Garrick's looking-glass: or, the art of rising on the stage: A poem. In three cantos. Decorated with dramatic characters. By the author of *****.

Table of contents

- [halftitle]

- [titlepage]

- CANTO I.

- CANTO II.

- CANTO III.

THE ART OF RISING ON THE STAGE.

THE END.

GARRICK's LOOKING-GLASS: OR, THE ART OF RISING ON THE STAGE. IN THREE CANTOS.

[Price Half a Crown.]

GARRICK's LOOKING-GLASS: OR, THE ART OF RISING ON THE STAGE.

A POEM. IN THREE CANTOS.

DECORATED WITH DRAMATIC CHARACTERS.

BY THE AUTHOR OF *****.

—Poems read without a Name

We justly praise, or justly blame.

SWIFT.

LONDON: Printed and Sold by T. EVANS, Paternoster Row: by W. WILSON, DUBLIN: and by W. CREECH, EDINBURGH.

M, DCC, LXXVI.

CANTO I.

TO grace the elbow-chair of age,

ROSCIUS, the monarch of the stage;

(For ROSCIUS was in years, well stricken,

Besides that he began to thicken)

Resolv'd to lay the sceptre down,

And make his exit from the town.

To this intent, he summon'd strait,

The lords and commons of his state,

A motley tribe as you should see;

A theatre's variety;

From Madam YATES, to COLUMBINE:

He summon'd them, exact at nine,

Exact at nine, the parties came,

Some known to famine, some to fame.

In the same room (for once) they met;

The tragic ladies, took their seat:

The little folks, were on the scout

And fairly wish'd themselves without:

The gentlemen, stroll'd here and there

Till ROSCIUS came, and took the chair:

Then stood, in attitude profound,

And thus address'd the circle round.

"MY subjects and my friends, adieu:

I now am come, to part with you.

Full forty years, in various places,

Have I, alas, been making faces:

During which time—as you can tell,

Much have I talk'd of heaven, and hell;

Myself have stabb'd, through every part;

And often given away my heart;

Imaginary crimes committed,

Been hated, scorn'd, admir'd, and pitied:

My father strangled, kill'd my brother,

And play'd the devil with my mother;

To day a fool, to morrow wiser,

A monarch, manager, and miser.

Ten thousand times this hand, has press'd

In mimic agony, my breast;

I've died for love, and rose again,

On purpose to repeat my pain.

At once I've stabb'd both man and maid

And, now and then, a tyrant play'd.

Not Sir JOHN HILL, so much has wrote,

As I have spoken through my throat;

'Tis true indeed, we all rehearse

Each year, a waggon load of verse;

I, when the poet lost his gift,

Have kindly given the man a lift,

When poets, weighty matters cobble,

And their gall'd jades begin to hobble,

The player, doctors up their feet,

And makes them seem, both sound and fleet;

This have I done—with your assistance,

Tho' sometimes, we scarce sav'd our distance:

Bards, now a days, would lose the race,

If players, did not mend their pace,

So apt their hackneys are to trip,

That did we not work spur, and whip,

Scarce is there one among them all,

But would, ere course the second, fall:

To tell you then my serious wish,

I'm tir'd of this poetic dish,

So mean to bid farewel to verse,

And live upon my prose, and purse:

I'm on the edges of threescore,

'Tis really time to give it o'er;

I need not counterfeit a wrinkle!

Behold—it strikes you in a twinkle!

The step of sixty, as I stir

You see: 'tis downright angular I

I'm now unfit for rant and riot,

And so determine to be quiet;

No more will I the PROTEUS play,

But choose henceforth the private way:

Nay, Mr. KING, you need not stare,

I am in earnest now I swear;

As player, manager, and poet,

"I've done some service, and you know it:"

I've had my struggles, like the moor,

A time there was, when I was poor:

Now farewel hair-breadth 'scapes, and slavings,

Hail—three times hail—my little savings:

I never coveted such stuff,

But will retire, with just enough

To line the evening couch with down,

And keep a cottage out of town,

My homely Hampton hut, I mean,

Altho' a plain, a pleasant scene;

A palace ill befitteth age,

Mine, is the season to be sage;

And that's, another reason, why

I lay this bustling business by:

Altho' of actors, I am king

The hour, alas, is on the wing

When I, and real monarchs, must

Lay all our royalties in dust:

I now an awful part should act,

And fable, must give way to fact:

You see my purpose, and my plan;

No more the player, but the man.

THEN friends farewel, but ere I quit,

These well known scenes, of sense and wit;

These ever-honour'd, sacred boards,

Where such a levee grand, of lords,

Where kings and queens, so oft have stood,

And died—with little loss of blood;

Where conquerors of every clime,

Have, night by night, harangued in rhime;

Where, by the aid of good blank verse,

Stout heroes, have improved their curse:

Where dukes, of every sort and size,

Have complimented ladies eyes;

Where chiefs, have fought their country's cause,

And statesmen made, and unmade laws;

Where countesses, have drain'd the bowl,

Or stabb'd the form, to save the soul;

While virgins, rather than submit,

Their pretty, panting hearts have hit;

Where all of us, have had our blows,

Our sieges, battles, joys, and woes;

Ah friends—I cannot leave this place,

Till I have given my last embrace;

My eyes will linger to this spot,

Till you my last advice, have got.

FRIENDS, ours, is oft a dangerous trade,

Take then a recipe I've made,

I've tried its efficacy long,

Mind and apply it to the tongue:

The legs, and arms, must claim a part;

I've mixt it up, with wondrous art,

'Twill move the soul, and mend each feature;

I'm told, there's not the like in nature,

And as a mark, 'twill bear the test,

Me, it hath made—Probatum est.

Take first a well-siz'd LOOKING-GLASS,

"And view your shadow as you pass:"

Mark every motion of the eye,

And learn, at will, to laugh and cry,

Observe to step, and start, with grace,

And call up meaning, in the face:

Walk not too narrow, nor too wide,

'Tis like Sir Punch, to strut and stride:

As bad it is, to jerk, and run,

Pray ladies, copy ABINGTON.

Observe the breeding in her air,

There's nothing of the actress there:

Assume her fashion if you can;

And catch the graces of her fan.

Learn in the mirror, how to stare,

To smile in joy, to droop in care:

With ease, to hector-it, or sin-it,

And be the PROTEUS of the minute:

From gloomy, shift to the serene,

And learn to methodise your mien:

In drawing off a glove, I'll tell,

Whether a woman is bred well,

In tieing on a solitaire,

Or in the tender of a chair,

Or managing the limbs below,

I know whate'er a man can do.

I prithee never pause too long,

A trick I got, when I was young,

A trick, my enemies have told,

But habits, seldom leave the old.

The glass may teach, to bow and kneel,

But heaven alone can make you feel:

From that fair fount, the truth must flow,

Yet, art can make a shift you know;

I've found it frequently supply,

The want of sensibility.

But then, 'twill take up all your leisure,

Ere you can make such toil a pleasure;

For where dame Nature is unkind,

And scarcely half makes up the mind,

While Fortune, like a scurvy jade,

Tosses that mind, upon our trade,

It follows, as a clear effect,

That notwithstanding such neglect,

If Nature will not do her part,

The business must be done by art.

In stage-affairs, as in a watch,

There's many a wheel, and many a catch,

In both the mechanism's fine,

Your lookers-on, can ne'er divine,

What a mere juggle 'tis to play;

And yet this juggle does, I say.

Who only views the watch's face,

Conceive not what's within the case;

Enough for them, if truth it tell,

And bids SUE roast the mutton well,

The fine machinery they miss;

As 'tis in that, so 'tis in this.

I would not have you then despair,

Tho' Nature, should her blessings spare,

Tho' some of you, should feel no more,

Than DUNSTAN'S giants o'er church door:

Sheer art, may move a man about,

And who's to find the secret out:

Take heed, 'twill seem all skill and knowledge,

Might pose the fellow of a college.

Have you not seen, in LEAR, and FOOL,

(Where players often rave by rule)

The calling out—a mouse, a mouse,

Has fairly taken in, the house.

If well the changeling throws his hat,

Make sure of your applause for that:

One minute marks a start, at most,

But, if on entrance of a ghost,

You stamp but loud enough, and six,

Instead of one, you may take six:

'Twere well indeed, if, when it's come,

With dext'rous dash of hand, or thumb,

You caus'd the hair, to stand an end;

As that would much the horror mend:

When HAMLET's phantom you pursue,

Gaze, as if every lamp burnt blue:

But when its errand you would know,

Take care, to stagger as you go:

Then, as it waves you, not to vex it,

Let the sword tremble in your exit.

To make King RICHARD, there's a knack;

Be perfect, in the leg, and back;

The eyebrow, should be broad, and dark:

And give to murder, every mark

His fell complottings and designs,

Should startle in the face's lines;

Give him the dark assassin's airs

And catch the audience unawares.

Much, much, dear folks, depends on dress;

The seemly ruff of royal BESS,

The flourish, when she gives the blow,

The royal train, and furbelow,

The thundering boast, of blustering PIERRE,

The straw-made crown, of crazy LEAR,

OTHELLO's face, OPHELIA's willow,

And DESDRMONA's strangling pillow:

Your hose, ye fair, when boys you play,

White chins, when age is in decay,

Fat FALSTAFF's shield, and mountain belly,

Are half the battle, let me tell ye:

If once the galleries give the hand,

A fig, for those that understand,

The men of taste, you know, are rare,

The boxes, seldom heed the player:

Mind not the critic's hiss at flaws,

'Tis buried in the fool's applause.

Is genius wanting—trust to trick,

'Twill prove the actor's walking-stick:

There are, who use it every year:

Tho' none of my good people here.

But where true taste is given, escape,

That which will make you play the ape:

Where there is genius—in such cases,

The passions know their proper places;

Just where they ought, behold them rise,

Or flow in tears, or heave in sighs:

They animate the brightest jest,

And mighty nature stands confest:

What therefore, I remark'd, at first,

Was putting matters at the worst;

As providence bestow'd the power,

I ne'er could bear finesse an hour:

My ARCHER, is your comic sample,

And LEAR affords a grave example.

Of other points, there are a few,

That I will now reveal to you.

And first, it would not be amiss,

But here and there prevent a hiss,

If some of you would condescend

A certain careless air to mend;

'Tis villainous to search the pit,

To find where your admirers sit.

Nor is it right, to stare on high,

Intrigueing with the gallery:

Or to the boxes, give your eyes,

While on the stage a lady sighs:

Believe me, there is much to play,

Ev'n when you have no more to say:

Some, at the close of every speech,

Will, saucy, turn upon their breech;

Dear ladies, pray forgive the word,

But, faith, the custom's more absurd;

Never conclude your business past,

Till act the fifth, and line the last.

Oft have I been, the friend in danger,

When him I lov'd, stood, like a stranger;

And tho' next scene I was to die,

By draught, or dart, or sympathy:

(For broken hearts with us, are common

I've often crack'd a cord for woman)

The fellow, was so lost to feeling,

I might as well have hugg'd the ceiling;

One of his hands, indeed, was near

To take my tributary tear;

While other members, making love

Were set, to trap the nymphs above.

Sure gentlemen; you'll grant me this:

A time to act, a time to kiss;

Resrain but till the curtain's down,

Then Ranger-it, thro' all the town.

BUT really there is no excuse,

Where kissing, is so much in use.

The modern stage, is no way slack,

In granting you an honest smack:

I cannot recollect the play,

Where poets do not shew the way;

There's scarce a scene of tragic bliss,

But they have introduc'd a kiss,

Or if a comedy's their forte,

There's always something of that sort.

The drama now, however chaste,

In tender matters, near the waist;

Tho' they run round and round the riddle,

Girding a zone about the middle:

Yet all, who deal, in deaths and faintings,

Our dapsters at dramatic paintings,

However artfully, each draws

O'er sacred parts the virtuous gauze:

There's none so churlish, to dispute,

The players right to a salute:

In times of WYCHERLY indeed,

A Man, might modestly proceed,

Might leave the lips, and—in a pet

Said Y—G—"Pray sir, don't you forget?

I wish pure precepts, you'd convey,

And treat us—in a decent way:

When ladies in the room are sitting

Say is it sitting ROSCIUS"—Fitting!

As heaven shall judge me by its laws,

I only fight the female cause,

My argument will plainly prove,

You have a right to claim our love:

Whatever characters you play,

Or great, or little, grave, or gay,

While your dear forms are on the stage

You every motion should engage;

And he, who turns away his head—

The prompter—ought to strike him dead:

There's not a man in the creation,

Has for THE SEX such veneration.

IT now remains, ere I go hence,

To thank you, for your diligence.

Sickness, 'tis true, will oft disable:

Pretended sickness, is a fable;

The papers, have been full of this;

But I, blame nature for each miss;

At duty's call you all would come,

But—that you could not get from home:

Nay you'd have ventur'd in a chair,

Had you not fear'd—the evening air.

I know a lady's resolution,

But who can help her constitution.

And had you left your hoods and screens,

You might have died behind the scenes.

I credit not the idle tale

"She is not sick, she does not ail,"

I've seldom pry'd for your complaint,

Convinc'd, you were above a feint,

But sure, of your indisposition,

Have often sent you a physician.

SOME may have had it much at heart,

Because they did not like a part.

Some fair ones, have been apt to quarrel

And could not fancy their apparel:

It seems I've too much trimm'd a train,

When 'twould have prettier look'd, if plain:

I have not always pleas'd my beaux

In the division of the cloaths:

I have giv'n gold, for silver lace,

And sometimes sulted ill, a face:

Complexions differ, and stage dresses,

Should always match the skan and tresses:

But far from me the blame may pass,

The fault was in—the LOOKING-GLASS:

Ladies, indeed it told not truth,

Each habit much improv'd your youth;

And when you were displeas'd with me,

'Twas I adorn'd—a deity.

PERHAPS, a word may be expected,

Of Bards, who think themselves neglected.

It is no easy task, to rule

The scribbling tribe, and every sool,

Who pelts a man with manuscripts,

And crowds on him, mishapen slips;

Things, half begot, and born in pain,

The very Faetus of the brain.

Some of you know, my window-seat;

The piles of paper, there you meet,

Are but the bastards of the day,

From trash, that spawn a mushroom play:

Abortions, sprung from parents poor,

That lie—like foundlings—at my door:

In charity, I take them up,

Altho' not worth my caudle-cup:

The sire, without dramatic sap,

How can the son, be rear'd by pap?

Yet all, I keep a decent time,

In ragged swatheing-cloaths of rhime:

Then, beg the fathers to attend

And—take them to another friend.

I'M charg'd, with scorning babes of wit,

A charge, for which I've answer fit.

EXTRACT a moral, from a tale:

A Grazier, once had steers for sale;

Horses just broke, and heifers grown,

Pigs, calves, and other kine, his own.

To market, as he went one day,

A neighbour, stopp'd him on the way.

DOBSON, said he, as you know well,

Both how to buy, and how to sell,

As I, must watch to-day, the house,

(For mother midwife's with my spouse)

'Twill be a kindness, DOB. if you,

Will bargain for my oxen too:

None better knows when beasts are fat,

You are a judge—I must say that.

The Grazier, from pure love to JOHN,

Jog'd with the cattle, gently on.

A mile beyond, one THOMAS STAVER,

Beg'd, with a smile, an equal favour,

Talk'd of a lameness in his legs

And press'd upon him, all his eggs:

It was not DOB's denying day,

So, with his load, he trudg'd away.

But just as if 'twas ne'er to end,

Hard by, he saw a female friend:

She too, had met a bad disaster,

For which repose would prove a plaister:

How much, she said, would he oblige,

If he would take, her Friday's cheese?

The Grazier, though almost weigh'd down

Agreed, and toiling, went to town.

'Twas sultry noon when he got there

And now, came on, our Grazier's care.

Off went his horses, to his mind,

His heifers, did not stay behind:

His lambkins, bore a market price,

His hogs, found buyers, in a trice.

The market then was at a stand;

His neighbours' goods, remain in hand,

He scarcely sold an egg an hour,

And night, at last began, to lower:

Longer to stay, would be in vain,

And so he drove them back again.

The man with the rheumatic legs,

Who was the owner of the eggs,

The swain, who sent the oxen too,

Now on our luckless Grazier flew;

They tore his coat, they bruis'd his eye—

He was at last, compell'd to fly.

Yet, how was the poor man to blame,

He would have sold, if buyers came:

He could not force the beef, and cheese,

The Town was full of purchases;

The moral, is worth every other,

Serve first yourself, and then a brother;

To serve a brother first, is right,

Provided self gets double by't:

But mind that you get pleasure too,

That sanctifies whate'er you do:

Tis past dispute, and stands reveal'd

By men of note—see, CHESTERFIELD;

Authority we have no better,

It is the sense of every Letter.

For that it was, I sav'd my gold,

For that I bought, for that I sold.

My friends, I have no more to say,

I wish you long to live, and play:

And, when, like me, you've sav'd a pittance,

Make your last bows, and cry, acquittance."

THE GREEN-ROOM, echoed approbation,

And thus broke up the CONVOCATION.

END OF THE FIRST CANTO.

CANTO II.

WHEN mighty resignations come,

They're sounded loud, by beat of drum,

I speak, by trope—conceive me right,

Not drums, made use of in the fight:

But those more general alarms,

That summon kingdoms up to arms;

Again, I strike on metaphor,

These things in rhiming will occur;

Sure, as guns pop, by pulling trigger,

Pen but a verse, off goes a figure,

Altho' our greatest merits, lie,

Far from such quaint embroidery,

True 'tis, that young poetic sinners,

Who at the trade, are but beginners,

Find it extremely hard, to rein

Th' ideas of the buxom brain:

When spirits boil, and fancy rages,

Then glare and gew-gaw gild the pages:

IMAGINATION'S in her prime,

Who loves to sing, in summer-time;

And hence, the stripling poet, goes

To compliment the blooming rose,

Pours forth his genius in love,

Bedecks the garden, grot, and grove,

Scorns to see things, like other men,

But, with a sort of chymic pen,

Hies to the shepherd's fleecy sold,

And turns the greasy wool, to gold:

Hath civil sayings; for each flower,

First makes, and then describes a bower.

Meet such a bardling in your walk,

Perchance you find him, deep in talk:

Or 'neath the branches, with a book;

Or listening to a lazy brook;

For what you readers call, a bird,

Writers, have quite another word:

A plumy songster, feather'd friend,

If proper name, an a at end,

Not bullfinch, goldfinch, thrush, or chaf,

A sweeter, softer sound by half,

'Tis Philamela, tells the tale,

And not the vulgar nightingale:

'Tis not the linnet gives its note,

But Lillinetta pours her throat:

What dull folks call the beetle's flight,

Is but the messenger of night:

And when the day is gone to bed,

On Thetis' lap he lays his head;

The poet's eye can see him swim,

And tinge with gold the ocean's brim:

Then, that which mortals call the dawn,

Is open'd, by the ruddy morn:

And certain streaks of rising red

Mark where that lady's fingers spread,

Lambs, are the types of innocence;

Lilies, and snow, dispute that sense;

Nay every leaf, on every tree,

Affords the bard, a simile:

And every tender bud, that blows,

An epithet, or thought bestows.

Now, some may think—JOVE help their heads!

It is mere dust a mortal treads,

I cannot pity such, enough,

We authors, know 'tis no such stuff:

The velvet carpet, nature gives,

She offers it, and man receives;

Wish you to change the phrase again,

'Tis the green mantle of the plain;

'Tis heaven's own livery, silken sod,

And, by no means a kneaded clod:

'Tis tissue, wove by hands divine,

'Tis all that's fair, and all that's fine.

BUT to proceed—henceforth the muse,

At most, shall modest edging choose:

With her, the fairy days are o'er,

Content with sense, she dares not soar:

Leave we such freaks to youngsters green,

They're but the sportings of eighteen;

The muse, alas, Who scribbles this,

Is now no more a flaunty miss;

The fever of her fancy cool,

She rhimes, and reasons, all, by rule.

THE morning registers of fame,

Soon set the city in a flame:

A favourite player to retire,

Is worse than the alarm of fire:

The ignis fatuus of the stage,

Runs ripe, and rapid, through the age:

And though two mighty nations wait,

Upon the councils of the state;

Yet like true patriots at the heart,

We look when ROSCIUS plays a part:

Whate'er's theatrical devour,

And give to him, th' important hour.

The papers told, that he resign'd;

At this you guess the public mind:

Hang all the folks across the main,

So ROSCIUS, would but act again.

Next day, the matter was averr'd;

Certain, the patent, was transferr'd;

Song, sonnet, ditty, sought the press,

And half, the town, was in distress.

The matter, scarce abroad had flown,

Ere it arriv'd at Helicon;

Swift to the muses' laurell'd court,

A poet, went, to make report;

For poets, be it noted, go,

On such affairs, incognito:

And tho' to sceptics, it seem odd,

In point of speed, shall match a god:

They stride not, ordinary horse,

But PEGASUS, performs the course:

A beast, that traverses the air;

More fleet than your arabian mare.

Thus, poets get to Hypocrene,

Ere Sunday cits, to TURNHAM GREEN.

PHOEBUS, allows the miracle,

And so, they ride invisible.

Hence 'tis, the ponies of PARNASS,

All other quadrupedes surpass;

The reason's evident, the mead

Is consecrated, where they feed:

The best historians alledge,

There's something holy, in each hedge:

That sacred herbage blooms around,

And not a thistle in the ground:

A nettle, here and there, you find,

For steeds that are to wit inclin'd:

Even then, there's honey round the sting,

But for a weed—there's no such thing.

In vain you look for winter here,

'Tis June, rich June, throughout the year:

Hence 'tis, that all the coursers' noses,

Are perfum'd with parnassian posies;

For, as the creatures stoop to graze,

They bite—and fill the mouth with bays:

The fillies, chiefly choose to eat

The primrose, pagle, violet,

Because this sort of food, it seems,

Inspires your pretty past'ral themes:

On jemmy, gentle seet, they run,

And frisk, and frolic in the fun:

In short, the fields, are here so fine,

They prove that every blade's divine,

Such too, is their peculiar force,

A bard they make, of ass, or horse:

Certain, as wings grace Hermes' cap,

Whatever eats, and takes a nap,

Right good sufficient poets wake;

The better, if their thirst they slake

At CABALLINE, the horses fountain;

Which lies on t'other side the mountain;

Some fearful fools, too tame to blunder,

Have set these matters, far asunder,

The river in BEOTIA placing,

And PHOCIS call the spot they graze in,

But poet real, mule or man,

Despises critic's rigid plan:

And skip through kingdoms in a minute,

Think of a place—whew—pass—they're in it:

Your bards dramatical, shall run

And win the sweepstakes, from the sun;

In waving of a goose's feather,

Shall draw the distant poles together;

On wings, scarce fledg'd, with ease can fly

From CATHARINE street, to CASTALY:

Then dig the spur, add loose the rein,

Dine in the Strand, and sup in Spain.

THESE points premis'd, we will not fail,

To see who went to tell the tale.

Trust me, there was no less than seven,

Now made a vig'rous push for heaven:

DAN ROSCIUS rang'd them in a row;

And every one desired to go:

Their coursers you'll suppose were there,

Pawing, to gallop through the air:

Reader you'll note, that heaven's a phrase,

We, authors, use in different ways,

The skies above, lay constant claim,

And HELICON enjoys the name:

Nay what will startle most, I know,

We give it, to the shades below:

In short sirs, every place of rest,

Is heaven, because it suits in best;

So, whatsoever's bad or bitter,

Is hell, to make the sense compleater,

This licence, chiefly marks our charter,

So wonder not, at what comes A 'TER.

In verse like this, the bard's allow'd

A privilege, deny'd the crowd;

A letter, we ne'er mind a pin,

But cast it out, or keep it in:

Odd syllables, we cut, and clip,

And half a word, with ease o'erskip;

So, that at top we put our dashes,

The critic heeds not, such small flashes;

This right, prince BUTLER did ordain,

And SWIFT, confirm'd the act again:

DAN PRIOR, sign'd it with his hand,

A law poetic, through the land;

Since these so often par'd the line,

There's none will cavil sure, at mine:

Say, I clip oft'ner, I'm the less;

But to return—I shall digress.

THE bard, who saddled first his steed,

Was of a mixt, and mongrel breed:

His PEGASUS, scarce known to fame,

Tho' young, and mettlesome, was lame;

One that ne'er won a noble bet,

But threw the heel at all he met;

In going a dog-trot lie stumbled,

Yet snorting, restive, and ne'er humbled;

You'd think its master, was a bruiser,

I lack a rhime—Proceed—'twill do sir—

Yet was it plump, as pad of parson:

The beast might serve to bring a farce on:

Indeed he has been known to pray,

And written, almost half a play:

Nay to do justice to the steed,

'Tis certain he the news could read;

There are who say—you need not laugh,

He actually could paragraph,

The column ken'd with critic eyes,

And wrote both question, and replies;

Howe'er this be, he did not fail

To be a candidate, for the mail.

To search too nicely for the reason,

Would at this time be out of season:

But ROSCIUS, thought not fit to send

This courier, tho' esteem'd a friend:

Rumour declar'd—but she's a hag,

That ROSCIUS had long fed his nag:

And some were bold enough to swear,

This courier's beast engag'd his care,

While blooded horses left to play,

Could scarce get either corn or hay;

That many a prancer, stout and able,

Was left to swell at leg, in stable,

While this queer creature was rubb'd down,

And made a fight of, for the town.

But not to tire you with suggestion,

I haste to things beyond a question:

Altho' by taking off, a cup

Of that same water, poets sup,

And dining well, on heavenly sallads,

Might mend our author's knack at ballads;

'Tis clear, Sir ROSCIUS did not choose

To dub him postman to the MUSE.

THE second was a bard obscure,

That wanted much, a sinecure,

The master of a galloway,

Exceeding apt to run away,

That lately threw a lady down,

Then scamper'd with her thro' the town.

Quoth ROSCIUS, "It can't be, my friend

I might as well, an ANDREW send.

How am I sure, ere you get there,

You will not settle in the air;

The Tit you ride's a lovely BROWN,

But who's to, bring the message down?"

THE four next candidates, were such,

As prov'd a little, was too much,

Your men of FARCE and INTERLUDE;

Who teaze the town with trifles crude;

Who give their tiny pop-guns play,

To pelt the folly of the day:

Whom ROSCIUS artfully employs,

To keep the galleries—from noise.

When tragic heroines, in disguise,

Are now no more to cheat the eyes:

When she, who lately seem'd a brother,

In scene the next, turns out a mother:

When passions are no more at strife,

And the poor man may own his wife:

Till she puts on her woman weeds,

'Tis certain that a pause succeeds,

And, as it takes both time and pain

To make a boy, a girl again;

'Tis decent, that we use finesse,

That each fair lady, may undress;

Hence ROSCIUS, being politic,

Engages those same sons of trick;

A tribe of low dramatic hacks,

To fill the space, between the acts.

Their sense and taste, were nearly even,

But all unfit, alas, for heaven.

ON these accounts, he call'd a crony,

Who kept a very pretty poney:

A thing of fashion, brisk, and neat,

And swift of foot, altho' petite:

Well he maintain'd a poet's cause,

A stickler stout, for critic laws:

The steed, was little, but not lazy,

The rider, dapper as a daisy.

With fairy step, together, they,

Had tripp'd to PARIS for a play;

Thither, each year, the pair would prance,

To catch the comedy of FRANCE

Him, ROSCIUS, deem'd a proper hard,

To carry off the message-card:

"Then mount, dear GEORGE, said he, your steed

And pray return to me with speed."

ALTHO" our poet did not race,

He deftly, went a decent pace:

And those who take long journeys, know

Your even riders, fastest go:

Thus, tho' he did not stretch and tear;

He canter'd regularly there.

For, though a dramatist, and fleet,

His PEGASUS, ohey'd the bit.

Some bards, full cautious, and exact,

Are sway'd, by ARISTOTLE'S act,

Which doth provide, in certain cases,

Strict edicts, upon times, and places:

To break through which, without just reason,

Is call'd a literary treason:

Would you, with these same laws comply?

Then—reverence probability.

Aw'd, therefore, by the sage's plan,

Steadily went, our little man:

Arriv'd, he hail'd the sacred spring,

Dismounted, and address'd the ring:

For as it chanc'd, the ladies nine,

Were, after dinner, quaffing wine:

A basket of ambrosia by,

Remain'd, to tempt a stranger's eye;

Yet, ere he laid a finger on,

He told them, what he came upon.

"YE ever-honour'd, THREE TIMES THREE,

I COLEY GEORGE, now visit ye,

The messenger, alas, of news,

That needs must shock each gentle muse:

The facts, connected with the matter,

Will turn your nectar, all to water:

And your divine poetic lake,

An ordinary puddle make.

ROSCIUS, old Drury's mighty king,

(With pain, ye maids, I tell the tiling)

ROSCIUS, resolv'd to leave the town,

Prepares to quit the scenic crown:

Even now he flies, he's gone this hour,

Unless you interpose your power.—"

"And who the diadem shall wear?"

Cried the sad muses, with a stare;

All rose confus'd, some swore 'twas fable;

Some, spilt the nectar on the table:

Queen TRAGEDY, was in despair,

The COMIC LADY tore her hair:

It chanc'd, the GRACES were their guests,

And they began to thump their breasts:

And though, perhaps, 'twas only art,

Each fair one, acted well her part;

They topt it sir, as they had been

Six summers, training for the scene:

I'm led to judge it a deceit,

(At best a modish counterfeit)

Because tho' some amongst them had

Sufficient reason to run mad;

The poor THALIA, well might cry,

And her sad sister, sob and sigh:

Yet really all the rest might spare,

Their woful looks, and fullen air.

For those to whimper—'twas a whim,

He scarce knew them, they scarce knew him:

And wherefore could the charming GRACES,

Distort, and spoil their lovely faces?

The thing, as it appears to me,

Is, that they wept for sympathy:

For, if you criticise, you shall

Observe, that grief's electrical;

When BELVIDERA, draws the tear,

Behold—the handkerchiefs appear,

At once, a thousand noses blow,

Till the house echoes with the woe:

But mark—I don't conclude from hence,

All feel, the pathos of the sense:

Or all regard the stage, or player,

Ev'n though the lovely BARRY'S there;

For, those who truly are distrest,

Perhaps the nose shall blow, the least;

Yet, when th' infection touches one,

From box to box you see it run:

But every heart is not alike,

And one woe, cannot all folks strike:

Where fathers feel themselves a LEAR,

No doubt the misery's sincere:

But she, who bride shall be to-morrow,

Has no soul then, I ween, for sorrow;

And many a tittering fair, you find,

So little to distress inclin'd,

Ev'n SHAKESPEARE'S scenes could never melt,

Yet still, you'd swear, they really felt:

When tender people round you cry;

'Tis right to bear them company,

Before the face, the fan to pull,

And vow, 'tis passing pitiful:

The eye to rub, the head to lean,

And seem—quite soften'd by the scene.

THIS, clears the conduct of each MUSE,

Nor could the GRACES well refuse,

When MEL. and THA. heav'd sighs by dozens,

They claim'd the sympathy of cousins;

Their beauteous sisters too gave vent:

'Twas all, a decent compliment.

THE news, some thought, must be a fable,

ROSCIUS, they said, though old was able;

The courier, must mistake the thing,

They'd send an herald to the king,

And have it well confirm'd, for sure,

The tidings must be premature.

The courier said, he told the truth,

Moreover, that a tuneful youth,

Who, by a certain spanish plot,

A wond'rous rich DUENNA got,

Who for six, sing-song months together,

Had led the town, thro' wind and weather,

His tweedle-dum—and dee, to hear,

And took—the nation by the ear;

That be, the palace, now had bought,

The trappings, trimmings, and what not:

That other gentlefolks had part,

And shar'd the instruments of art:

The comic, mask, and tragic train,

The sun-shine, and the showers of rain;

The weeds the witches often danc'd in,

With colour'd coat of HARLEQUIN.

The sceptres, swords, and suits of mail,

The palace flats, the park, the jail;

The dragons, bears, and dromedaries,

And all the pantomime vagaries:

The truncheon, targe, and trumpet loud,

The paste-board crown, and canvass cloud:

The thunder-spouts, and thunder too,

With robes, of tartar, turk, and jew:

The couches, coronets, and camps,

The stars, the moon, and all the lamps:

The heroes habits, whole, and torn,

And ermine, walking dukes, have worn:

The blazing petticoats, and sacks,

Which often grac'd princesses backs:

In short, the whole machinery,

And all the trick of tragedy.

ENOUGH, enough, said POMMY, here,

I see the horrid matter clear,

It chiefly touches you and me.

It does my dear MELPOMENE,

Exclim'd poor THALY—let us fly

Direct, to feather'd MERCURY!

THIS said, the sisters, instant went

To MAIA, in the firmament:

Their golden pinions beat the wind.

the little herald, stay'd behind;

Long'd with the rest to hold converse,

But thought it right to talk in verse.

He told the fate of EPICOENE,

Yet did not give the nymphs, the SPLEEN;

A CONNOISSEUR, the bard, they found,

So, many a civil thing went round,

And after much dramatic chat,

They stuck a laurel in his hat:

Then, as the nectar 'gan to rise

(Which they get coustant from the skies;

For, from OLYMPUS, to PARNASS,

It is, with them, an easy pass)

Each lady, freely spoke her mind,

And did—what by, and by, you'll find.

READER, 'twould sacriligious look,

At the mere fag end of a book,

These sacred matters to rehearse,

Which figure, in our future verse:

When great affairs approach, we pause,

This is amongst your epic laws:

Important points demand parade,

And to grace these, we, CANTOS made.

END OF THE SECOND CANTO;

CANTO III.

UPON a Card, as white as snow,

Fairer than message cards below;

Fairer than those, on which the belle,

Sends by her Hermes to PALL-MALL

The modish message of the day,

To make a party for the play,

Or fix the hour of dear quadrille,

That not a moment may stand still:

The MUSES sign'd a soft address,

Which COLEY, carried off express.

THE MUSES TO ROSCIUS.

WHILE MEL. and THA, are gone to heaven,

We, your admirers, sisters seven,

Send this, to beg you may not sell,

Till he who buys, can act as well;

But, such a bidder, when you find,

Pray let us hear, that you've resign'd:

Consent, we have a right to claim;

Obey, and trust to us your fame;

From each, a compliment receive,

And cherish, what the MUSES give.

I CLIO, in the immortal page,

Will bid you live thro' every age:

And I, CALLIOPE the fair,

Will make your harmony my care;

Your various powers of voice, record,

And tell the music of each word.

ERATO and TERPSICHORE,

Your dancing, and your poetry,

Ours it shall oft be, to rehearse

Your knack at epilogue, and verse:

PHOEBUS neglects the epigram,

And sounds the trump of EPIC fame;

The gentle sallies of a morning,

His godship trusts, to our adorning:

EUTERPE, though you seldom sing,

Pays you the honours of a king:

I, POLYHYMN. your memory love,

URANIA, marks the whole, above,

She, with a sunbeam, writes your name,

And consecrates the word to fame:

And we, the sister GRACES, vow,

Not to forget, your air, and bow.

Given at our court, PARNASSUS mountain,

By us—Princesses of the fountain:

By us, your friends, the MUSES seven,

While THA. and MEL. are gone to heaven.

OUR poet now, his hobby strode,

And briskly took the London road:

But, ere he came to DRURY-LANE,

THALIA, press'd the OLYMPIAN plain.

For, as no turnpikes tax the air,

The sisters, presently were there:

When on the earth we go, 'tis gravel,

But debonair, to heav'n, you travel;

The path is cut thro' aether clear,

A mild and milky atmosphere:

And, as you reach the realms of day,

There's not a pebble in the way;

When once you get beyond the sun,

So smooth, and rapidly you run,

All is so gentle, fair, and even,

You glide on feather-beds to heaven.

Hence, VENUS, with, a thousand LOVES,

Yokes, but a single pair of doves,

Which, manag'd, with a silken rein,

Skim up and down the rich domain:

CUPID, to fly beside her chooses;

A brace of peacocks, JUNO uses:

And as 'tis all an easy flight,

Their chariots, are exceeding light,

MERCURIUS, summon'd by the MUSE,

Flew to ELISIUM with the news,

And lighting on the poets' Walk,

The circle found, in various talk.

SHAKESPEARE, majestic in his mien,

Superior to the rest was seen,

" HYPERION'S curls, the front of JOVE,

An eye like MARS," the lip of LOVE,

Mark'd him, from all the lofty band:

A laurel wreath, was in his hand,

A wreath, by all the MUSES wove,

Where each, in rival emblems strove;

A tribe of Grecians, view'd his grace,

With all the Romans, of the place;

The fathers of th' ATHENIAN stage,

Poets sublime, of every age:

VIRGIL, stood gazing on his face,

"The characters of truth to trace;"

Sagacious PLATO, with surprize,

Saw inspiration in his eyes;

The pierceing SOPHOCLES, was struck,

At rays of glory in his look;

Ev'n ARISTOTLE, bent the knees,

And half forgot his unities;

HOMER himself, to fight restor'd,

Embrac'd him, as an equal lord;

APOLLO—Who that day was there,

Proclaim'd the bard his favourite care.

JOHNSON was near, in learned state,

Severe in look, in step sedate,

Much circumspection in his air,

With all an anxious scholar's care:

[*]The TUNEFUL TWINS together sat,

Like brother—bards, in friendly chat;

THOMSON, on beds of roses laid,

Was twisting chaplets in the shade;

His harp to heavenly subjects strung,

Bespoke the hand of solemn YOUNG;

The gentle OTWAY press'd the green,

Still sovereign of the tender scene,

An angel—audience, own'd his sway,

From polish'd ROWE, to pleasing GAY;

MILTON, whom all with reverence view,

POSSEST the scenes, that once he DREW;

Known by his gait, and sounding lyre,

Poor LEE was there, with eye of fire,

Hurrying he went, from grove, to grove,

And ranted rage, or sung of love.

ANOTHER part, adorn'd with bowers,

Contain'd THALIA'S lively powers;

HORACE, appear'd as king of wit,

And SWIFT, maintain'd a regal seat:

Of play-house bards, a numerous train;

Were still disputing who should reign:

The brilliant stroke, the satire smart,

And keen retort, around they dart:

Even here, they seem'd to hate a brother,

And tore the laurel from each other.

Old WYCHERLY assum'd the head,

But matchless DRYDEN took the lead:

Whene'er the mighty poet sung,

The paradise responsive rung:

Ev'n PHILLIP'S godlike son, to hear,

Would list'ning, lean upon his spear,

And sooth'd by sound, even yet, was vain,

Then sigh'd to have his ODE again.

[*]CONGREVE now thought it no disgrace,

But wore a smile upon his face,

And yet, I've heard, would now and then,

Say a soft thing, to Mrs. BEHN.

The bard could ne'er his forte forget,

But lov'd to joke about it, yet:

The courtly VANBRUGH too, was near,

And CIBBER, whispering in his ear;

With many a merry bard beside,

THALIA'S honour, boast, and pride.

SIR MERCURY, now spoke aloud,

(But settled first his wings, and bow'd)

His message told, with godlike grace,

And beg'd their judgment on the case:

He added too, that Mrs. THA.

Had not once smil'd, since dawn of day,

That Madam MEL. was still in tears,

And might be so, these twenty years,

Unless their poetships, could rule

Friend ROSCIUS, still to play the fool:

He thought that ROSCIUS should agree,

For sake of all stage poesy,

To act one more theatric session—

" HERMES you're right—I say, possession;

Cried SHAKESPEARE loud (and while he spoke,

No other bard the accents broke)

Is all to perish then of mine,

Must SHAKESPEARE, be no more divine?

Tho' fame may here, her clarion blow,

Pray who must manage it below? "

He said;—ELYSIUM heard the sound,

And all its tenants throng'd around:

The story in a moment flew,

Till every bard the matter knew,

One told the tydings to another,

Till SOL himself was in a pother.

ELYSIUM, reader, is a name,

Not only, for these sons of fame,

But, a fine place, by JOVE ordain'd,

For all, who've figur'd, fought, or reign'd:

'Tis for the wise, the great, the fair,

And every constant lover's there:

It is, in short, for all the good,

When they have done with flesh and blood;

And yet, the beauty, when a ghost,

There, as on earth, remains a toast;

Th' Elysians, to her charms pay court,

And amorous shadows, round her sport:

The human shape, we sure retain,

Else, could sons know their sires again?

Now, strange as this may seem to you,

AENEAS, found it vastly true,

Who (as DAN VIRGIL'S legends go)

Once, took a pious trip below;

Walk'd round the charming garden twice,

And own'd ANCHISES in a trice;

Made without toil, th' important tour,

And got to earth, within the hour.

THE characters that ROSCIUS play'd,

Were now assembled—to a shade.

Poor BENEDICT, began to stare:

And tho' 'tis odd how he got there

MACBETH, protested he was glad,

ROSCIUS, too oft' had made him mad,

His crimes so painted to the life,

As—PRITCHARD, us'd to paint his wife:

The pensive HAMLET, smote his breast,

And on poor YORRICK'S shoulder press'd:

Even DRUGGER, seem'd to feel the blow,

Then took a quid, to ease his woe:

OTHELLO, little seem'd to care,

And JAFFIER, was not in despair:

Yet royal LEAR, sustain'd the stroke,

Tho', BARRY—at the bottom broke:

If all were well as 'tis above,

That form, that face, might well improve,

My scenes, said LEE—ah ALEXANDER,

That BARRY was a better stander!

Then might'st thou still unrivall'd run,

And claim alliance with the sun!

[*]An hero of the MOORISH race,

Had a [‡] new guest, in his embrace:

Near whom, the stately WOLSEY stood,

To give him welcome from the flood:

Even [†]CAIIUS MARCIUS, hail'd his friend,

And PIERRE, was eager to attend;

CATO, to grieve, saw little cause;

SHERIDAN gives his senate laws;

But princely JOHN, declin'd the head,

And wish'd, that SHERIDAN was dead,

Then dropt a tear, and hid his face,

As conscious still, of his disgrace;

RANGER, with nectar almost mellow,

SWORE ROSCIUS, was a noble fellow,

Then turning to unfriended [*] STEPHEN,

Wish'd NED and DAVY both in heaven.

THE multitude now talk'd so fast,

The matter was so like to last;

So little hope remain'd of hearing;

Sir HERMES, spread his wings for steering:

When SHAKESPEARE, thus preferr'd his prayer,

To HIM who darts his rays from far.

" I see I feel the tempest brewing,

Dark o'er my stage, impends the ruin.

Let me to earth, a ramble take,

And I will expedition make;

Thou bearer of the brilliant bow,

This favour, on thy bard bestow. "

DEAR SHAKESPEARE, thy request is odd,

Replied the silver-shafted god,

And yet I know not to deny—

Then here, good friend, said MERCURY;

This winged cap, I'll lend to thee,

A flying foot, will do for me:

So short the way is to the king,

One might go there with half a wing.

CONSENT thus gain'd, and full in feather,

The bard and HERMES, flew together.

As friendly towards earth, they went,

To see what these strange tidings meant,

They freely chatted on the road,

And SHAKESPEARE thus bespoke the god.

" HERMES, no toil that man engages;

Not making verses, to make pages;

Not all the logic of the laws;

Nor knot, that ties the gordian cause;

Not all the navigator's art;

Nor even the warrior's wily part;

Not methodistical devotion;

Nor secret of perpetual motion:

Not the dull road to classic knowledge;

Nor hum-drum labours of a college;

Not the fierce spirit of debate;

That works the whirligig of state:

Nor jarring jargon of physician;

Not science of geometrician;

Not fluxions, fractions, or finance,

Not both on heel and head to dance

Not Coptic, Algebra, or Erse,

Not dignity, without a purse;

Nor ought on earth such talents ask,

Such powers, as the theatric task;

At once, to move and mend the heart,

A master of the Thespian art;

For even I, with all my boast,

Was deem'd unfit to make a ghost;

Yet HERMES, I could scribble things,

As easy, as you work your wings;

Could very decent dukes create,

And make a minister of state;

Dubb one a lord, a second sir,

And half compleat a character,

Sooner than get that phantom's talk,

Or e'en be perfect in my stalk:

It is not acting, to rehearse,

Some hundred lines of florid verse;

It is not comedy, to frisk,

To trip, to titter, and look brisk;

The wood and wire, can dance and caper,

A very mountebank, can vapour.

It is not tragedy, to roar,

And flounce the body on the floor;

Then to spring upward with a bound,

And cast the goggling eyeballs round;

To writhe the joints, or shake the head,

Then quiver, and burlesque the dead;

It is not tragedy, to pout,

Or, in a fume to jump about;

To slap the forehead, thump the chest,

And screw the face to seem distrest;

Nor sweat an hour upon the stage,

Or twich the mantle, in a rage.

Hence I infer, my worthy friend,

Nature peculiar gifts must lend;

And after all her favours, Care,

And Industry, must make the player."

Quoth MERCURY, " my noble poet,

You're a great man, and often shew it;

But now you miss the matter quite:

Since you, dear WILL, began to write,

Affairs have had a modern turn,

Actors have little now to learn,

The deuce a difficulty in it,

The hocus-pocus of a minute;

At least, the folks who teach to speak,

Dispatch a dozen in a week.

ROSCIUS indeed, and three or four,

(Haply thro' BRITAIN half a score)

The subject, study as a science;

The rest, to study bid defiance.

He who is to the stage inclin'd,

Tells to Sir Manager his mind;

"To be, or not to be" rehearses,

And tries his compass in the curses;

His bosom beats with tragic rage,

And so he jumps upon the stage:

A time he takes to con his part,

(Since he must get the words by heart)

His leisure at the GLASS employs,

And scares the landlady with noise;

Then, all in rubric capitals,

He flames resplendent on the walls:

At every corner of the street,

The new young gentleman, you meet;

And that he may the better bellow,

Sometimes he chooses your OTHELLO;

Changes his face to Moorish black,

Or else, a bunch upon his back—

He aims at grin, and glare, and posture,

And takes a tug of Master GLOSTER:

At length, upon a solemn night,

The hero, is to fume, and fight;

In Romish triumph, lo! he comes,

And stalks, to the tattoo of drums;

He never play'd the king, before,

And haply ne'er shall play it more:

Observe him the succeeding eve,

With a vile livery on his sleeve:

Sunk to the servant's lowest place,

Yet mean enough to bear disgrace.

But if his lungs the task sustain,

He plays the character again;

The strange attraction casts around,

And works his way by dint of sound:

The papers circulate the puff,

He is a diamond in the rough;

And by the force of mighty jaws,

He storms awhile, and wins applause;

Now with success quite feverish grown,

He'll have a playhouse of his own;

The manager and actor join,

And then he fills, the hero's line;

Afar he travels, on the hoof:

His theatre without a roof:

In a vile barn, he butchers LEAR,

And stabbs the regimental'd PIERRE:

But ev'n if all his toils succeed,

Prithee, dear WILLIAM, mark the meed:

Full oft he bustles half the night,

Yet scarcely gets a supper by't;

On thy fine thoughts he feeds by day;

The famish'd sovereign—of a play;

The vagrant hut, rewards his pains,

And the world frowns upon his gains:

Not pedlar, gipsy, jesuit,

Not ballad-wenches, in the street;

Not base buffoon, on scaffolding;

Not bullock, baited at the ring;

Nor beggar dieting at door;

Nor the chance children of the poor;

A lot so hard "—I prithee stop;

Return'd the bard—the subject drop,

For if their private life be good,

Blest they may be, whate'er their food.

"The ship boy on the giddy mast"

My worthy BILLY, not so fast,

Said MAIA'S son—Philosophy.

Is a fine thing, when plenty's nigh;

As to their goodness, I confess,

They are the types of holiness;

Tho' I, sometimes, pass to and fro,

I hear no trips, where'er I go;

So much to deal in sentiment,

Inspires, pure love, esteem, content;

Tho' grocers will their figs neglect,

Actors, will noble thoughts respect;

And hence it is, the real player,

Will live on virtue and the air:

To no one ill is he inclin'd,

Unspotted, both in form and mind.

To do the ladies right, their dress,

Even in a morn, is cleanliness,

So spruce, you at a glance would swear,

In every pin you saw the player:

With rumpled cap, and towzled head,

They never breakfast on the bed,

But, as at night, they love parade,

At day, each fair shall match a maid.

In short, the heroines of the scene,

Are full as chaste, as they are clean.

HERE HERMES paus'd, and rubb'd his eye.

And why friend MERCURY, so sly,

Rejoin'd the poet—in these days,

Actors, I hear, get pence, and praise;

Fashion it seems, hath chang'd her plan,

TOWN-PLAYER, is a GENTLEMAN.

And surely men of art, and sense,

Have justly to the name pretence;

But, as I scent the city smoak,

Prithee good HERMES spare thy joke,

And, if thou lov'st me, quickly say,

Should ROSCIUS go, who's left to play?

For, since I've been a ghost, my friend,

I little, to such points attend.

'TIS long, quoth HERMES, Sir, since I,

To either house, have had a fly;

There's little call for you or me.

The news you'll hear from POMINB:

There's SHERIDAN, the old and young,

One fam'd for speech, and one for song:

But, ah dear WILL, a-lack a-day!

'Tis all to sing, and nought to say!

His airs full seventy nights have run,

And yet the game is just begun:

Why Sir, I'm told, this wicked elf,

Has thrown your lordship, on the shelf:

In vain you growl forth, list, oh, list,

Your favorite phantom is not mist;

And when the mob resign their ghost,

Judge how much footing you have lost:

Uncall'd, old BARRY limps about,

Gets a long sabbath for his gout;

And 'tis with much ado, I hear,

His wife can draw, one tragic tear:

Methinks the age is operatiz'd:

SWEET WILLY—you seem much surpriz'd:

HERMES stopt short—the poet frown'd,

And tore the bays his temples bound;

The chaplet, thrice, indignant, shook;

Tost it air, then angry spoke:

"ROSCIUS resign'd! why had he stay'd,

I would go forward, to upbraid—

Oh had I known, what SHAKESPEARE wrote

Would fly, before the sidler's note,

By yonder—but I will not swear,

Why didst thou lead me on thus far?

HERMES your hand—dear friend adieu."

He turn'd about, and backward flew.

THE God of errands, left alone,

Now bent his course towards HELICON.

Told every MUSE th' appeal was vain,

And in a huff, sought heaven again.

Notes

*
BEAUMONT and FLETCHER.
↵

*
Who in his life-time, affected to despise a literary reputation;
↵

*
ZANGA.
↵

‡
The late Mr. MOSSOP.
↵

†
A name given to CORROLIANUS, whose character was finely represented by Mr. MOSSOP.
↵

*
Amongst the Parts of Mr. SHUTER.
↵

Information about this book

Title statement

Garrick's looking-glass: or, the art of rising on the stage: A poem. In three cantos. Decorated with dramatic characters. By the author of *****.

Pratt, Mr. (Samuel Jackson), 1749-1814.

Publication

Distributor

University of Oxford Text Archive
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ID [ota]

http://ota.ox.ac.uk/id/4053

ID [isbn10]

1106010523

ID [isbn13]

9781106010520

ID [TCP]

K040357.000

ID [BIBNO]

CW3310221972

ID [ECLL]

0134202400

Availability

Distributed by the University of Oxford under a Creative Commons Attribution-ShareAlike 3.0 Unported License

Source

— Garrick's looking-glass: or, the art of rising on the stage: A poem. In three cantos. Decorated with dramatic characters. By the author of *****., Pratt, Mr. (Samuel Jackson), 1749-1814.. [4],72p. ; 4⁰. London :: printed and sold by T. Evans: by W. Wilson, Dublin: and by W. Creech, Edinburgh,. 1776.. [Author of ***** = Samuel Jackson Pratt.] [With a half-title.] [Reproduction of original from the British Library.] [English Short Title Catalog, ESTCT40531.] [Electronic data. Farmington Hills, Mich. : Thomson Gale, 2003. Page image (PNG). Digitized image of the microfilm version produced in Woodbridge, CT by Research Publications, 1982-2002 (later known as Primary Source Microfilm, an imprint of the Gale Group).]

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