to my ear, as if there was something 
slightly vulgar about pronouncing one's R's. Soon after his visit, things 
started getting better.
Years later, after I got to know him well, he was always Mr. Holmes. I never 
could see myself calling him by his first name.
Maybe I can trace my wanderlust to Mr. Holmes's visit. I felt there had to be 
something outside Fayette, something outside the North Dakota way of looking at 
things. The way my family saw it, I was going to get my own farm, marry a local 
girl, produce lots of kids, and spend my Sundays listening to the parson talk 
about Hell and my weekdays working in the fields for the benefit of the bank.
I resented the notion that this was all there was. I knew, perhaps only by 
instinct, that there was another kind of existence out there, and I wanted to 
get my share of it.
I grew up tall and broad-shouldered and blond, with big hands that were 
comfortable around a football and what my publicity agent later called "rugged 
good looks." I played football and played it well, dozed through school, and 
during the long dark winters I played in community theater and pageants. There 
was quite a circuit for amateur theater in both English and German, and I did 
both. I played mainly Victorian melodramas and historical spectaculars, and I 
got good notices, too.
Girls liked me. I was good-looking and a regular guy and they all thought I'd be 
just the farmer for them. I was careful never to have anyone special. I carried 
rubbers in my watch pocket and tried to keep at least three or four girls in the 
air at once. I wasn't falling into the trap that all my elders seemed to have 
planned for me.
We all grew up patriotic. It was a natural thing in that part of the world: 
there is a strong love of country that comes with punishing climates. It wasn't 
anything to make a fuss over, patriotism was just there, part of everything 
else.
The local football team did well, and I began to see a way out of North Dakota. 
At the end of my senior season, I was offered a scholarship to the University of 
Minnesota.
I never made it. Instead, the day after graduation in May of 1942, I marched to 
the recruiter and volunteered for the infantry.
No big deal. Every boy in my class marched with me. I ended up with the 5th 
Division in Italy, and had an awful infantryman's war. It rained all the time, 
there was never proper shelter, every move we made was in full view of invisible 
Germans sitting on the next hill with zeiss binoculars glued to their eyes, to 
be followed inevitably by that horrific zooming sound of an 88 coming down... I 
was scared all the time, and I was a hero some of the time, but most of the time 
I was hiding with my mouth in the dirt while the shells came whizzing down, and 
after a few months of it I knew I wasn't coming back in one piece, and chances 
were I wasn't coming back at all. There were no tours, like in Vietnam; a 
rifleman just stayed on the line until the war was over, or until he died, or 
until he was so shot up he couldn't go back. I accepted these facts and went on 
with what I had to do. I got promoted to master sergeant and eventually got a 
Bronze Star and three Purple Hearts, but medals and promotions never meant as 
much to me as where the next pair of dry socks was coming from.
One of my buddies was a man named Martin Kozokowski, whose father was a minor 
theatrical producer in New York. One evening we were sharing a bottle of awful 
red wine and a cigarette smoking was something else the Army taught me and I 
mentioned my acting career back in North Dakota, and in a gush of inebriated 
goodwill he said, "Hell, come to New York after the war, and me and my dad will 
put you on the stage." It was a pointless fantasy, since at that point none of 
us really thought we were coming back, but it stuck, and we talked about it 
afterward, and by and by, as some dreams have a way of doing, it came true.
After V-E Day I went to New York and Kozokowski the elder got me a few parts 
while I worked an assortment of parttime jobs, all of which were easy compared 
to farming and the war. Theater circles were full of intense, intellectual girls 
who didn't wear lipstick-not wearing lipstick was supposed to be sort of 
daring-and they would take you home with them if you listened to them talk about 
Anouilh or Pirandello or their psychoanalysis, and the best thing about them was 
that they didn't want to get married and make little farmers. Peacetime reflexes 
began to come back. North Dakota started to fade away, and after a while I began 
to wonder if maybe the war didn't have its consolations after all.
An illusion, of course. Because some nights I'd still wake up with the 88s 
whistling in my ears, terror squirming in my guts, the old wound in my calf 
throbbing, and I'd remember lying on my back in a shellhole with mud creeping 
down my neck, waiting for the morphine to hit while I looked up into the sky to 
see a flight of silver Thunderbolts with the sun gleaming off their stubby 
wings, the planes hopping the mountains with more ease than I could hop out of a 
jeep. And I'd remember what it was like to lie there furious with jealousy that 
the fighter jocks were in their untroubled sky while I bled into my field 
dressing and waited for morphine and plasma, and I'd think, If I ever catch one 
of those bastards on the ground, I'm going to make him pay for this....
When Mr. Holmes started his tests he proved exactly how strong I was, which was 
stronger than anyone had ever seen, or even imagined. Provided I was braced well 
enough, I could lift up to forty tons. Machine-gun slugs would flatten 
themselves on my chest. Armor-piercing 20mm cannon shells would knock me down 
with their transferred energy, but I'd jump back up undamaged.
They were scared to try anything bigger than a 20mm on their tests. So was I. If 
I were hit with a real cannon, instead of just a big machine gun, I'd probably 
be oatmeal.
I had my limits. After a few hours of it I'd begin to get tired. I would weaken. 
Bullets began to hurt. I'd have to go off and rest.
Tachyon had guessed right when he talked about a biological force field. When I 
was in action it surrounded me like a golden halo. I didn't exactly control 
it-if someone shot a bullet into my back by surprise, the force field would turn 
on all by itself. When I started to get tired the glow would begin to fade.
I never got tired enough for it to fade entirely, not when I wanted it on. I was 
scared of what would happen then, and I always took care to make sure I got my 
rest when I needed it.
When the test results came in, Mr. Holmes called me in to his apartment on Park 
Avenue South. It was a big place, the entire fifth floor, but a lot of the rooms 
had that unused smell to them. His wife had died of pancreatic cancer back in 
'40, and since then he'd given up most of his social life. His daughter was off 
at school.
Mr. Holmes gave me a drink and a cigarette and asked me what I thought about 
fascism, and what I thought I could do about it. I remembered all those 
stiff-necked SS officers and Luftwaffe paratroops and considered what I could do 
about them now that I was the strongest thing on the planet.
" I imagine that now I'd make a pretty good soldier," I said.
He gave me a thin smile. "Would you like to be a soldier again, Mr. Braun?"
I saw right away what he was driving at. There was an emergency going on. Evil 
lived in the world. It was possible I could do something about it. And here was 
a man who had sat at the right hand of Franklin Delano Roosevelt, who in turn 
sat at the right hand of God, as far as I was concerned, and he was asking me to 
do something about it.
Of course I volunteered. It probably took me all of three seconds.
Mr. Holmes shook my hand. Then he asked me another question. "How do you feel 
about working with a colored man?"
I shrugged.
He smiled. "Good," he said. "In that case, I'll have to introduce you to 
Jetboy's ghost."
I must have stared. His smile broadened. "Actually, his name is Earl Sanderson. 
He's quite a fellow."
Oddly enough, I knew the name. "The Sanderson who used to play ball for Rutgers? 
Hell of an athlete."
Mr. Holmes seemed startled. Maybe he didn't follow sports. "Oh," he said. "I 
think you'll find he's a little more than that. "
Earl Sanderson, Jr., was born into a life far different from mine, in Harlem, 
New York City. He was eleven years older than I, and maybe I never caught up to 
him.
Earl, Sr., was a railway car porter, a smart man, selfeducated, an admirer of 
Fredrick Douglass and Du Bois. He was a charter member of the Niagara 
Movement-which became the NAACP-and later of the Brotherhood of Sleeping Car 
Porters. A tough, smart man, thoroughly at home in the combustive Harlem of the 
time.
Earl, Jr., was a brilliant youth, and his father urged him not to waste it. In 
high school he was outstanding as a scholar and athlete, and when he followed 
Paul Robeson's footsteps to Rutgers in 1930 he had his choice of scholarships.
Two years into college, he joined the Communist party. When I knew him later, he 
made it sound like the only reasonable choice.
"The Depression was only getting worse," he told me. "The cops were shooting 
union organizers all over the country, and white people were finding out what it 
was like to be as poor as the colored. All we got out of Russia at the time were 
pictures of factories working at full capacity, and here in the States the 
factories were closed and the workers were starving. I thought it was only a 
matter of time before the revolution. The CP were the only people working for 
the unions who were also working for equality. They had a slogan, `Black and 
white, unite and fight,' and that sounded right to me. They didn't give a damn 
about the color bar-they'd look you in the eye and call you `comrade.' Which was 
more than I ever got from anyone else."
He had all the good reasons in the world for joining the CP in 1931. Later all 
those good reasons would rise up and wreck us all.
I'm not sure why Earl Sanderson married Lillian, but I understand well enough 
why Lillian chased Earl for all those years. "Jack," she told me, "he just 
glowed."
Lillian Abbott met Earl when he was a junior in high school. After that first 
meeting, she spent every spare minute with him. Bought his newspapers, paid his 
way into the theaters with her pocket change, attended radical meetings. Cheered 
him at sporting events. She joined the CP a month after he did. And a few weeks 
after he left Rutgers, summa cum laude, she married him.
"I didn't give Earl any choice," she said. "The only way he'd ever get me to be 
quiet about it was to marry me." Neither of them knew what they were getting 
into, of course. Earl was wrapped up in issues that were larger than himself, in 
the revolution he thought was coming, and maybe he thought Lillian deserved a 
little happiness in this time of bitterness. It didn't cost him anything to say 
yes.
It cost Lillian just about everything.
Two months after his marriage Earl was on a boat to the Soviet Union, to study 
at Lenin University for a year, learning to be a proper agent of the Comintern. 
Lillian stayed at home, working in her mother's shop, attending party meetings 
that seemed a little lackluster without Earl. Learning, without any great 
enthusiasm for the task, how to be a revolutionary's wife.
After a year in Russia, Earl went to Columbia for his law degree. Lillian 
supported him until he graduated and went to work as counsel for A. Philip 
Randolph and the Brotherhood of Sleeping Car Porters, one of the most radical 
unions in America. Earl, Sr., must have been proud.
As the Depression eased, Earl's commitment to the CP waned-maybe the revolution 
wasn't coming, after all. The GM strike was solved in favor of the CIO when Earl 
was learning to be a revolutionary in Russia. The Brotherhood won its 
recognition from the Pullman Company in 1938, and Randolph finally started 
drawing a salary-he'd worked all those years for free. The union and Randolph 
were taking up a lot of Earl's time, and his attendance at party meetings began 
to slide.
When the Nazi-Soviet pact was signed, Earl resigned from the CP in anger. 
Accommodation with the fascists was not his style.
Earl told me that after Pearl Harbor, the Depression ended for white people when 
the hiring at defense plants started, but few blacks were given jobs. Randolph 
and his people finally had enough. Randolph threatened a railway strike right in 
the middle of wartime-that was to be combined with a march on Washington. E D. 
R. sent his troubleshooter, Archibald Holmes, to work out a settlement. It 
resulted in Executive Order 8802, in which government contractors were forbidden 
to discriminate on account of race. It was one of the landmark pieces of 
legislation in the history of civil rights, and one of the greatest successes in 
Earl's career. Earl always spoke of it as one of his proudest accomplishments.
The week after Order 8802, Earl's draft classification was changed to 1-A. His 
work with the rail union wasn't going to protect him. The government was taking 
its revenge.
Earl decided to volunteer for the Air Corps. He'd always wanted to fly.
Earl was old for a pilot, but he was still an athlete and his conditioning got 
him past the physical. His record was labeled PAF, meaning Premature 
Anti-Fascist, which was the official designation for anyone who was unreliable 
enough not to like Hitler prior to 1941.
He was assigned to the 332nd Fighter Group, an all-black unit. The screening 
process for the black fliers was so severe that the unit ended up full of 
professors, ministers, doctors, lawyers-and all these bright people demonstrated 
first-rate pilots' reflexes as well. Because none of the air groups overseas 
wanted black pilots, the group remained at Tuskegee for months and months of 
training. Eventually they received three times as much training as the average 
group, and when they were finally moved, to bases in Italy, the group known as 
"the Lonely Eagles" exploded over the European Theater.
They flew their Thunderbolts over Germany and the Balkan countries, including 
the toughest targets. They flew over fifteen thousand sorties and, during that 
time, not a single escorted bomber was lost to the Luftwaffe. After word got 
out, bomber groups began asking specifically for the 332nd to escort their 
planes.
One of their top fliers was Earl Sanderson, who ended the war with fifty-three 
"unconfirmed" kills. The kills were unconfirmed because records were not kept 
for the black squadrons-the military was afraid the black pilots might get 
larger totals than the whites. Their fear was justified-that number put Earl 
above every American pilot but Jetboy, who was another powerful exception to a 
lot of rules.
On the day Jetboy died, Earl had come home from work with what he thought was a 
bad case of the flu, and the next day he woke up a black ace.
He could fly, apparently by an act of will, up to five hundred miles per hour. 
Tachyon called it "projection telekinesis."
Earl was pretty tough, too, though not as tough as I waslike me, bullets bounced 
off him. But cannon rounds could hurt him, and I know he dreaded the possibility 
of midair collision with a plane.
And he could project a wall of force in front of him, a kind of traveling shock 
wave that could sweep anything out of his path. Men, vehicles, walls. A sound 
like a clap of thunder and they'd be thrown a hundred feet.
Earl spent a couple weeks testing his talents before letting the world knowing 
about them, flying over the city in his pilot's helmet, black leather flying 
jacket, and boots. When he finally let people know, Mr. Holmes was one of the 
first to call.
I met Earl the day after I'd signed on with Mr. Holmes. By then I'd moved into 
one of Mr. Holmes's spare rooms and had been given a key to the apartment. I was 
moving up in the world.
I recognized him right away. "Earl Sanderson," I said, before Mr. Holmes could 
introduce us. I shook his hand. "I remember reading about you when you played 
for Rutgers."
Earl took that in stride. "You have a good memory," he said.
We sat down, and Mr. Holmes explained formally what he wanted with us, and with 
others he hoped to recruit later. Earl felt strongly about the term "ace," 
meaning someone with useful abilities, as opposed to "joker," meaning someone 
who was badly disfigured by the virus-Earl felt the terms imposed a class system 
on those who got the wild card, and didn't want to set us at the top of some 
kind of social pyramid. Mr. Holmes officially named our team the Exotics for 
Democracy. We were to become visible symbols of American postwar ideals, to lend 
credit to the American attempt to rebuild Europe and Asia, to continue the fight 
against fascism and intolerance.
The U.S. was going to create a postwar Golden Age, and was going to share it 
with the rest of the world. We were going to be its symbol.
It sounded great. I wanted in.
With Earl the decision came a little harder. Holmes had talked to him before and 
had asked him to make the same kind of deal that Branch Rickey later asked of 
Jackie Robinson: Earl had to stay out of domestic politics. He had to announce 
that he'd broken with Stalin and Marxism, that he was committed to peaceful 
change. He was asked to keep his temper under control, to absorb the inevitable 
anger, racism, and condescension, and to do it without retaliation.
Earl told me later how he struggled with himself. He knew his powers by then, 
and he knew he could change things simply by being present where important 
things were going on. Southern cops wouldn't be able to smash up integration 
meetings if someone present could flatten whole companies of state troopers. 
Strikebreakers would go flying before his wave of force. If he decided to 
integrate somebody's restaurant, the entire Marine Corps couldn't throw him 
out-not without destroying the building, anyway.
But Mr. Holmes had pointed out that if he used his powers in that way, it 
wouldn't be Earl Sanderson who would pay the penalty. If Earl Sanderson were 
seen reacting violently to provocation, innocent blacks would be strung from oak 
limbs throughout the country.
Earl gave Mr. Holmes the assurance he wanted. Starting the very next day, the 
two of us went on to make a lot of history.
The EFD was never a part of the U.S. government. Mr. Holmes consulted with the 
State Department, but he paid Earl and me out of his own pocket and I lived in 
his apartment.
The first thing was to deal with Peron. He'd gotten himself elected President of 
Argentina in a rigged election, and was in the process of turning himself into a 
South American version of Mussolini and Argentina into a refuge for fascists and 
war criminals. The Exotics for Democracy flew south to see what we could do 
about it.
Looking back on things, I'm amazed at our assumptions. We were bent on 
overthrowing the constitutional government of a large foreign nation, and we 
didn't think anything about it... Even Earl went along without a second thought. 
We'd just spent years fighting fascists in Europe, and we didn't see anything 
remarkably different in moving south and smashing them up there.
When we left, we had another man with us. David Harstein just seemed to talk 
himself aboard the plane. Here he was, a Jewish chess hustler from Brooklyn, one 
of those fasttalking curly-haired young guys that you saw all over New York 
selling flood insurance or used auto tires or custom suits made of some new 
miracle fiber that was just as good as cashmere, and suddenly he was a member of 
EFD and calling a lot of the shots. You couldn't help but like him. You couldn't 
help but agree with him.
He was an exotic, all right. He exuded pheromones that made you feel friendly 
with him and with the world, that created an atmosphere of bonhomie and 
suggestibility. He could talk an Albanian Stalinist into standing on his head 
and singing "The Star-Spangled Banner"--at least, as long as he and his 
pheromones were in the room. Afterward, when our Albanian Stalinist returned to 
his senses, he'd promptly denounce himself and have himself shot.
We decided to keep David's powers a secret. We spread a story that he was some 
kind of sneaky superman, like The Shadow on radio, and that he was our scout. 
Actually he'd just get into conferences with people and make them agree with us. 
It worked pretty well.
Peron hadn't consolidated his power yet, having only been in office four months. 
It took us two weeks to organize the coup that got rid of him. Harstein and Mr. 
Holmes would go into meetings with army officers, and before they were done the 
colonels would be swearing to have Peron's head on a plate, and even after they 
began to think better of things, their sense of honor wouldn't let them back 
down on their promises.
On the morning before the coup, I found out some of my limitations. I'd read the 
comics when I was in the Army, and I'd seen how, when the bad guys were trying 
to speed away in their cars, Superman would jump in front of the car, and the 
car would bounce off him.
I tried that in Argentina. There was a Peronist major who had to be kept from 
getting to his command post, and I jumped in front of his Mercedes and got 
knocked two hundred feet into a statue of Juan E himself.
The problem was, I wasn't heavier than the car. When things collide, it's the 
object with the least momentum that gives way, and weight is a component of 
momentum. It doesn'tmatter how strong the lighter object is.
I got smarter after that. I knocked the statue of Peron off its perch and threw 
it at the car. That took care of things. There are a few other things about the 
ace business that you can't learn from reading comic books. I remember comic 
aces gabbing the barrels of tank guns and turning them into pretzels.
It is in fact possible to do that, but you have to have the leverage to do it. 
You've got to plant your feet on something solid in order to have something to 
push against. It was far easier for me to dive under the tank and knock it off 
its treads. Then I'd run around to the other side and put my arms around the gun 
barrel, with my shoulder under the barrel, and then yank down. I'd use my 
shoulder as the fulcrum of a lever and bend the barrel around myself.
That's what I'd do if I was in a hurry. If I had time, I'd punch my way through 
the bottom of the tank and rip it apart from the inside.
But I digress. Back to Peron.
There were a couple critical things that had to be done. Some loyal Peronists 
couldn't be gotten to, and one of them was the head of an armored battalion 
quartered in a walled compound on the outskirts of Buenos Aires. On the night of 
the coup, I picked up one of the tanks and dropped it on its side in front of 
the gate, and then I just braced my shoulder against it and held it in place 
while the other tanks battered themselves into junk trying to move it.
Earl immobilized Peron's air force. He just flew behind the planes on the runway 
and tore off the stabilizers. Democracy was victorious. Peron and his blond 
hooker took off for Portugal.
I gave myself a few hours off. While triumphant middleclass mobs poured into the 
street to celebrate, I was in a hotel room with the daughter of the French 
ambassador. Listening to the chanting mob through the window, the taste of 
champagne and Nicolette on my tongue, I concluded this was better than flying.
Our image got fashioned in that campaign. I was wearing old Army fatigues most 
of the time, and that's the view of me most people remember. Earl was wearing 
tan Air Force officer's fatigues with the insignia taken off, boots, helmet, 
goggles, scarf, and his old leather flying jacket with the 332nd patch on the 
shoulder. When he wasn't flying he'd take the helmet off and put on an old black 
beret he kept in his hip pocket. Often, when we were asked to make personal 
appearances, Earl and I were asked to dress in our fatigues so everyone would 
know us. The public never seemed to realize that most of the time we wore suits 
and ties, just like everyone else.
When Earl and I were together, it was often in a combat situation, and for that 
reason we became best friends... people in combat become close very quickly. I 
talked about my life, my war, about women. He was a little more guardedmaybe he 
wasn't sure how I'd take hearing his exploits with white girls-but eventually, 
one night when we were in northern Italy looking for Bormann, I heard all about 
Orlena Goldoni.
"I used to have to paint her stockings on in the morning," Earl said. "I'd have 
to make up her legs, so it would look like she had silk stockings. And I'd have 
to paint the seam down the back in eyeliner." He smiled. "That was a paint job I 
always enjoying doing."
"Why didn't you just give her some stockings?" I asked.
They were easy enough to come by. GIs wrote to their friends and relatives in 
the States to send them.
"I gave her lots of pairs," Earl shrugged, "but Lena'd give 'em away to the 
comrades."
Earl hadn't kept a picture of Lena, not where Lillian could find it, but I saw 
her in the pictures later, when she was billed as Europe's answer to Veronica 
Lake. Tousled blond hair, broad shoulders, a husky voice. Lake's screen persona 
was cool, but Goldoni's was hot. The silk stockings were real in the pictures, 
but so were the legs under them, and the picture celebrated Lena's legs as often 
as the director thought he could get away with it. I remember thinking how much 
fun Earl must have had painting her.
She was a cabaret singer in Naples when they met, in one of the few clubs where 
black soldiers were allowed. She was eighteen and a black marketeer and a former 
courier for the Italian Communists. Earl took one look at her and threw caution 
to the winds. It was maybe the one time in his entire life that he indulged 
himself. He started taking chances. Slipping off the field at night, dodging MP 
patrols to be with her, sneaking back early in the morning and being on the 
flight line ready to take off for Bucharest or Ploesti...
"We knew it wasn't forever," Earl said. "We knew the war would end sooner or 
later." There was a kind of distance in his eyes, the memory of a hurt, and I 
could see how much leaving Lena had cost him. "We were grownups about it." A 
long sigh. "So we said good-bye. I got discharged and went back to work for the 
union. And we haven't seen each other since." He shook his head. "Now she's in 
the pictures. I haven't seen any of them."
The next day, we got Bormann. I held him by his monk's cowl and shook him till 
his teeth rattled. We turned him over to the representative of the Allied War 
Crimes Tribunal and gave ourselves a few days' leave.
Earl seemed more nervous than I'd ever seen him. He kept disappearing to make 
phone calls. The press always followed us around, and Earl jumped every time a 
camera bulb went off. The first night, he disappeared from our hotel room, and I 
didn't see him for three days.
Usually I was the one exhibiting this kind of behavior, always sneaking off to 
spend some time with a woman. Earl's doing it caught me by surprise.
He'd spent the weekend with Lena, in a little hotel north of Rome. I saw their 
pictures together in the Italian papers on Monday morning-somehow the press 
found out about it. I wondered whether Lillian had heard, what she was thinking. 
Earl showed up, scowling, around noon on Monday, just in time for his flight to 
India: He was going to Calcutta to see Gandhi. Earl wound up stepping between 
the Mahatma and the bullets that some fanatic fired at him on the steps of the 
temple-and all of a sudden the papers were full of India, with what had just 
happened in Italy forgotten. I don't know how Earl explained it to Lillian.
Whatever it was he said, I suppose Lillian believed him. She always did.
Glory years, these. With the fascist escape route to South America cut, the 
Nazis were forced to stay in Europe where it was easier to find them. After Earl 
and I dug Bormann out of his monastery, we plucked Mengele from a farm attic in 
Bavaria and we got so close to Eichmann in Austria that he panicked and ran out 
into the arms of a Soviet patrol, and the Russians shot him out of hand. David 
Harstein walked into the Escorial on a diplomatic passport and talked Franco 
into making a live radio address in which he resigned and called for elections, 
and then David stayed with him on the plane all the way to Switzerland. Portugal 
called for elections right afterward, and Peron had to find a new home in 
Nanking, where he became a military adviser to the generalissimo. Nazis were 
bailing out of Iberia by the dozen, and the Nazi hunters caught a lot of them.
I was making a lot of money. Mr. Holmes wasn't paying me much in the way of 
wages, but I got a lot for making the Chesterfield endorsement and for selling 
my story to Life, and I had a lot of paid speaking engagements-Mr. Holmes hired 
me a speechwriter. My half of the Park Avenue apartment was free, and I never 
had to pay for a meal if I didn't want to. I got large sums for articles that 
were written over my name, things like "Why I Believe in Tolerance" and "What 
America Means to Me," and "Why We Need the U. N." Hollywood scouts were making 
incredible offers for long-term contracts, but I wasn't interested just yet. I 
was seeing the world.
So many girls were visiting me in my room that the tenants' association talked 
about installing a revolving door. The papers started calling Earl "the Black 
Eagle," from the 332nd's nickname, "the Lonely Eagles." He didn't like the name 
much. David Harstein, by those few who knew of his talent, was "the Envoy." I 
was "Golden Boy," of course. I didn't mind.
EFD got another member in Blythe Stanhope van Renssaeler, who the papers started 
calling "Brain Trust." She was a petite, proper upper-crust Boston lady, 
high-strung as a thoroughbred, married to a scumbag New York congressman by whom 
she'd had three kids. She had the kind of beauty that took a while for you to 
notice, and then you wondered why you hadn't seen it before. I don't think she 
ever knew how lovely she really was.
She could absorb minds. Memories, abilities, everything. Blythe was older than 
me by about ten years, but that didn't bother me, and before long I started 
flirting with her. I had plenty of other female companionship, and everyone knew 
that, so if she knew anything about me at all-and maybe she didn't, because my 
mind wasn't important enough to absorbshe didn't take me seriously.
Eventually her awful husband, Henry, threw her out, and she came by our 
apartment to look for a place to stay. Mr. Holmes was gone, and I was feeling no 
pain after a few shots of his twenty-year-old brandy, and I offered her a bed to 
stay inmine, in fact. She blew up at me, which I deserved, and stormed out.
Hell, I hadn't intended her to take the offer as a permanent one. She should 
have known better.
So, for that matter, should I. Back in '47, most people would rather marry than 
burn. I was an exception. And Blythe was too high-strung to fool with-she was on 
the edge of nervous collapse half the time, with all the knowledge in her head, 
and one thing she didn't need was a Dakota farm boy pawing at her on the night 
her marriage ended.
Soon Blythe and Tachyon were together. It didn't do my self-esteem any good to 
be turned down for a being from another planet, but I'd gotten to know Tachyon 
fairly well, and I'd decided he was okay in spite of his liking for brocade and 
satin. If he made Blythe happy, that was fine with me. I figured he had to have 
something right with him to persuade a bluestocking like Blythe to actually live 
in sin.
The term "ace" caught on just after Blythe joined the EFD, so suddenly we were 
the Four Aces. Mr. Holmes was Democracy's Ace in the Hole, or the Fifth Ace. We 
were good guys, and everyone knew it.
It was amazing, the amount of adulation we received. The public simply wouldn't 
allow us to do anything wrong. Even die-hard bigots referred to Earl Sanderson 
as "our colored flyboy" When he spoke out on segregation, or Mr. Holmes on 
populism, people listened.
Earl was consciously manipulating his image, I think. He was smart, and he knew 
how the machinery of the press worked. The promise he'd given with such struggle 
to Mr. Holmes was fully justified by events. He was consciously molding himself 
into a black hero, an untarnished figure of aspiration. Athlete, scholar, union 
leader, war hero, faithful husband, ace. He was the first black man on the cover 
of Time, the first on Life. He had replaced Robeson as the foremost black ideal, 
as Robeson wryly acknowledged when he said, "I can't fly, but then Earl 
Sanderson can't sing."
Robeson was wrong, by the way.
Earl was flying higher than he ever had. He hadn't realized what happens to 
idols when people find out about their feet of clay.
The Four Aces' failures came the next year, in '48. When the Communists were on 
the verge of taking over in Czechoslovakia we flew to Germany in a big rush, and 
then the whole thing was called off. Someone at the State Department had decided 
the situation was too complicated for us to fix, and he'd asked Mr. Holmes not 
to intervene. I heard a rumor later that the government had been recruiting some 
ace talents of their own for covert work, and that they'd been sent in and made 
a bungle of it. I don't know if that's true or not.
Then, two months after the Czechoslovakian fiasco, we were sent into China to 
save a billion-odd people for democracy.
It was not apparent at the time, but our side had already lost. On paper, things 
seemed retrievable-the generalissimos Kuomintang still held all the major 
cities, their armies were well equipped, compared to Mao and his forces, and it 
was well known that the generalissimo was a genius. If he weren't, why had Mr. 
Luce made him Time's Man of the Year twice?
On the other hand, the Communists were marching south at a steady rate of 
twenty-three point five miles per day, rain or shine, summer or winter, 
redistributing land as they went. Nothing could stop them--certainly not the 
generalissimo. By the time we were called in, the generalissimo had resigned-he 
did that from time to time, just to prove to everyone that he was indispensable. 
So the Four Aces met with the new KMT president, a man named Chen who was always 
looking over his shoulder lest he be replaced once the Great Man decided to make 
another dramatic entrance to save the country.
The U.S. position, by then, was prepared to concede north China and Manchuria, 
which the KMT had already lost barring the big cities. The idea was to save the 
south for the generalissimo by partitioning the country. The Kuomintang would 
get a chance to establish itself in the south while they organized for an 
eventual reconquest, and the Communists would get the northern cities without 
having to fight for them.
We were all there, the Four Aces and Holmes-Blythe was included as a scientific 
adviser and ended up giving little speeches about sanitation, irrigation, and 
inoculation. Mao was there, and Zhou En-lai, and President Chen. The 
generalissimo was off in Canton sulking in his tent, and the People's Liberation 
Army was laying seige to Mukden in Manchuria and otherwise marching steadily 
south, twentythree point five miles per day, under Lin Biao.
Earl and I didn't have much to do. We were observers, and mostly what we 
observed were the delegates. The KMT people were astonishingly polite, they 
dressed well, they had uniformed servants who scuttled about on their errands. 
Their interaction with one another looked like a minuet.
The PLA people looked like soldiers. They were smart, proud, military in the way 
that real soldiers are military, without all the white-glove prissy formality of 
the KMT The PLA had been to war, and they weren't used to losing. I could tell 
that at a glance.
It was a shock. All I knew about China was what I'd read in Pearl Buck. That, 
and the certified genius of the generalissimo.
"These guys are fighting those guys?" I asked Earl. "Those guys" -Earl was 
indicating the KMT crowd- "aren't fighting anyone. They're ducking for cover and 
running away. That's part of the problem."
"I don't like the looks of this," I said.
Earl seemed a little sad. "I don't, either," he said. He spat. "The KMT 
officials have been stealing land from the peasants. The Communists are giving 
the land back, and that means they've got popular support. But once they've won 
the war they'll take it back, just like Stalin did."
Earl knew his history. Me, I just read the papers. Over a period of two weeks 
Mr. Holmes worked out a basis for negotiation, and then David Harstein came into 
the room and soon Chen and Mao were grinning at each other like old school 
buddies at a reunion, and in a marathon negotiating session China was formally 
partitioned. The KNIT and the PLA were ordered to be friends and lay down their 
arms.
It all fell apart within days. The generalissimo, who had no doubt been told of 
our perfidy by ex-Colonel Peron, denounced the agreement and returned to save 
China. Lin Biao never stopped marching south. And after a series of colossal 
battles, the certified genius of the generalissimo ended up on an island guarded 
by the U.S. fleet-along with Juan Peron and his blond hooker, who had to move 
again.
Mr. Holmes told me that when he flew back across the Pacific with the partition 
in his pocket, while the agreement unraveled behind him and the cheering crowds 
in Hong Kong and Manila and Oahu and San Francisco grew ever smaller, he kept 
remembering Neville Chamberlain and his little piece of paper, and how 
Chamberlain's "peace in Europe" turned into conflagration, and Chamberlain into 
history's dupe, the sad example of a man who meant well but who had too much 
hope, and trusted too much in men more experienced in treachery than he.
Mr. Holmes was no different. He didn't realize that while he'd gone on living 
and working for the same ideals, for democracy and liberalism and fairness and 
integration, the world was changing around him, and that because he didn't 
change with the world the world was going to hammer him into the dust.
At this point the public were still inclined to forgive us, but they remembered 
that we'd disappointed them. Their enthusiasm was a little lessened.
And maybe the time for the Four Aces had passed. The big war criminals had been 
caught, fascism was on the run, and we had discovered our limitations in 
Czechoslovakia and China.
When Stalin blockaded Berlin, Earl and I flew in. I was in my combat fatigues 
again, Earl in his leather jacket. He flew patrols over the Russian wire, and 
the Army gave me a jeep and a driver to play with. Eventually Stalin backed 
down.
But our activities were shifting toward the personal. Blythe was going off to 
scientific conferences all over the world, and spent most of the rest of her 
time with Tachyon.
Earl was marching in civil rights demonstrations and speaking all over the 
country. Mr. Holmes and David Harstein went to work, in that election year, for 
the candidacy of Henry Wallace.
I spoke alongside Earl at Urban League meetings, and to help out Mr. Holmes I 
said a few nice things for Mr. Wallace, and I got paid a lot of money for 
driving the latest-model Chrysler and for talking about Americanism.
After the election I went to Hollywood to work for Louis Mayer. The money was 
more incredible than anything I'd ever dreamed, and I was getting bored with 
kicking around Mr.
Holmess apartment. I left most of my stuff in the apartment, figuring it 
wouldn't be long before I'd be back.
I was pulling down ten thousand per week, and I'd acquired an agent and an 
accountant and a secretary to answer the phone and someone to handle my 
publicity; all I had to do at this point was take acting and dance lessons. I 
didn't actually have to work yet, because they were having script problems with 
my picture. They'd never had to write a screenplay around a blond superman 
before.
The script they eventually came up with was based loosely on our adventures in 
Argentina, and it was called Golden Boy. They paid Clifford Odets a lot of money 
to use that title, and considering what happened to Odets and me later, that 
linking had a certain irony.
When they gave the script to me, I didn't care for it. I was the hero, which was 
just fine with me. They actually called me "John Brown." But the Harstein 
character had been turned into a minister's son from Montana, and the Archibald 
Holmes character, instead of being a politician from Virginia, had become an FBI 
agent. The worst part was the Earl Sanderson character-he'd become a cipher, a 
black flunky who was only in a few scenes, and then only to take orders from 
John Brown and reply with a crisp, "Yes, sir," and a salute. I called up the 
studio to talk about this.
"We can't put him in too many scenes," I was told. "Otherwise we can't cut him 
out for the Southern version." I asked my executive producer what he was talking 
about. "If we release a picture in the South, we can't have colored people in 
it, or the exhibitors won't show it. We write the scenes so that we can release 
a Southern version by cutting out all the scenes with niggers."
I was astonished. I never knew they did things like that. "Look," I said. "I've 
made speeches in front of the NAACP and Urban League. I was in Newsweek with 
Mary McLeod Bethune. I can't be seen to be a party to this."
The voice coming over the phone turned nasty. "Look at your contract, Mr. Braun. 
You don't have script approval."
"I don't want to approve the script. I just want a script that recognizes 
certain facts about my life. If I do this script, my credibility will be gone. 
You're fucking with my image, here!" After that it turned unpleasant. I made 
certain threats and the executive producer made certain threats. I got a call 
from my accountant telling me what would happen if the ten grand per week 
stopped coming, and my agent told me I had no legal right to object to any of 
this.
Finally I called Earl and told him what was going on. "What did you say they 
were paying you?" he asked.
I told him again.
"Look," he said. "What you do in Hollywood is your business. But you're new 
there, and you're an unknown commodity to them. You want to stand up for the 
right, that's good. But if you walk, you won't do me or the Urban League any 
good. Stay in the business and get some clout, then use it. And if you feel 
guilty, the NAACP can always use some of that ten grand per week."
So there it was. My agent patched up an understanding with the studio to the 
effect that I was to be consulted on script changes. I succeeded in getting the 
FBI dropped from the script, leaving the Holmes character without any set 
governmental affiliation, and I tried to make the Sanderson character a little 
more interesting.
I watched the rushes, and they were good. I liked my acting-it was relaxed, 
anyway, and I even got to step in front of a speeding Mercedes and watch it 
bounce off my chest. It was done with special effects.
The picture went into the can, and I went from a threemartini lunch into the 
wrap party without stopping to sober up. Three days later I woke up in Tijuana 
with a splitting headache and a suspicion that I'd just done something foolish. 
The pretty little blonde sharing the pillow told me what it was. We'd just got 
married. When she was in the bath I had to look at the marriage license to find 
out her name was Kim Wolfe.
She was a minor starlet from Georgia who'd been scuffling around Hollywood for 
six years.
After some aspirin and a few belts of tequila, marriage didn't seem like a 
half-bad idea. Maybe it was time, with my new career and all, that I settled 
down.
I bought Ronald Colman's old pseudo-English country house on Summit Drive in 
Beverly Hills, and I moved in with Kim, and our two secretaries, Kim's 
hairdresser, our two chauffeurs, our two live-in maids... suddenly I had all 
these people on salary, and I wasn't quite sure where they came from.
The next picture was The Rickenbacker Story. Victor Fleming was going to direct, 
with Fredric March as Pershing and June Allyson as the nurse I was supposed to 
fall in love with. Dewey Martin, of all people, was to play Richthofen, whose 
Teutonic breast I was going to shoot full of American lead-never mind that the 
real Richthofen was shot down by someone else. The picture was going to be 
filmed in Ireland, with an enormous budget and hundreds of extras. I insisted on 
learning how to fly, so I could do some of the stunts myself. I called Earl 
long-distance about that.
"Hey," I said. "I finally learned how to fly."
"Some farm boys," he said, "just take a while."
"Victor Fleming's gonna make me an ace."
"Jack." His voice was amused. "You're already an ace." Which stopped me up 
short, because somehow in all the activity I'd forgotten that it wasn't MGM who 
made me a star. "You've got a point, there," I said.
"You should come to New York a little more often," Earl said. "Figure out what's 
happening in the real world."
"Yeah. I'll do that. We'll talk about flying."
"We'll do that."
I stopped by New York for three days on my way to Ireland. Kim wasn't with me 
she'd gotten work, thanks to me, and had been loaned to Warner Brothers for a 
picture. She was very Southern anyway, and the one time she'd been with Earl 
she'd been very uncomfortable, and so I didn't mind she wasn't there.
I was in Ireland for seven months-the weather was so bad the shooting took 
forever. I met Kim in London twice, for a week each time, but the rest of the 
time I was on my own. I was faithful, after my fashion, which meant that I 
didn't sleep with any one girl more than twice in a row. I became a good enough 
pilot so that the stunt pilots actually complimented me a few times.
When I got back to California, I spent two weeks at Palm Springs with Kim. 
Golden Boy was going to premiere in two months. On my last day at the Springs, 
I'd just climbed out of the swimming pool when a congressional aide, sweating in 
a suit and tie, walked up to me and handed me a pink slip. It was subpoena. I 
was to appear before the House Committee on Un-American Activities bright and 
early on Tuesday. The very next day.
I was more annoyed than anything. I figured they obviously had the wrong Jack 
Braun. I called up Metro and talked to someone in the legal department. He 
surprised me by saying, "Oh, we thought you'd get the subpoena sometime soon."
"Wait a minute. How'd you know?"
There was a second's uncomfortable silence. "Our policy is to cooperate with the 
FBI. Look, we'll have one of our attorneys meet you in Washington. Just tell the 
committee what you know and you can be back in California next week."
"Hey," I said. "What's the FBI got to do with it? And why didn't you tell me 
this was coming? And what the hell does the committee think I know, anyway?"
"Something about China," the man said. "That was-what the investigators were 
asking us about, anyway."
I slammed the phone down and called Mr. Holmes. He and Earl and David had gotten 
their subpoenas earlier in the day and had been trying to reach me ever since, 
but couldn't get ahold of me in Palm Springs.
"They're going to try to break the Aces, farm boy," Earl said. "You'd better get 
the first flight east. We've got to talk." I made arrangements, and then Kim 
walked in, dressed in her tennis whites, just back from her lesson. She looked 
better in sweat than any woman I'd ever known.
"What's wrong?" she said. I Just pointed at the pink slip. Kim's reaction was 
fast, and it surprised me. "Don't do what the Ten did," she said quickly. "They 
consulted with each other and took a hard-line defense, and none of them have 
worked since." She reached for the phone. "Let me call the studio. We've got to 
get you a lawyer."
I watched her as she picked up the phone and began to dial. A chill hand touched 
the back of my neck.
"I wish I knew what was going on," I said.
But I knew. I knew even then, and my knowledge had a precision and a clarity 
that was terrifying. All I could think about was how I wished I couldn't see the 
choices quite so clearly.
To me, the Fear had come late. HUAC first went after Hollywood in '47, with the 
Hollywood Ten. Supposedly the committee was investigating Communist infiltration 
of the film industry-a ridiculous notion on the face of it, since no Communists 
were going to get any propaganda in the pictures without the express knowledge 
and permission of people like Mr. Mayer and the Brothers Warner. The Ten were 
all current or former Communists, and they and their lawyers agreed on a defense 
based on the First Amendment rights of free speech and association.
The committee rode over them like a herd of buffalo over a bed of daisies. The 
Ten were given contempt-of-Congress citations for their refusal to cooperate, 
and after their appeals ran out years later, they ended up in prison.
The Ten had figured the First Amendment would protect them, that the contempt 
citations would be thrown out of court within a few weeks at the most. Instead 
the appeals went on for years, and the Ten went to the slammer, and during that 
time none of them could find a job.
The blacklist came into existence. My old friends, the American Legion, who had 
learned somewhat more subtle tactics since going after the Holiday Association 
with axe handles, published a list of known or suspected Communists so that no 
one employer had any excuse for hiring anyone on the list. If he hired someone, 
he became suspect himself, and his name could be added to the list.
None of those called before HUAC had ever committed a crime, as defined by law, 
nor were they ever accused of crimes. They were not being investigated for 
criminal activity, but for associations. HUAC had no constitutional mandate to 
investigate these people, the blacklist was illegal, the evidence introduced at 
the committee sessions was largely hearsay and inadmissible in a court of law... 
none of it mattered. It happened anyway.
HUAC had been silent for a while, partly because their chairman, Parnell, had 
gotten tossed into the slammer for padding his payroll, partly because the 
Hollywood Ten appeals were still going through the court. But they'd gotten 
hungry for all that great publicity they'd gotten when they went after 
Hollywood, and the public had been whipped into a frenzy with the Rosenberg 
trials and the Alger Hiss case, so they concluded that the time was right for 
another splashy investigation.
HUAC's new chairman, John S. Wood of Georgia, decided to go after the biggest 
game on the planet.
Us.
My MGM attorney met me at the Washington airport. "I'd advise you not to talk 
with Mr. Holmes or Mr. Sanderson," he said.
"Don't be ridiculous."
"They're going to try to get you to take a First or Fifth Amendment defense," 
the lawyer said. "The First Amendment defense won't work-it's been turned down 
on every appeal. The Fifth is a defense against self-incrimination, and unless 
you've actually done something illegal, you can't use it unless you want to 
appear guilty."
"And you won't work, jack," Kim said. "Metro won't even release your pictures. 
The American Legion would picket them all over the country."
"How do I know that I'll work if I talk?" I said. "All you have to do to get on 
the blacklist is be called, for crissake."
"I've been authorized to tell you from Mr. Mayer," the lawyer said, "that you 
will remain in his employ if you cooperate with the committee."
I shook my head. "I'm talking with Mr. Holmes tonight." I grinned at them. 
"We're the Aces, for heaven's sake. If we can't beat some hick congressman from 
Georgia, we don't deserve to work."
So I met Mr. Holmes, Earl, and David at the Statler. Kim said I was being 
unreasonable and stayed away.
There was a disagreement right from the start. Earl said that the committee had 
no right to call us in the first place, and that we should simply refuse to 
cooperate. Mr. Holmes said that we couldn't just concede the fight then and 
there, that we should defend ourselves in front of the committee-that we had 
nothing to hide. Earl told him that a kangaroo court was no place to conduct a 
reasoned defense. David just wanted to give his pheromones a crack at the 
committee. "The hell with it," I said. "I'll take the First. Free speech and 
association is something every American understands."
Which I didn't believe for a second, by the way. I just felt that I had to say 
something optimistic.
I wasn't called that first day-I loitered with David and Earl in the lobby, 
pacing and gnawing my knuckles, while Mr. Holmes and his attorney played Canute 
and tried to keep the acid, evil tide from eating the flesh from their bones. 
David kept trying to talk his way past the guards, but he didn't have any 
luck-the guards outside were willing to let him come in, but the ones inside the 
committee room weren't exposed to his pheromones and kept shutting him out.
The media were allowed in, of course. HUAC liked to parade its virtue before the 
newsreel cameras, and the newsreels gave the circus full play.
I didn't know what was going on inside until Mr. Holmes came out. He walked like 
a man who had a stroke, one foot carefully in front of the other. He was gray. 
His hands trembled, and he leaned on the arm of his attorney. He looked as if 
he'd aged twenty years in just a few hours. Earl and David ran up to him, but 
all I could do was stare in terror as the others helped him down the corridor.
The Fear had me by the neck.
Earl and Blythe put Mr. Holmes in his car, and then Earl waited for my MGM 
limousine to drive up, and he got into the back with us. Kim looked pouty, 
squeezed into the corner so he wouldn't touch her, and refused even to say 
hello.
"Well, I was right," he said. "We shouldn't have cooperated with those bastards 
at all."
I was still stunned from what I'd seen in the corridor. "I can't figure out why 
the hell they're doing this."
He fixed me with an amused glance. "Farm boys," he said, a resigned comment on 
the universe, and then shook his head. "You've got to hit them over the head 
with a shovel to get them to pay attention."
Kim sniffed. Earl didn't give any indication he'd heard. "They're power-hungry, 
farm boy," he said. And they've been kept out of power by Roosevelt and Truman 
for a lot of years. They're going to get it back, and they're drumming up this 
hysteria to do it. Look at the Four Aces and what do you see? A Negro Communist, 
a Jewish liberal, an F D.R. liberal, a woman living in sin. Add Tachyon and 
you've got an alien who's subverting not just the country but our chromosomes. 
There are probably others as powerful that nobody knows about. And they've all 
got unearthly powers, so who knows what they're up to? And they're not 
controlled by the government, they're following some kind of liberal political 
agenda, so that threatens the power base of most of the people on the committee 
right there.
"The way I figure it, the government has their own ace talents by now, people we 
haven't heard ou That means we can be done without-we're too independent and 
we're politically unsound. China and Czechoslovakia and the names of the other 
aces-that's an excuse. The point is that if they can break us right in public, 
they prove they can break anybody. It'll be a reign of terror that will last a 
generation. Not anyone, not even the President, will be immune."
I shook my head. I had heard the words, but my brain wouldn't accept them. "What 
can we do about it?" I asked. Earl's gaze held my eyes. "Not a damn thing, farm 
boy." I turned away.
My MGM attorney played a recording of the Holmes hearing for me that night. Mr. 
Holmes and his attorney, an old Virginia family friend named Cranmer, were used 
to the ways of Washington and the ways of law. They expected an orderly 
proceeding, the gentlemen of the committee asking polite questions of the 
gentlemen witnesses.
The plan had no relation to reality. The committee barely let Mr. Holmes 
talk-instead they screamed at him, rants full of vicious innuendo and hearsay, 
and he was never allowed to reply.
I was given a copy of the transcript. Part of it reads like this:

MR. RANKIN: When I look at this disgusting New Deal man who sits before the 
committee, with his smarty-pants manners and Bond Street clothes and his effete 
cigarette holder, everything that is American and Christian in me revolts at the 
sight. The New Deal man! That damned New Deal permeates him like a cancer, and I 
want to scream, "You're everything that's wrong with America. Get out and go 
back to Red China where you belong, you New Deal socialist! In China they'll 
welcome you and your treachery."
CHAIRMAN: The honorable member's time has expired. 
MR. RANKIN: Thank you, Mr. Chairman.
CHAIRMAN: Mr. Nixon?
MR. NIXON: What were the names of those people in the State Department who you 
consulted with prior to your journey to China?
WITNESS: May I remind the committee that those with whom I dealt were American 
public servants acting in good faith...
MR. NIXON: The committee is not interested in their records. Just their names.

The transcript goes on and on, eighty pages of it altogether. Mr. Holmes had, it 
appeared, stabbed the generalissimo in the back and lost China to the Reds. He 
was accused of being soft on communism, just like that parlor-pink Henry 
Wallace, who he supported for the presidency. John Rankin of 
Mississippi-probably the weirdest voice on the committee accused Mr. Holmes of 
being part of the Jewish-Red conspiracy that had crucified Our Savior. Richard 
Nixon of California kept asking after names-he wanted to know the people Mr. 
Holmes consulted with in the State Department so that he could do to them what 
he'd already done to Alger Hiss. Mr. Holmes didn't give any names and pleaded 
the First Amendment. That's when the committee really rose to its feet in 
righteous indignation: they mauled him for hours, and the next day they sent 
down an indictment for contempt of Congress. Mr. Holmes was on his way to the 
penitentiary.
He was going to prison, and he hadn't committed a single crime.
"Jesus Christ. I've got to talk to Earl and David."
"I've already advised you against that, Mr. Braun."
"The hell with that. We've got to make plans."
"Listen to him, honey."
"The hell with that." The sound of a bottle clinking against a glass. "There's 
got to be a way out of this."
When I got to Mr. Holmes's suite, he'd been given a sedative and put to bed. 
Earl told me that Blythe and Tachyon had gotten their subpoenas and would arrive 
the next day. We couldn't understand why. Blythe never had any part in the 
political decisions, and Tachyon hadn't had anything to do with China or 
American politics at all.
David was called the next morning. He was grinning as he went in. He was going 
to get even for all of us.

MR. RANKIN: I would like to assure the Jewish gentleman from New York that he 
will encounter no bias on account of his race. Any man who believes in the 
fundamental principles of Christianity and lives up to them, whether he is 
Catholic or Protestant, has my respect and confidence.
WITNESS: May I say to the committee that I object to the characterization of 
"Jewish gentleman."
MR. RANKIN: Do you object to being called a Jew or being called a gentleman? 
What are you kicking about?

After that rocky start, David's pheromones began to infiltrate the room, and 
though he didn't quite have the committee dancing in a circle and singing "Hava 
Nagila," he did have them genially agreeing to cancel the subpoenas, call off 
the hearings, draft a resolution praising the Aces as patriots, send a letter to 
Mr. Holmes apologizing for their conduct, revoke the contempt of Congress 
citations for the Hollywood Ten, and in general make fools out of themselves for 
several hours, right in front of the newsreel cameras. John Rankin called David 
"America's little Hebe friend," high praise from him. David waltzed out, we saw 
that ear-to-ear grin, and we pounded him on the back and headed back to the 
Statler for a celebration.
We had opened the third bottle of champagne when the hotel dick opened the door 
and congressional aides delivered a new round of subpoenas. We turned on the 
radio and heard Chairman John Wood give a live address about how David had used 
mind control of the type practiced in the Pavlov Institute in Communist Russia; 
and that this deadly form of attack would be investigated in full.
I sat down on the bed and stared at the bubbles rising in my champagne glass.
The Fear had come again.
Blythe went in the next morning. Her hands were trembling. David was turned away 
by hall guards wearing gas masks.
There were trucks with chemical-warfare symbols out front. I found out later 
that if we tried to fight our way out, they were going to use phosgene on us.
They were constructing a glass booth in the hearing room. David would testify in 
isolation, through a microphone. The control of the mike was in John Wood's 
hands.
Apparently HUAC were as shaken as we, because their questioning was a little 
disjointed. They asked her about China, and since she'd gone in a scientific 
capacity she didn't have any answers for them about the political decisions. 
Then they asked her about the nature of her power, how exactly she absorbed 
minds and what she did with them. It was all fairly polite. Henry van Renssaeler 
was still a congressman, after all, and professional courtesy dictated they not 
suggest his wife ran his mind for him.
They sent Blythe out and called in Tachyon. He was dressed in a peach-colored 
coat and Hessian boots with tassels. He'd been ignoring his attorney's advice 
all along-he went in with the attitude of an aristocrat whose reluctant duty was 
to correct the misapprehensions of the mob.
He outsmarted himself completely, and the committee ripped him to shreds. They 
nailed him for being an illegal alien, then stomped over him for being 
responsible for releasing the wild card virus, and to top it all of they 
demanded the names of the aces he'd treated, just in case some of them happened 
to be evil infiltrators influencing the minds of America at the behest of Uncle 
Joe Stalin. Tachyon refused.
They deported him.
Harstein went in the next day, accompanied by a file of Marines dressed for 
chemical warfare. Once they had him in the glass booth they tore into him just 
as they had Mr. Holmes.
John Wood held the button on the mike and would never let him talk, not even to 
answer when Rankin called him a slimy kike, right there in public. When he 
finally got his chance to speak, David denounced the committee as a bunch of 
Nazis. That sounded to Mr. Wood like contempt of Congress.
By the end of the hearing, David was going to prison, too. Congress adjourned 
for the weekend. Earl and I were going before the committee on Monday next.
We sat in Mr. Holmes's suite Friday night and listened to the radio, and it was 
all bad. The American Legion was organizing demonstrations in support of the 
committee all around the country. There were rounds of subpoenas going out to 
people over the country who were known to have ace abilities--no deformed jokers 
got called, because they'd look bad on camera. My agent had left a message 
telling me that Chrysler wanted their car back, and that the Chesterfield people 
had called and were worried.
I drank a bottle of scotch. Blythe and Tachyon were in hiding somewhere. David 
and Mr. Holmes were zombies, sitting in the corner, their eyes sunken, turned 
inward to their own personal agony. None of us had anything to say, except Earl. 
"I'll take the First Amendment, and damn them all," he said. "If they put me in 
prison, I'll fly to Switzerland."
I gazed into my drink. "I can't fly, Earl," I said. "Sure you can, farm boy," he 
said. "You told me yourself." "I can't fly, dammit! Leave me alone."
I couldn't stand it anymore, and took another bottle with me and went to bed. 
Kim wanted to talk and I just turned my back and pretended to be asleep.
"Yes, Mr. Mayer."
"Jack? This is terrible, Jack, just terrible."
"Yes, it is. These bastards, Mr. Mayer. They're going to wreck us."
"Just do what the lawyer says, Jack. You'll be fine. Do the brave thing."
"Brave?" Laughter. "Brave?"
"It's the right thing, Jack. You're a hero. They can't touch you. Just tell them 
what you know, and America will love you for it."
"You want me to be a rat."
"Jack, Jack. Don't use those kind of words. It's a patriotic thing I want you to 
do. The right thing. I want you to be a hero. And I want you to know there's 
always a place at Metro for a hero."
"How many people are gonna buy tickets to see a rat, Mr. Mayer? How many?"
"Give the phone to the lawyer, Jack. I want to talk to him. You be a good boy 
and do what he says."
"The hell I will. "
"Jack. What can I do with you? Let me talk to the lawyer."
Earl was floating outside my window. Raindrops sparkled on the goggles perched 
atop his flying helmet. Kim glared at him and left the room. I got out of bed 
and went to the window and opened it. He flew in, dropped his boots onto the 
carpet, and lit a smoke.
"You don't look so good, Jack."
"I have a hangover, Earl."
He pulled a folded Washington Star out of his pocket. "I have something here 
that'll sober you up. Have you seen the paper?"
"No. I haven't seen a damn thing."
He opened it. The headline read: STALIN ANNOUNCES SUPPORT FOR ACES.
I sat on the bed and reached for the bottle. "Jesus." Earl threw the paper down. 
"He wants us to go down. We kept him out of Berlin, for god's sake. He has no 
reason to love us. He's persecuting his own wild card talents over there."
"The bastard, the bastard." I closed my eyes. Colors throbbed on the backs of my 
lids. "Got a butt?" I asked. He gave me one, and a light from his wartime Zippo. 
I leaned back in bed and rubbed the bristles on my chin.
"The way I see it," Earl said, "we're going to have ten bad years. Maybe we'll 
even have to leave the country." He shook his head. "And then well be heroes 
again. It'll take at least that long."
"You sure know how to cheer a guy up."
He laughed. The cigarette tasted vile. I washed the taste away with scotch.
The smile left Earl's face, and he shook his head. "It's the people that are 
going to be called after us-those are the ones I'm sorry for. There's going to 
be a witch hunt in this country for years to come." He shook his head. "The 
NAACP is paying for my lawyer. I just might give him back. I don't want any 
organization associated with me. It'll just make it harder for them later."
"Mayer's been on the phone."
"Mayer." He grimaced. "If only those guys who run the studios had stood up when 
the Ten went before the committee. If they'd shown some guts none of this would 
ever have happened." He gave me a look. "You'd better get a new lawyer. Unless 
you take the Fifth." He frowned. "The Fifth is quicker. They just ask you your 
name, you say you won't answer, then it's over."
"What difference does the lawyer make, then?"
"You've got a point there." He gave me a ragged grin. "It really isn't going to 
make any difference, is it? Whatever we say or do. The committee will do what 
they want, either way."
"Yeah. It's over."
His grin turned, as he looked at me, to a soft smile. For a moment, I saw the 
glow that Lillian had said surrounded him. Here he was, on the verge of losing 
everything he'd worked for, about to be used as a weapon that would cudgel the 
civil rights movement and anti-fascism and anti-imperialism and labor and 
everything else that mattered to him, knowing that his name would be anathema, 
that anyone he'd ever associated with would soon be facing the same treatment... 
and he'd accepted it all somehow, saddened of course, but still solid within 
himself. The Fear hadn't even come close to touching him. He wasn't afraid of 
the committee, of disgrace, of the loss of his position and standing. He didn't 
regret an instant of his life, a moment's dedication to his beliefs.
"It's over?" he said. There was a fire in his eyes. "Hell, Jack," he laughed, 
"it's not over. One committee hearing ain't the war. Were aces. They can't take 
that away. Right?"
"Yeah. I guess."
"I better leave you to fix your hangover." He went to the window. "Time for my 
morning constitutional, anyway."
"See you later."
He gave me the thumbs-up sign as he threw a leg over the sill. "Take care, farm 
boy."
"You too."
I got out of bed to close the window just as the drizzle turned to downpour. I 
looked outside into the street. People were running for cover.
"Earl really was a Communist, Jack. He belonged to the party for years, he went 
to Moscow to study. Listen, darling"-imploring now-"you can't help him. He's 
going to get crucified no matter what you do."
"I can show him he ain't alone on the cross."
"Swell. Just swell. I'm married to a martyr. Just tell me, how are you helping 
your friends by taking the Fifth? Holmes isn't coming back to public life. 
David's hustled himself right into prison. Tachyons being deported. And Earl's 
doomed, sure as anything. You can't even carry their cross for them."
"Now who's being sarcastic?"
Screaming now. "Will you put down that bottle and listen to me? This is 
something your country wants you to do! It's the right thing!"
I couldn't stand it anymore, so I went for a walk in the cold February 
afternoon. I hadn't eaten all day and I had a bottle of whiskey in me, and the 
traffic kept hissing past as I walked, the rain drizzling in my face, soaking 
through my light California jacket, and I didn't notice any of it. I just 
thought of those faces, Wood and Rankin and Francis Case, the faces and the 
hateful eyes and the parade of constant insinuations, and then I started running 
for the Capitol. I was going to find the committee and smash them, bang heads 
together, make them run gabbling in fear. I'd brought democracy to Argentina, 
for crissake, and I could bring it to Washington the same way.
The Capitol windows were dark. Cold rain gleamed on the marble. No one was 
there. I prowled around looking for an open door, and then finally I bashed 
through a side entrance and headed straight for the committee room. I yanked the 
door open and stepped inside.
It was empty, of course. I don't know why I was so surprised. There were only a 
few spotlights on. David's glass booth gleamed in the soft light like a piece of 
fine crystal.
Camera and radio equipment sat in its place. The chairman's gavel glowed with 
brass and polish. Somehow, as I stood like an imbecile in the hushed silence of 
the room, the anger went out of me.
I sat down in one of the chairs and tried to remember what I was doing here. It 
was clear the Four Aces were doomed. We were bound by the law and by decency, 
and the committee was not. The only way we could fight them was to break the 
law, to rise up in their smug faces and smash the committee room to bits, 
laughing as the congressmen dived for cover beneath their desks. And if we did 
that we'd become what we fought, an extralegal force for terror and violence. 
We'd become what the committee claimed we were. And that would only make things 
worse.
The Aces were going down, and nothing could stop it. As I came down the Capitol 
steps, I felt perfectly sober. No matter how much I'd had to drink, the booze 
couldn't stop me from knowing what I knew, from seeing the situation in all its 
appalling, overwhelming clarity.
I knew, I'd known all along, and I couldn't pretend that I didn't.
I walked into the lobby next morning with Kim on one side and the lawyer on the 
other. Earl was in the lobby, with Lillian standing there clutching her purse.
I couldn't look at them. I walked past them, and the Marines in their gas masks 
opened the door, and I walked into the hearing room and announced my intention 
to testify before the committee as a friendly witness.
Later, the committee developed a procedure for friendly witnesses. There would 
be a closed session first, just the witness and the committee, a sort of dress 
rehearsal so that everyone would know what they were going to talk about and 
what information was going to be developed, so things would go smoothly in 
public session. That procedure hadn't been developed when I testified, so 
everything went a little roughly.
I sweated under the spotlights, so terrified I could barely speak-all I could 
see were those nine sets of evil little eyes staring at me from across the room, 
and all I could hear were their voices, booming at me from the loudspeakers like 
the voice of God.
Wood started o$; asking me the opening questions: who I was, where I lived, what 
I did for a living. Then he started going into my associations, starting with 
Earl. His time ran out and he turned me over to Kearney.
"Are you aware that Mr. Sanderson was once a member of the Communist party?"
I didn't even hear the question. Kearney had to repeat it. "Huh? Oh. He told me, 
yes."
"Do you know if he is currently a member?"
"I believe he split with the party after the Nazi-Soviet thing."
"In 1939."
"If that's what, when, the Nazi-Soviet thing happened. '39. I guess." I'd 
forgotten every piece of stagecraft I'd never known. I was fumbling with my tie, 
mumbling into the mike, sweating. Trying not to look into those nine sets of 
eyes.
"Are you aware of any Communist affiliations maintained by Mr. Sanderson 
subsequent to the Nazi-Soviet pact?"
"No."
Then it came. "He has mentioned to you no names belonging to Communist or 
Communist-affiliated groups?" I said the first thing that came into my head. Not 
even thinking. "There was some girl, I think, in Italy. That he knew during the 
war. I think her name was Lena Goldoni. She's an actress now."
Those sets of eyes didn't even blink. But I could see little smiles on their 
faces. And I could see the reporters out of the corner of my eye, bending 
suddenly over their notepads. "Could you spell the name, please?"
So there was the spike in Earl's coffin. Whatever could have been said about 
Earl up to then, it would have at least revealed himself true to his principles. 
The betrayal of Lillian implied other betrayals, perhaps of his country. I'd 
destroyed him with just a few words, and at the time I didn't even know what it 
was I was doing.
I babbled on. In a sweat to get it over, I said anything that came into my head. 
I talked about loving America, and about how I just said those nice things about 
Henry Wallace to please Mr. Holmes, and I'm sure it was a foolish thing to have 
done. I didn't want to change the Southern way of life, the Southern way of life 
was a fine way of life. I saw Gone With the Wind twice, a great picture. Mrs. 
Bethune was just a friend of Earl's I got photographed with. Velde took over the 
questioning.
"Are you aware of the names of any so-called aces who may be living in this 
country today?"
"No. None, I mean, besides those who have already been given subpoenas by the 
committee."
"Do you know if Earl Sanderson knows any such names?" 
"No."
"He has not confided to you in any way?"
I took a drink of water. How many times could they repeat this? "If he knows the 
names of any aces, he has not mentioned them in my presence."
"Do you know if Mr. Harstein knows of any such names?" On and on. "No."
"Do you believe that Dr. Tachyon knows any such names?"
They'd already dealt with this. I was just confirming what they knew. "He's 
treated many people afflicted by the virus. I assume he knows their names. But 
he has never mentioned any names to me."
"Does Mrs. van Renssaeler know the existence of any other aces?"
I started to shake my head, then a thought hit me, and I stammered out, "No. Not 
in herself, no."
Velde plodded on. "Does Mr. Holmes-" he started, and then Nixon sensed something 
here, in the way I'd just answered the question, and he asked Velde's permission 
to interrupt. Nixon was the smart one, no doubt. His eager, young chipmunk face 
looked at me intently over his microphone.
"May I request the witness to clarify that statement?"
I was horrified. I took another drink of water and tried to think of a way out 
of this. I couldn't. I asked Nixon to repeat the question. He did. My answer 
came out before he finished.
"Mrs. van Renssaeler has absorbed the mind of Dr. Tachyon. She would know any 
names that he would know." The strange thing was, they hadn't figured it out 
about Blythe and Tachyon up till then. They had to have the big jock from Dakota 
come in and put the pieces together for them. I should have just taken a gun and 
shot her. It would have been quicker.
Chairman Wood thanked me at the end of my testimony. When the chairman of HUAC 
said thank you, it meant you were okay as far as they were concerned, and other 
people could associate with you without fear of being branded a pariah. It meant 
you could have a job in the United States of America.
I walked out of the hearing room with my lawyer on one side and Kim on the 
other. I didn't meet the eyes of my friends. Within an hour I was on a plane 
back to California.
The house on Summit was full of congratulatory bouquets from friends I'd made in 
the picture business. There were telegrams from all over the country about how 
brave I'd been, about what a patriot I was. The American Legion was strongly 
represented.
Back in Washington, Earl was taking the Fifth. He announced that he'd simply 
paraphrased the Fifth and would continue to refuse any answer, they cited him 
for contempt.
He was going to join Mr. Holmes and David in prison. People from the NAACP met 
with him that night. They told him to disassociate himself from the civil rights 
movement. He'd set the cause back fifty years. He was to stay clear in the 
future.
The idol had fallen. He'd molded his image into that of a superman, a hero 
without flaw, and once I'd mentioned Lena the populace suddenly realized that 
Earl Sanderson was human. They blamed him for it, for their own naivete in 
believing in him and for their own sudden loss of faith, and in olden times they 
might have stoned him or hanged him from the nearest apple tree, but in the end 
what they did was worse.
They let him live.
Earl knew he was finished, was a walking dead man, that he'd given them a weapon 
that was used to crush him and everything he believed in, that had destroyed the 
heroic image he'd so carefully crafted, that he'd crushed the hopes of everyone 
who'd believed in him...e carried the knowledge with him to his dying day, and 
it paralyzed him. He was still young, but he was crippled, and he never flew as 
high again, or as far.
The next day HUAC called Blythe. I don't even want to think about what happened 
then.
They didn't just listen to the Fifth and then let him go. They asked him one 
insinuating question after another, and made him take the Fifth to each. Are you 
a Communist? Earl answered with the Fifth. Are you an agent of the Soviet 
government? The Fifth. Do you associate with Soviet spies? The Fifth. Do you 
know Lena Goldoni? The Fifth. Was Lena Goldoni your mistress? The Fifth. Was 
Lena Goldoni a Soviet agent? The Fifth.
Lillian was seated in a chair right behind. Sitting mute, clutching her bag, as 
Lena's name came up again and again. And finally Earl had had enough. He leaned 
forward, his face taut with anger.
"I have better things to do than incriminate myself in front of a bunch of 
fascists!" he barked, and they promptly ruled he'd waived the Fifth by speaking 
out, and they asked him the questions all over again. When, trembling with rage,
Golden Boy opened two months after the hearings. I sat next to Kim at the 
premiere, and from the moment the film began I realized it had gone terribly 
wrong.
The Earl Sanderson character was gone, just sliced out of the film. The 
Archibald Holmes character wasn't FBI, but he wasn't independent either, he 
belonged to that new organization, the CIA. Someone had shot a lot of new 
footage. The fascist regime in South America had been changed to a Communist 
regime in Eastern Europe, all run by oliveskinned men with Spanish accents. 
Every time one of the characters said "Nazi," it was dubbed in "Commie," and the 
dubbing was loud and bad and unconvincing.
I wandered in a daze through the reception afterward. Everyone kept telling me 
what a great actor I was, what a great picture it was. The film poster said Jack 
Braun -A Hero America Can Trust! I wanted to vomit.
I left early and went to bed.
I went on collecting ten grand per week while the picture bombed at the box 
office. I was told the Rickenbacker picture was going to be a big hit, but right 
now they were having script problems with my next picture. The first two 
screenwriters had been called up before the committee and ended up on the 
blacklist because they wouldn't name names. It made me want to weep.
After the Hollywood Ten appeals ran out, the next actor they called was Larry 
Parks, the man I'd been watching when the virus hit New York. He named names, 
but he didn't name them willingly enough, and his career was over.
I couldn't seem to get away from the thing. Some people wouldn't talk to me at 
parties. Sometimes I'd overhear bits of conversation. "Judas Ace."
"Golden Rat."
"Friendly Witness," said like it was a name, or title.
I bought a Jaguar to make myself feel better.
In the meantime, the North Koreans charged across the 38th Parallel and the U.S. 
forces were getting crunched at Taejon. I wasn't doing anything other than 
taking acting lessons a couple times each week.
I called Washington direct. They gave me a lieutenant colonel's rank and flew me 
out on a special plane.
Metro thought it was a great publicity stunt.
I was given a special helicopter, one of those early Bells, with a pilot from 
the swamps of Louisiana who exhibited a decided death wish. There was a cartoon 
of me on the side panels, with one knee up and one arm up high, like I was 
Superman flying.
I'd get taken behind North Korean lines and then I'd kick ass. It was very 
simple.
I'd demolish entire tank columns. Any artillery that got spotted by our side 
were turned into pretzels. I made four North Korean generals prisoner and 
rescued General Dean from the Koreans that had captured him. I pushed entire 
supply convoys off the sides of mountains. I was grim and determined and angry, 
and I was saving American lives, and I was very good at it.
There is a picture of me that got on the cover of Life. It shows me with this 
tight Clint Eastwood smile, holding a T-34 over my head. There is a very 
surprised North Korean in the turret. I'm glowing like a meteor. The picture was 
titled Superstar of Pusan, "superstar" being a new word back then.
I was very proud of what I was doing.
Back in the States, Rickenbacker was a hit. Not as big a hit as everyone 
expected, but it was spectacular and it made quite a bit of money. Audiences 
seemed to be a bit ambivalent in their reactions to the star. Even with me on 
the cover of Life, there were some people who couldn't quite see me as a hero. 
Metro re-released Golden Boy. It flopped again.
I didn't much care. I was holding the Pusan Perimeter. I was right there with 
the GIs, under fire half the time, sleeping in a tent, eating out of cans and 
looking like someone out of a Bill Mauldin cartoon. I think it was fairly unique 
behavior for a light colonel. The other officers hated it, but General Dean 
supported me-at one point he was shooting at tanks with a bazooka himself-and I 
was a hit with the soldiers.
They flew me to Wake Island so that Truman could give me the Medal of Honor, and 
MacArthur flew out on the same plane. He seemed preoccupied the whole time, 
didn't waste any time in conversation with me. He looked incredibly old, on his 
last legs. I don't think he liked me.
A week later, we broke out of Pusan and MacArthur landed X Corps at Inchon. The 
North Koreans ran for it. Five days later, I was back in California. The Army 
told me, quite curtly, that my services were no longer necessary. I'm fairly 
certain it was MacArthur's doing. He wanted to be the superstar of Korea, and he 
didn't want to share any of the honors. And there were probably other aces-nice, 
quiet, anonymous aces-working for the U.S. by then.
I didn't want to leave. For a while, particularly after MacArthur got crushed by 
the Chinese, I kept phoning Washington with new ideas about how to be useful. I 
could raid the airfields in Manchuria that were giving us such trouble. Or I 
could be the point man for a breakthrough. The authorities were very polite, but 
it was clear they didn't want me.
I did hear from the CIA, though. After Dien Bien Phu, they wanted to send me 
into Indochina to get rid of Bao Dai. The plan seemed half-assed-they had no 
idea who or what they wanted to put in Bao Dai's place, for one thing; they just 
expected "native anticommunist liberal forces" to rise and take command-and the 
guy in charge of the operation kept using Madison Avenue jargon to disguise the 
fact he knew nothing about Vietnam or any of the people he was supposed to be 
dealing with.
I turned them down. After that, my sole involvement with the federal government 
was to pay my taxes every April.
While I was in Korea, the Hollywood Ten appeals ran out. David and Mr. Holmes 
went to prison. David served three years. Mr. Holmes served only six months and 
then was released on account of his health. Everyone knows what happened to 
Blythe.
Earl flew to Europe and appeared in Switzerland, where he renounced his U.S. 
citizenship and became a citizen of the world. A month later, he was living with 
Orlena Goldoni in her Paris apartment. She'd become a big star by then. I 
suppose he decided that since there was no point in concealing their 
relationship anymore, he'd flaunt it.
Lillian stayed in New York. Maybe Earl sent her money. I don't know.
Peron came back to Argentina in the mid-1950s, along with his peroxide chippie. 
The Fear moving south.
I made pictures, but somehow none of them was the success that was expected. 
Metro kept muttering about my image problem.
People couldn't believe I was a hero. I couldn't believe it either, and it 
affected my acting. In Rickenbacker, I'd had conviction. After that, nothing.
Kim had her career going by now. I didn't see her much. Eventually her detective 
got a picture of me in bed with the girl dermatologist who came over lo apply 
her makeup every morning, and Kim got the house on Summit Drive, with the maids 
and gardener and chauffeurs and most of my money, and I ended up in a small 
beach house in Malibu with the Jaguar in the garage. Sometimes my parties would 
last weeks.
There were two marriages after that, and the longest lasted only eight months. 
They cost me the rest of the money I'd made. Metro let me go, and I worked for 
Warner. The pictures got worse and worse. I made the same western about six 
times over.
Eventually I bit the bullet. My picture career had died years ago and I was 
broke. I went to NBC with an idea for a television series.
Tarzan of the Apes ran for four years. I was executive producer, and on the 
screen I played second banana to a chimp. I was the first and only blond Tarzan. 
I had a lot of points and the series set me up for life.
After that I did what every ex-Hollywood actor does. I went into real estate. I 
sold actors' homes in California for a while, and then I put a company together 
and started building apartments and shopping centers. I always used other 
people's money-I wasn't taking a chance on going broke again. I put up shopping 
centers in half the small towns in the Midwest.
I made a fortune. Even after I didn't need the money any more, I kept at it. I 
didn't have much else to do.
When Nixon got elected I felt ill. I couldn't understand how people could 
believe that man.
After Mr. Holmes got out of prison he went to work as editor of the New 
Republic. He died in 1955, lung cancer. His daughter inherited the family money. 
I suppose my clothes were still in his closets.
Two weeks after Earl flew the country, Paul Robeson and W E. B. Du Bois joined 
the CPUSA, receiving their party cards in a public ceremony in Herald Square. 
They announced they were joining the protest of Earl's treatment before HUAC.
HUAC called a lot of blacks into their committee room. Even Jackie Robinson was 
summoned and appeared as a friendly witness. Unlike the white witnesses, the 
blacks were never asked to name names. HUAC didn't want to create any more black 
martyrs. Instead the witnesses were asked to denounce the views of Sanderson, 
Robeson, and Du Bois. Most of them obliged.
Through the 1950s and most of the 1960s, it was difficult to get a grasp on what 
Earl was doing. He lived quietly with Lena Goldoni in Paris and Rome. She was a 
big star, active politically, but Earl wasn't seen much.
He wasn't hiding, I think. Just keeping out of sight. There's a difference.
There were rumors, though. That he was seen in Africa during various wars for 
independence. That he fought in Algeria against the French and the Secret Army. 
When asked,
Earl refused to confirm or deny his activities. He was courted by left-wing 
individuals and causes, but rarely committed himself publicly. I think, like me, 
he didn't want to be used again. But I also think he was afraid that he'd do 
damage to a cause by associating himself with it.
Eventually the reign of terror ended, just as Earl said it would. While I was 
swinging on jungle vines as Tarzan, John and Robert Kennedy killed the blacklist 
by marching past an American Legion picket line to see Spartacus, a film written 
by one of the Hollywood Ten.
Aces began coming out of hiding, entering public life. But now they wore masks 
and used made-up names, just like the comics rd read in the war and thought were 
so silly. It wasn't silly now. They were taking no chances. The Fear might one 
day return.
Books were written about us. I declined all interviews. Sometimes the question 
came up in public, and I'd just turn cold and say, "I decline to talk about that 
at this time. My own Fifth Amendment."
In the 1960s, when the civil rights movement began to heat up in this country, 
Earl came to Toronto and perched on the border. He met with black leaders and 
journalists, talked only about civil rights.
But Earl was, by that time, irrelevant. The new generation of black leaders 
invoked his memory and quoted his speeches, and the Panthers copied his leather 
jacket, boots, and beret, but the fact of his continuing existence, as a human 
being rather than a symbol, was a bit disturbing. The movement would have 
preferred a dead martyr, whose image could have been used for any purpose, 
rather than a live, passionate man who said his own opinions loud and clear.
Maybe he sensed this when he was asked to come south. The immigration people 
would probably have allowed it. But he hesitated too long, and then Nixon was 
President. Earl wouldn't enter a country run by a former member of HUAC. By the 
1970s, Earl settled permanently into Lena's apartment in Paris. Panther exiles 
like Cleaver tried to make common cause with him and failed.
Lena died in 1975 in a train crash. She left Earl her money.
He'd give interviews from time to time. I tracked them down and read them. 
According to one interviewer, one of the conditions of the interview was that he 
wouldn't be asked about me. Maybe he wanted certain memories to die a natural 
death. I wanted to thank him for that.
There's a story, a legend almost, spread by those who marched on Selma in '65 
during the voting rights crusade... that when the cops charged in with their 
tear gas, clubs, and dogs, and the marchers began to fall before the wave of 
white troopers, some of the marchers swore that they looked skyward and saw a 
man flying there, a straight black figure in a flying jacket and helmet, but 
that the man just hovered there and then was gone, unable to act, unable to 
decide whether the use of his powers would have aided his cause or worked 
against it. The magic hadn't come back, not even at such a pivotal moment, and 
after that there was nothing in his life but the chair in the cafe, the pipe, 
the paper, and the cerebral hemorrhage that finally took him into whatever it is 
that waits in the sky.
Every so often, I begin to wonder if it's over, if people have really forgotten. 
But aces are a part of life now, a part of the background, and the whole world 
is raised on ace mythology, on the story of the Four Aces and their betrayer. 
Everyone knows the Judas Ace, and what he looks like. During one of my periods 
of optimism I found myself in New York on business. I went to Aces High, the 
restaurant in the Empire State Building where the new breed of ace hangs out. I 
was met at the door by Hiram, the ace who used to call himself Fatman until word 
of his real identity got out, and I could tell right away that he recognized me 
and that I was making a big mistake.
He was polite enough, I'll give him that, but his smile cost him a certain 
amount of effort. He seated me in a dark corner, where people wouldn't see me. I 
ordered a drink and the salmon steak.
When the plate came, the steak was surrounded with a neat circle of dimes. I 
counted them. Thirty pieces of silver. I got up and left. I could feel Hiram's 
eyes on me the whole time. I never came back.
I couldn't blame him at all.
When I was making Tarzan, people were calling me wellpreserved. After, when I 
was selling real estate and building developments, everyone told me how much the 
job must be agreeing with me. I looked so young.
If I look in the mirror now, I see the same young guy who was scuffling the New 
York streets going to auditions. Time hasn't added a line; hasn't changed me 
physically in any way.
I'm fifty-five now, and I look twenty-two. Maybe I won't ever grow old.
I still feel like a rat. But I only did what my country told me.
Maybe I'll be the Judas Ace forever.
Sometimes I wonder about becoming an ace again, putting on a mask and costume so 
that no one will recognize me. Call myself Muscle Man or Beach Boy or Blond 
Giant or something. Go out and save the world, or at least a little piece of it.
But then I think, No. I had my time, and it's gone. And when I had the chance, I 
couldn't even save my own integrity. Or Earl. Or anybody.
I should have kept the dimes. I earned them, after all.

DEGRADATION RITES
by Melinda M. Snodgrass
A page of newsprint blew across the withered grass of the postage-stamp-sized 
park in Neuilly, and came to rest against the base of an bronze statue of 
Admiral D'Estaing. It flapped fitfully, like an exhausted animal pausing for 
breath; then the icy December wind caught it once more, and sent it skittering 
on its way.
The man who slumped on an iron bench in the center of the park eyed the 
approaching paper with the air of a person facing a monumental decision. Then, 
with the exaggerated care of the longtime drunk, he reached out with his foot 
and captured it.
As he bent down for the tattered scrap, a stream of red wine from the bottle 
nestled between his thighs poured down his leg. A string of curses, comprised of 
several different European languages, and punctuated every now and then by an 
odd, singsong word, poured from his lips. Capping the bottle, he mopped at the 
spreading stain with a large purple handkerchief, and collected the paper, the 
Paris edition of the Herald Tribune, and began to read. His pale lilac eyes 
flicked from column to column as he devoured the words.
J. Robert Oppenheimer has been charged with having Communist sympathies and with 
possible treason. Sources close to the Atomic Energy Commission confirm that 
steps are being taken to rescind his security clearance, and to remove him from 
the chairmanship of the commission.
Convulsively, the man crumpled the paper, leaned against the back of the bench, 
and closed his eyes.
"Damn them, God damn them all," he whispered in English.
As if in answer his stomach let out a loud rumble. He frowned peevishly, and 
took a long pull at the cheap red wine. It flowed sourly over his tongue, and 
exploded with burning warmth in his empty stomach. The rumblings subsided, and 
he sighed.
A voluminous overcoat of pale peach adorned with enormous brass buttons and 
several shoulder capes was thrown over his shoulders like a cloak. Beneath this 
he wore a sky-blue jacket, and tight blue pants which were tucked into worn, 
knee-high leather boots. The vest was of darker blue than either coat or pants, 
embroidered with fanciful designs in gold and silver thread. All of the clothing 
was stained and wrinkled, and there were patches on his white silk shirt. A 
violin and bow lay next to him on the bench, and the instrument's case 
(pointedly open) was on the ground at his feet. A battered suitcase was shoved 
beneath the bench, and a red leather shoulder bag embossed in gold leaf with a 
frond, two moons and a star, and a slender scalpel arranged in graceful harmony 
in the center lay next to it.
The wind returned, rattling the branches of the trees and ruffling his tangled, 
shoulder-length curls. The hair and brows were a metallic red, and the stubble 
which shadowed his cheeks and chin was the same unusual shade. The page of 
newsprint fluttered beneath his hand, and he opened his eyes and regarded it. 
Curiosity won out over outrage, and with a snap he shook open the paper, and 
resumed.
BRAIN TRUST DIES
Blythe van Renssaeler, aka Brain Trust, died yesterday at the Wittier 
Sanatorium. A member of the infamous Four Aces, she was committed to the Wittier 
Sanatorium by her husband, Henry van Renssaeler, shortly after her appearance 
before the House Committee on Un-American Activities...
The print blurred as tears filled his eyes. Slowly the moisture gathered until 
one tear spilled over and ran swiftly down the bridge of his long, narrow nose. 
It hung ludicrously on the tip, but he made no move to brush it away. He was 
frozen, held in an awful stasis that had nothing to do with pain. That would 
come later; all he felt now was a great emptiness.
I should have known, should have sensed, he thought. He laid the paper on his 
knee, and gently stroked the article with one slender forefinger the way a man 
would caress the cheek of his lover. He noticed in a rather abstract way that 
there was more, facts about China, about Archibald, about the Four Aces, and the 
virus.
And all of it wrong! he thought savagely, and his hand tightened spasmodically 
on the page.
He quickly straightened the paper, and resumed his stroking. He wondered if her 
passing had been easy. If they had removed her from that grimy cubicle, and 
taken her to the hospital....
The room stank of sweat and fear, and feces, and the sickly sweet odor of 
putrefaction, and over all floated the pungent scent of antiseptic. Much of the 
sweat and the fear was being generated by three young residents who huddled like 
lost sheep in the center of the ward. Against the south wall a screen shielded a 
bed from the rest of the patients, but it could not block the inhuman grunting 
sounds that emerged from behind this flimsy barrier.
Nearby, a middle-aged woman bent over her breviary reading the vespers service. 
A mother-of-pearl rosary hung from her thin fingers, and periodically drops of 
blood spattered on the pages. Each time it happened, her lips moved in quick 
prayer, and she would wipe away the gore. If her constant bIeeding had been 
limited to a true stigmata she might have been canonized, but she bled from 
every available orifice. Blood ran from her ears, matting her hair and staining 
the shoulders of her gown, from mouth, nose, eyes, rectum, everywhere. A 
worn-out doctor had dubbed her Sister Mary Hemorrhage in the lounge one night, 
and the resultant hilarity could only be excused on grounds of mind-numbing 
exhaustion. Every health-care professional in the Manhattan area had been on 
almost constant call since Wild Card Day, September 15, 1946, and five months of 
unremitting work was taking its toll.
Next was a once-handsome black man who floated in a saline bath. Two days ago he 
had started to shed again, and now only remnants of skin remained. His muscles 
gleamed raw and infected, and Tachyon had ordered he be treated like a burn 
victim. He had survived one such molting. It was questionable if he would 
survive another.
Tachyon was leading a grim procession of physicians toward the screen.
"Are you going to join us, gentlemen?" he called in his soft, deep voice, 
overlaid with a lilting, musical accent that was rather reminiscent of central 
Europe or Scandinavia. The residents shuffled reluctantly forward.
An impassive nurse pulled back the screen, revealing an emaciated old man. His 
eyes gazed desperately up at the doctors, and horrible muffled sounds emerged 
from his lips.
"An interesting case, this," said Mandel, lifting the file. "For some bizarre 
reason the virus is causing every cavity in this man's body to grow closed. 
Within a few days his lungs will be unable to pull air, nor will there be room 
for the proper functioning of his heart..."
"So why not end it?" Tachyon took the man's hand, noting the assenting squeeze 
that answered his words.
"What are you suggesting?" Mandel lowered his voice to an urgent hiss.
Tachyon enunciated each word clearly. "Nothing can be done. Would it not be 
kinder to spare him this lingering death?"
"I don't know what passes for medicine on your world-or maybe I do, judging from 
this Hell-born virus you createdbut on this world we do not murder our 
patients."
Tach felt the hinges of his jaw tighten in anger. "You'll put a dog or cat down 
mercifully, but you deny your people the only drug known to truly alleviate 
pain, and you force people into agonizing death. Oh... be damned to you!"
He threw back his white coat, revealing a gorgeous outfit of dull gold brocade, 
and seated himself on the edge of the bed. The man reached desperately up, and 
Tachyon gripped his hands. It was an easy matter to enter his mind.
Die, let me die, came the thought tinged with the flavor of pain and fear, and 
yet there was a calm certainty in the man's request.
I cannot. They will not permit it, but I can give you dreams. He moved swiftly, 
blocking the pain and the reasoning centers of the man's mind. In his own mind 
he visualized it as a literal wall built of glowing silver-white blocks of 
power. He gave a boost to the man's pleasure centers, allowing him to drift away 
in dreams of his own concocting. What he had built was temporary, it would last 
only a few days, but that would be long enough-before then this joker would have 
died.
He rose, and looked down at the man's peaceful face. "What did you do?" demanded 
Mandel.
He raked the other doctor with an imperious glance. "Just a bit more Hell-born 
Takisian magic."
With a lordly nod to the residents, he left the ward. Out in the hall, beds 
lined the walls, and an orderly was picking his way carefully down the passage. 
Shirley Dashette beckoned to him from the nurses' station. They had spent 
several pleasant evenings together exploring the differences and similarities 
between Takisian and human lovemaking, but tonight he could manage no more than 
a smile, and the lack of a physical response alarmed him. Maybe it was time to 
take a rest. "Yes?"
"Dr. Bonners would like to consult with you. The patient's in shock, and 
occasionally lapses into hysterics, but there's nothing physically wrong with 
her, and he thought-"
"That she might be one of mine." Oh God, don't let her be another joker, he 
groaned inwardly. I don't think I can face another monstrosity. "Where is she?"
"Room 223."
He could feel exhaustion shivering along his muscles and licking at the nerves. 
And close on the heels of the exhaustion came despair and self-pity. With a 
muttered curse he drove his fist into the top of the desk, and Shirley drew 
back.
"Tach? Are you all right?" Her hand was cool against his cheek.
"Yes. Of course." He forced his shoulders back and a spring into his step, and 
headed off down the hall. Bonners was huddled with another doctor when Tachyon 
pushed open the door. Bonners frowned, but seemed more than willing to allow him 
to take charge when the woman in the bed let out a piercing scream and arched 
against the restraints. Tach leaped to her side, laid a gentle hand on her 
forehead, and joined with her mind.
OH GOD! The election, would Riley come through? God knows he'd paid enough for 
it. He'd buy a victory, but he was damned if he'd buy a landslide... Mama, I'm 
frightened... The bite of a winter morning, and the hiss of a skate blade 
cutting across the ice... A hand, gripping hers... wrong hand. Where was Henry? 
To leave her now... how many more hours... he should be here... Another 
contraction coming. NO. She couldn't hear it. Mama... Henry... PAIN!
He reeled back, and came up panting against the dresser.
"Good Lord, Doctor Tachyon, are you all right?" Bonners's hand was on his arm.
"No... yes... by the Ideal." He pulled himself carefully upright. His body still 
ached in sympathetic memory of the woman's first anguished labor. But where in 
the hell had that second personality come from, that cold, hard-edged man?
Shaking off Bonners's hand, he returned to the woman and seated himself on the 
edge of the bed. More cautious this time, he ran swiftly through some calming 
and strengthening exercises, and struck out with his full psi powers. Her 
fragile mental defenses fell before the onslaught, and before she could sweep 
him up in her mental maelstrom he gripped her mind.
Like a blossom, delicate velvet trembling in a breeze with just a hint...
He forced himself out of the almost-sensual enjoyment of the mental sharing, and 
back to the task at hand. Now fully in command, he quickly sifted through her 
head. What he found added a new wrinkle to the saga of the wild card.
In the early days of the virus they had seen mostly death. Close to twenty 
thousand of them in the Manhattan area. Ten thousand due to the effects of the 
virus, another ten due to the rioting, looting, and the National Guard. Then 
there were the jokers: hideous monsters created from a union of the virus and 
their own mental constructs. And finally there were the aces. He had seen about 
thirty of them. Fascinating people with exotic powers-the living proof that the 
experiment was a success. They had created, despite the terrible toll, 
superbeings. And now here was a new one with a power unique among the other 
aces.
He withdrew, leaving only a single tendril of control like reins in the hands of 
an accomplished horseman. "Yes, you were quite correct, Doctor, she's one of 
mine."
Bonners waggled his hands in a gesture of absolute and total confusion. "But 
how... I mean, don't you usually... do tests?" he finished lamely.
Tach relaxed, and grinned at his colleague's confusion. "I just did. And it's 
the most remarkable thing; this woman has somehow managed to absorb all of her 
husband's knowledge and memories." His smile died as a new thought intruded. "I 
suppose we really ought to send someone to their home to see if poor old Henry 
is a mindless hulk shambling around the bedroom. For all we know she may have 
sucked him dry. Mentally speaking, of course."
Bonners looked decidedly queasy, and went. The other doctor left with him.
Tachyon dismissed them, and the fate of Henry van Renssaeler, from his thoughts, 
and concentrated on the woman on the bed. Her mind and psyche were fissured like 
rotten ice, and some very quick repair work would have to be done lest the 
personality shatter under the stress and she descend into madness. Later he 
would try for a more permanent construct, but it would be patchwork at best. His 
father would be perfect for this, the repair of broken minds being his gift. But 
since he was far away on Takis, she would have to depend on Tach's lesser 
abilities.
"There, my dear," he murmured as he began to work at the knotted sheets that 
kept her tied to the bed. "Let's make you a bit more comfortable, and then I'll 
begin teaching you some mental disciplines to keep you from going totally 
crazy." He reentered the full mindlink. Her mind fluttered beneath his, 
confused, unable to understand the magnitude of the change that had come over 
her.
I'm mad... it couldn't have happened... gone mad.
No, the virus...
He's really there... can't bear it.
Then don't. See, here and here, reroute and place him deep below.
NO! Take him out, away!
Not possible; control the only answer.
The ward sprang into life like a point of incandescent fire, and drew its 
intricate cage about "Henry."
There was a sense of wonder and peace, but he knew they were only halfway there. 
The ward stood because of his power, not because of any real understanding on 
her part; if she were to keep her sanity she would have to learn to create it 
herself. He withdrew. The rigidity had passed out of her body, and her breathing 
had become more regular. Tach returned to the task of freeing her, whistling a 
lilting dance tune through his teeth.
For the first time since being summoned to the room he was at leisure to look, 
really look, at his patient. Her mind had already delighted him, and her body 
set his pulse to hammering. Shoulder-length sable hair cascaded across the 
pillow onto the woman's breast, a perfect counterpoint to the champagne colored 
satin of her thin nightgown and the alabaster quality of her skin. Long, sooty 
lashes fluttered on her cheeks, then lifted, revealing eyes of a profound 
midnight blue.
She regarded him thoughtfully for a few seconds, then asked, "I know you, or do 
I? I don't know your face, but...... . feel you." Her eyes closed again, as if 
the confusion was too much for her.
Stroking the hair off her forehead, he replied, "I'm Doctor Tachyon, and yes, 
you do know me. We've shared mind."
"Mind... mind. I touched Henry's mind, but it was awful, awful!" She jerked 
upright, and sat quivering like some small frightened animal. "He's done such 
terrible, dishonorable things, I had no idea, and I thought he was-" She bit off 
the flow of words, and grasped for his arm. "I have to live with him now. Never 
be free of him. People should be more careful when they choose... it's better, I 
think, not to know what's behind their eyes." Her eyes closed briefly, and her 
brow furrowed. Suddenly the lashes were lifted, and her nails bit deep into his 
bicep. "I liked your mind," she announced.
"Thank you. I believe I can say with some accuracy that I have an extraordinary 
mind. Far and away the best you're ever likely to meet."
She chuckled, a deep, husky sound strangely at odds with her delicate looks. He 
laughed with her, pleased to see the color returning to her cheeks.
"Only one I'm likely to meet. Do people find you vain?" she continued in a more 
conversational tone, and she settled back against the pillows.
"No, not vain. Arrogant, sometimes overbearing, but never vain. You see, my face 
won't carry it."
"Oh, I don't know" She reached up, and drew her fingers softly down his cheek. 
"I think it's a nice face." He pulled prudently back although it cost him to do 
so. She looked hurt, and shrank in upon herself.
"Blythe, I've sent someone to check on your husband." She turned her face away, 
nuzzling her cheek into the pillow. "I know you feel sullied by what you've 
learned of him, but we have to make certain he's all right." He rose from the 
bed, and her hands reached out for him. He caught them, and chafed the slender 
fingers between his.
"I can't go back to him, I can't!"
"You can make those kind of decisions in the morning," he said soothingly. 
"Right now I want you to get some sleep."
"You saved my sanity."
"It was my pleasure." He gave her his best bow, and pressed the soft skin of her 
inner wrist to his lips. It was unconscionable behavior, but he felt pleased by 
his selfcontrol.
"Please come back tomorrow."
"I'll bring you breakfast in bed, and personally spoon-feed you the disgusting 
mess that passes for hot cereal in this establishment. You can tell me more 
about my wonderful mind and nice face."
"Only if you promise to reciprocate."
"You have nothing to fear on that score."
They floated in a silvery white sea held by the lightest of mental touches. It 
was warm and maternal and sensual all at the same time, and he was dimly aware 
of his body responding to the first true sharing he had experienced in months. 
He forced his attention back to the session. The ward hung between them like a 
peripatetic firefly.
Again. Can't. Hard. Necessary. Now again.
The firefly resumed its erratic course, tracing out the complex lines and whorls 
of a mentatic ward. There was a bulge of darkness, like a tide of stinking mud, 
and the ward shattered. Tachyon snapped back to his body just in time to catch 
Blythe as she pitched face first toward the concrete of the rooftop terrace.
His mind was aching with strain. "You must hold him."
"I can't. He hates me, and wants to destroy me." Sobs punctuated the words.
"We'll try again. "
"No!"
He gripped her, one arm about her shoulders, the other holding her slender 
hands. "I'll be with you. I won't let him hurt you."
She sucked in a breath, and gave a sharp nod. "Okay, I'm ready."
They began again. This time he stayed in closer link. Suddenly he became aware 
of a whirlpool of power sucking at his mind, his identity, drawing him ever 
deeper into her.
There was a feeling of rape, of violation, of loss. He broke contact, and went 
staggering across the roof. When he returned to a sense of his surroundings he 
found himself in intimate embrace with a small willow tree drooping sadly out of 
a concrete planter, and Blythe was sobbing miserably into her hands.
She looked absurdly young and vulnerable in her Dior coat of black wool and fur 
collar. The severity of the color heightened the pallor of her skin, and the 
tight high-standing collar made her look like a lost Russian princess. His 
feeling of violation dwindled in the face of her obvious distress.
"I'm sorry, so sorry. I didn't mean to. I just wanted to be closer to you."
"Never mind." He dropped a few pecking kisses onto her cheek. "We're both tired. 
We'll try again tomorrow."
And so they did; working day after day until by the end of the week she had 
solid control over her unwelcome mental passenger. Henry van Renssaeler had yet 
to put in a physical appearance at the hospital; instead, a discreet black maid 
had brought Blythe her clothes. It suited Tachyon just as well. He was pleased 
that the man had come through his experience unharmed, but close contact with 
Representative van Renssaeler's mind had brought little enjoyment, and in truth 
he was jealous of the man. He had a right to Blythe, mind, body, and soul, and 
Tachyon craved that position. He would have made her his genamiri with all honor 
and love, and kept her safe and protected, but such dreams were fruitless. She 
belonged to another man.
One evening he came late to her room to find her in bed reading. In his arms he 
carried thirty long-stemmed pink roses, and while she laughed and protested he 
began to cover her with the fragrant blossoms. Once the flower coverlet was 
complete he stretched out beside her.
"You devil! If you poke me with thorns...."
"I pulled them all off. "
"You're crazy. How long did that take?"
"Hours."
"And didn't you have anything better to do with your time?"
He rolled over, wrapping his arms around her. "I didn't stint my patients, I 
promise. I did it at weird o'clock this morning." He nuzzled her ear, and when 
she didn't push him away he switched to her mouth. His lips played over hers, 
tasting the sweetness and the promise, and excitement coursed through him when 
her arms tightened about his neck.
"Will you make love with me?" he whispered against her mouth.
"Is that how you ask all the girls?"
"No," he cried, stung by the laughter in her voice. He sat up, and brushed 
petals from his coat of dull rose.
She stripped petals from several roses. "You have quite a reputation. According 
to Dr. Bonners you've slept with every nurse on this floor."
"Bonners is an old busybody, and besides, some of them aren't pretty enough."
"Then you admit it." She used the denuded stem as a pointer.
"I admit I like to sleep with girls, but with you it would be different. "
She lay back, a hand over her eyes. "Oh, spare me, Lord, I've heard these words 
before."
"Where?" he asked, suddenly curious, for he sensed she wasn't talking about 
Henry.
"On the Riviera, when I was much younger and a good deal more foolish."
He cuddled in close. "Oh, tell me."
A rose slapped him on the nose. "No, you tell me about seduction on Takis."
"I prefer to do my flirting while dancing."
"Why dancing?"
"Because it's vastly romantic."
The covers were flung aside, and she began shrugging into an amber peignoir. 
"Show me," she commanded, opening her arms.
He slipped his arm around her waist, and took her right hand in his left. "I'll 
teach you Temptation. It's a very pretty waltz."
"Does it live up to its name?"
"Let's try it, and you tell me."
He alternated between humming in his light baritone and calling out instructions 
as they walked through the intricacies of the dance.
"My! Are all your dances so complicated?"
"Yes, it shows off what clever, graceful fellows we are."
"Let's do it again, and this time just hum. I think I've got the basic steps, 
and you can just shove me when I get off." "I will guide you as befits a man 
with his lady."
He was turning her under one arm, gazing down into her laughing blue eyes, when 
an outraged "hrrmph" broke the moment. Blythe gasped, and seemed to realize what 
a scandalous picture she presented; her feet bare, unbound hair rippling across 
her shoulders, her filmy lace peignoir revealing far too much of her 
decolletage. She scurried back to bed, and pulled the covers up to her chin.
"Archibald," she squeaked.
"Mr. Holmes," said Tachyon, recovering himself and holding out his hand.
The Virginian ignored it, and stared at the alien from beneath knotted brows. 
The man had been assigned by President Truman to coordinate the relief efforts 
in Manhattan, and they had shared podium space during several frantic press 
conferences in the weeks immediately following the catastrophe. He looked a lot 
less friendly now.
He stepped to the bed and dropped a fatherly kiss on the top of Blythe's head. 
"I've been out of town, and returned to find you've been ill. Nothing serious, I 
hope?"
"No." She laughed. It was a little too high and a little too tight. "I've become 
an ace. Isn't that remarkable?"
"An ace! What are your abilities-" He broke off abruptly, and stared at Tachyon. 
"If you'll excuse us, I'd like to speak with my goddaughter alone."
"Of course. Blythe, I'll see you in the morning."
When he returned, seven hours later, she was gone. Checked out, the desk said; 
an old friend of the family, Archibald Holmes, had picked her up about an hour 
before. For a moment he considered stopping by her penthouse, but decided it 
could only lead to trouble. She was Henry van Renssaeler's wife, and nothing 
could change that. He tried to tell himself it didn't matter, and returned to 
his pursuit of a young nurse up in the maternity ward.
He tried to put Blythe from his mind, but at the oddest moments he would find 
himself recalling the brush of her fingers across his cheek, the deep blue of 
her eyes, the scent of her perfume, and most of all, her mind. That memory of 
beauty and gentleness haunted him, for here among the psiblind he felt very 
isolated. One simply didn't join in telepathic communication with everyone one 
met, and hers had been his first real contact since his arrival on earth. He 
sighed and wished he could see her again.
He had rented an apartment in a converted brownstone near Central Park. It was a 
sultry Sunday afternoon in August 1947, and he was wandering around the single 
room in a silk shirt and boxer shorts. Every window stood open in the hope of 
catching a breeze, his teakettle was whistling shrilly on the stove, and Verdi's 
La Traviata blared from the phonograph. The extreme decibel level was dictated 
by his neighbor one floor down who was addicted to Bing Crosby albums, and who 
had been listening over and over again to "Moonlight Becomes You." Tachyon 
wished Jerry had met his current girlfriend in sunlight on Coney Island; his 
musical selections seemed dictated by the times and places where he met his 
inamoratas.
The alien had just picked up a gardenia and was debating how best to place it in 
the glass flower bowl when there was a knock.
"Okay, Jerry," he bellowed, lunging to the door. "I'll turn it down, but only if 
you agree to bury Bing. Why don't we have a truce and try something nonvocal? 
Glenn Miller or somebody. Just don't make me listen to that harelip anymore."
He yanked open the door, and felt his jaw drop. "I think it would be a good idea 
if you did turn it down," said Blythe van Renssaeler.
He stared at her for several seconds, then reached down and gave the tail of his 
shirt a discreet tug. She smiled, and he noticed that she had dimples. How had 
he missed that before? He had thought her face was indelibly printed on his 
mind. She waved a hand in front of his face.
"Hello, remember me?" She tried to keep her tone light, but there was a fearful 
intensity about her.
"Of... of course. Come in."
She didn't move. "I've got a suitcase."
"So I see."
"I've been thrown out."
"You can still come in... suitcase and all."
"I don't want you to feel... well, trapped."
He tucked the gardenia behind her ear, removed the case from her hand, and 
pulled her in. The flounces of her pale, peach-colored silk dress brushed 
against his legs, pulling the hair upright at the electric contact. Women's 
fashion was a pet hobby with Tachyon, and he noticed that the dress was a Dior 
original, the ankle-length skirt held out by a number of chiffon petticoats. He 
realized he could probably span her waist with his hands. The bodice was 
supported by two thin straps, leaving most of her back bare. He liked the way 
her shoulder blades moved beneath the white skin. There was an answering 
movement from within his jockey shorts.
Embarrassed, he darted for the closet. "Let me put on some pants. Water's ready 
for tea, and turn down that record."
"Do you take milk or lemon in your tea?"
"Neither. I take it over ice. I'm about to die." He padded across the room, 
tucking in the shirt.
"It's a lovely day."
"It's a lovely hot day. My planet is a good deal cooler than yours. "
Her eyes flickered away, and she plucked at a wisp of hair. "I know you're an 
alien, but it seems strange to talk about it."
"Then we won't." He busied himself with the tea while studying her 
surreptitiously from the corner of one eye. "You seem very composed for a woman 
who's just been thrown out," he finally remarked.
"I had my hoo in the back of a taxi." She smiled sadly. "Poor man, he thought he 
had a real nut on his hands. Especially since--" She cut off abruptly, using the 
acceptance of the cup as a way to avoid his searching gaze.
"Not complaining, mind you, but why did you....r .."
"Come to you?" She drifted across the room and turned down the phonograph. "This 
is a very sad part." He forced his attention back to the music and realized it 
was the farewell scene between Violetta and Alfredo. "Uh... yes, it is."
She spun to face him and her eyes were haunted. "I came to you because Earl is 
too absorbed with his causes and marches and strikes and actions, and David, 
poor boy, would have been terrified at the thought of acquiring a hysterical 
older woman. Archibald would have urged me to patch things up and stay with 
Henry-fortunately, he wasn't home when I went by, but Jack was and he wanted 
me... well, far too badly."
He shook his head like a stallion bedeviled by gnats. "Blythe, who are these 
people?"
"How can you be so ill-informed," she teased, and struck a dramatic pose-so 
dramatic that it made a mockery of the words. "We are the Four Aces." Suddenly 
she began to shake, sending tea sloshing over the rim of the cup.
Tach crossed to her, took the cup, and held her against his chest. Her tears 
formed a warm, wet patch on his shirt, and he reached out for her mind, but she 
seemed to sense his intent, and pushed him violently away.
"No, don't, not until I explain what I've done. Otherwise you're likely to get a 
terrific shock." He waited while she removed an embroidered handkerchief from 
her purse, gave her nose a resolute blow, and patted at her eyes. When she again 
raised her head she was calm, and he admired her dignity and control. "You must 
think me a typical scatterbrained female. Well, I won't bore you anymore. I'll 
start at the beginning and be quite logical."
"You left without saying good-bye," he broke in. "Archibald thought it best, and 
when he's being fatherly and commanding, I've never been able to say no to him." 
Her mouth worked. "Not about anything. When he learned what I could do, he told 
me that I had a great gift. That I could preserve priceless knowledge. He urged 
me to join his group." He snapped his fingers. "Earl Sanderson, and Jack Braun. 
"
"That's right."
He bounded up and paced the room. "They were involved in something down in 
Argentina, and in capturing Mengele and Eichmann, but four?"
"David Harstein, otherwise known as the Envoy-"
"I know him, I treated him only a few... never mind, go on."
"And me." She smiled with a little girl's embarrassment. "Brain Trust."
He sank back down on the couch, and stared at her. "What has he .. what have you 
done."
"Used my talent the way Archibald advised. Want to know anything about 
relativity, rocket technology, nuclear physics, biochemistry?"
"He's been sending you around the country absorbing minds," he said. Then he 
exploded. "Who in the hell do you have in your head?"
She joined him on the sofa. "Einstein, Salk, Von Braun, Oppenheimer, Teller, and 
Henry of course, but I'd like to forget about that." She smiled. "And that's the 
crux of the problem. Henry didn't take kindly to a wife with several Nobel 
prizewinners in her head, much less a wife who knew where all his skeletons were 
buried, so this morning he threw me out. I wouldn't mind so much if it weren't 
for the children. I don't know what he's going to tell them about their mother, 
and--oh damn," she whispered, banging her fists on her knees. "I will not start 
crying again."
"Anyway, I was trying to think of what to do. I had just wrestled free from 
Jack, and was bawling in the back of a taxi, when I thought of you." Suddenly 
Tachyon became aware that she was speaking German. He bit down hard, forcing his 
tongue against the roof of his mouth to hold back nausea. "It's silly, but in 
some ways I feel closer to you than I do to anyone else in the world; which is 
strange when you consider that you're not even from this world."
Her smile was half siren, half Mona Lisa, but there was no answering physical 
and emotional response. He was too sickened and angry. "Sometimes I don't 
understand you people at all! Have you no conception of the dangers inherent in 
this virus?"
"No, how can I?" she interrupted. "Henry took us out of the city within hours of 
the crisis, and we didn't return until he thought the danger was past." She was 
back to English again. "Well, he was wrong, wasn't he!"
"Yes, but that's not my fault!"
"I'm not saying it is!"
"Then what are you so angry about?"
"Holmes," he ejected. "You called him fatherly, but if he had had any affection 
for you at all, he would not have encouraged you in this mad course."
"What is so mad about it? I'm young, many of these men are old. I'm preserving 
priceless knowledge."
"At the risk of your own sanity."
"You taught me-"
"You're a humanl You're not trained to handle the stress of high-level 
mentatics. The techniques I taught you in the hospital to keep your personality 
separate from your husband's were inadequate, nowhere near strong enough."
"Then teach me what I need to know. Or cure me." The challenge brought him up 
short. "I can't... at least not yet. The virus is hellishly complex, working out 
a counter strain to nullify..." He shrugged. "To trump the wild card, if you 
will, may take me years. I'm one man working alone."
"Then I'll go back to Jack." She picked up the case, and lurched toward the 
door. It was an oddly compelling mixture of dignity and farce as the heavy bag 
pulled her off balance. "And if I should go mad, perhaps Archibald will find me 
a good psychiatrist. After all, I am one of the Four Aces."
"Wait... you can't just go."
"Then you'll teach me?"
He dug thumb and middle finger into the corners of his eyes, and gave the bridge 
of his nose a hard squeeze. "I'll try." The case hit the floor, and she slowly 
approached him. He warded her off with his free hand. "One last thing. I'm not a 
saint, nor one of your human monks." He gestured toward the curtained alcove 
that held his bed. "Someday I'll want you."
"So what's wrong with now?" She pushed aside the restraining hand, and molded 
her body to his. It was not a particularly lush body. In fact, it could have 
been described as meager, but any fault he might have found vanished as her 
hands cupped his face and pulled his lips down to meet hers.
"A lovely day." Tachyon sighed with satisfaction, scrubbed at his face with his 
hand, and stripped off his socks and underwear.
Blythe smiled at him from the bathroom mirror where she stood creaming her face. 
"Any earth male who heard you say that would decide you were certifiably insane. 
A day spent in the company of an eight-year-old, a five-year-old, and a 
threeyear-old is not held to be a high treat by most men."
"Your men are stupid." He stared off into space, for a moment remembering the 
feel of sticky hands in his pockets as a bevy of tiny cousins searched for the 
treats he carried there, the press of a soft, plump baby cheek against his when 
he went away promising most faithfully to come again soon and play. He pushed 
back the past, and found her intently regarding him. "Homesick?"
"Thinking."
"Homesick."
"Children are a joy and a delight," he said hurriedly before she could reopen 
their ongoing argument. Picking up a brush, he pulled it through his long hair. 
"In fact, I've often wondered if yours aren't changlings or if you cuckolded old 
Henry from the beginning."
Six months ago, when Blythe had been thrown from the house, van Renssaeler had 
instructed the servants to refuse entrance to his estranged wife, thus barring 
her from her children. Tach had quickly remedied that situation. Every week, 
when they knew the representative was away from home, they went to the penthouse 
apartment, Tachyon mindcontrolled the servants, and they'd spend several hours 
playing with Henry Jr., Brandon, and Fleur. He'd then instruct the nurse and 
housekeeper to forget the visit. It gave him great satisfaction to thumb his 
nose at the hated Henry, though for real vengeance the man should have been 
aware of their challenge to his authority.
Tossing the brush aside, he gathered up the evening paper and crawled into bed. 
On the front page was a picture of Earl receiving a medal for having saved 
Gandhi. Jack and Holmes stood in the background, the older man looking smug, 
while Jack looked ill at ease. "Here's a picture from the banquet tonight," he 
added. "But I still don't see why all the fuss. It was only an attempt."
"We don't share your callous attitude toward assassination." Her voice was 
muffled by the folds of her flannel nightgown as she pulled it over her head.
"I know, and it still seems strange." He rolled over on his side propped up on 
one elbow. "Do you know that until I came to earth I had never gone anywhere 
without bodyguards?"
The old bed squeaked a bit as she settled in. "That's terrible."
"We're accustomed to it. Assassination is a way of life among my class. It's how 
the families jockey for position. By the time I was twenty I had lost fourteen 
members of my immediate family to assassination."
"How immediate is immediate?"
"My mother... I think. I was only four when she was found at the bottom of the 
stairs near the women's quarters. I've always suspected my Aunt Sabina was 
behind it, but there was no proof."
"Poor little boy." Her hand cupped his cheek. "Do you remember her at all?"
"Just flashes. The rustle of silk and lace and the smell of her perfume mostly. 
And her hair, like a golden cloud." She rolled over and snuggled close, her 
buttocks pressing into his groin. "What else is so different between Takis and 
earth?" It was an obvious attempt to change the subject, and he was grateful to 
her. Talking about the family he had abandoned always made him sad and homesick.
"Women, for one thing."
"Are we better or worse?"
"Just different. You wander about free after you reach childbearing age. We 
would never allow that. A successful attack against a pregnant woman could wipe 
out years of careful planning."
"I think that's horrible too."
"We also don't equate sex with sin. A sin to us is casual reproduction which 
could upset the plan. But pleasure, now, that's another matter. For example, we 
take attractive young men and women from the lower class-the non-psi people and 
train them to service the men and women of the great households."
"Don't you ever see the women of your own class?"
"Of course. Until age thirty we grow up together, train and study together. It's 
only when a woman reaches childbearing years that she is secluded to keep her 
safe. And we still get together for family functions: balls, hunts, picnics, but 
all within the walls of the estate."
"How long are the little boys left with their mothers in the women's quarters?"
"All children are left until they're thirteen."
"Do they ever see each other again?"
"Of course, they're our mothers!"
"Don't be defensive. It's just very alien to me."
"So to speak," he said, snagging the gown and running his hand up her leg.
"So you have sex toys," she mused while his hands explored her body, and she 
fondled his stiffening penis. "Sounds like a nice idea."
"Want to be my sex toy?"
"I thought I already was."
It was a chill that brought him awake. He sat up to find Blythe gone, and the 
covers trailing across the floor. He became aware of voices from beyond the 
beaded curtain. The wind was gusting about the building, setting up a keening 
howl as it sought out the cracks and crevices in the windows. The hair on the 
back of his neck was rising, but it had nothing to do with the cold. It was 
those deep guttural voices from behind the curtain, reminding him of children's 
boogy stories of unquiet ancestor ghosts possessing the living bodies of direct 
descendants. He shivered, and thrust through the beads. They fell tinkling 
behind him, and he saw Blythe standing in the center of the room carrying on a 
spirited argument with herself.
"I tell you, Oppie, we must develop-"
"No! We've been over this before, our first priority is the device. We can't be 
sidetracked with this hydrogen bomb right now."
For a long moment Tachyon stood frozen with horror. Such things had happened 
before, when she was tired or under stress, but never to such an extent. He knew 
he had to find her quickly if she was not to be lost, and he forced himself to 
move. In two strides he was at her side, gripping her close, reaching for her 
mind. And he almost retreated in terror, for inside was a nightmarish whirlpool 
of conflicting personalities, all battling for supremacy while Blythe spun 
helplessly in the center. He plunged toward her only to be blocked by Henry. 
Furiously Tachyon thrust him aside, and gathered her within the protective ward 
of his mind. The other six personalities orbited around them, fighting the ward. 
Blythe's strength combined with his, and they banished Teller to his 
compartment, and Oppenheimer to his; Einstein retreated mumbling while Salk just 
seemed bemused.
Blythe slumped against him, and the sudden weight was too much for his exhausted 
body. His knees gave way, and he sat down hard on the wood floor, Blythe cradled 
in his lap. Out in the street he could hear the milkman making his deliveries, 
and he realized it had taken hours to restore her balance. "God damn you, 
Archibald," he muttered, but it seemed inadequate, as inadequate as his ability 
to help.
"You don't want to do that," murmured David Harstein. Tack's hand froze. "The 
knight would be better." The Takisian nodded, and quickly moved the chess piece. 
His jaw dropped as he contemplated the move.
"You cheat! Why, you miserable cheat!"
Harstein spread his hands in a helpless, placating gesture. "It was just a 
suggestion." The young man's tone was soft and aggrieved, but his dark brown 
eyes were alight with amusement.
Tachyon grunted, and wriggled back until he could lean against the sofa. "I find 
it rather alarming that a person of your position would stoop to using your 
gifts in such a despicable manner. You should be setting an example for the 
other aces." David grinned, and reached for his drink. "That's the public face. 
Surely with my creator I can fall back into my lazy, bohemian ways."
"Don't."
There was a moment of strained silence while Tach stared inward at pictures he 
would rather forget, and David with elaborate concentration gave the pocket 
pegboard chess set an infinitesimal shift to the left.
"I'm sorry."
"It's all right." He gave the younger man a soothing smile. "Let's go on with 
the game."
David nodded, and bent his wiry dark head over the board. Tach took a sip of his 
Irish coffee, and allowed the warmth to fill his mouth before swallowing. He was 
ashamed of his overreaction to the teasing remark. After all, the boy had meant 
no harm.
He had met David in the hospital in early 1947. On the Wild Card Day, Harstein 
had been playing chess at a sidewalk cafe. No symptoms had manifested themselves 
then, but months later he had been brought writhing and convulsing into the 
hospital. Tach had feared that this intense, handsome man would be yet another 
faceless victim, but against all expectations he had recovered. They had tested: 
David's body exuded powerful pheromones, pheromones that made him hard to resist 
on any level. He was recruited by Archibald Holmes, dubbed the Envoy by a 
fascinated press, and proceeded to use his awesome charisma to settle strikes, 
negotiate treaties, and mediate with world leaders.
Of the other male Aces he was Tachyon's favorite, and under David's tutelage he 
had learned to play chess. It was a testimonial both to his own growing 
abilities and to David's teaching skills that he had resorted to his powers in 
an effort to keep the game from Tach. The alien smiled, and decided to repay the 
other man for his interference.
He carefully sent out a probe, slipped beneath David's defenses, and watched as 
that fine mind weighed and evaluated possible moves. The decision was reached, 
but before Harstein could act upon it Tach gave a sharp twist, erasing the 
decision, and substituting another in its place.
"Check."
David stared down at the board, then flipped it onto the floor with a howl while 
Tach climbed onto the couch, buried his head in a pillow, and laughed.
"Talk about me cheating. I can't control my power, but you! Reach into a man's 
head and..."
A key scraped in the lock, and Blythe called out, "Children, children, what are 
you battling about now?"
"He cheats," the two men called in chorus, pointing at one another.
Tach gathered her into his arms. "You're freezing. Let me fix you some tea. How 
was the conference?"
"Not bad." She removed her fur hat, and shook snow from the silver-tipped ends. 
"With Werner down with the croup they were grateful to have my input." She 
leaned forward, and pressed a soft kiss on David's darkly shadowed cheek. 
"Hello, dear, bow was Russia?"
"Bleak." He began collecting the scattered chessmen. "You know, it doesn't seem 
fair."
"What?" Tossing her coat onto the sofa, she pulled off her muddy boots, and 
curled up against the pillows with her feet tucked snugly beneath the silver fox 
fur.
"Earl gets to snatch Bormann out of Italy and save Gandhi from a Hindu fanatic, 
and you get to sit in a sleazy motel and attend a rocketry conference."
"They also serve who only sit and talk. As you should well know. Besides, you've 
gotten your fair share of the glory. What about Argentina?"
"That was more than a year ago, and all I did was talk to the Peronists while 
Earl and jack intimidated the jackboots in the street. Now, who do you think the 
press noticed? Us? Not likely. You've got to have flash to get noticed in this 
business."
"And just what is this business?" interjected Tachyon, pressing a mug of 
steaming tea into Blythe's hands.
David hunched forward, his head thrusting out from his stooped shoulders like an 
inquisitive bird. "Salvaging something out of the disaster. Using these gifts to 
improve the human condition."
"That's how it starts, but will it end there? My experience with 
super-races--being a member of one myself--is that we take what we want, and the 
devil take anyone else. When a tiny minority of people on Takis began to develop 
mental powers, they quickly began interbreeding to make certain no one else 
would get a chance at the powers. It gave us a planet to rule, and we're only 
eight percent of the population."
"We'll be different." Harstein's wry laugh made a mockery of the statement.
"I hope so. But I'm more comforted by the knowledge that there are only a few 
dozen of you aces, and that Archibald hasn't welded all of you into this great 
force for Democracy." His thin lips twisted a bit on the final words.
Blythe reached out, and pushed his bangs off his forehead. "You disapprove?"
"I worry."
"Why?"
"I think you and David should be grateful that you're out of the public eye. The 
rage of the have-nots against the haves is never pretty, and your race has a 
tradition of suspicion and hostility toward the stranger. You aces are 
surpassing strange. What is it one of your holy books says? Suffer not the 
witch?"
"But we're just people," Blythe objected.
"No, you're not... not anymore, and the others won't forget it. I know of 
thirty-seven of you, there may be more, and you're undetectable-not like the 
jokers. National hysteria is a particularly virulent and fast-growing weed. 
People are seeing Communists everywhere, and it probably wouldn't take much to 
transfer that distrust to some other terrifying minority-like an unseen, secret, 
awesomely powered group of people."
"I think you're overreacting."
"Am I? Take these HUAC hearings." He gestured toward a pile of newspapers. "And 
two days ago a federal jury indicted Alger Hiss for perjury. These are not the 
actions of a sane and stable nation. And this during your month of joy and 
rebirth."
"No, that's Easter. This is the first birth." David's weak joke sank into the 
heavy silence that washed through the room, broken only by the hiss of wind 
driven snow against the windows.
Harstein sighed and stretched. "What a gloomy bunch we are. What say we get some 
dinner, and find a concert? Satchmo is playing uptown. "
Tach shook his head. "I have to go back to the hospital."
"Now?" wailed Blythe.
"My darling, I must."
"Then I'll go with you."
"No, that's silly. Let David take you to dinner."
"No." Her lips had tightened into a mulish line. "If you won't let me help, I 
can at least keep you company."
He sighed and rolled his eyes as she pulled on her boots. "Stubborn lady," David 
remarked from beneath the coffee table, where he was scrabbling after the 
scattered chess pieces. "We've all discovered that it does no good to argue with 
her."
"You should try living with her."
The delicate pillbox hat warped beneath the sudden tightening of her fingers. 
"Believe me, we can solve that problem."
"Don't start," Tach said warningly.
"And don't take that disapproving-father tone with me! I'm not a child, nor one 
of your secluded Takisian ladies."
"If you were, you'd behave better; and as for being a child, you're certainly 
acting like one-and a spoiled one at that. We've had this discussion before, and 
I'm not going to do what you want."
"We have not had a discussion. You have constantly closed me off, changed the 
subject, refused to discuss the matter-"
"I'm due at the hospital." He started for the door. "You see?" she shot at the 
uncomfortable Harstein. "Has he cut me off, or has he cut me off?"
The young man shrugged, and crammed the chess set into the pocket of his 
shapeless corduroy jacket. For once, he seemed at a loss for words.
"David, kindly take my genamiri to dinner, and try to return her to me in a 
somewhat better frame of mind." Blythe cast Harstein a pleading look, while 
Tachyon stared with regal disdain at the far wall.
"Hey, folks. I think you ought to take a nice romantic walk in the snow, talk 
things over, have a late supper, make love and quit bickering. Whatever it is, 
it can't be that big of a problem."
"You're right," murmured Blythe, the rigidity passing from her body under the 
relaxing wash of pheromones. David placed a hand in Tach's back, and urged him 
out the door. Lifting Blythe's hand, he placed it firmly in Tachyon's, and made 
a vague gesture of benediction over their heads. "Now go, my children, and sin 
no more." He followed them down the stairs and into the streets, then bolted for 
the subway before the pacifying effects of his power could wear off.
"Now do you see why I don't want you working with me?" The moon had managed to 
slip beneath the skirt of the clouds, and the pale silver light streaming across 
the snow made the city look almost clean. They stood on the edge of Central 
Park, breath mingling in soft white puffs as she stared seriously up into his 
face.
"I see that you're trying to protect and shelter me, but I don't think it's 
necessary and after watching you tonight..." She hesitated, searching for a way 
to soften her next words. "I think I can deal with it better than you can. You 
care for your patients, Tach, but their deformities and insanities .. well, they 
disgust you too."
He flinched. "Blythe, I'm so ashamed. Do you think they know, can they sense?"
"No, no, love." Her hand stroked his hair, soothing him as she would one of her 
young children. "I see it only because I'm so close to you. They see only the 
compassion."
"The Ideal knows I've tried to suppress it, but I've never seen such horrors." 
He jerked away from her comforting arms, and paced the sidewalk. "We don't 
tolerate deformity. Among the great houses such creatures are destroyed." There 
was a faint noise, and he turned back to face her. One gloved hand was pressed 
to her mouth, and her eyes were wide, glittering pits in the glow from a nearby 
streetlight. "And now you know I'm a monster."
"I think your culture is monstrous. Every child is precious no matter what its 
disabilities."
"So my sister thought, and our monstrous culture destroyed her too."
"Tell me."
He began drawing random patterns on a snow-covered park bench. "She was the 
eldest, some thirty years my senior, but we were very close. She was married 
outside the house during one of those rare family truces. Her first child was 
defective and put down, and Jadlan never recovered. She killed herself several 
months later." His hand swept across the bench, obliterating the drawings. 
Blythe lifted his hand, and chafed the chilled fingers between her gloved hands. 
"It started me thinking about the whole structure of my society. Then came the 
decision to field-test the virus on earth, and that was the end. I couldn't sit 
by any longer."
"Your sister must have been special, different, like you."
"My cousin says it's the Sennari line that we carry. It's a throwback recessive 
that-according to him, anyway-should never have been permitted to continue. But 
I'm losing you with all this talk of pedigree, and your teeth are rattling in 
your head. Let's get home and get you warm."
"No, not until we settle this." He didn't pretend not to understand. "I can help 
you, and I insist that you let me share this with you. Give me your mind."
"No, that would be eight personalities. It's too many."
"Let me be the judge of that. I'm managing just fine with seven."
He made a rude noise, and she stiffened with outrage. "Like you managed in 
February when I found Teller and Oppenheimer battling over the hydrogen bomb, 
while you stood like a zombie in the center of the room?"
"This will be different. You're beloved to me, your mind will not harm me. And 
beyond the work... when I have your memories and knowledge you won't be lonely 
anymore."
"I haven't been lonely, not since you came."
"Liar. I've seen the way you gaze off into the distance, and the sad music you 
pull out of that violin when you think I'm not listening. Let me be there to 
provide you with a small part of home." She placed a hand across his mouth. 
"Don't argue." So he didn't, and he allowed himself to be convinced. More out of 
love for her than any real acceptance of her arguments. And late that night, as 
her legs tightened about his waist, and her nails raked down his sweat-slick 
back, and he came in violent release, she reached out, and sucked in his mind as 
well.
There was a terrible, gut-wrenching moment of violation, theft, loss, then it 
was over, and from the mirror of her mind came back two images. The beloved, 
lady-soft, gentle touch that was Blythe, and a frighteningly familiar and 
equally beloved image that was him.
"Damn them all!" Tachyon raged the length of the small antechamber, spun, and 
fixed Prescott Quinn with an outthrust forefinger. "It is outrageous, 
unconscionable, to summon us in this manner. How dare they-and by what right do 
they-pull us from our home, and send us haring off to Washington on two 
hours'-two hours'--notice?"
Quinn sucked noisily on the stem of his pipe. "By the right of law and custom. 
They're members of Congress, and this committee is empowered to call and examine 
witnesses." He was a burly old man with an impressive gut that stretched his 
watch chain, complete with Phi Beta Kappa key, across the severe black of his 
waistcoat.
"Then call us in to witness-though God knows to whatand have an end to this. We 
came tumbling down here last night only to be told the hearing had been 
postponed, and now they keep us cooling our heels for three hours."
Quinn grunted, and rubbed at his bushy white eyebrows. "If you think this is 
much of a wait, young man, you've a lot to learn about the federal government."
"Tack, sit down, have some coffee," murmured Blythe, looking pale but composed 
in a black knit dress, veiled hat, and gloves.
David Harstein came mooching into the antechamber, and the two Marine guards at 
the chamber door stiffened and eyed him warily. "Thank God, a touch of sanity in 
the midst of madness and nightmares."
"Oh, David, darling." Blythe's hands clutched feverishly at his shoulders. "Are 
you all right? Was it terrible yesterday?"
"No, it was great... all except being continually referred to as the `Jewish 
gentleman from New York' by that Nazi Rankin. They questioned me about China: I 
told them we had done everything possible to negotiate a settlement between Mao 
and Chiang. They of course concurred. I then suggested that they disband these 
hearings, and they agreed amid much joy and applause, and-"
"And then you left the room," interrupted Tach. "Yes." His dark head drooped and 
he contemplated his clasped hands. "They're constructing a glass booth now, and 
I'll be recalled. Damn them anyway!"
A supercilious page entered and called for Mrs. Blythe van Renssaeler. She 
started, her purse falling to the floor. Tach recovered it, and pressed his 
cheek against hers.
"Peace, beloved. You're more than a match for them alone, much less with all the 
rest of you along. And don't forget, I'm with you." She smiled faintly. Quinn 
took her arm, and escorted her into the hearing room. Tachyon had a brief 
glimpse of backs, cameras, and a jumble of tables all washed in a fierce white 
light from the television spots. Then the door closed with a dull thud.
"Game?" asked David. "Sure, why not."
"I'm not imposing? Would you rather prepare your testimony?"
"What testimony? I don't know anything about China."
"When did they get you?" His deft hands flew, setting up the board.
"Yesterday afternoon about one."
"It's all such a crock," the Envoy said with a marked lack of diplomacy, and 
viciously jammed in a pawn at Queen's pawn four.
They were still at the game when Blythe and Quinn returned. The board went 
flying with the alien's precipitous leap, but David didn't remonstrate with him. 
Blythe was as pale as death, and shaking.
"What did they do?" demanded Tach, the words harsh in his throat. She didn't 
answer, merely shivered within the circle of his arms like a wounded animal.
"Dr. Tachyon, this is going a bit beyond China. We must talk."
"A moment." He bent to her, and pressed his lips against her temple. He could 
feel the pulse beating there. Quickly he slipped beneath her defense, and sent a 
calming tide flowing through her mind. With a final shudder she relaxed, and 
loosened her grip on the lapel of his pale peach coat. "Sit with David, love. I 
have to talk to Mr. Quinn." He knew he was talking down to her, but stress could 
warp the fragile structure she had constructed to keep her divergent 
personalities separated, and what he had found in that brief incursion had been 
an eroding edifice.
The lawyer drew him aside. "China was the excuse, Doctor. The issue now is this 
virus. I think this committee has gotten the idea that the aces are a subversive 
force, and they may reflect the mood in the country at large."
"Dr. Tachyon," called the page. Quinn waved him back with an abrupt slash.
"Absurd!"
"Nonetheless, I now understand why you're here. My advice to you is to take the 
Fifth."
"Which means?"
"You refuse to answer all and any questions. That includes your name. Such a 
response has been construed as a waiver of the Fifth."
Tach drew himself up to his full, unimpressive height. "I do not fear these men, 
Mr. Quinn, nor will I sit and condemn myself by silence. We will stop this 
foolishness now!"
The room was an obstacle course of lights, chairs, tables, people, and the 
snaking cables. Once he caught his heel, stumbled, pulling himself up with a 
muttered curse. For an instant the room faded, and he saw the parqueted, 
chandelierlit expanse of the Ilkazam ballroom and heard the titters of family 
and friends as he had stood lost in the midst of the intricacies of Princes 
Baffled. Because of his error the dance had come to a grinding, stumbling halt, 
and over the music he could hear his cousin Zabb's nasal voice describing in 
ruthless detail precisely which step he had missed. Hot blood rushed to his 
cheeks, and brought a line of sweat to his upper lip. Removing a handkerchief he 
dabbed at the moisture, then noticed that his discomfort was not entirely due to 
his memories; because of the television lights the room was broiling.
As he settled himself on the hard, straight-backed wooden chair, Tach noted the 
skeletal frame of the glass box that was being built to house David. It seemed 
somehow ominous, like a half-finished scaffold, and he quickly switched his gaze 
to the nine men who dared to sit in judgment on him and his genamiri. They were 
remarkable only for their expressions of grim portentousness. Otherwise they 
were merely a collection of middle-aged to elderly men dressed in ill-fitting 
dark suits. An expression of regal disdain settled over his features, and he 
lounged back in the chair, his very relaxation making a mockery of their power.
"Wish you had heeded me on the matter of your dress," murmured Quinn as he 
opened his briefcase.
"You told me to dress well. I did."
Quinn eyed the swallow-tailed coat and pants of pale peach, the vest embroidered 
in shades of green and gold, and the high soft boots with their gold tassels. 
"Black would have been better."
"I'm not a common laborer."
"Would you state your name for the committee," said Chairman Wood, without 
looking up from his papers.
He leaned in to the microphone. "I am known on your world as Dr. Tachyon."
"Your full and real name."
"You're quite certain you want that?"
"Would I ask it otherwise?" Wood grunted testily.
"As you wish." Smiling faintly, the alien launched into a recitation of his 
complete pedigree. "Tisianne brant Ts'ara sek Halima sek Ragnar sek Omian. So 
ends my mother's line,"
"Omian being a relative newcomer to the Ilkazam clan having married in from the 
Zaghloul. My maternal grandfather was Taj brant Parada sek Amurath sek Ledaa sek 
Shahriar sek Naxina. His sire was Bakonur brant Sennari-"
"Thank you," Wood said hurriedly. He glanced down the table at his colleagues. 
"Perhaps for the purposes of this hearing we can make do with his nom de plume?"
"De guerre," he corrected sweetly, and enjoyed Wood's flush of irritation.
There followed several pointless and meandering questions about where he lived 
and worked; then John Rankin of Mississippi leaned in. "Now as I understand it, 
Dr. Tachyon, you are not a citizen of the United States of America."
Tach shot Quinn an incredulous glance. There were titters from the assembled 
journalists, and Rankin glared.
"No, sir."
"Then you are an alien." Satisfaction laced the words. "Undeniably," he drawled. 
Leaning nonchalantly back in the chair, he began to play with the folds of his 
cravat. Case of South Dakota stepped in. "And did you or did you not enter this 
country illegally?"
"There didn't seem to be an immigration center at White Sands, on the other hand 
I didn't ask, being concerned with more pressing matters at the time."
"But you have at no time during the intervening years applied for American 
citizenship?"
The chair scraped back and Tach was on his feet. "The Ideal grant me patience. 
This is absurd. I have no desire to become a citizen of your country. Your world 
I find compelling, and even if my ship were capable of hyperspatial travel I 
would remain because I have patients who need me. What I do not have is either 
the time or the inclination to bark and caper for the amusement of this ignorant 
tribunal. Please, carry on with your little games, but leave me to my work-"
Quinn pulled him bodily down into the chair, and laid a hand over the mike. 
"Just keep it up, and you'll be surveying this world from behind the walls of a 
federal penitentiary," he hissed. "Accept it now! These men have power over you 
and the means to exercise it. Now apologize, and let's see what we can salvage 
from this mess."
He did so, but with poor grace, and the questioning continued. It was Nixon of 
California who brought them to the heart of the matter.
"As I understand it, Doctor, it was your family who developed this virus that 
has cost so many people their lives. Is that correct?"
"Yes."
"I beg your pardon?"
He cleared his throat, and said more audibly this time, "Yes."
"And so you came-"
"To try and prevent its release."
"And what corroboration do you have for this claim, Tachyon?" granted Rankin.
"My ship's logs detailing my exchange with the crew of the other ship."
"And can you obtain these logs?" Nixon again. "They're on my ship."
An aide skittered up onto the platform, and there was a hurried conference. 
"Reports indicate that your ship has resisted all efforts to enter."
"It was so ordered."
"Will you arrange to open it, and allow the Air Force to remove the logs?"
"No." They regarded each other for a long moment. "Will you return my ship, and 
then I'll bring you the logs?"
"No."
He fell back once more in the chair and shrugged. "Well, they wouldn't have done 
you much good anyway; we weren't speaking English."
"And what about these other aliens? Can we question them?" Rankin's mouth 
twisted as if he were regarding something peculiarly unpleasant and slimy.
"I'm afraid they're all dead." His voice dropped as he again struggled with the 
guilt the memories still brought. "I misjudged their determination. They fought 
the grappler beam, and broke up in the atmosphere."
"Very convenient. So convenient that I wonder if it wasn't planned that way?"
"It was Jetboy's failure that released the virus."
"Do not sully the name of that great American hero with your slanderous lies!" 
Rankin shouted, winding up into his full Southern-preacher mode. "I submit to 
this committee and to the nation that you have remained on this world to study 
the effects of your evil experiment. That those other aliens were acting as 
kamikazes ready to die so that you might appear a hero, and live among us 
accepted and revered, but that in fact you are an alien subversive seekin' to 
undermine this great nation by the use of these dangerous wild elements."
"No!" He was on his feet, hands braced on the table, leaning in on his 
inquisitors. "No one regrets the events of '46 more than I. Yes, I failed... 
failed to stop the ship, failed to locate the globe, failed to convince the 
authorities of the danger, failed to help Jetboy, and I must live with that 
failure for the rest of my life! All I can do is offer myself... my talents, my 
experience working with this virus, to undo what I have created-I'm sorry... 
sorry." He broke off, choked, and sipped gratefully at the water offered by 
Quinn.
The heat was like a tangible thing, coiling about his body, stealing the breath 
from his lungs, and leaving him lightheaded. He willed himself not to faint, and 
pulling the handkerchief from his pocket he wiped at his eyes, and knew he had 
made another mistake. Males in this culture were trained to suppress emotion. He 
had just violated another of their taboos. He dropped heavily back into the 
chair.
"If you are indeed repentant, Dr. Tachyon, then demonstrate it to this 
committee. What I require from you is a complete list of all the so-called 
'aces' you have ever treated or heard about. Names... addresses if possible, 
and-"
"No."
"You would be assistin' your country."
"It's not my country, and I won't help you in your witchhunts."
"You are in this country illegally, Doctor. Could be that it's in the best 
interests of this nation if you were deported. So I'd think over your answer 
very carefully if I were you."
"it requires no further thought... I will not betray my patients."
"Then the committee has no further questions of this witness. "
At the front doors of the Capitol they walked full into a pale, sharp-featured 
man.
A tiny sound escaped Blythe, and she clutched at Tach's arm.
"Afternoon, Henry," grunted Quinn, and the alien realized that this was the 
husband of the woman who had shared his bed and his life for two and a half 
years.
He seemed familiar. Tach had been contending with this persona every time he 
joined with Blythe in telepathic or physical union. Granted, Henry had been 
relegated to an unused corner of her mind like discarded lumber in a dusty 
attic, but the mind was there, and it wasn't a very nice mind. "Blythe."
"Henry."
He raked Tachyon with a cold glance. "If you would excuse us, I'd like to talk 
to my wife."
"No, please, don't leave me." Her fingers plucked at his coat, and he carefully 
freed them before she could utterly ruin the crease, and clasped her hand warmly 
in his.
"I think not."
The congressman gripped his shoulder, and shoved. It was an error in judgment. 
Small he might be, but Tachyon had studied with one of the finest 
personal-defense masters on Takis, and his response was almost more reflexive 
than conscious. He didn't bother with martial arts subtlety, just brought his 
knee up, nailing van Renssaeler in the nuts, and as the other man folded, his 
fist took him in the face. The congressman hit the ground like he'd been 
poleaxed, and Tach sucked at his knuckles.
Blythe's blue eyes were unfocused, staring wildly down at her husband, and Quinn 
was frowning like a white-haired Zeus. Several people came running to assist the 
fallen politician, and Quinn, recovering himself quickly, herded them down the 
steps.
"That was a pretty dirty blow," he rumbled as he waved down a passing taxi. 
"It's not very sporting to kick a man in the balls."
"I'm not interested in sporting. You fight to win, and failing that you die."
"Mighty strange world you come from if that's the code you're taught." He 
grunted again. "And, as if you don't have troubles enough, I can guarantee that 
Henry will sue for assault and battery."
"Consider yourself retained, Prescott," Blythe said, raising her head from 
Tach's shoulder. She was wedged tightly between the two men in the taxi, and 
Tach could feel the faint shivering that was still running through her body.
"Might be you should consider filing for divorce. Can't imagine why you didn't 
before now. "
"The children. I knew I'd never see them if I divorced Henry."
"Well, think about it."
"Where are we going?"
"The Mayflower. Nice hotel, you'll like it."
"I want to go to the station. We're going home."
"Wouldn't advise that. My gut is telling me this isn't over yet, and my belly is 
an infallible indicator."
"We've given our testimony."
"But Jack and Earl are still to come, Harstein has to testify again, and there 
might be something that would require you to be recalled. Let's just stick until 
the final hurrah. It'll save you a trip back if I'm right."
Tach grudgingly agreed, sinking back against the cushions to watch the city go 
by.
By Sunday night he was heartily sick of Washington, D.C., heartily sick of the 
Mayflower, and heartily sick of Quinn's doom and gloom prophecies. Blythe had 
tried to maintain the fantasy that they were having a lovely little vacation, 
and had dragged him about the city to gaze at marble buildings and meaningless 
statuary, but her dream world was shattered late Friday, when David was held to 
be in contempt of Congress and the case remanded to a grand jury.
The boy had huddled in their suite alternating between wild confidence that no 
indictment would be issued and fear that he would be convicted and imprisoned. 
The latter seemed the most likely, for he had been horribly abusive to the 
committee during that final day of testimony, even going so far as to compare 
them to Hitler's ruling elite. The climate was not forgiving. Tachyon had been 
driven nearly to distraction trying to suppress David's more vengeful plans 
against the committee, and trying to soothe Blythe, who seemed to have 
completely lost English as a first language, and spoke almost exclusively in 
German.
His efforts were not aided by the fact that they were under virtual siege in the 
room; surrounded and badgered by swarming reporters who were undeterred even 
after Blythe emptied a pot of hot coffee over one who had tried to enter while 
posing as room service. Only Quinn was permitted within their fortress, and he 
was so uniformly pessimistic that Tach was ready to pitch him out a window.
Now, as dawn was tinting the eastern sky, Tach lay listening to the even beating 
of Blythe's heart and the soft whisper of her breathing as she lay snuggled 
against his side.
Their lovemaking had been long and frenzied, as if she feared to lose contact 
with him. It had also been disturbing, for he had found a large amount of leak 
between the various personalities. He had tried to make her concentrate on a new 
construct, but she had been too emotionally fragmented to make it work. Only 
rest and a respite from the stress would restore the balance, and Tach vowed 
that committee or no committee they were leaving Washington that day.
A furious hammering on the door of their suite brought him plunging out of the 
bed at one that afternoon. Befuddled, he didn't even think of his dressing gown, 
but instead wrapped the bedspread about his waist and blundered to the door. It 
was Quinn, and the look on his face drove the last vestige of sleep from his 
mind.
"What? What's happened?"
"The worst. Braun's ruined you all."
"Huh?"
"Friendly witness. He's thrown you all to the wolyes to save himself." Tach sank 
into a chair. "That's not all, they're recalling Blythe."
"When? Why?"
"Tomorrow, right after Earl. Jack very generously volunteered the information 
that in addition to Von Braun and Einstein and all the rest of the eggheads, she 
also has your thoughts and memories. They want the names of those other aces, 
and if they can't get them from you, they'll get them from her."
"She'll refuse."
"She could go to jail."
"No... they wouldn't... not a woman." The attorney just shook his head.
"Do something. You're the lawyer. I refused first, let them send me to jail."
"There is another option."
"What?"
"Give them what they want."
"No, that is not an option. You must keep her out of that hearing room."
The old man gusted a sigh, and scratched furiously at his head until his hair 
stood out from his head like the quills on an outraged porcupine. "Okay, I'll 
see what I can do."
It hadn't been enough, and on Tuesday morning they were back at the Capitol. 
Earl had marched in, taken the Fifth, and marched back out with an expression of 
utter contempt and disdain. He had expected nothing from the white man's 
government, and it hadn't disappointed him. Now it was Blythe's turn. At the 
door, two young Marine guards had tried to hold him back. He knew he was being 
unfair, lashing out at the wrong people, but their attempt to separate him from 
Blythe shattered his control, and he had brutally mindcontrolled them both. He 
had ordered them to sleep, and they were snoring by the time they hit the floor. 
That display of his power had a strong effect on several observers, and they 
quickly found a seat for him in the back of the room among the press corps. He 
had tried to remonstrate, wanting to be with Blythe, but this time it was Quinn 
who demurred.
"No, you sitting up there with her would be like a red flag to a bull. I'll take 
care of her."
"It's not just the legal thing. Her mind... it's very fragile right now." He 
jerked his head toward Rankin. "Don't let them hammer at her."
"I'll try."
"My darling." Her shoulders felt thin and bony beneath his hands, and when she 
raised her face to his, her eyes were like two darkened bruises in her white 
face. "Remember, their freedom and safety is riding on you. Please don't say 
anything."
"Don't worry, I won't," she said with a flash of her old spirit. "They're my 
patients too."
He watched her walk away, a hand resting lightly on Quinn's arm, and terror 
seized him. He wanted to rush after her, and hold her one more time. He wondered 
if the feeling was his errant precognition kicking in, or just a disordered 
mind?
"Now, Mrs. van Renssaeler, let's get the chronology set in all our minds, shall 
we?" said Rankin.
"All right."
"Now, when did you first discover you had this power?"
"February 1947."
"And when did you walk out on your husband, Congressman Henry van Renssaeler?" 
He hit the word Congressman hard, glancing quickly to the left and right to see 
how his colleagues took it.
"I didn't, he threw me out."
"And was that maybe because he had found out you were fooling around with 
another man, a man who isn't even human?"
"No!" cried Blythe.
"Objection!" shouted Quinn in the same breath. "This is not a divorce 
proceeding-"
"You have no grounds upon which to object, Mr. Quinn, and may I remind you that 
this committee has sometimes found it necessary to investigate the backgrounds 
of attorneys. One has to wonder why you fellows would choose to represent 
enemies of this nation."
"Because it is a tenet of Anglo-American law that a defendant have someone to 
shield him from the awesome might of the federal government-"
"Thank you, Mr. Quinn, but I don't think we need instruction in jurisprudence," 
broke in Representative Wood. "You may continue, Mr. Rankin."
"I thank you, sir. We'll leave that for the moment. Now, when did you become one 
of the so-called Four Aces?"
"I think it was in March."
"Of '47?"
"Yes. Archibald had shown me how I could use my power to preserve priceless 
knowledge, and had contacted several of the scientists. They agreed, and I-"
"Began to suck out their minds."
"It isn't like that."
"Don't you find it sort of disgustin', almost vampirelike, the way you eat a 
man's knowledge and abilities? It's a cheat, too. You weren't born with a great 
mind, nor did you study and work to gain your position. You just steal others'."
"They were willing. I would never do it without permission. "
"And had Congressman van Renssaeler given you his permission?"
Tachyon could hear the tears thickening her voice. "That was different. I didn't 
understand... I couldn't control." She dropped her face into her gloved hands.
"So let's move on. We're up to the time when you abandoned your husband and 
children." He added in a more conversational tone, obviously for the benefit of 
the other committee members, "I also find it incredible that a woman would leave 
her natural role, and strut herself in this fashion. Well, that's neither here 
nor there-"
"I didn't abandon them," Blythe interrupted.
He brushed aside her remark. "Semantics. Now, when was that?"
Blythe slumped hopelessly back in her chair. "August the twenty-third, 1947."
"And where have you been living since August twentythird, 1947?" She sat 
silently. "Come, come, Mrs. van Renssaeler. You have consented to answer 
questions before this committee. You can't withdraw that consent now."
"At one seventeen Central Park West."
"And whose apartment is that?"
"Dr. Tachyon's," she whispered. There was a stir at this from the press corps, 
for they had kept a very low profile. Only the other three Aces and Archibald 
had known of their living arrangement.
"So, after violating your husband and stealing his mind you then walk out, and 
live in sin with an inhuman from another planet who created the virus that gave 
you this power."
"There's somethin' fairly convenient in all this." He leaned forward over the 
desk, and bellowed down at her. "Now you listen, madam, and you better answer 
because you stand in a great deal of danger. Did you take this Tachyon's mind 
and memories?"
"Y--yes."
"And have you worked with him?"
"Yes." Her replies were scarcely audible.
"And do you acknowledge that Archibald Holmes formed the Four Aces as a 
subversive element designed to undermine loyal allies of the United States?"
Blythe had swung around in the chair, her hands gripping the top rung with a 
desperate intensity, her eyes darting vaguely about the crowded room. Her face 
seemed to be writhing, trying to rearrange itself into different visages, and 
there was an almost psychic white noise coming off her mind. It drilled into 
Tachyon's head, and his shields snapped into place.
"Are you listening, Mrs. van Renssaeler? Because you better be. I'm beginnin' to 
think you and your bloodsucking power are a danger to this country. Maybe it's 
better you do go to jail before you take your ill-gotten knowledge and sell it 
to the enemies of this country."
Blythe was shaking so hard that it seemed unlikely she could remain upright in 
the chair, and tears were streaming down her face. Tach came to his feet, and 
began pushing through the mob that separated them. "No, no, please... don't. 
Leave me alone." She wrapped her arms protectively about her body, and rocked 
back and forth.
"Then give me those names!"
"All right... all right." Rankin sank back from the microphone, his pen tapping 
out a satisfied little rhythm on the pad before him. "There's Croyd..."
For Tachyon, time seemed to distend, stretch, almost stand still. Several rows 
of people still separated him from Blythe, and in that eon-long moment he made 
his decision.
His mind lanced out, pinning her like a butterfly. Her voice choked off, and she 
emitted a funny little acking noise. For him it was akin to holding a snowflake, 
or some particularly delicate form of glass sculpture. Under his grip he felt 
the entire structure of her mind fragment, and Blythe went spinning away and 
down into some dark and fearsome cavern of the soul. Freed, the other seven ran 
rampant. Giggling, lecturing, posturing, ranting, they seemed to race along her 
central nervous system, setting her body to twitching like a maddened puppet. 
Words exploded from her: formulae, lectures in German, ongoing arguments between 
Teller and Oppenheimer, campaign speeches, and Takisian all jumbled in a 
swirling broth.
The instant he felt her mind give way he released her, but it was too late. 
Chairs and people were shoved ruthlessly aside as he fought his way to her side 
and gathered her in his arms.
The chamber was in complete disorder with Wood hammering away with his gavel, 
reporters shouting and jostling, and over all Blythe's manic monologue. He 
seized her, reached out again with the coercive power of his mind, and carried 
her down into oblivion. She slumped in his arms, and an eerie silence fell over 
the chamber.
"I take it the committee has no further questions of this witness?" The words 
came grating out, and his hatred beat from him like a tangible force. The nine 
men shifted uncomfortably, then Nixon murmured in a voice that was scarcely 
audible,
"No, no more questions."
Hours later he sat at the apartment rocking her in his lap, and crooning as he 
would have to one of his tiny cousins back home on Takis. His brain felt 
battered by his struggle to recall her to sanity; none of his efforts had shown 
the smallest success. He felt young and helpless; he wanted to drum his heels on 
the rug, and howl like a four-year-old. Images of his father rose up to taunt 
him; big, solid, and powerful, he had both the training and the natural talent 
to deal with such mental illness. But he was hundreds of light-years away, and 
had no idea where his errant son and heir had gotten to. There was a preemptory 
knock on the door. Shifting his limp, unresisting burden into his left arm, he 
staggered to the door, and took a step back as his burning eyes focused on the 
two policemen and the bundled figure behind them. Henry van Renssaeler lifted 
his bruised face and stared at Tachyon. "...ave here a commitment order for my 
wife. Kindly hand her over."
"No... no, you don't understand. Only I can help her. I don't have the construct 
yet, but I'll get it. It'll just take a little work. "
The burly officers stepped forward, and gently but inexorably pried her from his 
encircling arms. He stumbled after them as they headed down the stairs, Blythe 
lolling in one of the policeman's arms. Van Renssaeler had made no move to touch 
her.
"Only a little time." He was crying. "Please, just give me a little time."
He slumped down, clinging to the bottom banister post as the outer door fell 
shut behind them.
He had seen her only once after her commitment. The appeal of his deportation 
order was grinding through the courts, and seeing the end coming, he had driven 
to the private sanatorium in upstate New York.
They wouldn't let him in the room. He could have overriden that decision with 
mind control, but ever since that hideous day he had been unable to use his 
power. So he had peered through a small window in the heavy door, looking at a 
woman he no longer knew. Her hair hung in matted witchlocks about her twisted 
face as she prowled the tiny room lecturing to an unseen audience. Her voice was 
low and rasping; obviously her vocal cords were being damaged by her constant 
attempts to maintain a male tone.
Unable to stop himself, he had reached out telepathically, but the chaos of her 
mind sent him reeling back. Worse had been the infinitesimal flicker of Blythe 
crying for help from some deep and hidden source. So intense was his guilt that 
he spent several minutes in the bathroom vomiting, as if that could somehow 
cleanse his soul.
Five weeks later he had been put aboard a ship sailing for Liverpool.
"Le pauvre." A large matronly woman with two small girls at her side stood 
looking down at the slumped figure on the bench. She rummaged through her purse, 
and withdrew a coin. It fell with a dull clink into the violin case. Gathering 
her children to her she moved on, and Tachyon retrieved the coin with two grimy 
fingers. It wasn't much, but it would buy another bottle of wine, and another 
night of forgetfulness.
Rising, he packed away the instrument, gathered up his medical bag, and thrust 
the folded page of newsprint into his shirt. Later, during the night, it would 
shield him from the cold. He took a few weaving steps, then stumbled to a 
swaying halt. Juggling the two cases in one hand, he extracted the page, and 
took a final look at the headline. The cold east wind was back, tugging urgently 
at the paper. He released it, and it went skirring away. He walked on, not 
pausing to look back to where it hung, flapping forlornly, against the iron legs 
of the bench. Cold it might be, but he would trust to the wine to insulate him.

Interlude One
From "Red Aces, Black Years," by Elizabeth H. Crofton, New Republic, May 1977.
From the moment in 1950 when he declared in his famous Wheeling, West Virginia, 
speech that "...ave here in my hand a list of fifty-seven wild cards known to be 
living and working secretly in the United States today," there was little doubt 
that Senator Joseph R. McCarthy had replaced the faceless members of HUAC as the 
leader of the anti-wild card hysteria that swept across the nation in the early 
50s.
Certainly, HUAC could claim credit for discrediting and destroying Archibald 
Holmes's Exotics for Democracy, the "Four Aces" of the halcyon postwar years and 
the most visible living symbols of the havoc the wild card virus had wrought 
upon the nation (to be sure, there were ten jokers for every ace, but like 
blacks, homosexuals, and freaks, the jokers were invisible men throughout this 
period, steadfastly ignored by a society that would have preferred they not 
exist). When the Four Aces fell, many felt the circus had ended. They were 
wrong. It was just beginning, and Joe McCarthy was its ringmaster.
The hunt for 'Red Aces' that McCarthy instigated and fronted produced no single, 
spectacular victory to rival HUAC's, but ultimately McCarthy's work affected 
many more people, and proved lasting where HUAC's triumph had been ephemeral. 
The Senate Committee on Ace Resources and Endeavors (SCARE) was birthed in 1952 
as the forum for McCarthy's ace-hunts, but ultimately became a permanent part of 
the Senate's committee structure. In time SCARE, like HUAC, would become a mere 
ghost of its former self, and decades later, under the chairmanship of men like 
Hubert Humphrey, Joseph Montoya, and Gregg Hartmann, it would evolve into an 
entirely different sort of legislative animal, but McCarthy's SCARE was 
everything its acronym implied. Between 1952 and 1956, more than two hundred men 
and women were served with subpoenas by SCARE, often on no more substantial 
grounds than reports by anonymous informants that they had on some occasion 
displayed wild card powers.
It was a true modern witch-hunt, and like their spiritual ancestors at Salem, 
those hauled before TailGunner Joe for the non-crime of being an ace had a hard 
time proving their innocence. How do you prove that you can't 8y? None of 
SCARE's victims ever answered that question satisfactorily. And the blacklist 
was always waiting for those whose testimony was considered unsatisfactory.
The most tragic fates were suffered by those who actually were wild card 
victims, and admitted their ace powers openly before the committee. Of those 
cases, none was more poignant than that of Timothy Wiggins, or "Mr. Rainbow," as 
he was billed when performing. "If I'm an ace, I'd hate to see a deuce," Wiggins 
told McCarthy when summoned in 1953, and from that moment onward "deuce" entered 
the language as the term for an ace whose wild card powers are trivial or 
useless. Such was certainly the case with Wiggins, a plump, nearsighted, 
forty-eight-year-old entertainer whose wild card power, the ability to change 
the color of his skin, had propelled him to the dizzy heights of second billing 
in the smaller Catskill resort hotels, where his act consisted of strumming a 
ukulele and singing wobbly falsetto versions of songs like "Red, Red Robin,"
"Yellow Rose of Texas," and "Wild Card Blues," accompanying each rendition with 
appropriate color changes. Ace or deuce, Mr. Rainbow received no mercy from 
McCarthy or SCARE. Blacklisted and unable to secure bookings, Wiggins hanged 
himself in his daughter's Bronx apartment less than fourteen months after his 
testimony.
Other victims saw their lives blighted and destroyed in only slightly less 
dramatic ways: they lost jobs and careers to the blacklist, lost friends and 
spouses, inevitably lost custody of their children in the all-too-frequent 
divorces. At least twenty-two aces were uncovered during SCARE's investigatory 
heyday (McCarthy himself often claimed credit for having "exposed" twice that 
many, but included in his totals numerous cases where the accused's "powers" 
were established only by hearsay and circumstantial evidence, without a shred of 
actual documentation), including such dangerous criminals as a Queens housewife 
who levitated when asleep, a longshoreman who could plunge his hand into a 
bathtub and bring the water to a boil in just under seven minutes, an amphibious 
Philadelphia schoolteacher (she kept her gills concealed beneath her clothing, 
until the day she unwisely gave herself away by saving a drowning child), and 
even a potbellied Italian greengrocer who displayed an astonishing ability to 
grow hair at will.
Shuffling through so many wild cards, SCARE inevitably turned up some genuine 
aces among the deuces, including Lawrence Hague, the telepathic stockbroker 
whose confession triggered a panic on Wall Street, and the so-called "panther 
woman" of Weehawken whose metamorphosis before the newsreel cameras horrified 
theatergoers from coast to coast. Even that paled beside the case of the mystery 
man apprehended while looting New York's diamond center, his pockets bulging 
with gemstones and amphetamines. This unknown ace displayed reflexes four times 
as fast as those of a normal man, as well as astonishing strength and a seeming 
immunity to handgun fire. After flinging a police car the length of the block 
and hospitalizing a dozen policemen, he was finally subdued with tear gas. SCARE 
immediately issued a subpoena, but the unidentified man lapsed into a deep, 
comalike sleep before he could take the stand. To McCarthy's disgust, the man 
could not be roused-until the day, eight months later, when his specially 
reinforced maximum-security cell was suddenly and mysteriously found empty. A 
startled trusty swore that he had seen the man walk through the wall, but the 
description he gave did not match that of the vanished prisoner.
McCarthy's most lasting achievement, if it may be termed an achievement, came 
with the passage of the socalled "Wild Card Acts." The Exotic Powers Control 
Act, enacted in 1954, was the first. It required any person exhibiting wild card 
powers to register immediately with the federal government; failure to register 
was punishable by prison terms of up to ten years. This was followed by the 
Special Conscription Act, granting the Selective Service Bureau the power to 
induct registered aces into government service for indefinite terms of service. 
Rumors persist that a number of aces, complying with the new laws, were indeed 
inducted into (variously) the Army, the FBI, and the Secret Service during the 
late fifties, but if true the agencies employing their services kept the names, 
powers, and very existence of these operatives a closely held secret.
In fact, only two men were ever openly drafted under the Special Conscription 
Act during the entire twenty-two years that the statute remained on the books: 
Lawrence Hague, who vanished into government service after the stock 
manipulation charges against him were dropped, and an even more celebrated ace 
whose case made headlines all over the nation. David "Envoy" Harstein, the 
charismatic negotiator of the Four Aces, was slapped with an induction notice 
less than a year after his release from prison, where HUAC had confined him for 
contempt of Congress. Harstein never reported for conscription. Instead he 
vanished totally from public life in early 1955, and even the FBI's nationwide 
manhunt failed to turn up any trace of the man whom McCarthy himself dubbed "the 
most dangerous pink in America."
The Wild Card Acts were McCarthy's greatest triumph, but ironically enough their 
passage sowed the seed of his undoing. When those widely publicized statutes 
were finally signed into law, the mood of the nation seemed to change. Over and 
over again McCarthy had told the public that the laws were needed to deal with 
hidden aces undermining the nation. Well, the nation now replied, the laws are 
passed, the problem is solved, and we've had enough of all this.
The next year, McCarthy introduced the Alien Disease Containment Bill, which 
would have mandated compulsory sterilization for all wild card victims, jokers 
as well as aces. That was too much for even his staunchest supporters. The bill 
went down to crashing defeat in both House and Senate. In an effort to recoup 
and recapture the headlines, McCarthy launched an ill-advised SCARE 
investigation of the Army, determined to ferret out the "aces in the hole" that 
rumor insisted had been secretly recruited years before the Special Conscription 
Act. But public opinion swung dramatically against him during the Army-McCarthy 
hearings, which culminated in his censure by the Senate.
In early 1955, many had thought McCarthy might be strong enough to wrest the 
1956 Republican presidential nomination from Eisenhower, but by the time of the 
1956 election, the political climate had changed so markedly that he was hardly 
a factor.
On April 28, 1957, he was admitted to the Naval Medical Center at Bethesda, 
Maryland, a broken man who talked incessantly about those who he felt had 
betrayed him. In his last days, he insisted that his fall was all Harstein's 
fault, that the Envoy was out there somewhere, crisscrossing the country, 
poisoning the people against McCarthy with sinister alien mind control.
Joe McCarthy died on May 2, and the nation shrugged. Yet his legacy survived 
him: SCARE, the Wild Card Acts, an atmosphere of fear. If Harstein was out 
there, he did not come forward to gloat. Like many other aces of his time, he 
remained in hiding.

SHELL GAMES
by George R. R. Martin
When he'd moved into the dorm back in September, the first thing that Thomas 
Tudbury had done was tack up his signed photograph of President Kennedy, and the 
tattered 1944 Time cover with Jetboy as Man of the Year.
By November, the picture of Kennedy was riddled with holes from Rodneys darts. 
Rod had decorated his side of the room with a Confederate flag and a dozen 
Playboy centerfolds.
He hated Jews, niggers, jokers, and Kennedy, and didn't like Tom much either. 
All through the fall semester, he had fun; covering Tom's bed with shaving 
cream, short-sheeting him, hiding his eyeglasses, filling his desk drawer with 
dog turds.
On the day that Kennedy was killed in Dallas, Tom came back to his room fighting 
to hold the tears. Rod had left him a present. He'd used a red pen. The whole 
top of Kennedy's head was dripping blood now, and over his eyes Rod had drawn 
little red X's. His tongue was sticking out of the corner of his mouth.
Thomas Tudbury stared at that for a long, long time. He did not cry; he would 
not allow himself to cry. He began to pack his suitcases.
The freshman parking lot was halfway across campus. The trunk on his '54 Mercury 
had a broken lock, so he tossed the bags into the backseat. He let the car warm 
up for a long time in the November chill. He must have looked funny sitting 
there; a short, overweight guy with a crewcut and horn-rim glasses, pressing his 
head against the top of the steering wheel like he was going to be sick.
As he was driving out of the lot, he spied Rodney's shiny new Olds Cutlass.
Tom shifted to neutral and idled for a moment, considering. He looked around. 
There was no one in sight; everybody was inside watching the news. He licked his 
lips nervously, then looked back at the Oldsmobile. His knuckles whitened around 
the wheel. He stared hard, furrowed his brow, and squeezed.
The door panels gave first, bending inward slowly under the pressure. The 
headlights exploded with small pops, one after the other. Chrome trim clattered 
to the ground, and the rear windshield shattered suddenly, glass flying 
everywhere. Fenders buckled and collapsed, metal squealing in protest. Both rear 
tires blew at once, the side panels caved in, then the hood; the windshield 
disintegrated entirely. The crankcase gave, and then the walls of the gas tank; 
oil, gasoline, and transmission fluid pooled under the car. By then Tom Tudbury 
was more confident, and that made it easier. He imagined he had the Olds caught 
in a huge invisible fist, a strong fist, and he squeezed all the harder. The 
crunch of breaking glass and the scream of tortured metal filled the parking 
lot, but there was no one to hear. He methodically mashed the Oldsmobile into a 
ball of crushed metal.
When it was over, he shifted into gear and left college, Rodney, and childhood 
behind forever.
Somewhere a giant was crying.
Tachyon woke disoriented and sick, his hangover throbbing in time to the mammoth 
sobs. The shapes in the dark room were strange and unfamiliar. Had the assassins 
come in the night again, was the family under attack? He had to find his father. 
He lurched dizzily to his feet, head swimming, and put a hand against the wall 
to steady himself.
The wall was too close. These weren't his chambers, this was all wrong, the 
smell... and then the memories came back. He would have preferred the assassins.
He had dreamed of Takis again, he realized. His head hurt, and his throat was 
raw and dry. Fumbling in the darkness, he found the chain-pull for the overhead 
light. The bulb swung wildly when he yanked, making the shadows dance. He closed 
his eyes to still the lurching in his gut. There was a foul taste at the back of 
his mouth. His hair was matted and filthy, his clothing rumpled. And worst of 
all, the bottle was empty. Tachyon looked around helplessly. A six-by-ten room 
on the second floor of a lodging house named ROOMS, on a street called the 
Bowery. Confusingly, the surrounding neighborhood had once been called the 
Bowery too-Angelface had told him that. But that was before; the area had a 
different name now. He went to the window, pulling up the shade. The yellow 
light of a streetlamp filled the room. Across the street, the giant was reaching 
for the moon, and weeping because he could not grasp it.
Tiny, they called him. Tachyon supposed that was human wit. Tiny would have been 
fourteen feet tall if only he could stand up. His face was unlined and innocent, 
crowned with a tangle of soft dark hair. His legs were slender, and perfectly 
proportioned. And that was the joke: slender, perfectly proportioned legs could 
not begin to support the weight of a fourteen-foot-tall man. Tiny sat in a 
wooden wheelchair, a great mechanized thing that rolled through the streets of 
Jokertown on four bald tires from a wrecked semi. When he saw Tach in the 
window, he screamed incoherently, almost as though he recognized him. Tachyon 
turned away from the window, shaking. It was another Jokertown night. He needed 
a drink.
His room smelled of mildew and vomit, and it was very cold. ROOMS was not as 
well heated as the hotels he had frequented in the old days. Unbidden, he 
remembered the Mayflower down in Washington, where he and Blythe... but no, 
better not to think of that. What time was it anyway? Late enough. The sun was 
down, and Jokertown came to life at night.
He plucked his overcoat from the floor and slipped it on. Soiled as it was, it 
was still a marvelous coat, a lovely rich rose color, with fringed golden 
epaulets on the shoulders and loops of golden braid to fasten the long row of 
buttons. A musician's coat, the man at the Goodwill had told him. He sat on the 
edge of his sagging mattress to pull on his boots.
The washroom was down at the end of the hall. Steam rose from his urine as it 
splashed against the rim of the toilet; his hands shook so badly that he 
couldn't even aim right. He slapped cold, rust-colored water on his face, and 
dried his hands on a filthy towel.
Outside, Tach stood for a moment beneath the creaking ROOMS sign, staring at 
Tiny. He felt bitter and ashamed. And much too sober. There was nothing to be 
done about Tiny, but he could deal with his sobriety. He turned his back on the 
weeping giant, slid his hands deep into the pockets of his coat, and walked off 
briskly down the Bowery.
In the alleys, jokers and winos passed brown paper bags from hand to hand, and 
stared with dull eyes at the passersby. Taverns, pawnbrokers, and mask shops 
were all doing a brisk trade. The Famous Bowery Wild Card Dime Museum (they 
still called it that, but admission was a quarter now) was closing for the day. 
Tachyon had gone through it once, two years ago, on a day when he was feeling 
especially guilt-ridden; along with a half-dozen particularly freakish jokers, 
twenty jars of "monstrous joker babies" floating in formaldehyde, and a 
sensational little newsreel about the Day of the Wild Card, the museum had a 
waxworks display whose dioramas featured Jetboy, the Four Aces, a Jokertown 
Orgy... and him.
A tour bus rolled past, pink faces pressed to the windows. Beneath the neon 
light of a neighborhood pizza parlor, four youths in black leather jackets and 
rubber facemasks eyed Tachyon with open hostility. They made him uneasy. He 
averted his eyes and dipped into the mind of the nearest: mincing pansy looka 
that hair dye job fershure thinks he's inna marching band like to beat his 
fuckin' drums but no wait shit there's better we'U find us a good one tonight 
yeah wanna get one that squishes when we hit it. Tach broke the contact with 
distaste and hurried on. It was old news, and a new sport: come down to the 
Bowery, buy some masks, beat up a joker. The police didn't seem to care.
The Chaos Club and its famous All-Joker Revue had the usual big crowd. As 
Tachyon approached, a long gray limo pulled up to the curb. The doorman, wearing 
a black tuxedo over luxuriant white fur, opened the door with his tail and 
helped out a fat man in a dinner jacket. His date was a buxom teenager in a 
strapless evening gown and pearls, her blond hair piled high in a bouffant 
hairdo.
A block farther on, a snake-lady called out a proposition from the top of a 
nearby stoop. Her scales were rainbowcolored, glistening. "Don't be scared, 
Red," she said, "it's still soft inside." He shook his head.
The Funhouse was housed in a long building with giant picture windows fronting 
the street, but the glass had been replaced with one-way mirrors. Randall stood 
out front, shivering in tails and domino. He looked perfectly normaluntil you 
noticed that he never took his right hand out of his pocket. "Hey, Tacky," he 
called out. "Whattaya make of Ruby?"
"Sorry, I don't know her," Tachyon said.
Randall scowled. "No, the guy who killed Oswald."
"Oswald?" Tach said, confused. "Oswald who?"
"Lee Oswald, the guy who shot Kennedy. He got killed on TV this afternoon."
"Kennedy's dead?" Tachyon said. It was Kennedy who'd permitted his return to the 
United States, and Tach admired the Kennedys; they seemed almost Takisian. But 
assassination was part of leadership. "His brothers will avenge him," he said. 
Then he recalled that they didn't do things that way on earth, and besides, this 
man Ruby had already avenged him, it seemed. How strange that he had dreamed of 
assassins.
"They got Ruby in jail," Randall was saying. "If it was me, I'd give the fucker 
a medal." He paused. "He shook my hand once," he added. "When he was running 
against Nixon, he came through to give a speech at the Chaos Club. Afterward, 
when he was leaving, he was shaking hands with everybody." The doorman took his 
right hand out of his pocket. It was hard and chitinous, insectile, and in the 
middle was a cluster of swollen blind eyes. "He didn't even flinch," Randall 
said. "Smiled and said he hoped I'd remember to vote."
Tachyon had known Randall for a year, but he had never seen his hand before. He 
wanted to do what Kennedy had done, to grasp that twisted claw, embrace it, 
shake it. He tried to slide his hand out of the pocket of his coat, but the bile 
rose in the back of his throat, and somehow all he could do was look away, and 
say, "He was a good man."
Randall hid his hand again. "Go on inside, Tacky," he said, not unkindly. 
"Angelface had to go and see a man, but she told Des to keep your table open."
Tachyon nodded and let Randall open the door for him. Inside, he gave his coat 
and shoes to the girl in the checkroom, a joker with a trim little body whose 
feathered owl mask concealed whatever the wild card had done to her face. Then 
he pushed through the interior doors, his stockinged feet sliding with smooth 
familiarity over the mirrored floor. When he looked down, another Tachyon was 
staring back up at him, framed by his feet; a grossly fat Tachyon with a head 
like a beachball.
Suspended from the mirrored ceiling, a crystal chandelier glittered with a 
hundred pinpoint lights, its reflections sparkling of the floor tiles and walls 
and mirrored alcoves, the silvered goblets and mugs, and even the waiters' 
trays. Some of the mirrors reflected true; the others were distorting mirrors, 
funhouse mirrors. When you looked over your shoulder in the Funhouse, you could 
never tell what you'd find looking back. It was the only establishment in 
Jokertown that attracted jokers and normals in equal numbers. In the Funhouse 
the normals could see themselves twisted and malformed, and giggle, and play at 
being jokers; and a joker, if he was very lucky, might glance in the right 
mirror and see himself as he once had been.
"Your booth is waiting, Doctor Tachyon," said Desmond, the maitre d'. Des was a 
large, florid man; his thick trunk, pink and wrinkled, curled around a wine 
list. He lifted it, and beckoned for Tachyon to follow with one of the fingers 
that dangled from its end. "Will you be having your usual brand of cognac 
tonight?"
"Yes," Tach said, wishing he had some money for a tip. That night he had his 
first drink for Blythe, as always, but his second was for John Fitzgerald 
Kennedy.
The rest were for himself.
At the end of Hook Road, past the abandoned refinery and the import/export 
warehouses, past the railroad sidings with their forlorn red boxcars, beneath 
the highway underpass, past the empty lots full of weeds and garbage, past the 
huge soybean-oil tanks, Tom found his refuge. It was almost dark by the time he 
arrived, and the engine in the Mere was thumping ominously. But Joey would know 
what to do about that.
The junkyard stood hard on the oily polluted waters of New York Bay. Behind a 
ten-foot-high chain link fence topped with three curly strands of barbed wire, a 
pack of junkyard dogs kept pace with his car, barking a raucous welcome that 
would have terrified anyone who knew the dogs less well. The sunset gave a 
strange bronze cast to the mountains of shattered, twisted, rusted automobiles, 
the acres of scrap metal, the hills and valleys of junk and trash. Finally Tom 
came to the wide double gate. On one side a metal sign warned TRESPASSERS KEEP 
OUT, on the other side another sign told them to BEWARE OF THE DOGS. The gate 
was chained and locked.
Tom stopped and honked his horn.
Just beyond the fence he could see the four-room shack that Joey called home. A 
huge sign was mounted on top of the corrugated tin roof, with yellow spotlights 
stuck up there to illuminate the letters. It said DI ANGELIS SCRAP METAL & AUTO 
PARTS. The paint was faded and blistered by two decades of sun and rain; the 
wood itself had cracked, and one of the spots had burned out. Next to the house 
was parked an ancient yellow dump truck, a tow truck, and Joey's pride and joy, 
a blood-red 1959 Cadillac coupe with tail fins like a shark and a monster of a 
hopped-up engine poking right up through its cutaway hood.
Tom honked again. This time he gave it their special signal, tooting out the 
Here-he-comes-to-save-the-daaaay! theme from the Mighty Mouse cartoons they'd 
watched as kids.
A square of yellow light spilled across the junkyard as Joey came out with a 
beer in either hand.
They were nothing alike, him and Joey. They came from different stock, lived in 
different worlds, but they'd been best friends since the day of the third-grade 
pet show. That was the day he'd found out that turtles couldn't fly; the day he 
realized what he was, and what he could do.
Stevie Bruder and Josh Jones had caught him out in the schoolyard. They played 
catch with his turtles, tossing them back and forth while Tommy ran between 
them, red-faced and crying. When they got bored, they bounced them off the 
punchball square chalked on the wall. Stevie's German shepherd ate one. When 
Tommy tried to grab the dog, Stevie laid into him and left him on the ground 
with broken glasses and a split lip.
They would have done worse, except for Junkyard Joey, a scrawny kid with shaggy 
black hair, two years older than his classmates, but he'd already been left back 
twice, couldn't hardly read, and they always said he smelled bad on account of 
his father, Dom, owned the junkyard. Joey wasn't as big as Stevie Bruder, but he 
didn't care, that day or any day. He just grabbed Stevie by the back of his 
shirt and yanked him around and kicked him in the balls. Then he kicked the dog 
too, and he would have kicked Josh Jones, except josh ran away. As he fled, a 
dead turtle floated off the ground and flew across the schoolyard to smack him 
in the back of his fat red neck.
Joey had seen it happen. "How'd you do that?" he said, astonished. Until that 
moment, even Tommy hadn't realized that he was the reason his turtles could fly.
It became their shared secret, the glue that held their odd friendship together. 
Tommy helped Joey with his homework and quizzed him for tests. Joey became 
Tommy's protector against the random brutality of playground and schoolyard. 
Tommy read comic books to Joey, until Joey's own reading got so much better that 
he didn't need Tommy. Dom, a grizzled man with salt-and-pepper hair, a beer 
belly, and a gentle heart, was proud of that; he couldn't read himself, not even 
Italian. The friendship lasted through grammar school and high school and Joey's 
dropping out. It survived their discovery of girls, weathered the death of Dom 
DiAngelis and Toms family moving off to Perth Amboy. Joey DiAngelis was still 
the only one who knew what Tom was.
Joey popped the cap on another Rheingold with the church key that hung around 
his neck. Under his sleeveless white undershirt a beer belly like his father's 
was growing. "You're too fucking smart to be doing shitwork in a TV repair 
shop," he was saying.
"It's a job," Tom said. "I did it last summer, I can do it full time. It's not 
important what kind of job I have. What's important is what I do with my, uh, 
talent."
"Talent?" Joey mocked.
"You know what I mean, you dumb wop." Tom set his empty bottle down on the top 
of the orange crate next to the armchair. Most of Joey's furnishings weren't 
what you'd call lavish; he scavenged them from the junkyard. "I been thinking 
about what Jetboy said at the end, trying to think what it meant. I figure he 
was saying that there were things he hadn't done yet. Well, shit, I haven't done 
anything. All the way back I asked what I could do for the country, y 'know? 
Well, fuck, we both know the answer to that one."
Joey rocked back in his chair, sucking on his Rheingold and shaking his head. 
Behind him, the wall was lined with the bookshelves that Dom had built for the 
kids almost ten years ago. The bottom row was all men's magazines. The rest were 
comic books. Their comic books. Supermans and Batmans, Action Comics and 
Detective, the Classics Illustrateds that Joey had mined for all his book 
reports, horror comics and crime comics and air-war comics, and best of all, 
their treasure-an almost complete run of Jetboy Comics.
Joey saw what he was looking at. "Don't even think it," he said, "you're no 
fuckin' Jetboy, Tuds."
"No," said Tom, "I'm more than he was. I'm-"
"A dork," Joey suggested.
"An ace," he said gravely. "Like the Four Aces."
"They were a colored doo-wop group, weren't they?" Tom flushed. "You dump wop, 
they weren't singers, they-"
Joey cut him of with a sharp gesture. "I know who the fuck they were, Tuds. 
Gimme a break. They were dumb shits, like you. They all went to jail or got shot 
or something, didn't they? Except for the fuckin' snitch, whatsisname." He 
snapped his fingers. "You know, the guy in Tarzan."
"Jack Braun," Tom said. He'd done a term paper on the Four Aces once. "And I bet 
there are others, hiding out there. Like me. I've been hiding. But no more."
"So you figure you're going to go to the Bayonne Times and give a fucking show? 
You asshole. You might as well tell em you're a commie. They'll make you move to 
Jokertown and they'll break all the goddamned windows in your dad's house. They 
might even draft you, asswipe."
"No," said Tom. "I've got it scoped out. The Four Aces were easy targets. I'm 
not going to let them know who I am or where I live." He used the beer bottle in 
his hand to gesture vaguely at the bookshelves. "I'm going to keep my name 
secret. Like in the comics."
Joey laughed out loud. "Fuckin' A. You gonna wear longjohns too, you dumb shit?"
"God damn it," Tom said. He was getting pissed of. "Shut the fuck up." Joey just 
sat there, rocking and laughing. "Come on, big mouth," Tom snapped, rising. "Get 
of your fat ass and come outside, and I'll show just how dumb I am. C'mon, you 
know so damned much."
Joey DiAngelis got to his feet. "This I gotta see." Outside, Tom waited 
impatiently, shifting his weight from foot to foot, breath steaming in the cold 
November air, while Joey went to the big metal box on the side of the house and 
threw a switch. High atop their poles, the junkyard lights blazed to life. The 
dogs gathered around, sniffing, and followed them when they began to walk. Joey 
had a beer bottle poking out of a pocket of his black leather jacket.
It was only a junkyard, full of garbage and scrap metal and wrecked cars, but 
tonight it seemed as magical as when Tommy was ten. On a rise overlooking the 
black waters of New York Bay, an ancient white Packard loomed like a ghostly 
fort. That was just what it had been, when Joey and he had been kids; their 
sanctum, their stronghold, their cavalry outpost and space station and castle 
rolled all in one. It shone in the moonlight, and the waters beyond were full of 
promise as they lapped against the shore. Darkness and shadows lay heavy in the 
yard, changing the piles of trash and metal into mysterious black hills, with a 
maze of gray alleys between them. Tom led them into that labyrinth, past the big 
trash heap where they'd played king-of-the-mountain and dueled with scrapiron 
swords, past the treasure troves where they'd found so many busted toys and 
hunks of colored glass and deposit bottles, and once even a whole cardboard 
carton full of comic books.
They walked between rows of twisted, rusty cars stacked one on another; Fords 
and Chevys, Hudsons and DeSotos, a Corvette with a shattered accordion hood, a 
litter of dead Beetles, a dignified black hearse as dead as the passengers it 
had carried. Tom looked at them all carefully. Finally he stopped. "That one," 
he said, pointing to the remains of a gutted old Studebaker Hawk. Its engine was 
gone, as were its tires; the windshield was a spiderweb of broken glass, and 
even in the darkness they could see where rust had chewed away at the fenders 
and side panels. "Not worth anything, right?"
Joey opened his beer. "Go ahead, it's all yours."
Tom took a deep breath and faced the car. His hands became fists at his side. He 
stared hard, concentrating. The car rocked slightly. Its front grill lifted an 
unsteady couple of inches from the ground.
"Whooo-eeee," Joey said derisively, punching Tom lightly in the shoulder. The 
Studebaker dropped with a clang, and a bumper fell off. "Shit, I'm impressed,". 
Joey said.
"Damn it, keep quiet and leave me alone," Tom said. "I can do it, I'll show you, 
just shut your fuckin' mouth for a minute. I've been practicing. You don't know 
the things I can do."
"Won't say a fuckin' word," Joey promised, grinning. He took a swig of his beer.
Tom turned back to the Studebaker. He tried to blot out everything, forget about 
Joey, the dogs, the junkyard; the Studebaker filled his world. His stomach was a 
hard little ball. He told it to relax, took several deep breaths, let his fists 
uncurl. Come on, come on, take it easy, don't get upset, do it, you've done more 
than this, this is easy, easy.
The car rose slowly, drifting upward in a shower of rust. Tom turned it around 
and around, faster and faster. Then, with a triumphant smile, Tom threw it fifty 
feet across the junkyard.
It crashed into a stack of dead Chevys and brought the whole thing down in an 
avalanche of metal.
Joey finished his Rheingold. "Not bad. A few years ago, you could barely lift me 
over a fence."
"I'm getting stronger all the time," Tom said.
Joey DiAngelis nodded, and tossed his empty bottle to the side. "Good" he said, 
"then you won't have any problem with me, willya?" He gave Tom a hard push with 
both hands.
Tom staggered back a step, frowning. "Cut it out, Joey."
"Make me," Joey said. He shoved him again, harder. This time Tom almost lost his 
footing.
"Damn it, stop it," Tom said. "It's not funny, Joey."
"No?" Joey said. He grinned. "I think it's fuckin' hilarious. But hey, you can 
stop me, can't you? Use your damn power." He moved right up in Tom's face and 
slapped him lightly across the cheek. "Stop me, ace," he said. He slapped him 
harder. "C'mon, Jetboy, stop me." The third slap was the hardest yet. "Let's go, 
supes, whatcha waitin' for?" The fourth blow had a sharp sting; the fifth 
snapped Tom's head half around. Joey stopped smiling; Tom could smell the beer 
on his breath. Tom tried to grab his hand, but Joey was too strong, too fast; he 
evaded Tom's grasp and landed another slap. "You wanna box, ace? I'll turn you 
into fuckin' dogmeat. Dork. Asshole." The slap almost tore Tom's head off, and 
brought stinging tears to his eyes. "Stop me, jagoff," Joey screamed. He closed 
his hand, and buried his fist in Tom's stomach so hard it doubled him over and 
took his breath away.
Tom tried to summon his concentration, to grab and push, but it was the 
schoolyard all over again, Joey was everywhere, fists raining down on him, and 
it was all he could to do get his hands up and try to block the blows, and it 
was no good anyway, Joey was much stronger, he pounded him, pushed him, 
screaming all the while, and Tom couldn't think, couldn't focus, couldn't do 
anything but hurt, and he was retreating, staggering back, and Joey came after 
him, fists cocked, and caught him with an uppercut that landed right on his 
mouth with a crack that made his teeth hurt. All of a sudden Tom was lying on 
his back on the ground, with a mouth full of blood.
Joey stood over him frowning. "Fuck," he said. "I didn't mean to bust your lip." 
He reached down, took Tom by the hand, and yanked him roughly to his feet.
Tom wiped blood from his lip with the back of his hand. There was blood on the 
front of his shirt too. "Look at me, I'm all messed up," he said with disgust. 
He glared at Joey. "That wasn't fair. You can't expect me to do anything when 
you're pounding on me, damn it."
"Uh-huh," Joey said. "And while you're concentrating and squinting your eyes, 
you figure the fuckin' bad guys are just gonna leave you alone, right?" He 
clapped Tom across the back. "They'll knock out all your fuckin' teeth. That's 
if you're lucky, if they don't just shoot you. You ain't no Jetboy, Tuds." He 
shivered. "C'mon. It's fuckin' cold out here."
When he woke in warm darkness, Tach remembered only a little of the binge, but 
that was how he liked it. He struggled to sit up. The sheets he was lying on 
were satin, smooth and sensual, and beneath the odor of stale vomit he could 
still smell a faint trace of some flowery perfume.
Unsteady, he tossed off the bedclothes and pulled himself to the edge of the 
four-poster bed. The floor beneath his bare feet was carpeted. He was naked, the 
air uncomfortably warm on his bare skin. He reached out a hand, found the light 
switch, and whimpered a little at the brightness. The room was pink-and-white 
clutter with Victorian furnishings and thick, soundproofed walls. An oil 
painting of John R Kennedy smiled down from above the hearth; in one corner 
stood a three-foot-tall plaster statue of the Virgin Mary.
Angelface was seated in a pink wingback chair by the cold fireplace, blinking at 
him sleepily and covering her yawn with the back of her hand.
Tach felt sick and ashamed. "I put you out of your own bed again, didn't I?" he 
said.
"It's all right," she replied. Her feet were resting on a tiny footstool. Her 
soles were ugly and bruised, black and swollen despite the special padded shoes 
she wore. Otherwise she was lovely. Unbound, her black hair fell to her waist, 
and her skin had a flushed, radiant quality to it, a warm glow of life. Her eyes 
were dark and liquid, but the most amazing thing, the thing that never failed to 
astonish Tachyon, was the warmth in them, the affection he felt so unworthy of. 
With all he had done to her, and to all the rest of them, somehow this woman 
called Angelface forgave, and cared.
Tach raised a hand to his temple. Someone with a buzzsaw was trying to remove 
the back of his skull. "My head," he groaned. "At your prices, the least you 
could do is take the resins and poisons out of the drinks you sell. On Takis, 
we-"
"I know," Angelface said. "On Takis you've bred hangovers out of your wines. You 
told me that one already." Tachyon gave her a weary smile. She looked impossibly 
fresh, wearing nothing but a short satin tunic that left her legs bare to the 
thigh. It was a deep, wine red, lovely against her skin. But when she rose, he 
glimpsed the side of her face, where her cheek had rested against the chair as 
she slept. The bruise was darkening already, a purple blossom on her cheek. 
"Angel . ." he began.
"It's nothing," she said. She pushed her hair forward to cover the blemish. 
"Your clothes were filthy. Mal took them out to be cleaned. So you're my 
prisoner for a while."
"How long have I slept?" Tachyon asked.
"All day," Angelface replied. "Don't worry about it. Once I had a customer get 
so drunk he slept for five months." She sat down at her dressing table, lifted a 
phone, and ordered breakfast: toast and tea for herself, eggs and bacon and 
strong cofee with brandy for Tachyon. With aspirin on the side. "No," he 
protested. "All that food. I'll get sick."
"You have to eat. Even spacemen can't live on cognac alone."
"Please..."
"If you want to drink, you'll eat," she said brusquely. "That's the deal, 
remember?"
The deal, yes. He remembered. Angelface provided him with rent money, food, and 
an unlimited bar tab, as much drink as he'd ever need to wash away his memories. 
All he had to do was eat and tell her stories. She loved to listen to him talk. 
He told her family anecdotes, lectured about Takisian customs, filled her with 
history and legends and romances, with tales of balls and intrigues and beauty 
far removed from the squalor of Jokertown.
Sometimes, after closing, he would dance for her, tracing the ancient, intricate 
pavanes of Takis across the nightclub's mirrored floors while she watched and 
urged him on. Once, when both of them had drunk far too much wine, she talked 
him into demonstrating the Wedding Pattern, an erotic ballet that most Takisians 
danced but once, on their wedding night. That was the only time she had ever 
danced with him, echoing the steps, hesitantly at first, and then faster and 
faster, swaying and spinning across the floor until her bare feet were raw and 
cracked and left wet red smears upon the mirror tiles. In the Wedding Pattern, 
the dancing couple came together at the end, collapsing into a long triumphant 
embrace. But that was on Takis; here, when the moment came, she broke the 
pattern and shied away from him, and he was reminded once again that Takis was 
far away.
Two years before, Desmond had found him unconscious and naked in a Jokertown 
alley. Someone had stolen his clothing while he slept, and he was fevered and 
delirious. Des had summoned help to carry him to the Funhouse. When he came to, 
he was lying on a cot in a back room, surrounded by beer kegs and wine racks. 
"Do you know what you were drinking?" Angelface had asked him when they'd 
brought him to her office. He hadn't known; all he recalled was that he'd needed 
a drink so badly it was an ache inside him, and the old black man in the alley 
had generously offered to share. "It's called Sterno," Angelface told him. She 
had Des bring in a bottle of her finest brandy. "If a man wants to drink, that's 
his business, but at least you can kill yourself with a little class. The brandy 
spread thin tendrils of warmth through his chest and stopped his hands from 
shaking. When he'd emptied the snifter, Tach had thanked her effusively, but she 
drew back when he tried to touch her. He asked her why. "I'll show you, she had 
said, offering her hand. "Lightly," she told him. His kiss had been the merest 
brush of his lips, not on the back of her hand but against the inside of her 
wrist, to feel her pulse, the life current inside her, because she was so very 
lovely, and kind, and because he wanted her.
A moment later he'd watched with sick dismay as her skin darkened to purple and 
then black. Another one of mine, he'd thought.
Yet somehow they had become friends. Not lovers, of course, except sometimes in 
his dreams; her capillaries ruptured at the slightest pressure, and to her 
hypersensitive nervous system even the lightest touch was painful. A gentle 
caress turned her black and blue; lovemaking would probably kill her. But 
friends, yes. She never asked him for anything he could not give, and so he 
could never fail her.
Breakfast was served by a hunchbacked black woman named Ruth who had pale blue 
feathers instead of hair. "The man brought this for you this morning," she told 
Angelface after she'd set the table, handing across a thick, square packet 
wrapped in brown paper. Angelface accepted it without comment while Tachyon 
drank his brandy-laced coffee and lifted knife and fork to stare with sick 
dismay at the implacable bacon and eggs.
"Don't look so stricken," Angelface said.
"I don't think I've told you about the time the Network starship came to Takis, 
and what my great-grandmother Amurath had to say to the Ly'bahr envoy," he 
began.
"No," she said. "Go on. I like your great-grandmother."
"That's one of us. She terrifies me," Tachyon said, and launched into the story.
Tom woke well before dawn, while Joey was snoring in the back room. He brewed a 
pot of coffee in a battered percolator and popped a Thomas English muffin into 
the toaster. While the coffee perked, he folded the hide-a-bed back into a 
couch. He covered his muffins with butter and strawberry preserves, and looked 
around for something to read. The comics beckoned.
He remembered the day they'd saved them. Most had been his, originally, 
including the run ofJetboy he got from his dad. He'd loved those comics. And 
then one day in 1954 he'd come home from school and found them gone, a full 
bookcase and two orange crates of funny books vanished. His mother said some 
women from the PTA had come by to tell her what awful things comic books were. 
They'd shown her a copy of a book by a Dr. Wertham about how comics turned kids 
into juvenile delinquents and homos, and how they glorified aces and jokers, and 
so his mother had let them take Tom's collection. He screamed and yelled and 
threw a tantrum, but it did no good.
The PTA had gathered up comic books from every kid in school. They were going to 
burn them all Saturday, in the schoolyard. It was happening all over the 
country; there was even talk of a law banning comic books, or at least the kinds 
about horror and crime and people with strange powers. Wertham and the PTA 
turned out to be right: that Friday night, on account of comic books, Tommy 
Tudbury and Joey DiAngelis became criminals.
Tom was nine; Joey was eleven, but he'd been driving his pop's truck since he 
was seven. In the middle of the night, he swiped the truck and Tom snuck out to 
meet him. When they got to the school, Joey jimmied open a window, and Tom 
climbed on his shoulders and looked into the dark classroom and concentrated and 
grabbed the carton with his collection in it and lifted it up and floated it out 
into the bed of the truck. Then he snatched four or five other cartons for good 
measure.
The PTA never noticed; they still had plenty to burn. If Dom DiAngelis wondered 
where all the comics had come from, he never said a word; he just built the 
shelves to hold them, proud as punch of his son who could read. From that day 
on, it was their collection, jointly.
Setting his coffee and muffin on the orange crate, Tom went to the bookcase and 
took down a couple of issues of Jetboy Comics. He reread them as he ate, Jetboy 
on Dinosaur Island, Jetboy and the Fourth Reich, and his favorite, the final 
issue, the true one, Jetboy and the Aliens. Inside the cover, the title was 
"Thirty Minutes Over Broadway." Tom read it twice as he sipped his cooling 
coffee. He lingered over some of the best panels. On the last page, they had a 
picture of the alien, Tachyon, weeping. Tom didn't know if that had happened or 
not. He closed the comic book and finished his English muffin. For a long time 
he sat there thinking.
Jetboy was a hero. And what was he? Nothing. A wimp, a chickenshit. A fuck of a 
lot of good his wild card power did anybody. It was useless, just like him.
Dispiritedly, he shrugged into his coat and went outside. The junkyard looked 
raw and ugly in the dawn, and a cold wind was blowing. A few hundred yards to 
the east, the bay was green and choppy. Tom climbed up to the old Packard on its 
little hill. The door creaked when he yanked it open. Inside, the seats were 
cracked and smelled of rot, but at least he was out of that wind. Tom slouched 
back with his knees up against the dash, staring out at sunrise. He sat unmoving 
for a long time; across the yard, hubcaps and old tires floated up in the air 
and went screaming off to splash into the choppy green waters of New York Bay. 
He could see the Statue of Liberty on her island, and the hazy outlines of the 
towers of Manhattan off to the northeast.
It was nearly seven-thirty, his limbs were stiff, and he'd lost count of the 
number of hubcaps he'd flung, when Tom Tudbury sat up with a strange expression 
on his face. The icebox he'd been juggling forty feet from the ground came down 
with a crash. He ran his fingers through his hair and lifted the icebox again, 
moved it over twenty yards or so, and dropped it right on Joey's corrugated tin 
roof. Then he did the same with a tire, a twisted bicycle, six hubcaps, and a 
little red wagon.
The door to the house flew open with a bang, and Joey came charging out into the 
cold wearing nothing but boxer shorts and a sleeveless undershirt. He looked 
real pissed. Tom snatched his bare feet, pulled them out from under him, and 
dumped him on his butt, hard. Joey cursed.
Tom grabbed him and yanked him into the air, upside down. "Where the fuck are 
you, Tudbury?" Joey screamed. "Cut it out, you dork. Lemme down."
Tom imagined two huge invisible hands, and tossed Joey from one to the other. 
"When I get down, I'm going to punch you so fuckin' hard you'll eat through a 
straw for the rest of your life," Joey promised.
The crank was stiff from years of disuse, but Tom finally managed to roll down 
the Packard's window. He stuck his head out. "Hiya kids, hiya, hiya, hiya," he 
croaked, chortling.
Suspended twelve feet from the ground, Joey dangled and made a fist. "I'll pluck 
your fuckin' magic twanger, shithead," he shouted. Tom yanked off his boxer 
shorts and hung them from a telephone pole. "You're gonna die, Tudbury" Joey 
said.
Tom took a big breath and set Joey on the ground, very gently. The moment of 
truth. Joey came running at him, screaming obscenities. Tom closed his eyes, put 
his hands on the steering wheel, and lifted. The Packard shifted beneath him. 
Sweat dotted his brow. He shut out the world, concentrated, counted to ten, 
slowly, backward.
When he finally opened his eyes, half expecting to see Joey's fist smashing into 
his nose, there was nothing to behold but a seagull perched on the hood of the 
Packard, its head cocked as it peered through the cracked windshield. He was 
floating. He was flying.
Tom stuck his head out of the window. Joey stood twenty feet below him, glaring, 
hands on his hips and a disgusted look on his face. "Now," Tom yelled down, 
smiling, "what was it you were saying last night?"
"I hope you can stay up there all day, you son of a bitch," Joey said. He made 
an ineffectual fist, and waved it. Lank black hair fell across his eyes. "Ah, 
shit, what does this prove? If I had a gun, you'd still be dead meat."
"If you had a gun, I wouldn't be sticking my head out the window," Tom said. "In 
fact, it'd be better if I didn't have a window." He considered that for a 
second, but it was hard to think while he was up here. The Packard was heavy. 
"I'm coming down," he said to Joey. "You, uh, you calmed down?" Joey grinned. 
"Try me and see, Tuds."
"Move out of the way. I don't want to squash you with this damn thing."
Joey shuffled to one side, bare-ass and goose-pimpled, and Tom let the Packard 
settle as gently as an autumn leaf on a still day. He had the door half open 
when Joey reached in, grabbed him, yanked him up, and pushed him back against 
the side of the car, his other hand cocked into a fist. "I oughtta-" he began. 
Then he shook his head, snorted, and punched Tom lightly in the shoulder. "Gimme 
back my fuckin drawers, ace," he said.
Back inside the house, Tom reheated the leftover coffee. "I'll need you to do 
the work," he said as he made himself some scrambled eggs and ham and a couple 
more English muffins. Using his teke always gave him quite an appetite. "You 
took auto shop and welding and all that shit. I'll do the wiring. "
"Wiring?" Joey said, warming his hands over his cup. "What the fuck for?"
"The lights and the TV cameras. I don't want any windows people can shoot 
through. I know where we can get some cameras cheap, and you got lots of old 
sets around here, I'll just fix them up." He sat down and attacked his eggs 
wolfishly. "I'll need loudspeakers too. Some kind of PA system. A generator. 
Wonder if I'll have room for a refrigerator in there?"
"That Packard's a big motherfucker," Joey said. "Take out the seats and you'll 
have room for three of the fuckers."
"Not the Packard," Tom said. "I'll find a lighter car. We can cover up the 
windows with old body panels or something." Joey pushed hair out of his eyes. 
"Fuck the body panels. I got armor plate. From the war. They scrapped a bunch of 
ships at the Navy base in '46 and '47, and Dom put in a bid for the metal, and 
bought us twenty goddamn tons. Fuckin' waste a money-who the fuck wants to buy 
battleship armor? I still got it all, sitting way out back rusting. You need a 
fuckin' sixteeninch gun to punch through that shit, Tuds. You'll be safe asfuck, 
I dunno. Safe, anyhow."
Tom knew. "Safe," he said loudly, "as a turtle in its shell!"
Only ten shopping days were left until Christmas, and Tach sat in one of the 
window alcoves, nursing an Irish coffee against the December cold and gazing 
through the one-way glass at the Bowery. The Funhouse wouldn't open for another 
hour yet, but the back door was always unlocked for Angelface's friends. Up on 
stage, a pair of joker jugglers who called themselves Cosmos and Chaos were 
tossing bowling balls around. Cosmos floated three feet above the stage in the 
lotus position, his eyeless face serene. He was totally blind, but he never 
missed a beat or dropped a ball. His partner, six-armed Chaos, capered around 
like a lunatic, chortling and telling bad jokes and keeping a cascade of flaming 
clubs going behind his back with two arms while the other four flung bowling 
balls at Cosmos. Tach spared them only a glance. As talented as they were, their 
deformities pained him.
Mal slid into his booth. "How many of those you had?" the bouncer demanded, 
glaring at the Irish coffee. The tendrils that hung from his lower lip expanded 
and contracted in a blind wormlike pulsing, and his huge, malformed blue-black 
jaw gave his face a look of belligerent contempt.
"I don't see that it's any of your business."
"You're no damn use at all, are you?"
"I never claimed I was."
Mal grunted. "You're worth 'bout as much as a sack of shit. I don't see why the 
hell Angel needs no damn pantywaist spaceman hanging 'round the place sopping up 
her booze..."
"She doesn't. I told her that."
"You can't tell that woman nothin'," Mal agreed. He made a fist. A very large 
fist. Before the Day of the Wild Card, he'd been the eighth-ranked heavyweight 
contender. Afterward, he had climbed as high as third... until they'd banned 
wild cards from professional sports, and wiped out his dreams in a stroke. The 
measure was aimed at aces, they said, to keep the games competitive, but there 
had been no exceptions made for jokers. Mal was older now, sparse hair turned 
iron gray, but he still looked strong enough to break Floyd Patterson over his 
knee and mean enough to stare down Sonny Liston. "Look at that," he growled in 
disgust, glaring out the window. Tiny was outside in his chair. "What the hell 
is he doing here? I told him not to come by here no more." Mal started for the 
door.
"Can't you just leave him alone?" Tachyon called after him. "He's harmless."
"Harmless?" Mal rounded on him. "His screamin' scares of all the fuckin' 
tourists, and who the hell's gonna pay for all your free booze?"
But then the door pushed open, and Desmond stood there, overcoat folded over one 
arm, his trunk half-raised.
"Let him be, Mal," the maitre d' said wearily. "Go on, now." Muttering, Mal 
stalked off. Desmond came over and seated himself in Tachyon's booth. "Good 
morning, Doctor," he said.
Tachyon nodded and finished his drink. The whiskey had all gone to the bottom of 
the cup, and it warmed him on the way down. He found himself staring at the face 
in the mirrored tabletop: a worn, dissipated, coarse face, eyes reddened and 
puffy, long red hair tangled and greasy, features distorted by alcoholic bloat. 
That wasn't him, that couldn't be him, he was handsome, clean-featured, 
distinguished, his face was Desmond's trunk snaked out, its fingers locking 
around his wrist roughly, yanking him forward. "You haven't heard a word I've 
said, have you?" Des said, his voice low and urgent with anger. Blearily, Tach 
realized that Desmond had been talking to him. He began to mutter apologies.
"Never mind about that," Des said, releasing his grip. "Listen to me. I was 
asking for your help, Doctor. I may be a joker, but I'm not an uneducated man. 
I've read about you. You have certain-abilities, let us say."
"No," Tach interrupted. "Not the way you're thinking."
"Your powers are quite well documented," Des said. "I don't..." Tach began 
awkwardly. He spread his hands. "That was then. I've lost-I mean, I can't, not 
anymore." He stared down at his own wasted features, wanting to look Des in the 
eye, to make him understand, but unable to bear the sight of the joker's 
deformity.
"You mean you won't," Des said. He stood up. "I thought that if I spoke to you 
before we opened, I might actually find you sober. I see I was mistaken. Forget 
everything I said."
"I'd help you if I could," Tach began to say.
"I wasn't asking for me," Des said sharply.
When he was gone, Tachyon went to the long silverchrome bar and got down a full 
bottle of cognac. The first glass made him feel better; the second stopped his 
hands from shaking. By the third he had begun to weep. Mal came over and looked 
down at him in disgust. "Never knew no man cried as much as you do," he said, 
thrusting a dirty handkerchief at Tachyon roughly before he left; to help them 
open.
He had been aloft for four and a half hours when the news of the fire came 
crackling over the police-band radio down by his right foot. Not very far aloft, 
true, only about six feet from the ground, but that was enough-six feet or 
sixty, it didn't make all that much difference, Tom had found. Four and a half 
hours, and he didn't feel the least bit tired yet. In fact, he felt sensational.
He was strapped securely into a bucket seat Joey had pulled from a mashed-up 
Triumph TR-3 and mounted on a low pivot right in the center of the VW The only 
light was the wan phosphor glow from an array of mismatched television screens 
that surrounded him on all sides. Between the cameras and their tracking motors, 
the generator, the ventilation system, the sound equipment, the control panels, 
the spare box of vacuum tubes, and the little refrigerator, he hardly had space 
to swing around. But that was okay. Tom was more a claustrophile than a 
claustrophobe anyway; he liked it in here. Around the exterior of the gutted 
Beetle, Joey had mounted two overlapping layers of thick battleship armor. It 
was better than a goddamned tank. Joey had already pinged a few shots off it 
with the Luger that Dom had taken off a German officer during the war. A lucky 
shot might be able to take out one of his cameras or lights, but there was no 
way to get to Tom himself inside the shell. He was better than safe, he was 
invulnerable, and when he felt this secure and sure of himself, there was no 
limit on what he might be able to do.
The shell was heavier than the Packard by the time they'd gotten finished with 
it, but it didn't seem to matter. Four and a half hours, never touching ground, 
sliding around silently and almost effortlessly through the junkyard, and Tom 
hadn't even worked up a sweat.
When he heard the report over the radio, a jolt of excitement went through him. 
This is it! he thought. He ought to wait for Joey, but Joey had driven to 
Pompeii Pizza to pick up dinner (pepperoni, onion, and extra cheese) and there 
was no time to waste, this was his chance.
The ring of lights on the bottom of the shell threw stark shadows over the hills 
of twisted metal and trash as Tom pushed the shell higher into the air, eight 
feet up, ten, twelve.
His eyes flicked nervously from one screen to the next, watching the ground 
recede. One set, its picture tube filched from an old Sylvania, began a slow 
vertical roll. Tom played with a knob and stopped it. His palms were sweaty. 
Fifteen feet up, he began to creep forward, until the shell reached the 
shoreline. In front of him was darkness; it was too thick a night to see New 
York, but he knew it was there, if he could reach it. On his small 
black-and-white screens, the waters of New York Bay seemed even darker than 
usual, an endless choppy ocean of ink looming before him. He'd have to grope his 
way across, until the city lights came into sight. And if he lost it out there, 
over the water, he'd be joining Jetboy and J. F K. a lot sooner than he planned; 
even if he could unscrew the hatch quick enough to avoid drowning, he couldn't 
swim.
But he wasn't going to lose it, Tom thought suddenly. Why the fuck was he 
hesitating? He wasn't going to lose it ever again, was he? He had to believe 
that.
He pressed his lips together, pushed off with his mind, and the shell slid 
smoothly out over the water. The salt waves beneath him rose and fell. He'd 
never had to push against water before; it felt different. Tom had an instant of 
panic; the shell rocked and dropped three feet before he caught hold of himself 
and adjusted. He calmed himself with an effort, shoved upward, and rose. High, 
he thought, he'd come in high, he'd fly in, like Jetboy, like Black Eagle, like 
a fucking ace. The shell moved out, faster and faster, gliding across the bay 
with swift serenity as Tom gained confidence. He'd had never felt so incredibly 
powerful, so good, so goddamned right.
The compass worked fine; in less than ten minutes, the lights of the Battery and 
the Wall Street district loomed up before him. Tom pushed still higher, and 
floated uptown, hugging the shoreline of the Hudson. Jetboy's Tomb came and went 
beneath him. He'd stood in front of it a dozen times, gazing up at the face of 
the big metal statue out front. He wondered what that statue might think if it 
could look up and see him tonight.
He had a New York street map, but tonight he didn't need it; the flames could be 
seen almost a mile off. Even inside his armor Tom could feel the heat waves 
licking up at him when he made a pass overhead. He carefully began a descent. 
His fans whirred, and his cameras tracked at his command; below was chaos and 
cacophony, sirens and shouting, the crowd, the hurrying firemen, the police 
barricades and the ambulances, big hook-and-ladder trucks spraying water into 
the inferno. At first no one noticed him, hovering fifty feet above the 
sidewalk-until he came in low enough for his lights to play on the walls of the 
building. Then he saw them looking up, pointing; he felt giddy with excitement.
But he had only an instant to relish the feeling. Then, from the corner of an 
eye, he saw her in one of his screens. She appeared suddenly in a fifth-floor 
window, bent over and coughing, her dress already afire. Before he could act, 
the flames licked at her; she screamed and jumped.
He caught her in midair, without thinking, without hesitating, without wondering 
whether he could do it. He just did it, caught her and held her and lowered her 
gently to the ground. The firemen surrounded her, put out her dress, and hustled 
her into an ambulance. And now, Tom saw, everyone was looking up at him, at the 
strange dark shape floating high in the night, with its ring of shining lights. 
The police band was crackling; they were reporting him as a flying saucer, he 
heard. He grinned.
A cop climbed up on top of his police car, holding a bullhorn, and began to hail 
him. Tom turned off the radio to hear better over the roar of the flames. He was 
telling Tom to land and identify himself, asking who he was, what he was. That 
was easy. Tom turned on his microphone. "I'm the Turtle," he said. The VW had no 
tires; in the wheel wells, Joey had rigged the most humongous speakers they 
could find, powered by the largest amp on the market. For the first time, the 
voice of the Turtle was heard in the land a booming "I'M THE TURTLE" echoing 
down the streets and alleys, a rolling thunder crackling with distortion. Except 
what he said didn't sound quite right. Tom cranked the volume up even higher, 
injected a little more bass into his voice. "I AM THE GREAT AND POWERFUL 
TURTLE," he announced to them all.
Then he flew a block west, to the dark polluted waters of the Hudson, and 
imagined two huge invisible hands forty feet across. He lowered them into the 
river, cupped them full, and lifted. Rivulets of water dribbled to the street 
all the way back. When he dropped the first cascade on the flames, a ragged 
cheering went up from the crowd below.
"Merry Christmas," Tach declared drunkenly when the clock struck midnight and 
the record Christmas Eve crowd began to whoop and shout and pound on the tables. 
On stage,
Humphrey Bogart cracked a lame joke in an unfamiliar voice. All the lights in 
the house dimmed briefly; when they came back up, Bogart had been replaced by a 
portly, round-faced man with a red nose. "Who is he now?" Tach asked the twin on 
his left.
"W C. Fields," she whispered. She slid her tongue around the inside of his ear. 
The twin on the right was doing something even more interesting under the table, 
where her hand had somehow found a way into his trousers. The twins were his 
Christmas gift from Angelface. "You can pretend they're me," she'd told him, 
though of course they were nothing like her. Nice kids, both of them, buxom and 
cheerful and absolutely uninhibited, if a bit simpleminded; they reminded him of 
Takisian sex toys. The one on the right had drawn the wild card, but she wore 
her cat mask even in bed, and there was no visible deformity to disturb the 
sweet pleasure of his erection.
W C. Fields, whoever he was, ofered some cynical observations about Christmas 
and small children. The crowd hooted him off the stage. The Projectionist had an 
astonishing array of faces, but he couldn't tell a joke. Tach didn't mind; he 
had all the diversion he needed.
"Paper, Doe?" The vendor thrust a copy of the Herald Tribune across the table 
with a thick three-fingered hand. His flesh was blue-black and oily looking. 
"All the Christmas news," he said, shifting the clumsy stack of papers under his 
arm. Two small curving tusks protruded from the corners of his wide, grinning 
mouth. Beneath a porkpie hat, the great bulge of his skull was covered with 
tufts of bristly red hair. On the streets they called him the Walrus.
"No thank you, Jube," Tach said with drunken dignity. "I have no desire to 
wallow in human folly tonight."
"Hey, look," said the twin on the right. "The Turtle!" Tachyon looked around, 
momentarily befuddled, wondering how that huge armored shell could possibly have 
gotten inside the Funhouse, but of course she was referring to the newspaper.
"You better buy it for her, Tacky," the twin on the left said, giggling. "If you 
don't she'll pout."
Tachyon sighed. "I'll take one. But only if I don't have to listen to any of 
your jokes, Jube."
"Heard a new one about a joker, a Polack, and an Irishman stuck on a desert 
island, but just for that I'm not going to tell it," the Walrus replied with a 
rubbery grin.
Tachyon dug for some coins, found nothing in his pockets but a small, feminine 
hand. Jube winked. "I'll get it from Des," he said. Tachyon spread the newspaper 
out on the table, while the club erupted in applause as Cosmos and Chaos made 
their entrance.
A grainy photograph of the Turtle was spread across two columns. Tachyon thought 
it looked like a flying pickle, a big lumpy dill covered with little bumps. The 
Turtle had apprehended a hit-and-run driver who had killed a nine-year-old boy 
in Harlem, intercepting his flight and lifting the car twenty feet off the 
ground, where it floated with its engine roaring and its tires spinning madly 
until the police finally caught up. In a related sidebar, the rumor that the 
shell was an experimental robot flying tank had been denied by an Air Force 
spokesman.
"You'd think they'd have found something more important to write about by now," 
Tachyon said. It was the third big story about the Turtle this week. The letter 
columns, the editorial pages, everything was Turtle, Turtle, Turtle. Even 
television was rabid with Turtle speculation. Who was he? What was he? How did 
he do it?
One reporter had even sought out Tach to ask that question. "Telekinesis," 
Tachyon told him. "It's nothing new. Almost common, in fact." Teke had been the 
single ability most frequently manifested by virus victims back in '46. He'd 
seen a dozen patients who could move paper clips and pencils, and one women who 
could lift her own body weight for ten minutes at a time. Even Earl Sanderson's 
flight had been telekinetic in origin. What he did not tell them was that teke 
on this scale was unprecedented. Of course, when the story ran, they got half of 
it wrong.
"He's a joker, you know," whispered the twin on the right, the one in the 
silver-gray cat mask. She was leaning against his shoulder, reading about the 
Turtle.
"A joker?" Tach said.
"He hides inside a shell, doesn't he? Why would he do that unless he was really 
awful to look at?" She had taken her hand out of his trousers. "Could I have 
that paper?"
Tach pushed it toward her. "They're cheering him now," he said sharply. "They 
cheered the Four Aces too."
"That was a colored group, right?" she said, turning her attention to the 
headlines.
"She's keeping a scrapbook," her sister said. "All the jokers think he's one of 
them. Stupid, huh? I bet its just a machine, some kind of Air Force flying 
saucer."
"He is not," her twin said. "It says so right here." She pointed to the sidebar 
with a long, red-painted nail. "Never mind about her," the twin on the left 
said. She moved closer to Tachyon, nibbling on his neck as her hand went under 
the table. "Hey, what's wrong? You're all soft."
"My pardons," Tachyon said gloomily. Cosmos and Chaos were flinging axes, 
machetes, and knives across the stage, the glittering cascade multiplied into 
infinity by the mirrors around them. He had a bottle of fine cognac at hand, and 
lovely, willing women on either side of him, but suddenly, for some reason he 
could not have named, it did not feel like such a good night after all. He 
filled his glass almost to the brim and inhaled the heady alcoholic fumes. 
"Merry Christmas," he muttered to no one in particular.
Consciousness returned with the angry tones of Mal's voice. Tach lifted his head 
groggily from the mirrored tabletop, blinking down at his puffy red reflection. 
The jugglers, the twins, and the crowd were long gone. His cheek was sticky from 
lying in a puddle of spilled liquor. The twins had jollied him and fondled him 
and one of them had even gone under the table, for all the good it did. Then 
Angelface had come to the tableside and sent them away. "Go to sleep, Tacky," 
she'd said. Mal had come up to ask if he should lug him back to bed. "Not 
today," she'd said, "you know what day this is. Let him sleep it off here." He 
couldn't recall when he'd gone to sleep.
His head was about to explode, and Mal's shouting wasn't making things any 
better. "I don't give a flyin' fuck what you were promised, scumbag, you're not 
seeing her," the bouncer yelled. A softer voice said something in reply. "You'll 
get your fuckin money, but that's all you'll get," Mal snapped.
Tach raised his eyes. In the mirrors he saw their reflections darkly: odd 
twisted shapes outlined in the wan dawn light, reflections of reflections, 
hundreds of them, beautiful, monstrous, uncountable, his children, his heirs, 
the offspring of his failures, a living sea of jokers. The soft voice said 
something else. "Ah, kiss my joker ass," Mal said. He had a body like a twisted 
stick and a head like a pumpkin; it made Tach smile. Mal shoved someone and 
reached behind his back, groping for his gun.
The reflections and the reflections of the reflections, the gaunt shadows and 
the bloated ones, the round-faced ones and the knife-thin ones, the black and 
the white, they moved all at once, filling the club with noise; a hoarse shout 
from Mal, the crack of gunfire. Instinctively Tach dove for cover, cracking his 
forehead hard on the edge of the table as he slid down. He blinked back tears of 
pain and lay curled up on the floor, peering out at the reflections of feet 
while the world disintegrated into a sharp-edged cacophony. Glass was shattering 
and falling, mirrors breaking on all sides, silvered knives flying through the 
air, too many for even Cosmos and Chaos to catch, dark splinters eating into the 
reflections, taking bites out of all the twisted shadow-shapes, blood spattering 
against the cracked mirrors.
It ended as suddenly as it had begun. The soft voice said something and there 
was the sound of footsteps, the crunch of glass underfoot. A moment later, a 
muffled scream from off behind him. Tach lay under the table, drunk and 
terrified. His finger hurt: bleeding, he saw, sliced open by a sliver of mirror. 
All he could think of were the stupid human superstitions about broken mirrors 
and bad luck. He cradled his head in his arms so the awful nightmare would go 
away.
When he woke again, a policeman was shaking him roughly.
Mal was dead, one detective told him; they showed him a morgue photo of the 
bouncer lying in a pool of blood and a welter of broken glass. Ruth was dead 
too, and one of the janitors, a dim-witted cyclops who had never hurt anyone. 
They showed him a newspaper. The Santa Claus Slaughter, that was what they 
called it, and the lead was about three jokers who'd found death waiting under 
the tree on Christmas morning.
Miss Fascetti was gone, the other detective told him, did he know anything about 
that? Did he think she was involved? Was she a culprit or a victim? What could 
he tell them about her? He said he didn't know any such person, until they 
explained that they were asking about Angela Fascetti and maybe he knew her 
better as Angelface. She was gone and Mal was shot dead, and the most 
frightening thing of all was that Tach did not know where his next drink was 
coming from.
They held him for four days, questioning him relentlessly, going over the same 
ground again and again, until Tachyon was screaming at them, pleading with them, 
demanding his rights, demanding a lawyer, demanding a drink. They gave him only 
the lawyer. The lawyer said they couldn't hold him without charging him, so they 
charged him with being a material witness, with vagrancy, with resisting arrest, 
and questioned him again.
By the third day, his hands were shaking and he was having waking 
hallucinations. One of the detectives, the kindly one, promised him a bottle in 
return for his cooperation, but somehow his answers never quite satisfied them, 
and the bottle was not forthcoming. The bad-tempered one threatened to hold him 
forever unless he told the truth. I thought it was a nightmare, Tach told him, 
weeping. I was drunk, I'd been asleep. No, I couldn't see them, just the 
reflections, distorted, multiplied. I don't know how many there were. I don't 
know what it was about. No, she had no enemies, everyone loved Angelface. No, 
she didn't kill Mal, that didn't make sense, Mal loved her. One of them had a 
soft voice. No, I don't know which one. No, I can't remember what they said. No, 
I don't know if they were jokers or not, they looked like jokers, but the 
mirrors distort, some of them, not all of them, don't you see? No, I couldn't 
possibly pick them out of a lineup, I never really saw them. I had to hide under 
the table, don t you see, the assassins had come, that's what my father always 
told me, there wasn't anything I could do.
When they realized that he was telling them all he knew, they dropped the 
charges and released him. To the dark streets of Jokertown and the cold of the 
night.
He walked down the Bowery alone, shivering. The Walrus was hawking the evening 
papers from his newsstand on the corner of Hester. "Read all about it," he 
called out. "Turtle Terror in Jokertown." Tachyon paused to stare dully at the 
headlines. POLICE SEEK TURTLE, the Post reported. TURTLE CHARGED WITH ASSAULT, 
announced the World-Telegram. So the cheering had stopped already. He glanced at 
the text. The Turtle had been prowling Jokertown the past two nights, lifting 
people a hundred feet in the air to question them, threatening to drop them if 
he didn't like their answers. When police tried to make an arrest last night, 
the Turtle had deposited two of their black-and-whites on the roof of Freakers 
at Chatham Square. CURB THE TURTLE, the editorial in the WorldTelegram said.
"You all right, Doc?" the Walrus asked.
"No," said Tachyon, putting down the paper. He couldn't afford to pay for it 
anyway.
Police barriers blocked the entrance to the Funhouse, and a padlock secured the 
door. CLOSED INDEFINITELY, the sign said. He needed a drink, but the pockets of 
his bandleader's coat were empty. He thought of Des and Randall, and realized 
that he had no idea where they lived, or what their last names might be.
Trudging back to ROOMS, Tach climbed wearily up the stairs. When he stepped into 
the darkness, he had just enough time to notice that the room was frigidly cold; 
the window was open and a bitter wind was scouring out the old smells of urine, 
mildew, and drink. Had he done that? Confused, he stepped toward it, and someone 
came out from behind the door and grabbed him.
It happened so fast he scarcely had time to react. The forearm across his 
windpipe was an iron bar, choking off his scream, and a hand wrenched his right 
arm up behind his back, hard. He was choking, his arm close to breaking, and 
then he was being shoved toward the o en window, running at it, and Tachyon 
could only thrash feebly in a grip much stronger than his own. The windowsill 
caught him square in the stomach, knocking the last of his breath right out of 
him, and suddenly he was falling, head over heels, locked helplessly in the 
steel embrace of his attacker, both of them plunging toward the sidewalk below.
They jerked to a stop five feet above the cement, with a wrench that elicited a 
grunt from the man behind him. Tach had closed his eyes before the instant of 
impact. He opened them as they began to float upward. Above the yellow halo of 
the streetlamp was a ring of much brighter lights, set in a hovering darkness 
that blotted out the winter stars.
The arm across his throat had loosened enough for Tachyon to groan. "You," he 
said hoarsely, as they curved around the shell and came to rest gently on top of 
it. The metal was icy cold, its chill biting right through the fabric of 
Tachyon's pants. As the Turtle began to rise straight up into the night, 
Tachyon's captor released him. He drew in a shuddering breath of cold air, and 
rolled over to face a man in a zippered leather jacket, black dungarees, and a 
rubbery green frog mask. "Who... ?" he gasped.
"I'm the Great and Powerful Turtle's mean-ass sidekick," the man in the frog 
mask said, rather cheerfully. "DOCTOR TACHYON, I PRESUME," boomed the shell's 
speakers, far above the alleys of Jokertown. "I'VE ALWAYS WANTED TO MEET YOU. I 
READ ABOUT YOU WHEN I WAS JUST A KID."
"Turn it down," Tach croaked weakly.
"OH. SURE. Is that better?" The volume diminished sharply. "It's noisy in here, 
and behind all this armor I can't always tell how loud I sound. I'm sorry if we 
scared you, but re couldn't take the chance of you saying no. We need you."
Tach stayed just where he was, shivering, shaken. "What do you want?" he asked 
wearily.
"Help," the Turtle declared. They were still rising; the lights of Manhattan 
spread out all around them, and the spires of the Empire State Building and the 
Chrysler Building rose uptown. They were higher than either. The wind was cold 
and gusting; Tach clung to the shell for dear life.
"Leave me alone," Tachyon said. "I have no help to give you. I have no help to 
give anybody."
"Fuck, he's crying," the man in the frog mask said. "You don't understand," the 
Turtle said. The shell began to drift west, its motion silent and steady. There 
was something awesome and eerie about the flight. "You have to help. I've tried 
on my own, but I'm getting nowhere. But you, your powers, they can make the 
difference."
Tachyon was lost in his own self-pity, too cold and exhausted and despairing to 
reply. "I want a drink," he said. "Fuck it," said frog-face. "Dumbo was right 
about this guy, he's nothing but a goddamned wino."
"He doesn't understand," said the Turtle. "Once we explain, he'll come around. 
Doctor Tachyon, we're talking about your friend Angelface."
He needed a drink so badly it hurt. "She was good to me," he said, remembering 
the sweet perfume of her satin sheets, and her bloody footprints on the mirror 
tiles. "But there's nothing I can do. I told the police everything I know."
"Chickenshit asshole," said frog-face.
"When I was a kid, I read about you in Jetboy Comics," the Turtle said. "`Thirty 
Minutes Over Broadway,' remember? You were supposed to be as smart as Einstein. 
I might be able to save your friend Angelface, but I can't without your powers. 
"
"I don't do that any longer. I can't. There was someone I hurt, someone I cared 
for, but I seized her mind, just for an'' instant, for a good reason, or at 
least I thought it was for a good reason, but it... destroyed her. I can't do it 
again."
"Boo hoo," said frog-face mockingly. "Let's toss 'im, Turtle, he's not worth a 
bucket of warm piss." He took something out of one of the pockets of his leather 
jacket; Tach was astonished to see that it was a bottle of beer.
"Please," Tachyon said, as the man popped off the cap with a bottle-opener hung 
round his neck....ip, Tach said.
"Just a sip." He hated the taste of beer, but he needed something, anything. It 
had been days. "Please."
"Fuck off," frog-face said.
"Tachyon," said the Turtle, "you can make him."
"No I can't," Tach said. The man raised the bottle up to green rubber lips. "I 
can't," Tach repeated. Frog-face continued to drink. "No." He could hear it 
gurgling.
"Please, just a little."
The man lowered the beer bottle, sloshed it thoughtfully. "Just a swallow left," 
he said.
"Please." He reached out, hands trembling.
"Nah," said frog-face. He began to turn the bottle upside down. "'Course, if 
you're really thirsty, you could just grab my mind, right? Make me give you the 
fuckin' bottle." He tipped the bottle a little more. "Go on, I dare ya, try it."
Tach watched the last mouthful of beer dribble down onto the Turtle's shell and 
run off into empty air.
"Fuck," said the man in the frog mask. "You got it bad, don't you?" He pulled 
another bottle from his pocket, opened it, and handed it across. Tach cradled it 
with both hands. The beer was cold and sour, but he had never tasted anything 
half so sweet. He drained it all in one long swallow.
"Got any other smart ideas?" frog-face asked the Turtle. Ahead of them was the 
blackness of the Hudson River, the lights of Jersey off to the west. They were 
descending. Beneath them, overlooking the Hudson, was a sprawling edifice of 
steel and glass and marble that Tachyon suddenly recognized, though he had never 
set foot inside it: Jetboy's Tomb. "Where are we going?" he asked.
"We're going to see a man about a rescue," the Turtle said. Jetboy's Tomb filled 
the entire block, on the site where the pieces of his plane had come raining 
down. It filled Tom's screens too, as he sat in the warm darkness of his shell, 
bathed in a phosphor glow. Motors whirred as the cameras moved in their tracks. 
The huge flanged wings of the tomb curved upward, as if the building itself was 
about to take flight. Through tall, narrow windows, he could see glimpses of the 
full-size replica of the JB-1 suspended from the ceiling, its scarlet flanks 
aglow from hidden lights. Above the doors, the hero's last words had been 
carved, each letter chiseled into the black Italian marble and filled in 
stainless steel. The metal flashed as the shell's white-hot spots slid across 
the legend:
I CAN'T DIE YET, I HAVEN'T SEEN THE JOLSON STORY
Tom brought the shell down in front of the monument, to hover five feet above 
the broad marble plaza at the top of the stairs. Nearby, a twenty-foot-tall 
steel Jetboy looked out over the West Side Highway and the Hudson beyond, his 
fists cocked. The metal used for the sculpture had come from the wreckage of 
crashed planes, Tom knew. He knew that statue's face better than he knew his 
father's.
The man they'd come to meet emerged from the shadows at the base of the statue, 
a chunky dark shape huddled in a thick overcoat, hands shoved deep into his 
pockets. Tom shone a light on him; a camera tracked to give him a better view. 
The joker was a portly man, round-shouldered and well-dressed. His coat had a 
fur collar and his fedora was pulled low. Instead of a nose, he had an 
elephant's trunk in the middle of his face. The end of it was fringed with 
fingers, snug in a little leather glove.
Dr. Tachyon slid off the top of the shell, lost his footing and landed on his 
ass. Tom heard Joey laugh. Then Joey jumped down too, and pulled Tachyon to his 
feet.
The joker glanced down at the alien. "So you convinced him to come after all. 
I'm surprised."
"We were real fuckin' persuasive," Joey said.
"Des," Tachyon said, sounding confused. "What are you doing here? Do you know 
these people?"
Elephant-face twitched his trunk. "Since the day before yesterday, yes, in a 
manner of speaking. They came to me. The hour was late, but a phone call from 
the Great and Powerful Turtle does pique one's interest. He offered his help, 
and I accepted. I even told them where you lived."
Tachyon ran a hand through his tangled, filthy hair. "I'm sorry about Mal. Do 
you know anything about Angelface? You know how much she meant to me."
"In dollars and cents, I know quite precisely," Des said. Tachyon's mouth gaped 
open. He looked hurt. Tom felt sorry for him. "I wanted to go to you," he said. 
"I didn't know where to find you."
Joey laughed. "He's listed in the fuckin' phone book, dork. Ain't that many guys 
named Xavier Desmond." He looked at the shell. "How the fuck is he gonna find 
the lady if he couldn't even find his buddy here?"
Desmond nodded. "An excellent point. This isn't going to work. Just look at 
him!" His trunk pointed. "What good is he? We're wasting precious time."
"We did it your way," Tom replied. "We're getting nowhere. No one's talking. He 
can get the information we need. "
"I don't understand any of this," Tachyon interrupted. Joey made a disgusted 
sound. He had found a beer somewhere and was cracking the cap.
"What's happening?" Tach asked.
"If you had been the least bit interested in anything besides cognac and cheap 
tarts, you might know," Des said icily.
"Tell him what you told us," Tom commanded. When he knew, Tachyon would surely 
help, he thought. He had to. Des gave a heavy sigh. "Angelface had a heroin 
habit. She hurt, you know. Perhaps you noticed that from time to time, Doctor? 
The drug was the only thing that got her through the day. Without it, the pain 
would have driven her insane. Nor was hers an ordinary junkie's habit. She used 
uncut heroin in quantities that would have killed any normal user. You saw how 
minimally it affected her. The joker metabolism is a curious thing. Do you have 
any idea how expensive heroin is, Doctor Tachyon? Never mind, I see that you 
don't. Angelface made quite a bit of money from the Funhouse, but it was never 
enough. Her source gave her credit until she was in far over her head, then 
demanded... call it a promissory note. Or a Christmas present. She had no 
choice. It was that or be cut off. She hoped to come up with the money, being an 
eternal optimist. She failed. On Christmas morning her source came by to 
collect. Mal wasn't about to let them have her. They insisted."
Tachyon was squinting in the glare of the lights. His image began to roll 
upward. "Why didn't she tell me?" he said. "I suppose she didn't want to burden 
you, Doctor. It might have taken the fun out of your self-pitying binges."
"Have you told the police?"
"The police? Ah, yes. New York's finest. The ones who seem so curiously 
uninterested whenever a joker is beaten or killed, yet ever so diligent if a 
tourist is robbed. The ones who so regularly arrest, harass, and brutalize any 
joker who has the poor taste to live anywhere outside of Jokertown. Perhaps we 
might consult the officer who commented that, raping a joker woman is more a 
lapse in taste than a crime." Des snorted. "Doctor Tachyon, where do you think 
Angelface bought her drugs? Do you think any ordinary street pusher would have 
access to uncut heroin in the quantities she needed? The police were her source. 
The head of the Jokertown narcotics squad, if you care to be precise. Oh, I'll 
grant you that it's unlikely the whole department is involved. Homicide may be 
conducting a legitimate investigation. What do you think they'd say if we told 
them that Bannister was the murderer? You think they'd arrest one of their own? 
On the strength of my testimony, or the testimony of any joker?"
"We'll make good her note," Tachyon blurted. "We'll give this man his money or 
the Funhouse or whatever it is he wants."
"The promissory note," Desmond said wearily, "was not for the Funhouse."
"Whatever it was, give it to him!"
"She promised him the only thing she still had that he wanted," Desmond said. 
"Herself. Her beauty and her pain. The word's out on the street, if you know how 
to listen. There's going to be a very special New Year's Eve party somewhere in 
the city. Invitation only. Expensive. A unique thrill. Bannister will have her 
first. He's wanted that for a long time. But the other guests will have their 
turn. Jokertown hospitality."
Tachyon's mouth worked soundlessly for a moment. "The police?" he finally 
managed. He looked as shocked as Tom had been when Desmond told him and Joey.
"Do you think they love us, Doctor? We're freaks. We're diseased. Jokertown is a 
hell, a dead end, and the Jokertown police are the most brutal, corrupt, and 
incompetent in the city. I don't think anyone planned what happened at the 
Funhouse, but it happened, and Angelface knows too much. They can't let her 
live, so they're going to have some fun with the joker cunt."
Tom Tudbury leaned toward his microphone. "I can rescue her," he said. "These 
fuckers haven't seen anything like the Great and Powerful Turtle. But I can't 
find her."
Des said, "She has a lot of friends. But none of us can read minds, or make a 
man do something he doesn't want to." "I can't," Tachyon protested. He seemed to 
shrink into himself, to edge away from them, and for an instant Tom thought the 
little man was going to run away. "You don't understand. "
"What a fuckin' candy-ass," Joey said loudly.
Watching Tachyon crumble on his screens, Tom Tudbury finally ran out of 
patience. "If you fail, you fail," he said. "And if you don't try, you fail too, 
so what the fuck difference does it make? Jetboy failed, but at least he tried. 
He wasn't an ace, he wasn't a goddamned Takisian, he was just a guy with a jet, 
but he did what he could."
"I want to.... . just... can't."
Des trumpeted his disgust. Joey shrugged.
Inside his shell, Tom sat in stunned disbelief. He wasn't going to help. He 
hadn't believed it, not really. Joey had warned him, Desmond too, but Tom had 
insisted, he'd been sure, this was Doctor Tachyon, of course he'd help, maybe he 
was having some problems, but once they explained the situation to him, once 
they made it clear what was at stake and how much they needed him-he had to 
help. But he was saying no. It was the last goddamned straw.
He twisted the volume knob up all the way. "YOU SON OF A BITCH," he boomed, and 
the sound hammered out over the plaza. Tachyon flinched away. "YOU NO-GOOD 
FUCKING LITTLE ALIEN CHICKENSHIT!" Tachyon stumbled backward down the stairs, 
but the Turtle drifted after him, loudspeakers blaring. "IT WAS ALL A LIE, 
WASN'T IT? EVERYTHING IN THE COMIC BOOKS, EVERYTHING IN THE PAPERS, IT WAS ALL A 
STUPID LIE. ALL MY LIFE THEY BEAT ME UP AND THEY CALLED ME A FUCKING WIMP AND A 
COWARD BUT YOU'RE THE COWARD, YOU ASSHOLE, YOU SHITTY LITTLE WHINER, YOU WON'T 
EVEN TRY, YOU DON'T GIVE A DAMN ABOUT ANYBODY, ABOUT YOUR FRIEND ANGELFACE OR 
ABOUT KENNEDY OR JETBOY OR ANYBODY, YOU HAVE ALL THESE FUCKING POWERS AND YOU'RE 
NOTHING, YOU WON'T DO ANYTHING, YOU'RE WORSE THAN OSWALD OR BRAUN OR ANY OF 
THEM." Tachyon staggered down the steps, hands over his ears, shouting something 
unintelligible, but Tom was past listening. His anger had a life of its own now. 
He lashed out, and the alien's head snapped around and reddened with the force 
of the slap. "ASSHOLE!" Tom was shrieking. "YOU'RE THE ONE IN A SHELL." 
Invisible blows rained down on Tachyon in a fury. He reeled, fell, rolled a 
third of the way down the stairs, tried to get back to his feet, was bowled over 
again, and bounced down to the street head over heels. "ASSHOLE!" the Turtle 
thundered. "RUN, YOU SHITHEAD. GET OUT OF HERE, OR I'LL THROW YOU IN THE DAMNED 
RIVER! RUN, YOU LITTLE WIMP, BEFORE THE GREAT AND POWERFUL TURTLE REALLY GETS 
UPSET! RUN, DAMN IT! YOU'RE THE ONE IN THE SHELL! YOU'RE THE ONE IN THE SHELL!"
And he ran, dashing blindly from one streetlight to the next, until he was lost 
in the shadows. Tom Tudbury watched him vanish on the shell's array of 
television screens. He felt sick and beaten. His head was throbbing. He needed a 
beer, or an aspirin, or both. When he heard the sirens coming, he scooped up 
Joey and Desmond and set them on top of his shell, killed his lights, and rose 
straight up into the night, high, high up, into darkness and cold and silence.
That night Tach slept the sleep of the damned, thrashing about like a man in a 
fever dream, crying out, weeping, waking again and again from nightmares, only 
to drift back into them.
He dreamt he was back on Takis, and his hated cousin Zabb was boasting about a 
new sex toy, but when he brought her out it was Blythe, and he raped her right 
there in front of him. Tach watched it all, powerless to intervene; her body 
writhed beneath his and blood flowed from her mouth and ears and vagina. She 
began to change, into a thousand joker shapes each more horrible than the last, 
and Zabb went right on, raping them all as they screamed and struggled. But 
afterward, when Zabb rose from the corpse covered with blood, it wasn't his 
cousin's face at all, it was his own, worn and dissipated, a coarse face, eyes 
reddened and puffy; long red hair tangled and greasy, features distorted by 
alcoholic bloat or perhaps by a Funhouse mirror.
He woke around noon, to the terrible sound of Tiny weeping outside his window. 
It was more than he could stand. It was all more than he could stand. He 
stumbled to the window and threw it open and screamed at the giant to be quiet, 
to stop, to leave him alone, to give him peace, please, but Tiny went on and on, 
so much pain, so much guilt, so much shame, why couldn't they let him be, he 
couldn't take it anymore, no, shut up, shut up, please shut up, and suddenly 
Tach shrieked and reached out with his mind and plunged into Tiny's head and 
shut him up.
The silence was thunderous.

The nearest phone booth was in a candy store a block down. Vandals had ripped 
the phone book to shreds. He dialed information and got the listing for Xavier 
Desmond on Christie Street, only a short walk away. The apartment was a 
fourthfloor walk-up above a mask shop. Tachyon was out of breath by the time he 
got to the top.
Des opened the door on the fifth knock. "You," he said. "The Turtle," Tach said. 
His throat was dry. "Did he get anything last night?"
"No," Desmond replied. His trunk twitched. "The same story as before. They're 
wise to him now, they know he won't really drop them. They call his bluff. Short 
of actually killing someone, there's nothing to do."
"Tell me who to ask," Tack said. "You?" Des said.
Tach could not look the joker in the eye. He nodded. "Let me get my coat," Des 
said. He emerged from the apartment bundled up for the cold, carrying a fur cap 
and a frayed beige raincoat. "Put your hair up in the hat," he told Tachyon, 
"and leave that ridiculous coat here. You don't want to be recognized." Tach did 
as he said. On the way out, Des went into the mask shop for the final touch.
"A chicken?" Tach said when Des handed him the mask. It had bright yellow 
feathers, a prominent orange beak, a floppy red coxcomb on top.
"I saw it and I knew it was you," said Des. "Put it on." A large crane was 
moving into position at Chatham Square, to get the police cars off Freakers 
roof. The club was open. The doorman was a seven-foot-tall hairless joker with 
fangs. He grabbed Des by the arm as they tried to pass under the neon thighs of 
the six-breasted dancer who writhed on the marquee. "No jokers allowed," he said 
brusquely. "Get lost, Tusker."
Reach out and grab his mind, Tachyon thought. Once, before Blythe, he would have 
done it instinctively. But now he hesitated, and hesitating, he was lost.
Des reached into his back pocket, pulled out a wallet, extracted a fifty-dollar 
bill. "You were watching them lower the police cars," he said. "You never saw me 
pass."
"Oh, yeah," the doorman said. The bill vanished in a clawed hand. "Real 
interesting, them cranes."
"Sometimes money is the most potent power of all," Des said as they walked into 
the cavernous dimness within. A sparse noontime crowd sat eating the free lunch 
and watching a stripper gyrate down a long runway behind a barbed-wire barrier. 
She was covered with silky gray hair, except for her breasts, which had been 
shaved bare. Desmond scanned the booths along the far wall. He took Tach's elbow 
and led him to a dark corner, where a man in a peacoat was sitting with a stein 
of beer. "They lettin' jokers in here now?" the man asked gruffly as they 
approached. He was saturnine and pockmarked.
Tack went into his mind. Fuck what's this now the elephant man's from the 
Funhouse who's the other one damned jokers anyhow gotta gotta nerve
"Where's Bannister keeping Angelface?" Des asked. "Angelface is the slit at the 
Funhouse, right? Don't know no Bannister. Is this a game? Fuck off, joker, I 
ain't playing." In his thoughts, images came tumbling: Tack saw mirrors 
shattering, silver knives flying through the air, felt Mat's shove and saw him 
reach back for a gun, watched him shudder and spin as the bullets hit, heard 
Bannister's soft voice as he told them to kill Ruth, saw the warehouse over on 
the Hudson where they were keeping her, the livid bruises on her arm when they'd 
grabbed her, tasted the man's fear, fear of jokers, fear of discovery, fear of 
Bannister, the fear of them. Tach reached out and squeezed Desmond's arm.
Des turned to go. "Hey, hold it right there," the man with the pockmarked face 
said. He flashed a badge as he unfolded from the booth. "Undercover narcotics," 
he said, "and you been using, mister, asking asshole junkie questions like 
that." Des stood still as the man frisked him down. "Well, looka this," he said, 
producing a bag of white powder from one of Desmond's pockets. "Wonder what this 
is? You're under arrest, freak-face. "
"That's not mine," Desmond said calmly.
"The hell it ain't," the man said, and in his mind the thoughts ran one after 
another little accident resisting arrest what could i do huh? jokers'll scream 
but who listens to a fuckin' joker only whatymi gonna do with the other one? and 
he glanced at Tachyon. Jeez looka the chickenman's shaking maybe the fucker IS 
using that'd be great.
Trembling, Tach realized the moment of truth was at hand.
He was not sure he could do it. It was different than with Tiny; that had been 
blind instinct, but he was awake now, and he knew what he was doing. It had been 
so easy once, as easy as using his hands. But now those hands trembled, and 
there was blood on them, and on his mind as well... he thought of Blythe and the 
way her mind had shattered under his touch, like the mirrors in the Funhouse, 
and for a terrible, long second nothing happened, until the fear was rank in his 
throat, and the familiar taste of failure filled his mouth.
Then the pockfaced man smiled an idiot's smile, sat back down in his booth, laid 
his head on the table, and went to sleep as sweetly as a child.
Des took it in stride. "Your doing?" Tachyon nodded.
"You're shaking," Des asked. "Are you all right, Doctor?"
"I think so," Tachyon said. The policeman had begun to snore loudly. "I think 
maybe I am all right, Des. For the first time in years." He looked at the 
joker's face, looked past the deformity to the man beneath. "I know where she 
is," he said. They started toward the exit. In the cage, a full-breasted, 
bearded hermaphrodite had started into a bump-and-grind. "We have to move 
quickly."
"In an hour I can get together twenty men."
"No," Tachyon said. "The place they're holding her isn't in Jokertown."
Des stopped with his hand on the door. "I see," he said. "And outside of 
Jokertown, jokers and masked men are rather conspicuous, aren't they?"
"Exactly," Tach said. He did not voice his other fear, of the retribution that 
would surely be enacted should jokers dare to confront police, even police as 
corrupt as Bannister and his cohorts. He would take the risk himself, he had 
nothing left to lose, but he could not permit them to take it. "Can you reach 
the Turtle?" he asked.
"I can take you to him," Des replied. "When?"
"Now," Tach said. In an hour or two, the sleeping policeman would awaken and go 
straight to Bannister. And say what? That Des and a man in a chicken mask had 
been asking questions, that he'd been about to arrest them but suddenly he'd 
gotten very sleepy? Would he dare admit to that? If so, what would Bannister 
make of it? Enough to move Angelface? Enough to kill her? They could not chance 
it.
When they emerged from the dimness of Freakers, the crane had just lowered the 
second police car to the sidewalk. A cold wind was blowing, but behind his 
chicken feathers, Doctor Tachyon had begun to sweat.
Tom Tudbury woke to the dim, muffled sound of someone pounding on his shell.
He pushed aside the frayed blanket, and bashed his head sitting up. "Ow, goddamn 
it," he cursed, fumbling in the darkness until he found the map light. The 
pounding continued, a hollow boom boom boom against the armor, echoing. Tom felt 
a stab of panic. The police, he thought, they've found me, they've come to drag 
me out and haul me up on charges. His head hurt. It was cold and stuffy in here. 
He turned on the space heater, the fans, the cameras. His screens came to life.
Outside was a bright cold December day, the sunlight painting every grimy brick 
with stark clarity. Joey had taken the train back to Bayonne, but Tom had 
remained; they were running out of time, he had no other choice. Des found him a 
safe place, an interior courtyard in the depths of Jokertown, surrounded by 
decaying five-story tenements, its cobblestones redolent with the smell of 
sewage, wholly hidden from the street. When he'd landed, just before dawn, 
lights had blinked on in a few of the dark windows, and faces had come to peer 
cautiously around the shades; wary, frightened, not-quitehuman faces, briefly 
seen and gone as quickly, when they decided that the thing outside was none of 
their concern.
Yawning, Tom pulled himself into his seat and panned his cameras until he found 
the source of the commotion. Des was standing by an open cellar door, arms 
crossed, while Doctor Tachyon hammered on the shell with a length of broom 
handle.
Astonished, Tom flipped open his microphones. "YOU." Tachyon winced. "Please."
He lowered the volume. "Sorry. You took me by surprise. I never expected to see 
you again. After last night, I mean. I didn't hurt you, did I? I didn't mean to, 
I just-"
"I understand," Tachyon said. "But we've got no time for recriminations or 
apologies now."
Des began to roll upward. Damn that vertical hold. "We know where they have 
her," the joker said as his image flipped. "That is, if Doctor Tachyon can 
indeed read minds as advertised."
"Where?" Tom said. Des continued to flip, flip, flip. "A warehouse on the 
Hudson," Tachyon replied. "Near the foot of a pier. I can't tell you an address, 
but I saw it clearly in his thoughts. I'll recognize it."
"Great!" Tom enthused. He gave up on his efforts to adjust the vertical hold and 
whapped the screen. The picture steadied. "Then we've got them. Let's go." The 
look on Tachyon's face took him aback. "You are coming, aren't you?" Tachyon 
swallowed. "Yes," he said. He had a mask in his hand. He slipped it on.
That was a relief, Tom thought; for a second there, he'd thought he'd have to go 
it alone. "Climb on," he said. With a deep sigh of resignation, the alien 
scrambled on top of the shell, his boots scrabbling at the armor. Tom gripped 
his armrests tightly and pushed up. The shell rose as easily as a soap bubble. 
He felt elated. This was what he was meant to do, Tom thought; Jetboy must have 
felt like this.
Joey had installed a monster of a horn in the shell. Tom let it rip as they 
floated clear of the rooftops, startling a coop of pigeons, a few winos, and 
Tachyon with the distinctive blare of Here-l-come-to-save-the-daaaaaay.
"It might be wise to be a bit more subtle about this," Tachyon said 
diplomatically.
Tom laughed. "...don't believe it, I got a man from outer space who mostly 
dresses like Pinky Lee riding on my back, and he's telling me I ought to be 
subtle." He laughed again as the streets of Jokertown spread out all around 
them.
They made their final approach through a maze of waterfront alleys. The last was 
a dead end, terminating in a brick wall scrawled over with the names of gangs 
and young lovers. The Turtle rose above it, and they emerged in the loading area 
behind the warehouse. A man in a short leather jacket sat on the edge of the 
loading dock. He jumped to his feet when they hove into view. His jump took him 
a lot higher than he'd anticipated, about ten feet higher. He opened his mouth, 
but before he could shout, Tach had him; he went to sleep in midair. The Turtle 
stashed him atop a nearby roof.
Four wide loading bays opened onto the dock, all chained and padlocked, their 
corrugated metal doors marked with wide brown streaks of rust. TRESPASSERS WILL 
BE PROSECUTED said the lettering on the narrow door to the side.
Tach hopped down, landing easily on the balls of his feet, his nerves tingling. 
"I'll go through," he told the Turtle. "Give me a minute, and then follow."
"A minute," the speakers said. "You got it."
Tach pulled off his boots, opened the door just a crack, and slid into the 
warehouse on purple-stockinged feet, summoning up all the stealth and fluid 
grace they'd once taught him on Takis. Inside, bales of shredded paper, bound 
tightly in thin wire, were stacked twenty and thirty feet high. Tachyon crept 
down a crooked aisle toward the sound of voices. A huge yellow forklift blocked 
his path. He dropped flat and squirmed underneath it, to peer around one massive 
tire.
He counted five altogether. Two of them were playing cards, sitting in folding 
chairs and using a stack of coverless paperbacks for a table. A grossly fat man 
was adjusting a gigantic paper-shredding machine against the far wall. The last 
two stood over a long table, bags of white powder piled in neat rows in front of 
them. The tall man in the flannel shirt was weighing something on a small set of 
scales. Next to him, supervising, was a slender balding man in an expensive 
raincoat. He had a cigarette in his hand, and his voice was smooth and soft. 
Tachyon couldn't quite make out what he was saying. There was no sign of 
Angelface.
He dipped into the sewer that was Bannister's mind, and saw her. Between the 
shredder and the baling machine. He couldn't see it from under the forklift, the 
machinery blocked the line of sight, but she was there. A filthy mattress had 
been tossed on the concrete floor, and she lay atop it, her ankles swollen and 
raw where the handcuffs chafed against her skin.
".. fifty-eight hippopotami, fifty-nine hippopotami, sixty hippopotami," Tom 
counted.
The loading bays were big enough. He squeezed, and the padlock disintegrated 
into shards of rust and twisted metal. The chains came clanking down, and the 
door rattled upward, rusty tracks screeching protest. Tom turned on all his 
lights as the shell slid forward. Inside, towering stacks of paper blocked his 
way. There wasn't room to go between them. He shoved them, hard, but even as 
they started to collapse, it occurred to him that he could go above them. He 
pushed up toward the ceiling.
"What the fuck," one of the cardplayers said, when they heard the loading gate 
screech open.
A heartbeat later, they were all moving. Both cardplayers scrambled to their 
feet; one of them produced a gun. The man in the flannel shirt looked up from 
his scales. The fat man turned away from the shredder, shouting something, but 
it was impossible to make out what he was saying. Against the far wall, bales of 
paper came crashing down, knocking into neighboring stacks and sending them down 
too, in a chain reaction that spread across the warehouse.
Without an instant's hesitation, Bannister went for Angelface. Tach took his 
mind and stopped him in mid-stride, with his revolver half-drawn.
And then a dozen bales of shredded paper slammed down against the rear of the 
forklift. The vehicle shifted, just a little, crushing Tachyon's left hand under 
a huge black tire. He cried out in shock and pain, and lost Bannister.
Down below, two little men were shooting at him. The first shot startled him so 
badly that Tom lost his concentration for a split second, and the shell dropped 
four feet before he got it back. Then the bullets were pinging harmlessly off 
his armor and ricocheting around the warehouse. Tom smiled. "I AM THE GREAT AND 
POWERFUL TURTLE," he announced at full volume, as stacks of paper crashed down 
all around. "YOU ASSHOLES ARE UP SHIT CREEK. SURRENDER NOW"
The nearest asshole didn't surrender. He fired again, and one of Tom's screens 
went black. "OH, FUCK," Tom said, forgetting to kill his mike. He grabbed the 
guy's arm and pulled the gun away, and from the way the jerk screamed he'd 
probably dislocated his shoulder too, goddammit. He'd have to watch that. The 
other guy started running, jumping over a collapsed pile of paper. Tom caught 
him in mid-jump, took him straight up to the ceiling, and hung him from a 
rafter. His eyes flicked from screen to screen, but one screen was dark now and 
the damned vertical hold had gone again on the one next to it, so he couldn't 
make out a fucking thing to that side. He didn't have time to fix it. Some guy 
in a flannel shirt was loading bags into a suitcase, he saw on the big screen, 
and from the corner of his eye, he spied a fat guy climbing into a forklift...
His hand crushed beneath the tire, Tachyon writhed in excruciating pain and 
tried not to scream. Bannister-had to stop Bannister before he got to Angelface. 
He ground his teeth together and tried to will away the pain, to gather it into 
a ball and push it from him the way he'd been taught, but it was hard, he'd lost 
the discipline, he could feel the shattered bones in his hand, his eyes were 
blurry with tears, and then he heard the forklift's motor turn over, and 
suddenly it was surging forward, rolling right up his arm, coming straight at 
his head, the tread of the massive tire a black wall of death rushing toward 
him... and passing an inch over the top of his skull, as it took to the air.
The forklift flew nicely across the warehouse and embedded itself in the far 
wall, with a little push from the Great and Powerful Turtle. The fat man dove 
off in midair and landed on a pile of coverless paperbacks. It wasn't until then 
that Tom happened to notice Tachyon lying on the floor under the place the 
forklift had been. He was holding his hand funny and his chicken mask was all 
smashed up and dirty, Tom saw, and as he staggered to his feet he was shouting 
something. He went running across the floor, reeling, unsteady. Where the fuck 
was he going in such a hurry?
Frowning, Tom smacked the malfunctioning screen with the back of his hand, and 
the vertical roll stopped suddenly. For an instant, the image on the television 
was clear and sharp. A man in a raincoat stood over a woman on a mattress. She 
was real pretty, and there was a funny smile on her face, sad but almost 
accepting, as he pressed the revolver right up to her forehead.
Tach came reeling around the shredding machine, his ankles all rubber, the world 
a red blur, his shattered bones jabbing against each other with every step, and 
found them there, Bannister touching her lightly with his pistol, her skin 
already darkening where the bullet would go in, and through his tears and his 
fears and a haze of pain, he reached out for Bannister's mind and seized it... 
just in time to feel him squeeze the trigger, and wince as the gun kicked back 
in his mind. He heard the explosion from two sets of ears.
"Noooooooooooooooooo!" he shrieked. He closed his eyes, sunk to his knees. He 
made Bannister fling the gun away, for what good it would do, none at all, too 
late, again he'd come too late, failed, failed, again, Angelface, Blythe, his 
sister, everyone he loved, all of them gone. He doubled over on the floor, and 
his mind filled with images of broken mirrors, of the Wedding Pattern danced in 
blood and pain, and that was the last thing he knew before the darkness took 
him.
He woke to the astringent smell of a hospital room and the feel of a pillow 
under his head, the pillowcase crisp with starch. He opened his eyes. "Des," he 
said weakly. He tried to sit, but he was bound up somehow. The world was blurry 
and unfocused.
"You're in traction, Doctor," Des said. "Your right arm was broken in two 
places, and your hand is worse than that."
"I'm sorry," Tach said. He would have wept, but he had run out of tears. "I'm so 
sorry. We tried,... . I'm so sorry, I-"
"Tacky," she said in that soft, husky voice.
And she was there, standing over him, dressed in a hospital gown, black hair 
framing a wry smile. She had combed it forward to cover her forehead; beneath 
her bangs was a hideous purple-green bruise, and the skin around her eyes was 
red and raw. For a moment he thought he was dead, or mad, or dreaming. "It's all 
right, Tacky. I'm okay. I'm here."
He stared up at her numbly. "You're dead," he said dully. "I was too late. I 
heard the shot, I had him by then but it was too late, I felt the gun recoil in 
his hand."
"Did you feel it jerk?" she asked him. "Jerk?"
"A couple of inches, no more. Just as he fired. Just enough. I got some nasty 
powder burns, but the bullet went into the mattress a foot from my head."
"The Turtle," Tach said hoarsely.
She nodded. "He pushed aside the gun just as Bannister squeezed the trigger. And 
you made the son of a bitch throw away the revolver before he could get off a 
second shot."
"You got them," Des said. "A couple of men escaped in the confusion, but the 
Turtle delivered three of them, including Bannister. Plus a suitcase packed with 
twenty pounds of pure heroin. And it turns out that warehouse is owned by the 
Mafia."
"The Mafia?" Tachyon said.
"The mob," Des explained. "Criminals, Doctor Tachyon."
"One of the men captured in the warehouse has already turned state's evidence," 
Angelface said. "He'll testify to everything-the bribes, the drug operation, the 
murders at the Funhouse."
"Maybe we'll even get some decent police in Jokertown," Des added.
The feelings that rushed through Tachyon went far beyond relief. He wanted to 
thank them, wanted to cry for them, but neither the tears nor the words would 
come. He was weak and happy. "I didn't fail," he managed at last.
"No," Angelface said. She looked at Des. "Would you wait outside?" When they 
were alone, she sat on the edge of the bed. "I want to show you something. 
Something I wish I'd shown you a long time ago." She held it up in front of him. 
It was a gold locket. "Open it."
It was hard to do with only one hand, but he managed. Inside was a small round 
photograph of an elderly woman in bed. Her limbs were skeletal and withered, 
sticks draped in mottled flesh, and her face was horribly twisted. "What's wrong 
with her?" Tach asked, afraid of the answer. Another joker, he thought, another 
victim of his failures.
Angelface looked down at the twisted old woman, sighed, and closed the locket 
with a snap. "When she was four, in Little Italy, she was run over while playing 
in the street. A horse stepped on her face, and the wagon wheel crushed her 
spine. That was in, oh, 1886. She was completely paralyzed, but she lived. If 
you could call it living. That little girl spent the next sixty years in a bed, 
being fed, washed, and read to, with no company except the holy sisters. 
Sometimes all she wanted was to die. She dreamed about what it would be like to 
be beautiful, to be loved and desired, to be able to dance, to be able to feel 
things. Oh, how she wanted to feel things." She smiled. "I should have said 
thank you long ago, Tacky, but its hard for me to show that picture to anyone. 
But I am grateful, and now I owe you doubly. You'll never pay for a drink at the 
Funhouse."
He stared at her. "I don't want a drink," he said. "No more. That's done." And 
it was, he knew; if she could live with her pain, what excuse could he possibly 
have to waste his life and talents? "Angelface," he said suddenly, "I can make 
you something better than heroin. I was... I am a biochemist, there are drugs on 
Takis, I can synthesize them, painkillers, nerve blocks. If you'll let me run 
some tests on you, maybe I can tailor something to your metabolism. I'll need a 
lab, of course. Setting things up will be expensive, but the drug could be made 
for pennies."
"I'll have some money," she said. "I'm selling the Funhouse to Des. But what 
you're talking about is illegal."
"To hell with their stupid laws," Tach blazed. "I won't tell if you won't." Then 
words came tumbling out one after the other, a torrent: plans, dreams, hopes, 
all of the things he'd lost or drowned in cognac and Sterno, and Angelface was 
looking at him, astonished, smiling, and when the drugs they had given him 
finally began to wear off, and his arm began to throb again, Doctor Tachyon 
remembered the old disciplines and sent the pain away, and somehow it seemed as 
though part of his guilt and his grief went with it, and he was whole again, and 
alive.
The headline said TURTLE, TACHYON SMASH HEROIN RING. Tom was gluing the article 
into the scrapbook when Joey returned with the beers. "They left out the Great 
and Powerful part," Joey observed, setting down a bottle by Tom's elbow. "At 
least I got first billing," Tom said. He wiped thick white paste off his fingers 
with a napkin, and shoved the scrapbook aside. Underneath were some crude 
drawings he'd made of the shell. "Now," he said, "where the fuck are we going to 
put the record player, huh?"

Interlude Two
From The New York Times, September 1, 1966.
JOKERTOWN CLINIC TO OPEN ON WILD CARD DAY
The opening of a privately funded research hospital specializing in the 
treatment of the Takisian wild card virus was announced yesterday by Dr. 
Tachyon, the alien scientist who helped to develop the virus. Dr. Tachyon will 
serve as chief of staff at the new institution, to be located on South Street, 
overlooking the East River.
The facility will be known as the Blythe van Renssaeler Memorial Clinic in honor 
of the late Mrs. Blythe Stanhope van Renssaeler. Mrs. van Renssaeler, a member 
of the Exotics for Democracy from 1947 to 1950, died in 1953 in Wittier 
Sanatorium. She was better known as "Brain Trust."
The Van Renssaeler Clinic will open its doors to the public on September 15th, 
the twentieth anniversary of the release of the wild card virus over Manhattan. 
Emergency room service and outpatient psychological care will be provided by the 
196-bed hospital. "We're here to serve the neighborhood and the city," Dr. 
Tachyon said in an afternoon press conference on the steps of Jetboy's Tomb, 
"but our first priority is going to be the treatment of those who have too long 
gone untreated, the jokers whose unique and often desperate medical needs have 
been largely ignored by existing hospitals. The wild card was played twenty 
years ago, and this continued willful ignorance about the virus is criminal and 
inexcusable." Dr. Tachyon said that he hoped the Van Renssaeler Clinic might 
become the world's leading center for wildcard research, and spearhead efforts 
to perfect the cure for wild card, the so-called "trump" virus.
The clinic will be housed in a historic waterfront building originally 
constructed in 1874. The building was a hotel, known as the Seaman's Haven, from 
1888 through 1913. From 1913 through 1942 it was the Sacred Heart Home for 
Wayward Girls, after which it served as an inexpensive lodging house.
Dr. Tachyon announced that the purchase of the building and a complete interior 
renovation had been funded by a grant from the Stanhope Foundation of Boston, 
headed by Mr. George C. Stanhope. Mr..Stanhope is the father of Mrs. van 
Renssaeler. "If Blythe were alive today, I know she'd want nothing more than to 
work at Dr. Tachyon's side," Mr. Stanhope said.
Initially the work at the clinic will be funded by fees and private donations, 
but Dr. Tachyon admitted that he had recently returned from Washington, where he 
conferred with Vice President Hubert H. Humphrey. Sources close to the Vice 
President indicate that the administration is considering partial funding of the 
jokertown clinic through the offices of the Senate Committee on Ace Resources 
and Endeavors (SCARE).
A crowd of approximately five hundred, many of them obvious victims of the wild 
card virus, greeted Dr. Tachyon's announcement with enthusiastic applause.

THE LONG, DARK NIGHT OF FORTUNATO
by Lewis Shiner
All he could think about was how beautiful she'd been when she was alive.
"I got to ask you can you identify the remains," the coroner's man said.
"It's her," Fortunato said. "Name?"
"Erika Naylor. Erika with a K."
"Address?"
"Sixteen Park Avenue."
The man whistled. "High class. Next of kin?"
"I don't know. She was from Minneapolis."
"Right. That's where they all come from. You'd think they had a hooker academy 
there or something."
Fortunato looked up from the long, horrible wound in the girl's throat and let 
the coroner's man see his eyes. "She wasn't a hooker," he said.
"Sure," the man said, but he took a step backward and looked down at his 
clipboard. "I'll put down 'model.'" Geisha, Fortunato thought. She had been one 
of his geishas. Bright, funny, beautiful, a chef and a masseuse and an 
unlicensed psychologist, imaginative and sensual in bed. She was the third of 
his girls in the last year to be neatly sliced to pieces.
He stepped out onto the street, knowing how bad he looked. He was six foot four 
and methedrine thin, and when he slumped his chest seemed to disappear into his 
spine. Lenore had been waiting for him, huddled in her black fake-fur jacket, 
even though the sun had finally come out. When she saw him she put him straight 
into a cab and gave the driver her address on West 19th.
Fortunato stared out the window at the long-haired girls in embroidered denim, 
at the black-light posters in the store windows, at the bright chalk scrawled 
over all the sidewalks. It was nearly Easter, two winters past the Summer of 
Love, but the idea of spring left: him as cold as the morgue's tile floor. 
Lenore took his hand and squeezed it, and Fortunato leaned back in the seat and 
closed his eyes.
She was new. One of his girls had rescued her from a Brooklyn pimp named 
Ballpeen Willie, and Fortunato had paid five thousand dollars for her 
"contract." It was well known on the street that if Willie had objected, 
Fortunato would have spent the five thousand to have Willie hit, that being the 
current market value of a human life.
Willie worked for the Gambione Family and Fortunato had knocked heads with them 
more than once. Being blackhalf black, anyway-and independent gave Fortunato a 
feature part in Don Carlo's paranoid fantasies. The only thing Don Carlo hated 
worse were the jokers.
Fortunato wouldn't have put the killings past the old man except for one thing: 
he coveted Fortunato's operation too much to tamper with the women themselves.
Lenore came from a hick town in the mountains of Virginia where the old people 
still talked Elizabethan. Willie had been running her less than a month, not 
long enough to grind off the edges of her beauty. She had dark red hair to her 
waist, neon-green eyes, and a small, almost dainty mouth. She never wore 
anything but black and she believed she was a witch.
When Fortunato had auditioned her he'd been moved by her abandon, her complete 
absorption in carnality, so much at odds with her cool, sophisticated looks. 
He'd accepted her for training and she'd been at it now for three weeks, turning 
only an occasional trick, making the transition from gifted call girl to 
apprentice geisha that would take at least two years.
She led him up to her apartment and stopped with the key in the lock. "Uh, I 
hope its not too weird for you." He stood in the doorway while she walked 
through the room, lighting candles. The windows were heavily draped and he 
didn't see any appliances except a telephone-no TV, no clocks, not even a 
toaster. In the barren center of the room she'd painted a huge, five-pointed 
star surrounded by a circle, right onto the hardwood floor. Behind the sensual 
smells of incense and musk was the faint sulfurous tang of a chemistry lab.
He locked the front door and followed her into the bedroom. The apartment was 
thick with sexuality. He could barely move his feet through the heavy, 
wine-colored carpet; the bed was canopied, with red velvet curtains, and so high 
off the floor it had stairs leading up to it.
She found a joint in the nightstand, lit it, and handed it to Fortunato. "I'll 
be back in a second," she said.
He took his clothes off and lay down with his hands behind his head, the joint 
hanging out of his mouth. He took a lungful of smoke and watched his toes 
uncurl. The ceiling overhead was deep blue, with constellations dabbed on in 
phosphorescent yellow-green. Signs of the zodiac, as far as he could tell. Magic 
and astrology and gurus were very hip right now. People at trendy Village 
parties were always asking each other what sign they were and talking about 
karma. For himself, he thought the Aquarian Age was just so much wishful 
thinking. Nixon was in the White House, kids were getting their asses shot off 
in Southeast Asia, and he still heard the word "nigger" every day. But he had 
clients who would love this place.
If the psycho with the knife didn't put him out of business. Lenore knelt beside 
him on the bed, naked. "You have such beautiful skin." She ran fingertips over 
his chest, raising gooseflesh. "I've never seen a color like this before." When 
he didn't answer she said, "Your mother is Japanese, they told me:"
"And my father was a Harlem pimp."
"You're really fucked up about this, aren't you."
"I loved those girls. I love all of you. You're more important to me than money 
or family or... or anything."
"And?"
He didn't think he had anything else to say until the words started coming out. 
"I feel so... so goddamned helpless. Some twisted son of a bitch is killing my 
girls and there's nothing I can do about it."
"Maybe," she said. "Maybe not." Her fingers tangled in his pubic hair. "Sex is 
power, Fortunato. It's the most powerful thing in the universe. Don't ever 
forget that."
She took his penis in her mouth, working it gently with her tongue like a piece 
of candy. It stiffened instantly and Fortunato felt sweat break on his forehead. 
He put out the joint with a wet fingertip and dropped it over the edge of the 
bed. His heels skidded on the icy slickness of the sheets and his nose filled 
with Lenore's perfume. He thought of Erika, dead, and it made him want to fuck 
Lenore hard and long.
"No," she said, taking his hand from her breast. "You brought me in off the 
streets, you're teaching me what you know. Now its my turn."
She pushed him down flat on his back, his arms over his head, and ran her 
black-polished fingernails down the tender skin over his ribs. Then she began to 
move over his body, touching him with her lips, her breasts, the ends of her 
hair, until his skin felt hot enough to glow in the dark. Then, finally, she 
straddled him and took him into her.
Being inside her gave him a rush like a junkie's. He pumped his hips and she 
leaned into it, taking her weight on her arms, her hair waterfalling around her 
head. Then, slowly, she lifted her eyes and stared at him.
"I am Shakti," she said. "I am the goddess. I am the power." She smiled when she 
said it, and instead of sounding crazy it just made him want her even more. Then 
her voice broke into short, rattling breaths as she came, shuddering, throwing 
her head back and rocking hard against him. Fortunato tried to turn her over and 
finish it but she was stronger than he would have believed possible, digging her 
fingers into his shoulders until he relaxed, then caressing him again with 
aching slowness.
She came twice more before everything turned red and he knew he couldn't hold 
back any longer. But she sensed it too, and before he knew what was happening 
she had pulled away and reached down between his legs, pushing one finger hard 
into the root of his penis. It was too late to stop and the orgasm took him so 
hard that it lifted his buttocks completely off the bed. She pushed his chest 
down with her left hand and held on with her right, cutting off the sperm before 
it could shoot out, forcing it back inside him.
She's killed me, he thought as he felt liquid fire roar back into his groin, 
burning all the way through to his spinal cord and then lighting it like a fuse.
"Kundalini," she whispered, her face sweating and intent. "Feel the power."
The spark rocketed up his backbone and exploded in his brain.
Eventually he opened his eyes again. Time had come out of the sprockets of the 
projector and he saw everything in single, unrelated frames. Lenore had both 
arms around him. Tears ran out of her eyes and down his chest.
"I was floating," he said, when he finally thought to use his voice. "Up around 
the ceiling."
"I thought you were dead," Lenore said.
"I could see the two of us. Everything looked like it was made out of light. The 
room was white, and it seemed like it went on forever. There were lines and 
ripples everywhere." He felt a little like he'd had too much cocaine, a little 
like he had his fingers in a socket. "What did you do to me?"
"Tantric yoga. It's supposed to... I don't know. Give you a charge. I never 
heard of it taking anybody so hard before." She turned her face up to him. "Did 
you really get out? Out of your body?"
"I guess." He could smell the peppermint shampoo she used on her hair. He took 
her face in both his hands and kissed her. Her mouth was soft and wet and her 
tongue flickered against his teeth. He was still diamond-hard and he started to 
shake with wanting her.
He rolled onto her and she guided him inside where he could feel her burning for 
him. "Fortunato," she whispered, her lips still so close that they brushed his 
when they moved,
"if you finish, you'll lose it. You'll be so weak you can barely move. "
"Baby, I don't give a shit. I never wanted anybody this much." He pushed himself 
up on his forearms so he could see her, his hips thrusting frantically. Every 
nerve in his body was alive, and he could feel the power surging through them, 
then slowly drawing back, massing somewhere at the center of his body, ready to 
roar out of him, to pump him dry, leave him weak, helpless, drained...
He pulled away from her, rolled to the end of the bed, and bent double, 
clutching his knees. "Jesus!" he screamed. "What the fuck is happening to me?"
She wanted to stay with him, but he sent her to geisha class anyway. He would be 
here, he promised, when she got home.
The apartment seemed vast and empty without her, and he had a sudden, chilling 
vision of Lenore alone on the street, with Erika's killer still loose.
No, he told himself. It wouldn't happen again, not this soon.
He found a gaudy oriental robe in her closet and put it on, and then he walked 
back and forth through the apartment, pacing out the inaudible hum in his 
nervous system. Finally he stopped in front of the bookcase in the living room.
Kundalini, she'd said. He'd heard the name before and when he saw a book called 
The Rising Serpent he made the connection. He took it down and started to read.
He read about the Great White Brotherhood of Ultima Thule, located somewhere in 
Tartary. The lost Book of Dyzan and the vama chara, the lefthand path. The kali 
yuga, the final, most corrupt of ages, now upon us. "Do whatever you desire, for 
in this way you please the goddess." Shakti. Semen as the rasa, the juice, of 
power: the yod. Sodomy that revived the dead. Shape shifters, astral bodies, 
implanted obsessions leading to suicide. Paracelsus, Aleister Crowley, Mehmet 
Karagoz, L. Ron Hubbard.
Fortunato's concentration was absolute. He absorbed every word, every diagram, 
flipped back and forth to make comparisons, to study the illustrations. When he 
finished he saw that twenty-three minutes had passed since Lenore walked out the 
door.
The trembling in his chest was fear.
In the middle of the night he reached out to touch Lenore's cheek and his 
fingers came away wet. "Are you awake?" he said.
She rolled over and huddled tight against him. The warmth of her naked skin 
electrified and soothed him at the same time, like the taste of expensive 
whiskey. He combed through her hair with his fingers and kissed her fragrant 
neck. "What are you crying for?" he said.
"It's stupid," she said. "What?"
"I really believe in that stuff. Magick. The Great Work, Crowley calls it." She 
pronounced magic with a long a and Crowley with a long o like the bird. "I did 
the Yoga and learned the Qabalah and the Tarot and the Enochian system. I fasted 
and did the Bornless Ritual and studied Abramelin. But nothing ever happened."
"What were you trying for?"
"I don't know. A vision. Samadhi. I wanted to see something besides a goddamned 
Greyhound stop in Virginia where they try to lynch kids for growing out their 
hair. I wanted out of myself. I wanted what happened to you this afternoon. And 
it happened to you and you don't even want it."
"I read some of your books tonight," he said. In fact he'd read two dozen of 
them, nearly half of her collection. "I don't know what's going on, but I don't 
think it's magic. Not like that guy Crowleys magic. What you did to me set it 
off, but I think it was something already inside. me."
"You mean that spore thing, don't you? That wild card virus?" She had tensed up 
involuntarily, just at the mention of it.
"I can't think of anything else it could be."
"There's that Dr. Whatsisname. He could check you out. He could probably even 
fix you back, if that was what you wanted."
"No," he said. "You don't understand. When I read those books I could feel all 
those powers they talked about. Like if you were a high diver and you read about 
some complicated dive you'd never done, but you knew you could do it if you 
practiced on it. You said I didn't want this, and maybe I didn't, not right at 
first. But now I do." There was one picture, among the giant sex organs and 
impossible contortions of a Japanese pillow book: the Tantric magician, forehead 
swollen with the power of his retained sperm, fingers twisted in mudras of 
power. He had stared at it until his eyes burned. "Now I want it," he said.
"You've definitely drawn a wild card," the little man said. "An ace, I'd say."
Fortunato had nothing in particular against white people, but he couldn't stand 
their slang. "Could you put that in plain English?"
"Your genetics have been rewritten by the Takisian virus. Apparently it was 
dormant in your central nervous system, probably in the spine. The intromission 
apparently gave you quite a jolt, enough to activate the virus."
"So now what happens?"
"The way I see it, you've got two choices." The little man hopped up onto the 
examining table across from Fortunato and brushed long red hair back over his 
ears. He looked like he should be in a rock band or working in a record store. 
He didn't make a convincing doctor. "I can try to reverse the effects of the 
virus. No guarantees there-I've got about a thirty-percent success rate. Every 
once in a while people end up worse than before."
"Or?"
"Or you can learn to live with your power. You wouldn't be alone. I can put you 
in touch with other people in your situation. "
"Yeah? Like the 'Great and Powerful Turtle'? So I can fly around and pull people 
out of wrecked cars? I don't think so."
"What you did with your abilities would be up to you."
"What kind of 'abilities' are we talking about?"
"I can't say for sure. It looks like they're still coming on. The EEG shows 
strong telekinesis. The Kirilian chromatograph shows a very powerful astral body 
that I expect you can manipulate. "
"Magic, is what you're saying."
"No, not really. But it's a funny thing about the wild card. Sometimes it 
requires a very specific mechanism to bring it under conscious control. I 
wouldn't be surprised if you need this Tantric ritual to make it work for you."
Fortunato stood up and peeled a hundred from the roll in his front pocket. "For 
the clinic," he said.
The little man looked at the money for a long time, and then he stuffed it in 
his Sgt. Pepper jacket. "Thank you," he said, like it hurt him to get the words 
out. "Remember what I said. You can call me anytime."
Fortunato nodded and walked out to look at the freaks of Jokertown.
He'd been six years old when Jetboy exploded over Manhattan, had grown up with 
the fear of the virus, the memory of the ten thousand who'd died on the first 
day of the new world. His father had been one of them, lying in bed while his 
skin split open and healed itself over and over again, the whole cycle not 
taking more than a minute or two. Until one of the cracks opened through his 
heart, spewing blood all over their Harlem apartment. And even while the old man 
lay in his coffin, waiting his turn for a two-minute funeral and a mass grave, 
he kept splitting open and healing, splitting and healing.
The memory never faded, but in time it got pushed aside by newer ones. Gradually 
Fortunato came to believe that nothing was going to happen to him. For those the 
virus didn't touch, life went on the way it always had.
He realized early on that he was going to have to make his own way. From 
listening to his mother complain about American women he came up with the idea 
of the prostitute as geisha; at age fourteen he brought home a stunning Puerto 
Rican girl from his high school for his mother to train. That had been the 
beginning.
He looked up and saw that night had fallen while he'd been walking aimlessly 
through Jokertown. The grays and pastels had turned to neon, street clothes to 
paisley and leopard prints. Just ahead of him demonstrators had blocked off the 
street with a flatbed truck. There were drums and amps and guitars up there and 
a couple of heavy-duty extension cords running in through the open door of the 
Chaos Club.
At the moment the stage was empty except for a woman with long red curly hair 
and an acoustic guitar. A banner behind her read S.N.C.C. Fortunato had no idea 
what the letters stood for. She had the audience singing along with some folk 
song or other. They all went through the chorus a couple of times without the 
guitar, and then she took a bow and they clapped and she got down off the back 
of the truck.
She wasn't beautiful in the way Lenore was; her nose was a little large, her 
skin was not that good. She was in the radical uniform of blue jeans and work 
shirt that didn't do anything for her. But she had an aura of energy he could 
see without even wanting to.
Women were Fortunato's weakness. He was like a deer in their headlights. Even as 
low as he felt he couldn't help but stop and look at her, and before he knew it 
she was standing next to him, shaking a coffee can with a few coins in the 
bottom.
"Hey, man, how about a donation?"
"Not today," Fortunato said. "I don't have a lot of politics.' "You're black, 
Nixon's president" and you don't have any politics? Brother, have I got news for 
you."
"Is all this about being black?" Fortunato didn't see another black face in the 
crowd.
"No, man, it's about jokers. Whoa, did I strike a nerve or something?" When 
Fortunato didn't answer she went on anyway. "You know how long the average life 
expectancy of a joker in 'Nam is? Less than two months. If you take the 
percentage of jokers in the U.S. population and divide it by the percentage of 
jokers in 'Nam, you know what you get? You get about a hundred times too many 
jokers over there. A hundred times, man!"
"Yeah" okay" so what do you want me to do about it?"
"Make a donation. We're going to get lawyers on this and stop it. It's the FBI, 
man. The FBI and SCARE. It's like McCarthy all over again. They've got lists of 
all the jokers and they're drafting them on purpose. If they can walk and hold a 
gun, they're not even getting a real physical" it's off to Saigon. It's 
genocide" pure and simple."
"Yeah, okay." He dug out a twenty and dropped it in the can.
"You know what I wish?" She hadn't even noticed the size of the bill. "I wish 
those fucking aces would do something about their own, you know? What would it 
take for Cyclone, or one of those other assholes" to wipe out those files? 
Nothing" man, nothing at all, but they're too busy getting headlines." She 
started to walk away and then she looked in the can. "Hey, thanks, man. You're 
okay. Listen, here's a flyer. If you want to do some more, call us."
"Sure," Fortunato said. "What's your name?"
"They call me C.C.," she said. "C.C. Ryder."
"Is it the same C. C. as up there?" He pointed to the S.N.C.C. banner.
C.C. shook her head. "You're funny, man"" she said" and smiled once and faded 
into the crowd.
He folded up the flyer and stuck it in his pocket and turned off the Bowery. All 
the talk about jokers had left him feeling disconnected. Just down the street 
was a mirror-walled club called the Funhouse, owned by a guy named Desmond who 
had a trunk instead of a nose. He was one of Fortunato's customers, always 
wanting a geisha with finer skin or darker hair or a sweeter face than Fortunato 
could find for him. Fortunato could not stand the thought of seeing him just 
then.
On the side streets hardly anyone wore masks anymore" and eyes stared back 
defiantly at him from upside-down faces or heads the size of cantaloupes. Your 
new brothers and sisters" he told himself. For every ace there were ten of 
these, lurking in alleys while the lucky ones put on capes and talked their lame 
jargon and jetted around fighting each other. The aces had the headlines and the 
talk shows, and the freaks and cripples had Jokertown. Jokertown and the jungles 
of Vietnam, if C. C.'s story was right.
But the only place Fortunato wanted to be was back in Lenore's apartment, making 
love to her. And this time he would let go, and if it made him weak it wouldn't 
matter, and things would go back to the way they always had been.
Except that sooner or later the killer was going to move again. Vietnam was 
halfway around the world, but the killer was right here, maybe in this very 
block.
He stopped walking, looked up, and saw that his subconscious had brought him 
right to the alley where they told him they'd found Erika.
He thought about what C.C. had said. Using power to take care of your own.
When Lenore had jolted him out of his body he'd seen things he'd never seen 
before, swirls and patterns ou energy that he had no name for. If he could get 
out again he might see something the cops had missed.
A wino in a long, filthy overcoat started at him. It took Fortunato a second to 
realize the man had long, floppy, basset ears and a moist, black nose. Fortunato 
ignored him, shutting his eyes and trying to remember the feeling.
He might as well have been trying to think himself to the moon. He needed Lenore 
but he was afraid to bring her here. Could he do it at her place, then fly back 
here? Would he be able to keep it going that long? What would happen to his 
physical body if he did?
Too many questions. He called her from a pay phone and told her where to meet 
him.
"Do you have a gun?" he asked. "Yes. Ever since... you know."
"Bring it."
"Fortunato? Are you in trouble?"
"Not yet," he said.
By the time he got back to the alley with Lenore he'd drawn a crowd. They all 
wore Salvation Army leftovers: baggy pants, ripped and stained flannel shirts, 
jackets the color of dried grease. One short old woman looked like a wax museum 
statue that had started to melt. Off to her right was a teenaged boy, standing 
next to a rack of garbage cans, vibrating. When the vibrations got to a certain 
pitch the cans would bang together like a spastic cymbal section and the woman 
would turn on them in a fury and kick at them. The others were less obviously 
deformed: a man with suckers on the ends of his fingers, a girl whose features 
had been squared off with ridges of hardened skin.
Lenore held onto Fortunato's arm. "What now?" she whispered.
Fortunato kissed her. She tried to pull away when the audience of freaks started 
to snicker, but Fortunato was insistent, opening her lips with his tongue, 
moving his hands over the small of her back, and finally she began to breathe 
heavily and he felt the power stirring at the base of his spine. He moved his 
lips down Lenore's shoulder, her long fingernails digging into his neck, and 
then he raised his eyes until he was looking at the dog-man. He felt the power 
flow into his eyes and voice and said, quietly, "Go away."
The dog-man turned and walked out of the alley. One at a time he ordered the 
others away and then he said, "Now," and guided her hand into his trousers. "Do 
it to me, what you did before." He slid his hands up under her sweater and moved 
them slowly over her breasts. Her right hand closed over him and her left went 
around his waist, comforting him with the weight of her S&W .32. He closed his 
eyes as the heat began to build, letting the brick wall behind him take his 
weight. In seconds he was ready to come, his astral body bobbling like a loosely 
held balloon.
And then, like stepping sideways out of a moving car, he slipped free.
Every brick and candy wrapper glistened with clarity. As he concentrated, the 
rumble of traffic slowed and deepened until it was barely audible.
They'd found Erika in a doorway deep in the alley, severed arms and legs stacked 
like firewood in her lap, head attached by less than half the thickness of her 
neck. Fortunato could see the stains of her blood deep within the molecules of 
the concrete, still glowing faintly with her life essence. The wood of the 
doorframe still held a trace of her perfume and a single thread of ash-blond 
hair.
The baritone murmur of the street dropped to a vibration so low that Fortunato 
could feel the individual wave peaks pass through him. Now he could see the 
indentation Erika's body had made in the concrete stoop, the infinitesimal trace 
her shoes had pressed into the asphalt. And beside them the footprints of her 
killer.
They led from the street to Erika's body and back again, and at the curb they 
met the imprint of a car. He had no idea what kind of a car it had been, but he 
could see the tracks it had left, thick and black and fibrous, as if it had been 
burning rubber the entire way.
He stopped for an instant and looked back at his material body frozen in 
Lenore's arms. Then he let the tracks of the car pull him out into the street, 
across to Second Avenue" then south to Delancey. He felt himself gradually 
weakening, his vision clouding up and the background noises of the city starting 
to shake the edge of his hearing. He concentrated harder" pulling the last 
reserves of strength out of his physical body.
The car turned north on the Bowery and paused in front of a shabby gray 
warehouse. Fortunato bore down on the sidewalk, saw the footprints as they 
crossed from the car to the building's front door.
He followed them upstairs. He felt as if he'd been tied to a giant elastic band 
and run to its limit. Each stair took more out of him than the last. Finally the 
footprints disappeared at the entrance to a loft, and he knew he was finished.
The traffic noise spun up to speed around him and he shot backward the way he'd 
come" drawn irresistibly home to his body. Blissful, exhausted" as if he'd 
drained himself in sex, he fell into it like a diver into a pool. Lenore 
staggered under his sudden dead weight and then he slid down into 
unconsciousness.
"No," she said, and rolled away from him. "I can't." She had purple circles 
under her eyes and her body was limp with exhaustion. Fortunato wondered how 
she'd been able to get him into a taxi and help him up the stairs to her 
apartment.
"I don't understand," he said.
"You build up a charge, and then sex burns it off. You see? The power, the 
shakti. Except with tantric magick you absorb the energy back into you. Not just 
yours, but whatever energy I give up to you."
"So when you come, you give up this shakti." "Right. "
"And you've given me all you have."
"That's right, big guy. I'm all fucked out." Fortunato reached for the phone.
"What are you doing?"
"I know where the killer is," he said, dialing. "If you can't give me the 
strength to take him, I'll have to get it somewhere else." He didn't like the 
way it came out but he was too tired right then to care. Tired and something 
else. His brain hummed with the knowledge of his power, and he felt it changing 
him, taking control.
The phone rang at the other end and then he heard Miranda answer it. He covered 
the mouthpiece with his hand and turned back to Lenore. "Will you help?"
She closed her eyes and did something with her mouth that was almost a smile. "I 
guess a hooker should know better than to be jealous."
"Geisha," Fortunato said.
"All right," Lenore said. "I'll show her what to do."
They had a line each of cocaine and some intense Vietnamese pot. Lenore swore it 
would only help tune them into each other. Miranda, tall, black-haired, lush, 
the most physically adept of his women, stripped slowly to garter belt, 
stockings, and a black brassiere so thin he could see the dark ovals of her 
nipples.
Forty minutes later Lenore had passed out across the foot of the bed. Miranda, 
her head hanging down over the edge, arms spread in a mock crucifix, shut her 
eyes. "That's it," she whispered. "I can't come any more. I may never come 
again." Fortunato pushed himself up onto his knees. He was covered with an even 
sheen of sweat and he thought he could see a golden light radiating from 
underneath his skin. He saw himself in the mirror over Lenore's dresser and 
wasn't alarmed or even surprised when he saw that his forehead had begun to 
swell with power.
He was ready.
The cab let him off two blocks away on Delancey. He had Lenore's .32 shoved in 
the back of his pants for insurance, hidden by his black linen jacket. But if he 
could, he would do the job with his own hands. Either way, the cops were not 
going to get a chance to put the killer back on the streets. His eyes wouldn't 
quite focus and he had to keep his hands in his pockets because he didn't trust 
them. For some reason he was not afraid at all. He felt fifteen again, like he'd 
felt when he started making it with the girls his mother trained. For months 
he'd been afraid to try because of what his mother might say or do; once he gave 
in he no longer cared.
It was the same now. He was reckless, charged with the dark scent and hot, moist 
pressure of sex, barely functioning in the real world at all. I'm going to face 
a killer, he told himself, but they were only words. In his guts he knew he was 
going to protect his women, and that was all that mattered.
He climbed the stairs to the loft. It was after midnight, but he could hear the 
stereo blasting the Rolling Stones' "Street-Fighting Man" through the steel 
door. He pounded on it with the bottoms of his fists.
He swallowed hard and his throat turned cold. The door opened.
On the other side was a boy of seventeen or eighteen, pale, thin, but 
well-muscled. He had long blond hair and a face that might have been beautiful 
except for an eruption of pimples around the chin, clumsily hidden with makeup. 
He wore a yellow shirt with black polka dots and faded denim bellbottoms.
"You want something?" he finally asked.
"To talk to you," Fortunato said. His mouth was dry and his eyes were still not 
focusing right.
"What about?"
"Erika Naylor." The boy had no reaction. "Never heard of her."
"I think you do."
"You a cop?" Fortunato didn't answer. "Then fuck off." He started to close the 
door. Fortunato remembered the alley, ordering the jokers away. "No," he said, 
staring hard into the boy's colorless eyes. "Let me in."
The boy hesitated, looking stunned, but not giving in. Fortunato hit the door 
with his shoulder, knocking the boy all the way back into the loft and onto the 
floor.
The room was dark and the music deafening. Fortunato found an overhead light 
switch and flipped it on, then took an involuntary step back as his brain 
registered what he saw.
It was Lenore's apartment twisted into perversion, the hip, sexy fashion of 
occultism taken all the way into torture and murder and rape. As in Lenore's 
apartment there was a fivepointed star on the floor, but this one was hasty, 
uneven, scratched into the boards with something sharp and then splattered with 
blood. Instead of velvet and candles and exotic wood, there was a gray-striped 
mattress in one corner, a pile of dirty clothes, and a dozen or more Polaroid 
pictures tacked to the wall with a staplegun.
He knew what he was going to find, but he walked over to the wall anyway. Of the 
fourteen nude, dismembered women he recognized three. The latest, in the lower 
righthand corner, was Erika.
He couldn't think with the music blaring at him. He looked around for the record 
player and saw the blond boy get up onto shaky legs and stumble toward the door. 
"Stop!"
Fortunato shouted, but without eye contact it didn't mean anything.
Enraged and panicking, Fortunato charged. He caught the boy around the waist and 
drove him into the bare plasterboard wall.
And then suddenly he was trying to hold on to a raging animal, all knees and 
fingernails and teeth. Fortunato pulled away instinctively and watched the razor 
edge of an enormous switchblade flash between them, slicing through his jacket 
and his shirt and his skin, coming away outlined in red.
I'm going to die, Fortunato thought. The gun was stuck in the back of his pants, 
too far away to reach before the blade came around again, cutting deeper, 
sliding all the way in. Killing him.
He looked at the blade. Before he knew what he was doing he was staring hard at 
it, concentrating, the way he had when he read the books in Lenore's apartment, 
the way he had in the Jokertown alley.
And time slowed.
He could see not only his own blood on the knife, but the blood of the others, 
of Erika and all the other women in the photographs, washed away, but still held 
in the memory of the metal.
He backed away from the insane blond boy, moving with dream slowness through 
thickened air, but still moving faster than the boy or his knife. He reached 
behind him, felt the slick grips of the gun under his fingers. The Rolling 
Stones had slowed to a dirge as he brought the gun around, pointed it at the 
boy, saw the pale eyes go wide.
Don't kill him, he thought suddenly. Not until you know why. He shifted the 
barrel until it pointed at the boy's right shoulder, and pulled the trigger.
The noise started as a vibration in Fortunato's hand, accelerated like a rocket, 
became a roar, a short bang of thunder, and then time was rolling again, the boy 
rocking back with the impact of the bullet but his eyes not showing it, scooping 
the knife out of his useless right hand with his left and lurching forward 
again.
Possessed, Fortunato thought with horror, and shot him through the heart.
Staggering back, Fortunato pulled his shirt open and saw that the long, shallow 
cut across his chest had already stopped bleeding, would not even need stitches. 
He slammed the door to the hallway and walked across the room to kick out the 
plug of the phonograph. And then, in the strangled silence, he turned to face 
the dead boy.
The power rippled and surged inside him. He could see the blood of the women on 
the dead boy's hands, see the trail of blood that led from the crude pentagram 
on the floor, see the tracks where the boy had stood, the shadows where the 
women had died, and there, faintly, as if it had been somehow erased, the marks 
left by something else.
Lines of power still lingered inside the pentagram, like heat waves shimmering 
off a highway in the desert. Fortunato ground his hands into fists, felt cool 
sweat trickle down his chest. What had really happened here? Had the boy somehow 
conjured a demon? Or had the boy's madness just been a tool in something vastly 
larger, something infinitely worse than a few random killings?
The boy could have told him, but the boy was dead. Fortunato went to the door, 
put his hand on the knob. He closed his eyes and rested his forehead against the 
cold metal. Think, he told himself.
He wiped his fingerprints off the pistol and threw it next to the body. Let the 
cops draw their own conclusions. The Polaroids should give them plenty to think 
about.
He turned to go again, and again he couldn't leave the room.
You have the power, he told himself. Can you walk away from here, knowing you 
have the power, refusing to use it? Sweat ran down his face and arms.
The power was in the yod, the rasa, the sperm. Incredible power, more than he 
knew how to control yet. Enough to bring the dead back to life.
No, he thought. I can't do it. Not just because the thought made him sick to his 
stomach, but because he knew it would change him. It would be the point of no 
return, the point where he gave up being completely human.
But the power had already changed him. He had already seen things that those 
without it would never understand. Power corrupts, he'd been told, but now he 
saw how naive that was. Power enlightens. Power transforms.
He unfastened the dead boy's belt, unzipped the bellbottomed jeans, and pulled 
them of. The boy had craped and pissed in them when he died, and the smell made 
Fortunato wince. He threw the jeans in a corner and rolled the dead boy onto his 
stomach.
I can't do this, Fortunato thought. But he was already hard, and the tears 
rolled down his face as he knelt between the dead boy's legs.
He came almost immediately. It left him weak, weaker than he'd thought possible. 
He crawled away, pulling his pants back up, sick and disgusted and exhausted.
The dead boy began to twitch.
Fortunato got to the wall, pulled himself onto his feet. He was dizzy and his 
head throbbed with pain. He saw something on the floor, something that had 
fallen out of the dead boy's pants. It was a coin, an eighteenth-century penny, 
so fresh that it looked reddish in the harsh light of the loft. He put the penny 
in his pocket in case it meant something later.
"Look at me," he said to the dead boy.
The dead boy's hands clawed at the floor, gouging out bloody splinters. Slowly 
he pulled himself onto his hands and knees, and then lurched clumsily onto his 
feet. He turned and looked at Fortunato with empty eyes.
The eyes were horrible. They said that death was nothingness, that even a few 
seconds of it had been too much. "Talk to me," Fortunato said. Not anger 
anymore, but the memory of anger, kept him going. "Goddamn your white ass, talk 
to me. Tell me what this means. Tell me why."
The dead boy stared at Fortunato. For an instant something flickered there, and 
the dead boy said, "TIAMAT " The word was whispered, but perfectly clear. Then 
the dead boy smiled. With both hands he reached up to his own throat and ripped 
it bloodily out through the skin of his neck and then, while Fortunato watched, 
tore it in half.
Lenore was asleep. Fortunato threw his clothes into the garbage and stood in the 
shower for thirty minutes, until the hot water ran out. Then he sat by 
candlelight in Lenore's living room and read.
He found the name TIAMAT in a text on the Sumerian elements of Crowley's magick. 
The serpent, Leviathan, KUTULU. Monstrous, evil.
He knew beyond question that he had found only a single tentacle of something 
that defied his comprehension. Eventually he slept.
He woke up to the sound of Lenore closing the latches on her suitcase.
"Don't you see?" she tried to explain. "I'm just like a-a wall outlet that you 
come home to plug into to recharge. How can I live like that? You got what I 
always wanted, real power to do real magick. And you lucked into it, without 
even wanting it. And all the study and practice and work I did all my life 
doesn't mean shit because I didn't catch some fucking alien virus."
"I love you," Fortunato said. "Don't go."
She told him to keep the books, to keep the apartment too if he wanted. She told 
him she would write, but he didn't need magick to know she was lying.
And then she was gone.
He slept for two days, and on the third Miranda found him and they made love 
until he was strong enough to tell her what happened.
"As long as he's dead," Miranda said. "The rest I don't care about."
When she left him that night for her client, he sat in the living room for over 
an hour, unable to move. Soon, he knew, he would have to start looking for the 
other being whose traces he'd seen in the dead boy's loft. Even the thought of 
it paralyzed him with loathing.
Finally he reached for Crowley's Magick and opened it to Chapter V "Sooner or 
later," Crowley said, "the gentle, natural growth is succeeded by depression-the 
Dark Night of the Soul, an infinite weariness and detestation of the work."
But eventually would come a "new and superior condition, a condition only 
rendered possible by the process of death." Fortunato closed the book. Crowley 
knew, but Crowley was dead. He felt like the last human on a barren rock of a 
planet.
But he wasn't the last human. He was one of the first of something new, 
something that had the potential to be better than human.
That woman at the demonstration, C.C. She'd said you should take care of your 
own. What would it cost him to save hundreds of jokers from dying in the heat 
and rotting dampness of Vietnam? Not very much. Not very much at all.
He found the flyer in the pocket of his jacket. Slowly, with growing conviction, 
he dialed the numbers.

TRANSFIGURATIONS
by Victor Milan
November night wind whipped his trousers, stinging skinny legs like triffid 
tendrils as he shoehorned himself into a small club not far from campus. The 
murk throbbed like a wound, pulsing red and blue and noise. He stopped, hovering 
there in the door with the lumpy orange-and-green plaid coat in which his mother 
had packed him off to MIT three years before hanging on his narrow shoulders 
like a dead dwarf. Don't be such a coward, Mark, he told himself. This is for 
science.
The band lunged at "Crown of Creation" and wrestled it to the floor as he 
instinctively sought the darkest corner, teacup in hand-he'd learned how unhip 
it was to order Coke or coffee, at least.
Other than that he'd learned none of the moves in weeks of research. The way he 
was dressed, in his high-water pants and pastel polyester shirt of the sort that 
always pouched out at the sides like a sail in the wind, he might've been in 
danger of being taken for a narc--this was the fall that followed Woodstock, the 
year Gordon Liddy invented the DEA to give Nixon an issue to distract attention 
from the war-but Berkeley and San Francisco were hip towns, university towns; 
they knew a science student when they saw one.
The Glass Onion had no dance floor as such; bodies swayed in crepuscular crimson 
and indigo glow between tables or crowded into a clear space before the tiny 
stage, with a whisper of beads and buckskin fringe and the occasional dull glint 
of Indian jewelry. He kept as far from the action's center as he could, but 
being Mark he inevitably bumped into everyone he passed, leaving a wake of 
glares and thin embarrassed "excuse me's" behind him. His prominent ears 
burning, he had almost reached his goal, the little rickety table made out of a 
Ma Bell cable spool with a single dented green auditorium chair beside it and an 
unlit candle in an empty peanut butter jar plunked down on it, when he ran smack 
into somebody.
The first thing that happened was that his massive hornrim glasses slid down the 
ramp of his nose and disappeared in the dark. Next he grabbed the person he'd 
bumped with both hands as his balance went. The teacup hit the floor with a 
crash and a clatter. "Oh, dear, oh, please excuse me, I'm sorry..." tumbled from 
his mouth like gumballs from a broken machine.
He realized there was a certain softness of the person his skinny hands were 
clinging to so fervently, and a smell of musk and patchouli detached itself from 
the general miasma and drilled its way right up into his sensorium. He cursed 
himself: You had to go and run over a beautiful woman. At least she smelled 
beautiful.
Then she was patting him on the arm, murmuring that she was sorry, and they both 
bent down to the floor together in search of teacup and glasses while the bodies 
went round and round around them, and they bumped heads and recoiled amid 
apologies, and Mark's fevered fingers found his glasses, miraculously intact, 
and fit them back in front of his eyes, and he blinked and found himself staring 
from a distance of five inches into the face of Kimberly Ann Cordayne.
Kimberly Ann Cordayne: the girl, yes, of his dreams. Childhood sweetheart, 
unrequited, from the moment he'd first beheld her, pinafored and five, riding 
her trike down the modest suburban SoCal street where they both lived. He'd been 
so entranced by her Hallmark Card perfection that the raspberry scoop fell off 
his ice cream cone to hot doom on the sidewalk and he never noticed. She pedaled 
over his bare toes and cruised on with her pert nose in the air, never 
acknowledging his existence. From that day his heart had been lost.
Hope and despair surged up like surf within him. He straightened, his tongue too 
tied to produce words. And she yelled, "Mark! Mark Meadows! Fuck, but it's good 
to see you." And hugged him.
He stood there blinking like an idiot. No female who wasn't a relative had ever 
hugged him before. He swallowed spastically. What if I get an erection? 
Belatedly, he made feeble patting gestures at the small of her back.
She pushed away, held him at arm's length. "Let me look at you, brother. Why, 
you haven't changed a bit."
He winced. The taunting would begin now, for his skinniness, his clumsiness, his 
crew cut, the pimples still sprinkled across scrawny, allegedly postadolescent 
features and his most recent, most aggravating deficit, his utter and complete 
inability to be anywhere near With It. In high school, Kimberly Ann had evolved 
from indifference into his foremost tormentor-or, rather, a succession of jocks 
on whose overelaborated biceps she hung, cooing encouragements, had assumed the 
role.
But here she was tugging him toward that corner table. "Come on, man. Let's talk 
about the bad old days."
It was an opportunity for which he'd hopelessly hoped three quarters of his 
life. Face-to-face with his paragon of love and beauty while the band on stage 
assaulted the Beatles'
"Blackbird"-and he couldn't think of one damned thing to say. But Kimberly Ann 
was more than happy to do the talking. About the changes she'd been through 
since good old Rexford Tugwell High. About the far-out people she'd met at 
Whittier College, how they turned her on and opened her eyes. How she'd dropped 
out midway through her senior year and come here, the Bay Area, the bright mecca 
of Movement. How she'd been finding herself ever since.
Perhaps he hadn't changed, but she most definitely had. Gone was the straight 
black ponytail, pleated skirts, pastel lipstick and nail polish, the prim 
stewardess perfection of an up-and-coming Bank of America executive's one 
daughter. Kimberly's hair had grown long, hanging down well past her shoulders 
in a great kinky cloudy Yoko Ono mane. She wore a frilly peasant blouse 
embroidered with mushrooms and planets, a voluminous skirt tie-dyed into what 
reminded Mark of nothing so much as fireworks displays in Disneyland. He knew 
her feet were bare, from having stepped on one. She looked more beautiful than 
he ever could have imagined.
And those pale eyes, winter-sky eyes, that had so often frozen him in the past, 
were glowing at him with such warmth he could barely stand to look at them. It 
was heaven, but somehow he couldn't buy it. Being Mark, he had to question. 
"Kimberly-" he began.
She held up two fingers. "Hold it right there, dude. I left that name behind me 
with my bourgeois ways. I'm Sunflower now."
He bobbed his head and his Adam's apple. "OkaySunflower."
"So what brings you here, man?"
"It's an experiment."
She eyed him across the rim of her jelly jar wineglass, suddenly wary.
"I just finished my undergrad work at MIT," he explained in a rush. "Now I'm 
here to get my doctorate in biochemistry from the University of California at 
Berkeley."
"So what's that got to do with this scene?"
"Well, what I've been working on is figuring out just how DNA encodes genetic 
information. I published some papers, stuff like that." At MIT they'd compared 
him to Einstein, as a matter of fact, but you'd never catch him saying that. 
"But this summer I found something that interests me a lot more. The chemistry 
of mind."
Blue blankness, her eyes.
"Psychedelics. Psychoactive drugs. I read all the material-Leary, Alpert, the 
Solomon collection. It really-what's the expression? Really turned me on." He 
leaned forward, fingers plucking unconsciously at the felt-tip pens nestled in 
their plastic protector in his breast pocket. In his excitement he sprinkled the 
spool tabletop with unconscious spittle. "It's a really vital area of research. 
I think it might lead to answering the really important questions-who we are, 
and how, and why."
She looked at him with half a frown and half a smile. "I still don't get it."
"I'm doing fieldwork to establish a context for my research. On the drug 
culture-the, uh, the counterculture. Trying to get an angle on how hallucinogen 
use affects people's outlook. "
He moistened his lips. "It's really exciting. There's a whole world I never knew 
existed-here." A nervous tic encompassed the Onion's smoky confines. "But 
somehow I can't really, well, make contact. I've bought all the Grateful Dead 
records, but I still feel like an outsider. I-I almost feel I'd like to be part 
of this whole hippie thing."
"Hippie?" she said with a patrician snort. "Mark, where've you been? It's 1969. 
The hippie movement's been dead for two years." She shook her head. "Have you 
actually done any of these drugs you're trying to study?"
He flushed. "No.... . uh-I'm not ready to get to that stage. "
"Poor Mark. You're so uptight. Looks as if I'm going to have my work cut out for 
me, trying to show you what it is that's happening, Mr. Jones."
The reference skimmed his flattop, but suddenly his face brightened and his nose 
and cheekbones and whatnot went in happy directions, and he showed his horsy 
teeth. "You mean you'll help me?" He grabbed her hand, snatched his fingers away 
as if afraid they'd leave marks. "You'll show me around?" She nodded.
"Great!" He picked up the teacup, clinked it against an upper tooth, realized it 
was empty and clacked it down again. "I've been wondering why-that is, I-well, 
you've never, ah, talked to me like this before."
She took one of his hands in both of hers and he thought his heart would stop. 
"Oh, Mark," she said, tenderly, even. "Always the analytical one. It's just that 
since my eyes have been opened, I've realized that everyone's beautiful in his 
own way, except the pigs who oppress the people. And I see youstill straight. 
But you haven't sold out, man. I can tell; I can read it in your aura. You're 
still the same old Mark."
His head whirled like a carousel out of control. Cynical, his left brain tossed 
up the hypothesis that she was homesick, that he was part of a childhood and 
past she had cut herself off from, perhaps, too completely. He brushed it aside. 
She was Kimberly Ann, invulnerable, unapproachable. Any minute now she'd 
recognize him for the impostor he was.
She didn't. They talked on into the night--or rather, she talked and he 
listened, wanting to believe but still unable to. When the band took a 
long-overdue break, somebody cued up side one of Destiny's new album on the 
sound system. The gestalt burned itself irrevocably in: darkness and colored 
lights playing in the hair and face of the most beautiful woman in his world, 
and behind it the husky baritone of Tom Marion Douglas singing of love and death 
and dislocation, of elder gods and destinies best not hinted at. It changed him, 
that night. But he didn't know yet.
He was almost too surfeited with wonder to be elated or even surprised when, 
halfway through the band's exiguous second set, Kimberly stood up suddenly, 
clutching his hand.
"This is getting to be a drag. These guys don't know where it's at. Why don't 
you come over to my pad, drink a little wine, get a little high?" Her eyes 
challenged, and there was a bit of that old haughtiness, the old ice, as she 
pulled on waffle-stomper boots with red laces. "Or are you too straight for 
that?"
He felt as if he had a cotton ball sitting in the middle of his tongue. "Ah, 
I--no. I'd be more than happy to."
"Far out. There's hope for you yet."
In a daze Mark followed her out of the club, to a liquor store with a massive 
sliding San Quentin grating over the windows, where a balding pasty-faced 
proprietor sold them a bottle of Ripple under a gaze of fish-eyed distaste. Mark 
was a virgin. He had his fantasies, the Playboy magazines with their pages stuck 
together stacked among the scientific papers under the tumbledown bed in his 
apartment on the fringes of Chinatown. But not even in fantasy did he ever dare 
to imagine himself coupled with the resplendent Kimberly Ann. And now-he drifted 
the streets as if weightless, barely noticing the freaks and street people who 
exchanged greetings with Sunflower as they passed.
And he barely noticed on the rickety backstairs when Sunflower said, "....eet my 
old man. You'll love him; he's a really heavy dude."
Then the words crunched into his brain like a lead mallet. He stumbled. Kimberly 
caught him by the arm, laughing. "Poor Mark. Always so uptight. Come on, we're 
almost there."
So he wound up in this little one-lung apartment with a hot plate and a leaky 
faucet in the bathroom. By one wall a salvaged mattress with a madras-print 
coverlet rested on a door propped on cinder blocks. Crosslegged on the spread 
beneath a giant poster of the beatified Che sat Philip, Sunflower's Old Man. He 
was dark-eyed and intense, a black tee shirt stretched over his brawny chest 
with a blood-red fist and the word Huelga lettered under it. He was watching 
clips of a demonstration on a little rumpsprung portable TV with a coat-hanger 
aerial.
"Right on," he was saying as they came in. "The Lizard King has his head 
together. These clean-for-Gene work-withinthe-system aces like Turtle don't know 
what it's all about: confrontation with fascist Amerika. Who the fuck are you?" 
After Sunflower took him off to one corner and explained to him in a fierce 
whisper that Mark was not a police spy but an old, old friend, and don't 
embarrass me, asshole, he consented to shake Mark's hand. Mark craned past him 
at the TV; the bearded face of the man now being interviewed looked familiar 
somehow.
"Who's that?" he asked.
Philip lifted a lip corner. "Tom Douglas, of course. Lead singer for Destiny. 
The Lizard King." He scanned Mark from flattop to penny loafers. "Or maybe 
you've never heard of him."
Mark blinked, said nothing. He knew of Destiny and Douglas-as research he'd just 
bought their new album, Black Sunday, plain maroon cover dominated by a huge 
black sun. He was too embarrassed to say so.
Sunflower's eyes went faraway. "You should have seen him today at the 
demonstration. Facing down the pigs as the Lizard King. Truly far out."
Amenities out of the way, the two of them broke out a contrivance of glass and 
rubber tubing, tamped its bowl full of dope, and lit up. Had Sunflower by 
herself offered Mark the grass, he would have accepted. But now he was feeling 
strange and alien again, as if his skin didn't fit him right, and he refused. He 
slouched in the corner next to a pile of Daily Workers while his host and 
hostess sat on the bed and smoked dope and stocky intense Philip lectured him 
about the Necessity for Armed Struggle until he thought his head was going to 
fall off, and he drank the whole bottle of sickly sweet wine by himself-he 
didn't drink, either-and finally Kimberly began to snuggle up close to her Old 
Man and fondle him in a way that made Mark distinctly uneasy, and he mumbled 
excuses and stumbled out and somehow found his way home. As the first light of 
dawn drooled in the windows of his own dingy flat, he regurgitated the contents 
of the Ripple bottle into his cracked porcelain toilet, and it took him fifteen 
flushes to get it clear again.
So began Mark's courtship of Sunflower, nee Kimberly Ann Cordayne.
"I want you..." The words spilled across the wind, insolent, suggestive, the 
voice like molten amber with a whiskey edge for all the New Year's-noisemaker 
quality of the little Jap transistor. Wojtek Grabowski pulled his windbreaker 
tighter over his wide chest and tried not to hear.
The crane reared back like a zombie dinosaur, swayed a girder toward him. He 
gestured to the operator with exaggerated underwater moves. "I want you . ." the 
voice insisted. He felt a flash of irritation. "A blast from the past--1966, and 
Destiny's first hit song," the announcer had warbled in his 
professional-adolescent voice. These Americans, Wojtek thought, they think 1966 
is ancient history.
"Turn off that boogie-woogie shit," somebody growled. "Fuck you," the radio's 
owner said. He was twenty years old, two meters tall, and six months out of 
'Nam. Marine. Khe Sanh. The argument ended.
Grabowski wished the boy would turn the radio off, but he didn't like to push 
himself forward. He was tolerated-a solid worker, who could drink the strongest 
man on-site under the table of a Friday night. But he kept to himself.
As the girder came down and the crew swarmed up to fix it in place and the cold 
wind off the bay drilled through thin nylon and aging skin, he thought how 
strange it was to find himself here-him, the middle child of a prosperous Warsaw 
household, the small sickly one, the studious. He was going to be a doctor, a 
professor. His brother Kliment-half envied, wholly admired, big, bold, dashing, 
with a cavalryman's black mustache-was going into the Officers' Academy, was 
going to be a hero.
Then the Germans came. Kliment was shot in the back of the head by the Red Army 
in Katyn Wood. Sister Katja disappeared into the field-brothels of the 
Wehrmacht. Mother died in the last bombardment of Warsaw, while the Soviets 
squatted on the Vistula and let the Nazis do their dirty work for them. Father, 
a minor government functionary, outlived the war a few months before collecting 
his own bullet in the back of the neck, purged by the puppet Lublin regime.
Young Wojtek, dreams of university forever shattered, spent six and a half years 
as a partisan in the woods, ended them a fugitive, exiled to a foreign land with 
only a single hope to keep his blood beating.
"I want you." The repetition was beginning to grate on him. He'd grown up with 
Mozart and Mendelssohn. And the message... This was no love song, it was a lust 
song-an invitation to rut.
Love meant more to him-a moment of cool moisture, sluicing across his vision, 
wiped away by the wind's chill hand. He remembered marrying Anna, his partisan 
girl, in what the Stukas had left of a village church, and afterward the priest 
himself had hitched up his threadbare cassock and played Bach's Toccata and 
Fugue on the organ, miraculously intact, while a starveling girl crouched to 
work the bellows. Next day they'd lie in ambush for the fascists, but that 
night, that night...
Another girder rose. Anna had left before him, smuggled out by helpful British 
operatives in June of 1945, bound for America with their child in her womb. He 
fought as long as he could, then followed.
Now he dwelt in a land he loved almost as a lover. He had nothing else. In 
twenty-three years he had found no sign of the woman he loved and the child she 
must have borne. Though, sweet Mary, how he'd searched.
"I waaaaaant you ."
He shut his eyes. If I must endure that banal lyric one more time. "..to die 
with me."
The music diminuendoed in an eerie wail. For a moment he stood very still, as if 
the wind had turned the sweat to ice within his shirt. What had seemed a mere 
syrup confection was infinitely more-more evil. Here was a man, anointed 
spokesman of youth, for whom the blandishments ou love or even lust-were 
degraded into a totentanz, a ritual of death.
The girder clipped an upright and rang like a cracked bell. Grabowski shook 
himself, gestured the crane man to stop. At the same time, he strained, heard 
the announcer say the name Tom Douglas.
It was a name he would remember.
Mark hoped it was a courtship. Two days later Sunflower caught him coming out of 
a meeting with his sponsor and took him for a walk in the park. She let him tag 
along to the night spots and late-night rap sessions, to protest rallies in 
People's Park, to concerts. Always as her friend, her protege, the childhood 
friend she had made it her personal crusade to redeem from straightness. But 
not, unfortunately, in the exalted role of her Old Man.
He found reason to hope, however. He never saw the studly Philip again. In fact, 
he never saw one of Sunflower's boyfriends more than once. They were all 
intense, passionate, brilliant (and at pains to tell you so). Committed. And 
muscular; that much of Kimberly's taste hadn't changed. That gave Mark many 
choice moments of despair, but deep inside his skinny bosom he nursed the notion 
that someday she would feel the need of a rock of stability, and would come to 
him as a seabird to land.
But still, he never, never made it across the gap that yawned between him and 
the world he yearned for-the world Sunflower inhabited and personified.
He survived that winter on hope and the chocolate-chip-oatmeal cookies his 
mother sent.
And music. He came from a household where they sang along with Mitch, and 
Lawrence Welk occupied the same pinnacle as J. F K. Rock 'n' roll was never 
permitted to sully the air of his parents' house. He himself had been as 
oblivious to it as to everything outside of his lab and his private fantasies. 
He hadn't been aware of the Beatles' invasion, Mick Jagger's arrest for 
lycanthropy at the Isle of Wight concert, of the Summer of Love and the 
acid-rock explosion.
Now it all came rushing in on him. The Stones. The Beatles. The Airplane. The 
Grateful Dead. Spirit and Cream and the Animals, and the Holy Trinity: Janis, 
Jimi, and Thomas Marion Douglas.
Tom Douglas most of all. His music brooded like an ancient ruin, dark, 
foreboding, hooded. Though his real affinity was to the gentler Mamas & Papas 
sound of an era already history, Mark was drawn to the Douglas touch-dark humor, 
darker twists-even as the Nietzschean fury implicit in the music repelled him. 
Perhaps it was that Douglas was everything Mark Meadows wasn't. Famous and 
vibrant and courageous and With It and irresistible to women. And an ace.
Aces and the Movement: in many ways they blasted into the mainstream of public 
consciousness flying formation like the heavy-metal warbirds Mark's father had 
led into battle over North Vietnam. There were more rock 'n' roll aces than 
among any other segment of the population. Their powers tended not to be subtle. 
Some had the ability to project dazzling displays of lights, others made 
extravagant music without the need of instruments. Most, though, played mind 
games with the audience by means of illusion or straight emotional manipulation. 
Tom Douglas-the Lizard King-was the head-trip master of them all.
Spring arrived. Mark's faculty adviser pressured him for results. Mark began to 
despair, hating himself for his lack of resolution, or whatever defect of 
manhood kept him from precipitating himself into the drug scene, unable to 
continue his research until he did. He felt like the fly preserved in a Lucite 
ice cube his parents had inexplicably possessed when he was a child.
April saw him withdraw from the world into microcosm, to the paper reality 
inside his peeling walls. He had all Destinys records, but he couldn't play them 
now, or the Dead, or the Stones, or martyred Jimi. They were a taunt, a 
challenge he could not meet.
He ate his chocolate cookies and drank his soda pop and emerged from his room 
only to indulge a nostalgic childhood vice: love of comic books. Not only the 
old classics, fables of Superman and Batman from the days of innocence before 
humanity drew the wild card, but also their modern successors, which featured 
the fictionalized exploits of real aces, like the penny dreadfuls of the Old 
West. He devoured them with addict's fervor. They fulfilled by proxy the longing 
that had begun to eat him up from inside.
Not for metahuman powers; nothing so exotic. Not his craving for acceptance into 
the mysterious world of Counterculture, nor the desire for the lithe braless 
body of the former Kimberly Ann Cordayne that kept him awake night after sweaty 
night. What Mark Meadows desired more than anything in the world was effective 
personality. The ability to do, to achieve, to make a mark; good or bad, it 
scarcely mattered.
An evening toward April's end, Mark's retreat was shattered by a knock on his 
apartment door. He just lay there on his thin mattress on sheets unchanged in 
living memory, burying his long nose farther in the pages of Cosh Comics' Turtle 
number 92. His first reaction was fear, then anger at the intrusion. The world, 
he'd decided, was too much for him; he'd resolved to let it alone. Why couldn't 
it do as much for him?
Again the knock, imperative, threatening the thin veneer of wood over emptiness. 
He sighed.
"What do you want?" He edged the words with a whine. "Are you going to let me 
in, or am I going to have to smash through this papier-mache thing your pig 
landlord calls a door?"
For a moment Mark just lay there. Then he laid the comic on the mottled hardwood 
floor by the bed, and in his dingy tired socks padded to the door.
She stood there with hands on hi s. She had on another Fourth of July skirt and 
a faded pink louse, and against the spring Bay chill she'd pulled on a Levi's 
denim jacket with a black United Farm Workers eagle stenciled on the back and a 
peace symbol sewn on the left breast. She pushed into the room and slammed the 
door behind her.
"Look at this shit," she said with a gesture that bisected the walls at 
breastbone level. "How can a human being live like this? Living on processed 
sugar"-a nod at a plate of half devoured cookies and a glass of brown soda that 
had been flat last week-"and wadding your mind with that pig-authoritarian 
bullshit"--another knife-edge gesture toward Turtle, lying in a crumpled heap on 
the floor. She shook her head. "You're eating yourself alive, Mark. You've cut 
yourself off from your friends, the people who love you. This has got to stop."
Mark just stood there. He'd never seen her look so beautiful, though she was 
berating him, talking like his mother-or more correctly, his father. And then 
his skinny body began to vibrate like a tuning fork, because it struck him that 
she had said she loved him. It wasn't the sort of love he'd yearned and burned 
for from her. But emotionally he couldn't be a chooser.
"It's time you came out of your shell, Mark. Out of this womb-room of yours. 
Before you turn into something from Night of the Living Dead."
"I've got work to do. "
She cocked an eyebrow and nudged Turtle 92 with a booted toe.
"You're coming with us."
"Where?" He blinked. "Who?"
"Haven't you heard?" A shake of the head. "Of course not. You've been locked 
here in your room like some kind of monk. Destiny's back in town. They're 
playing a concert at the Fillmore tonight. My dad sent money. I have tickets for 
usyou, me, and Peter. So get your clothes on; we've got to leave now so we don't 
have to stand in line forever. And for god's sake try not to dress like such a 
straight."
Peter looked like a surfer and thought he was Karl Marx. His looks reminded Mark 
uncomfortably of an earlier boyfriend of Kimberly Ann's, the football team 
captain who'd busted his nose in high school for staring at her too avidly. 
Standing outside in a threadbare tweed jacket and his one pair of jeans, 
breathing humid air and used smoke, he listened while Peter delivered the same 
lecture on the Historical Process all Sunflower's boyfriends gave him. When Mark 
didn't agree avidly enough-he could never make enough sense out of all these 
manifestos to form much of an opinion-Peter fixed him with an ice-blue Nordic 
glare and growled, "I will destroy you."
Later Mark found the line was a direct steal from the old man with the beard 
himself. Right now it made him want to melt through the tired pavement outside 
the auditorium. It didn't help that Sunflower was standing there beaming at the 
two of them as if they'd just won her a prize.
Fortunately Peter got into a screaming argument with the cops who frisked them 
for booze at the door, diverting his wrath from Mark. Guiltily, Mark hoped the 
cops would slam Peter over his blond head with a nightstick and haul him off to 
the slammer.
But Destiny was concluding its most tumultuous tour ever. Tom Douglas, whose 
consumption of booze and mindaltering chemicals was as legendary as his ace 
powers, had been getting mean drunk before every show. The Lizard King was on a 
rampage; last week's New Haven concert had culminated in a riot that trashed 
Yale's Old Campus and half the town. In their own clumsy way the cops were 
trying to avoid confrontation tonight. Frisking wasn't the shrewdest way to go 
about it, but the cops-and the Fillmore managementweren't eager to have the kids 
getting any wilder than Tom Douglas was going to make them anyway. So the 
audience got shaken down as they came in, but gingerly. Peter and his golden 
head went unbusted.
Mark's first Destiny concert was everything he might have imagined, raised to 
the tenth power. Douglas, characteristically, was two hours late 
onstage--equally characteristically, so fucked up he could barely stay standing, 
much less keep from pitching off into the mob of adoring fans. But the three 
musicians who made up the rest of Destiny were among the tightest performers in 
rock. Their expertise covered a multitude of sins. And gradually, around the 
solid skeleton of their playing, Douglas's ramblings and inchoate gestures 
resolved into something magical. The music was a blast of acid, dissolving 
Mark's lucite prison around him, until it reached his skin, and stung.
At the end of the set the lights went out like the shutting of a great door. 
Somewhere a drum began a slow, thick beating. From darkness broke a tormented 
guitar wail. A single blue spot spiked down to illuminate Douglas, alone with 
the mike in the center of the stage, his leather pants glittering like 
snakeskin. He began to sing, a soft low moan, increasing in urgency and volume, 
the intro to his masterpiece, "Serpent Time." His voice soared in a sudden 
shriek, and the lights and the band boomed suddenly about him like storm surf 
breaking against rocks, and they were launched on an odyssey to the furthest 
reaches of the night.
At last he took upon him the aspect of the Lizard King. A black aura beat from 
him like furnace heat and washed across the audience. Its effect was elusive, 
illusive, like some strange new drug: some onlookers it lifted to pinnacles of 
ecstasy, others it crammed down deep into hard-packed despair; some saw what 
they most desired, others stared straight down the gullet of Hell.
And in the center of that midnight radiance Tom Douglas seemed to grow larger 
than life, and now and again there flickered in place of his broad half-handsome 
features the head and flaring hood of a giant king cobra, black and menacing, 
darting left and right as he sang.
As the song climaxed in a howl of voice and organ and guitar, Mark found himself 
standing with tears streaming unabashed down his thin cheeks, one hand holding 
Sunflower's, the other a stranger's, and Peter sitting glumly on the floor with 
his face in his hands, mumbling about decadence.
The next day was the last of April. Nixon invaded Cambodia. Reaction rolled 
across the nation's campuses like napalm.
Mark found Sunflower across the Bay, listening to speeches in the midst of an 
angry crowd in Golden Gate Park. "I can't do it," he shouted over the oratory 
din. "I can't cross over--can't get outside myself."
"Oh, Mark!" Sunflower exclaimed with an angry, tearful shake of her head. 
"You're so selfish. So-so bourgeois." She whirled away and lost herself in the 
forest of chanting bodies. That was the last he saw of her for three days.
He searched for her, wandering the angry crowds, the thickets of placards 
denouncing Nixon and the war, through marijuana smoke that hung like scent 
around a honeysuckle hedge. His superstraight attire drew hostile looks; he 
shied away from a dozen potentially ugly encounters that first day alone, 
despairing ever more of his inability to become one with the pulsating mass of 
humanity around him.
The air was charged with revolution. He could feel it building like a static 
charge, could almost smell the ozone. He wasn't the only one.
He found her at an all-night vigil a few minutes before midnight of May third. 
She was crosslegged on a small patch of etiolated grass that had survived the 
onslaught of thousands of protesting feet, idly strumming a guitar as she 
listened to speeches shouted through a bullhorn. "Where have you been?" Mark 
asked, sinking to the ankles in mud left by a passing shower.
She just looked at him and shook her head. Frantic, he plopped himself down 
beside her with a small squelching splash. "Sunflower, where have you been? I've 
been looking all over for you."
She looked at him at last, shook her head sadly. "I've been with the people, 
Mark," she said. "Where I belong." Suddenly she leaned forward, caught him by 
the forearm with surprising strength. "It's where you belong too, Mark. It's 
just that you're so-so selfish. It's as if you're armored in it. And you have so 
much to offer-now, when we need all the help we can get, to fight the oppressors 
before it's too late. Break out, Mark. Free yourself."
Surprised, he saw a tear glimmering off in one corner of her eye. "I've been 
trying to," he said honestly. "I... I just can't seem to do it."
A breeze was blowing in off the sea, cool and slightly sticky, occasionally 
shouldering aside the words garbling out of the megaphone. Mark shivered. "Poor 
Mark. You're so uptight. Your parents, the schools, they've locked you into a 
straitjacket. You've got to break out." She moistened her lips. "I think I can 
help."
Eagerly he leaned forward. "How?"
"You need to tear down the walls, just like the song says. You need to open up 
your mind."
She fumbled for a moment in a pocket of her embroidered denim jacket, held out 
her closed hand, palm up. "Sunshine." She opened her hand. A nondescript white 
tablet rested on the palm. "Acid."
He stared at it. Here it was, the object of his long vicarious study: quest and 
quest's goal alike. The difficulty of obtaining LSD legally-and his deeply 
engrained reluctance to attempt to attain it on the black market, along with his 
instinctive fear that his first attempt to purchase any would land him in San 
Quentin-had helped him put off the day of reckoning. Acid had been offered him 
before in hip camaraderie; always he refused it, telling himself it was because 
you never could be sure what was in a street drug, secretly because he'd always 
been afraid to step beyond the multiplex door it presented. But now the world he 
yearned to join was surging about him like the sea, the woman he loved was 
offering him both challenge and temptation, and there it sat slowly melting in 
the rain.
He grabbed it from her, quickly and gingerly, as if suspecting it would burn his 
fingers. He poked it well down into a hip pocket of his black pipestem trousers, 
now so thoroughly imbued with mud they resembled an inept experiment in 
tie-dyeing. "I've got to think about it, Sunflower. I can't rush something like 
this." Not knowing what more to say or do, he started to untangle his lanky legs 
and stand.
She caught him by the arm again. "No. Stay here with me. If you go home now 
you'll flush it down the john." She drew him down beside her, closer than he'd 
ever actually been to her before, and he was suddenly acutely aware that her 
usual blond vanguard fighter was nowhere in evidence. "Stay here, among the 
people. Right beside me," she husked beside next to his ear. Her breath 
fluttered like an eyelash on his lobe. "See what you have to gain. You're 
special, Mark. You could do so much that really matters. Stay with me tonight."
Although the invitation wasn't as comprehensive as he might have wished, he 
settled himself back into the mud, and so the night passed in cold communion, 
the two of them huddling inside the dubious shelter of her jacket, shoulder to 
shoulder, while orators thundered revolution-the final confrontation with 
Amerika.
By early-morning gray the demonstration began to autolyze. They drifted together 
to a little all-night coffeehouse near the campus, ate an organic breakfast Mark 
couldn't taste, while Sunflower spoke urgently of the destiny lying in his 
reach: "If only you could break out of yourself, Mark." She reached out and took 
one of his long, pale hands in a tan compact one. "When I ran into you at that 
club last fall, I was glad to see you because I guess I was homesick for the old 
days, bad as they were. You were a friendly face."
He dropped his eyes, blinking rapidly, startled by her open admission that she 
sought him out because of what he was rather than who he was. "That's changed, 
Mark." He looked up again, tentative as a deer surprised in an early morning 
garden, ready to flee at the slightest hint of danger. "I've come to appreciate 
you for what you are. And what you could be. There's a real person hiding 
beneath that crew cut and those horn-rimmed glasses and uptight Establishment 
clothes you wear. A person crying to be let out."
She put her other hand on top of his, stroked it lightly. "I hope you let him 
out, Mark. I very much want to meet him. But the time's come for you to make the 
decision. I can't wait any longer. The time has come to choose, Mark."
"You mean-" His tongue tripped. To his fatigue-fogged mind she seemed to be 
promising much more than friendship-and at the same time threatening to withdraw 
even that, if he could not bring himself to act.
He walked her home to the backstairs apartment. On the landing outside she 
grabbed him suddenly behind the neck, kissed him with surprising ferocity. Then 
she vanished inside, leaving him blinking.
"They finally taught them little Commie fuckers a lesson. Right on, I say; right 
fuckin' on."
Standing to one side of the base of the skyscraper-inprogress, sipping hot tea 
from a thermos, Wojtek Grabowski listened to his coworkers discussing the news 
they'd just heard on the omnipresent transistor: the National Guard had fired 
into a rally on Ohio's Kent State University campus, several students known 
dead. They seemed to think it was high time.
He did too, but the news filled him with sadness, not elation.
Later, walking the beams up above the world so high, he reflected on the tragedy 
of it all. American soldiers were fighting to defend American values and rescue 
a brother nation from Communist aggression-and here were fellow Americans 
spitting on them, reviling them. Ho Chi Minh was portrayed as a hero, a would-be 
liberator.
Grabowski knew that was a lie. He had bled to learn just what Communists meant 
bv "liberation." When he heard them hailed as heroes, his murdered friends and 
family rose up in a chorus at the back of his mind, crying denunciations. It 
just wasn't what the protesters stood for, it was who they were. Children of 
privilege, overwhelmingly uppermiddle-class, lashing out with the petulance of 
the spoiled against the very system that had given them comfort and security 
unparalleled in human history. "America eats its young," they screamed-but he 
saw it differently: America was in danger of being devoured by its young.
They were led by false prophets, led horribly astray. By men like Tom Douglas. 
He'd read up on the singer since his song had so shocked him, last November. He 
knew now that Douglas was one of the tainted, marked by the alien poison 
released that afternoon in September of 1946, a child of the evil new dawn whose 
birth Grabowski himself had witnessed from the deck of a refugee ship moored off 
Governor's Island. No wonder the children rose like serpents to strike their 
elders, when they were counseled by men Satan had marked his own.
"Hey," shouted the huge ex-Marine with the radio. "Them hippie bastards are 
filling the streets down at city hall, bustin' windows and burnin' American 
flags!"
"The fuckers!"
"We gotta do something! It's revolution, right here and now."
The young vet pulled on his Levi's jacket and settled his steel hat on his crew 
cut head. "It's only a few blocks from here. I don't know about you, but I am 
gonna do something about it." He led a rush toward the lift cage.
Grabowski would have shouted, No, wait, don't go! You must leave this to the 
authorities-if brother begins fighting brother, the forces of disorder will have 
won. But speech was denied him.
Because he was as furious as the rest, and fearful, for he alone had seen 
firsthand the consequences of this revolution everyone talked about. And in his 
emotion he had gripped a girder with all his might.
His fingers had sunk into the steel as if it were the soft sticky paste 
Americans called ice cream.
He was himself marked with the mark of the Beast.
Mark passed the rest of the day in a strange haze compounded of lust, hope, and 
fear. He missed the word from Kent State. While the rest of America reacted in 
horror or approbation, he spent the night locked in his apartment with a 
plateful of cookies, poring through his papers and wellthumbed books on LSD, 
taking out the acid tablet, turning it over and over in his fingers like a 
talisman. When the sun was weakly established in the sky a transient surge of 
resolution made him pop it in his mouth. A quick slug of flat orange soda pop 
washed it down before nerve could fail him again.
From his reading he knew acid generally took between an hour and an hour and a 
half to kick in. He tried to slide past the time by flipping from the Solomon 
anthology to Marvel comics to the Zap comix he'd accrued in his pursuit of 
understanding. After an hour, too nervous to await the drug's effects by himself 
any longer, he left his apartment. He had to find Sunflower, tell her he'd found 
his manhood, had taken the fateful step. Also, he was afraid to be alone when 
the acid hit.
Finding Sunflower was always like tracking a flower petal kicked about by the 
breeze, but he knew she gravitated toward UCB, which had long since replaced the 
moribund Haight as the locus of hip Bay Area culture, and she worked 
spasmodically at a head shop near People's Park. So, at about nine-thirty on the 
morning of May 5, 1970, he wandered into the parkand straight up against the 
most spectacular confrontation between aces of the entire Vietnam epoch.
For one brief shining moment, everyone, Establishment and enemies alike-knew the 
time had come for fighting in the streets. If the revolution was coming, it was 
coming now, in the first hot flush of fury following the Kent State massacre. 
Bay Area radical leaders had called a mammoth rally that morning in People's 
Park-and not just the police forces of the Bay Area but Ronald Reagan's own 
contingent of the National Guard had turned out to take them on.
By a quarter to ten the police had withdrawn from the park, establishing a 
cordon sanitaire around the campus area to prevent conflagration from spreading. 
It was just the kids and several deuce-and-a-half trucks spilling National 
Guardsmen in battle dress and gas masks from under their canvas covers forty 
meters away. With a loose clattering squeal and diesel chug, an M113 armored 
personnel carrier pulled to a halt behind the line of fixed bayonets, treads 
chewing at the sod like mouths. A man in captain's bars sat stiff and resolute 
in the cupola behind a fifty-caliber machine gun, wearing what looked like a 
Knute Rockne football helmet on his head.
Students ebbed from the green line like mercury from a fingertip. They'd been 
shouting to bring the war home; like their brothers in Ohio, it seemed they'd 
succeeded in doing just that. The Guard was regularly called in to break up 
demonstrations-but the boxy, ugly shape of the APC represented something new, a 
note of menace even the most sheltered couldn't miss. The crowd faltered, 
buzzing alarm.
Into the space between the lines a single figure stepped, slim in black leather. 
"We came to be heard," said Thomas Marion Douglas, his voice pitched to carry, 
"and were damned well going to be heard."
Behind him the crowd began to solidify. Here was a superstar-an ace-taking his 
stand with them. Across the bayonet hedge the eyes of National Guard troopers 
flickered nervously behind the thick lenses of their masks. They were mostly 
young men who'd joined the Guard to avoid being drafted and sent to 'Nam; they 
knew who was facing them. Many owned Destiny records, had Douglas's haughty 
features staring down from posters on their bedroom walls. It was harder, 
somehow, to use bayonet or rifle-butt against someone you knew, even if it was 
only as a face on a record jacket or in a photo spread in Life magazine.
Their captain was of sterner stuff. He barked an order from the cupola. Tear-gas 
guns coughed, a half-dozen small comets arched down around Douglas and among the 
crowd surging up to join him. Billows of thick white smoke, CS gas, hid the 
singer from view.
Taking a shortcut through an alley, Mark had managed to miss the police lines. 
At this moment he emerged to a perfect sideline view of his very own idol 
standing with smoke swirling around him like a medieval martyr at the stake. He 
stopped and stared openmouthed at the confrontation shaping up before him.
The acid kicked in.
He felt reality's collagens dissolve, but the scene before him was too intense 
for hallucination. As the stiff morning breeze tattered the curtains of gas, a 
man standing with legs braced and fists raised appeared, auburn hair streaming 
back from a broad face that somehow flickered, interspersed with the head of a 
giant cobra, scales gleaming black, hood extended. The Guardsmen drew back; the 
Lizard King was in their midst.
The King moved forward in a sinuous glide. Uniforms gave way. Someone jabbed at 
him with a bayonet, or maybe just didn't back off quickly enough. A flick of the 
wrist, seeming lazy and disdainful but delivered with superhuman speed, and the 
rifle went spinning away as its owner stumbled backward to the grass with a yelp 
of terror. The captain in his iron box shouted hoarsely, trying to pull together 
the fraying strands of his, men's determination.
But as he assumed his Lizard King aspect, Douglas loosed his mind games upon 
them; their eyes began to wander, seeking visions of desperate beauty or 
mind-numbing horror, each affected in his own way by the Lizard King's black 
aura. The crowd was advancing now, chanting, shouting, menacing. The Guard 
captain did the only thing he could-his thumb pulsed once against the 
fifty-caliber's butterfly trigger. The gun vomited noise to bust glass and a 
Volkswagen flame, streaming tracers over the protesters' heads.
Triumphant an eyeblink before, the crowd came apart in screaming panic. The 
noise of the shots struck Mark like a giant pillow and spun him backward along 
endless, twisting corridors. But the scene stayed before him, light at the end 
of a tunnel, terrible and insistent. No one had been hit by the burst, but the 
protesters, like Mark himself, had come up for the first time against the 
reality their prophet Mao had tried to impress on them: where power comes from.
Tom Douglas was standing so close that muzzle-flash singed his eyebrows. He 
didn't flinch, though the noise struck him with a force a truckload of speakers 
couldn't match. Instead he met it with a roar of his own that sent Guardsmen 
tumbling like frightened puppies.
A prodigious leap and he stood on the upper deck of the APC. He bent, grasped 
the gun's barrel, heaved. The heavy Browning came away from its mounting like a 
sapling torn up by the roots. He held the weapon above his head, bothhanded, 
then with a single convulsion of shoulders and biceps bent the barrel almost 
double. Having displayed his contempt for the Establishment and its war 
machines, he tossed the ruined machine gun after the troopers, now in full rout, 
and bent forward to pluck the now-terror-stricken captain from the cupola by the 
front of his blouse. He held the man up before him, legs kicking feebly.
And was struck down from behind by a blow driven with the full awesome strength 
of an unknown ace.
Mark snapped. With a shriek his soul vanished into swirling dark. His body 
turned and blindly ran.
Wojtek Grabowski saw the sinister serpent figure in black leap onto the APC and 
tear the weapon from its mountings and knew it had been the right choice to 
live.
Only devout Catholicism had stopped him from throwing himself to his death. He'd 
hurried from the site-already deserted as the workers rushed to attack the 
demonstratorsand home to his cramped apartment to a nightlong vigil of misery 
and silent prayer.
With dawn had indeed come Light; and he knew with a warm rush that his ace 
affliction was divinely sent, a blessing not a curse. Revolution threatened his 
adopted home, led by those who'd sworn allegiance to the forces of darkness. He 
had washed, dressed, made his own way to the park with peace in his heart.
Now he was confronted with a beast that seemed to have many heads, knew that he 
was face-to-face with the hated Tom Douglas himself.
Fury blasted into him. The ace transformation overtook him, bulking his muscles 
hugely to fill his baggy clothes to the bursting point. The steel hat of his 
profession was on his head, a yard-long pipefitter's wrench in his hand. 
Lingering doubts about using his strength against normal humans vanished; here 
was an enemy worthy of him, an ace, a traitor-a servitor of Hell.
He raced forward, vaulted onto the vehicle even as the snake-headed creature in 
black plucked its commander from the hatch. Students cried warnings Douglas 
didn't hear.
Hardhat raised his wrench and struck at the back of a head now bushy-haired, now 
black and glabrous and obscene.
The blow would have pulped the skull of a normal human, or torn his head from 
his shoulders. But the constant shifting of Douglas's appearance confused 
Grabowski's aim. The blow glanced off. Douglas dropped the squirming officer and 
slumped bonelessly off the vehicle as momentum carried the wrench downward to 
buckle the aluminum top-armor like tinfoil.
Thinking he had killed him, Grabowski felt strength ebb. He needed rage to stay 
in the meta state, but all he felt was shame. Desperate, he turned to face the 
crowd. "Go home," he shouted in his hoarse, harsh English. "Go home now, is 
over. You must not fight no more. Obey your leaders and live in peace."
They stood and stared at him with sheep's faces. Morning dew had sucked the tear 
gas down into it and poisoned the grass. A few white CS tendrils writhed on the 
ground like dying snakes. Tears streamed down Grabowski's face. Wouldn't they 
listen?
From the rear of the crowd a young man shouted, "Fuck you! Fuck you, you 
motherfuckin' fascist!"
To have that epithet thrown at him, a man who still carried fascist bullets in 
his flesh, by some spoiled, insolent, ignorant puppy-anger filled him in 
abundance, and with it that inhuman strength.
Fortunately for him, because about then Tom Douglas got his wits back, jumped to 
his feet, grabbed the Hardhat by the ankles, and yanked his boots out from under 
him. Grabowski's helmet struck the deck like a giant cymbal. Every bit as 
furious as the man who'd taken him down, Douglas caught him as he fell, slammed 
him against the side of the vehicle, and began to piledrive blows into him with 
his own ace strength.
But Grabowski too had more than human durability. He dragged his wrench up 
between their bodies, thrust Douglas violently away. Douglas's feet slipped once 
on the wet grass, he caught himself with serpent agility and lunged forward to 
the attack-only to check himself and go up on tiptoe like a ballet dancer while 
a savage two-handed swipe of the wrench whined within an inch of his abdomen.
Douglas dove inside the wrench's deadly arc. He grappled his opponent, slamming 
punches in under the short ribs. Grabowski took a quick step backward, put a 
hand on Douglas's sternum, and pushed. Douglas fell back a step. The wrench 
lashed out, and this time only Douglas's metahuman reflexes saved him from 
catching it square in the front of his skull.
The tool-steel beak raked his forehead. Blood cascaded. He backpedaled 
furiously, wiping his eyes with one hand while the other thrashed about in an 
attempt to ward the following blow.
Hardhat swung his wrench like a baseball bat and took Douglas under the right 
arm with a sound that echoed through the park like a grenade explosion. Douglas 
went down.
Hardhat stood over him with legs spread wide, raising the wrench slowly above 
his head like a headsman preparing the stroke. Blood drooled from the corner of 
his mouth. He was berserk, beyond compunction, beyond compassion, devoid of 
anything but the need to smash his opponent's skull like a snail on a rock.
But even as the gleaming blood-dripping wrench started down, a golden chain 
wrapped around it from behind and stopped the blow before it was launched.
With a fighter's reflex Hardhat instantly relaxed his arms, allowing his wrench 
to travel in the direction the sudden restraint pulled. Then he snapped the 
weapon forward and down, spinning as he did so to throw the entire augmented 
weight of his body against the slack. But as he moved, a houlihan rippled down 
the chain and it loosened, so that the wrench slithered free with a musical 
sound. Motion unchecked by expected impact, Hardhat spun around completely, 
staggering forward, continued through another half-turn so that he faced his 
opponent across five meters of muddy, trampled earth.
A youth stood there, slender and tall, golden hair falling to his shoulders, 
dangling a saucer-sized peace medallion of gold on a long chain. Despite 
Bay-morning chill he wore only a pair of jeans. To the short, dark Grabowski, he 
looked like nothing so much as a figure stepped from a Nazi recruiting poster.
"Who are you?" Hardhat snarled. Then, realizing he had spoken in his own tongue, 
repeated it in English.
The youth frowned briefly, as if perplexed. "Call me Radical" he said then with 
a grin. "I'm here to protect the people."
"Traitor!" Hardhat launched himself, swinging the wrench. Radical danced aside. 
No matter how savagely Hardhat attacked, no matter how he feinted, his opponent 
eluded him with apparent ease. Frustrated at his attempts to strike the golden 
youth, Hardhat turned once again to Douglas, still moaning on the ground. And 
Radical was there, peace symbol weaving a golden figure of eight in the air 
before him, warding Hardhat's most ferocious blows with sparks of coruscance 
while soldiers and students alike stood transfixed by the spectacle.
But if Hardhat couldn't strike past the amulet, Radical seemed unwilling or 
unable to counterattack. Noting this Hardhat backed away, waving his wrench 
menacingly. After a moment Radical followed, flowing like mist. Hardhat circled 
widdershins. Radical kept pace. Slowly the Pole drew his longhaired opponent 
away from the recumbent Douglas.
Lightning fast, he wheeled left and hurled himself at the onlookers. Though his 
speed wasn't as great as Radical's it was greater than a norm's, and he was 
among the crowd of protesters before any could react, wrench upraised to smash. 
Caught by surprise, Radical was unable to react in time. The wrench stayed up, 
frozen like a fly in lucite. Radical sprang forward, driven to attack by 
desperation, swinging his peace medallion at the back of the tree-trunk neck 
below the helmet's sweep. It connected with the chunk of an ax striking wood; 
not as mighty a blow as the Lizard King could have delivered, not to be compared 
in the least with the terrible force of Grabowski's wrench, but sufficient to 
scramble Hardhat's senses, send him pitching face first into the grass and mud 
and crumpled signs.
Radical poised above him, swinging his medallion in a slow circle at his side. A 
moment later Douglas joined him, rubbing his side and grimacing. "Think he 
cracked a few ribs, there," he rasped in his familiar dirt-road baritone. "What 
the hell?"
Even as they watched, the inhumanly squat form of Hardhat dwindled into a 
stocky, balding man in baggy clothes, lying with his face in the mud, sobbing as 
if his heart were broken. Shaking his shaggy mane, Douglas turned to his 
benefactor. "I'm Tom Douglas. Thanks for saving my ass."
"The pleasure's mine, man."
And then Douglas stepped forward and embraced the taller blond man, and a cheer 
went up from the crowd. The National Guard soldiers were already in retreat, 
leaving their APC behind. The revolution would not come today, or ever, perhaps, 
but the kids had been saved.
As the television cameras churned, Tom Douglas proclaimed Radical his comrade in 
arms and called into being a celebration as wild as any the Bay Area had known. 
While the police kept their uneasy perimeter and the National Guard licked its 
wounds, thousands of kids poured into the park to hail the conquering heroes. 
The abandoned M 113 provided an impromptu stage. Tents dotted the park like 
colorful mushrooms. Music and drugs and booze flowed freely, all that day and 
all that night.
At the center of it all glowed Tom Douglas and his mysterious benefactor, 
surrounded by beautiful, compliant women-none more so than the willowy brunette 
with eyes like impacted ice everybody called Sunflower, who appeared to have 
sprouted from Radical's hip like a postnatal Siamese twin. The newcomer would 
give no other name than Radical, and he turned away all questions as to his 
origin, and how he happened to be at that place at that time, with a grin and a 
shy "I was here because I was needed here, man." At dawn the next day, he 
slipped quietly away from the dwindling festivities and vanished.
He was never seen again.
In the spring of 1971, charges against Tom Douglas stemming from the People's 
Park confrontation were dropped--at the recommendation of Dr. Tachyon, who'd 
been called in by SCARE to help investigate the incident just as Destiny's album 
City of Night hit the stands. Shortly thereafter, Douglas electrified the rock 
world by announcing he was retiring-not just as a musician, but as an ace.
So he took Doc Tachyon's experimental trump cure, and was one of the fortunate 
thirty percent on whom it worked. The Lizard King disappeared forever, leaving 
behind Thomas Marion Douglas, norm.
Who was dead in six months. His overuse of drugs and alcohol had achieved such 
heroic proportions that only ace endurance kept him alive. Once that was gone 
his health deteriorated rapidly. He died of pneumonia in a seedy hotel in Paris 
in the fall of 1971.
As for Hardhat-interviewed by Dr. Tachyon the day after the confrontation, 
hospitalized for observation with a mild concussion, Wojtek Grabowski insisted 
his foes had not defeated him. "All you need is love" ran the received wisdom of 
the day-and love had brought him down. Or so he claimed. Because when he hurled 
himself against the crowd, he found himself staring into the face of Anna, his 
wife, lost to him for two decades and a half.
Not quite Anna, he said tearfully; there were differences, in the color of hair, 
the shape of nose. And, of course, Anna would not now be a woman in her early 
twenties.
But their daughter would be. Grabowski was convinced he had seen, at last, the 
child he had never known. The horrible knowledge that his anger had almost led 
him to destroy that which he cherished most in all the world bled the strength 
from him in an instant, so that what Radical's medallion struck was a being in 
transition from full ace strength to a normal human state.
Touched, Dr. Tachyon helped Grabowski search the Bay Area for his daughter. 
Privately he never expected to find her; at the moment Grabowski believed he saw 
her, Tom Douglas had been recovering, his Lizard King aspect still active. And 
that black aura could make you see what you most wished to see. As far as 
Tachyon was concerned, it had.
To none of his surprise, the search turned up nothing. In any event, he was able 
to devote little time to Grabowski, no matter how much the man's plight affected 
him. He returned East after three weeks of assisting Grabowski and SCARE 
investigators. A couple of months later he learned that Grabowski had vanished, 
no doubt to pursue the search for his family. Since then, no more had been heard 
of Wojtek Grabowski, or Hardhat.
And as for Radical...
In the early morning hours of May 6th, 1970, Mark Meadows staggered out of an 
alley opening into People's Park with his head full of white noise, clad only in 
his one pair of jeans. He had no memory of what had happened to him, scarcely 
realized where he was. He found himself amongst the remnants of last night's 
celebrants, heavy-eyed with fatigue but still chattering like speed freaks about 
the fantastic events of the last twenty-four hours. "You should have been there, 
man," they told him. And as they described the events of yesterday morning, 
strange fragments of memory, surreal and disjointed, began to bubble to the 
surface of Mark's mind: perhaps he had.
Was he remembering his own experiences? Or was the last of the acid casting up 
images to match the breathless, vivid descriptions a dozen eyewitnesses pressed 
on him at once? He didn't know. All that he knew was that the Radical 
represented the realization of his wildest dream: Mark Meadows as Hero. And when 
he saw Sunflower standing nearby, hair disarrayed, eyes dreamy, and she said to 
him, "Oh, Mark, I just met the most fantastic dude," he knew that whatever hopes 
he'd had of being more than Sunflower's friend had just gone poof. Unless he 
were, in fact, the Radical.
He knew what to do, of course. He'd learned more than he consciously realized 
during his street apprenticeship with Sunflower; by nightfall he was crosslegged 
on his own mattress among his cookies and comic books, clutching two weeks' 
living-expenses worth of LSD. He was so exalted when he popped the first tab 
that he barely needed the drug to get off.
Which was all he did. No Radical transformation. Nothing. He just... tripped 
out.
For a week he didn't leave the apartment, living on moldy crumbs, slamming down 
increasing doses of acid as fast as the effects of the last charge faded. 
Nothing. When at last he staggered forth for more drugs he'd already taken on a 
blur around the edges.
So began the quest.

Interlude Three
From "Wild Card Chic," by Tom Wolfe, New York, June 1971.
Mmmmmmmmmmmmmmm. These are nice. Little egg rolls, filled with crabmeat and 
shrimp. Very tasty. A bit greasy, though. Wonder what the aces do to get the 
grease spots off the fingers of their gloves? Maybe they prefer the stuffed 
mushrooms, or the little Roquefort cheese morsels rolled in crushed nuts, all of 
which are at this very moment being offered them on silver platters by tall, 
smiling waiters in Aces High livery....hese are the questions to ponder on these 
Wild Card Chic evenings. For example, that black man there by the window, the 
one shaking hands with Hiram Worchester himself, the one with the black silk 
shirt and the black leather coat and that absolutely unbelievable swollen 
forehead, that dangerous-looking black man with the cocoa-colored skin and 
almond-shaped eyes, who came off the elevator with three of the most ravishing 
women any of them have ever seen, even here in this room full of beautiful 
people is he, an ace, a palpable ace, going to pick up a little egg roll stuffed 
with shrimp and crabmeat when the waiter drifts by, and just pop it down the 
gullet without so much as missing a syllable of Hiram's cultured geniality, or 
is he more of a stuffed mushroom man at that...
Hiram is splendid. A large man, a formidable man, six foot two and broad all 
over, in a bad light he might pass for Orson Welles. His black, spade-shaped 
beard is immaculately groomed, and when he smiles his teeth are very white. He 
smiles often. He is a warm man, a gracious man, and he greets the aces with the 
same quick firm handshake, the same pat on the shoulder, the same familiar 
exhortation with which he greets Lillian, and Felicia and Lenny, and Mayor 
Hartmann, and Jason, John, and D. D.
How much do you think I weigh? he asks them jovially, and presses them for a 
guess, three hundred pounds, three fifty, four hundred. He chuckles at their 
guesses, a deep chuckle, a resonant chuckle, because this huge man weighs only 
thirty pounds and he's set up a scale right here in the middle of Aces High his 
lavish new restaurant high atop the Empire State Building, amid the crystal and 
silver and crisp white tablecloths, a scale like you might find in a gym, just 
so he can prove his point. He hops on and off nimbly whenever he's challenged. 
Thirty pounds, and Hiram does enjoy his little joke. But don't call him Fatman 
anymore. This ace has come out of the deck now, he's a new kind of ace, who 
knows all the right people and all the right wines, who looks absolutely correct 
in his tuxedo, and owns the highest, chic-est restaurant in town.
What an evening! The tables are set all around, the silver gleaming, the 
tremulous little flames of the candles reflected in the encircling windows, a 
bottomless blackness with a thousand stars, and it is that moment Hiram loves. 
There seem to be a thousand stars inside and a thousand stars outside, a 
Manhattan tower full of stars, the highest grandest tower of all, with marvelous 
people drifting through the heavens, Jason Robards, John and D. D. Ryan, Mike 
Nichols, Willie Joe Namath, John Lindsay, Richard Avedon, Woody Allen, Aaron 
Copland, Lillian Heilman, Steve Sondheim, Josh Davidson, Leonard Bernstein, Otto 
Preminger, Julie Belafonte, Barbara Walters, the Penns, the Greens, the 
O'Neals... and now, in this season of Wild Card Chic, the aces.
That knot of people there, that cluster of enthralled, adoring, excited people 
with the tall, thin champagne glasses in their hands and the rapt expressions on 
their faces, in their midst, the object of all their attention, is a little man 
in a crushed-velvet tuxedo, an orange crushedvelvet tuxedo, with tails, and a 
ruled lemon-yellow shirt, and long shiny red hair. Tisianne brant Ts'ara sek 
Halima sek Ragnar sek Omian is holding court again, the way he must have done 
once on Takis, and some of the marvelous people about him are even calling him 
"Prince" and "Prince Tisianne," though they don't often pronounce it right, and 
to most of them, now and forever, he will remain Dr. Tachyon. He's real, this 
prince from another planet, and the very idea of him-an exile, a hero, 
imprisoned by the Army and persecuted by HUAC, a man who has lived two human 
lifetimes and seen things none of them can imagine, who labors selflessly among 
the wretched of Jokertown, well, the excitement runs through Aces High like a 
rogue hormone, and Tachyon seems excited too, you can tell by the way his 
lilac-colored eyes keep slipping over to linger on the slender Oriental woman 
who arrived with that other ace, that dangerouslooking Fortunato fellow.
"I've never met an ace before," the refrain goes. "This is a first for me." The 
thrill vibrates through the air of Aces High, until the whole eighty-sixth floor 
is thrumming to it, a first for me, never known anyone like you, a first for me, 
always wanted to meet you, a first for me, and somewhere in the damp soil of 
Wisconsin, Joseph McCarthy spins in his coffin with a high, thin whirring sound, 
and all his worms have come home to roost now. These are no Hollywood poseurs, 
no dreary politicians, no faded literary flowers, no pathetic jokers begging for 
help, these are real nobility, these aces, these enchanting electric aces.
So beautiful. Aurora, sitting on Hiram's bar, showing the long, long legs that 
have made her the toast of Broadway, the men clustered around her, laughing at 
her every joke. Remarkable, that red-gold hair of hers, curled and perfumed, 
tumbling down across her bare shoulders, and those bruised, pouting lips, and 
when she laughs, the northern lights flicker around her and the men burst into 
applause. She's signed to make her first feature film next year, playing 
opposite Redford, and Mike Nichols will direct. The first ace to star in a major 
motion picture since- no, we wouldn't want to mention him, would we? Not when 
we're having so much fun.
So astonishing. The things they can do, these aces. A dapper little man dressed 
all in green produces an acorn and a pocketful of potting soil, borrows a brandy 
snifter from the bartender, and grows a small oak tree right there in the center 
of Aces High. A dark woman with sharply sculpted features arrives in jeans and a 
denim shirt, but when Hiram threatens to turn her away, she claps her hands 
together and suddenly she is armored head to toe in black metal that gleams like 
ebony. Another clap, and she's wearing an evening gown, green velvet, off the 
shoulder, perfect for her, and even Fortunato looks twice. When the ice for the 
champagne buckets runs low, a burly rock-hard black man steps forward, takes the 
Dom Perignon in hand, and grins boyishly as frost rimes the outside of the 
bottle. "Just right," he says when he gives the bottle to Hiram. "Any longer and 
I'd freeze it solid." Hiram laughs and congratulates him, though he doesn't 
believe he has the honor. The black man smiles enigmatically. "Croyd," is all he 
says.
So romantic, so tragic. Down there by the end of the bar, in gray leather, 
that's Tom Douglas, isn't it? It is, it is, the Lizard King himself, I hear they 
just dropped the charges, but what courage that took, what commitment, and say, 
whatever happened to that Radical fellow who helped him out? Douglas looks 
terrible, though. Wasted, haunted. They crowd close around him, and his eyes 
snap up and briefly the specter of a great black cobra looms above him, dark 
counterpoint to Aurora's shimmering colors, and silence ripples across Aces High 
until they leave the Lizard King alone again.
So dashing, so flamboyant. Cyclone knows how to make an entrance, doesn't he? 
But that's why Hiram insisted on the Sunset Balcony, after all, not just for 
drinks out under the summer stars and the glorious view of the sun going down 
across the Hudson, but to give his aces a place to land, and it's only natural 
that Cyclone would be the first. Why ride the elevator when you can ride the 
winds? And the way he dresses-all in blue and white, the jumpsuit makes him look 
so lithe and rakish, and that cape, the way it hangs from his wrists and ankles, 
and then balloons out in flight when he whips up his winds. Once he's inside, 
shaking Hiram's hand, he takes off his aviator's helmet. He's a fashion leader, 
Cyclone, the first ace to wear an honest-to-god costume, and he started back in 
'65, long before these other aces-come-lately, wore his colors even through 
those two dreary years in 'Nam, but just because a man wears a mask doesn't mean 
he has to make a fetish of hiding his identity, does it? Those days are past, 
Cyclone is Vernon Henry Carlysle of San Francisco, the whole world knows, the 
fear is dead, this is the age of Wild Card Chic when everyone wants to be an 
ace. Cyclone came a long way for this party, but the gathering wouldn't be 
complete without the West Coast's premier ace, would it?
Although-taboo thought that it is, with stars and aces glittering all around on 
a night when you can see fifty miles in every direction-really, the gathering 
isn't quite complete, is it? Earl Sanderson is still in France, though he did 
send a brief, but sincere, note of apology in reply to Hiram's invitation. A 
great man, that one, a great man greatly wronged. And David Harstein, the lost 
Envoy, Hiram even ran an ad in the Times, DAVID WON'T YOU PLEASE COME HOME? but 
he's not here either. And the Turtle, where is the Great and Powerful Turtle? 
There were rumors that on this special magical night, this halcyon time for Wild 
Card Chic, the Turtle would come out of his shell and shake Hiram's hand and 
announce his name to the world, but no, he doesn't seem to be here, you don't 
think... god, no... you don't think those old stories are true and the Turtle is 
a joker after all?
Cyclone is telling Hiram that he thinks his threeyear-old daughter has inherited 
his wind powers, and Hiram beams and shakes his hand and congratulates the 
doting daddy and proposes a toast. Even his powerful, cultivated voice cannot 
cut through the din of the moment, so Hiram makes a small fist and does that 
thing he does to the gravity waves and makes himself even lighter than thirty 
pounds, until he drifts up toward the ceiling. Aces High goes silent as Hiram 
floats beside his huge art-deco chandelier, raises his Pimm's Cup, and proposes 
his toast. Lenny Bernstein and John Lindsay drink to little Mistral Helen 
Carlysle, second generation ace-to-be. The O'Neals and the Ryans lift their 
glasses to Black Eagle, the Envoy, and the memory of Blythe Stanhope van 
Renssaeler. Lillian Hellman, Jason Robards, and Broadway Joe toast the Turtle 
and Tachyon, and everyone drinks to Jetboy, father of us all.
And after the toasting come the causes. The Wild Card Acts are still on the 
books, and in this day and age that's a disgrace, something must be done. Dr. 
Tachyon needs help, help for his Jokertown Clinic, help with his lawsuit, how 
long has that been dragging on now, his suit to win custody of his spaceship 
back from the government that wrongly impounded it in 1946-the shame of it, to 
take his ship after he came all that way to help, it makes them angry, all of 
them, and of course they pledge their help, their money, their lawyers, their 
influence. A beautiful woman on either side of him, Tachyon speaks of his ship. 
It's alive, he tells them, and by now it's certainly lonely, and as he talks he 
begins to weep, and when he tells them that the ship's name is Baby, there's a 
tear behind many a contact lens, threatening the artfully applied mascara below. 
And of course something must be done about the joker Brigade, that's little 
better than genocide, and...
But that's when dinner is served. The guests drift to their assigned seats, 
Hiram's seating chart is a masterpiece, measured and spiced as precisely as his 
gourmet food, everywhere just the right balance of wealth and wisdom and wit and 
beauty and bravura and celebrity, with an ace at every table of course, of 
course, otherwise someone might go away feeling cheated, in this year and month 
and hour of Wild Card Chic...

DOWN DEEP
by Edward Bryant and Leanne C. Harper
As she dodged cabs, crossing Central Park West and entering the park, Rosemary 
Muldoon knew she was in for a difficult afternoon. She distractedly maneuvered 
through a late-afternoon mob of dog-walkers gathered on the sidewalk and looked 
for Bagabond.
As an intern with New York's Social Services Department, Rosemary got all the 
interesting cases, the ones no one else would handle. Bagabond, the enigmatic 
transient she had drawn this afternoon, was about the worst. Bagabond had to be 
at least sixty, and smelled as if she hadn't bathed in half that time. That was 
something Rosemary had never gotten used to. Her family was not what one could 
call nice, but each person bathed daily. Her father insisted on it. And nobody 
refused her father.
She had been drawn to the detritus of society precisely because of their 
alienation. Few had any connection with their pasts or their families. Rosemary 
recognized this but told herself that it did not matter what the reason was; the 
result was the important thing. She could help them.
Bagabond was standing beneath a grove of oaks. As Rosemary approached her, she 
thought she saw Bagabond gesturing and talking to a tree. Shaking her head, 
Rosemary pulled out Bagabond's file. It was slim. Real name unknown, age 
unknown, place of origin unknown, history unknown. According to the sparse 
information, the woman lived on the streets. The best guess of the previous 
social worker was that Bagabond had been released from a state institution to 
provide space. The bag lady was paranoid but probably not dangerous. Because 
Bagabond had refused to give any information, there had been no way to help her. 
Rosemary put away the paperwork and marched toward the old woman dressed in 
layers of ragged clothing.
"Hello, Bagabond. My name is Rosemary and I'm here to help you." Her gambit 
failed. Bagabond turned her head and stared at two kids throwing a Frisbee.
"Don't you want a nice, safe, warm place to sleep? With hot meals and people to 
talk to?" The only response she received was from the biggest cat she had ever 
seen outside a zoo. It had walked over to Bagabond and was now staring at 
Rosemary.
"You could take a bath." The bag lady's hair was filthy. "But I need to know 
your name." The huge lack cat looked at Bagabond and then glared at Rosemary.
"Why don't you come with me and we'll talk?" The cat began to growl.
"Come on ..." As Rosemary reached toward Bagabond, the cat sprang. Rosemary 
jumped back, tripping over the handbag she'd set on the ground. Lying on her 
back, she could see eye to eye with the very angry feline.
"Nice kitty. Stay right there." As she started to get up, the black cat was 
joined by a slightly smaller calico cat.
"Okay. I'll see you another time." Rosemary grabbed her bag and the file and 
retreated.
Her father never understood why she wanted to deal with the poor of the city, 
the "filth," as he called them. Tonight she was going to have to suffer through 
another chaperoned evening with her parents and her fiance. An arranged 
marriage, in this day and age. She wished it was easier to stand up to her 
father and say no. Her family was a creature of tradition. She just did not fit 
in.
Rosemary had her own apartment which, until recently, she had shared with C.C. 
Ryder. C.C. was a vocal hippie. Rosemary had made sure that her father and C.C. 
never met.
The consequences were too horrible to consider. Keeping her two lives separate 
was essential.
It was a line of thought that took her too close to the pain. C.C. was gone. She 
had disappeared into the city. Rosemary was frightened for C.C. and for herself, 
for what it meant about the city.
Rosemary looked up from the park bench where she had collapsed. It was time to 
get the file back to the office and head for Columbia and class.
"What a terrific night." Lombardo "Lucky Lummy" Lucchese was feeling great, just 
great. After two whole years of working numbers and small-time protection, he 
had at last made it into the foremost of the Five Families. They knew talent and 
he had plenty. Walking down 81st toward the park with his three friends, he was 
on top of the world.
He had to go pay his respects to his fiancee, Maria. What a mouse! But a mouse 
who was the only child of Don Carlo Gambione could be very valuable in the years 
to come. Later he would celebrate with his buddies. Now he had to get some cash 
so he could buy mousy Maria some nice flowers to show his devotion. Maybe 
carnations.
"I'm gonna go downstairs. Pick up some money," Lummy said.
"Want some company?" Joey "No-Nose" Manzone asked. "Nah. You kiddin'? After next 
week, I'll be in the big money. I just wanna do one more job. For old time's 
sake. See ya later."
Splashing through oil-iridescent puddles, Lummy whistled as he swung along 
toward the illuminated globe marking the stairs to the 81st Street subway 
station. Nothing could bring him down tonight.
What a perfectly dreadful evening, Sarah Jarvis thought. The 
sixty-eight-year-old woman had never in her life expected to be invited to an 
Amway party. The very thought. It had taken hours for her friend and her to 
leave. Of course, it was raining by that time and, of course, there was not an 
on-duty cab to be found. Her friend lived in the next building. Sarah had to go 
all the way uptown to Washington Heights.
Sarah hated the subway. That stale smell always nauseated her. She disliked the 
noisy parts of the city anyway, and the subway was among the loudest. Tonight, 
though, everything was quiet. Alone on the platform, Sarah shivered under her 
twee jacket.
Peering over the edge of the platform and along the tunnel, she thought she saw 
the light of the uptown AA local. Something was there, but it seemed to move so 
slowly. Sarah turned away and looked at the advertising placards. She examined 
the poster calling for the reelection of that nice Mr. Nixon. In the adjacent 
newspaper vending machines, the headlines told of burglars breaking into a 
Washington hotel and apartment house. Watergate? What a funny name for a 
building, she thought. The Daily News led with a story about the so-called 
Subway Vigilante. The police were attributing five slayings over the past week 
to the mysterious killer. The victims had all been drug dealers and other 
criminals. The murders had all taken place in the subways. Sarah shuddered. The 
city was quite different than it had been in her childhood.
First she heard the steps, clattering down the stairs and past the deserted 
token booth. Then whistling, a peculiar tuneless drone, as the person entered 
the station. Despite herself, she was caught between apprehension and relief. 
Somewhat ashamed of her reaction, she decided she wouldn't mind a little human 
company.
As soon as she saw him, she was not so sure. Sarah had never been all that fond 
of black leather jackets, particularly those worn by slightly greasy, smirking 
young men. She turned her back firmly and focused on the wall across the tracks.
As the old woman turned her back, Lucky Lummy grinned broadly and touched the 
tip of his tongue to his upper lip.
"Hey, lady, got a light?"
"No."
One corner of Lummy's mouth twitched as he moved toward her back. "Come on, 
lady, be nice."
He missed the tension gathering in her shoulders as Sarah remembered that 
self-defense class she had attended last winter.
"Just give me the purse, lad-aiee!" He screamed as Sarah turned and crushed his 
instep with her sensible but sophisticated beige pump. Lummy jerked back and 
aimed a punch at her face. Sarah evaded him by stepping backward and slipping on 
something slimy. Lummy grinned and started toward her.
Wind rushed past them from the tunnel as the AA train approached the station.
Neither noticed that a dozen people had all managed to get to the subway 
entrance simultaneously. Most of the crowd had attended a late showing of The 
Godfather and were continuing an animated discussion of whether or not Coppola 
had exaggerated the Mafia's role in modern crime. Someone who hadn't been at the 
screening was a transit worker who had had a long and trying day. He just wanted 
to go home and get dinner, not necessarily in that order. The newspapers had 
been pushing again; even that joker Rights stuff couldn't keep them occupied all 
the time. The transit man had been pulled off his regular track-checking duties 
to spend eighteen hours searching vainly for alligators in sewers and subway 
tunnels, conduit shafts, and deep utility holes. He mentally cursed his 
employers for kowtowing to the sensationalist press, and especially cursed the 
bird-dogging reporters he'd finally ditched.
The transit worker hung back a little, trying to stay out of the melee as the 
group fumbled for tokens and started through the gates. The moviegoers chattered 
as they went.
With a roar and braking screech of metal on metal, the AA local burst out of the 
tunnel.
On the platform, all manner of people confronted each other. Swearing in 
Italian, Lummy let go of his victim and looked around for a bolt-hole.
The first two couples had entered and were staring at the scene in front of 
them. One of the men moved toward Lucky Lummy as the other man grabbed his date 
and tried to retreat.
The doors of the local hissed open. At this time of night, there were few 
passengers on the train and no one got of. "There's never a transit cop when you 
need one," said the would-be rescuer. Momentarily, Lummy considered leaping for 
the punk and punching out his lights. Instead he feinted at the man, then 
half-limped, half-ran into the last car. The doors snapped closed and the train 
began to move. It might have been the light, but the bright grafitti on the 
sides seemed to change.
From inside the car, Lucky Lummy laughed and gestured obscenely at Sarah, who 
was feeling for bruises and trying to rearrange her soiled clothing. Lummy aimed 
a second gesture at the woman's inadvertent rescuers as the entire group 
converged on Sarah.
Abruptly Lummy's face contorted with fear and then outright terror as he began 
beating on the doors. The man who had tried to stop Lummy caught one last 
glimpse of him clawing at the rear door of the car as the train sped into 
darkness.
"What a creep!" said the date of the would-be rescuer. "Was he one of those 
jokers?"
"Naw," said his friend. "Just a garden-variety asshole." Everyone froze as they 
heard the screams from the uptown tunnel. Over the diminishing roar of the 
local, they could hear Lummy's hopeless, agonized cries. The train vanished. But 
the screams lasted until at least 83rd Street. The transit worker moved toward 
the downtown tunnel as the hero of the hour was congratulated by the mostly 
unharmed Sarah, as well as by the rest of the onlookers. Another transit 
employee came down the steps at the other end of the platform.
"Hey!" he yelled. "Sewer Jack! Jack Robicheaux. Don't you ever sleep?"
The exhausted man ignored him and let himself through a metal access door. As he 
walked down the tunnel, he began shedding his clothes. A watcher might have 
thought she had seen a man squatting down and crawling along the damp floor of 
the tunnel, a man who had grown a long snout filled with sharp, misshapen teeth 
and a muscular tail capable of smashing the watcher into jam. But no one saw the 
flash of greenish-gray scales as the erstwhile transit worker joined the 
darkness and was gone.
Back on the 81st Street platform, the spectators were still so transfixed by the 
echoes of Lummy's dying screams that few noted the rumbling, bass roar from the 
other direction.
Her last class over, Rosemary walked wearily toward the 116th Street subway 
entrance. One more task completed for today. Now she was on her way to her 
father's apartment to see her fiance. She had never had much enthusiasm for 
that, but these days she had little enthusiasm for anything at all. Rosemary 
moved through the days wishing that something in her life would be resolved.
She shifted her armload of books to her right arm as, onehanded, she sifted 
through her purse for a token. Walking through the gate, she paused, standing to 
one side to stay out of the path of the other students. Judging from the 
placards carried by a number of the people, the latest antiwar rally must have 
just ended. Rosemary noted some apparently normal kids carrying signs lettered 
with the joker Brigade's informal slogan: LAST TO GO-FIRST TO DIE.
C.C. had always been into that. She had even sung her songs at a few of the 
less-rowdy gatherings. One day she had even brought home a fellow activist, a 
guy named Fortunato.
While it was nice that the man was involved with the joker Rights movement, 
Rosemary didn't like pimps, geishas or no geishas, in her apartment. It had 
caused one of the few fights she had ever had with C.C. In the end C.C. had 
agreed to check with Rosemary more closely about future dinner guests.
C.C. Ryder had tried and tried to convince Rosemary to become active, but 
Rosemary believed that helping a few people directly could do as much good as 
standing around shouting condemnations of the "Establishment." Probably a lot 
more good. Rosemary knew she came from a conservative family. Her roommate 
rarely let her forget it.
Rosemary took a deep breath and launched herself into the flood of people. All 
the late classes had evidently gotten out at the same time.
As Rosemary walked onto the platform, she moved around the rear of the crowd so 
she could end up at the far side of the waiting area. She didn't feel like being 
that close to people right now. Moments later she felt the flood of dank tunnel 
air and shivered inside her damp sweater. Deafening, depressing, the local swept 
by her. All the cars had been defaced, but the last car was even more peculiarly 
decorated. Rosemary was reminded of the tattooed woman in the Ringling Brothers 
show she had seen in the old Garden. She had often wondered at the psychology of 
the kids who wrote on the sides of the trains. Sometimes she didn't like what 
their words revealed. New York was not always a nice place to live.
I won't think about it. She thought about it. The image of C.C. lying comatose 
in the I.C. ward of St. Jude's glittered in her mind. She saw the shiny 
life-support machines. Because C.C. had had no relatives to notify, Rosemary had 
even been there when the nurses changed the dressings. She remembered the 
bruises, the black and poisonously blue patches that covered most of C.C.'s 
body. The doctors were unsure exactly how many times the young woman had been 
raped. Rosemary had wanted to empathize. She couldn't. She wasn't even sure how 
to begin. All she could do was to wait and hope. And then C.C. had vanished from 
the hospital.
The last car looked to be empty. As Rosemary started toward it, she glanced at 
the graffito. She stopped dead, her eyes tracking the words written on the dark 
side of the car:
Parsley, sage, Rosemary? Time .
Time is for others, not for rne.
"C.C.! What?" Disregarding the other people who had spotted the unoccupied car, 
she pushed her way to the doors. They were closed. Rosemary dropped her books 
and tried to claw the doors open. She felt a nail break. Failing, she beat on 
the doors until the train began to pull slowly out of the station.
"Not"
Rosemary's eyes filled with tears at the final sight of her name and another of 
C.C.'s lyrics:
You can't fight the end, But you can take revenge.
Rosemary said nothing else, only stared after the train. She looked down at her 
fists. The apparently steel door had been soft and yielding, warm. Had someone 
given her acid?
Was it a coincidence? Was C.C. living underground? Was C.C. alive at all?
It was a long time before the next train came.
He hunted in the near-darkness.
The hunger was upon him; the hunger that seemed never to be fully satisfied. And 
so he hunted.
Dimly, ever so faintly, he recalled a time and a place when it had been 
different. He had been someone-what was that?--something else.
He looked, but saw little. In this gloom and especially in the foul water choked 
with debris, his eyes served little use. More important were the tastes and 
smells, the tiny particles that told him both what lay in the distance meals to 
seek patiently-and of the immediate satisfactions that hovered, unsuspecting, 
just beyond the length of his snout.
He could hear the vibrations: the powerful, slow movements from side to side as 
his tail muscled through the water; the crushing, but distant waves beating down 
from the city above; the myriad tiny actions of food scurrying about in the 
darkness.
The filthy water broke around his wide, flat snout, the current streaming to 
either side of the raised nostrils. Occasionally the transparent membranes would 
slide down across the protruding eyes, then slip up again.
As large as he was-barely able to fit through some of the tunnels he had 
traversed during this time of feeding-he made very little noise. Tonight most of 
the sounds that accompanied him came from the prey, were cried out during the 
devouring. His nostrils gave him the first inkling of the feast to come, but was 
shortly followed by messages from his ears. Although he hated to leave this 
sanctuary that covered nearly all of his body, he knew he must go where the food 
was. The mouth of another tunnel loomed to one side. There was barely enough 
room in the passageway for even so flexible a body as his to turn and enter the 
new watercourse. The water became shallower and ended altogether within two 
body-lengths of the entrance.
It didn't matter. His legs worked well enough, and he could move almost as 
silently as before. He could still smell the prey waiting for him somewhere 
ahead. Nearer. Near. Very close. He could hear sounds: squeaks, squeals, the 
scurrying of feet, the brush of furry bodies against stone.
They wouldn't expect him; there were few predators in these tunnels deep down. 
He was upon them in an instant, the first one crushed between his jaws, its 
death-cry warning the others. The prey scattered in panic. Except for those 
without escape routes, there was no attempt to fight back. They ran. Most who 
lived longest scurried away from the monster in their midst-and encountered the 
bricked-up end of the tunnel. Others tried to s Tint around him-one even daring 
to leap across his scaly back--but the lashing tail smashed them against the 
unyielding walls. Still others ran directly into his mouth, cowering only in the 
split second before the great teeth came together.
The agonized squeals peaked and subsided. The blood flowed deliciously. The meat 
and hair and bones lay satisfyingly in his stomach. A few among the prey still 
lived. They crawled away from the slaughter as best they could. The hunter 
started to follow, but his meal sat heavily. For now he was too sated to follow, 
or to care. He made it as far as the edge of the water and then stopped. Now he 
wanted to sleep.
First he would break the silence. It was allowed. This was his territory. It was 
all his territory. The great jaws opened and he issued a penetrating, rumbling 
roar that echoed for many seconds through the seemingly endless labyrinth of 
tunnels and ducts, passageways and stone corridors.
When the echoes finally died, the predator slept. But he was the only one.
Rosemary said hello to Alfredo, who was on security duty tonight. He smiled at 
her as she signed in, and shook his head when he saw the stack of books she 
carried.
"I can get you help with that, Miss Maria."
"No thanks, Alfredo. I can manage just fine."
"I remember carrying your books for you when you were just a bambina, Miss 
Maria. You used to say you wanted to marry me when you grew up. No more, eh?"
"Sorry, Alfredo, I'm just fickle." Rosemary smiled and batted her eyes. It 
wasn't easy to joke or even be pleasant. She wanted this evening, this day, to 
end.
She was alone in the elevator and took the opportunity to rest her head against 
the side of the car for a moment. She indeed remembered Alfredo carrying her 
books to school. It had been during one of the wars in her childhood. What a 
family.
When the elevator doors opened, the two men in front of the entry to the 
penthouse came to attention. They relaxed as she approached, but each looked 
unusually solemn.
"Max. What's happened?" Rosemary looked questioningly at the taller of the two 
identically black-suited men.
Max shook his head and opened the door for her. Rosemary walked between the 
oppressive, dark oakpaneled walls toward the library. The ancient oil paintings 
did nothing to relieve the gloom.
At the door of the library, she started to knock, but the heavy, carved doors 
swung inward before she struck them. Her father stood in the doorway, his 
silhouette illuminated by the lamp on his desk.
He took both her hands and held them tightly. "Maria, it's Lombardo. He's no 
longer with us."
"What happened?" She stared at her father's face. The areas beneath his eyes 
were dark. His jowls sagged even more than she remembered.
Her father gestured. "These young men brought the news. "
Frankie, Joey, and Little Renaldo stood clumped together. Joey literally held 
his hat in his hands.
"We told Don Carlos, Maria. Lucky Lum--er, Lombardo was coming right over here 
but he stopped for a minute in the subway."
"He wanted to get some gum, I think." Frankie volunteered the information as if 
it had some significance.
"Yeah, anyway. He didn't come out. We were just hanging around," said Joey, "so 
we decided to find out what was going on when we heard about... . disturbance in 
the station. When we got there, we found out what happened."
"Yeah, they found him in about two dozen--"
"Frankie!"
"Yes, Don Carlo."
"That will be all for tonight, boys. I will see you in the morning."
The three young men nodded and touched their foreheads in Rosemary's direction 
as they left.
"I'm sorry, Maria," said her father.
"I don't understand. Who would have done this?"
"Maria, you know Lombardo worked with our family business. Others knew that. And 
they knew he was about to become my son. We think it may have been someone 
trying to hurt me." Don Carlo's voice sounded sad. "There have been other 
incidents lately. There are those who want to take away what we have worked for 
a lifetime to achieve." His voice hardened again. "We won't let them get away 
with this. I promise, Maria!"
"Maria, I have some nice lasagna. Your favorite. Please, try to eat." Rosemary's 
mother spoke from out of the shadows. She rose to take Rosemary to the kitchen, 
escorting her with an arm around her shoulders.
"Mama, you shouldn't have held supper for me."
"I didn't. I knew you would be late and so I saved some for you. "
Rosemary said to her mother, "Mama, I didn't love him."
"Ssh. I know." She touched her daughter's lips. "But you would have grown to 
care for him. I could see how well you got along."
"Mama, you don't-" Rosemary was interrupted by her father's voice following them 
from the library.
"It has to be melanzanes, blacks! Who else would be attacking us now? They have 
to be coming down from Harlem through the tunnels. They've wanted our 
territories for years."
"Especially they want a susina like Jokertown. No, jokers would never dare do 
this on their own, but the blacks could be using them as a distraction."
Rosemary heard silence, followed by tinny squeaks from the telephone. Her mother 
tugged at her arm.
Don Carlo said, "They must be stopped now or they will threaten all the 
Families. They're savages."
Another pause.
"I do not exaggerate."
"Maria..." said her mother.
"Tomorrow morning, then," said Don Carlo. "Early. Good."
"See, Maria. Your father will take care of it." Her mother led Rosemary into the 
harvest-gold kitchen with all its bright appliances, the walls lined with framed 
samplers of old country homilies. She thought of telling her mother about C.C. 
and the subway, but it seemed impossible now. It had to have been her 
imagination. She just wanted to sleep. She didn't want to eat. She couldn't take 
anything else tonight.
The bag lady stirred in her sleep and one of the pair of large cats beside her 
moved out of the way. He raised his head and sniffed at his companion. Leaving 
the woman with an opossum curled against her stomach, the two cats silently 
stalked out into the darkness of the abandoned subway tunnel. The neglected 86th 
Street cutoff took them toward food.
Both cats were hungry themselves, but now they hunted for their woman's 
breakfast. Using a drainage tunnel, they exited into the park and out beneath 
the maples to the street.
When a New York Times delivery truck paused at a light, the black cat looked at 
the calico and pointed his muzzle at the truck. As the truck pulled away, they 
leaped aboard. Settled on the back of the truck, the black created the image of 
mounds of fish and shared it with the calico. Watching the city blocks pass, 
they waited for the telltale scent of fish. Finally, as the truck slowed, the 
calico smelled fish and impatiently jumped down from the vehicle. Yowling 
angrily, the black followed her down an alley. Both stopped when the scent of 
strange humans overwhelmed the food. Farther down the alley was a crowd of 
jokers, crude parodies of normal humans. Dressed in rags, they searched through 
the garbage for food.
A wedge of light spilled into the alley as a door opened. The cats smelled fresh 
food as a well-dressed man, larger than any of the scavengers, carried boxes 
into the alley.
"Please." The fat man spoke to the paralyzed jokers in a soft voice filled with 
pain. "I have food for you here."
The frozen scene ended as the jokers rushed together toward the cartons and 
began ripping them open. They jostled each other and fought for position to get 
at the rich food.
"Stop!" A tall joker cried out in the midst of the chaos. "Are we not men?"
The jokers paused and withdrew from the boxes, allowing the fat man to dole out 
the food to each of them. The tall joker was the last to be served. As the host 
handed him food, he spoke again. "Sir, we thank Aces High."
In the darkness of the alley, the cats observed the jokers' meal. Turning to the 
calico, the black formed the image of a fish's skeleton and they moved back 
toward the street. On 6th Avenue, the black sent a picture of Bagabond to the 
calico. They loped uptown until a slow-moving produce truck provided a ride. 
Many blocks later, the truck neared a Chinese market and the black recognized 
the familiar scent. As the truck began to brake, both cats leaped out. They kept 
to the dark beyond the range of the streetlights until they reached the open-air 
grocery.
It was still long before dawn and the truckers were unloading the day's fresh 
produce. The black cat smelled freshly slaughtered chicken; his tongue extended 
to touch his upper lip. Then he uttered a short growl to his companion. The 
calico leapt onto a display of tomatoes and began to claw them to pieces.
The proprietor yelled in Chinese and hurled his clipboard at the marauding cat. 
He missed. The men unloading the truck stopped and stared at the apparently 
insane feline.
"Worse'n Jokertown," one muttered.
"That's one big sumbitchin' kitty," said the other.
As soon as their attention was fixed on the calico cat destroying the tomatoes, 
the waiting black cat sprang to the back of the truck and seized a chicken in 
his mouth. The black was a very large cat, at least forty pounds, and he lifted 
the chicken with ease. Leaping off the tailgate, he ran into the darkness of the 
alley. At the same time, the calico dodged a broom handle and bounded after.
The black cat waited for the calico halfway down the next block. When the calico 
reached him, both cats howled in unison. It had been a good hunt. With the 
calico occasionally aiding the black in lifting the chicken onto curbs, they 
loped back to the park and the bag lady.
A fellow street dweller had once called her Bagabond in one of his more sober 
moments and the name had stuck. Her people, the wild creatures of the city, 
called her by no name, only by their images of her. Those were enough. And she 
only remembered her name once in a while.
Bagabond pulled around herself the fine green coat that she had found in an 
apartment-house dumpster. She sat up, careful not to displace the opossum. With 
the opossum settled in her lap and a squirrel on each shoulder, she greeted the 
proud black and calico cats with their prize. Moving with an ease that would 
have amazed the few street denizens who had anything to do with her, the woman 
reached out and patted the heads of the two feral cats. As she did, she formed 
the image in her mind of a particularly scrawny chicken, already half-eaten, 
being dragged out of a restaurant garbage can by the pair.
The black stuck his nose into the air and snorted gently as he obliterated the 
image in both his head and Bagabond's. The calico merged a meow with a growl in 
mock anger and stretched her head toward the woman's. Catching Bagabond's eye, 
the calico replayed the hunt as she had perceived it: the calico at least the 
size of a lion, surrounded by human legs much like mobile tree trunks. Brave 
calico spotting the prey, a chicken the size of a house. Fierce calico leaping 
toward a human throat, fangs bared...
The scene went blank as Bagabond abruptly focused elsewhere. The calico began to 
protest until a heavy black paw rolled her over on her back and held her down. 
The calico stilled her protest, head twisted to the side to watch the woman's 
face. The black was stiff with anticipation.
The picture formed in all three minds: dead rats. The image was obliterated by 
Bagabond's anger. She rose, shaking off the squirrels and setting the opossum to 
one side. Without hesitation, she turned and started into one of the tangential, 
descending tunnels. The black cat bounded silently past and moved ahead to act 
as a scout. The calico paced the woman. "Something's eating my rats."
The tunnels were black; sometimes a little bioluminescence shed the only light. 
Begabond couldn't see as well as the cats, but she could use their eyes.
The black picked up a strange scent when the three of them were deep beneath the 
park. The only connection he could make was with a shifting creature that was 
equal parts snake and lizard.
A hundred yards farther, they came upon a devastated rats' nest. None of the 
rats lived. Some were half-eaten. All the bodies had been mangled.
Bagabond and her companions stumbled on in the wet tunnel. The woman slid off a 
ledge and found herself hip-deep in disgusting water. Unidentifiable chunks 
batted against her legs in the moderate current. Her temper was not improved. 
The black cat bristled and projected the same image as a few minutes before, but 
now the creature was even larger. The cat suggested they all three back out of 
this passageway now. Quickly. Quietly.
Bagabond blocked out the suggestion as she sidled along a slimy wall to another 
ravaged nest. Some of these rats were still alive. Their simple picture of their 
destroyer was the shadowy image of an impossibly large and ugly snake. She shut 
off the brains of the mortally injured and moved on.
Five yards down the passage was an alcove that provided drainage for a section 
of the park above. The entrance was three feet above the floor of the tunnel. 
The black crouched there, muscles taut, ears laid back, yowling softly. He was 
scared. The calico disdainfully started for the opening, but the black knocked 
her aside. The larger cat looked back at Bagabond and sent every negative image 
he could.
Carried by her anger, Bagabond indicated she would go in first. She took a 
breath, gasped, and crawled into the alcove.
It was lit by a grating in the roof, some twenty feet above. The gray light fell 
on the naked body of a man. Heelooked to Bagabond to be in his thirties, muscled 
but not overly so. No flab. Bagabond noted vaguely that he didn't look as wasted 
as most of the derelicts she had seen. For a moment, she thought he was dead, 
yet another victim of the mysterious killer. But as her mind focused on the man, 
she realized he was just asleep.
The cats had followed her into the chamber. The black growled in confusion. His 
senses told him the trail of the lizard-snake thing ended here-it ceased where 
the man lay.
Bagabond felt something strange about the man. She didn't usually try to read 
humans; it was too difficult. Their minds were complex. They plotted, schemed. 
Slowly she knelt beside him and extended her hand.
The man woke up, caught sight of the dirty street person about to touch him, and 
jerked away.
"Wha' you want?" She stared at him.
He realized he was naked and hauled himself to the entry of the cave passage- He 
heard a deep growl, recoiled, barely evaded a swipe from the claws of the 
biggest cat he'd ever seen. For a moment, he felt himself sliding into the 
darkness inside his mind. Then he was into the main tunnel and gone. The cats 
were crying with questions, but Bagabond had no answers. Almost, she thought. 
Inside his mind. I almost felt... what? Gone.
Bagabond, the calico, and the black searched for another hour, but they found no 
more trace of the strange scent. There was no monster in the tunnel.
The transients, derelicts, bag ladies, and other street people began their day 
early, when the best cans and bottles were to be found. Rosemary had slipped out 
of the penthouse early as well. She had barely slept, and that morning, knowing 
what was almost certainly happening behind the closed doors of the library, she 
wanted to get out quickly. The dons were declaring war.
Central Park with its trees, bushes, and benches was heaven for a certain 
portion of the street people. This sunny morning, Rosemary was looking for a few 
she had undertaken to help . As she reached the second park bench beyond the 
stone ridge, a man in tattered clothing hid a bottle in a bush beside the bench 
and jumped to his feet. He wore an olivedrab fatigue jacket with a less-faded 
place on one shoulder where the joker Brigade "cannon fodder" patch had once 
been sewn. Rosemary had suggested it was not prudent to wear the patch this far 
uptown.
"Hello, Crawler," said the social worker. Somewhere in his late 
twenties-Rosemary couldn't tell from the vet's sunburned face-he had taken his 
nickname from his Army job in Vietnam: tunnel crawler. He'd re-upped twice. Then 
Crawler had seen enough.
"Hey, Rosemary. You got my new goggles yet?" Crawler wore a makeshift pair-cheap 
14th Street sunglasses, the eyepieces built up with dirty white adhesive tope. 
Underneath, Rosemary knew his eyes were dark and overlarge, extraordinarily 
sensitive.
"I've requested the funding. It will be a while before we can get them. You know 
red tape-just like in the service."
"Shoot." But the derelict still smiled as he fell in step beside her.
Rosemary hesitated, then said. "You can still check in with the V A., you know. 
They'll fix you up."
"Fuck no," said Crawler, sounding alarmed. "Guys like me, they go in a VA. and 
they never come back out." Rosemary started to say, "That's nonsense," but 
thought better of it. "Crawler, do you know anything about the underground? You 
know, the subway tunnels and all that?"
"Some. I mean, I need the shelter. I just don't like bein down there. 'Sides, 
there's creepy stuff goin' on down there. I hear things about alligators, stuff 
like that. Maybe it's all from winos with the d.t.'s, but I don't wanna find 
out."
"I'm looking for someone," said Rosemary.
Crawler wasn't listening. "Only the really weird people live down there." He 
mumbled something.... even stranger than down on the East Side-you know, the 
Town.
"She lives down deep." Crawler pointed at the crone sitting on the ground under 
a maple tree. She was a hundred yards away, but Rosemary could have sworn there 
were pigeons sitting on the woman's head and a squirrel perched on her shoulder. 
Rosemary cocked her head and looked back at the little man. "That's just 
Bagabond," she said. "No need to worry about her..." Rosemary realized that 
Crawler was no longer with her. He was panhandling a well-dressed businessman 
getting exercise by walking to work. She shook her head in mixed disapproval and 
resignation.
By the time Rosemary turned back toward Bagabond, the pigeons and squirrel were 
gone. Rosemary shook her head to clear it. My imagination really is working 
overtime, she thought, walking toward the bag lady. just another lost soul. 
"Hello Bagabond."
The old woman with stringy hair turned her head away and stared across the park.
"My name is Rosemary. I talked to you before. I tried to find you a nice place 
to live. Do you remember?" Rosemary squatted down on the ground to speak at 
Bagabond's level.
The black cat she had seen before came up to Bagabond and began rubbing against 
her. She stroked its head and murmured incomprehensible sounds.
"Please talk to me. I want to get you food. I want to get you a good place to 
live." Rosemary held out her hand. The ring on her third finger glittered in the 
sun.
The woman on the ground drew her legs up against herself and clutched the 
plastic trashbag filled with her treasures. She began rocking back and forth and 
crooning. The black cat turned to look at Rosemary and she flinched against its 
glare.
"I'll talk to you later. I'll come back and see you." Rosemary rose stiffly. Her 
face tightened, and for just a moment, she felt like crying to ease the 
frustration. She only wanted to help. Someone. Anyone. To feel good about 
something.
She walked away from Bagabond and back toward Central Park West and the subway 
entrance. Her father's war council had frightened her. She had never liked what 
he did, and her entire life seemed to be a search for escape and redemption, 
atonement. The sins of the fathers. Rosemary wanted peace, but whenever she 
thought she could get it, it retreated beyond her grasp. C.C. had been a last 
chance. So was each one of the derelicts she failed to help. There was a key to 
reaching Bagabond. There had to be.
Rosemary descended the steps, waited, dropped in her token, walked down the 
second stairway onto the platform in a daze. The blast of cool air entered the 
station followed by the AA train. Rosemary barely glanced up from the floor and 
moved stiffly toward the nearest car.
As she was about to step onto the train, her eyes widened and she stepped back 
into the crowd, drawing glares and a few curses for breaking the flow. That last 
car. It had more of C. C.'s lyrics painted on the side in a shade of red that 
reminded her of blood. C.C. had always been something of a manicdepressive and 
Rosemary had always known her mood by what she wrote or sang. The C. C. who had 
written these words was depressed beyond even Rosemary's experience:
Blood and bones Take me home
People there I owe People there gonna go
Down with me to Hell Down with me to Hell
Approaching the car, Rosemary saw words she knew had not been there seconds ago.
Rosie, Rosie, pretty Rosie Leave this place Forget my face Don't cry Rosie, 
Rosie, pretty Rosie
"I'm going to find you, C. C. I'm going to save you." Rosemary again fought to 
get into the car she now realized was covered with fragments of C.C.'s songs, 
some that she recognized, others that had to be new. Once more the car rejected 
her. Breathing hard, eyes wide, Rosemary watched the car move into the tunnel. 
She gasped as the side of the car was suddenly covered with tears of blood.
"Holy Mary, Mother of God..." Rosemary absurdly remembered the stories of saints 
from her childhood. For just a moment, she wondered if the world was ending, if 
the wars and the deaths, the jokers and the hate, truly prefigured the 
Apocalypse.
It was noon.
American B-52s were bombing Hanoi and Haiphong. Quang Tri was shaky, as the 
North Vietnamese were on the march. In Washington, D. C. , politicians exchanged 
increasingly frantic phone calls about a recent burglary. The question in some 
quarters was, is Donald Segretti an ace?
The midtown Manhattan rush was ferocious. At Grand Central Station, Rosemary 
Muldoon looked for raggedy shadows she could follow into the darkness of the 
under ground. A dozen blocks north, Jack Robicheaux plied his regular trade, 
clattering through the permanent darkness on his small electric cart, checking 
track integrity in tunnel after tunnel. And somewhere under the abandoned 86th 
Street cutoff, just beneath the floor of the south edge of Central Park Lake, 
Bagabond drifted on the edge of sleep, warmed by the cats and other beasts of 
her life.
Noon. The war beneath Manhattan was starting.
"Let me quote to you from a speech given once by Don Carlo Gambione himself," 
said Frederico "the Butcher" Macellaio. He grimly surveyed the groups of capos 
and their soldiers gathered around him in the chamber. In the '30s, the huge 
room had been an underground repair facility for midtown transit. Before the Big 
War, it had been closed and sealed of when the IA. decided to consolidate all 
maintenance yards across the river. The Gambione Family had soon taken the space 
over for storage of guns and other contraband, freight transfer, and occasional 
burials.
The Butcher raised his voice and the words echoed. "'W'hat will make the 
difference for us in battle will be two things: discipline and loyalty."
Little Renaldo was standing off to one side with Frankie and Joey. "Not to 
mention automatic weapons and H.E.," he said, smirking.
Joey and Frankie exchanged glances. Frankie shrugged. Joey said, "God, guns, and 
glory."
Little Renaldo commented, "I'm bored. I wanna go shoot somethin'. "
Joey said a little louder, so the Butcher could hear, "Hey, are we goin' to 
roust some rummies, or what? Who's fair game? Just the blacks? Jokers too?"
"We don't know who their allies are," said the Butcher. "We know they wouldn't 
act alone. There are traitors from among our own race helping them for money"
Little Renaldo's manic grin widened. "Free-fire zone," he said. "Hoo-boy." He 
tugged his boonie hat down snug. "Shit," said Joey, "you weren't even there."
Little Renaldo gave him a thumbs-up. "I saw that John Wane movie."
"That's the word from the Man, huh?" said Joey.
The Butcher's smile was thin and cold. "Anybody gives you problems, just waste 
'em."
The groups began to move out, scouts, squads, and platoons. The men had their 
M-16s, pump scatterguns, a few M-60 machine guns, grenades and launchers, 
rockets, riot gas, sidearms, knives, and enough blocks of C-4 to handle any kind 
of heavy demolition.
"Hey, Joey," said Little Renaldo. "What you gonna shoot?"
Joey slapped a magazine into the AK-47. This weapon wasn't from the Gambione 
armory. It was his own souvenir. He touched the polished wooden stock. "Maybe a 
'gator."
"Huh?"
"Don't you read any of them rags that's been talking about the giant alligators 
down here?"
Little Renaldo looked at him doubtfully and shivered. "The jungle-jokers are one 
thing. I don't want to go up against no big lizards with teeth."
It was Joey's turn to grin.
"No such things, right?" said Little Renaldo. "You're just shittin' me, right?"
Joey shot him a jaunty thumbs-up.
Jack had lost all track of time. He knew it had been a long while since he'd 
shunted his track maintenance vehicle off the main line onto a spur. Something 
was wrong. He decided to check out some of the more obscure routes. It was as 
though a piece of ice pressed against a spot just north of his tailbone. He'd 
heard trains, but they had passed at a distance. The tunnels he now traveled 
were seldom used except for diverted routes during high congestion, track fires, 
or other problems on the main line. He also heard far-off reports that sounded 
like gunfire.
Jack sang. He filled the darkness with zydeco, the bluesy Cajun-Black mixture he 
remembered from his childhood. He started with the Big Bopper's "Chantilly Lace" 
and Clifton Chenier's "Ay-Tete-Fee," segued into a Jimmy Newman medley and Slim 
Harpo's "Rainin' in My Heart." He'd just pulled the switch and slid the car onto 
a spur he knew he hadn't checked in at least a year, when the world blew apart 
in a flash of red and yellow flame. He'd had time to sing one line of 
"L'Haricots sons pas sales" when the darkness fragmented, the pressure waves 
slammed against his ears, and the car and he took different, spinning, twisting 
directions through the air.
All he really had time to say was, "Wha' de hail-" as he fetched up against the 
stone of the tunnel's far wall and crumpled to the floor. For the moment, he was 
stunned by concussion and flash. He blinked and realized he could see smoke 
swirling, and the hand-held lights that illuminated the smoke.
He heard a voice say, "Jesus Christ, Renaldo! We weren't going up against a 
tank."
Another voice said, "Sorta sorry to do this one. Hate to kill anybody sounded 
that much like Chuck Berry."
"Well," said a third, "at least he had to be a spook."
"Check it out, Renaldo. Guy probably looks like an open can of Spam, but you 
better find out for sure."
"Yo, Joey"
The lights came closer, bobbing in the dissipating smoke. They're gon' kill me, 
Jack thought, reverting to the dialect of his childhood. There was at first no 
emotion to the realization. Then the anger started. He let the feeling sweep 
over him. The anger escalated to rage. Adrenaline pricklings agonized his 
nerves. Jack felt the first brush of what he had used to think was the onset of 
loup-garou madness.
"Hey, I think I see something! Off to your left, Renaldo." The one called 
Renaldo approached. "Yeah, I got him. Now I'll make sure." He raised his weapon, 
taking aim with the light held tight along the stock.
That pushed Jack over the edge. You chill son of a bitch! Pain, welcome pain, 
wracked him. He... changed. His brain seemed to spin, his mind folding in on 
itself endlessly down into the primal reptile level. His body was elongating, 
thickening; his jaw thrust forward, the teeth springing up in profusion. He felt 
the length of perfectly toned muscles, the balance of his tail. The utter power 
of his body... he felt it completely.
Then he saw the prey in front of him, the menace. "Oh, my God!" Little Renaldo 
cried. His finger tightened on the trigger of the M-16. The first burst of 
tracers went wild. He never had the chance for a second.
The creature that had been Jack lunged forward, the jaws closing around 
Renaldo's waist, twisting and tearing at his flesh. The man's light spun, 
smashed, and went out.
The other men started firing wildly.
The alligator registered the cries, the screams. The smell of terror. Good. The 
prey was easier when it located itself. He dropped Renaldo's corpse and moved 
toward the lights, the bull roar of his challenge filling the tunnel.
"For the love of God, Joey! Help me!"
"Hold on. I can't see where you went!"
The corridor was narrow, the materials old and decaying. Caught between two 
equally tempting morsels, the alligator twisted around in the confined space. He 
saw flashes of light, felt a few stinging impacts, mainly in his tail. He heard 
the prey screaming.
"Joey, it busted my leg!"
More flashes. An explosion. Acrid smoke choked his nostrils. Irregular chunks of 
stone fell from the ceiling. Rotten beams splintered. Deteriorated cement 
collapsed. Part of the floor beneath him gave way and his twelve-foot length 
tumbled heavily down an incline. Smoke, dust, and solid debris rained from 
above.
The alligator smashed into a thin metal hatch that had never been engineered for 
this kind of force. The aluminum tore like ripping canvas and he toppled into an 
open shaft. He fell for another twenty feet before crashing into a spider's nest 
of wooden beams. Bits of debris followed for a little while. Then there was 
silence, both above and below. The alligator rested in darkness. When he tried 
to flex his body, nothing much happened. He was thoroughly jammed into a wooden 
cat's cradle. A beam was wedged securely across his snout. He couldn't even open 
his jaws.
He attempted to roar, but the sound came out more as a muffled growl. He blinked 
his eyes, seeing nothing. His strength was dwindling, shock taking its toll.
He didn't want to die here. He wished to end in the water.
Worse, the alligator didn't want to die hungry. He was starved.
Bagabond felt something she hadn't experienced for a long time, sympathy, for 
Rosemary Muldoon. She knew the social worker wanted to help, but how could 
Bagabond tell her that she didn't need help? Puzzled by that emotion, Bagabond 
discovered another one. She could be happy with the caring and companionship of 
her friends, however nonhuman they might be.
She did have a warm place to sleep. Her home beneath Central Park was close to 
the steam tunnels. Bagabond had slowly furnished it with the best the street had 
to offer. A broken red director's chair was the only furniture, but there were 
rags and blankets deeply covering the floor. A velvet painting of lions on the 
veld leaned against one wall and a wooden carving of a leopard stood in one 
corner. One of the leopard's legs was missing but it occupied a place of honor.
Drowsing there in the abandoned 86th Street cutoff tunnel, Bagabond even 
remembered the person she had once been, Suzanne Melot The surge of pain that 
crashed across her mind interrupted her thoughts. The strength of the cry caused 
the black cat to moan in pain. As the wave receded, the black sent to Bagabond 
the same image he had taken from the creature that had attacked the rats. 
Bagabond agreed mentally. Neither could she quite nail down the image. The 
creature seemed to be a huge lizard, but it somehow wasn't entirely animal. And 
it was hurt.
Bagabond sighed and rose. "We have to find it if we are going to have peace and 
quiet." The black was not in favor of this solution until another wave of 
anguish came. He snarled and ran into the tunnel to Bagabond's left. The calico 
felt only the edge of the pain as it passed through Bagabond and the black. 
Bagabond replayed a little of the cry of pain and the calico flattened to the 
ground, ears back. The image of the black appeared in Bagabond's mind and the 
calico dashed down the tunnel in pursuit. Bagabond told the calico to wait for 
her, and they began to track both the black and the injured creature.
It took time to find them. The creature really did resemble nothing so much as a 
giant lizard. It was trapped beneath a fall of timbers in an unfinished tunnel. 
The black crouched a few feet away, staring at this apparition.
Bagabond looked at the trapped creature and laughed. "So there really are 
alligators in the sewers." The alligator twitched its tail, knocking a few 
bricks across the tunnel. "But that's not all you are, is it?"
There was no way she and the cats could free the alligator. Bagabond knelt and 
examined the timbers trapping the beast as she called her friends to help her. 
She reached out and stroked the alligator's head, calming him with the images 
she sent. She sensed the creature drifting in and out of consciousness.
The animals arrived at different times. An uneasy peace held as Bagabond 
directed each according to its abilities. Rats gnawed, a pair of wild dogs 
provided muscle, the opossums and raccoons carried off small stones. The black 
and the calico aided Bagabond in controlling the volatile mix of animals. When 
the smaller debris had been cleared away and timbers and boards shifted or 
gnawed through, Bagabond began hauling on the alligator. Between her tugging and 
his struggles, Jack fought his way free. Bagabond ended up with a very tired and 
bruised alligator across her lap. The black and the calico told the creatures 
who had helped to leave. The two cats watched as Bagabond rubbed the underside 
of the alligator's jaw, calming the creature. As she stroked it, the snout and 
tail began to shorten. The scaly hide became smooth, pale skin. The stubby limbs 
elongated into arms and legs. In a few minutes, Bagabond was holding the naked, 
bruised body of the man they had found before. As the change took place, 
Bagabond realized that at some indefinable point, she could no longer control 
this creature or read his thoughts. Somehow she had missed the critical division 
between man and beast.
She got up, lifting the man off her, and walked toward the end of the tunnel. 
The calico accompanied her. The black stayed beside the man.
Why? Bagabond thought.
Why? the black countered. The work they had just done, as seen through the cat's 
eyes, played across her mind. The calico looked from one to the other. She had 
not been invited into this conversation.
Alligator, Bagabond explained, not human. In her mind the alligator became a 
man.
"Curiosity..." Bagabond spoke aloud for the first time since the rescue 
operation had commenced.
The black sent a picture of a black cat on its back with paws in the air.
Bagabond sat down beside the man. In a few minutes he began to move. Painfully 
he sat up. In the dim light filtering from above, he recognized Bagabond as the 
old woman he had seen the day before.
"Wha' happen? I remember running into a bunch of crazies with guns, and then 
things get fuzzy." He tried to focus on the crone, who kept splitting into two 
images. "I think maybe I've got a concussion."
Bagabond shrugged and pointed at the beams from the roof-collapse behind him. By 
straining his eyes, he could see what looked like hundreds of pawprints on the 
floor and the walls around the cave-in. In the center of the devastation, Jack 
also saw the imprint of a monstrous tail.
"Christ, not again." Jack turned back to Bagabond. "When you got here, what did 
you see?"
She turned partly away from him, still silent. He saw her mouth quirk in a 
partial smile beneath the stringy hair. Was she mad?
"Merle. What am I going to do?" Jack was almost bowled over by the pair of black 
paws that struck his chest. "Easy, boy. You're the biggest kitty I've seen since 
I left the swamps." The black cat's eyes stared into his with an odd intensity. 
"What is it?"
"He wants to know how you do it." The old woman's voice did not match her 
appearance. It was young and held a touch of humor. "Be careful. You're spaced, 
just like you were coming out of Thorazine." She took his arm as he tried to 
stand.
When he was upright, she said, "You're not going to make it far like that." She 
began to take off her coat.
"Mon Dieu. Thanks." Feeling his skin flush, Jack shrugged into her green cloth 
coat and wrapped it around himself. It covered him from neck to knees, but left 
his arms bare.. from the elbows down.
"Where do you live?" Bagabond gazed at him without expression. Jack appreciated 
the kindness.
"Downtown. Down on Broadway near the City Hall station. Are we anywhere close to 
a train?" Jack was not used to being lost, and found that he disliked the 
feeling intensely.
In answer, Bagabond picked her way to the tunnel entrance. She didn't look back 
to see if he was following when she turned to the right.
"Your mistress, she is a little strange. No ofense," Jack said to the black cat. 
It paced him as he trailed the bag lady. The cat looked up at him, sniffed, and 
twitched his tail. "Who am I to talk, eh?"
Although Jack attempted to keep up with Bagabond, he quickly fell behind. 
Eventually, at the black's appeal, she returned and helped support the man, 
pulling his arm across her shoulders.
Jack finally recognized the tunnels as they came into the 57th Street station. 
He was amazed at the change in Bagabond as they made their way onto the 
platform. Even though she was still holding him up, the woman seemed to hang off 
him. She shuffled now instead of striding, and kept her eyes on the ground. 
Those waiting on the platform gave them plenty of room.
The subway pulled in, the last car covered with unusually bright graffiti. 
Bagabond hauled Jack toward the vividly decorated car. Jack had time to read 
some of the more coherent phrases covering the side.
Are you unusual? Did you feel the fire? Are you burning inside?
The flames devour us all, But never let us die; it never ends, forever in flame.
Jack thought some of the phrases changed as he watched, but that had to be an 
effect of his concussed brain. Bagabond pulled him inside. The doors closed, 
leaving some very angry transit customers outside.
"Stop?" Bagabond was nothing if not economical with her words, Jack thought.
"City Hall." Jack slumped and rested his head against the back of the seat, 
closing his eyes as the train rolled downtown. He did not notice that the seat 
molded itself around his body to support it while he slept. He failed to realize 
that the doors never again opened until they reached his stop.
The cats were not entirely happy with this subway ride. The calico was flatly 
terrified. Ears laid back, tail straight and fluffed out, she leaned into 
Bagabond's side. The black gingerly kneaded the floor of the car. The texture 
was only partially familiar. He wondered at the heat and the confusing scent all 
around him.
Bagabond tried to focus on the interior of the dark car. There were no sharp 
angles here. Dim shapes seemed to change form subtly in her peripheral vision. 
I've felt nothing like this, she thought, since the acid trip. She extended her 
consciousness beyond the cats and Jack. She couldn't define the who that she 
briefly contacted. But she felt the overwhelming comfort, the warmth, and the 
protectiveness that surrounded them here.
Cautiously she settled back in her seat and stroked the calico.
"This is it," said Jack.
He had recovered sufficiently to lead their small party through the City Hall 
station, beyond a bewildering succession of maintenance closets, and into 
another labyrinth of unused tunnels. He'd rigged sections of the passages with 
lights which he turned on and off as needed as they proceeded toward his home. 
When he opened the last door, he stood aside and waved Bagabond and the cats 
inside. He smiled proudly as they stared around the long room.
"Wow, man." Bagabond flinched as she took in the opulent furnishings and decor. 
The immediate impression was of red velvet and claw-footed divans.
"You are younger than you look. That was my reaction too. Reminded me of Captain 
Nemo's stateroom..." "20,000 Leagues Under the Sea."
"Yeah, right. You saw it too. One of the first movies I ever saw over to the 
parish theater." They walked down the crimson-carpeted stairs flanked by gold 
stanchions and plush velvet ropes. Both cats ran ahead of them, the calico using 
the Victorian armchairs as hurdles. The electric light was augmented by 
flickering gas flames that gave the room an atmosphere out of the last century. 
The black cat trotted over the Persian carpets to the edge of the platform and 
looked back at the two humans.
"He wants to know what this is and what's behind that door." Bagabond steadied 
Jack as they moved slowly down the staircase. "You need to lie down."
"Soon enough. This is my home and behind the door is my bedroom. If we could 
head in that direction..." They started across the room. "This was the first 
subway in New York, built by a man named Alfred Beach back after the War Between 
the States. It only ran for two blocks. The Boss Tweed didn't want it so he shut 
it down, then they forgot about it. I found it a while after I started working 
for the Transit Authority-one of the benefits of the job. Don't know why it held 
up so well, but it's a good place for me. Just took a little cleaning up, is 
all." They had walked to the other end of the room and Jack reached out to turn 
the handles on the ornate cast-bronze door. The center circle swung open. "This 
used to be the entrance to the pneumatic tube."
"I didn't expect this." Bagabond was surprised to find that the interior of the 
tunnel was sparsely furnished. There was a homemade bed constructed out of pine 
boards, an equally homemade bookcase, and a plank chest.
"All the comforts of home. Even my complete collection of Pogo books." Jack 
looked innocently at Bagabond and she laughed, then seemed surprised at it.
"Where's your iodine?" Bagabond looked around for a first aid kit.
"Don't use that stuff. Can you get me some of those?" Jack pointed up at the 
spiderwebs.
"You're kidding."
"Best poultice in the world. My grandma taught me that." When Bagabond turned 
back to him, he had pulled on a pair of shorts and had a shirt in his hand. She 
handed over the spiderwebs and helped him bandage the worst abrasions.
"So how did you end up down here?" Jack lay back on the bed, wincing slightly, 
while Bagabond perched gingerly on the edge.
"You're sure not like those social workers." Bagabond watched the cats outside 
the door as they chased each other around the room. She turned back to him with 
an appraising look. "And they like you."
"They let me out a while ago and I ended up back in the city. No place else to 
go. Met the black, started talking to him, and he talked back. So did a lot of 
the other animals, the ones that aren't human, anyway. I get along. I don't need 
people, don't want people around. People always mean bad luck for me. I can talk 
to you, too, when you're that other one, you know? Out there they call me 
Bagabond. I had another name once but I don't remember it much."
"They call me Sewer Jack." Jack said it bitterly, in contrast to Bagabond's flat 
recitation. The burst of emotion she caught held screams, bright lights, and 
fear, and the haven of the swamp.
"It was here-the creature. What are you?" Bagabond was confused; she had never 
before met this mixture of man and animal, with whom she could only sometimes 
communicate.
"Both. You saw."
"Do you control it? Can you make yourself change?"
"Did you ever see Lawrence Talbot as the wolfman? I change when I lose control 
or when I allow the beast to take over. I'm not cursed by the full moon; I'm 
cursed all the time. The loup-garou is a legend where I come from. The Cajuns 
all believe in it. When I was young, I did too. I was afraid I would hurt 
someone, so I went as far away as I could go. New York was a foreign country; no 
one would know me or bother me here."
His eyes focused on her now instead of the past. "Why the act? You can't be over 
forty-five."
"Twenty-six." She looked down at Jack, wondering why it mattered. "It keeps them 
from bothering me so much." Jack glanced through the open door at the railway 
clock on the opposite wall. "I'm getting hungry. How about you?"
Rescuing C.C. What had seemed to be a wonderful idea had turned into a 
nightmare. Rosemary had followed some derelicts into the steam tunnels beneath 
Grand Central Station. At first she tried asking anyone she met about C. C. But 
as she moved farther into the dank passages, those living there scuttled away. 
There was only occasional light from gratings in the street above, or from the 
derelicts' smoky fires. Her fatigue and fear began taking their toll; she fell 
again and again into the muck on the tunnel floors.
One horrible moment, she was attacked by a filthy creature who clawed at her, 
cackling. She fought him off but her purse was gone now. Rosemary was hopelessly 
lost. She heard occasional sounds that seemed to be gunshots and explosions. I'm 
in hell.
Ahead were two glowing spots that glared at her through the darkness. They 
receded as she came nearer. The iridescent green lights mesmerized her.
The spots came into focus and Rosemary saw the cat crouched in the darkness. 
Retreating a few feet and growling, it watched as Rosemary approached a wounded 
cat, the comrade it guarded. Chest crushed, one leg nearly severed from its 
body, the injured cat was dying. The guardian would allow no more pain to be 
inflicted. When she heard the low crying, she ignored the eyes and knelt beside 
the injured cat.
Rosemary realized there was nothing she could do, but she held it. The cat began 
to purr before it choked and died. The guardian lifted its head and howled a 
eulogy before pivoting and running into the gloom.
Rosemary laid the body on the ground in front of her and placed its head and 
legs in comfortable positions,. sat back, and began sobbing. It seemed as if she 
cried forever before she started walking toward the sounds of the guns, gasping 
from her sobs.
After raiding the refrigerator-Bagabond could understand why Con Ed never 
noticed the power tap, but how did he ever get the refrigerator down here?-Jack 
went back into his bedroom to get some sleep. Bagabond and the cats explored 
Jack's domain, which included making sure they could get out the door he had 
locked behind them.
They quickly discovered the limits. Bagabond sat down on an overstuffed 
horsehair sofa. The black joined her while the calico continued her game of 
crossing the room without touching the floor. Bagabond pondered and, for the 
first time in years, the black was not invited to join her. Bagabond was amazed 
at the way Jack lived. It made her life of moving from one temporary home, a 
pile of rags, to another, suddenly seem wrong and filled with discomforts she 
had previously ignored.
She and Jack had discussed the probability that they were both aces. What luck. 
The virus had ruined both their lives. She would never again be the innocent 
child she was before the acid and the virus flooded her mind with the alien 
perceptions of the animal world. She thought she had had a miserable childhood. 
It was why she left home. But to grow up thinking you were something like a 
werewolf, a creature cursed by God.
Why had she been so open with him? There was no one still alive in the city who 
knew as much about her as Jack now did. It was because they were alike; they 
knew what it was like to be different and to have stopped looking for ways to be 
like everybody else.
The claws across the back of her hand drew blood before her attention came back 
to the real world. Her eyes met those of the black cat, and horrifying images 
filtered through others' eyes began pouring into her mind: rat nests destroyed 
by machine-gun fire; yelling men frightening an opossum, her children clinging 
to her back as she ran, one falling, dying; cats fleeing, being shot, murdered; 
a cat fighting to protect her kittens before a grenade destroyed the litter, 
leaving the mother with a leg nearly blown off; a woman who looked like that 
damn social worker cradling a dying cat. The blood-more and more of it-of those 
who were her only friends.
"The kittens. They can't!" Bagabond stood up and found herself shaking.
"What's goin' on?" Jack, awakened by Bagabond's cry, emerged from his room still 
half-asleep.
"They're killing them! I've got to stop them." Bagabond clenched her fists, 
turning away from him. Flanked by the cats, she headed for the stairs.
"Not without me." Jack ducked back into his room, grabbed Bagabond's green coat, 
flashlights, and a pair of sneakers, and followed them up the staircase.
Slowed by tying on the sneakers as he ran, he caught up with them at the first 
tunnel junction.
"Not that way." Jack stopped the trio as they entered the righthand tunnel. He 
thrust Bagabond's coat at her. He aimed one of the flashlights at the other 
passage.
"It's how we came in." In her panic, Bagabond had lost much of her trust in 
Jack.
"It'll just take you to the subway. There's a faster way to get back to the 
park. I've got a track-car. Follow me?" Jack waited for Bagabond's nod and 
plunged into the lefthand tunnel at a trot.
The scenes of carnage in Bagabond's mind grew sharper as they approached Central 
Park and abandoned the car. As they came up on the next branching of the 
tunnels, Jack lifted his head and sniffed. "Whoever they are, they're using up 
an army's worth of gunpowder. What's the plan?"
"We need to find out who they are so we know how to stop them. Right?" Bagabond 
wasn't at all sure what to do.
"I bet they're mes amis with the guns, but I have no idea who's the boss."
An image appeared of the calico walking with Jack, the black with Bagabond.
"Far out." Bagabond patted the head of the immense black cat. "Good idea. "
"What idea?"
"The black thinks we should split up until we find out what is going on. If one 
of the cats is with each of us, we can stay, um..."
"In communication. Yeah. You can at least see what's going on." Jack nodded 
thoughtfully. "I used to love war movies, but I get lousy reception at my place. 
Let's go, Sarge."
He spoke to the calico, who leaped ahead of him. "Bon chance."
Bagabond nodded and moved in the other direction.
In a profound darkness barely relieved by darting beams from the caving helmets 
worn by armed men, Don Carlo Gambione surveyed the desolation that was his 
kingdom.
His lieutenant sounded almost apologetic. "Don Carlo, I fear our troops became 
too enthusiastic about their task." Don Carlo looked down at the bodies 
illuminated in the light from the Butcher's flash. "Zeal in a matter such as 
this," he said, "is no vice."
"We've found their headquarters," said the Butcher. "Our men discovered it less 
than an hour ago." He stabbed a finger at the map. "About 86th Street. Under the 
park. Close to Central Park Lake. It looked inhabited. That's when I called 
you."
"I am grateful," said his leader. "I want to be present when the flame of our 
enemies' ill-conceived brushfire rebellion is extinguished. I knew there must be 
a reason why they should rise up now." Don Carlo's voice rose as well. The 
Butcher stared at him.
"I want their heads," said Don Carlo. "We shall set them on spikes at Amsterdam 
and 110th Street." Wide, his eyes shone ferally in the electric lamplight.
The Butcher gently put a hand on the Don's wrist. "We'd better go uptown now, 
Padrone. I told the men to wait in place, but they are so-enthusiastic."
For a moment, Don Carlo's gaze swung around wildly at the bodies littering the 
dirty concrete. Rags soaked with blood. "Such tragedy! The pain, the pain..." He 
stared directly down at the corpse at his feet. It was a white man, the gangling 
arms and legs sprawled out like the limbs of a broken marionette. There was no 
peace in the lined, sun-scorched face. Only agony reflected in the too-wide dark 
eyes. Smashed makeshift goggles lay in the blood pooled from the man's head. The 
don unconsciously nudged the shoulder of the faded fatigue jacket with the toe 
of one polished boot. "This one was a true jungle joker..." His voice trailed 
off.
Don Carlo looked away. He drew himself straight, taking strength from the 
almost-holy knowledge of what he must do. He leaned closer to the Butcher's 
sober face. "These things we do..." he said. "It is sad, very sad. But sometimes 
we must attack and even destroy the way of life we love in order to preserve 
it."
Despite his bravado-why am I trying to impress that raggedy woman?-Jack took his 
time moving into the tunnels. The long ride back up to the park had returned to 
him his limp and considerable pain. Whenever he heard a noise, he froze. The 
calico showed remarkable patience. She ranged fifty feet or so ahead and then 
returned if it was clear. Jack wished desperately he could talk to her.
The sounds now were not imaginary. They grew louder. Jack began to hear 
unintelligible shouts. He jumped at every gunshot or explosion. He stopped using 
the flashlight because he was afraid someone would see it. The calico stayed a 
few feet away now. Jack had rubbed dirt on his face to cut down reflection.
Boots scuffed against the concrete floor just ahead of him. He started to back 
up and ran into one of the hunters, who was as surprised as he was.
"What the hell! Joey! Joey, I got one!"
The man in the hardhat with the attached light swung the butt of his gun at 
Jack's head.
"Where is he, Sly?"
The rifle-butt had just grazed Jack's skull. He managed to sprint out of the 
light and up an apparent dead-end passage. Jack tried to mold himself to the 
wall and wished he could change into something useful, like concrete or dirt. As 
the thought crossed his mind, he recognized the itching that meant he was 
getting scaly. Jack fought it off by slowing his breathing and exerting control. 
That's all he needed now. Where's the calico? he thought. Bagabond'll kill me if 
that cat's hurt.
"He has to be down here, Joey. There's nowhere else to go." The voice sounded as 
if it were an inch away.
"Toss in a grenade and keep movin'. We're supposed to be sealing off their base. 
"
"Aw, Joey, come on."
"Sly, you're crazy, man. Move it."
There was the sound of metal bouncing on rock. Jack caught a glint of light from 
the grenade before the adrenaline wiped his brain clean. Merde was his last 
conscious thought. The blast roar was accompanied by some rockfalls, but there 
hadn't been as much graft in this section. The roof held. "Check it out, Sly."
"All right, Joey. Thanks." Sly was known for being almost as crazy as Little 
Renaldo.
Why me, Joey wondered.
"Nothing's left. Just a few rags and a sneaker. The right one, then. We've got a 
lot of ground to cover." Neither man noticed the calico crouched on a rock 
projecting from the wall near the ceiling. The calico leaped down and nosed 
through the torn and bloody clothing. She sent the scene to Bagabond and set out 
to meet her.
Bagabond stood quietly against the far wall of the 86th Street cutoff. She 
petted the calico gently and did her best imitation of a harmless old woman. The 
black had warned her the mafiosi were coming, but they were behind her by the 
time she tried to retreat. Too many to fight, so she came passively. Now she 
silently gazed at the shambles they had made of her place. Her single guard had 
his attention fixed on Don Carlo.
"Somehow they must have escaped," said the Butcher apologetically.
"I want them," said Don Carlo. He stared around at the large velvet painting in 
its cheap wooden frame, one corner torn: a pride of lions stalked zebras on the 
veld. "They were here," he said. "Savages."
"Don Carlo, sir,... ." It was Joey. "What?"
"It is Maria, Don Carlo. I found her wandering down here." Joey escorted 
Rosemary up to her father. She did not appear to see him or register anything 
else. Her face was vacant, almost peaceful. Rosemary was a docile rag doll, lost 
somewhere back in the tunnels.
Don Carlo looked at her with astonishment and then concern. "Maria, what is 
wrong, mia? Joey, what happened to her?"
"I don't know, Don Carlo. She was like this when I found her."
Bagabond looked up from under her stringy hair. "Rosemary, couldn't you stay out 
of this either? Social workers...so nosy." Bagabond spoke under her breath. The 
guard turned around at her muttering, but shook his head and returned his 
attention to the excitement.
"Take care of her for me, Joey, until I finish with this." Turning to the 
Butcher, Don Carlo said, "Does the old woman know anything?"
"That's what we're going to find out." Light caught the blade of the Butcher's 
stiletto as he started toward Bagabond. Then he stopped and listened 
attentively.
Everyone in the tunnel was listening. The rumbling that had at first seemed to 
be just another train in the distance got too loud, too quickly. There were 
yells from the west tunnel, even a scream of pain as the subway car appeared out 
of the darkness, traveling where no car could possibly be, with no third rail, 
on ruined tracks. The car glowed with a white phosphorescence, wraithlike. The 
route sign read CC LOCAL. It came to a stop in the middle of the gathering. The 
garish designs on its sides changed so rapidly it was impossible to focus on 
them.
"C.C.!" Rosemary, who had been standing to one side with Joey, eluded his grasp 
and ran to the phantom car. She stretched out her arms as if to embrace the 
thing, but as she touched the side, she recoiled. Then Rosemary extended one 
hand to touch what was not metal. "C.C.?"
Colors radiated from the spot she touched and then vanished. The car became 
black and almost vanished from the sight of the watchers. Words appeared as they 
had before: lyrics of songs C.C. had written and only her best friend, Rosemary, 
had ever heard. The watchers stood, too stunned to move.
You can sing about pain
You can sing about sorrow 
But nothing will bring a new tomorrow 
Or take away yesterday
Images appeared on the side of the car as if projected there. The first scene 
was an attack, a rape in a subway station. A hospital bed with the figure of 
Rosemary recognizable beside it. Someone in a hospital gown walked down fire 
escapes.
"That's how you got out of the hospital, C. C. Why did you run away?" Rosemary 
looked up and spoke to the car as if it were a friend.
The next scene showed another subway station, another attack, but the person in 
the hospital gown was a witness this time. She tried to stop the attack and was 
flung aside, hurled onto the tracks. The colors of pain and rage. The trash and 
just about anything else unsecured on the unoccupied platformvending machines, 
discarded newspapers, a dead rat, everything-was sucked down onto the tracks as 
if pulled into the voracious heart of a black hole. A train with six cars 
shrieked into the station. Suddenly another car joined it. The attacker, 
escaping, entered the new car and-the scene turned to crimson, as though blood 
were washing across the phantom car. More subway stations, more crimson. Another 
attacker in a leather jacket, an old woman.
"Lummy?" Rosemary stepped back from the sight of her fiance caught in 
mid-mugging. "Lummy?"
"Lombardo!" Don Carlo was livid at seeing his son-to-be enter the car and be 
slaughtered. "Joey, get Maria away from that... thing. Ricardo, where is the 
rocket launcher? You'll get your chance now. Frederico, move that old woman over 
by the car. I want them all destroyed. Now!"
Rosemary fought Joey as he hauled her out of range. "Christ," he said, not to 
her, not to anyone in particular. "It's just like it used to be in the villages. 
Jesus." Bagabond went quietly, holding the calico cat tightly to her.
Ricardo sighted the rocket launcher carefully. Bagabond straightened.
Forty pounds of angry, wild black cat hit Ricardo squarely in the back. He fell 
forward as the tube tilted up and the rocket he had just fired headed for the 
roof. It exploded in a shower of red and gold sparks.
Rosemary pulled away from Joey and ran for the car. Water began spraying into 
the tunnel. Jagged concrete blocks started to separate along their sealed 
junctures and then more water poured in.
"Ricardo, you idiot, you blew a hole in Central Park Lake!" Frederico the 
Butcher yelled at someone who was no longer an interested party. The mafiosi 
scattered down the tunnels in disarray.
"Get into the car. Come on!" Rosemary grabbed Bagabond.
"Maria, I'm coming for you. Hold on." Don Carlo struggled against the rising 
flood to save his only daughter. "Papa, I'm going with C.C."
"No! You must not. It's cursed." Don Carlo tried to move farther and realized 
his leg was trapped. He thrust both hands into the chilly water in an effort to 
free it and grasped scaly skin. He looked down and saw rows of ivory teeth. 
Implacable reptilian eyes looked back at his.
Rosemary had gotten everyone on board, even the black cat. The car began to move 
back up the west tunnel. "Wait. Jack's back there. Don't leave him." Bagabond 
tried to open the doors. Rosemary grabbed her shoulders. "Who's Jack?"
"My friend."
"We can't go back," said Rosemary. "I'm sorry." Bagabond sat in the rear seat, 
once more flanked by her two cats, and stared back at the water rushing into the 
tunnel behind them as they moved toward higher ground.
As the subway car climbed the 86th Street incline, the skirt of dark water 
followed, lapping at C.C.'s flanged wheels. She eventually reached a rise in the 
tunnel where the tide behind ceased to follow. C.C. stopped, started to roll 
back, locked her brakes.
Her passengers crowded against the rear connecting door, straining to see 
anything of what they had left in the darkness. "Let us out, C.C.," said 
Rosemary. "Please."
The subway car obligingly opened her side doors with a hiss. The four of them, 
two human and two feline, clambered down to the roadbed and stood at this new 
beach. The calico sniffed at the water's edge and turned away. She whined and 
looked up at Bagabond.
"Wait," said the bag lady. An unaccustomed smile played for just a moment.
Rosemary strained, concentrating, attempting to peer through the darkness. The 
last thing she remembered seeing was her father trying to reach her, then just 
his face, his eyes. Finally nothing.
"There," said Bagabond flatly.
They all tried to make something out. "I don't see anything," said Rosemary.
"There. "
Now they all saw something: a vee of ripples trailing from a wide, shovel-blade 
of a snout. They saw the pair of armorprotected eyes protruding from the water, 
inspecting the group on shore.
The cats began to yowl with excitement, the calico leaping back and forth, the 
black switching his tail like a blacksnake whip.
"That's Jack," said Bagabond.
After a time, the dust literally settled, the water receded, wounds were 
bandaged, bodies buried, and the long-suffering city crews did their best to 
clean up the mess at union scale. Manhattan returned to normal.
The bottom of Central Park Lake was resealed and the basin refilled. Reports of 
sea monsters (more properly, lake monsters) were persistent but unverified.
Sixty-eight-year-old Sarah Jarvis finally realized what hidden identity surely 
must lurk beneath the surface of the President. In November 1972, she voted for 
George McGovern.
The fortunes of Joey Manzone rose -or at least they changed. He moved to 
Connecticut and wrote a novel about Vietnam that didn't sell, and a book about 
organized crime that did.
Rosa-Maria Gambione legally changed her name to Rosemary Muldoon. She completed 
her Columbia degree in social work and aids Dr. Tachyon with C.C. Ryder's 
therapy. She has entered law school and is contemplating a takeover of the 
family business.
C. C. Ryder is still one of the doctor's toughest cases, but there is apparently 
some progress in bringing both her mind and body back to human form. C.C. 
continues to create fine, sharp-edged lyrics. Her songs have been recorded by 
Patti Smith, Bruce Springsteen, and others.
From time to time-especially during bad weatherBagabond and the black and calico 
cats move into the Alfred Beach pneumatic subway tube with Sewer Jack 
Robicheaux. It is a comfortable arrangement, but has necessitated a few changes. 
Jack no longer hunts rats. A common lament around the Victorian dining room is, 
"Wha' dis now, chicken again?"

Interlude Four
From "Fear and Loathing in Jokertown," by Dr. Hunter S. Thompson, Rolling Stone, 
August 23, 1974.
Dawn is coming up in Jokertown now. I can hear the rumble of the garbage trucks 
under my window at the South Street Inn, out here by the docks. This is the end 
of the line, for garbage and everything else, the asshole of America, and I'm 
feeling close to the end of my line too, after a week of cruising the most vile 
and poisonous streets in New York... when I look up, a clawed hand heaves itself 
over the sill, and a minute later it's followed by a face. I'm six stories above 
the street and this speedcrazed shithead comes climbing in the window like it's 
nothing. Maybe he's right; this is Jokertown, and life runs fast & mean here. 
It's like wandering through a Nazi death camp during a bad trip; you don't 
understand half of what you see, but it scares the piss out of you just the 
same.
The thing coming in my window is seven fucking feet tall, with triple jointed 
daddy-long-legs arms that dangle so low his claws cut gouges in the hardwood 
floor, a complexion like Count Dracula, and a snout on him like the Big Bad 
Wolf. When he grins, the whole damn thing opens on a foot of pointed green 
teeth. The fucker even spits venom, which is a good talent to have if you're 
going to wander around Jokertown at night. "Got any speed?" he asks as he climbs 
down from the window. He spies the bottle of tequila on the nightstand, snares 
it with one of those ridiculous arms of his, and helps himself to a big swallow.
"Do I look like the kind of man who'd do crank?" I say.
"Guess we'll have to do mine then," Croyd says, and pulls a fistful of blacks 
from his pocket. He takes four of them and washes them down with more of my 
Cuervo Gold...
...imagine if Hubert Humphrey had drawn a joker, picture the Hube with a trunk 
stuck in the middle of his face, like a flaccid pink worm where his nose ought 
to be, and you've got a good fix on Xavier Desmond. His hair is thin or gone, 
and his eyes are gray and baggy as his suit. He's been at it for ten years now, 
and you can tell it's wearing him out. The local columnists call him the mayor 
of Jokertown and the voice of the jokers; that's about as much as he's 
accomplished in ten years, him and his sorry hack Dockers' Anti-Defamation 
League-a couple of bogus titles, a certain status as Tammanys best-loved joker 
pet, invitations to a few nice Village parties when the hostess can't get an ace 
on such short notice.
He stands on the platform in his three-piece suit, holding his fucking hat in 
his trunk for Christ's sake, talking about joker solidarity, and voting drives, 
and joker cops for Jokertown, doing the old soft-shoe like it really meant 
something. Behind him, under a sagging JADL banner, is the sorriest lineup of 
pathetic losers you'd ever want to see. If they were blacks they'd be Uncle 
Toms, but the jokers haven't come up with a name for them yet... but they will, 
you can bet your mask on that. The JADL faithful are heavy into masks, like good 
jokers everywhere. Not just ski masks and dominoes either. Walk down the Bowery 
or Chrystie Street, or linger for a while in front of Tachyon's clinic, and you 
see facial wear out of some acidhead's nightmare: feathered birdmasks & 
deathsheads & leather ratfaces & monks cowls & shiny sequined individualized 
"fashion masks" that go for a hundred bucks a throw. The masks are part of the 
color of Jokertown, and the tourists from Boise and Duluth and Muskogee all make 
sure and buy a plastic mask or two to take home as souvenirs, and every 
half-blind-drunk hack reporter who decides to do another brainless write-up on 
the poor fucked-up jokers notices the masks right off. They stare so hard at the 
masks that they don't notice the shiny-thin Salvation Army suits and faded-print 
house dresses the masked jokers are wearing, they don't notice how old some of 
those masks are getting, and they sure as shit don't pick up on the younger 
jokers, the ones in leather & Levi's, who aren't wearing any masks at all. "This 
is what I look like," a girl with a face like a jar of smashed assholes told me 
that afternoon outside a rancid Jokertown porn house. "I could give a shit if 
the nats like it or not. I'm supposed to wear a mask so some nat bitch from 
Queens won't get sick to her stomach when she looks at me? Fuck that."
Maybe a third of the crowd listening to Xavier Desmond are wearing masks. Maybe 
less. Whenever he stops for applause, the people in the masks slap their hands 
together, but you can tell it's an effort, even for them. The rest of them are 
just listening, waiting, and they've got eyes as ugly as their deformities. It's 
a mean young bunch out there, and a lot of them are wearing gang colors, with 
names like DEMON PRINCES & KILLER GEEKS & WEREWOLVES. I'm standing off to the 
side, wondering if the Tack is going to show up as advertised, and I don't see 
who starts it, but suddenly Desmond just shuts up, right in the middle of a 
boring declaration about how aces & jokers & nats is all god's chillums under 
the skin, and when I look back over they're booing him and throwing peanuts, 
they're pelting him with salted peanuts still in the shell, bouncing them right 
off his head and his chest and his fucking trunk, tossing them into his hat, and 
Desmond is just standing there gaping. He's supposed to be the voice of these 
people, he read it in the Daily News and the Jokertown Cry, and the sorry old 
fucker doesn't have the least little turd of an idea of what's going down...
...just past midnight when I walk outside of Freakers to piss casually into the 
gutter, figuring it's a safer bet than the men's room, and the odds against a 
cop cruising through Jokertown at this time of night are so remote that they're 
laughable. The streetlight is busted, and for a moment I think it's Wilt 
Chamberlain standing there, but then he comes closer and I notice the arms & 
claws & snout. Skin like old ivory. I ask him what the fuck his problem is, and 
he asks me if I'm not the guy wrote the book about the Angels, and a half-hour 
later we're sitting in a booth in the back of an all-night place on Broome 
Street, while the waitress pours gallons of black coffee for him. She has long 
blond hair and nice legs, and on the breast of her pink uniform it says Sally, 
and she's good to look at until you notice her face. I discover that I'm looking 
down at my plate whenever she comes near, which makes me sick & sad & pissed 
off. The Snout is saying something about how he never learned algebra, and 
there's nothing wrong with me that about four fingers of king-hell crank 
wouldn't cure, and after I mention that the Snout shows me his teeth and 
mentions that while there's a definite scarcity of real high-voltage crank 
around these days, it just so happens that he knows where he can put his hands 
on some...
..."We're talking wounds here, we're talking real deep-bleeding poisonous 
wounds, the kind that can't be treated with a fucking Band-Aid, and that's all 
Desmond's got up his trunk, just a fucking lot of Band-Aids," the dwarf told me, 
after he gave me his Revolutionary Drug Brothers handshake, or whatever the fuck 
the goddamned thing is supposed to be. As jokers go, he got a pretty decent 
draw-there were dwarfs long before the wild card-but he's still damned 
pissed-off about it.
"He's been holding that hat in his trunk for ten years now, and all that ever 
happens is the nats shit in it. Well, that's over. We're not asking anymore, 
we're telling them, the JJS is telling them, and we'll stick it right in their 
pretty pearllike ears if we have to." The JJS is the jokers for a just Society, 
and it's got about as much in common with the JADL as a piranha has with one of 
those giant pop-eyed white goldfish you see waddling around in decorative pools 
outside of dentists' offices. The JJS doesn't have Captain Tacky or Jimmy 
Roosevelt or Rev. Ralph Abernathy helping out on its board of directors-in fact 
it doesn't have a board of directors, and it doesn't sell memberships to 
concerned citizens and sympathetic aces either. The Hube would feel damned 
uncomfortable at a JJS meeting, whether he had a trunk on his face or not...
...even at four in the morning, the Village isn't Jokertown, and that's part of 
the problem, but mostly it's just that Croyd is hotwired and crazy on meanass 
crank, and as far as I can tell he hasn't slept for a week. 
Somewhere in the Village is the guy we set out to find, a half-black all-ace 
pimp who's supposed to have the sweetest girls in the city, but we can't find 
him, and Croyd keeps insisting that the streets are all changing around, like 
they're alive and treacherous and out to get him. Cars slow down when they see 
Croyd swinging down the pavement with those long triple-jointed daddy-long-legs 
strides of his, and speed up fast again when he looks over at them and snarls. 
We're in front of a deli when he forgets all about the pimp we're supposed to 
find and decides he's thirsty instead. He wraps his claws around the steel 
shutters, gives a little grunt, and just yanks the whole thing out of the brick 
storefront and uses it to smash in the window glass halfway through the case of 
Mexican beer we hear the sirens. Croyd opens his snout and spits at the door, 
and the poison shit hits the glass and starts burning right through it: "They're 
after me again," he says in a voice full of doom & hate & speedfreak rage & 
paranoia. "They're all after me." And then he looks at me and that's all it 
takes, I know I'm in deep shit. "You led them here," he says, and I tell him no, 
I like him, some of my best fucking friends are jokers, and the red & blue 
flashers are out front as he jumps to his feet, grabs me, and screams, "I'm not 
a joker, you fuck, I'm a goddamned ace," and throws me right through the window, 
the other window, the one where the plate glass was still intact. But not for 
long... while I'm lying in the gutter, bleeding, he makes his own exit, right 
out the front door with a sixpack of Dos Equis under his arm, and the cops pump 
a couple rounds into him, but he just laughs at them, and starts to climb... His 
claws leave deep holes in the brick. When he reaches the roof, he howls at the 
moon, unzips his pants, and pisses down on all of us before he vanishes...

STRINGS
by Stephen Leigh
The death of Andrea Whitman was entirely Puppetman 's doing. Without his powers, 
the sullen lust that a retarded boy of fourteen felt for a younger neighbor girl 
would never have been fired into a molten white fury. By himself, Roger Pellman 
would never have lured Andrea into the woods behind Sacred Heart School in the 
suburbs of Cincinnati, and there ripped the clothing from the terrified girl. He 
would never have thrust that strange hardness into Andrea until he felt a 
sagging, powerful release. He would never have looked down at the child and the 
trickle of dark blood between her thighs and felt a compelling disgust that made 
him grasp the large flat rock alongside them. He would never have used that 
stone to bludgeon Andrea's blond head into an unrecognizable pulp of torn flesh 
and splintered bone. He would never have gone home with her gore splattered over 
his naked body.
Roger Pellman would have done none of that if Puppetman had not been hiding in 
the recesses of poor Roger's damaged mind, feeding on the emotions he found 
there, manipulating the boy and amplifying the adolescent fever that wracked the 
body. Roger's mind was weak and malleable and open; Puppetman's rape of it was 
no less brutal than what Roger did to Andrea.
Puppetman was eleven. He hated Andrea, hated her with the horrible anger of a 
spoiled child, hated her for having betrayed and humiliated him. Puppetman was 
the revenge fantasy of a boy infected with the wild card virus, a boy who'd made 
the mistake of confessing to Andrea his affection for her. Perhaps, he'd told 
the older girl, they might one day marry. Andrea's eyes had gone wide at that 
and she'd run away from him giggling. He'd begun to hear the mocking whispers 
the very next day at school, and he knew even as the flush burned in his cheeks 
that she'd told all her friends. Told everyone.
When Roger Pellman tore away Andrea's virginity, Puppetman had felt the faint 
stirring of that heat himself. He'd shuddered with Roger's orgasm; when the boy 
slammed the rock into the girl's weeping face, when he'd heard the dull crack of 
bone, Puppetman had gasped. He staggered with the pleasure that coursed through 
him.
Safe in his own room, a quarter-mile away.
His overwhelming response to that first murder frightened him at the same time 
that it drew him. For months afterward, he was slow to utilize that power, 
afraid to be so rapturously out of control again. But like all forbidden things, 
the urge coerced him. In the next five years, for various reasons, Puppetman 
would emerge and kill seven times more.
He thought of that power as an entity apart from himself. Hidden, he was 
Puppetman-a lacing of strings dangling from his invisible fingers, his 
collection of grotesque dolls capering at the ends.
TEDDY, JIMMY STILL SCRAMBLING HARTMANN, JACKSON, UDALL WAIT FOR COMPROMISE
New York Daily News, July 14, 1976
HARTMANN PROMISES FLOOR FIGHT JOKERS' RIGHTS ISSUE ON PLATFORM
The New York Times, July 14, 1976
Senator Gregg Hartmann stepped from the elevator cage into the foyer of the Aces 
High. His entourage filed into the restaurant behind him: two secret service 
men; his aides John Werthen and Amy Sorenson; and four reporters whose names 
he'd managed to forget on the way up. It had been a crowded elevator ride. The 
two men in the dark glasses had grumbled when Gregg had insisted that they could 
all make the trip together.
Hiram Worchester was there to meet the group. Hiram was an impressive sight 
himself, a man of remarkable girth who moved with a surprising lightness and 
agility. He strode easily across the carpeted reception area, his hand extended 
and a smile lurking in his full beard. Light from the falling sun poured through 
the large windows of the restaurant and gleamed from his bald head. "Senator," 
he said jovially. "Good to see you again."
"And you, Hiram." Then Gregg smiled ruefully, nodding at the crowd behind him. 
"You know John and Amy, I think. The rest of this zoo will have to introduce 
themselves. They seem to be permanent retainers anymore." The reporters 
chuckled; the bodyguards allowed themselves thin, fleeting smiles.
Hiram grinned. "I'm afraid that's the price you pay for being a candidate, 
Senator. But you're looking well, as usual. The cut of that jacket is perfect." 
The huge man took a step back from Gregg and looked him up and down 
appraisingly. Then he leaned closer and lowered his voice conspiratorially. "You 
should give Tachyon a few hints concerning his attire. Really, what the good 
doctor wore here this evening..." Chestnut eyes rolled heavenward in mock 
horror, and then Hiram laughed. "But you don't need to hear me prattling on; 
your table's ready."
"I understand that my guests have already arrived." That sent the corners of 
Hiram's mouth down in a frown. "Yes. The woman is fine, even though she drinks 
too much for my taste, but if the dwarf were not here under your aegis, I'd have 
him thrown out. It isn't so much that he's created a scene, but he's dreadfully 
rude to the help."
"I'll make sure that he behaves, Hiram." Gregg shook his head, running fingers 
through ash-blond hair. Gregg Hartmann was a man of plain and undistinguished 
appearance. He was neither one of the well-groomed and handsome politicians that 
seemed to be the new breed of the 70s, nor was he of the other type, the pudgy 
and self-satisfied Old Boys. Hiram knew Gregg as a friendly, natural person, one 
who genuinely cared for his constituents and their problems. As chairman of 
SCARE, Gregg had demonstrated a compassion for all those affected by the wild 
card virus. Under the senator's leadership, various restrictive laws concerning 
those infected by the virus had been relaxed, stricken from the books, or 
judiciously ignored. The Exotic Powers Control Act and the Special Conscription 
were still legally in effect, but Senator Hartmann forbade any of his agents to 
enforce them. Hiram often marveled at Gregg's deft handling of sensitive 
relations between the public and the jokers. "Friend of Jokertown" was what Tune 
had dubbed him in one article (accompanied by a photograph of Gregg shaking the 
hand of Randall, the doorman at the Funhouse--Randall's hand was an insect's 
claw, and at the center of the palm was a grouping of wet, ugly eyes). For 
Hiram, the senator was that rare Good Man, an anomaly among the politicians.
Gregg sighed, and Hiram saw a deep weariness behind the senator's good-natured 
facade. "How's the convention going, Senator?" he asked. "What chance does the 
jokers' Rights plank have?"
"I'm fighting for it as hard as I can," Gregg answered, and he glanced back at 
the reporters; they watched the exchange with unfeigned interest. "We'll find 
out in a few days when we have the floor vote."
Hiram saw the resignation in Hartmann's eyes; that gave him all the information 
he needed-it would fail, like all the rest. "Senator," he said, "when this 
convention's over, I expect you to stop by here again. I'll prepare something 
special just for you; to let you know that your work's appreciated." Gregg 
clapped Hiram lightly on the back. "On one condition," he replied. "You have to 
make sure that I can get a corner booth. By myself. Alone." The senator 
chuckled. Hiram grinned in return.
"It's yours. Now, tonight, I'd recommend the beef in red wine its very delicate. 
The asparagus is extremely fresh and I made the sauce myself. As for dessert, 
you must taste the white chocolate mousse."
Elevator doors opened behind them. The secret service men glanced warily back as 
two women stepped out. Gregg nodded to them and shook Hiram's hand again. "You 
need to take care of your other guests, my friend. Give me a call when this 
madness is over."
"You'll be needing a White House chef, too."
Gregg laughed heartily at that. "You'll need to speak to Carter or Kennedy about 
that, Hiram. I'm just one of the dark horses in this one."
"Then they're passing by the best man," Hiram retorted. He strode off.
The Aces High occupied the observation tower of the Empire State Building. From 
the expansive windows, the diners could gaze out to a view of Manhattan Island. 
The sun touched the horizon beyond the city harbor; the golden dome of the 
Empire State Building tossed reflections into the dining room. In the gold-green 
sunset, Dr. Tachyon was not difficult to spot, seated at his customary table 
with a woman Gregg did not recognize. Hiram had been right, Gregg saw 
immediately-Tachyon wore a dinner jacket of blazing scarlet trimmed with a 
collar of emerald-green satin. Purple sequins traced bold patterns on the 
sleeves and shoulders; mercifully, his pants were hidden, though a band of 
iridescent orange could be glimpsed under the jacket. Gregg waved, Tachyon 
nodded. "John, please take our guests over to the table and make introductions 
for me. I'll be over in a second. Amy, would you come with me?" Gregg threaded 
his way through the tables.
Tachyon's shoulder-length hair was the same improbable red as his jacket. He ran 
a dainty hand through the tangled locks as he rose to greet Gregg. "Senator 
Hartmann," he said. "May I present Angela Fascetti? Angela, this is Senator 
Gregg Hartmann and his aide Amy Sorenson; the senator's the man responsible for 
much of the funding of my clinic."
After a few pleasantries, Amy excused herself. Gregg was pleased when Tachyon's 
companion took the hint without any prompting from Amy and left the table with 
her. Gregg waited until the two women were a few tables away and then turned to 
Tachyon. "I thought you'd like to know that we've confirmed the plant in your 
clinic, Doctor. Your suspicions were right."
Tachyon frowned, deep lines creasing his forehead. "KGB?"
"Probably," Gregg answered. "But as long as we know who he is, he's relatively 
harmless."
"I still want him out of there, Senator," Tachyon insisted politely. He steepled 
his hands before his face, and when he glanced at Gregg, his lilac eyes were 
full of an old hurt. "I've had enough difficulty with your government and their 
previous witch-hunts. I want nothing to do with another. I mean no offense by 
that, Senator; you've been a good man with whom to work and very helpful to me, 
but I'd rather keep the clinic entirely away from politics. My desire is to help 
the jokers, nothing more."
Gregg could only nod at that. He resisted an impulse to remind the doctor that 
the politics he claimed he wished to avoid also paid some of the clinic's bills. 
His voice was laden with sympathy. "That's my interest as well, Doctor. But if 
we simply fire the man, the KGB will have a new plant in place within a few 
months. There's a new ace working with us; I'll talk with him."
"Do whatever you wish, Senator. I'm not interested in your methods so long as 
the clinic remains unaffected."
"I'll see that it is."
Across the room, Gregg saw Amy and Angela making their way toward them.
"You're here to meet with Tom Miller?" Tachyon inred, one one eyebrow arching. 
He nodded his head slightly in the direction of Gregg's table, where John was 
still making introductions.
"The dwarf? Yes. He's-"
"I know him, Senator. I suspect he's responsible for quite a lot of death and 
violence in Jokertown in recent months. He's a bitter and dangerous man, 
Senator."
"That's exactly why I want to forestall him."
"I wish you luck," Tachyon commented dryly.
JJS PROMISES VIOLENCE IF PLANK DEFEATED
The New York Times, July 14, 1976
Sondra Falin felt mixed emotions as Gregg Hartmann approached the table. She'd 
known that she was going to face this difficulty tonight and perhaps had drunk 
more than she should have. The liquor burned in her stomach. Tom Miller "Gimli," 
as he preferred to be called in the JJS-fidgeted next to her, and she laid an 
unsteady hand on the thick muscles of his forearm.
"Keep your fucking paws off me," the dwarf growled. "You ain't my goddamn 
grandmother, Sondra."
The remark stung her more than it otherwise might have; she could only look down 
at her hand; at the dry, liverspotted skin hanging loose over thin bones; at the 
swollen and arthritic knuckles. He'll look at me and smile like a stranger and I 
can't tell him. Tears stung her eyes; she wiped at them savagely with the back 
of her hand, then drained the glass that sat before her. Glenlivet: it seared 
her throat all the way down.
The senator beamed at them. His grin was more than just the professional tool of 
a politician-Hartmann's face was natural and open, inviting confidence. "Excuse 
my rudeness in not coming right over," he said. "I'd like to say that I'm very 
glad that the two of you agreed to meet with me tonight. You're Tom Miller?" 
Gregg said, turning to the bearded visage of the dwarf, his hand extended.
"No, I'm Warren Beatty and this here's Cinderella," Miller replied sourly. His 
voice had the twang of the Midwest. "Show him your slipper, Sondra." The dwarf 
cocked his head belligerently at Hartmann, pointedly ignoring the hand.
Most people would have ignored the insult, Sondra knew. They would have drawn 
back their hand and pretended that it had never been offered. "I met Mr. Beatty 
last night at the Rolling Stone party," the senator said. He smiled, his hand 
the focus of attention around the table. "I even managed to shake his hand."
Hartmann waited. In the silence, Miller grumbled. At last the dwarf took 
Hartmann's fingers in his own ham-fisted grip. With the touch, Sondra seemed to 
see Hartmann's smile go cold for a moment, as if the contact had pained him 
slightly. He quickly let go of Miller's hand. Then his composure returned. "Good 
to meet you," Hartmann said. There was no trace of sarcasm in his voice, only a 
genuine warmth, a relief.
Sondra understood how she had come to love this man. It's not you who loves him; 
it's only Succubus. She's the one Gregg knows. To him, you're just an old, 
shriveled woman whose politics are in question. He'll never know that Succubus 
is the same person, not if you want to keep him. All he'll ever see is the 
fantasy Succubus makes for him. That's what Miller said we have to do, and 
you'll obey him, won't you?
No matter how much it hurts you.
Now it was her turn to shake Gregg's hand. She felt her fingers trembling as 
they touched; Gregg noticed it as well, for a faint sympathy seemed to tug at 
the corners of his mouth. Still, there was only curiosity and interest in his 
gray-blue eyes; no recognition beyond that. Sondra's mood darkened again. He's 
wondering what horrible things afflict this old woman. He wonders what ugliness 
is sitting inside me, what horrors I might reveal if he knew me.
She reached for the glass of scotch.
Her mood continued to deepen throughout the meal. The pattern of conversation 
seemed set. Hartmann would introduce a topic, and Miller would respond with 
unjustified sarcasm and scorn, which in turn the senator smoothed over. Sondra 
listened to the interplay without joining in. The others around the table 
evidently felt the same tension, for the stage remained open for the two chief 
players, with the others inserting their lines as if on cue. The dinner, despite 
the hovering solicitude of Hiram, tasted like ashes in her mouth.
Sondra drank more, watching Gregg. When the mousse was set aside and the 
conversation turned serious, Sondra was quite well drunk. She had to shake her 
head to clear the fog.
."..need you to promise that there will be no public displays," Hartmann was 
saying.
"Shit," Miller replied. For a moment, Sondra thought that he might actually 
spit. The sallow, pitted cheeks under Gimli's ruddy beard swelled and his 
maniacal eyes narrowed.
Then he banged a fist on the table, rattling dishes. The bodyguards tensed in 
their seats, the others around the table jumped at the sound. "That's the same 
crap all you politicians hand out," the dwarf growled. "The JJS has heard it for 
years now. Be good and roll over like a good dog and we'll throw you a few table 
scraps. It's time we were let in on the feast, Hartmann. The jokers are tired of 
leftovers."
Hartmann's voice, in contrast to Miller's, was soft and reasonable. "That's 
something I agree with, Mr. Miller, Ms. Falin." Gregg nodded to Sondra, and she 
could only frown in return, feeling the drag of the wrinkles around her mouth. 
"That's exactly why I've proposed that the Democratic party add the jokers' 
Rights plank to our presidential platform. That's why I've been out trying to 
collar every last vote I can get for it." Gregg spread his hands wide. In 
another person his speech might have had a hollow sound, a falseness. But 
Gregg's words were full of the long, tired hours he'd spent at the convention, 
and that lent them truth. "That's why I'm asking you to try to keep your 
organization calm. Demonstrations, especially anything of a violent nature, are 
going to prejudice the middle-of-the-road delegates against you. I'm asking you 
to give me a chance, to give yourselves a chance. Abandon your plan to march to 
Jetboys Tomb. You don't have a permit; the police are already on edge from the 
crowds in the city, and they'll move in on you if you try. "
"Then, stop them," Sondra said. The scotch slurred her words, and she shook her 
head. "No one questions the fact that you care. So stop 'em."
Hartmann grimaced. "I can't. I've already advised the mayor against such 
actions, but he's adamant. March, and you invite confrontation. I can't condone 
your breaking the law"
"Roll over, doggie," Miller drawled, and then he howled loudly, throwing his 
head back. Around the dining room, patrons began to glance toward them. Tachyon 
peered at them with frank anger and Hiram's worried face emerged from the 
kitchen doors. One of the secret service men began to rise but Gregg waved him 
down. "Mr. Miller, please. I'm trying to talk realities with you. There's only 
so much money and help available, and if you persist in antagonizing those who 
control them, you'll only hurt yourselves. And I'm telling you that fucking 
`reality' is in the streets of Jokertown. C'mon down and rub your nose in the 
shit, Senator. Take a look at the poor creatures wandering the streets, the ones 
the virus wasn't kind enough to kill, the ones that drag themselves down the 
sidewalk on stumps, the blind ones, or the ones with two heads or four arms. The 
ones who drool as they talk, the ones who hide in darkness because the sun burns 
them, the ones for whom the slightest touch is agony." Miller's voice rose, the 
tone vibrant and deep. Around the table, jaws had dropped; the reporters 
scribbled notes. Sondra could feel it as well, the throbbing power in that 
voice, compelling. She'd seen Miller stand before a jeering crowd in Jokertown 
and in fifteen minutes have them listening quietly, nodding to his words. Even 
Gregg was leaning forward, caught.
Listen to him, but be careful. His voice is that of the snake, mesmerizing, and 
when he's snared you, he'll pounce. "That's your reality,'" Miller purred. "Your 
goddamn convention's just an act. And I tell you now, Senator"-his voice was 
suddenly a shout "the JJS will take our protests into the streets."
"Mr. Miller-" Gregg began.
"Gimli!" Miller shouted, and his voice went strident all wer gone, as if Miller 
had used up some inner store. "My fucking name's Gimli!" He was on his feet, 
standing on his E In another, the posture would have seemed ludicrous, but none 
of them could laugh at him. "I'm a fucking dwarf, not one of your 'misters'!"
Sondra tugged at Miller's arm; he shrugged her away. "Let me alone. I want them 
to see how much I hate them."
"Hate's useless," Gregg insisted. "None of us here hate you. If you knew the 
hours I've put in for the jokers, all the drudge work that Amy and John have 
gone through..." "You don't fucking live it!" Miller screamed it. Spittle flew 
from his mouth, dappling the front of Gregg's jacket. Everyone in the room 
stared now, and the bodyguards lurched from their seats. Only Gregg's hand held 
them back.
"Can't you see that we're your allies, not enemies?"
"No ally of mine would have a face like yours, Senator. You're too damn normal. 
You want to feel like one of the jokers? Then let me help you learn what it's 
like to be pitied." Before any of them could react, Miller crouched. His thick, 
powerful legs hurled him toward the senator. His fingers curled like claws as he 
reached for Gregg's face. Gregg recoiled, his hands coming up. Sondra's mouth 
was open in the beginning of a useless protest.
And the dwarf suddenly collapsed onto the table as if a gigantic hand had struck 
him out of the air. The table bowed and splintered under him, glasses and china 
cascading to the floor. Miller gave a high, pitiful squeal like a wounded animal 
as Hiram, a molten fury on his red face, half-ran across the dining room toward 
them, as the secret service men vainly tugged at Miller's arms to get him off 
the floor. "Damn, the little shit's heavy," one of them muttered.
"Out of my restaurant!" Hiram thundered. He bulled his way between the 
bodyguards and bent over the dwarf. He plucked up the man as if he were a 
feather-Gimli seemed to bob in the air, buoyant, his mouth working soundlessly, 
his face bleeding from several small scratches. "You are never to set foot in 
here again!" Hiram roared, a plump finger wagging before the dwarf's startled 
eyes. Hiram began to march toward the exit, towing the dwarf as if pulling a 
balloon and scolding him the entire time. "You insult my people, you behave 
abominably, you even threaten the senator, who's only trying to help..." Hiram's 
voice trailed off as the foyer doors swung shut behind him, as Hartmann brushed 
china shards from his suit and shook his head to the bodyguards. "Let him go. 
The man has a right to be upset-you'd be too if you had to live in Jokertown."
Gregg sighed and shook his head at Sondra, who gaped after the dwarf. "Ms. 
Falin, I beg you-if you've any control over the JJS and Miller, please hold him 
back. I meant what I said. You only endanger your own cause. Truly." He seemed 
more sad than angry. He looked at the destruction around his feet and sighed. 
"Poor Hiram," he said. "And I promised him."
The alcohol she'd consumed made Sondra dizzy and slow. She nodded to Gregg and 
realized that they were all looking at her, waiting for her to say something. 
She shook her gray, wizened head to them. "I'll try," was all she could mutter. 
Then: "Excuse me, please." Sondra turned and fled the room, her arthritic knees 
protesting.
She could feel Gregg's stare on her hunched back.
FLOOR VOTE ON JOKERS' RIGHTS TONIGHT The New York Times, July 15, 1976
JJS VOWS MARCH ON TOMB
New York Daily News, July 15, 1976
The high-pressure cell had squatted over New York for the past two days like an 
enormous tired beast, turning the city unseasonably hot and muggy. The heat was 
thick and foul with fumes; it moved in the lungs like the Jack Daniels Sondra 
poured down her throat-a burning, sour glow. She stood in front of a small 
electric fan perched on her dresser, staring into the mirror. Her face sagged in 
a cross-hatching of wrinkles; dry, gray hair was matted with sweat against a 
brown-spotted scalp; the breasts were empty sacks hanging flat against the bony 
rib cage. Her frayed housecoat gaped open, and perspiration trickled down the 
slopes of her ribs. She hated the sight. Despairing, she turned back into the 
room.
Outside, on Pitt Street, Jokertown was coming fully awake in the darkness. From 
her window, Sondra could see them, the ones that Gimli always ranted about. 
There was Lambent, far too visible with the eternal glow of his skin; Marigold, 
a cluster of bright pustules bursting on her skin like slow blossoms; Flicker, 
sliding from sight in the darkness as if illuminated by a slow strobe light. All 
of them seeking their small comforts. The sight made Sondra melancholy. As she 
leaned against the wall, her shoulder bumped a photograph in a cheap frame. The 
picture was that of a young girl perhaps twelve years old, dressed only in a 
lacy camisole that slipped over one shoulder to reveal the upper swell of 
pubescent breasts. The shot was overtly sexual-there was a haunting wistfulness 
in the child's expression and a certain affinity to the eroded features of the 
old woman. Sondra reached over to straighten the frame, sighing. The paint 
covered by the photograph was darker than that on the walls, testifying to how 
long it had been in place.
Sondra took another pull on the Jack Daniels.
Twenty years. In that time, Sonya's body had aged twoand-a-half times as much. 
The child in the photo was Sondra, the picture taken by her father in 1956. He'd 
raped her a year before, her body already showing the signs of puberty though 
she'd been born five years earlier in '51.
Careful footsteps sounded on the stairway outside her apartment and halted. 
Sondra frowned. Time to whore again. Damn you, Sondra, for ever letting Miller 
talk you into this.
Damn you for ever coming to care for the man you're supposed to be using. Even 
through the door she could feel the faint prickling of the man's pheromonal 
anticipation, amplified by her own feelings for him. She felt her body yearning 
to respond sympathetically and she relaxed her control. She closed her eyes.
At least enjoy the feel of it. At least be glad that for a little while you'll 
be young again. She could feel the quick changes moving in her body, straining 
at the muscles and tendons, pulling her into a new shape. The spine 
straightened, oils lathed the skin so that it lost its dry brittleness. Her 
breasts rose as a sexual heat began to throb in her loins. She stroked her neck 
and found the sagging folds gone. Sondra let the housecoat fall from her 
shoulders.
Already. So fast tonight. They'd been lovers for six months now; she knew what 
she'd find when she opened her eyes. Yes-her body was sleek and young with a 
fleecing of blond hair at the joining of her legs, her breasts small as they had 
been in her photo. This apparition, this mind-image of her lover: it was 
childlike, but not innocent. Always the same. Always young, always fair; some 
vision of his past, perhaps. A waif, a virgin-whore. Her fingertip brushed a 
nipple. It lengthened, thickening as she gasped at the touch, aroused. There was 
a wetness between her thighs already.
He knocked. She could hear his breath, a little too fast after the climb up the 
three flights, and found that his rhythm matched her own. Already she was lost 
in him. She unlocked the door, slid the deadbolt over. When she saw that there 
was no one in the hallway with him, she opened the door fully and let him stare 
at her nakedness. He wore a mask-blue satin over the eyes and nose, the thin 
mouth below it lifted in a smile. She knew him-she needed only the response of 
her body. "Gregg," she said, and the voice was that of the child she had become. 
"...as afraid that you weren't going to be able to be here tonight."
He slid into the room, shutting the door behind him. Without saying anything, he 
kissed her long and deep, his tongue finding hers, his hands stroking the flank 
of her body.
When he finally sighed and pulled away, she laid her head against his chest.
"I had a difficult time getting away," Gregg whispered. "Sneaking down the back 
stairs of my hotel like some thief . .. wearing this mask ..." He laughed, a sad 
sound.
"The voting took forever. God, woman, did you think I'd desert you?"
She smiled at that and took a mincing step away from him. Taking his hand in her 
own, she guided him between her legs, sighing as his finger entered her warmth. 
"I've been waiting for you, love."
"Succubus," he breathed. She chuckled softly, a child's giggle.
"Come to bed," she whispered.
Standing beside the rumpled mattress, she loosened his tie and unbuttoned his 
shirt, biting gently at his nipples. Then she knelt before him, unlacing his 
shoes, taking off his socks before unfastening his belt and slipping his pants 
down. She smiled up at him as she stroked the rising curve of his penis. Gregg's 
eyes were closed. She licked him once, and he groaned. He started to remove the 
mask and she stopped him. "No, leave it on," she told him, knowing that it was 
what he wanted her to say. "Be mysterious." Her tongue ran along his length 
again and she took him in her mouth until he gasped. Pushing him back on the 
mattress and cupping him gently, she teased him into heat, following the path of 
his needs, his lust amplifying her own until she was lost in the spiraling, 
bright feedback. He growled deep in his throat and pulled her away, rolling her 
over and spreading her legs roughly. He thrust into her; pounding, moving, his 
eyes bright behind the mask; his fingers digging into her buttocks until she 
cried out. He was not gentle; his excitement was a maelstrom in her mind, a 
swirling storm of color, a gasping heat that flailed both of them. She could 
feel his climax building; instinctively, she went with that welling of scarlet, 
her teeth clenched as his nails cratered her flesh and he slammed himself into 
her again and again and again...
He groaned.
She could feel him voiding inside her, and she continued to move under him, 
finding her own climax a moment later. The whirling began to subside, the colors 
faded. Sondra clung to the memory of it, hoarding the energy so that she could 
keep this shape for a time.
He was staring down at her behind the mask. His gaze traveled her body-the marks 
on her breasts, the red, inflamed gouges of his nails. "I'm sorry," he said. 
"Succubus, I'm very sorry."
She pulled him down beside her on the bed, smiling as she knew he wanted her to 
smile, forgiving him as she knew he needed to be forgiven. She kept the thread 
of arousal in him so that she could remain Succubus. "It's all right," she 
soothed him. She bent to kiss his shoulder, his neck, his ear. "You didn't mean 
to hurt me."
She glanced at his face, reached behind his head, and loosed the strings of his 
mask. His mouth sagged in a frown, his eyes were bright with his apology. Touch 
him, feel the fire in him. Comfort him.
Whore.
This was the part of it that Sondra despised, the part that reminded her of the 
years when her parents had sold her body to the rich of New York. She'd been 
Succubus, the best-known and most expensive prostitute in the city from '56 to 
'64. Nobody had known that she was only five when it started, that a joker had 
been attached to the ace she'd drawn from the wild card deck. No, they'd only 
cared that as Succubus she would become the object of their fantasies-male or 
female, young or old, submissive or dominant. Any body or any shape: a Pygmalion 
of masturbatory dreams. A vessel. No one knew or cared that Succubus would 
inevitably collapse into Sondra, that her body aged far too rapidly, that Sondra 
hated Succubus.
She'd sworn when she fled her parental captivity twelve years before that she'd 
never let Succubus be used againSuccubus would only give pleasure to those who 
had little chance for pleasure otherwise.
Damn Miller. Damn the dwarf for talking me into this. Damn him for sending me to 
this man. Damn me for finding that I like Gregg too much. And most of all damn 
the virus for forcing me to remain hidden from him. God, that dinner at the Aces 
High yesterday .
Sondra knew that the affection Hartmann claimed to have for her was genuine, and 
she hated the realization. Yet her concern for the jokers was genuine as well, 
and her involvement with the JJS was a deep commitment. Knowing the government 
and, especially, SCARE was crucial. Hartmann influenced the aces that were 
beginning to side with the authorities after long, hidden years: Black Shadow, 
the Shaker,
Oddity, the Howler. Through Hartmann, the JJS had been able to channel 
government monies to the jokers-Sondra had discovered the lowest bids on several 
government contracts; they'd been able to leak the information to joker-owned 
companies. Most importantly, it was because she controlled Hartmann that she was 
able to keep Miller from finally turning the JJS into the violent radical group 
that the dwarf wanted. While she could dangle the senator from Succubus's hands, 
she could limit Gimli's ambition. At least, that was her hope-after the Aces 
High fiasco, she was no longer certain. Gimli had been grim and sullen at their 
meeting this evening.
"You're tired, love," she said to Gregg, tracing the line where his light hair 
dipped into a widow's peak.
"You wear me out," he replied. The smile returned, tentative, and she brushed 
his lips with her own.
"You seem distracted, that's all. The convention?" Her hand slid down his body, 
over the stomach that age was beginning to soften. She caressed his inner 
thighs, using Succubus's energies to relax him, to put him at ease. Gregg was 
always tense, and there was also that wall in his mind that he would never open, 
a weak mindblock that would be useless against most of the aces she knew. She 
doubted that Gregg even realized that the block was there, that he too had been 
touched, however mildly, by the virus.
She felt the first resurgence of his passion.
"It wasn't very good there," he admitted, cuddling her to him. "The vote didn't 
have a chance, not with all the moderates against it-they're all afraid of a 
conservative groundswell. If Reagan can knock Ford out of the nomination, then 
the whole show's up in the air. Carter and Kennedy were both dead set against 
the plank-neither one of them wanted to be stuck supporting causes they weren't 
sure about. As the front-runners, their nonsupport was too much." Gregg sighed. 
"It wasn't even close, Succubus."
The words seemed to coat her mind with ice and she had to fight to hold her form 
as Succubus. By now the word would be spreading through Jokertown. By now Gimli 
would know; he'd be organizing the march for tomorrow. "You can't reintroduce 
the plank?"
"Not now." He stroked her breasts, circling her aureola with a forefinger. 
"Succubus, you don't know how I looked forward to seeing you after all this. 
It's been a very long and frustrating night." Gregg turned to her and she 
snuggled against him comfortably, though her mind raced.
Musing, she nearly missed his words. "....f the JJS insists, it's going to be 
very bad."
Her hand stopped moving on him. "Yes?" she prompted.
But it was already too late. Already, she could feel the tug of his lust. His 
hand closed on hers. "Feel," he said. His hardness throbbed on her thigh. Again, 
she began to sink into him, helpless. Her concentration left her. He kissed her 
and her mouth burned; she straddled his body, guiding him into her once more. 
Inside, trapped, Sondra railed at Succubus. Damn you, he was talking about the 
JJS.
Afterward, exhausted, Gregg would say very little. It was all she could do to 
convince him to leave the apartment before her form collapsed and she became an 
old woman again.
SENATOR WARNS OF CONSEQUENCES AS MAYOR VOWS ACTION
The New York Times, July 16, 1976
CONVENTION MAY TURN TO DARK HORSE
New York Daily News, July 16, 1976
"OKAY, DAMMIT! MOVE IT OVER THERE. IF YOU CAN'T MANAGE TO WALK, GO OVER TO 
GARGANTUA'S CART. LOOK, I KNOW HE'S STUPID, BUT HE CAN PULL A FUCKING CART, FOR 
CRISSAKES."
Gimli exhorted the milling jokers from the tailgate of a rusty Chevy pickup 
truck, waving his short arms frantically, his face flushed with the effort of 
screaming, sweat dripping from his beard. They were gathered in Roosevelt Park 
near Grand, the sun baking New York from a cloudless sky, the early morning 
temperature already in the high eighties and heading for a possible three 
figures. The shade of the few trees did nothing to ease the sweltering-Sondra 
could barely manage to breathe. She felt her age with every step as she 
approached the pickup and Gimii, dark circles of perspiration under the arms of 
her calico sundress.
"Gimii?" she said, and her voice was a cracked and broken thing.
"NO, ASSHOLE! MOVE IT OVER THERE BY MARIGOLD! Hello, Sondra. You ready to 
walk?-I could use you to keep the back of the group organized. I'll give you 
Gargantua's cart and the cripples-that'll give you a place to ride that's away 
from the crowds and you can keep the ones in front moving. I need someone to 
make sure Gargantua doesn't do anything too fucking dumb. You got the route? 
We'll go down Grand to Broadway, then across to the Tomb at Fulton-"
"Gimli," Sondra said insistently.
"What, goddammit?" Miller put his hand on his hip. He wore only a pair of 
paisley shorts, exposing the massive barrel chest and the stubby, powerful legs 
and arms, all liberally covered with reddish-brown curly hair. His bass voice 
was a growl. "They say the police are gathering around the park gates and 
putting up barricades." Sondra glared at Miller accusingly. "I told you that we 
were going to have trouble getting out of here."
"Yeah. Piss. Fuck 'em, we'll go anyway."
"They won't let us. Remember what Hartmann said at the Aces High? Remember what 
I told you he mentioned last night?" The old woman folded her bony arms over the 
tattered front of the sundress. "You'll destroy the JJS if you get into a fight 
here..."
"What's the matter, Sondra? You suck the guy's cock and take in all his 
political crap as well?" Miller laughed and hopped down from the pickup to the 
parched grass. Around them, two hundred to three hundred jokers milled about 
near the Grand Street entrance to the park. Miller frowned into Sondra's glare 
and dug bare toes into the dirt. "All right," he said. "I'll go fucking look at 
this, since it bothers you so much."
At the wrought-iron gate, they could see the police putting up wooden barricades 
across their intended path. Several of the jokers came up to Sondra and Miller 
as they approached. "You gonna go ahead, Gimli?" one of them asked. The joker 
wore no clothes-his body was hard, chitinous, and he moved with a lurching, 
rolling gait, his limbs stiff.
"I'll tell you in a minute, huh, Peanut?" Gimli answered. He squinted into the 
distance, their bodies throwing long shadows down the street. "Clubs, riot gear, 
tear gas, water cannon. The whole fucking works."
"Exactly what we wanted, Gimli," Peanut answered. "We'll lose people. They'll 
get hurt, maybe killed. Some of them can't take clubs, you know. Some of them 
might react to the tear gas," Sondra commented.
"Some of them might trip over their own goddamn feet, too." Gimli's voice 
boomed. Down the street, several of the cops looked toward them, pointing. 
"Since when did you decide that the revolution was too dangerous, Sondra?"
"When did you decide that we had to hurt our own people to get what you want?"
Gimli stared back at her, one hand shielding his eyes from the sun. "It ain't 
what I want," he said slowly. "It's what fair. It's what's just. Even you said 
that."
Sondra set her mouth, wrinkles folding around her chin. She brushed back a wisp 
of gray hair. "I never wanted us to do it this way."
"But we are." Gimli took a deep breath and then bellowed toward the waiting 
jokers. "ALL RIGHT YOU KNOW THE ORDER-JUST KEEP GOING NO MATTER WHAT SOAK YOUR 
HANDKERCHIEFS. STAY IN THE RANKS UNTIL WE REACH THE TOMB. HELP YOUR NEIGHBOR IF 
HE NEEDS IT OKAY, LET'S GO!" The power was in his voice again. Sondra heard it 
and saw the reaction of the others; the sudden eagerness, the shouted responses. 
Even her own breath quickened to hear him. Gimli cocked his head toward Sondra, 
a mocking gleam in his eyes. "You coming or are you going to go fuck someone?"
"It's a mistake," Sondra insisted. She sighed, pulling at the collar of the 
dress and looking at the others, who stared at her. There was no support from 
them, not from Peanut, not from Tinhorn, not from Zona or Calvin or File-none of 
those who sometimes backed her during the meetings. She knew that if she stayed 
behind now, any hope she had of holding Miller in check would be gone. She 
glanced back at the park, at the groups of jokers huddling together and forming 
a rough line; the faces were apprehensive, but nonetheless resolute. Sondra 
shrugged her shoulders. "I'm going," she said.
"I'm so happy," Gimli drawled. He snorted his derision.
THREE DEAD, SCORES INJURED IN JOKER RIOT
The New York Times, July 17, 1976
It was not pretty, it was not easy. The planning commission of the NYPD had made 
copious notes that supposedly covered most of the eventualities if the jokers 
did decide to march. Those who were in charge of the operation quickly found 
that such advance planning was useless.
The jokers spilled out of Roosevelt Park and onto the wide pavement of Grand 
Street. That in itself was not a problemthe police had blocked traffic on all 
through-streets near the park as soon as the reports of the gathering had come 
in. The barricades were across the street not fifty yards from the entrance. It 
was hoped that the march organizers would simply fail to get the protest 
together or, coming upon the ranks of uniformed cops in riot gear, they would 
turn back into the park where officers on horseback could disperse them. The 
police held their clubs in ready hands, but most expected not to use them-these 
were jokers, after all, not aces. These were the crippled, the infirm, the ones 
who'd been twisted and deformed: the useless dregs of the virus.
They came down the street toward the barricades, and a few of the men in the 
front ranks of the police openly shook their heads. A dwarf led them-that would 
be Tom Miller, the JJS activist. The others would have been laughable if they 
were not so piteous. The garbage heap of Jokertown had opened up and emptied 
itself into the streets. These were not the better-known denizens of Jokertown: 
Tachyon, Chrysalis, or others like them. These were the sad ones who moved in 
darkness, who hid their faces and never emerged from the dirty streets of that 
district. They'd come out at the urging of Miller, with the hope that they 
could, in their very hideousness, cause the Democratic Convention to support 
their cause.
It was a parade that would have been the joy of a carnival freak show.
Late:; the officers indicated that none of them had actually wanted the 
confrontation to turn violent. They were prepared to use the least amount of 
force possible while still keeping the marchers off the downtown Manhattan 
streets. When the front ranks of the jokers reached the barricades, they were to 
uickly arrest Miller and then turn the others back. No one ought that would be 
difficult.
In retrospect, they wondered how they could have been so damned stupid.
As the marchers approached the barrier of wooden sawhorses behind which the 
police waited, they slowed. For long seconds, nothing happened at all, the 
jokers coming to a ragged, silent halt in the middle of the street. The heat 
reflecting off the pavement sheened the faces with sweat; the uniforms of the 
police were damp. Miller glowered in indecision, then motioned forward those 
behind him. Miller pushed aside the first sawhorse himself; the rest followed.
The riot squad formed a phalanx, linking their plastic shields, braced. The 
marchers hit the shields; the officers shoved back, and the line of marchers 
began to bow, buckling in on itself. Those behind pushed, crushing the front 
ranks of jokers against the police. Even then the situation might have been 
manageable-a tear-gas shell might have been able to confuse the jokers enough to 
send them running back to the relative safety of the park. The captain in charge 
nodded; one of the cops knelt to fire the canister.
Someone screamed in the crush. Then, like tenpins scattering, the first row of 
the riot squad went down as if some miniature tornado had blown them away. 
"Jesus!" one of the police screamed. "Who the fuck..." The police clubs were out 
now; as the jokers hit the lines, they began to use them. A low roar dinned 
between the high buildings lining Grand Street, the sound of chaos let loose. 
The cops swung the clubs in earnest as frightened jokers began to fight back, 
striking out with fists or whatever was at hand. The joker with the wild TK 
power was throwing it everywhere with no control whatsoever: jokers and police 
and bystanders all were flung at random to roll in the streets or crash up 
against buildings. Tear-gas pellets dropped and exploded like a growing fog, 
adding to the confusion. Gargantua, a monstrous joker with a comically small 
head set on his massive body, moaned as the stinging gas blinded him. Hauling a 
wooden cart with several of the less ambulatory jokers set in it, the childlike 
giant went berserk, the cart careening after him with his riders clinging to the 
sides desperately. Gargantua had no idea which way to run; he ran because he 
could think of nothing else to do. When he encountered the re-formed police 
line, he pummeled wildly at the clubs that struck him. A blow from that clumsy, 
huge fist was responsible for one of the deaths.
For an hour the formless battle swirled within a few blocks of the park 
entrance. The injured lay in the streets, and the sound of sirens wailed, 
echoing. It was not until midafternoon that any semblance of normalcy could be 
restored. The march had been broken, but at a great cost to all involved. That 
long and hot night, the police patrolling Jokertown found their cruisers pelted 
with rocks and garbage, and the ghostly shades of jokers moved in the back 
streets and alleys with them: glimpses of rage-distorted faces and raised fists; 
futile, frustrated curses. In the humid darkness, the residents of Jokertown 
leaned down from fire escapes and open windows in the tenements to throw empty 
bottles, flowerpots, trash: they thudded against the roofs of the police 
vehicles or starred the windshields. The cops stayed judiciously inside their 
cruisers, the windows up and the doors locked. Fires were set in a few of the 
deserted buildings, and the fire-fighting crews that came to the calls were 
assaulted from the shadows of nearby houses.
Morning came in a pall of smoke, a veil of heat.
In 1962, Puppetman had come to New York City and there found his nirvana in the 
streets of Jokertown. There was all the hatred and anger and sorrow that he 
could ever wish to see, there were minds twisted and sickened by the virus, 
there were emotions already ripened and waiting to be shaped by his intrusions. 
The narrow streets, the shadowed alleys, the decaying buildings swarming with 
the deformed, the innumerable bars and clubs catering to all manner of warped, 
vile tastes: Jokertown was thick with potential for him, and he began to feast, 
slowly at first, and then more often. Jokertown was his. Puppetman perceived of 
himself as the sinister, hidden lord of the district. Puppetman could not force 
any of his puppets to do anything that went against their will; his power was 
not that strong. No, he needed a seed already planted in the mind: a tendency 
toward violence, a hatred, a lust-then he could place his mental hand on that 
emotion and nurture it, until the passion shattered all controls and surged out. 
They were bright and red-hued, those feelings. Puppetman could see them; even as 
he fed on them; even as he took them into his own head and felt the slow 
building of a heat that was sexual in intensity; as the pounding, shimmering 
flare of orgasm came while the puppet raped or killed or maimed. Pain was 
pleasure. Power was pleasure.
Jokertown was where pleasure could always be found.
HARTMANN PLEADS FOR CALM MAYOR SAYS RIOTERS WILL BE PUNISHED
New York Daily News, July 17, 1976
John Werthen came into Hartmann's hotel room from the connecting door of the 
suite. "You're not going to like this, Gregg," he said.
Gregg had been lying on his bed, his suit jacket thrown carelessly over the 
headboard, his hands behind his head as he watched Cronkite talk about the 
deadlocked convention. Gregg turned his head toward his aide. "What now, John?"
Amy called from the Washington office. As you suggested, we gave the problem of 
Tachyon's Soviet plant to Black Shadow. We just heard that the plant was found 
in Jokertown.
"He'd been strung up to a streetlamp with a note pinned to his chest-pinned 
through his chest, Gregg; he wasn't wearing any clothes. The note outlined the 
Soviet program, how they're infecting `volunteers' with the virus in an effort 
to get their own aces, and how they're simply killing the resulting jokers. The 
note went on to identify the poor schmuck as an agent. That's all: the coroner 
doesn't think that he was conscious through most of what the jokers did to him, 
but they found parts of the guy up to three blocks away."
"Christ," Gregg muttered. He let out a long breath. For a long minute, he lay 
there as Cronkite's cultured voice droned on about the final vote on the 
platform and the obvious deadlock between Carter and Kennedy for the nomination. 
"Has anyone talked to Black Shadow since?"
John shrugged. He loosened his tie and opened the collar of his Brooks Brothers 
shirt. "Not yet. He'll say that he didn't do anything, you know, and in his own 
way, he's right."
"Come on, John," Gregg replied. "He knew damn well what would happen if he tied 
the guy up with that note on him. He's one of those aces who think they can do 
things their way without worrying about the laws. Call him in; I need to talk 
with him. If he can't work our way, then he can't work for us at all-he's too 
dangerous." Gregg sighed and swung his legs over the side of the bed, rubbing at 
his neck. "Anything else? What about the JJS? Have you managed to reach Miller 
for me?"
John shook his head. "Nothing yet. There's talk that the jokers will march again 
today-same route and all, right past city hall. I hope he's not that stupid."
"He'll march," Gregg predicted. "The man's hungry to be in the limelight. He 
thinks he's powerful. He'll march." The senator stood and bent over the 
television set. Cronkite went silent in midsentence. Gregg stared out the 
windows. From his vantage point in the Marriott's Essex House, he could look 
down at the green swath of Central Park caught between the towers of the city. 
The air was stagnant, unmoving, and the blue haze of pollution hid the further 
reaches of the park. Gregg could feel the heat even with the air-conditioning in 
the room. Outside, it would be sweltering once more. In the warrens of 
Jokertown, the day would be unbearable, rendering already quick-fused tempers 
even shorter.
"Yes, he'll march," Gregg said again, softly enough that John did' not hear it. 
"Let's go to Jokertown," he said, turning back into the room.
"The convention?" John inquired.
"They won't settle anything for days yet. That doesn't matter at the moment. 
Let's collect my shadows and get going. "
JOKERS! YOU'RE BEING DEALT A BAD HAND! -from a pamphlet handed out by JJS 
workers at the July 18th rally Gimli exhorted the crowds under the brilliant 
noon sun. After the night of chaos in Jokertown, the mayor had put the city's 
police force on double shifts and canceled all leaves. The governor had placed 
the National Guard on standby. Patrols stalked the borders of the Jokertown 
district, and a curfew was imposed for the following night. The word that the 
JJS would attempt another march to Jetboy's Tomb had spread quickly through 
Jokertown the previous evening, and by morning, Roosevelt Park was swirling with 
activity. The police stayed away after two unsuccessful attempts to sweep the 
jokers out of the park resulted in broken heads and five injured officers. There 
were simply more of the jokers willing to march with the JJS than the 
authorities had predicted. The barricades were set in place on Grand Street once 
more, and the mayor harangued the assembled jokers via bullhorn. He was roundly 
jeered by those at the gates.
From the rickety dais they'd erected, Sondra listened to Gimli as the dwarf's 
strong voice swept the jokers up in its ferocity. "YOU'VE BEEN TRAMPLED, SPAT 
UPON, REVILED LIKE NO OTHER PEOPLE IN HISTORY!" he exclaimed, and they screamed 
their agreement. Gimli's face was rapt, shiny with sweat, the coarse strands of 
his beard dark with the heat. "YOU'RE THE NEW NIGGERS, JOKERS. YOU'RE THE NEW 
SLAVES, THE ONES BEGGING FOR RELEASE FROM A CAPTIVITY NO WORSE THAN THAT OF THE 
BLACKS. NIGGERS. JEWS. COMMUNISTS. YOU'RE ALL THOSE THINGS TO THIS CITY, THIS 
COUNTRY!" Gimli flung an arm toward the ramparts of New York. "THEY WOULD HAVE 
YOU STAY IN YOUR GHETTO; THEY WOULD HAVE YOU STARVE. THEY WANT YOU TO BE KEPT IN 
YOUR PLACE SO THEY CAN PITY YOU, SO THEY CAN DRIVE DOWN THE STREETS OF JOKERTOWN 
IN THEIR CADILLACS AND THEIR LIMOUSINES AND LOOK OUT THE WINDOWS, SAYING `GOD, 
HOW CAN PEOPLE LIKE THAT STAND TO LIVEl'" The last word was a roar and it echoed 
through the park, all of the jokers rising to shout with Gimli. Sondra looked 
out on the mass of people, speckling the lawn under the glaring sun.
They'd all come out, the jokers, pouring from the streets of Jokertown. 
Gargantua was there, his immense body bandaged; Marigold, Flicker, Carmen, five 
thousand or more like them all behind. Sondra could feel the excitement pulsing 
as Gimli lectured them, his own bitterness snaking out like a poison into the 
air, infecting them all. No, she wanted to say. No, you can't listen to him. 
Please. Yes, his words are full of energy and brilliance; yes, he makes you want 
to raise your fists and pump them skyward as you march with him. Still, can't 
you see that this is not the way? This is not the revolution. This is only the 
madness of a man. The words echoed in her mind, but she could not speak them. 
Gimli had caught her in his spell with the others. She could feel the are of a 
smile on her chapped lips, and around her the other members of the cadre were 
yelling. Gimli stood at the front of the dais, his arms wide as the shouts 
became louder and louder, as a chant began to rise from the massed throat of the 
crowd.
"Jokers' Rights! Jokers' Rights!"
The beat hammered at the waiting ranks of police, at the inevitable crowd of 
bystanders and reporters.
"Jokers' Rights! Jokers' Rights!"
Sondra heard herself saying it along with the others. Gimli jumped down from the 
dais, and the burly dwarf began to lead them toward the gates. The crowd began 
to move, a mob with no pretense of order. They spilled out of Roosevelt Park 
from the gates into the side streets. Taunts were shouted toward the waiting 
line of police. Sondra could see the flashing lights of the cruisers, could hear 
the drone of the trucks with the water cannon. That strange, undefinable roar 
she'd heard the day before was rising again, louder even than the continuing 
chant. Sondra hesitated, not knowing what to do. Then she ran toward Gimli, her 
legs aching. "Gimli," she began, but she knew the complaint was hopeless. His 
face was a leer of satisfaction as the protesters spilled from the park into the 
street. Sondra looked down toward the barricade, toward the line where the 
police waited.
Gregg was there.
He stood in front of the barricades, several officers and the secret service men 
with him. His shirtsleeves rolled up, his collar open and his tie loosened, he 
looked weary. For a moment, Sondra thought that Miller would march past the 
senator, but the dwarf stopped a few yards from the man-the marchers came to a 
ragged, uneasy halt behind him. "Get the fuck out of the way, Senator," Gimli 
insisted. "Get out of the way or we'll just trample you underneath with all your 
goddamn guards and reporters."
"Miller, this isn't the way."
"There is no other way, and I'm tired of talking about it."
"Please, let me talk just a few minutes more." Gregg waited, glancing from Gimli 
to Sondra, to the others of the JJS in the crowd. "I know you're bitter about 
what happened to the jokers' Rights plank. I know that the way the jokers have 
been treated in the past is disgraceful. But dammit, things are changing. I hate 
to counsel you to have patience, but that's what this needs."
"Time has run out, Senator," Miller said. His mouth gaped open with a grin; the 
crowns of his teeth were dark and pitted.
"If you go forward, you'll guarantee a riot. If you'll go back to the park, I 
can keep the police from interfering any further."
"And just what the hell good does that do us, Senator? We'd like to rally at 
Jetboy's Tomb. That's our right. We'd like to stand on the steps and talk about 
thirty years of pain and torment for our people. We'd like to pray for the ones 
who died and let everyone see by looking at us just how goddamn lucky the ones 
who died were. That's all-we ask for the rights that any other normal person 
has."
"You can do all of that in Roosevelt Park. Every one of the national papers, all 
the networks will cover it-that's a guarantee, as well."
"That's all you have to bargain with, Senator? It ain't much."
Gregg nodded. "I know it, and I apologize for it. All I can say is that if 
you'll turn your people back into the park, I'll do what I can for you, for all 
of you." Gregg spread his hands wide. "That's all I can offer. Please, tell me 
that it's enough." Sondra watched Miller's face. The shouting, the chanting 
continued behind their backs. She thought that the dwarf would laugh, would jeer 
at Gregg and push his way on past to the barricades. The dwarf shuffled bare 
feet on the concrete, scratched at the thatch of hair on his wide chest. He 
stared at Gregg with a scowl, rage in his deep-set eyes.
And then, somehow, he took a step back. Miller's gaze dropped, and the tension 
in the street seemed to dissolve. "All right," he said. Sondra almost laughed. 
There were amazed protests from the others, but Gimli swung around to them like 
an angry bear. "Dammit, you fucking heard me. Let's give the man a chance --one 
day, no more. It ain't gonna hurt us to wait one more day."
With a curse, Gimli pushed his way back into the crowd, heading toward the park 
gates once more. Slowly, the others turned to follow. The chant began again, 
halfheartedly, and then died.
Sondra stared at Gregg for a long time, and he smiled at her. "Thank you," Gregg 
said in a quiet, tired voice. "Thank you for giving me a chance."
Sondra nodded. She could not speak to him; she was afraid that she would try to 
hug him, to kiss him. You're just an old crone to the man, Sondra. A joker like 
the rest.
How did you do it? she wanted to ask him. How did you make him listen when he'd 
never listen to me?
She could not frame the questions-not with that old woman's mouth, not with that 
old woman's voice.
Sighing, limping on swollen knees, she made her way back.
HARTMANN DEFUSES RIOT TALK WITH JJS LEADER GAINS REPRIEVE
The New York Times, July 18, 1976, special edition.
JOKERTOWN IN CHAOS
New York Daily News, July 19, 1976
The JJS rally returned to Roosevelt Park. Through the rest of the sultry day, 
Gimli, Sondra, and the others gave speeches. Tachyon himself appeared to address 
the crowd in the afternoon, and there was a strange festival atmosphere to the 
gathering. The jokers sat on the grassy knolls of the park, singing or talking. 
Picnic lunches were shared with those nearest; drinks were poured and offered. 
Joints could be seen making the rounds. In a sense, the rally became a 
spontaneous celebration of jokerhood. Even the most deformed jokers walked about 
openly. The celebrated masks of Jokertown, the anonymous facades behind which 
many of the Jokertown residents were accustomed to hide, were dropped for the 
time.
For most, it was a good afternoon, something to take their minds off the heat, 
off the paucity of their existence-you shared life with your fellows, and if 
your troubles seemed overwhelming, there was always someone else to look at or 
talk to who might make you feel that things were not quite so awful after all.
After a morning that had seemed doomed to violence and destruction, the day had 
turned gentle and optimistic. The mood was one of hilarity, as if some corner 
had been turned and the darkness was left behind. The sun no longer seemed quite 
so oppressive. Sondra found that her own mood was elevated. She smiled, she 
joked with Gimli, she hugged and sang and laughed with the rest.
Evening brought reality.
The deep shadows of Manhattan's skyscrapers slid over the park and merged. The 
sky went ultramarine and then stabilized as the skyglow of the city's lights 
held back full darkness, leaving the park in a hazy murk. The city radiated the 
day's heat back into twilight; there was no relief from the heat, and the air 
was deathly still. If anything, night seemed more oppressive than day.
Later, the police chief would point to the mayor. The mayor in turn would point 
to the governor, whose office would claim that no orders originated there. No 
one seemed certain just who had ordered the action. And later, it simply didn't 
matter-the night of the 18th exploded into violence. With a shout and a blare of 
bullhorns, the insanity began. Mounted police, followed by club-wielding lines, 
began to sweep the park from south to north, intending to drive the jokers onto 
Delancey and then back into Jokertown. The jokers, disoriented and confused at 
the unexpected attack and urged on by the frantic Gimli, resisted. A 
club-swinging melee ensued, hampered by the darkness of the park. For the 
police, anyone without a uniform was fair game. They ranged through the park 
striking anyone they could touch. Screams and cries punctuated the night. 
Gimli's attempt at organizing the resistance broke down quickly, and small 
groups of the jokers were herded toward the streets, any who turned beaten or 
maced. Those who fell were trampled. Sondra found herself in one of those 
crowds. Panting, trying to keep her balance in the jostling flight, her hands 
over her head to protect herself from the clubs, she managed to find temporary 
safety in an alley off Stanton. There, she watched as the violence spread out of 
the park and into the streets.
Small scenes drifted past her.
A CBS cameraman was filming as a dozen policemen on motorcycles pushed a group 
of jokers toward a railing that shielded the ramp of an underground parking 
garage across the street from Sondra. The jokers were running; some of them 
jumped over the railing. Lambent was among them, illuminating the scene with the 
phophorescent glow of his skin, a pitiful target unable to hide from the 
oncoming police. He vaulted the railing in desperation, plunging into the 
eightfoot drop beyond it. The police saw the cameraman then-one of them yelled 
"Get the fucking camera!"-and the cycles wheeled around with a throaty rumble, 
the headlights arcing across the buildings. The cameraman began to run backward 
away from them, still filming. A club lashed out as the police went past; the 
man rolled in the street, moaning as the camera tumbled to the pavement, its 
lens shattered.
A joker stumbled by the mouth of the alley, obviously dazed, holding a 
blood-soaked handkerchief to his temple though the cut gaped open down past his 
ear, soaking the collar of his shirt. It was obvious how he had been caught'-his 
legs and arms were canted at all the wrong angles, as if they'd been pasted on 
his trunk by a drunken sculptor. The man hobbled and lurched, the joints bending 
backward and sideways. Three cops came walking quickly alongside him. "...eed a 
doctor," the joker said to one of them. When the officer ignored him, he tugged 
at the sleeve of the uniform. "Hey," he said. The cop pulled a can of mace from 
its holster on his belt and sprayed the contents directly into the joker's face.
Sondra gasped and sank deeper into the alley. When the police kept walking, she 
fled the other way.
Through the night, the violence spread out in the Jokertown streets. A running 
battle raged between the authorities and the jokers. It was a spree of 
destruction, a celebration of hate. No one slept that night. Masked jokers 
confronted the lurking cruisers, overturning some of them; burning cars 
illuminated intersections. Near the waterfront, Tachyon's clinic looked like a 
castle under siege, ringed by armed guards with the distinctive figure of the 
doctor himself running about trying to keep some semblance of sanity in the 
night. Tachyon, along with a few trusted aides, made forays into the streets to 
pick up the injured, both jokers and policemen.
Jokertown began to come apart, dying in fire and blood. Tear-gas fumes drifted 
through the streets, acrid. By midnight, the National Guard had been called in 
and issued live ammunition. The SCARE offices of Senator Hartmann issued a call 
for those aces working for the government to aid in calming the situation.
The Great and Powerful Turtle hovered over the streets like one of the war 
machines in George Pal's War of the Worlds, sweeping the combatants away from 
each other. Like many of the other aces, he seemed to take no side in the 
confrontation, using his abilities to break up the running battles without 
subduing either jokers or police. Outside Tachyon's clinic (where by one A. M. 
the wards were nearly full and the doctor was beginning to bed down the injured 
in the corridors) the Turtle picked up a wrecked, burning Mustang and hurled the 
car into the East River like a flaming meteorite, trailing sparks and smoke. He 
prowled South Street, shoving rioters and Guardsmen in front of him as if he 
wielded an invisible, giant plow.
On Third Street, the Guardsmen had rigged jeeps with wire-mesh covers and 
attached large frames of barbed wire to the fronts of the vehicles. They used 
these to move crowds of jokers out of the main avenue and into the side streets. 
Spontaneous fires triggered by a hidden joker exploded the gas tanks of the 
jeeps, and Guardsmen ran screaming, their uniforms aflame. Rifle fire began to 
chatter.
Near Chatham Square, the sound of the rioting began to swell to immense, 
ear-shattering proportions as the Howler, dressed all in yellow, stalked the 
chaotic streets, his mouth open in a wail that contained all he had heard, 
amplified and redoubled. Where Howler walked, jokers flung hands over ears, 
fleeing from this torrent of noise. Windows shattered when Howler raised the 
frequencies, walls shivered as he sobbed in the bass range. "STOP THIS!" he 
raged. "GO INSIDE, ALL OF YOU!"
Black Shadow, who had revealed himself as an ace only a few months before, 
indicated his sympathies quickly. He watched the conflicts silently for a time. 
On Pitt Street, where a band of beleaguered jokers fought with taunts, thrown 
bottles, and the garbage at hand against a water cannon and a squad of Guardsmen 
with bayonets fixed to their rifles, Black Shadow stepped into the fray. The 
street went instantly black for perhaps twenty feet around the ace with the 
navy-blue uniform and orange-red domino mask. The impenetrable night persisted 
for ten minutes or more. Screams came from inside the well of dark, and jokers 
fled. When the darkness moved off and the lights of the city again reflected 
from the wet pavement, the Guardsmen lay in the street unconscious, the water 
cannon pouring a harsh stream into the gutters, unattended.
Sondra saw that last confrontation from the window of her apartment. The 
violence of the night frightened her. To escape the fright, she twisted the cap 
from the bottle of Jack Daniels on her dresser, pouring a long, harsh slug down 
her throat. She gasped, wiping at the back of her mouth with her hand. Every 
muscle in her body protested. Her arthritic legs and hands shot agony when she 
moved. She went to bed and lay down. She could not sleep-the sounds of rioting 
drifted in from the open window, she could smell smoke from nearby fires and see 
the shuddering flames dancing on her walls. She was afraid that she would have 
to leave the building; she wondered what she would try to save if it came to 
that.
There was a soft knock at her apartment door. At first, she was not certain that 
she heard it. It was repeated, quiet and persistent, and she groaned to her 
feet.
As she approached the door, she knew who it was. Her body felt it. Succubus felt 
it. "No," Sondra whispered to herself. No, not now. He rapped on the door again.
"Go away, please, Gregg," she said, leaning against the door, keeping her voice 
quiet so he could not hear the old woman's tones in it.
"Succubus?" His voice was insistent. His arousal tugged at her, and she wondered 
at it. Why now? Why here? God, I can't let him see me like this, and he won't go 
away. "Just a minute," she said, and she let down the barriers that caged 
Succubus. Her body began its change, and she felt the swirling of his passion 
inciting her own. She stripped away Sondra's clothes, flinging them away into a 
corner. She opened the door. Gregg was masked, his entire head covered with a 
grotesque smiling clown's face. It leered at her as he pushed his way inside. He 
said nothing; his hands were already unzipping his pants, pulling out his 
stiffening cock. He did not bother to undress, engaged in no foreplay at all. He 
pushed her down onto the hardwood floor and jammed himself into her, thrusting 
with gasping breaths as Succubus moved under him, matching his ferocity and 
cooperating with this loveless rape. He was brutal: his fingers dug into her 
small, firm breasts, the nails tearing small, bleeding crescents of skin. He 
crushed her nipples between thumb and forefinger until she cried out-he desired 
pain from her tonight; he needed her to cringe and cry and yet to be the willing 
victim. He slapped her face; when she brought her hands up to stop him from 
doing it again, her nostrils drooling blood, he twisted her wrist viciously.
And when he was done with her, he stood over her looking down, the clown's head 
laughing at her, his own face unreadable behind the mask. She could see only his 
eyes, glistening as he stared at her.
"It had to be that way," he said. There was no apology in his voice. Succubus 
nodded; she had known that and accepted it. Sondra wailed inside her.
Hartmann zipped up his pants. The front of his shirt was soiled with blood and 
their fluids. "Do you understand at all?" he asked her. His voice was gentle, 
calm; it begged her to listen, to sympathize. "You're one person who accepts me 
without my having to do anything. You don't care that I'm a senator. I don't 
have to-" He stopped and brushed at his suit. "You love me. I can feel that. You 
care for me, and I don't have to make you care. I wish .." He shrugged. "I need 
you."
Perhaps it was because she could not see his face. Perhaps it was because his 
roughness, when before he had always been so tender, had driven Succubus's 
empathy deeper into him than in the past. But she could feel his thoughts for a 
moment as he left her sprawled on the floor, and what she sensed made her shiver 
despite the awful heat. He was thinking of the rioting outside, and in the 
senator's mind was no loathing, no distaste; there was only a glow of pleasure, 
a sense of proprietorial accomplishment. She glanced at him in astonishment.
It's been him. All along, it's been him using us, not the other way around.
At the door, Gregg turned and spoke to her. "Succubus, I do love you. I don't 
think you can understand that, but it's true. Please, believe that. I need you 
more than I need all the rest."
Behind the mask, she could see the brightness of his pupils. She was astonished 
to see that he was crying. Somehow, with all the strangeness Sondra had 
witnessed during this night, that did not seem so strange at all.
Puppetman found that his safety lay in anonymity, in the appearance of 
innocence. After all, none of the puppets ever knew that he had touched them, 
none of them could tell anyone what had happened inside their minds. They had 
simply... snapped. Puppetman had only let them act out their own feelings; there 
was always ample motivation for whatever crimes his puppets might commit. If 
they were caught, no matter.
In 1961, graduating from Harvard Law School, he had joined a prestigious New 
York law firm. In five years, after a successful career as a criminal lawyer, he 
moved into politics.
In 1965, he was elected New York city councilman. He was mayor from '68 to '72, 
when he became New York senator. In 1976, he saw his chance to become President. 
In the past, he'd always thought in terms of '80, of '84. But the Democratic 
National Convention went to New York in the Bicentennial year, and Puppetman 
knew that here was his moment. The groundwork had all been laid.
He had fed many times from the deep cup of bitterness inside Tom Miller.
Now he would drink fully.
FIFTEEN DEAD AS JOKERTOWN BURNS
The New York Times, July 19, 1976
The morning sun was misted by dark smoke. The city broiled under the renewed 
heat, worse than the days before. The violence had not ended with the morning. 
The streets of Jokertown were awash in destruction, littered with the detritus 
of the night's turmoil. The rioters fought guerilla battles with the police and 
Guardsmen, hampering their movements through the streets, overturning cars to 
block intersections, setting fires, taunting the authorities from balconies and 
windows. Jokertown itself was ringed with squad cars, jeeps, and fire equipment. 
Guardsmen in full gear were stationed every few yards on Second Avenue. Along 
Chrystie, the guards massed around Roosevelt Park, where once again the jokers 
were gathering. Gimli's voice could be heard deep in the crowd, haranguing them, 
telling them that today they would march no matter what the consequences. All of 
the Democratic candidates made an appearance near the stricken area, to be 
photographed with concerned, stern expressions as they gazed at the burnt-out 
shell of a building or spoke with a not-too-misshapen joker. Kennedy, Carter, 
Udall, Jacksonthey all made certain they were seen and then took their limos 
back to the Garden, where the delegates had cast two inconclusive rounds of 
votes for the candidacy. Only Hartmann came and stayed near Jokertown, chatting 
with the newsmen and trying unsuccessfully to coax Miller out from the depths of 
the crowd to negotiate.
At noon, with the temperature touching three figures and a breeze from the East 
River bringing the smell of burning to the city, the jokers came out of the 
park.
Gregg had never handled so many puppets before. Gimli was still the key, and he 
could feel the dwarf's raging presence maybe a hundred yards back into the crowd 
of jokers that filled Grand. In this swirling mess, Miller alone would not be 
enough to turn the jokers back at the right time. Gregg had made certain that 
he'd been able to shake the hands of the JJS leaders over the past few weeks; 
every time, he'd used that contact to plunge into the mind before him and open 
the pathways that would allow him access from a distance. A mob was like any 
herd of animals-turn enough of the leaders and the rest would inevitably follow. 
Gregg had most of them: Gargantua, Peanut, Tinhorn, File, perhaps twenty others. 
A few of them such as Sondra Falin he'd ignored-the old woman reminded him of 
someone's decrepit grandmother and he doubted her ability to sway the mob. Most 
of the puppets already had a fear in them-it would be easy to use that, to 
expand that fright until they turned and fled. Most of them were reasonable 
people; they wanted confrontation no more than anyone else. They had been goaded 
into it-Hartmann's doing. Now he would undo it, and in the process make himself 
the candidate of choice. Already the tide of the convention had turned away from 
Kennedy and Carter. With the delegates now absolved of their first vote 
commitment, they were free to elect the candidate of their choice-in the last 
ballot, Hartmann had placed a rising third. Gregg smiled despite the cameras 
aimed toward him: the rioting of the night before had given him a pleasure that 
he had not thought he would ever feel-so much passion had nearly overwhelmed 
him, a strange melding of lusts.
The line of Guardsmen began to shift as the jokers approached. They spilled out 
all along the length of Chrystie, shouting slogans and brandishing signs. 
Bullhorns blared orders and curses back and forth; Gregg could hear the taunts 
of the jokers as the Guardsmen formed a line of bayonets. At the intersection of 
Delancey Street, Gregg saw the hovering shell of the Turtle above the Guardsmen; 
there, at least, the protesters were kept back without harm. Farther south 
toward the main gates, where Hartmann stood in a circle of guards, it was not so 
easy.
The jokers came on, pushing and shoving, the mass of those behind propelling 
those who might have otherwise turned back into the park. The Guardsmen were 
forced to make a decision-use the bayonets or try to push the jokers back with 
linked arms. They chose the latter. For a moment, it looked as if some balance 
had been reached, then the ranks of Guardsmen began to slowly bend. With a cry, 
a knot of jokers broke through the line and reached the street. Shouting, the 
rest poured through. Once again, a running battle ensued, disorganized and 
confused. Hartmann, well back from the fighting for the moment, sighed. He 
closed his eyes as the impressions of his puppets began to reach him. If he 
wished, he could have lost himself then, could have plunged into that roiling 
sea of emotion and fed until satiated.
But he could not wait that long. He had to move while there was still some form 
to the conflict. Gesturing to the guards, he began to move forward toward the 
gates, toward the presence of Gimli.
Sondra was with the rest of the main cadre of the JJS. As they marched through 
the main gate, she tried again to tell Gimli about that strangeness she d sensed 
in Hartmann last night. "He thought he was controlling all of this. I swear it, 
Gimli. "
"Just like any other fucking politician, old woman. Besides, I thought you liked 
him."
"I do, but-"
"Look, why the hell are you here?"
"Because I'm a joker. Because the JJS is my group too, whether I agree with what 
you're doing or not."
"Then shut up, dammit. I've got a lot to handle here." The dwarf glared at her 
and moved away. They were walking at a slow, funereal pace toward the waiting 
Guardsmen. Sondra could see them through those in front of her. Then the vision 
was gone as the jokers crowded into the constriction of the gates; hobbling, 
limping, making their way as best they could. Many of them bore signs of the 
struggle of the day before; heads wrapped in bandages, slings-they proffered 
them to the Guardsmen like badges of honor. The bodies in front of Sondra 
suddenly halted as they hit the line of Guardsmen; someone shoved her from 
behind and she almost fell. She hugged the person before her, feeling leathery 
skin under her hands, seeing lizardlike scales covering a massive back. Sondra 
cried out as she was crushed, pushing away with feeble arms, muscles wobbling 
inside loose bags of skin. She thought she would fall, when suddenly the 
pressure was released. She staggered. Her eyes caught the sun then; she was 
momentarily blinded. In the confusion, she could see fists swinging in front of 
her, accompanied by shouts and cries. Sondra began to retreat, trying to find a 
way past the conflict. She was shoved, and when she struck back, a club slammed 
against the side of her head.
Sondra screamed. Succubus screamed.
Her vision was lost in swirls of color. She could not think. She held her hands 
over the cut and the hands felt odd. Blinking away blood from the cut on her 
temple, she tried to look at them. They were young, those hands, and even as she 
gaped at them in confusion, she felt the sudden intrusion of other passions.
No! Go back inside, damn you! Not here, not in the streets, not with all these 
people around! Desperately, Sondra tried to place the controls back on Succubus, 
but her head rang with the concussion and she could not think. Her body was in 
torment, shifting fluidly in response to everyone about her. Succubus touched 
each of the minds and took the shape of its sexual desires. She was first 
female, then male; young and old, thin and fat. Succubus wailed in confusion. 
Sondra ran, her shape altering with each step, pushing against the hands that 
reached out for her in sudden odd lust. Succubus responded as she had to; she 
took the thread of desire and wove it into passion. In an ever-widening circle, 
the rioting ended as jokers and Guardsmen alike turned to pursue the quick tug 
of desire. Succubus could feel him as well, and she tried to make her way toward 
Gregg. She didn't know what else to do. He controlled this; she knew that from 
last night. He could save her. He loved her-he had said so.
The cameras followed Senator Hartmann's progress toward the gate where a few 
scuffles were just beginning. When his bodyguards tried to hold the senator 
back, he shrugged their hands aside. "Dammit, someone has to try" he was heard 
to say.
"Oh, good stuff," one of the reporters muttered. Hartmann pushed forward. The 
bodyguards looked at one another, shrugged, and followed.
Gregg could feel the presence of most of his puppets in the area near the gate. 
With the Turtle holding back the jokers at the other end of the park, Gregg 
realized that this would be his best opportunity. Getting Gimli and the others 
to retreat now would turn everyone back. If the rioting continued into the night 
again, no matter-Gregg would have quite amply demonstrated his calm 
sureheadedness in a crisis. The papers would be full of the account the next 
morning and all the networks would feature his face and name prominently. That 
would be enough to ensure the nomination with a grand momentum into the campaign 
itself. Ford or Reagan; it wouldn't matter who the Republicans chose.
Keeping his face grim, Gregg strode toward the center of the conflict. "Miller!" 
he shouted, knowing the dwarf was close enough to hear him. "Miller, this is 
Hartmann!" As he shouted, he gave a tug at Miller's mind and closed down that 
molten heat of rage, laving it with cool azure. He felt the sudden release, felt 
the beginning of the dwarfs disgust at the vision around him. Hartmann twisted 
the mind again, touching the core of fright in the man and willing it to grow, a 
cold whiteness.
It's out of control, Gregg whispered to the man. You've lost it now and you 
can't get it back unless you go to the senator. Listen: he's calling for you. Be 
reasonable.
"Miller!" Gregg called again. He felt the dwarf begin to turn, and Gregg pushed 
the Guardsmen in front of him aside so that he could see.
Gimli was to his left. But even as Hartmann began to call to him, he saw the 
joker's attention shift away toward the gate. There, pursued by a crowd of 
jokers and Guardsmen, Gregg saw her.
Succubus.
Her form was erratic, a hundred faces and bodies flickering on her as she ran. 
She saw Gregg in that same instant. She cried out to him, her arms outstretched. 
"Succubus!" he shouted back. He began to shoulder his way toward her.
Someone caught her from behind. Succubus twisted away, but other hands had her 
now. With a shrill scream, she fell. Gregg could see nothing of her then. There 
were bodies all around her; shoving, striking each other in their fury to be 
near her. Gregg heard the grotesque, dry crack of bones snapping. "No!" Gregg 
began to run. Gimli was forgotten, the riot was forgotten. As he came nearer to 
her, he could sense her presence, could feel the pull of her attraction.
They piled on top of her, the swarming, snarling mob pummeling her, tearing at 
Succubus and each other in an attempt to find release. They were like maggots 
wriggling over a piece of meat, their faces strained and fierce, their hands 
clawed as they pawed at Succubus, thrusting. Blood fountained suddenly from 
somewhere below the writhing pack. Succubus screamed; a wordless, shrill agony 
that was suddenly, eerily, cut off.
He felt her die.
Those around her began to pull back, a horror on their faces. Gregg could see 
the body huddled on the ground. A thick smear of blood spilled around it. One of 
the arms had been ripped completely from its socket, her legs were twisted at 
strange angles. Gregg saw none of that. He stared only at her face: he saw the 
reflection of Andrea Whitman lying there.
A rage grew in him. The intensity of it swept everything else aside. He could 
see nothing around him-not the cameras, not his bodyguards, not the reporters. 
Gregg could only see her.
She had been his. She had been his without having to be a puppet, and they had 
taken her from him. They had mocked him; as Andrea had mocked him years ago, as 
others had mocked him who had also died. He had loved her as much as he could 
love anyone. Gregg grasped the shoulder of a Guardsman who stood over the body, 
his cock hanging down from unzipped pants. Gregg jerked him around. "You 
asshole!" As he shouted, he struck the man in the face repeatedly. "You goddamn 
assholel"
His fury spilled out from his mind unrestricted. It flowed to his puppets. Gimli 
bellowed, his voice as compelling as ever. "You seel See how they kill?" The 
jokers took up the cry and attacked. Hartmann's bodyguards, suddenly fearful as 
the violence was renewed, dragged the senator away from the combat. He cursed 
them, resisting, fighting to be loose, but this time they were adamant. They 
pulled him back to the car and his hotel room.
HARTMANN ENRAGED AT KILLING, ATTACKS DEMONSTRATORS CARTER APPEARS TO BE WINNER
The New York Times, July 20, 1976
HARTMANN "LOSES HEAD" MUST SOMETIMES FIGHT BACK, HE SAYS
New York Daily News, July 20, 1976
He salvaged what he could from the fiasco. He told the waiting reporters that 
he'd simply been appalled by what he'd witnessed, by the unnecessary violence 
done to the poor Succubus. He'd shrugged his shoulders, smiled sadly, and asked 
them if they, too, might not have been moved by such a scene.
When they finally left him, Puppetman retired to his room. There, in the 
solitude of his room, he watched the proceedings on television as the convention 
elected Carter as his party's next presidential candidate. He told himself that 
he didn't care. He told himself that next time it would be his. After all, 
Puppetman was still safe, still hidden. No one knew his secret.
In his mind, Puppetman lifted a hand and spread his fingers. The strings pulled; 
his puppets' heads jerked up. Puppetman felt their emotions, tasting the spice 
of their lives. For that night, at least, the feast was bitter and galling.

Interlude Five
From "Thirty-Five Years of Wild Cards, a Retrospective," Aces! magazine, 
September 15, 1981.
"I can't die yet, I haven't seen The Jolson Story."
-Robert Tomlin
"They are an abomination unto the Lord, and on their faces they bear the mark of 
the beast, and their number in the land is six hundred and sixty-six."
-anonymous anti-joker leaflet, 1946
"They call it quarantine, not discrimination. We are not a race, they tell us, 
we are not a religion, we are diseased and so it is right that they set us 
apart, though they know full well that the wild card is not contagious. Ours is 
a sickness of the body, theirs a contagion of the soul."
-Xavier Desmond
"Let them say what they will. I can still fly."
-Earl Sanderson, Jr.
"Is it my fault that everyone likes me, and no one likes you?"
-David Harstein (to Richard Nixon)
"I like the taste of joker blood."
-graffiti, NYC subway
"I don't care what they look like, they bleed red just like anybody else... most 
of them, anyway."
-Lt. Col. John Garrick, Joker Brigade
"If I'm an ace, I'd hate to see a deuce."
-Timothy Wiggins
"You want to know if I'm an ace or a joker? The answer is yes."
-The Turtle
I'm a joker, I'm insane,
And you cannot say my name 
Coiled in the streets
Waiting only for night
I am the serpent who gnaws the roots of the world
-'Serpent Time,' Thomas Marion Douglas
"I'm delighted to have Baby returned to me, but I have no intention of leaving 
earth. This planet is my home now, and those touched by the wild card are my 
children."
-Dr. Tachyon, on the occasion of the return of his spaceship
"They are the demon children of the Great Satan, America."
-Ayatollah Khomeini
"In hindsight, the decision to use aces to secure the safe return of the 
hostages was probably a mistake, and I take full responsibility for the failure 
of the mission." -President Jimmy Carter "Think like an ace, and you can win 
like an ace. Think like a joker, and the joke's on you."
-Think Like An Ace! (Ballantine, 1981)
"The parents of America are deeply concerned about the excessive coverage of 
aces and their exploits in the media. They are bad role models for our children, 
and thousands are injured or killed each year while attempting to imitate their 
freak powers."
-Naomi Weathers, American Parents League
"Even their kids want to be like us. These are the '80s. A new decade, man, and 
we're the new people. We can fly, and we don't need no bogus airplane like that 
nat Jetboy The nats don't know it yet, but they're obsolete. This is a time for 
aces."
-anonymous letter in Jokertown Cry, January 1, 1981

COMES A HUNTER
by John J. Miller

I.
"If you wish to find the unclouded truth, do not concern yourself with right and 
wrong."
--Seng-ts'an: Hsin-hsin Ming.
Brennan watched all the color fade from the landscape as the bus came down from 
the quiet coolness of the mountains to the sweltering stickiness of a summer 
city day. Endless asphalt parking lots replaced meadows and grassy fields. 
Buildings grew taller and crowded closer to the roadway. Leaden lightpoles 
supplanted the trees on the median and along the road. Even the sky turned 
sullen and gray, threatening rain.
He disembarked at the Port Authority with the other passengers. They scattered 
to their myriad destinations, their eyes averted in the habitual manner of the 
big-city dweller, without giving him a second glance. Not that there was 
anything about him to cause someone to glance twice.
He was tall, but not excessively so. His build was more lithe than bulky. His 
hands were large. Suntanned and scarred, veins and cords stood out on their 
backs like thick wires. His face was dark and lean and unremarkable. He wore a 
denim jacket, frayed and sunbleached, a dark cotton tee shirt, a fresh pair of 
blue jeans, and dark running shoes. He carried a small soft-sided bag in his 
left hand and a flat leather case in his right.
Forty-second Street outside the Port Authority building was crowded. He merged 
into the flow of the foot traffic, allowing it to take him into an area of 
Manhattan that was only slightly less seedy than some of the more polite parts 
of Jokertown. He extricated himself from the swarm of pedestrians after a few 
blocks and went up the decaying stone steps of the Ipswhich Arms, a blowsy hotel 
that apparently catered to the local hooker trade. It looked as if business was 
bad. People were apparently going to Jokertown for their kicks. They were 
cheaper there and, even if only a fraction of what he had read was true, a lot 
kickier.
The desk clerk looked dubious when he came in alone and with luggage, but took 
his money and gave him directions to a room that was as small and dirty as he 
had thought it would be.
He closed the door, put his bag on the floor, and carefully set his leather case 
on the sagging bed.
The room was sweltering, but Brennan had been in hotter places. He felt confined 
by the filthy bare walls around him, but opening a window wouldn't have helped. 
He laid down on the bed and stared at the peeling ceiling without seeing the 
roaches racing above his head. The words of a letter he had received the day 
before kept running through his mind.
"Captain Brennan, he is here. I have seen him, but I am afraid that he saw and 
recognized me as well. Come to the restaurant. Be cautious, but open."
There was no signature, but he recognized Minh's elegant, precise hand. There 
was no address, but he didn't need one. Minh had hidden him in his restaurant 
for several days when he had surreptitiously returned to the States three years 
before. And Brennan had no doubt to whom his old friend referred in the letter. 
It was Kien.
He closed his eyes and saw a face: masculine, lean, predatory. He tried to make 
it vanish. He tried to blank it from his mind by conjuring-from the depths of 
his consciousness the sound of one hand clapping. He tried, but failed. The face 
smiled, mocking him. It began to laugh.
He sat on the bed, waiting for the darkness and what it would bring.

II.
The air was flat and unmoving and clogged Brennan's nostrils with the miasma of 
seven million people crammed too closely together. After three years in the 
mountains he was unused to the city, but he was still able to take advantage of 
it. One man among thousands, he was seen but not noticed, heard but not 
remembered, as he walked to Minh's restaurant on Elizabeth, carrying his flat 
leather case.
It was early evening and the street was still crowded with potential customers, 
but the restaurant was closed. That was strange.
The vestibule, the only part of the restaurant's interior visible from the 
street, was dark. The sign hanging on the inside of the outer glass door said 
"Closed. Please call again." in English and Vietnamese. Three men, city punks, 
lounged on the street in front of the building, joking among themselves.
Brennan walked to the corner, trying to drape his sudden apprehension with a 
cloak of calmness. He ran through a series of breathing exercises that had been 
Ishida's first lesson to him when he had decided to give direction to his life 
by studying the Way. Apprehension, fear, nervousness, hatred-these would do him 
no good. He needed the ineffable calmness of an unbroken, unclouded mountain 
pool.
Kien was still alive. Of that he never had a doubt. Kien was a cunning and 
ruthless survivor to whom the fall of Saigon was merely an inconvenience. It 
would have taken him some time, but Brennan knew that he must have built a 
network of agents as potent and relentless as his network in Vietnam. These 
agents, given the few days that it took the letter to be written, delivered, and 
acted upon, could have tracked Minh down.
He turned the corner and, unnoticed by the other pedestrians on the street, 
slipped into a side alley bordering Minh's restaurant. It was dark there, and as 
quiet and rank as death. He crouched next to a pile of uncollected garbage, 
listening and watching. He saw nothing, as his eyes adjusted to the deeper gloom 
of the alley, besides scavenging cats. He heard nothing but the rustling sounds 
they made as they searched through the garbage.
He set his case down and flicked open its latches. He could barely see in the 
gloom, but he needed no light at all to assemble what lay inside. He snapped on 
and dogged down the limbs, upper and lower, to the central grip, and with sure, 
practiced strength slipped the string over the lower tip, stepped through, set 
the tip of the lower limb against his foot, bent the upper limb against the back 
of his thigh, and slipped the string over its tip. He brushed the taut string 
with his fingers and smiled at the low thrumming sound it produced.
He held a recurved bow, forty-two inches long, made of layers of fiberglass 
laminated around a yew core. Brennan knew it was a good bow. He had made it 
himself. It pulled at sixty pounds, powerful enough to bring down a deer, bear, 
or man.
The case also held a three-fingered leather glove which Brennan slipped on his 
right hand and a small quiver of arrows which he attached to his belt by Velcro 
tabs. He pulled one free. It was tipped by a hunting broadhead with four 
razorsharp vanes. He nocked it loosely to the taut string and, more silent than 
the cats scrabbling through the uncollected garbage, crept to the restaurant's 
back door.
He listened, but could hear nothing. He tried the door, found it unlocked, and 
cracked it open half an inch. An arc of light spilled out and he found himself 
looking into a swatch of the kitchen. It, too, was empty and quiet.
He slid inside, a silent blot of darkness in the stainless steel and white 
porcelain room. Keeping low, moving fast, he went to the double swinging doors 
that led out into the dining area and cautiously peeked through the oval window 
set into the door. He saw what he had been afraid he would see. The waiters, 
cooks, and customers were huddled together in one corner of the room under the 
watchful eyes of a man armed with an automatic pistol. Two others held Minh 
spreadeagled against a wall while a third worked him over. Minh's face was 
bruised and bloody, his eyes were swollen shut. The man who was beating him 
methodically with a leather sap was also questioning him.
Brennan slipped down below the window, his teeth clenched, rage swelling the 
veins in his neck and reddening his face.
Kien had recognized Minh and ordered him hunted down. Minh was one of the few 
people in America who could identify Kien, who knew that he had methodically and 
ruthlessly used his position as an ARVN general to betray his country, his men, 
and his American allies. Brennan, of course, also knew Kien for what he was. He 
also knew that whatever place Kien had made for himself in America, those in 
authority would respect, listen to, and probably even fear him. Brennan, on the 
other hand, since he had walked away from the Army in disgust during the debacle 
of the Fall of Saigon, was an outlaw. No one in authority knew that he was back 
in the States, and he wanted to keep it that way.
He reached into his back pocket, withdrew a hood, and slipped it on, covering 
his features from his upper lip to the top of his head.
He took a moment to breathe deep, to drown his emotions in a void of 
nothingness, to forget his rage, his fear, his friend, his need for revenge, to 
forget even himself. He became nothing so that he would be all. He was not 
angry, not calm. He rose silently to his feet and stepped through the door, sank 
down on one knee behind a table and drew his first shaft.
The quiet, assured words of Ishida, his roshi, filled his mind like the 
somnolent tolling of a great bell.
"Be simultaneously the aimer and the aimed, the hitter and hit. Be a full vessel 
waiting to be emptied. Loose your burden when the moment is right, without 
thinking or direction, and in that manner know the Way."
He stared without seeing, forgetting whether his targets were men or bales of 
hay, loosed his first shaft, dropped his hand to the quiver at his belt, took 
out his next arrow, nocked, lifted the bow, and drew the string while the first 
shaft was still on its way.
The first arrow hit while he was shifting his aim to take in the third target. 
They realized they were being attacked by the time the second arrow had struck 
and the fourth was released. By then it was too late.
He had chosen the order of his targets before becoming submerged in the void. 
The first was the man guarding the hostages with the drawn gun. The shaft struck 
him in the back, high on the left side. It skewered his heart, sliced through 
one lung, and burst out half a foot from his chest. The impact hurled him 
forward, astonished, into the arms of a waiter.
They both stared at the bloody aluminum shaft protruding from his chest. The 
gunman opened his mouth to swear or pray, but blood gushed forth, drowning his 
words. He slumped forward, his legs gone rubbery, and the waiter dropped him.
The two who held Minh released him. He slumped to the floor as they reached for 
the weapons at their belts. One had his hand pinned to his stomach before he 
could draw; the other was nailed to the wall. He dropped his pistol and clutched 
at the shaft pinning him like an insect staked to a drying-board. The last, the 
one who had been questioning Minh, whirled around and was struck in the side. 
The arrow angled upward, slipped between his ribs, pierced his heart, and 
punched upward through his right shoulder.
Nine seconds had elapsed. The sudden silence was broken only by the pained 
weeping of the man nailed to the wall.
Brennan crossed the room in a dozen strides. The hostages were still too stunned 
to move. Two of the thugs were dead. Brennan took no pleasure in their deaths, 
as he took no pleasure in killing deer to provide meat for his table. It was 
just something that had to be done. Neither did he waste his pity on them.
The one who was gutshot was curled up on the floor, unconscious and in shock. 
The other, pinned to the wall by the shaft that had pierced his chest, was still 
alert. Fear twisted his face and when he looked into Brennan's eyes his sobbing 
grew to a wail.
Brennan stared at him without remorse. He drew a shaft from his quiver. The man 
started to babble. Brennan slashed out. The broadhead cut the man's throat as 
easily as if it were a razor. Brennan dispassionately stepped aside from the 
sudden spurt of blood, slipped the arrow back into the quiver, and knelt down by 
Minh.
He was badly hurt. All his limbs were broken-it must have been agonizing to have 
been held up the way he wasand internal damage must have been massive. His 
breathing was shallow and shuddering. His eyes were swollen shut. They probably 
wouldn't have focused even if he could have opened them.
"Ong Id ai?" he breathed at Brennan's gentle, probing touch. Who are you?
"Brennan."
Minh smiled a ghastly smile. Blood bubbled on his lips and gleamed on his teeth.
"I knew you would come, Captain."
"Don't speak. We have to get help-"
Minh shook his head. The effort cost him. He coughed and grimaced in pain.
"No. I am dying. I must tell you. It is Kien. This proves it. They wanted to 
know if I told anyone, but I would say nothing. They don't know of you."
"They will," Brennan promised. Minh coughed again.
"I had hoped to help. Like the old days. Like the old days." His mind wandered 
for a moment and Brennan looked up.
"Call an ambulance," he ordered. "And the police. Tell them there's three more 
on the street in front. Move." One of the waiters leaped to follow his orders 
while the others watched in mute incomprehension.
"Help you," Minh repeated, "help you." He fell silent for a moment and then 
seemed to make a supreme effort to speak rationally and clearly. "You must 
listen. Scar has kidnapped Mai. I was following him, trying to get a lead to 
where he had taken Mai, when I saw him and Kien together in the back of a 
limousine. Go to Chrysalis, Crystal Palace. She might know where he's taken her. 
I couldn't... find... out." His last sentence was interrupted by bloody fits of 
coughing.
"Why did they take her?" Brennan asked gently. "For her hands. Her bloody 
hands."
Brennan wiped the beads of sweat from Minh's forehead. "Rest easy now," he said.
But Minh didn't listen. He rose up, clutching Brennan's arm.
"Find Mai. Help. Her."
He settled back, sighed. Blood bubbled on his lips. "Toi met," he said. I am 
tired.
Brennan clenched his jaw against the ache and answered softly in. Vietnamese.
"Rest, then."
Minh nodded and died.
Brennan let him down gently and sat back on his heels, blinking rapidly. Not 
another one, he said to himself. Not another death. It was another thing Kien 
had to answer for. He stood, looked around, and saw nothing but fear on the 
faces of the people he had rescued. There was no sense in waiting. The police 
would only ask awkward questions. Like his name. There were plenty of people who 
would like to know that Daniel Brennan was still alive and back in the United 
States, Kien only one among them.
He had to leave before the police arrived. He had to follow the slim lead that 
Minh had left him. Chrysalis. Crystal Palace.
But he stopped, turned to the freed hostages. "...eed a pen," he said.
One of the waiters had a felt-tip marker that he wordlessly handed to Brennan. 
He paused for a moment. He wanted Kien to wake up at night in a cold sweat, 
thinking, wondering.
It wouldn't get to him right away, but, with enough messages, enough dead 
agents, it eventually would.
He scrawled a message next to the man nailed to the wall by his arrow. It said: 
"I'm coming for you, Kien."He stopped before signing it. His name wouldn't do. 
It would take the fear of the unknown from his attacks and give Kien, his 
agents, and his government contacts too concrete a clue to follow. He smiled as 
sudden inspiration struck him.
The code name of his last mission in Vietnam, when Kien had betrayed him and his 
unit into the hands of the North Vietnamese, had been Operation Yeoman. That 
name would make Kien think. He might suspect that it was Brennan who stood 
behind the name, but he wouldn't know for sure. It would gnaw at him in the 
night and salt his dreams with memories of deeds he'd thought long buried. It 
was also an appropriate name in a grimly ironic way. It suited him well.
He signed the short message Yeoman and then, in a burst of final inspiration, 
drew a small ace of spades, the Vietnamese symbol of death and ill-fortune, and 
colored it in. The Vietnamese waiters and kitchen help muttered to themselves at 
the sight of the mark, and the waiter from whom Brennan had borrowed the pen 
refused to take it back with quick, birdlike shakes of his head.
"Suit yourself," Brennan said. "How do I get to the Crystal Palace?"
One of them stammered directions and Brennan went back out through the kitchen, 
into the dark alley. He disassembled his bow, slipped it back into its case, and 
was gone before the police arrived. Still wearing his mask, he kept to the 
alleys and dark streets, passing other phantom figures in the darkness. Some 
watched him, some were absorbed in their own doings. None tried to stop him.
The Crystal Palace, on Henry, was part of a block-long three-story rowhouse. 
About half the row had been destroyed in the Great Jokertown Riot of 1976 and 
had never been rebuilt. Some of the debris had been cleared away, some remained 
in great piles sitting next to tottering walls. As Brennan passed he saw eyes, 
whether human or animal he couldn't tell, gleaming out from cracks and crevices 
within the piles of wreckage. He wasn't tempted to investigate. He went farther 
down the street to where the rowhouse was still intact, up the short stone 
staircase under a canopied entrance, through a small antechamber, and found 
himself in the main taproom of the Crystal Palace.
It was dark, crowded, and smoky. There was an occasional obvious joker, like the 
short, blubbery, tusked fellow peddling newspapers by the door and the 
bicephalic singer on the small stage managing some nice harmony on a Cole Porter 
tune. Some were normal enough until one looked close. Brennan noticed one man, 
normal, handsome even, except that he lacked a nose and mouth and had instead a 
long, curled proboscis that he extended like a straw into his drink as Brennan 
watched. Some wore costumes that called attention to their strangeness, as if to 
proclaim their infection in a defiant manner. Some wore masks to hide their 
deformities, although some who wore masks were naturals, or nats, in joker 
slang. "You a salesman?"
It took Brennan a moment to realize that the question was directed at him. He 
looked over to the end of the long wooden bar where a man sat on a high stool, 
swinging his short, stubby legs well clear of the floor. He was a dwarf, about 
four feet tall and four feet wide. His neck was as tall as a can of tuna fish 
and as thick as a man's thigh. He looked as solid and expressionless as a slab 
of marble.
"Those your samples?" he asked, gesturing at Brennans case with a hand that was 
twice the size of Brennan's. "Just the tools of my trade."
"Sascha."
One of the bartenders, a tall, thin man with a pencil mustache and an oily curl 
of hair falling limply over his forehead, turned toward the dwarf. Brennan had 
noticed him out of the corner of his eye, mixing and dispensing drinks with 
incredible speed and surety. When he turned at the dwarf's call Brennan saw that 
he had no eyes, only a blank, unbroken expanse of skin covering his sockets. The 
bartender looked in his direction and nodded rapidly.
"He's okay, Elmo, he's okay." The dwarf nodded and took his eyes off Brennan for 
the first time since he had spoken. Brennan frowned, was about to speak, but the 
bartender beat him to it. He pointed down to the other end of the bar and said, 
"She's over there."
Brennan pursed his lips. The eyeless man smiled briefly and turned away to mix 
another drink. Brennan looked in the direction the bartender had indicated and 
caught his breath.
A woman sat at a corner table with a slim, light-skinned black man who was 
wearing a red kimono splashed with yellow dragons and embroidered with what 
Brennan took to be mystical formulae. He was handsome, but for the bulging 
forehead that marred his profile. The chair he sat in was ordinary. The woman's 
chair was throne-sized, with a black walnut frame and red velvet cushions. She 
set down the thimble-sized crystal glass from which she was sipping a 
honey-colored liqueur, looked directly at Brennan, and smiled.
She wore pants that clung to her lithe figure and a sheathlike wrap that 
gathered over her right shoulder, leaving half her chest naked. Her skin was 
completely invisible, exposing vague, shadowy muscles and the organs that 
labored underneath them. Brennan could see blood pulsing in the network of veins 
and arteries that ran through her flesh, could see her ghostly, semitransparent 
muscles shift and glide at her slightest movement, could even see, faintly, the 
beating of her heart within the cage of her ribs and the fluttering of her lungs 
as they labored evenly and unceasingly.
She smiled at him. Brennan knew that he stared, but he couldn't help himself. 
She looked too bizarre to be beautiful, but she was fascinating. Her exposed 
breasts was totally invisible, save for its fine network of interlacing blood 
vessels and its large, dark nipple. Her face--well, who could tell? Her eyes 
were blue; her cheekbones, under the sheath of jaw muscle, high; her nose a 
cavity in her skull. Her lips, like the nipple of her breast, were visible. They 
were full and inviting and curved in a sardonic smile. She had no hair to hide 
her white skull. He threaded his way through the crowd toward her table and she 
watched him with what seemed to be, if he could read her bizarre expression, 
detached amusement. He watched the mechanism of her throat work as she sipped 
her drink.
"Forgive me," he began, and ran down to silence. She laughed. It was 
good-humored, with no bitterness, reproach, or anger. "Forgiveness granted, 
masked man," she said. "I'm a sight to behold. No one seeing me for the first 
time can act casual about it. I'm Chrysalis, owner and proprietress of the 
Crystal Palace, as I guess you know. This is Fortunato." The black looked at 
Brennan and he could see the man's eastern blood in the shape of his eyes. They 
nodded at each other wordlessly. There was, Brennan realized, an aura of power 
about this man. He was an ace, of that Brennan was suddenly sure.
"What's your name?" Chrysalis asked him.
She spoke in a cultured British accent, which would have surprised Brennan if he 
hadn't already exceeded his surprise quotient for the evening. Her voice had 
grown thoughtful, her expression seemed calculating.
"Yeoman," Brennan said, wondering how open he could afford to be.
"Interesting. Its not your real name, of course." Brennan looked at her 
silently.
"Would you like to know it?" her companion asked. Fortunato smiled lazily and 
she shrugged and smiled back noncommittally.
Fortunato looked at Brennan. 'His eyes grew deeper, darker. Brennan sensed a 
swirling vortex of power growing in them, power he suddenly realized was 
directed toward him.
He flashed with anger, his fists clenching, and he knew that he couldn't keep 
the spore-given ability of Fortunato from penetrating into the core of his 
brain. There was only one thing he could do.
He took a deep breath, held it, and let all thought drain from his mind. He was 
back in Japan again, facing Ishida, trying to answer the riddle the roshi has 
posed him when he had first sought entry to the monastery.
"A sound is heard when both hands are clapped. What is the sound of one hand 
clapping?"
Wordlessly Brennan had thrust forth one hand, clasped into a fist. Ishida had 
nodded, and Brennan's training began in earnest. He called upon that training 
now. He entered deeply into zazen, the state of meditation where he emptied 
himself of all thought, feeling, emotion, and expression. A timeless time passed 
and, as if from a long distance away, he heard Fortunato mutter, "Extraordinary" 
and he brought himself back.
Fortunato looked at him with a modicum of respect in his eyes. Chrysalis watched 
them both carefully.
"You're into Zen?" Fortunato asked.
"A humble student," Brennan murmured, his voice sounding even to him as if 
coming from a distant mountain peak.
"Maybe I'd better speak to Yeoman alone," Chrysalis said. "If you want." 
Fortunato stood.
"A moment." Brennan shook himself like a dog shedding water and returned 
entirely to the room. He looked at Fortunato. "Don't do that again."
Fortunato pursed his lips, nodded. "I'm sure we'll meet again."
He left the table, threading his way through the crowded room.
Brennan took his chair as Chrysalis gazed at him with what seemed to be a 
calculating expression.
"Strange that I haven't heard of you before," she said. "I've just come to 
town."
Her gaze had become penetrating, captivating. It was with some effort that 
Brennan pulled his gaze away from her eyes floating naked in their hollow 
sockets.
"On business?" she asked. Brennan nodded and she sipped her drink, sighed, put 
her glass down. "I can see that you're not in the mood for small talk. What do 
you want of me?"
"Your bartender," he began. "How does he get along so well without eyes?"
"That's an easy one," Chrysalis said with a smile. "I'll give it to you for 
free. Sascha's a telepath, among other things. Don't worry. Whatever secrets 
you're hiding behind your mask are safe. He's a skimmer. He can only read 
surface thoughts. Makes his job easier, makes the Crystal Palace safer. He tells 
Elmo who the dangerous, the sick, the twisted, are. And Elmo gets rid of them."
Brennan nodded, feeling a little safer. He was glad to learn that the 
bartender's ability was limited. He didn't like the thought of anyone poking 
about in his brain.
"What else?" Chrysalis asked.
"I need to know about two men. A man named Scar and his boss, Kien."
Chrysalis looked at him and frowned. At least, the muscles of her face bunched 
up. Like her bodily musculature, they looked wispy, insubstantial, as if that 
which made her flesh and skin totally invisible affected them to the point of 
translucency.
"You know that they're connected? That's something maybe only three people 
outside their own circle know. Are they friends of yours?" Sudden anger blazed 
across Brennan's face and she flinched. "No. I guess not."
Her words brought to life memories of treachery and violence. Sascha turned his 
blind gaze to their corner. Elmo stood on tiptoes, craning his thick neck. 
Around the room half a dozen people fell silent. One man clutched his temples 
and fainted dead away. He whimpered like a whipped dog as the others at his 
table tried to bring him out of his trance. Chrysalis broke her gaze from 
Brennan's, waved Elmo off, and the tension began, slowly, to dissipate.
"They're dangerous, both of them," she said calmly. "Kien's Vietnamese, an 
ex-general. He showed up about, oh, eight years ago. He quickly insinuated 
himself into the drug trade and now owns a large share of it. In fact, he has 
his fingers in most other illegal activities in the city, while maintaining a 
facade of solid respectibility. Owns a string of dry-cleaning establishments and 
restaurants. Donates to the proper charities and political parties. Gets invited 
to all the big social events. Scar's one of his lieutenants. He doesn't report 
directly to Kien. The general keeps himself well insulated."
"Tell me more about Scar."
"Local boy. I don't know his real name. He's called Scar because of the strange 
tattoos he's had smeared all over his face. They're supposed to be Maori tribal 
markings."
Brennan must have looked incredulous because Chrysalis shrugged. He watched 
muscles shift and bones rotate in their sockets. The nipple of her exposed 
breast bobbed up and down on its pad of invisible flesh.
"He supposedly got the idea from an anthropologist from NYU. who was studying 
his street gang. Something about urban tribalism. Anyway, he's one mean dude. 
He's Kien's chief muscle. Unbeatable in a fight." She gazed at him shrewdly. 
"You're going up against him."
It was a statement, not a question.
"What makes him unbeatable?"
"He's an instantaneous teleport. He can vanish quicker than anyone can move and 
reappear anywhere he wants to. Usually behind his opponent. He's also mean as 
hell. He could be big stuff, but he likes to kill too much. He's content with 
being one of Kien's lieutenants. Not that he does badly for himself." She toyed 
with her glass for a moment, then looked directly at Brennan. "Are you an ace?"
Brennan said nothing. Their eyes locked for a long moment and then Chrysalis 
sighed.
"You have nothing. You're just a man. A nat. What makes you think you can take 
Scar?" she repeated.
"As you said, I'm a man. He's kidnapped the daughter of a friend of mine. I'm 
the only one left to go after her."
"The police?" Chrysalis began reflexively, then laughed at her own suggestion. 
"No. Scar, through Kien, has enough police protection. I take it you have no 
solid evidence that Scar has the girl? No. What about one of the other aces? 
Black Shadow, Fortunato perhaps..."
"There's no time. I don't know what he's doing to her. Besides"-he stopped for a 
moment and looked back ten years, "this is personal."
"So I suspected."
Brennan drew his gaze back into the room. He stared hard at Chrysalis.
"Where can I find Scar?"
"I'm in the business of selling information and I've already given you plenty 
for free. That tidbit will cost you."
"I have no money."
"I don't need money from you. I do you a favor, you do me one."
Brennan scowled. "I don't like being in anyone's debt."
"Then find your information elsewhere."
The need to be doing something was burning in Brennan. "Very well."
She took a sip of her liqueur and regarded the crystal goblet, held in a hand 
whose flesh was as clear as the goblet itself.
"He has a big place on Castleton Avenue, Staten Island. It's isolated and fenced 
in and sits on extensive grounds. He likes to hunt. Men."
"He does?" Brennan asked, his gaze thoughtful, considering.
"Why did Scar kidnap this girl? Is she special in any way?"
"I don't know," Brennan said, shaking his head. "I thought it was to keep her 
father quiet because he had seen Scar and Kien together, but the sequence of 
events is all wrong. Minh saw them together when he was following Scar, trying 
to pick up clues about the kidnapping. He told me that they took her for her 
`bloody hands.' That mean anything to you?"
Chrysalis shook her head.
"Can't you get him to be less cryptic?"
"He's dead."
She reached out, put one of her hands on his and something passed between them. 
"You probably won't heed my warnings, but I'll give them anyway. Be careful." 
Brennan nodded. Her hand, invisible on his, was warm and soft. He watched blood 
pulse rhythmically through it. "Possibly," she continued, "you'd like to 
discharge some of your debt?"
"How?" Brennan asked, meeting the subtle challenge of her tone and expression.
"If you survive your encounter with Scar, come back to the Palace, tonight. 
Don't worry about the time. I'll be waiting for you."
There was no mistaking her meaning. She offered entanglements that he had 
avoided for a long time, relationships that he had wanted no part of for years.
"Or do you find me repulsive?" she asked matter-of-factly in the lengthy silence 
that stretched between them.
"No," he said more curtly than he had intended. "Its not that, not that at all."
His voice sounded harsh in his own ears. He had isolated himself so long from 
human contact that the thought of entering into any kind of intimate 
relationship was frightening.
"Your secrets will be safe from me, Yeoman," Chrysalis said.
He took a deep breath, nodded.
"Good." Her smile returned. "I'll expect you."
He turned without a word, and her smile slipped from her face. "If," she said so 
softly that only she heard the words, "you can do the impossible. If you can 
beat Scar."
There were, Brennan thought, two ways to go about this. He could be 
surreptitious. He could sneak into Scar's mansion, not knowing what security 
system he might have, and flit from room to room, not knowing what was in each 
room, not even knowing if Mai was in the building. Or he could just walk in, 
putting his trust in luck, nerve, and his ability to think on his feet.
He unmasked after he left the Crystal Palace and found a cab. The cabbie was 
reluctant to take him out to Staten Island, but he flashed a couple of twenties 
and the hack became all smiles. It was a long ride, by cab and ferry, and 
Brennan spent it in unhappy reminiscence. Ishida would have disapproved, but 
then, Brennan knew, he had never been the best of the roshi's students.
He had the cabbie drop him off a block or so from the Castleton address that 
Chrysalis had given him, paid the fare, and gave the hack a tip that wiped out 
most of his cash reserves. As the cab pulled away he moved quietly in the 
shadows until he stood across the street from Scar's place. It was as Chrysalis 
had described.
The house itself was a hulking stone mansion set a couple hundred yards off the 
street. A few lights shone through scattered windows on each of the three 
floors, but there was no illumination on the outside. The wall that encircled 
the grounds was stone, about seven feet high, surmounted by strands of 
electrical wire. The small glass-sided guardbox that stood by the wrought-iron 
gate held a single sentinel. It didn't look as if the security would be very 
difficult to breach, but the mansion was definitely too big to search room by 
room.
It would have to be boldness, nerve, and luck. A lot of luck, Brennan thought as 
he walked briskly from the shadows. The man in the guardbooth was watching a 
small television set, a talk show hosted by a beautiful woman with wings. 
Brennan, who hadn't watched television since his return to the States, 
nevertheless recognized her as Peregrine, one of the most visible aces, the 
hostess of Peregrine's Perch. She was watching an immense bearded man in a 
chef's hat doing something culinary. They chatted amiably as his large hands 
moved with surprising grace and Brennan realized that he was Hiram Worchester, 
alias Fatman, another of the more-public aces.
The guard was engrossed in Peregrine, who wore an undeniably attractive costume 
that was slit down nearly to her navel. Brennan had to rap on the glass door of 
the booth to get his attention, though he had made no effort to conceal his 
approach.
The guard opened the door. "Where did you come from?"
"A cab." Brennan gestured vaguely over his shoulder. "I sent it away."
"Oh, oh sure," the guard said. "I heard it. What do you want?"
Brennan was about to say that Kien sent him about the girl, but he bit the words 
back at the last instant. Chrysalis had told him that only very few people knew 
that Kien and Scar were connected. This flunky certainly wasn't one of them.
"The boss sent me. About the girl," he said, keeping as vague as possible while 
making his voice assured and knowing. "The boss?"
"Call Scar. He knows."
The guard turned, picked up a phone. He hung up after a few seconds of muffled 
conversation and touched a panel in front of him. The wrought-iron gate swung 
open silently.
"Go on in," he said, turning back to the television, where Hiram and Peregrine 
were eating sugar-coated chocolate crepes with delighted looks on their faces. 
Brennan hesitated briefly.
"One more thing," he said.
The guard sighed, turned slowly, more than half-watching the television set.
Brennan rammed his palm, hard, in an upward motion against the guard's nose. He 
felt bone buckle and shatter at the force of his blow. The man convulsed once as 
splinters of bone knifed through his brain, and then went utterly slack. Brennan 
snapped off the television as Fatman and Peregrine were finishing the crepes, 
and dragged the body into the yard and dumped it behind some concealing 
shrubbery. Regretfully, he left his bowcase stashed there as well, but, so as 
not to go totally unarmed, extracted a spare bowstring and looped it loosely 
around his hips, under the waistband of his jeans. He walked briskly up the 
drive to the mansion.
Scar needed a gardener. The yard had turned feral. The grass hadn't been cut all 
summer; the shrubberies had gone crazy. Untended, they had spilled over their 
original boundaries and provided a fairly dense undergrowth beneath the thick, 
untrimmed trees. It was more of an acre or two of forest than a front yard and 
for a moment it made Brennan long for the quiet peacefulness of the Catskills. 
Then he was at the front door and he remembered what had brought him here. He 
rang the bell.
The man who answered the front door had the insolence of a city punk and the gun 
that he carried under his armpit in a shoulder rig looked big enough to bring 
down an elephant.
"Come on in. Scar's got a client. They're with the girl." Brennan frowned at the 
man's back as he led him into the mansion. What was going on? Prostitution? 
Weird sex? He wanted to question the man who was leading him to the rear of the 
mansion, but knew that it was best to keep his mouth shut. He'd find answers 
soon enough.
Scar kept a little better care of the interior of his mansion than he did of the 
yard, but not much. The marble parquet floor was filthy, and there were stale 
odors clogging the air that made Brennan sick. He was afraid to breathe too 
deeply, lest he find himself able to identify some of the odors. A stairway 
swept upward into the upper stories of the mansion, but they stayed on the first 
floor, heading toward the rear of the building.
His guide turned to the left, passed through a metal detector which beeped once, 
and looked back at Brennan. Brennan followed him. The detector was silent. The 
thug nodded and led Brennan into a well-lit room that had four other people in 
it. One was a tough, identical for all practical purposes to the one who had met 
Brennan at the door. Another was a woman with long blond hair. She wore a mask 
that covered her entire face.
Another was Mai. She looked up at him dully as he entered the room and quick 
stifled the look of recognition that came to her face when she saw him. It had 
been three years since he had seen her. She had grown into a beautiful young 
woman, small, delicate, fine-featured, with thick, glossy hair and dark, dark 
eyes. She looked unharmed, if terribly tired.
There were circles under her eyes and Brennan could read the weariness in her 
every muscle by the way she held herself. The last was Scar. He was tall and 
lean, dressed in tee shirt and black chinos. His face was a nightmare. The 
patterns tattooed on it in black and scarlet turned it into the leering, bestial 
face of a demon. His eyes were sunk in black pits, his teeth inset in a scarlet 
cave. Brennan was surprised to see, when Scar smiled at him, that his teeth 
weren't filed.
"What's your name, man?" he asked in the thick argot of the inner city. "I ain't 
never seen you before."
"Archer," Brennan lied automatically. "What's going on here?"
Scar flashed his smile again. It twisted his face into odd contortions that 
showed nothing of humor.
"You just in time, man. The sister here is going to demonstrate her power, 
aren't you?"
Everyone looked at Mai, who bowed her head in silent, wearied resignation.
"She can do it?" the masked woman asked, her voice oddly eager and sibilant.
Scar only nodded and gestured at Mai. The two thugs watched with disinterest. 
Scar kept shifting his gaze back and forth to Brennan, Mai, and the woman.
"Tell the man," he said, watching Brennan closely as Mai approached the woman, 
"that I was going to tell him all about her. I was just checking things out."
Brennan nodded impatiently, aloof and hard-eyed outside, indecisive inside. Mai 
walked to the woman without glancing in his direction. Whatever was going to 
happen, he thought, couldn't be too bad. She seemed to be taking things calmly 
enough. He decided to wait.
"You have to take the mask off," Mai told the woman quietly. She drew back a 
little and glanced at the men watching her, but obeyed. Brennan watched 
impassively as she unmasked, Scar watched with a slight, sly smile. She was 
obviously ashamed of her face. Brennan had seen worse, but it was enough to 
evoke leering whispers from Scar's men. She had no chin and only a slight lower 
jaw. Her nose consisted of flat nostrils set above her lipless mouth. Her 
forehead was tiny. Her whole face was thrust forward in a reptilian manner that 
was enhanced by the colorfully beaded texture of her skin. She looked all the 
world like a Gila monster with long blond hair.
"I used to be beautiful," she said, looking down.
Scar's men snickered aloud, but Mai took her roughskinned cheeks between her 
palms and said quietly, "You will be again."
The woman looked up at her, a world of pain in her eyes. Mai gazed calmly at 
her, her face blank with the serenity of a madonna. For a moment nothing 
happened. Brennan glanced from her to Scar, who was watching him carefully, then 
back again. Then, where her palms touched the leathery skin of the woman's 
cheeks, blood began to run in little trickles. It seemed to be welling from the 
woman's cheeks, Mai's palms, or both. Tiny rivulets ran from between Mai's 
fingers, down the backs of her hands to her wrists. Mai moaned and Brennan 
stared at her as her face changed. Her chin receded, her jaw shrank. Her 
forehead narrowed and her skin became thick and pebbly and banded in orange and 
black and scarlet. It took some minutes. Brennan watched with pursed lips. Scar 
watched him watch. He smiled malevolently, his tattooed face a demonic mask.
Two lizard-women faced each other, one blond, one darkhaired. The woman looked 
at Mai wide-eyed, Mai looked back reassuringly. She sighed, longly, like a lover 
after release, and she began to change. Her skin lost its roughness, its bright 
color. The bone beneath it shifted back to normal configurations. Her lips 
twitched slightly, perhaps at the pain of the metamorphosis, but she said 
nothing. It took a moment longer, but the blond woman, too, began to change. 
Skin softened, bleached itself. Bone flowed like soft wax. Tears ran down her 
high, fine cheeks, whether from pain or joy, Brennan couldn't tell. The 
transformation took some minutes. When the tiny rivulets of blood ceased to 
flow, Mai took her hands from the woman's face. The woman was right. She had 
been beautiful, and was again. Weeping silently, she took Mai's hand and pressed 
a kiss into her palm. Mai smiled at her and swayed tiredly. Brennan could see 
that willpower alone kept her on her feet. Every line and muscle of her body 
cried out in weariness.
The woman reached down to a purse on a small table near where she stood and took 
out a thick envelope. Scar gestured. One of his smirking thugs took it, put it 
in his back pants pocket, and escorted the woman from the room.
"Well, man, what you think?"
"Fantastic," Brennan said, still looking at Mai. "What is it, genetic 
manipulation of some sort?"
"I don't know about that shit," Scar said. "I just heard that she was healing 
jokers in the neighborhood, and I figured why should she fix up those poor 
jokers when she can fix up jokers who'll pay plenty. So I snatched her."
Brennan turned away from Mai and met Scar's eyes. "She's worth a lot. You should 
have told Kien about her. I'll have to take her to him."
Scar puckered his tattooed lips in mock consternation. "You will? You seem to 
know a lot, man. How come you don't know that I told the man about her when that 
gook saw us together in the back of the man's limo?" He turned, looked at Mai, 
and added maliciously, "And then the man had the old gook hit so he wouldn't 
tell no one about it."
"My father?" Mai asked.
Scar nodded, grinning like a devil. Mai gasped, swayed, and would have fallen if 
Scar's man hadn't grabbed her roughly by the arm. Brennan moved.
He launched himself across the room, ripped the gun from the man's shoulder rig, 
jammed the barrel against his chest, and pulled the trigger. There was an 
immense roar as the blast lifted the man ofu his feet and threw him against the 
wall. He left a red smear as he slumped to the floor, his eyes open and 
unbelieving.
Brennan whirled, but Scar was gone. He saw a flicker at the edge of his vision 
and felt sharp pain as Scar chopped down on his wrist, knocking the gun from his 
grasp. Scar ducked Brennan's sweeping arm, kicked the gun across the room, and 
vanished silently and utterly.
He reappeared between Brennan and the gun, smiling crazily.
"You need a gun to go up against Scar? You some kind of crazy nat," he said. 
"What name you want on your tombstone?" He reached into the pocket of his chinos 
and with a practiced flick of his wrist opened a six-inch-long straight razor. 
He vanished again and Brennan felt a sudden biting pain in his side. He heard 
Mai's cry, threw himself away, rolled, and stood. Blood ran down his side where 
Scar had slashed a long, shallow cut across his ribs. He barely had time to 
stand before Scar appeared again, slashed his cheek open, and popped away. It 
was as Chrysalis had said. He was fast and precise in his teleporting. And he 
did enjoy his work.
"I cut you slowly, man," he said, appearing with killing lust in his eyes, "I 
cut you till you beg me to finish you." He twitched his wrist, flicking 
Brennan's blood off the edge of his blade. It was bright in the room, bright and 
closed in. Brennan was trapped, confined, and he knew he didn't have a chance in 
hell. Scar would cut him to ribbons, laughing, as he tried to reach the gun. He 
breathed deeply, calming his racing mind, drawing, as Ishida had taught him, 
into a state of serene tranquility, and he knew what he had to do. Scar slashed 
his back as he turned, ran, and hurled himself through the French windows in the 
rear of the room. He burst out of the light onto a dark patio.
Scar smiled a genuinely happy smile and stepped out onto the patio after him. He 
whistled tunelessly and watched Brennan run into the yard and blunder into a 
thick patch of trees.
"Hey, nat!" he called out. "Where are you, man? I tell you what. You give me a 
good hunt, I'll cut you a few times then finish you fast. You disappoint me, 
I'll cut your balls off. Even the gook chick won't be able to grow you a new 
pair."
Scar laughed at his joke, then followed Brennan into the dark. He stopped after 
a moment and listened. He heard nothing but the sounds of the wind in the trees 
and, distantly, occasional cars moving in the far streets. His prey was gone, 
vanished into the night. Scar frowned. Something was wrong. He walked deeper 
into the trees.
And from nowhere, a ghost silent among shadows, Brennan rose from his hiding 
place, his waxed nylon bowstring wrapped around his fists. He looped the string 
around Scars throat from behind, yanked, and twisted. Flesh and gristle crumpled 
and Scar vanished. He reappeared a few feet away, clutching at his crushed 
windpipe. He tried to suck in air, but nothing reached his laboring lungs. He 
opened his mouth to say something at Brennan, to curse him or plead with him, 
but no words came. He vanished again, but reappeared a microsecond later in the 
same place, his tattooed face screwed up in pain and fear, his concentration 
shattered, his control gone. Brennan watched him flicker crazily among the 
trees, desperation on his face, teleporting madly, nonsensically. Finally he 
appeared spewing blood from his mouth, staggered against a tree, dropped his 
razor, and fell face up. Brennan approached cautiously, but he was dead. He 
hunkered over him, and took out the felt-tip pen that the waiter had given him 
in Minh's restaurant. He drew an ace of spades on the back of Scar's right hand, 
and, to be sure that Kien wouldn't miss it, placed the hand over Scar's marked 
face.
He made his way back through the trees silently, like the ghost of a forest 
animal. Mai was waiting for him on the patio. She didn't seem surprised when it 
was he who emerged from the trees. She knew him, and what he could do.
"Captain Brennan, is Father really dead?"
He nodded, unable to say the words. She seemed to shrink, to look frailer, more 
tired, if that were possible. She closed her eyes and tears welled silently from 
beneath their lids.
"Let's go home."
He led her into the welcome darkness of the night.
He left after she bandaged his wounds, promising to drop by when he could, 
sadness for her welling inside him, merging with the grief he himself felt at 
Minh's death. Another comrade, another friend, gone.
Kien had to be brought down. It was up to him, one man, alone, with nothing but 
the strength of his hands and the cunning of his mind. It would take a long 
time. He needed a base to operate from, and equipment. Special bows, special 
arrows. He needed money.
He drew back into the shadows of the Jokertown night, waiting for a certain type 
of man to come by, a street merchant who exchanged packets of white powder for 
green bills crumpled in sweaty desperation.
He breathed deeply. The night stank with the countless scents of seven million 
people and their myriad hopes, fears, and desperations. He was one of them now. 
He had left the mountains and returned to humanity and he knew that this return 
would bring with it disappointment and grief and lost hopes. And comfort, some 
part of him said, wondering at the warm touch of invisible flesh and the sight 
of a visible heart beating faster and faster with growing passion.
A sudden noise, a softly scraping step, caught his attention. A man passed him. 
He was dressed richly for a poor neighborhood, and he walked with jaunty 
arrogance. This was the one for whom he waited.
Brennan slipped quietly among the shadows, following him. The hunter had come to 
the city.

EPILOGUE: THIRD GENERATION
by Lewis Shiner
Jetboy dove out of the sky in his rocket-sleek plane, speed lines roarin off the 
swept-back wings. Twenty-millimeter cannons bared ragged calligraphy and the 
tyrannosaur staggered as the shells tore into him.
"Arnie? Arnie, turn out that light!"
"Yes, Mother," Arnie said. He slid the fifty-four-page special Jetboy on 
Dinosaur island back into its plastic bag. He switched of his reading light and 
carried the comic across the familiar darkness of his bedroom and put it away in 
the closet. He had a complete run of Jetboy Comics in one of the waxed cardboard 
boxes they used to ship chickens to grocery stores. On the shelf above it were 
stacked scrapbooks full of clippings about the Great and Powerful Turtle and the 
Howler and Jumpin' Jack Flash. And next to them stood the dinosaur books, not 
just the kid stuff with the crude drawings, but textbooks on paleontology and 
botany and zoology.
Hidden in the back of another box of comics was the Playboy that had Peregrine 
in it. Lately, looking at those pictures had made Arnie feel strange, kind of 
nervous and excited and guilty all at the same time.
His parents knew about his obsessions, all but the Playboy, anyway. It was only 
the wild card business that bothered them. Arnie's grandfather had been on the 
street that day, had seen it with his own eyes when Jetboy exploded into 
history. A year later Arnie's mother had been born with lowgrade telekinesis, 
just enough to move a coin a few inches across a plastic tablecloth. Sometimes 
Arnie wished she'd just been normal. Better that than to get a power that wasn't 
good for anything.
He'd made his grandfather tell him about it over and over. "He wanted to die," 
the old man would say. "He saw the future, and he wasn't in it. just wasn't any 
place for him anymore. "
"Hush, Grandpa," Arnie's mother would say. "Don't talk that way in front of 
Arnie."
"I know what I saw," the old man would say, and shake his head. "I was there."
Arnie crept quietly back to bed and lay on his stomach, pleasantly aware of the 
pressure on his groin. He thought about Dinosaur Island. There was no question 
in his mind that it was real. Aces were real. Aliens were real-they had brought 
the wild card to earth.
He turned on his side and pulled his knees up toward his chest. What would it be 
like? When he was eight he'd driven through Utah with his parents and he'd made 
them stop at Vernal. They'd gone on the Prehistoric Nature Trail, and Arnie had 
run ahead to be by himself with the life-sized dinosaur models. Dinosaur Island 
would look like that, he thought, the rugged brush-covered hills in the 
background, the diplodocus big enough that he could walk under its belly, the 
struthiomimus like a huge, scaly ostrich, the pteranodon crouched like it had 
just glided in for a landing.
His eyes closed and he could see them moving now, not just the crummy dinosaurs 
you could see on TV but the special ones: the tiny, vicious deinonychus, the 
"terrible claw. " Or the hideous, lumpy ankylosaur, a thirty-five-foot horned 
toad with a club on its tail that could dent steel plate.
And deep in his brain, inflamed by the rich, yeasty endocrine soup in which it 
floated, the wild card virus hovered over a cell, paused, then pumped out its 
alien message and died. And so, on and on it went, spiraling down through the 
years in a double helix of fear and ecstasy, mutilation and miraculous change...