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Richard S. Caldwell has held teaching positions at the Universities of Minnesota and Texas. He is presently Professor of Classics at the University of Southern California. He has written extensively on the psychoanalytical interpretation of Greek myth and drama. He has produced a translation and commentary for Hesiod's Theogony (1987) and is the author of The Origin of the Gods (1989), a psychoanalytical study of Greek Theogonic myth. |
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Rip Cohen took his Ph.D. in Classics and Comparative Literature at the University of California, Santa Barbara. He is presently a Gulbelkian Fellow, doing research in Portugal. He is the author of Thirty-two cantigas d'amigo de Dom Dinis (London 1987) and has translated and co-edited (with Peter Bing) Games of Venus. An Anthology of Greek and Roman Erotic Verse from Sappho to Ovid (London 1991). |
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A. Maria van Erp Taalman Kip studied classics at the University of Amsterdam. She taught Greek and Latin at a secondary school and took her Ph.D. during this period. Since 1977 she is Associate Professor in Greek at the University of Amsterdam. She has published (both in Dutch and in English) on Homer, on archaic and Hellenistic poetry, and especially on Greek tragedy. Her latest book is Reader and Spectator. Some Problems in the Interpretation of Greek Tragedy (Amsterdam 1990). |
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Don Fowler is Fellow and Tutor in classics at Jesus College and Lecturer in Greek and Latin literature in the University of Oxford. He has published articles on Latin authors and literary theory. He is currently working on a book on the book in antiquity. |
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Simon Goldhill is Lecturer in Classics in the University of Cambridge and Fellow of King's College. He has published on Homer, archaic and Hellenistic poetry, and tragedy. He is the author of Language, Sexuality, Narrative: the Oresteia (1984), Reading Greek Tragedy (1986), and The Poet's Voice. Essays on Poetics and Greek Literature (1991). |
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Irene J.F. de Jong studied classics at the University of Amsterdam. Since 1988 she is a senior research fellow at that same university, appointed by the Royal Netherlands Academy of Arts and Sciences. She has published articles on Homer, the Homeric hymns, and Greek tragedy. She is the author of Narrators and Focalizers. The Presentation of the Story in the Iliad (Amsterdam 1987) and Narrative in Drama. The Art of the Euripidean Messenger-Speech (Leiden 1991). She is currently working on a narrative commentary on the Odyssey. |
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Marianne McDonald studied classics and music at Bryn Mawr before taking her M.A. in Classics at the University of Chicago and her Ph.D. in Classics at the University of California, Irvine. She has been a Research Fellow with Thesaurus Linguae Graecae at the University of California, Irvine (a project she helped found) and a Visiting Research Fellow at Trinity College, Dublin, where she helped initiate the Thesaurus Linguarum Hiberniae project. She is presently Adjunct Professor in the Department of Theatre at the University of California, San Diego. She is the editor of numerous Greek concordances and the author of Euripides in Cinema: The Heart Made Visible (1983) and Ancient Sun, Modern Light: Greek Drama on the Modern Stage (1991). |
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Glenn W. Most studied ancient and modern literature and philosophy at the Universities of Harvard, Oxford, Yale, and Tübingen. He is Professor of Greek at the University of Heidelberg. He has published articles on ancient Greek lyric, ancient philosophy (especially Plato, Aristotle, and the Stoics), modern literature (especially Romantic poetry), and literary theory. His books include The Measures of Praise. Structure and Function in Pindar's Second Pythian and Seventh Nemean Odes (Göttingen 1985) and a translation (with A.T. Grafton and J.E.G. Zetzel) of F.A. Wolf's Prolegomena ad Homerum (Princeton 1985). One of his current projects is co-editing the collected works of F. Nietzsche. |
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