< previous page page_287 next page >

Page 287
instrumental note, a low 0287-001.gif. If this is right, it should perhaps sound with the first note of the following bar.
7 Zenon papyrus 59533
0287-002.gif
db1017e3fd9b6bbecd5f283ecd392883.gif db1017e3fd9b6bbecd5f283ecd392883.gif
(. . . companions . . . suppliant [fem.] . . . at (your? gods' statues'?) knees shaded (with boughs as carried by suppliants). . .)
The rhythm is dochmiac or perhaps paeonic (in that case 5/8, 0287-003.gif. There is little agreement of melody and accent, which points to a strophic composition, perhaps a tragic chorus. The lines refer to an emotional appeal by a suppliant or suppliants.
In the surviving bars a appears as the focal note, and the music does not go further from it than a minor third above or a major third below. It is based on the diatonic series f g a 0287-004.gif (soft diatonic in the upper tetrachord, a 0287-005.gif (d'), cf. p. 256 n. 8), but there are some chromatic glides in descending motion; see p. 196. The notation-key is Phrygian.
11 Hymn To Asclepius, SEG 30.390
(Original a Semitone Higher)
0287-006.gif
db1017e3fd9b6bbecd5f283ecd392883.gif db1017e3fd9b6bbecd5f283ecd392883.gif
(. . . let us sing of Asclepius, (who protects) men (from dire diseases together with the lord Paian,) Apollo of the famous bow' (etc.))
Brief as it is, this fragment is of high importance as evidence of the (or at any rate of a) manner in which hexameter texts were set to

 
< previous page page_287 next page >