| yoeureeke of his spectrescope and why he was off colour and how | 1 |
| he was ambothed upon by the very spit of himself, first on the | 2 |
| cheekside by Michelangelo and, besouns thats, over on the owld | 3 |
| jowly side by Bill C. Babby, and the suburb's formule why they | 4 |
| provencials drollo eggspilled him out of his homety dometry nar- | 5 |
| rowedknee domum (osco de basco de pesco de bisco!) because | 6 |
| all his creature comfort was an omulette finas erbas in an ark finis | 7 |
| orbe and, no master how mustered, mind never mend, he could | 8 |
| neither swuck in nonneither swimp in the flood of cecialism and | 9 |
| the best and schortest way of blacking out a caughtalock of all | 10 |
| the sorrors of Sexton until he would accoster her coume il fou in | 11 |
| teto-dous as a wagoner would his mudheeldy wheesindonk at | 12 |
| their trist in Parisise after tourments of tosend years, bread cast | 13 |
| out on waters, making goods at mutuurity, Mondamoiseau of | 14 |
| Casanuova and Mademoisselle from Armentières. Neblonovi's | 15 |
| Nivonovio! Nobbio and Nuby in ennoviacion! Occitantitempoli! | 16 |
| He would si through severalls of sanctuaries maywhatmay might- | 17 |
| whomight so as to meet somewhere,if produced,on a demi pans- | 18 |
| sion for his whole lofetime, payment in goo to slee music and | 19 |
| poisonal comfany, following which, like Ipsey Secumbe, when he | 20 |
| fingon to foil the fluter, she could have all the g. s. M. she moo- | 21 |
| hooed after fore and rickwards to herslF, including science of | 22 |
| sonorous silence, while he, being brung up on soul butter, have | 23 |
| recourse of course to poetry. With tears for his coronaichon, | 24 |
| such as engines weep. Was liffe worth leaving? Nej! | 25 |
| Tholedoth, treetrene! Zokrahsing, stone! Arty, reminiscen- | 26 |
| sitive, at bandstand finale on grand carriero, dreaming largesse | 27 |
of lifesighs over early lived offs all old Sators of the Sowsceptre | 28 |
| highly nutritius family histrionic, genitricksling with Avus and | 29 |
| Avia, that simple pair, and descendant down on veloutypads by a | 30 |
| vuncular process to Nurus and Noverca,those notorious nepotists, | 31 |
| circumpictified in their sobrine census, patriss all of them by the | 32 |
| glos on their germane faces and their socerine eyes like transparents | 33 |
| of vitricus, patruuts to a man, the archimade levirs of his ekonome | 34 |
| world. Remember thee, castle throwen? Ones propsperups treed, | 35 |
| now stohong baroque. And oil paint use a pumme if yell trace | 36 |