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(So, thou that possessest the oracular tripod, come to this Parnassian ridge where gods walk, where the inspired are favoured.) |
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Mostly on a b c', with the low notes used as in the preceding section and a similar cadence. |
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(Plaiting a bay-stem about thy hair and trailing thy bow(?) in thy immortal hand, lord,. . .) |
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The focus reverts to e and the genus to chromatic, scale d e f a b. The treatment of the pykna, with the flutterings round e and a, is not far removed from the Classical style seen in 3 and 4, particularly now that the tone below the lower pyknon, d, is involved. The section ends on this d. |
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